



























Mark Levin, Writer and Photographer
Mark is retired from a career in education, both in and outside of the classroom. He enjoys traveling in his campervan and finding stories about the people and places encountered along the way. You can follow his blog at FoothillsFaces.com as well as at youtube.com/ TheCountryLifeWithColumbusMark.
Linda List, Writer and Photographer
Linda List’s career was spent in the food industry, often surrounded by chocolate and candy. Retirement and the Tryon Daily Bulletin have provided the opportunity for her to share her writing. Growing up in New York on the Canadian border, she lived most of her adult life at the foot of the Rockies in Golden, Colo. And is now enjoying life in Landrum the foot of the Smokies.
Kirk Gollwitzer, Writer and Photographer
Kirk Gollwitzer is a freelance writer, musician, photographer, videographer, and real estate broker specializing in buying and selling homes and horse properties. A former key figure and co-founder of the Tryon International Film Festival, he has done several documentaries and has written two novels.
Emily Williams, Writer and Photographer
Emily Williams is a recent graduate of North Greenville University with a Bachelor of Arts in English. She is currently pursuing her Master of Fine Arts in Creative Writing while working as a substitute teacher. In her free time, Emily loves to explore Western North Carolina, try out new coffee shops, and write fiction and nonfiction alike.
Storme Smith, Writer and Photographer
Storme Smith is a writer who lives in the Foothills of North Carolina. He is the co-founder and publisher of Buno Books, and has a passion for the arts. He also enjoys writing about the history, sports and unique people and places of our area.
Pebbles, Writer
Pebbles is the “spokespony” for HERD, or Helping Equines Regain Dignity, a local nonprofit that saves equines from dire conditions and in many cases slaughter. She dictates her monthly columns about her adventures, and what a rescue organization does, to Heather Freeman. Pebbles and Heather can be reached through HerdRescue.org
Jeff Allison Publisher
Summer has arrived in the Foothills. The sun’s hanging around a little longer each evening, school’s out, and there’s a renewed sense of energy in the air. It’s the perfect time to slow down and soak in everything that makes life in our small towns so rich and meaningful. As you flip through this issue of Life in Our Foothills, I hope it inspires you to step outside and experience the charm and character that define our community.
At the heart of that charm are the people. This month, we had the pleasure of sitting down with Aaron Greene, who is stepping away after three decades in public education and retiring as superintendent of Polk County Schools. From his early days as a math teacher to leading the district, Mr. Greene reflects on a career built on dedication, leadership, and a passion for helping students grow.
We also spent time with cartoonist Steve Barr, whose nonprofit, Drawn to Help, brings joy and creativity to children in hospitals through art. Steve shares how a simple word of encouragement from a fourth-grade teacher helped spark a lifelong calling. His story is a powerful reminder of how a little inspiration can go a long way.
This month, we also visit with Lydia Juenger, an artist and equestrian who has managed to beautifully blend two distinct passions into one extraordinary life. Whether she’s painting or riding, Lydia’s love for both pursuits shines through.
Of course, no issue would be complete without an update from our favorite four-hooved correspondent, Pebbles the “spokespony,” who’s got the latest scoop from HERD ranch.
This month’s stories are full of life, creativity, and community spirit. We hope you find something that speaks to you. And if you’ve got a story to share—or an idea for something you’d like to see in a future issue—I’d love to hear from you. Drop me a note at jeff.allison@ tryondailybulletin.com.
Thanks for reading!
