Jones_Tracy_Portfolio

Tracy L. Jones Design + Fabrication Portfolio

TRAC Y L. J ONE S ARCHITECTURAL DESIGNER

504.872.7632 tracyjones37@gmail.com linkedin.com/in/tracy-l-jonesNew York, NY

PROFILE I am a dedicated and detail-oriented Architectural Designer with a strong foundation in digital fabrication, hands-on construction, and spatial problem-solving. With a passion for craftsmanship, sustainability, and community-centered design, I am eager to contribute to a collaborative team in New York. I hold a Master of Architecture from Tulane University, where I gained extensive experience in CNC machining, model-making, and architectural visualization. My hands-on leadership experience in student organizations and design-build projects has honed my ability to contribute meaningful work to team projects and translate innovative design concepts into precise, tangible outcomes. Proficient in Rhino, Autodesk Fusion, and a variety of fabrication techniques, I am adept at transforming design ideas into physical realities. I am excited to bring my technical expertise and passion for architectural design to your team and contribute to projects that make a lasting impact.

EDUCATION

WORK EXPERIENCE

MASTER OF ARCHITECTURE Tulane University 2022–2025 • AIA Medal For Academic Excellence • Merit-Based Scholarship Recipient (2022–2025) • Vice President, National Organization of Minority Architecture Students (2023-2025) • Vice President, Graduate Government (2023-2024)

Tulane University Teaching Assistant / Fabrication Assistant | New Orleans, LA

B.S. BUSINESS MANAGEMENT University of New Orleans 2009-2013

• • • •

• •

SK ILLS Rhino Grasshopper V-ray Adobe Creative Suite Autodesk Fusion Sketchup Revit Arch GIS CNC Machining 3D Printing Laser Cutting Carpentry Prototyping

Provided instruction and technical support in graduate studios, focusing on design development and representation Guided students through the design-to-fabrication workflow, including digital modeling and physical prototyping Demonstrated and supervised safe use of fabrication tools including laser cutters, 3D printers, hand tools, and power tools Assisted with the installation and preparation of exhibitions, reviews, and school-wide events requiring custom fabrication

Eskew Dumez Ripple Architectural Intern | New Orleans, LA •

• •

•

Mar 2021 – Jan 2023

Operated and maintained a 121”x 83” Multicam CNC router; modeled and generated toolpaths in Autodesk Fusion Fabricated custom furniture using a variety of shop tools with a focus on craftsmanship Trained and supervised new hires in shop standards, fabrication workflows, and safety protocols

AM Cabinets, Inc. Millwork Installer | Los Angeles, CA •

Jun 2024 – Aug 2024

Fabricated multiple presentation models using wood, CNC milled high-density foam, and 3D printed elements to communicate design intent Revised architectural drawings based on redlines and guidance from senior staff for DD submission Collaborated with the project team to develop high-quality client deliverables, including physical models and renderings

Doorman Designs Carpenter / CNC Operator | New Orleans, LA •

Aug 2022 – May 2025

Jan 2019 – Feb 2021

Installed millwork for commercial and residential interiors, ensuring precise execution of architectural design specifications Collaborated with general contractors and designers to resolve on-site construction conflicts

CONTENTS I.

Here Lies...

06

II.

Recla(y)mation

16

III.

Little River

24

IV.

The Okra Project

32

V.

Bulbancha

38

VI.

Professional Works

46

VII.

Personal Works

52

I. HERE LIES...

The hidden salt dome beneath Jefferson Island shaped its rich mining history and unique geography, yet its legacy remains buried—both physically and in memory. The 1980 sinkhole disaster, caused by an accidental puncture during oil drilling, swallowed 65 acres of land, reversed a canal’s flow, and erased much of the site’s past. Today, little remains to reflect its history. This project unearths the island’s lost history, making the invisible visible, while serving as a reminder of the lasting impact of resource extraction.

Jefferson Island Visitor Center New Iberia, LA ARCH 6021 Fall 2022 Professor Roser Gray, Cordula

Gas Well Oil Well Core Test

2050 Water Level (2ft Sea rise) 2100 Water Level (5ft Sea rise)

Site study illustrating history of mining locations, current geography, and predicted future sea level

Tracy L. Jones Page 8

Selected Works l Architecture l 2025

The salt dome beneath Jefferson Island has played a major role in shaping the land and its history. It made large-scale mining possible and gives the site higher ground that helps protect it from future sea-level rise. The building is set partly below the surface to highlight how this place is different from the flat, low-lying land around it.

