Very Tall and Very Bright for sinfonietta (2017) by Tonia Ko

Full Score

Very Tall Very Bright for amplified chamber orchestra

Tonia Ko (2017)

Duration About 8 minutes Instrumentation

Flute Clarinet in Bb Oboe Bassoon Horn in F Trumpet in C Trombone Percussion (2) Player 1 Claves (one pair regular, another mounted-- use as needed for changes) Sandpaper blocks Hi-hat Marimba Bubble wrap (large bubbles) Player 2 Piccolo wood blocks (5) Snare drum Ride cymbal Bass drum Vibraphone Bubble wrap (large bubbles) Electric Guitar Piano (light preparation) Violin 1 Violin 2 Viola Violoncello Double Bass ***All players except guitar, piano, and double bass also perform on a piece of bubble wrap (at least 1ft x 2ft)

Performance Notes General Each player should be amplified with a discrete channel, with particular attention to marimba and snare drum

Downward arrows denote condcutor's cues necessary for aleatoric events. They should be made distinct from regular downbeats.

For boxed events, repeat freely at own pace until indicated moment (vertical line). Arrow denotes strict continuation of the event, or transformation/ attaca into the next event.

In this piece, mircotones are only used in relation to the surrounding equally-tempered notes. For reference:

Winds For all timbre trills and passages with alternate fingerings, noticeable mircotonal variations are desired. Flute

Mircotonal glissando. Following the main note, play the diamond note-heads with the indicated fingering exceptions. The result should be a subtle, rapid mircotonal scale away from the main pitch with light articulations due to fingering changes.

Performance Notes cont'd

Oboe Timbre trills are indicated with character markings guide the selection of specific fingering. In particular, F6 should be a stuffy fingering where the resistance of one note is very different from the other.

Warbly/ distorted sound. Pull the reed as far out as possible and play normally with normal fingerings. On sustained notes, a noticeable beating occurs.

Bassoon

Percussive tongue flap without the reed while fingering the given pitches.

Brass

Air sound. Hold mouthpiece backwards against the tube at an angle for more resistance. Blow and flutter toungue at the same time for an aggressive sound.

Trombone only: note the distinction between lip and valve glissando

Percussion

Marimba

Slide hard plastic mallets between the indicated notes without much downward pressure. Change direction (away or toward body) in order to articulate rhythms. Accelerate for crescendo.

Snare Drum Drag superball mallet across the surface of the drumhead, with enough downward pressure to make a singing tone and NOT a series of bounces or a rumble-- the texture should be completely smooth. In the first appearance, the pitch should be relatively low to match the melodic contour of the ensemble. For the last section of the piece, play near the rim and move slowly, pressing even harder for a higher pitch with a mournful quality. The sound should be close to the pitch area of the cello and horn passages around it.

Wire brush crackling on drumhead. Hold the brush perpendicular to the surface fan tips of bristles slowly against surface, back and forth. Angle of movement should be that of a pendulum, as shown.

Piano The strings from C#3 to Gยง3 (7 notes) are prepared with a strip of poster tack. Nestle the material into the strings, close to the dampers, making sure that absolutely no rattling or buzzing occurs when the keys are struck. The resulting sound should have a clearly present 5th partial with a thud of the fundamental.

Mute the indicated strings with the hand. For this piece, muting occurs in such a high register that discernable pitch should NOT be present

Electric Guitar Pedal effects used: very long reverb, extremely fuzzy/ distorted tone, niente attack with volume pedal.

Percussive strum: mute strings with palm of the right hand and stop an extremely high position with the left hand. There should be very little discernable pitch.

Performance Notes cont'd

Strings

Violin/ viola: air sound with muted strings. With the L.H. dampening all four strings, bow on the indicated strings with flautando bow stroke. If changing strings quickly ad lib., remain at the tip of the bow.

Cello/ bass: bow directly on the bridge at an angle. The resultant sound should be saturated, with a wide noise band.

Bass only: bow on the tailpiece with lots of bow pressure. The resultant sound should be a low squeak or a groan.

Pizzicato behind the bridge. For cello, the rolled chord is combined with strumming the strings in the peg box in opposite directions. Sounds should be lightly pitched but very dry and percussive.

Notes in the highest register. This is combined with ricochet as well as relative mircotonal deviations from this unspecified central pitch.

Unmeasured ricochet (thrown bow) over indicated duration

Ricochet with col legno battuto. The sound of the wood bouncing against the muted strings produces a distinct upwards glisaando. Pitches from the strings themselves should not be audible.

Other

Trill with indicated harmonic node (both artificial or natural)

Bubble wrap Minimum size for each person is 1ft x 2ft, but should not be so large as to disturb insturmental playing or be distractive. Percussionists should have larger bubbles than the rest of the ensemble, with about 1in diameter. Everyone else will play on the more common smaller bubbles of about 1cm in diameter. No air bags should be used in this piece! Performers should take care not to pop too close to the mircophones.