Aaron Greene
Reflecting on Thirty Years in Public Education
(Story on page 14)
Story by Emily Williams
Jeff Allison Editor
Art and Soul: All Member Exhibit
Through June 7
Tryon Painters and Sculptors
78 N. Trade St., Tryon TryonPaintersAndSculptors.com
Margaret Curtis: This is How it Happened Through June 27
Upstairs Artspace
49 S. Trade St., Tryon UpstairsArtspace.org
Yoga @ Your Library
June 2, 9, 16, 23, 30 at 6 pm
Landrum Library
111 E. Asbury Dr., Landrum spartanburglibraries.org
Queens for a Cause Afterparty
June 3, 9:30 pm
Mirror Ball Gallery
55 Depot St., Tryon, NC Mirrorballgallery.com
Open House: Chill @ Lanier
June 6, 5-6:30 pm
Lanier Library
72 Chestnut St., Tryon Thelanierlibrary.org
Saluda Tailgate Market
June 6, 13, 20, 27 from 4-6 pm 214 E. Main St., Saluda
Landrum Farmers Market
June 7, 14, 21, 28 from 8 am - 12 pm
221 W. Rutherford St., Landrum LandrumFarmersMarket.com
Columbus Farmers Market
June 7, 14, 21, 28 from 8 am - 12 pm Courthouse St., Columbus
Conserving Carolina Speaker
Series: Monarchs in Your Backyard
June 10, 6 pm
Landrum Library
111 E. Asbury Dr., Landrum SpartanburgLibraries.org ConservingCarolina.org
Saluda Library Speaker Series: Renewed Hope for Hemlocks
June 10, 2 pm
Saluda Library
44 W. Main St., Saluda ConservingCarolina.org
Game of Throws Amateur Disc Golf Tournament
June 14, 10 am
Wolfman Woods Disc Golf Course
3871 Artee Rd., Lattimore, NC tboutreach.org/game-of-throws
In the Moment: All Member Exhibit
June 14 - Aug. 2
Opening Reception June 14, 5-7 pm
Tryon Painters and Sculptors
78 N. Trade St., Tryon TryonPaintersAndSculptors.com
Summer Arts Series for Youth 2025 (SASY)
June 16-20, 9 am
Tryon Fine Arts Center 34 Melrose Ave., Tryon TryonArts.org
Nature Photographer Corrie Woods
June 18, time TBA
Lanier Library
72 Chestnut St., Tryon Thelanierlibrary.org
Paper Marbling
June 19, 4 pm
Landrum Library
111 E. Asbury Dr., Landrum spartanburglibraries.org
Sign up required.
Summer Tracks Presents: Aaron Burdett Band
June 6, 7 pm
Rogers Park
55 W. Howard St., Tryon Summertracks.com
Chamber Business After Hours:
Tryon Fine Arts Center
June 19 at 5:30 pm
34 Melrose Ave., Tryon CarolinaFoothillsChamber.com
Summer Tracks Presents: Anya Hinkle Band featuring members of Free Planet Radio
June 20, 7 pm
Rogers Park
55 W. Howard St., Tryon Summertracks.com
Walnut Creek Preserve Speaker Series: Hunters in the Sky!
June 21, 10:30 am
Anne Elizabeth Suratt Nature Center at Walnut Creek Preserve 179 Wood Thrush Lane, Mill Spring ConservingCarolina.org
F.E.N.C.E. Community Yard Sale
June 21, 8 am - 12 pm
3381 Hunting Country Road, Tryon Fence.org
June 7, 10am
Tryon Fine Arts Center Pavilion 34 Melrose Ave., Tryon TryonArts.org
Craft Fair at Market Square
June 21, 8 am-12 pm
Landrum Farmers Market
221 W. Rutherford St., Landrum LandrumFarmersMarket.com
Music at the Market: Remember Me Band
June 21, 7 pm
Landrum Farmers Market
221 W. Rutherford St., Landrum LandrumFarmersMarket.com
Concert: Izzi Hughes
June 22, 4 pm
Foothills Equestrian Nature Center
3381 Hunting Country Road, Tryon Fence.org
PacJAM Summer Camp 2025
June 23-27, 8:30 am
Tryon Fine Arts Center
34 Melrose Ave., Tryon TryonArts.org
Poet Greg Rappeleye
June 26, time TBA Lanier Library 72 Chestnut St., Tryon Thelanierlibrary.org
Tryon 4th Friday
June 27, 5 pm - till Shops, galleries and restaurants Downtown Tryon
Love is Love Pride Brunch & Dance Party
June 29, 2 pm
Mirror Ball Gallery
55 Depot St., Tryon Mirrorballgallery.com
Compiled and Photographed by Mark Levin
Each month, you’ll be introduced to something in our area that’s worth some exploration. Some of these will be familiar, but perhaps you’ve never been or haven’t been in years. And others might be things you have never heard of or thought to visit. All of these will be family-friendly and either free or inexpensive. Get out there!
The Little White Oak Mountain Bike Trail area is a well-kept secret at the Polk County Recreational Complex. The trail area is located adjacent to Polk County Middle School on NC 108.
This trail system is open to mountain bikers, hikers, runners, birders, and nature enthusiasts of all ages. It’s a work-in-progress and will eventually have about eight miles of looped trails. While primarily designed for mountain bikers, hikers will enjoy stretching their legs on a variety of terrain, from relatively flat to downright hilly. Even though bikers must yield to hikers, hikers should be aware that bikers can come out of nowhere…and fast.
Trails that are complete have signs with the trail name and difficulty rating. Some trails in progress might only have flagging that can go missing. Like any outdoor activity, know your limits and your ability to find your way back to the trailhead.