Existing Roads Demolished Structures Remaining Structures Proposed Site

10’

20’

30’

40’

50’

60’

50’

Although the 1980 disaster claimed no lives, the ominous light wells subtly serve as a quiet reminder of the often deadly consequences tied to resource extraction.

Tracy L. Jones Page 10

Selected Works l Architecture l 2025

All programming is tucked beneath the surface, allowing the ground above to remain open for a series of light wells that bring natural light deep into the gallery spaces below.

Gallery spaces are pushed away from central courtyard to protect historic documents from UV rays and enhance effect of the light wells Tracy L. Jones Page 12

Selected Works l Architecture l 2025

Tracy L. Jones Page 14

Selected Works l Architecture l 2025

When observed from ground level the structures begin to read as individual plinths rising from the surrounding landscape reminiscent of the salt domes of the region.

II. RECLA(Y)MATION This studio focused on researching natural, low-impact, alternatives to the carbon-intensive materials commonly used in construction today.

Alongside material exploration, we examined the role of design in the prison industrial complex—specifically how architecture has been used to inflict discomfort and isolation, as seen in the inhumane practice of solitary confinement.

After testing a range of natural materials for structural and aesthetic potential, we designed a pavilion using plywood, oystercrete, cob, and mycelium. Based on the dimensions of a solitary confinement cell (6’x9’x12’), the project reimagined what the same footprint could become if it were designed for connection instead of isolation —transforming it into a place for gathering, reflection, and care.

Abolitionist Pavilion ARCH-6041-03 Fall 2023 Instructor: Welty, Emilie Project Members: Malia Bavuso Abby Carlton Allison Slomski Joey Tomshe

Tracy L. Jones Page 18

Selected Works l Architecture l 2025

Tracy L. Jones Page 20

Selected Works l Architecture l 2025

11Dig For Footing Dig Holes holes for footings

2 J-HooksofAnd Reinforcement 2Place Find placement J-hooks

Pour oystercrete footings 33Pour Oystercrete Footings

4 Assemble 4 Assemble

55Cob Oystercrete CobOver over the oystercrete

6 Install Recycled Frame Drape recycled sailSail overOver the frame 6

Tracy L. Jones Page 22

frame Frame

Selected Works l Architecture l 2025

8 Attach mycellium shingles to the roof 8 Install Mycelium Shingles

7 Nail in reclaimed cedar strips over the sail

7 Nail in reclaimed cedar strips over the sail

ASSEMBLY DETAILS

Attach mycellium shingles to theStrips roof Over Sail Arrange Reclaimed in reclaimed cedar Cedar strips over the sail 787 Nail

III. LITTLE RIVER COMMUNITY This project reimagines an existing neighborhood in Miami’s Little River area as a resilient, sustainable community that actively reduces its environmental impact while improving the quality of life for its residents. The design incorporates a dense tree canopy to increase carbon sequestration, reduce heat island effect, and enhance air quality, while reclaimed materials minimize construction waste. The community solar program empowers residents through lower energy costs and economic / employment opportunities. In addition to its sustainable features, the site serves as a hurricane shelter, providing power, safety, and temporary housing for the surrounding community in times of crisis.

Carbon Budget Zero ARCH 6061 Fall 2024 Professor Vela, Sonsoles

Y

Population: 14,430 Median Age: 42 Average Household size: 3.2 Unemployment Rate: 4.1/4.9 Median Household Income: $46,500 / $67,900

ve r C a n

al Little Ri

ve r C a n

al Little Ri

NO V

9.86”

JAN MAR

75 -80 F

SEP

1.62”