Make the bubbles squeak with friction. Hold the material steady with one hand. Pinch lightly with the other hand while running over the length of bubble wrap, creating contact with several rows of bubbles. Avoid excessive rustling. This effect should sound like the glitch of a machine (cassette tape rewind, radio tuning, vinyl record scratch, etc.). Aim for a variety of pitches and lengths in gesture, staggering entrances throughout the ensemble.

Pop the bubbles with the trajectory described (beginning densely or sparsely). Stagger entrances throughout the ensemble.

When the material is essentially completely popped, or when indicated in the part (whichever is first) rustle the bubble wrap by kneading and squeezing it with the hands. At final cue, raise the rustling increasingly closer to the microphones.

Very Tall Very Bright Written for wildUp

Transposed Score Tonia Ko

q=84 Crackling with static

U Ó

∑

Flute

° 4Ó & 4

U Ó

∑

Oboe

4 & 4Ó

U Ó

∑

Bb Clarinet

?4Ó ¢ 4

U Ó

∑

Bassoon

U Ó

∑

F Horn

° 4 & 4Ó

4 & 4Ó

U Ó

∑

C Trumpet

?4Ó ¢ 4

U Ó

∑

Trombone

q=84 Crackling with static

° Percussion 1

Claves 4 œ Œ UÓ / 4

>œ

‰

>œ J

‰

Æœ œ

œ Œ

∑

f (Hi-hat start open)

(f)

Piccolo Wood Blocks (5)

Percussion 2

4 ¢/ 4 Ó

U Ó

œ œ asœ œpossible œ œ œ with œ œ an œhard œ mallets œ œ œ œ(4) œ œ œasœfast œ œuneven œ œ œ œ texture œœœ œœ œœœœ œœœœœœœ œœœœœ œœœ œ œœ œ œ œœœœ

œ œœ

Ó mp

p pp mf

4 & 4Ó

Electric Guitar

U Ó

∑

“” + # ˙˙

4 & 4Ó

U Ó

?4Ó 4

U Ó

muted, no pitch activate sympathetic resonance

Ó ff

Piano Audible resonance

∑

‰

{

° Slightly under/ supporting woodblocks erratic tremolo between I & II alla punta (separate bows)

Ó mute strings completely, no pitch q=84 Crackling with static (II)

molto flautando

° 4 Violin 1 & 4 Ó

U Ó

∑

j ) ) ) >

)

))) ))

) ))

p "f " pp erratic tremolo between II & III alla punta (separate bows) (III)

4 & 4Ó

Violin 2

U Ó

∑

j ) ) ) > "f "

) p

))

) )) ) ) )

erratic tremolo between II & III alla punta (separate bows) (III)

B 44 Ó

Viola

U Ó

∑

j ) ) ) > "f "

Ó ) pp

?4Ó 4

Violoncello

U Ó

?4Ó 4

Double Bass

bow on bridge at an angle (white noise only)

∑

Y™ n

U Ó

) ) ) ) )) ) )

∑ "f "

bow on bridge at an angle (white noise only)

∑

Y™

∑

¢ n

"f "

° Fl. &

Ob.

∑

U ∑

3 3 8 ∑ 4

∑

U ∑

3 3 8 ∑ 4

∑

U ∑

3 3 8 ∑ 4

∑

U ∑

3 3 8 ∑ 4

∑

U ∑

3 3 8 ∑ 4

∑

U ∑

3 3 8 ∑ 4

∑

U ∑

3 3 8 ∑ 4

∑

U ∑

3 œ™ 3 8 ‰™ J 4

Cl.

? Bsn.

Hn.

° &

C Tpt.

? Tbn.

° Perc. 1

œ Ó

/ mf

simile v. fast and crackling

U ∑

œ œ œ œ œ œ œ œœ œ œ œ œœ œœ œ œ œ œ œ œ œ œœ œ œ œ œ Perc. 2

¢/ mp

3 3 8 ∑ 4

p clean tone very long reverb, match hum of piano resonance

quickly strum muted strings in highest L.H. position, no pitch

1 11

∑

U ∑

3 3 8 ∑ 4

∑

U ∑

3 3 8 ∑ 4

∑

U ∑

3 3 8 ∑ 4

∑

U ∑

3 3 8 ∑ 4

∑

U ∑

3 3 8 ∑ 4

∑

U ∑

3 3 8 ∑ 4

∑

U ∑

3 3 8 ∑ 4

∑

U ∑

3 3 8 ∑ 4

∑ E. Gtr.

∑

‰Œ 1

Æ1 reverb p

“+” j œ #œ & Ó

j #œ

simile mute

j #œ

j œ

#œ Œ

j œ

œ # ˙>˙ Œ Œ j #œ

3 3

mp ff

Pno.