The bike park is part of the Polk County Recreation Complex, the county’s most comprehensive recreation area that includes playing fields, a large playground for younger kids, basketball courts, and tennis courts, and is connected to Laughter Pond. A restroom is located near the playground and playing fields.
The complex is situated adjacent to Polk Middle School, located on the opposite side of the road from the tennis courts. The entrance to the trails is at the far end of the parking lot. You’ll see an entrance sign with a map and rules for use. In addition to mountain bikers and hikers, eBikes are welcomed on the gravel trails if they are “category 1.” This category of eBike means it is only pedal assist, and there is no throttle. The Polk County Recreation Complex is part of Polk County Parks, Recreation & Maintenance. www.PolkTrails.org for more information.
Story
After serving Polk County’s public education system for thirty years, Superintendent
Aaron Greene is scheduled to retire at the end of June. An avid proponent of public education, Greene was more than happy to share some insight he gained over these thirty years before setting sail on his next adventure. He reflected on his time working for Polk
County schools, the value of public education in this era, and the many wonderful memories he will cherish for years.
Greene started his educational career as a math teacher at Polk County High School. “I really had
never thought about anything beyond just teaching,” he stated, but after a decade of teaching, he saw a new need that had to be filled. In twelve years, his school had revolved through six different principals, which naturally impacted the stability of Polk County High. After receiving encouragement from colleagues and family, he applied to be a principal fellow and became the principal of the high school
in the early 2000s.
“That was one of my favorite jobs ever—being there at the school level with the kids. I could take on a bigger role by being able to shape how the high school went,” Greene shared.
“That experience taught me that if you will empower people—afford them the autonomy that they need to do their jobs and then get out of their way—then leading is just a matter of, when
they hit the guardrails, putting them back on the road.”
Greene served as principal for nearly ten years and then became the county’s Curriculum and Instruction Director, where he worked to create K-12 learning plans that would best benefit the developmental needs of the children and the professional needs of faculty and staff. When his friend and mentor Superintendent Bill Miller decided
to retire, though, Greene had to decide the trajectory of his career.
“I did not want somebody to come in from the outside and kind of change what we were doing. So, I got my educational specialist degree and superintendent licensure,” he stated.
Greene shared that the job of superintendent is akin to being the CEO of a company with a specific clientele investing in that company. “They happen to be not only your students and families
but your taxpayers. You are charged with providing a return on their investment,” stated Greene. “Furthermore, you certainly add a lot of spice to the gumbo when you start talking about people's kids and what they mean. Somebody’s most precious possession is their child. It is not just about making widgets and pumping them out the door. You
are working with the future. You are working with the most prized possessions of your community.”
Greene believes an integral piece of Polk County Schools doing its job of making that return investment is the fact that this is a small, tight-knit community that supports its own. From the schools to organizations throughout the
area, he sees people who can take the lead and show care for others.
“What I like most about Polk County is that we’re going to take care of each other,” Greene says. “We’re going to take care of our kids. We’re going to take care of our families, our communities, and we’re going to take care of each other.” He has seen that everyone under his wing as superintendent makes working together a priority, from within the classroom to the Board of Education.
The students in
Polk County truly benefit from community ties because the younger generations become the focus when the community is working together. “Our families benefit each other because they understand that person across from them is worth something, and though they may not like them or may be different from them, treating them poorly is not the way to go,” Greene stated. Because of this, children feel like they belong here, and the more children feel they are valued, the more they will succeed.
Because Polk County is not a large district, the class sizes are smaller than those in larger counties, which helps build the student-teacher bond.
“I think that our students benefit from that philosophy of putting a lot of caring individuals in front of our students and giving them the opportunity to have relationships with those people,” Greene added. “We charge our employees with the idea that every kid needs an adult on campus they know well—that they can go to and trust.”
Not only do the children succeed because of the small class sizes, but also because of the monetary and cultural support of the community. The retirement community in the area values education and works to help financially and through advocating for various cultural opportunities that broaden students’ horizons. Foundations like the Polk County Community Foundation, the Margaret Forbes Foundation, and the Ann L. Turner & Geoffrey M. Tennant Foun -
dation work to meet the immediate needs of the schools, from paying for school lunches to providing seniors throughout the county with college scholarships.
Greene loves seeing the ways this community steps up to support public education—especially in an age where public education appears to be on the defense.
“If you surveyed people about their public schools in their community, they would tell you they like the schools in their community, but they think public education overall is broken,” he shared. In his
personal opinion, he believes, “It’s because of a narrative. It’s because of a political narrative that is put out there. When you spend that much money on something, it is an easy cow to try to sacrifice.”
Greene sees this narrative being broken by allowing parents into the conversation and “pulling back the curtain” of classroom education. If parents spoke with their child’s teachers and principals, they would realize the abundant amount of work and care these educators put into each day teaching their child.