M

91-95 F

Tracy L. Jones Page 26

JUL

86 -90 F

AY

81 -85 F

v

ve r C a n

Selected Works l Architecture l 2025

Abundant Sunshine: Miami enjoys approximately 248 sunny days per year, High Rainfall: The city receives about 61 inches of rain annually Sea-Level Elevation: Average elevation of just 6 feet above sea level Hurricane Zone: Miami lies within a hurricane-prone region Urban Heat Island Effect: Miami faces significant urban heat challenges due to its dense development and minimal shaded areas

al Little Ri

ve r C a n

al

Little R

5 mile radius

Category 4

Category 3

Category 2

Category 1

Tropical Depression

consumption

emissions

cost

urce: https://www.epa.gov/egrid/power-profiler#/FRCC

KBtus/ft2/yr [kWh/m2/yr]

19 60

kgCO2e/m2/yr kgCO2e/yr

22

KWh /yr

consumption

emissions

cost

$1,263 $0.76

Existing On-Site Carbon Sequestration BUSINESS AS USUAL

220,000 kg CO2e bio

Energy

KBtus/ft2/yr total [kWh/m2/yr]

19 60

3396

9209

urce: https://www.epa.gov/egrid/power-profiler#/FRCC

kgCO2e/m2/yr kgCO2e/yr

22

KWh /yr

Energy kWh /yr

7.5 23

NET E-ZERO

total

kgCO2e/m2/yr kgCO2e/yr

-2 total

Per Yr Monthly

$492 $0.31

-294

9209

KBtus/ft2/yr [kWh/m2/yr]

3396

$1,263 $0.76

3585

BUSINESS AS USUAL

Per Yr Monthly

Energy KBtus/ft2/yr 61.1% [kWh/m2/yr]

7.5 23

100% Renewable production on site NET E-ZERO Energy

Proposed On-Site Carbon Sequestration

108.7% kgCO 2e/m2/yr kgCO2e/yr

-2 total

66% $492 $0.31

-294

3585

kWh /yr

61.1%

108.7%

66%

61.1%

108.7%

66%

932,594 kg CO2e bio

100% Renewable production on site

76.4%

Tracy L. Jones Page 28

Per Yr Monthly

Per Yr Monthly

Selected Works l Architecture l 2025

EXISTING TREES removed / relocated LARGE EVERGREEN small evergreen LARGE DECIDUOUS small deciduous LARGE BUSHES small bushes

Tracy L. Jones Page 30

Selected Works l Architecture l 2025

IV. THE OKRA PROJECT

Communal Housing Collective ARCH 6022 Spring 2023 Professor Jover, Margarita

The Okra Project is a proposed communal housing initiative developed by a diverse group of local educators, community organizers, and professionals from the restaurant and service industries. Its mission is to focus on sustainability, cultural education, and food justice. In this community, residents are empowered through education on sustainable living practices.

The design includes communal gardens, professional kitchens for cooking demonstrations, and rooftop solar panels to harness Louisiana’s abundant sunshine. Food security here is more than a concept; it’s an integral part of daily life. Shared kitchens encourage culinary creativity, while community dinners foster togetherness. Partnerships with local farmers ensure that fresh, locally grown produce is accessible to all.

Program

Tracy L. Jones Page 34

Selected Works l Architecture l 2025

Cafe An on site the coffee shop serves as a social hub, offering sustainably sourced beans and locally crafted pastries.

Food Pop-up Retail space is available to host regular food pop-ups showcasing diverse cuisines. Using fresh produce harvested from communal gardens provides residents and neighbors with a rotating culinary experience

Communal Classrooms / Business Centers Multi-functional communal spaces serve as both classrooms and business hubs, offering workshops and supporting a comprehensive approach to community growth and development.

Professional Grade Kitchen Serves as a space for interactive cooking classes, empowering residents with culinary skills while emphasizing responsible ingredient sourcing.

Franky and Johnny’s Restaurant Neighborhood staple remains on site but relocated closer to main road.

Tracy L. Jones Page 36

Selected Works l Architecture l 2025

V. BULBANCHA The Bulbancha Community Hostel proposes a communitycentered hostel on the historic Rampart Street in New Orleans. Partnering with Social Aid and Pleasure Clubs and gardening organizations Bulbancha redirects tourism revenue into historically underserved neighborhoods. By integrating accommodations with a community garden, and weekly market, the hostel provides guests with an authentic experience while funneling money into local businesses and economic opportunities that are typically directed towards the French Quarter. This project fosters cultural exchange and strengthens the financial resilience of the community.