? ∑

∑

{ °

Vln. 1

° &

)

) ))

) ) ) ) n

)) Vln. 2

)

& ))

)) ) n

)

B Vla.

))

) ) ) ) n

? ∑

‹

Vc.

"f "

? ∑

‹

Db.

¢ n

‹ ‰™ R

‹ ‰™ R "f "

11 A ° 3 Fl. & 4

4 4

∑

2 4

∑

warbly timbre trill w/ "stuffy" fingering solo

4 Ó 4 p

Cl.

Bsn.

molto

2 4

∑

simile warble

Ÿn ˙~~~~~~~~~~~~~~~~~ ™ µœ

3 &4

Ob.

4 4

∑

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ n œ µœ ˙ œ 2 4J ‰ 4 4

Ÿ~~~~~~~~~~~~~~ n œ µœ Œ

2 4

3 &4

∑

4 4

∑

2 4

∑

4 4

∑

2 4

?3 4

∑

4 4

∑

2 4

∑

4 4

∑

2 4

∑

2) 4æ æ

) ‰ ææJ

4 4

∑

2 4

Hn.

sound: blow into instrument Ó air with backwards mouthpiece at an angle ° 3 flt.) Œ Œ 4 &4 æ 4 æ

"ff "

n "f "

3 & 4 æ) æ

C Tpt.

Œ Œ

4 4

∑

2) 4æ æ

) ‰ ææJ "f "

4 4

∑

2 4

4 4

∑

2) 4æ

) ‰ æJ

4 4

∑

2 4

4 4

∑

2 4

n "ff "

Tbn.

?3 ) 4 æ æ

Œ Œ n

"ff " "f "

>j œ 4 Œ ‰ ¿ ∑ 4 Depress pedal silently > ¯ ff J .+ (Hi-hat foot chik) crackling texture (add lowest 2 blocks) e e e e e 4 simile e e e ee e e e e e e e e e e e e e e e e e e e e e e Œ ‰ 4

A ° 3 œ Perc. 1 / 4

3 / 4

2Œ 4

>j œ ‰ ¿ J +.

Depress pedal silently >

œœ

e2 Œ 4

œ œ œ œ

4 4

œœ

‰

2 4 p n

p f

Perc. 2

3 ¢/ 4

drum 4 Kick œ 4

∑

2 4

Œ Ó

4œ 4

∑

2 4

Œ Ó

mf stuttering tremolo

!™

3 &4

E. Gtr.

4 4

∑

2Œ 4

∑

‰ 1

4Œ 4

2 4

Æ1 n

reverb f

3 &4

“” + # œ>œ Œ ‰ J

+ #œ œ#œ as fast as possible (ordering does not matter)

4 4

2 4 mp

sub.pp

‰

4 4

∑

2 4

4 (audible lift) 4 >

∑

2 4

))

2 4

Pno.

?3 4

4 4

∑

{

2 4

∑

A Ó unmeasured ricochet small upward gliss. in highest register

1.... Vln. 1

1 ÆJ

° 3 &4

sempre flautando mute strings, erratic noise tremolo between I, II, & III

Œ ‰ )j

) ))

4 4

))

) )))

) ) )) )

2Œ 4

))

‰ )j

))

4 4

))

)) ) ))

)) )))

f n "mf"

1....

1 ÆJ

"mf"

"f " sempre flautando mute strings, erratic noise tremolo between I, II, & III

Œ ‰ )j

3 &4

Vln. 2

) ))

4 4

)) )

))

2Œ 4

))) ) ) )

)) )

‰ )j

"f "

4 4

)

) )) )) ) )) ) ))) ) )))

2 4

f "mf" n

"mf" "f "

"f " arco

j ¿ Œ ‰ ¿¿ ¿ > ff

pizz. behind bridge + pegbox simultaneously

j ¿ ¿ ¿ ¿

Œ ‰ ¿¿¿ J > ff ∑

!™

4 4

2Œ 4

∑ bow on tailpiece, with pressure

4 4

ÍÍÍÍÍÍÍ arco

2 4

( mf

2 4 n

j ¿ ¿ ¿ ¿

∏∏∏∏∏

?3 4

Db.

∏∏∏∏∏

?3 4

Vc.

4 ‰ 4

1 J

∏∏∏∏∏∏

B 43

Vla.

1 ÆJ

∏∏∏∏∏∏

1....

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ pizz. 1 1 behind j bridge to molto vib. crazed whistle 2 4Ó R ≈ ¿¿ 4 4 ¿¿ f > ff

∏∏∏∏∏∏

pizz. behind bridge

‰ ¿¿¿ J > ff

4 4

∑

4 4

2 4

∑

(

2 4

B microtonal gliss., finger indicated passage simile fingerings and gliss. speed need not be precise

BUT omit A key, + Bbb thumb

j :K e ;n œœ

n œœ

: K e; œœ

: Ke ;

Fl.