“I am concerned public education is the last place where everybody has to come together and get along,” admitted Greene. “Where else in society do we do that? You go to your own church. You go to your own grocery stores. You go to your own fun in the evenings. Where is it that we, as a society, have to go and get along? Public school is the last place. If we continue to splinter it and dismantle it and downgrade it and devalue it, I think it has large implications for our society.”’
In this age of teaching, Greene
also had wisdom to impart to the community’s educators. He encouraged his teachers to always make the students their priority and to keep their best interests at heart no matter what external sources try to push. In the same manner, Greene also called on educators to stand up and use their voices.
“Right now, we have a lot of people out there telling our story for us,” said Greene. “They are doing that through stories that I
feel are either exaggerated or very specific small events when, if you think about what we do on a larger scale, we do a pretty darn good job.”
One of the main things Greene wants educators to know is that they matter and he is thankful for the work they do. He knows communities appreciate their local educators, but the message does not always get through to teachers of how wonderful a job they are doing and how
much they matter to society.
“They are changing lives,” he stated, “and those returns may not be immediately seen, but they are out there.”
As Greene looked toward his upcoming retirement at the end of June, he shared his excitement about the extra time he will have to invest in his family. Although, he was also reminded of all the things he will miss and all the people he is grateful for.
He will particularly miss the beginning of the school year and senior graduation, loving the cyclical nature of rebirth
that comes with each school year. He will miss the pace of working hard each day to accomplish various tasks necessary for the school system to function correctly. But specifically, he will miss the people—the outstanding students, teachers, and public office officials who make Polk County the community it is.
“I have immense gratitude for the opportunities I have been given here—for the Board of Education, all of the leaders who helped nurture me, educators that came before me—and I just cannot thank Polk County in
general enough for putting up with me for as long as they have. I have been really fortunate to be in this wonderful community.”
Greene is currently preparing to train a new superintendent who has the same intent of prioritizing the teachers and students of this community. Nonetheless, Greene will truly be missed by the many community members whose families he has touched through his unwavering dedication to Polk County Schools over the past three decades.
IBy Storme Smith, photos courtesy of Steve Barr
n comic books and cartoons, a character’s origin story always begins with a pivotal moment. With cartoonist Steve Barr, that moment occurred for him in fourth
grade thanks to a teacher's encouragement. That push eventually spurred his career as an artist and the birth of his nonprofit initiative, Drawn to Help.
Drawn to Help is an organization that brings joy and inspiration through art to children facing health
challenges in hospitals.
“It all began with a doodle,” Barr chuckles, recalling how he drew Mickey Mouse on his wooden desk, much to the excitement of his classmates. While this creative outlet led to an unexpected detention, it ignited his artistic journey.
“Instead of punishing me, my teacher encouraged me by handing me a stack of blank paper,” he explains. This act of kindness propelled Barr into the world of cartooning, where he began creating comic books to sell to his classmates for lunch money.
By seventh grade, Barr was sending cartoons to newspapers and magazines, facing a slew of rejection letters. Yet, he persisted, his determination fueled by a desire to earn money doing what he loved. “Growing up in a lower-middle-income
family gave me the motivation to succeed,” says Barr. His perseverance paid off as his work eventually reached national syndication, paving the way for a career in book illustration and creating card decks and board games, all while expressing his creativity on paper.
But Barr’s journey wasn’t just about personal success but also about finding his place in the world. Originally from Southern New Jersey, he relocated to Asheville at thirteen, falling in love with the Blue Ridge
Mountains. After several years in various states, he returned to Western North Carolina, attracted by the beautiful landscapes and the sense of belonging he felt. As fate would have it, a childhood friend introduced him to Columbus, where he felt an instant connection and decided to make it his home.
The seeds of Barr’s philanthropic endeavors were planted when he began visiting schools and libraries to promote his children's books. An unexpected turn came when a loved one’s son was diagnosed with leukemia. Witnessing the transformative effects of
art therapy on young patients inspired Barr to extend his artistic outreach to hospitals.
“I started visiting a pediatric hospital in Knoxville, and the impact of drawing on the children there was incredible,” he recalls.
From there, the initiative blossomed; Barr received invitations to visit young patients in North Carolina, Florida, Tennessee, and Georgia. During one of these heartwarming visits, he met Paris, a seventeen-year-old who had endured three heart transplants. “We instantly bonded over our love for comics,”
Barr shares. However, when Paris fell into a deep depression, Barr knew he had to return to inspire him. With encouragement and support from the comic book community, Barr rallied artists to send sketches to Paris, which lifted his spirits and gave rise to Drawn To Help.
