Trinity Holloway's Portfolio

P O R T F O

Trinity K. Holloway

Interior Design Undergraduate

University

of North Texas

TRINITYK.HOLLOWAY

Hello, I’m Trinity Holloway a new graduate from the Interior Design program at the University of North Texas. My interest for the field was sparked by my childhoodexperience of watching my family renovate homes. I decided to study andpursue the profession as the skill set is versatile and can be seamlessly applied to other design disciplines. Within this portfolio, you will find a showcase of my hospitality and commercial projects, reflecting my journey of growth and development through my college experience. Thankyoufortakingthetimetoexploremywork.

TiliViniVilla Assisi,Italy

PROJECTSCOPE:

To create a designthat aligns with the business culture, structure, and goals of the marketing and business departments of the Lionsgate Motion Picture Group. This includes conducting a thorough analysis of the existing space, understanding the functional requirements of the departments, and incorporating their branding and aesthetic preferences.

LOCATION:

409 North Houston Street Dallas, Texas 75202

CONCEPTSTATEMENT:

To cultivate a culture that prioritizes employee needs and expectations by integrating Lionsgate’s core values into the built environment. With a focus on employeewell-being and creating spaces that support various forms of collaboration, the space promotes productivity, innovation, and employee engagement. The design supports the long-term goals for profitability and growth while positioning Lionsgate as an industry leader.

EXISTINGHEADQUARTERS:

Lionsgate Logo for Wayfinding

Movie Posters and LED lights

Red and Orange color schemes

Open Collaboration Zones

Dual-monitor Workstations

Boardroom Style Conference Room

Screening rooms

60 and 16 capacity

DESIGNGOALS:

Demonstrate employee and company core values

Integrate branding in comparison to existing headquarters and competitors

Improve the efficiency of conference room layouts

Support privacy requirements

Include collaboration spaces of variation

Indicate hierarchy while maintaining approachability and comfortability

INNOVATION INNOVATION

Waiting

Large Conference

Medium Conference

Small Conference

Collab Zones

Coffee/ Serve Station

Printing/ Scanning

Break Room

Marketing Dept

Business Dept

Screening Room

CREATIVITY CREATIVITY

DESIRABLE

SEMI-DESIRABLE

NOT DESIRABLE

Not in Scope

Business Department

Marketing Department

IDENTIFIEDSPACES:

Medium Conference “Faction Chamber”

Reception

Large Conference “Bateman Boardroom”

Print and Serve Station

Collaboration Pods

Wellness Rooms “La La Lounge”

Screening Lobby

Screening Room “Saw Cinema”

Break Room “The Capital”

Game Room “The Arena”

Relatability

Collaboration

Innovation

Inclusivity

Creativity

Community

CORRIDOR

Featuring collaborative pods designed with innovation in mind, this photo showcases the integration of custom quotes from Lionsgate's top-grossing films. The design not only compares to competitors but also maintains a sleek and sophisticated branding approach. By incorporating these demountable LED signs, the client gains the flexibility to update and refresh the space without the need for external designers or contractors. The incorporation of these demountable LED signs ensures that the space remains relevant and engaging for the client.

"The Capital" break room and "The Arena" game room are connected through a custom wood framed terrarium to allude to the high-grossing franchise TheHungerGames. "The Arena" invites employees to partake in friendly competition and enjoy a variety of captivating games while supporting the company value of community beyond the work setting. The integration of branding elements from the franchise adds a touch of familiarity and excitement, further enhancing the overall ambiance of the interconnected spaces. BreakRoomElevation

BREAK ROOM

Aiming to recreate the excitement and anticipation of the first moments in a theater, this space draws inspiration from Lionsgate’s iconic motion picture introductions.The full-wall light feature serves as a powerful display of innovative branding that can compare to competitors andthe existing headquarters.

SCREENING LOBBY

The selected materials aim to seamlessly integrate branding throughout the design in contrast tothe existing headquarters that primarily utilize reds and oranges. The incorporation of dark woods adds an element of elegance and sophistication while establishing a strong connection to the site. ng connection to the site.