° 2 & 4

4 4

bO bO O n O nO

bO #O

2Œ ‰ 4

bO bO

bO O

n O nO

Kœ

œ J

Kœ

4 4

nO pp

6 7

mf n

<Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ˙ œ 2 4 Œ & 4 4

Ob.

2 & 4

Cl.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ n œ µœ ˙ ˙ 4 ‰ J 24 4

∑

4 4

∑

2 4

4 4

∑

2 4

4 4

∑

2Œ ‰ ) 4 ææJ

Ó mf

∑

4 4

∑

4 4

r ‰™ b>¿ f possible

4 4

) ææJ

4 4

∑ flap without reed

?2 Bsn. ¢ 4

Hn.

° 2 & 4 æ) æ

) ææJ

‰

"ff "

2 & 4 æ) æ

C Tpt.

?2 ) 4æ æ

) æJ

4 4

‰

2Œ ‰ ) 4 ææJ

∑

Perc. 1

) ææJ

4 4

‰

) æJ

‰

2Œ ‰ ) 4 ææJ

∑

) ææJ

‰

"ff "

>j œ ¿ J +.

‰

4 4

2Œ ‰ 4

∑

B 4 4

∑

œ œ œœ

‰

>j œ ¿ J splash

œœ

2 / 4Œ

‰

"ff "

° 2Œ / 4

"ff "

Tbn.

4 4

Æœ œ œ œ œ 44

2Œ ‰ 4

œœœ

Æ p

Perc. 2 f

2 ¢/ 4

4 œ 4

∑

2 4

Œ Ó

∑

4 4

∑

4 4

!™ æ

1 11

2 & 4 Œ™

E. Gtr.

‰

4 4

2Œ ‰ 4

∑

1 1

Æ n

2 & 4Œ

“”+ # œ>œ J ‰

+ œ œ # œ nœ œ œ

4 4

2 4 mf

sub.pp

‰

4 4

∑

‰ >

4 4

∑

‰

B air noise swells on all strings, dovetailing with Vln II 4 )™ ≈ ≈‰ ≈ )™ 4 )™ ) "mf "

Pno.

?2 4

4 4

∑

{

2 Œ™ 4

∑

Vln. 1

° 2 & 4Œ

j )

‰

)

4 4

)))

)) ))

)

))

2 4

))

) ) )

molto

n "mf"

"f " air noise swells on all strings dovetailing with Vln I

2 & 4Œ

Vln. 2

j )

‰

)

4 4

)

) )

) ) )

) )

)))

2 4

) )

‰

4 4

‰

j )

)™ ≈ )™ ≈

≈ )™

) )) "mf " molto

‰

?2 4

∑

j ¿ ¿ ¿ ¿

¿¿ ¿ J >

4 4

∑

(

2Œ ‰ 4

∏∏∏∏∏

Db.

?2 Œ 4

∏∏∏∏∏

Vc.

4 Ó 4

∏∏∏∏∏∏

Vla.

ÍÍÍÍÍÍÍÍ¯¯¯¯ pizz. 1 1 1 j ¿ 2 R≈¿ 4 ¿¿ f n > ff

arco

"f "

∏∏∏∏∏∏

ÍÍÍÍÍ¯¯¯¯¯¯¯¯¯¯ "mf" 1 1 j ¿ R ≈ ¿ B 24 ¿¿ > f ff

2 4

∑

4 4

∑

4 4

∑

j ¿ ¿ ¿ ¿

¿¿ ¿ J >

4 4 #w sfpp

Kœ

˙™

Kœ

19 Fl.

° &

∑

Ob.

Cl.

? ∑

‰ Ó

Bsn.

¢ ¿ ¿ b¿ b>¿ n ¿

b>¿

n¿

(f)

Hn.

° &

C Tpt.

∑

? Tbn.

¢ Levels equal to woodblocks Marimba soft mallets (v. little pitch)

“e” e e e e e e e e e e e e e > e e e e e e e e e e e e e e e #e

> ee e eeeee

e e e e e # e >e e e e e e e e

ne e e e #e

° Œ Perc. 1

/ 6

p n

œœ œœœœœœ œ Perc. 2

¢/

Æ poco poco

! ææ

Ó E. Gtr.

11> ™™™ ≈ 111 ™™ 1™

1 11

‰ Ó 1

& 1

mp n

n f f

“+” j œ#œ

+ #œ

(open)

j #œ

j œ

j #œ

j œ

¯ #œ>œ

j œ

# œ nœ>œ¯

#œ

& 3

3 sf

Pno.

? ∑

∑

{ °

Vln. 1

° &

≈ )™

≈

)™

≈ ‰

≈ )™

j )

)™

≈‰ Vln. 2

) J

≈

)™

≈

)™ )™

)™ 6 (q ) arco (air sound)

)

)) B

∑

)

)) ) )

Vla.