“Incredible support poured in, and that’s how Drawn To Help was born,” Barr explains. The nonprofit aims to spread joy and creativity to children in hospitals and beyond. Barr has reached countless young patients through this initiative, establishing a digital art activity library and creat-
ing drawing videos during the pandemic to continue their outreach.
However, Drawn To Help’s mission expanded further after the devastation caused by Hurricane Helene. The storm hit Western North Carolina hard, and Barr witnessed the immense suffering of his community firsthand.
“We immediately voted to expand our mission to include disaster relief,” he states. Since then, Barr and his team have had “boots on the ground,” providing essential supplies like food, clothing, clean water and art supplies to affected individuals. Along the way, they have partnered with other
organizations to maximize their impact.
Despite the challenges faced, including navigating the aftermath of a hurricane without power for nine days, Barr’s commitment to helping others remains steadfast. “There are so many people in dire need, and we will continue to support the community as long as we are needed,” he affirms.
As Drawn To Help continues its mission, Barr envisions a permanent headquarters where children can experience a world of creativity—drawing cartoons, enjoying comic books, and attending special programs.
“We want to give these
children a space to enjoy fun activities and a break from their struggles,” he adds, highlighting the importance of making the headquarters a community hub for education and creativity.
How can the community contribute to this vital cause? Barr encourages donations of all kinds, from food and clothing to financial support, to aid in delivering supplies.
“Every bit counts, and the needs change daily,” he explains, emphasizing the importance of community involvement in making a difference.
Art’s power cannot be understated, especially in the lives of children facing
difficult circumstances. Barr has seen how drawing fosters healing, reduces stress, and improves mental well-being. “Creative activities release endorphins that aid in healing,” Barr explains. Drawing offers children a distraction and a way to reclaim joy in times of hardship. In the spirit of gratitude, Barr expresses appreciation for the dedicated volunteers who support Drawn To Help and the organizations that assist in their mission. As he looks toward the future, he invites anyone interested in donating or volunteering to connect through their
website, showcasing the collaborative spirit that propels this meaningful journey forward.
Barr added, “I do want to give a shout-out to Mary at Red Bell Run, John at WNC Disaster Relief, the folks at the United Cajun Navy, Valley Hope Foundation,
and America Cares, and to all of our fantastic volunteers.”
In a world where art and compassion intersect, Steve Barr's story is a testament to the profound impact one person can have through creativity and kindness. Through Drawn To Help, he continues to
inspire hope and provide relief to those who need it most, proving that change is possible with a little imagination and a lot of heart.
For more information on donating or volunteering, visit drawntohelp.com or send an email to info@drawntohelp.com.
One of Lydia Juenger’s expressive abstract paintings, “Perceptions,” explores movement, contrast, and emotion through vivid color and shape.
IStory and Photography by Kirk Gollwitzer
t’s rare to find a life where two passions — one grounded in the physical power of horses, the other in the fluid grace of art — are so deeply intertwined. For Lydia Juenger, they always were and always will be. Born in Brooklyn in the 1950s, Lydia grew up in Queens, surrounded by stone apartment buildings and front stoops, a scene reminiscent of Jackie Gleason’s The Honeymooners. Her mother, Josephine Spina, worked in Ridgewood’s garment district in an industry known as Knitters. Her father, a New York City police officer who briefly served as a detective alongside figures like Frank Serpico, helped instill Lydia’s early sense of independence and grit.
At All Saints Catholic Academy for Girls, taught by a strict order of nuns, Lydia quickly earned a reputation as a sharp, relentless student — one who often tested the limits of the classroom with impossible questions. Teachers sometimes called home, pleading with her parents to quiet her inquisitiveness, saying, “You just have to have faith, Lydia. Please stop asking so many questions!”
A pivotal moment came at Coney Island, where Lydia, just four years old, encountered her first pony.
“I pressed my face into his long mane and
hugged him as long as they would let me,” she recalled. From that moment, horses and art would share space in her heart.
Though a teacher helped her earn a scholarship to the Fashion Institute of Technology, Lydia’s creative ambitions met resistance at home. Her teacher, unimpressed, famously shrugged, “Any dummy can draw.” The dismissal did nothing to deter her. Instead, Lydia forged her own path, working runway shows for designers and juggling long days at the Hanseatic Stock Exchange and Metro-
politan Life Insurance Company.
Yet even amid the chaos of New York life, she found herself longing for wide-open spaces. Exhausted by the city's relentless pace, Lydia left New York with her husband and young son and moved to Westchester County. There, she bought her first farm, immersed herself in the world of eventing, and never looked back.
