Forward by Ian Massey:
Annie Ovenden’s recent paintings are shown here alongside work by her friends and fellow former members of the Brotherhood of Ruralists, the late Ann and Graham Arnold.
In a continuation of her long engagement with the bucolic countryside of north Cornwall, Ovenden returns to her favoured subject of trees, in depictions both celebratory and elegiac. Her landscapes are transfigured by heightened colour, and by judicious effects of light and shadow, metaphors for transience. A subtle vocabulary of painted marks establishes a gentle kinesis that captures the movement of sunlight and air on pasture and foliage. Light is at its most dramatic in paintings such as Restormel Castle, its slender foreground trees as though strobe-lit in early morning sun, and in the illuminated memorial landscape of Those were the Days my Friends. The visionary romance of such pictures is also found in Ann Arnold’s, certainly those with an implied narrative: the watercolour study of the journeying John Clare for