)> ) ) ) ) ) ) ) ) ) ) sub. "f "

)

) æ

)æ

)> ) ) ) ) ) ) ) ) sub. "f "

arco (bridge air sound)

? ∑

>‹

‹ ‹‹‹‹ ‹ ‹‹ ‹‹‹

Vc. 3 sub. "f "

>‹

Y ææ

3 sub. "f "

simile swells

? ∑

Db.

(

( 5

‹

‹ ‹‹‹ ‹

microtonal gliss., finger indicated passage BUT omit C key and thumb

n>œ ™ ≈J

22 Fl.

° &

jœ

œ R ‰™

bœ

:J e; j˙

Jœ

#O nO b O

5 8

Œ # O nO etc.

n 6

n ord.

œ J Œ Ob.

‰

5 8

& p

∑ Cl.

∑

5 8

∑

5 8

∑

5 8

∑

5 8

∑

5 8

5 5

? ∑

‰

Bsn.

¢ ¿ ¿ ¿

b>¿ n ¿ ¿ ¿ b ¿

"f"

Hn.

° &

replace mouthpiece

) æ

∑

"ff "

replace mouthpiece

) æ

∑ C Tpt.

"ff "

replace mouthpiece

? ) æ

∑ Tbn.

"ff "

Perc. 1

:“; > > ° # e e e e e e ne e e e e e e e # e e e e e e e e eR ™ ‰ /

> > #e e e e ene e e e e e e e e e e eb e e e e e e e e e e ne e e eb e e e e e e e e e e e 5 ‰ ‰8

gradually expand range > add irregular accents

Perc. 2

¢/

> œ œ œ œ œ œ œ >œ

œ >œ

,abrupt cutoff 5 8

> >œ œ œ œœ

mp f

11> ™™™ 1 ≈ 11 ™™ 1™

∑ E. Gtr.

∑

5 8

∑

5 8

∑

5 8

+ #œ

j œ

¯ #>œ

+œj# œ

j œ

“”¯ nœ>œ

& 3 sf

Pno.

? ∑

{

slide L.H. gradually to highest position, unmute strings gliss.

increase density of gestures

Vln. 1

° &

))) ))

) )

)) ) )

)))

5 8

)

p slide L.H. gradually to highest position, unmute strings increase density of gestures

gliss.

))) Vln. 2

) )) ) ))

) )

)) ) )

)))

5 8

)

p slide L.H. gradually to highest position gliss.

(h ) 6

B Vla.

)))))

) )) ) ) )) )

) ææ

)) ) ) )> ) ) ) )

) ) )) ) )

) )) )) ))) ) )) ) ) ) )

5 8

"f "

? ‹ ‹ ‹ ‹ ‹ Y ææ

Vc.

>‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ææ 3 sub. "f "

Y ææ

? ∑

Db.

5 8

( 6

∑

5 8

C jœ ™

œ very breathy

#ord. œ. 5 : œ. . . . . .#e. ; ™ ‰ J 8 Œ t

, 4 4

° 5 Fl. & 8

∑

k t

4 4

pp breathy f (no cresc.)