Westchester, Lydia said, was a true mecca for serious horse people. She trained with icons like Olympic gold medalist Denny Emerson, Michael Page, Jack Le
Goff and others. She competed almost every weekend in three-day eventing, cross-country, and dressage, traveling to shows across the United States, including the prestigious Rolex Kentucky Three-Day Event — though she never competed at that particular venue.
A dear friend and head instructor in the school isle of Old Salem Farm, Roxanne Zoubek, was instrumental in launching Lydia’s professional equestrian career. Lydia peppered Roxanne with endless questions about horses until one day, Roxanne handed her two large shopping bags filled with books and said simply, “Everything
you want to know about horses is in these books. Read them all.”
Her work soon extended beyond competition. At Old Salem Farm, owned at the time by actor Paul Newman and actress Joanne Woodward, Lydia helped launch an adult training program for IBM employees. She prepared horses for fox hunts, taught adult riders, and served as one of the lead trainers. Well-known clients at Old Salem Farm hired Lydia, personally, to prepare their horses.
Horses shaped not only her professional life but her entire approach to patience and craft.
“Training horses taught
me patience,” Lydia said. “You have to look at every angle — body, brain, and spirit.”
Her career eventually took her abroad to Ireland and Germany, assisting in the selection and purchase of top-quality horses for American clients. Yet no matter how far her work traveled, a current of artistry ran quietly beneath it.
"You plan," she said of her painting process, "but you have to be like a river — you have to flow."
By the late 1980s, Lydia and her family were ready for a change. Harsh winters, demand-
ing schedules, and rising costs in the Northeast led them south. In North Carolina, she found what she had been seeking: open land, a welcoming horse culture, and a chance to build something lasting. She purchased Fox Meadow Farm, a working horse property where she spent the next 30 years boarding, training, and rehabilitating horses.
At Fox Meadow Farm, Lydia worked handson every day, training young horses, rehabbing retirees, and building a reputation for trust and quality. At the same time, her connection to art
was quietly reawakened. Between barn chores and long rides, she returned to her sketchbooks and canvases, capturing the animals and landscapes that shaped her days.
Coupled with painting, there is another form of art that digs even deeper into Lydia Juenger’s soul — the jewelry she both wears and creates. Her style is natural and minimalistic, as if the materials themselves find their way to her organically. Pounded and molded copper and silver complement her Italian complexion, while stones borrowed from the creeks and soil of Fox Meadow Farm add
a raw, grounded elegance. Some stones are tumbled for weeks, softened alongside fragments of local wine bottles, blending the natural with the repurposed. Adding to this portrait, Lydia also crafts a line of beaded jewelry using old guitar and bass strings, creating bracelets and earrings that reflect both her artistry and her musical spirit.
As the years wore on Lydia shifted even more deliberately toward her creative side. Her paintings are now filled with the same energy that once carried her across cross-country courses — nature, movement,
emotion — all rendered through color and texture.
“I was never comfortable in city life," she said. "It taught me what I don't want.”
Today, Lydia’s work is exhibited at Tryon Painters and Sculptors, 80Six Gallery in Tryon, and at her private home gallery, Fox’s Lair. While she still tends to a few horses — training, rehabbing, and starting young prospects — her days are increasingly spent with brush and hammer in hand, telling her story through canvas, metal, and stone.
To Lydia, the measure of success, whether with
a horse or a painting, remains simple.
"In my art, if the piece moves me in a good direction, I’ve done my job," she said. "In a horse, I want to see happiness and cohesiveness. That’s when you know you’ve really connected."
Looking forward, Lydia has no plans to choose between her passions.
“I want to live a long, happy, creative life — and as long as I can get up in the saddle, I’ll be doing it until you put me in the grave,” she said.
More about Lydia Juenger can be found at foxmeadowfarmnc.com
“Fox’s Lair,” one of Juenger’s signature works, reflects the soul of her Tryon-based home gallery and studio.
We offer high quality cabinets at an affordable price, designed specifically for your project by our cabinet specialists. Cabinets will be shipped to you in as little as 4 ~ 5 weeks.
SBy Pebbles
ome very lucky equines are irreplaceable. I know this firsthand. I am not worried about what might be next for me. I am cherished. However, many people do not contemplate what happens when they sell their tired older horse or even their child’s outgrown pony.
These owners are focused on what is new and what best serves their purposes for riding. They leave it to their trainer to secure what they can for their former mount. Or they take the steed to an auction or trade the horse in for a younger model at a kill pen. Yes, this happens.
My mistress, Heather Freeman, witnessed this for the first time in North Carolina. She was so shocked that she bought the trade-in horse, Splash, that very day.