Natural Creations Matiz Vinyl Flooring

“Blue Morpho” Apricus Wallcovering

Navy Tau Ceramic Wall Tile

“Dress Blues” Sherwin-Williams Paint

“Moorstone” Sherwin-Williams Paint

“Distance” Sherwin-Williams Paint

La Grande Isola Wood Planks

Prairie Oak Wood

Camelia Whisp Upholstery

Marine Recto Kos Upholstery

“Skyway” Square One Upholstery

“Sand” Waterfall Upholstery

Satin Brushed Palladium

TILIVINIVILLA

PROJECTSCOPE:

To develop a site comprising of five guesthouses, each occupying an area of approximately 70 square meters. The design should also incorporate a wine-tasting area and an outdoor space that provides an inviting and inclusive environment for guests to socialize and interact.

LOCATION: Assisi, Italy

HISTORY:

The founder of Tili Vini Winery began cultivating the hills of Assisi in 1200. Keeping the passion alive forcenturies, the vineyard has been handed down fromfather to son. The company continues to grow as their wines and oils, produced with a commitment to respecting the ecosystem, are imported to various locations around the world.

INFLUENCE:

The complex represents traditionalItalian courtyard homes, which feature structures surrounding a central open space optimized for vegetation and water sources. Taking inspiration from historical countryside villas and the sight of the sunset, which fills the sky of various bright colors, to guide the design and materiality of the structures.

CONCEPTSTATEMENT:

To blur the boundaries between internal and external zones to create a vacation villa that encourages social interaction and connection to nature. The site will implement the notion of accessibility to emphasize the idea of integration. Sustainable materiality will serve to harmonize the building structures with their surrounding typography. The concept of layering, inspired by the Assisi sunset, will promote the guest homes' dynamic connection to the vast landscape. Contrasted by the tasting area which strongly depicts the family-run business to act as the complex's conceptual center-point.

Designated Parking

Handicap Accessible Lot

Two-Story Guest Home

One-Story Guest Home

Tili Tasting & Dining

Public Street Private Street

Meant to act as a structure where visitors may roam and socialize, the tasting and dining space would be open to guests and community. Featuring a full service commercial kitchen, accessible bathrooms, and an unobstructed mountain view patio great for watching the sunsets each evening. The indoor outdoor wood-burning fireplace blurs the line between the interior and exterior zones and creates a great way for guests to work together and connect with nature.

TASTING ROOM

The chosen materials showcase a thoughtful layering of colors and textures, reminiscent of a captivating sunset and emphasizing the concept of integrating nature indoors. By incorporating both new and reused materials, this approach not only enhances the visual appeal but also underscores a dedication to sustainability.

Solo River Stone

Pisa Multicolor Ceramic Floor Tile

Mahogany and Reclaimed Wood

Glass Blown Italian Pendant Lights

Olde City and Reclaimed Brick

Black Chenille Upholstery

Brown Leather Upholstery

White Venetian Plaster

Stucco Plaster

PROJECTSCOPE:

To study the museum site to design a tea shop that seamlessly integrates with the existing architecture and ambiance. The objective is to create a tea shop within the museum that effectively showcases the brand's history, values, and unique identity through its design and concept.

LOCATION:

Within the Isabella Stewart Gardner Museum 25 Evans Way, Boston, MA 02115

CONCEPTSTATEMENT:

To createan experience that seamlessly blends the elements of light, conversation, and personal rejuvenation. Incorporating biophilic design principles to establish a strong connection between the space and the Isabella Stewart Gardner Museum site. Inspired by the company's belief in the all-natural art and craft of tea, the design will showcase the art of mixology for every guest.

DESIGNGOALS:

Mirror the site courtyard landscape within the built space

Create a focal point to enhance experience

Maximize function for all users through proper circulation

Integrate Argo’s commitment to sustainability through materiality

ORDER COUNTER

FRONT OF HOUSE

The design incorporates a variety ofsubtle and bold textures both actually and visually. This blend of tactile surfaces creates a lively space and prevents it from feeling flat. The texture influences the interaction between guests while appearing visually pleasing.