f timbre trill, ord.

~~~~~~~~ Ÿ œœœ ‰ ‰ J

œ™

5 &8

Ob.

4 4

∑

∑ n

∑

5 8

∑

4 4

5 8

∑

4 4

#œ

#œ 4 J 4

mf timbre, uneven speed

bœ ‰ J

5 & 8 Œ™

Cl.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~ œ. b ˙™ œ œ

œ™

4 4

‰ Ó p breathy mp pp

echo bend

œ replace reed

Bsn.

?5 Œ ¢ 8

4 4

∑

5 8

∑

b>¿ n ¿

Œ mf

ppp

Hn.

° 5 &8

4 4

∑

5 æ 8 œæ

∑

Œ™

4 4

Œ™

4 4

Œ™

4 4

cup mute (lip down)

5 &8

C Tpt.

4 4

∑

5 8 œ

∑

bend

#œ n

mf cup mute (lip down)

?5 8

Tbn.

4 4

∑

5 8 œ

∑

#œ

¢ mf n

(Mounted) Clave

(Regular) Claves

>j C ‰ œ¿ 85 ∑ ff J +. Snare Drum

plastic mallet

Perc. 1

° mf5 œ / 8 ¿

>œ J

4 4

∑

Depress pedal silently >

f splash

4 4

try to match melodic contour

(snares off) superball mallet

Perc. 2

5 ¢/ 8

4 4œ

∑

5 8 œ

∑

‰ ‰ mp

4 œ 4 J

p f (Kick Drum)

1 11 E. Gtr.

5 &8 Œ

Œ 1

1™ 1 æ 4 ≈æJ ææ 4

! ææ

sub.p

11 ™™ æ

! ææ Ó

11 ™™ 1™ æ

11 1 æJ

‰ 85

4 4

∑

Æ n

f reverb

5 &8

∑

4 4

∑

?5 8

∑

4 4

∑

“”¯ œ œ ##œ>œ 5 ‰ #œ 8 J ff mp ‰ ‰ 85 Œ

Pno.

{

to mute

+ œ œœœœœ œœ

4 4 Œ

‰

4 4

> ø

° slight pitch deviations in highest register no vib.

(I)

Vln. 1

° 5 &8

C #œ. 5 no-œ vib. ≈‰ J 8

n1 ™ B 1 ™ n1 µ1 ™ B 1 ™ n1 µ1 ™ n1 ™ B 1 ™ n1 ™ µ1 ™ 4 ≈ ≈‰ ≈ ≈‰ ≈ ≈ ≈ ≈ 4

1.... Œ™

ord.

4 4

#e Œ ™ J

ff f 3

p n

simile tiny swells dovetail with Vln 2 slight pitch deviations in highest register no vib.

quick

(I)

Vln. 2

5 &8

µ1 ™ B 1 ™ n1 ™ µ1 ™ B 1 ™ n1 ™ ≈ ≈ ≈ ≈ ≈

1....

4‰ 4

Œ™

B 1 ™ n1 ™ µ1 ≈≈ ≈‰

n1 ™ no vib.

≈

#ord. œ. 5 -œ ‰ J 8

4 4

#e Œ ™ J

ff f 3

p n quick

simile tiny swells dovetail with Vln 1

arco pizz. below bridge

Vla.

∏∏∏∏∏∏

¿ B 85 ¿¿ >¿

-‚ J Œ

O™

4 4

‚ ‚ ‰ æJ æ

no vib.

O æ

. ‰ #œJ 85 -œ

4 4

#e Œ J n>) )

p f f 3

p ff "f " (I)

1....

no vib. 3

Vc.

j Œ & b œO -

?5 8

4 O™ 4 ˙™

ææj ‰ b œ‚

æ ‚œæ

æ O˙æ

?‰

#œ. 5 -œ J 8

j #e Œ

>‹ 4 J 4

pp ff

mf f

"f "

tailpiece groan tremolo on bridge

Db.

?5 ¢ 8 Œ

‹ ææJ "f "

4Y 4æ æ

Œ pp

‰ ‹ ‹ ææJ ææ

Y ææ

"mf"

‹

‹™

‰ 85 Œ "f "

9™

4 4

° 4 Fl. & 4

5 4Ó

∑

#œ. 4 œ. . . . . .#e. J 4 Œ

3 4

3 7

f p

4 &4

Ob.

5 4Ó

∑

œ ˙ J 4 4

3 4

4 &4

Cl.

5 4

∑

<#> ˙ ™ 4 ? Bsn. ¢ 4

4 4

∑

-œ

µe

# œ ˙™ J

5 4

4 4

3 4

∑

3 4

ppp p

Hn.

° 4 &4

5 4Ó

∑

#œ. 4 œææ J 4

3 4

n mf

4 &4

C Tpt.

5 4Ó

∑

#œ. 4 œ J 4

bend

#œ

n mf

?4 4

Tbn.

5 4

∑

4œ 4

∑

#œ

¢ mf n

Marimba

b“e” e e e e e Perc. 1

° 4 / 4 Ó

Œ &

be e e e e 5 e e e e e ‰™ 4

e b e e e e e ne e e e e e e e eb e e e e e e e 4 4

3 4

∑

Snare Drum Picc. Wood Blocks superball

œ+ 1 block œ œ