Bulbancha is the original name of the area now known as New Orleans. It is derived from the Choctaw language, where “bulbancha” roughly translates to “the place of many languages” or “the place of many tongues.” The name reflects the area’s historical and cultural diversity, with many different Native American, African, French, and Spanishspeaking communities converging in the region.

Bulbancha Community Hostel ARCH-6032 Spring 2024

215/227 N. Rampart St Zoning District : MU-1 (Medium Intensity Mixed-Use District Lot Size 130’x130’ = 16,900Sqft

Ba

sin

St.

Maximum Height = 60’ (5 stories Max) 1st Floor Hieght Minimum = 12’ Minimum Permeable Open Space = 20% = 3,380Sqft

N.

Ra

mp

art

St.

Pe de pro stria n te ov cted acce erh s an with s gs Tra Mi n n Gr spar 50% ou en nd cy Flo on 5’ or Int eri or Sid eY ard

Interior Side Yard = 5’Setback (650Spft added to open space)

Pe Min rm in Sp eab um ac l e = e op 20 en % Lo 130 tS ’ ize

FAR = 4 Front Yard Setback = Average of front yard of the adjacent lots +- 3’ Parking :

12’ min. 1st Floor Height

6O

nS On tree bo t Pa th rk Fro ing nts Sp

ots

Tracy L. Jones Page 40

Maximum Building Area = 13,520Sqft per floor @5 Floors = 67,600Sqft

60’

Max height Av Fro era nt Y or 5 stories ad ge o ard jac f f Se r t en t lo ont y back a ts = + 3 rd o ’ m f th ax e

0’ e 13 Siz t Lo

24 Parking spaces required total 12 on street Parking spots 12 additonal off street parking spots required

Selected Works l Architecture l 2025

A

B

C

D

E

F

G 1 2 3 4 5 6

Tracy L. Jones Page 42

Tracy L. Jones ARCH 6215 Facade Section Detail

Selected Works l Architecture l 2025

Terracotta Panels

Aluminum Clips

Vertical Supports

0.37

11'-9"

0'-0"

0'-8"

Flashing

Insulation

Metal Stud

10'-5"

Clips

0.50

Air Gap

0'-0"

Horizontal Supports

Tracy L. Jones Page 44

Selected Works l Architecture l 2025

Doorman Designs New Orleans, LA 2021

VI. PROFESSIONAL WORKS I have always been fascinated by the tranformation of an idea into a finshed product. Whether it is a piece of furniture, commercial millwork, or an architectural model, there is something beautiful about the marriage between form and function.

This blending of design and craftmanship has driven my work, constantly pushing me to experiment with new techniques. I view each project as an opportunity to refine my skills and push my creative boundries.

The following is a sample of my professional work.

Doorman Designs New Orleans, LA 2021

Eskew Dumez Ripple Governor Nicholls / Esplanade Wharf Model New Orleans, LA 2024

AMC Cabinets Inc Mill-work Installation (Team of ~ 6) Los Angeles, Ca 2020

Tracy L. Jones Page 50

Selected Works l Architecture l 2025

Doorman Designs New Orleans, LA 2021

VII. PERSONAL WORKS Like many, my first woodworking project was out of necessity. Unable to find an existing product to fit my specific needs I equipped myself with power tools and paint and began teaching myself everything I could about woodworking.

The following is a sample of my personal works.

This project is an ongoing exploration of bypass sliding doors. Unlike standard hinge doors, these panels are in conversation with each other, creating new visual forms as they overlap Tracy L. Jones Page 54

Record Stand Walnut, Plywood 2021

Selected Works l Architecture l 2025

P N

Tracy L. Jones Page 56

Photography NYC Highline 2023

Selected Works l Architecture l 2025

Hand crafted engagement and ring box featuring a laser engraved lid and a layered map of New Orleans with brass location markers. At its center is a wooden mechanical iris that reveals the custom ring box. Every layer of this piece was carefully designed to celebrate place, story, and details of a shared journey.

Tracy L. Jones Page 58

Selected Works l Architecture l 2025

Proposal Box Mixed Media 2025

Tracy L. Jones Page 60

Selected Works l Architecture l 2025

Tracy L. Jones tracyjones37@gmail.com 504.872.7632

Thank You For Your Consideration