Walnut Wood

“Spring Meadow” Benjamin Moore Paint

“Leapfrog” Sherwin-Williams Paint

Satin Brushed Black Aluminum

Eco-Cem Concrete Flooring

Preserved Moss

White Birch Recycled Glass Surface

“Leaf” Shay Upholstery

Calacata Gold Marble Floor Tile

MEANGREENDESIGN

FACILITIESPLANNING,DESIGNANDCONSTRUCTION

PROJECTSCOPE:

To relocate and design a new space for the selected client, ensuring alignment with their business culture, structure, and goals. The scope includes conducting a comprehensiveanalysis of the existing office space, understanding the functional requirements of the departments, and incorporating their branding and aesthetic preferences. Prior to tenant approval, a thorough understanding of the new building site and compliance with local codes is essential.

LOCATION:

Denton, TX 76203

CONCEPTSTATEMENT:

Collaboration and productivity serve as the driving forces behind the design, aiming to create an environment that fosters effective teamwork and enhances overall work performance. One of the most common workplace complaints is a lack of acoustical privacy; incorporating acoustical dampening materials will absorb excess sound and provide a more comfortable and pleasing environment free of distractions (Herman Miller, 2007). To further enhance user satisfaction and task completion, self-regulating applications will be implemented (Meerwarth et al., 2008). Additionally, the design incorporates various restorative spaces with biophilic elements for primary users to recharge and experience increased psychological satisfaction, while conveniently placed informal and formal collaboration zones along travel routes facilitate teamwork, reduce stress, and encourage the cross-fertilization of ideas (Augustin, 2009).

Cultural Priorities and Workspace Design. Sage Publications, 11(4), 437-.452. FPDC logo designed in 2022 by current employees.

DESIGNGOALS:

Provide a more efficient layout in terms of convenience

Demonstrate a sense of organizational hierarchy through systems or grouping

Maintain occupant satisfaction by accountingfor accoustical and visual privacy

Implementing collaborative spaces that account for accoustical privacy to limit distraction

Augustin, S. (2009). Place advantage: Applied psychology for interior architecture. John Wiley & Sons, Inc., 31-205. Herman Miller (2007). It’s a matter of balance: Acoustics in the open plan. Herman Miller. Meerwarth, T. L. Trotter, R.T. & Briody, E.K. (2008).

NEWADJACNCIES:

COLLABORATION AREA

Inspired by the concept of a tree, this collaboration area incorporates wood paneling and the existing column grid to create a restorative and productive zone. The accousticalceiling panels are cleverly placed to mimic the leaves and branches of a tree supporting the concept of biophilia while maintaining sound levels. The carpet flooring not only brings comfort to the area, but also eases the stress of collaboration and aims to be reminiscent of a lively forest floor. This space is strategically placed in a central circulation zone to encourage approachability and increase employee psychological satisfaction.

MEANSOFEGRESS:

Exit to Public Way Exit Access Out of Project Scope Project Scope

INTERIORANALYSIS:

PARKING:

Employee Parking

Service Parking

Visitor

ENVIRONMENTAL ANALYSIS:

FloorPlan

NottoScale

Reception

Large Conference Room

Collaboration Lounge

Break

ReflectedCeilingPlan

NottoScale

LIGHTINGLEGEND:

BLUEDOT Laika

Large Pendant

BLUEDOT Laika

Medium Pendant

BLUEDOT Laika

Small Pendant

FLOS Tatou Pendant

Recessed Can Light

ARKTURA Round Accoustical Felt Panels

ARKTURA Square Accoustical Felt Panels

LargeConferenceElevation

NottoScale

Milliken “Forest” Pathway Carpet

Highgate Limestone HVT Tile

Origin Wood Paneling

“Ghosted” Sherwin-Williams Paint

“Inland” Sherwin-Williams Paint

Designtex “Jade” Current Upholstery

Designtex Boucle Woven Upholstery

Designtex “Robin’s Egg” Upholstery

Designtex Chenille Chevron Upholstery

“Flash” Bend LVT Flooring

“Bottle" Accoustical Felt Fabric

“Grass” Accoustical Felt Fabric

“Jade” Accoustical Felt Fabric

“Boucle Creme” Accoustical Felt Fabric

www.linkedin.com/in/trinityholloway/

trinkay22@icloud.com

THANKYOU