œ œ œ œœ œ œœ œ œ œœ œ œ œ œ œ œ Perc. 2

4 ¢/ 4 Œ

œœ

œœœœœ œœœœ œœ œœ œœœ œ œ

5 4

‰

4 4œ

3 4

E. Gtr.

4 &4

5 4

∑

:“; + # œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ 4 Œ &4

∑

3 4

∑

3 4

∑

3 4

to open

5 4Œ

f p

Pno.

?4 4

4 4

∑

5 4Ó

∑

{

¯ bb œœ œœ œœ œœ œœ œœ œœ b Ÿ ˙ ~~~~~~~~~~~~~~~~~~~~ œ 4 4 3 ## œ>œ f #œ 4 Œ Œ J 4 &Œ 3

> ff

µ1 ord.

Vln. 1

° 4 &4

>) ) ) ) ) ) ) )

5 4Ó

∑

#œ. 4 -œ J 4

#e Œ J

3 4

‰

3 3

f "mp"

"f"

n1 ™ ord. (q )

#œ. 4 -œ J 4

Vln. 2

4 &4 Ó

j 5 ) 4) > "mp"

‰

) ))) ) ) ) ) ) ) ) ) )

#e Œ J

≈ 43

3 3

pp p n

f "f" p I

O 6 ord.

)

Vla.

B 44

)) ) ) ) ) ) ) )) ) ))

))

) ) )) )

)

5 )™ 4 ææ

#œ. 4 -œ J 4

3 4

#e Œ J

3 3

f pp p

Vc.

?4 ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹‹‹‹‹‹ 4 ææ 3 5

5 4 æY

#ord. œ. 4 -œ J 4

j #e Œ

3 4

p f pp

Db.

?4 ¢ 4

∑

5 4

∑

4Œ 4

9j ( "f"

3 4

microtonal gliss omit A key, + Bbb thumb

j œ œ

œœ

j :K e; œœ

:K e; ˙

D 4 4

∑

4 4

∑

≈ 44

∑

° 3 Fl. & 4

5 8Œ

∑

5 4

‰

bO bO O # O n O nO b O n O

O O O # O n O nO b O O

6 6

warbly timbre trill Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ˙™ œ ˙ 3 5 ‰ &4 8

Ob.

p n

5 4

∑

3 &4

Cl.

bœ J

5 8Œ

∑

œ™ J

5 4

Œ n

mp mf

µe ?3 Bsn. ¢ 4

Œ pp

Hn.

5 8

∑

5 4

∑

5 8

∑

5 4Ó

4 ‰™ 4 r œ > f

° 3 &4

∑

#œ. ‰ J 44

∑

3 &4

C Tpt.

5 8

∑

5 4Ó

∑

j #œ ™ p

?3 4

Tbn.

5 8

∑

5 4Ó

∑

≈ 44

∑

(valve) . #e œ ≈ 4 4

∑

¢ p mf

Claves

Perc. 1

° 3 &4

5 8

∑

5 4Ó

∑

j D œ 4 /‰ ¿ 4 J

∑

mf Picc. Wood Blocks (imitate claves)

Perc. 2

3 ¢/ 4

5 8

∑

5 œ œ‰ ™ 4

∑

4 œœ 4œ

œœœœ œœœ

Ó Œ

(Kick drum)

mp f

1 11 E. Gtr.

3 &4

5 8Œ

∑

Œ 1

1™ æ 5 æ 4≈ J

Æ1

1 ææ

! ææ

(unmute strings) extremely slow gliss. over reverb

4 4

#>œ

sub.pp p

3 &4

∑

5 8

∑

5 4

∑

3 &4

∑

5 8

∑

5 4

∑

4 4

∑

Pno. p

{

4 nœ “‘ >

subito con vib.

ÍÍÍÍÍÍÍÍÍÍÍÍÍ

B 1 ™ n1 ™ Vln. 1

° 3≈ &4

B1 ™

µ1 ≈ 85 ‰

≈

™ n1 ™ 1 µ1ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ B no1 vib. n1 ™ R ≈ 5 ≈ ≈ 4

µ1 ™ . D #e œ 4 ≈ ≈4

≈

∑

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ no vib.

b1 ™ Vln. 2

3 &4

µ1 ≈‰

n1 ™ b1 ™ n1 ™ 5 ≈ ≈ 8

µ1 subito 1 con vib. 5 ≈J 4 R ‰™

n1 ™

µ1 ≈‰

1 œ. J ‰ #e ≈ 4 4 p

∑

mf I

O Vla.

‚ ææ

B 43

‚ 5 ææ 8

-‚ J Œ

O™

‚ #e œ. J‰ ≈ 44 ‰

5 4

p mf

6 5

)) ) ) ) ) ) ) ) ) >) ) ) ) ) ) ) "f "

Vc.

?3 4

∑

5 8Œ

j O &œ -

j ‰ ? #e œ. ≈ 4 ‰ 4 œO

5 4 ˙O ™™

> ‹ J

‹ ‹ ‹ ‹‹‹‹‹‹‹‹‹ 3

"f " p mf

tremolo on bridge

Db.

?3 ¢ 4

∑

5 8Œ

‹ ææJ

5 4 æY æ

4 4 nw

"f "

sfpp

breathy

bœ

œ™

Fl.

° &

3 8

∑