A man wearing a broad-brim cowboy hat delivered his rather slim, 15-year-old paint mare to a notorious horse trader who was in the business of buying for slaughter. The mare had been trail-ridden for years. On this summer day, her owner traded her for a younger gray mare half her age. The callous man told the kill-buyer she was slowing down in the mountains. Yes, he
had gained a few extra pounds, he explained. He led his downtrodden mare into a filthy, small holding pen. Then he loaded the feisty gray mare on his trailer, never looking back to say goodbye. The mare he left behind was named Splash. We only knew this because Heather was there to witness the transaction. Splash did not have a current Coggins test or registration papers, but she had a name and was later adopted
by Barbara Wild of Tryon.
We all understand that children grow up. They become too tall to ride the steady-going small equine. The pony or horse is often a saint. However, the equine is not able to compete and move up to a higher level of showing. As the rider gains confidence and wants to pursue a higher jumper division or a faster barrel racing challenge, a different horse is required. A new one must be
purchased. “Out with the old, in with the new” is an old familiar saying.
I, Pebbles, was briefly confined in a kill pen. What was so shocking to me was how many of the horses and ponies there had their manes neatly braided. They had been groomed and prepared like they were going to a horse show. Their owner had taken the time to make them look their best to fetch a higher price at a
horse sale. A few equines enter the small enclosure at the sale with a handwritten note attached to their halters.
“This is Taffy. She is a good girl. We had her for 10 years. Anyone can ride her. We hope she finds a nice home.”
Most thoroughbred horses have microchips embedded in their necks. This replaced lip tattoos. Starting in 2017, all horses registered with The Jockey Club are required to have a microchip, and racetracks must use microchip readers to identify them. With a scanner, one can discover the name, where the horse was raised, trained, and raced. This does help us reveal most young thoroughbreds we save.
We discovered Maritime and Godiva’s pedigrees once we got them into HERD. Our vet located and scanned their microchips. It turns out both were from fine farms. They possessed exceptional breeding. Maritime was from
Ramsey Farms in Nicholasville, Kentucky, and Godiva’s racing name was Get Paid from Oklahoma.
Last year, a beautiful big chestnut mare stood in a small corral in Texas with her note attached to her halter. It was the last call at the kill pen to save her before she would be shipped 18 hours south of Texas to be slaughtered in Mexico. The note stated that she was named Reba and was 18 years old. She had raised lots of beautiful foals. Her owner was quitting the breeding business. “Reba is sweet and gentle, easy to handle; I just don’t need her anymore.”
Once again, we could not let this happen. We raised the funds to buy her, and HERD placed her in a forever home sanctuary with Tesh Mannino.
Another starved equine, a 14-hand pony we rescued, was seized by animal control in
Tulsa, Oklahoma. Amazingly, the officials took her to a kill lot horse trader instead of sending the mare to an equine rescue. She sold for a meat-weight price. We bought her. Her only identity was a State-Federal USOF livestock number glued tightly into her mane. These ID tags are required for equines to ship to Mexico and Canada for slaughter. There was no trace of her past on her Coggins test or bill of sale. The donor who helped us save this pony asked us to call her Tamara as she entered HERD rescue.
After months of rehabilitation in foster care with Kathleen Foster of Rutherfordton, NC, this lucky pony looks robust. She is five years old, friendly, and very easy to handle. Debbie Aughtry of Campobello, SC, has recently adopted her from us as she sees her potential.
However, one must not forget that this sweet pony once had a name and possibly a little girl who loved her.
Fresh produce is refreshing and delicious. Whether recently plucked fruits or freshly harvested vegetables, these foods boast a flavor and nutritional profile unlike any other.
Comfort foods might reign supreme during colder winter months, but come spring and summer, lighter fare can be just what people need to maintain their energy and avoid feeling sluggish on warm days and nights. This recipe for “Pasta Salad with Broad Beans, Tomatoes, Peppers, and Herbs” offers a midday energy boost that can lighten your culinary load in the months to come.
Pasta Salad with Broad Beans, Tomatoes, Peppers, and Herbs
Makes 6 to 8 servings
1 lb. farfalle pasta
4 vine tomatoes, diced
8 ounces broad beans
1 yellow pepper, diced
Directions:
2 tablespoons finely chopped flat-leaf parsley
1 sprig chopped thyme
1 small bunch chives, snipped
2 tablespoons olive oil
1 tablespoon lemon juice
Freshly ground black peppercorns
Salt
1. Cook the farfalle in a large saucepan of salted, boiling water until al dente; 8 to 10 minutes.
2. Drain and refresh immediately in iced water.
3. Once cool, drain again and toss in a large mixing bowl with the vegetables and chopped herbs.
4. Add the olive oil, lemon juice and seasoning, tossing again thoroughly before serving.
Pasta is enjoyed across the globe. Whether it’s the main course of a meal or served up as a side dish, pasta will seemingly always have a place on the dinner table.
Pasta may not be the first thing people think of when pondering comfort food, but certain dishes, including ravioli, certainly meet the comfort food criteria. Such is the case with this recipe for “Herb Ravioli” courtesy of Lines+Angles.
Herb Ravioli
Makes 4 servings
For the dough:
14 ounces flour; for pasta
2 egg yolks
2 eggs
1 pinch salt
1 tablespoon olive oil
For the filling:
7 ounces baking potatoes
1 slice stale white bread
31⁄2 tablespoons soft butter
1 bunch finely chopped chives
1 bunch finely chopped parsley
Sprig chervil
4 ounces crème fraîche
1 finely chopped shallot
Salt
1. Combine the flour, egg yolks, eggs, oil, salt, and 2 to 3 tablespoons cold water and quickly knead to a pliable dough. Form into a ball, cover with plastic wrap and let rest for 1 hour.
2. For the filling, peel and quarter the potatoes and cook in boiling, salted water for 20 minutes.
3. Finely dice the bread. Heat 1 tablespoon butter and fry the diced bread until golden brown to make croutons. Let cool, then reserve 1 tablespoon of the croutons for serving.
4. Drain and mash the potatoes, let cool slightly, then mix with the rest of the butter, salt, pepper, herbs, croutons, and crème fraîche.
5. Divide the pasta dough in half and roll out thinly into 2 sheets.
Pepper
In addition:
Flour for the work surface
1 egg white
41⁄2 ounces bacon
1 bunch chives
Chervil or parsley, to garnish
Put teaspoonfuls of the filling on one of the sheets of pasta, leaving about 2 inches between them.
6. Brush the dough around the filling with egg white. Lay the second sheet of pasta dough on top and press together between the heaps of filling.
7. Cut out the ravioli with a pastry wheel.
8. Drop the ravioli into boiling, salted water and cook for 4 to 5 minutes, then take out and keep warm.
9. Dice the bacon and fry until crisp and brown. Wash the chives, shake dry and snip. Serve the ravioli onto warmed plates, scatter with bacon, chives and croutons and serve garnished with chervil or parsley.
Summer is a time of year when people can enjoy their pick of fresh fruit at farm stands, supermarkets and other retailers. Many fruit trees, plants and bushes are ready for harvest in the spring and summer, meaning there’s no limit to the number of delicious recipes one can whip up with these sweet offerings. Peaches are a favorite ingredient in many different types of desserts, from cobblers to pies. But in this recipe for Fresh Peach Crumble Bars, peaches are presented as a cross between a cake and a cookie. Enjoy!
Yield 20
Crust/Crumb topping:
1 cup granulated sugar
3 cups all-purpose flour
1 teaspoon baking powder
1/2 teaspoon salt
1/4 teaspoon ground cinnamon
1 cup unsalted butter cold, cut into cubes
1 large egg, lightly beaten
Peach layer:
½ cup granulated sugar
1 tablespoon cornstarch
1/4 teaspoon ground cinnamon
5 large peaches, peeled and
diced
1 teaspoon fresh lemon juice
Icing:
1 cup powdered sugar
1/4 teaspoon almond extract
1 tablespoon milk (more or less for desired consistency)
1. Preheat oven to 350 F if using a glass pan or dark metal pan, or 375 F for a light metal pan. Lightly grease or spray a 13 x 9-inch baking pan and set aside.
2. In a medium bowl, whisk together 1 cup of sugar, 3 cups of flour, baking powder, salt and cinnamon. Using a pastry cutter, blend in the butter until the mixture resembles coarse sand. Add the lightly beaten egg and mix until the dough starts to hold together but is still crumbly. Gently press a little more than half the dough into the prepared pan. (Optional: Use a food processor to process these ingredients.)
3. In a large mixing bowl, whisk together the sugar, cornstarch and cinnamon. Add the diced peaches and toss to combine. Drizzle the lemon juice over the peaches and toss to coat. Pour the peach mixture over the crust and spread evenly.
4. Using your hands, press together handfuls of the remaining crumb topping to create clumps. Scatter the clumps and remaining crumbled topping over the fruit layer, leaving some peaches showing through.
5. If using a glass pan, bake at 350 F for 50 to 55 minutes or until lightly browned. If using a metal pan, bake at 375 F for 40 to 45 minutes. Cool completely, then chill before cutting and icing.
6. Whisk together the powdered sugar, almond extract and milk. Drizzle on the bars just before serving.
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