4 Ó 4

∑

2 4

‰

œ. . . . . . e.

œ J 3 4

3 8

mp n

p n

œ™

n˙

3 #œ ™ 8

∑ Ob.

4 œR ‰ ™ 4

2 4

-œ œ ™

œ J 3 4

œ pp

2 œ™ 4

3 8

∑ Cl.

4 Ó 4

∑

œ 3 #œ J 4

pp mp n echo before beat

# ˙™

˜e

µœ

œ #œ

-˙ #e

3 8

? ∑ Bsn.

4 4

∑

2 4

µœ

3 4

3 8

¢ ppp

sub. mp

ppp n

Hn.

° &

3 ™ 8 #œ

∑

4 œ 4

2 4

æ œæ

3 4

∑

3 8

#œ ≈Œ R

3 8

Œ n

before beat

(lip down)

3 8 ‰

∑ C Tpt.

‰

#œ J

4 œR ‰ ™ 4

œ#œ

2 4

3 4

∑

-œ ™

(lip down)

3 8

? ∑ Tbn.

4 4

∑

2 4

∑

3 4

∑

3 8

Œ #œ

¢ mp

medium mallets

Marimba (more pitch)

“” # e e e e #e e e ne ne ne 2 4 ™ & 4 #e e e e e e e e #e #e #e‰ 4

3 8

∑ Perc. 1

∑

mf 6

3 4

∑

3 8

j ‰ Œ

3 8

∑

3 8

3 no dim.

+ top block

> œ Perc. 2

3 8

¢/

> œœ œœ

> œ œ œ œ œ œ œ œ4 œ

Snare Drum superball

‰ Œ

2 4

4 œ

3 4

∑

œ mp

œ E. Gtr.

3 8

4 4

2 4

3 4 n >

< “” to mute + œ œ œ œ œœ œœ œœ œœ œœ œœ #œœ #œœ œœ œœ œœ œœ œœ œœ #œœ 3 4 R ‰™ 8 4

& Œ

3 pp

“+” to open #œ œ œ œ œ Œ

2 4

∑

3 4

3 8

7:6

Pno.

3 8

? ∑

{

∑

4 4

2 4

∑

3 4

3 8

° con vib. sempre no vib. (h)

Vln. 1

° j & ‰ ) )

j )

3 #œ ™ 8

‰

4 œR ‰ ™ 4

n1ÍÍÍÍÍÍÍÍÍÍÍÍ 1 ‰ J J ‰

"f "

µ1ÍÍÍÍÍÍÍÍ

B 1ÍÍÍÍÍÍ 2‰ ‰ 43 4

(no vib.) before beat

œ#œ

-œ ™ #œ ≈Œ R

3 8

molto con vib.

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ

µ1 sempre no vib. (h)

& ‰ )j )

Vln. 2

j )

3 #œ ™ 8

‰

4 œR ‰ ™ 4

1 n1ÍÍÍÍÍÍÍÍÍ 1 J ‰2 J‰ 3 4 4

(no vib.) before beat

œ#œ

-œ ™ #œ ≈Œ R

3 8

p n mf

mp "f " molto sempre no vib. before beat

) ) )™ ) )) ) æ

3 #œ ™ 8

)

Vla.

4 œR ‰ ™ 4

2 4

∑

3 4

œ#œ

-œ ™ #œ ≈Œ R

3 8

mp pp

sempre no vib.

#œ ™ ? Y ææ

Vc.

‹ ææJ

‰

œ 4 R ‰™ 4

3 8

before beat

>Y ™ ææ

2 4

∑

3 4

œ#œ

r #œ ≈Œ

-œ ™

3 8

"f " p

3 8

? Db.

¢ w

∑

4 4

>Y ™ ææ

pp "f "

2 4

∑

3 4

(

3 8

œ. J 5 8

œ ° 3 Fl. & 8

4 4

∑

5 4

≈ 85

∑

5 4

œ. 5 J 8

∑

5 4

f pp

bend

˙ œ œ 3 ‰ ‰ J 4 R ‰™ &8 4

Ob.

#e ™ J

Œ f

#œ

3 &8

Cl.

4 4

∑

Ó 3

?3 8

Bsn.

4 4

∑

58 œ™

∑

5 4

#œ ‰ J

5 4

#œ

¢ œ mf p f n

Hn.

(lip down)

° 3 #œ ™ &8

4 œR ‰ ™ 4

5 8 -œ ™

∑

#œ

f mf p

3 &8

C Tpt.

4 4

∑

mute off #œ. œ. œ. œ. œ. 5 -œ ™ 8

(lip down)

#œ

mute off (lip down)

œ™ 3 ? Tbn. ¢ 8

4 œR ‰ ™ 4

∑

58 œ™

#œ

>e # e e e e e e e e e e e e e e e e e e e e e >e e e e e e

j œ 5 ≈œ™ ‰ J ¿ 8 sub.p J

Claves

Perc. 1

° 3 &8

4 4

∑

Ó f

/Œ

6 Hi-hat

mp 3

ff Picc. Wood Blocks

œœ Perc. 2

j 4 3 ¢ / 8 ‰ ‰ œ 4 eœ

œœ œœ

‰

>œ œœ œ œ œ œ œ œ œ œ œœ œœ œ œ œœ Œ

œ œ œ œ œ œ œ œ œœ œ œ

5 8‰

5 4 7

mp pp no cresc.

f rearticulate lightly

3 &8

E. Gtr.

4 >œ 4

∑

5 8

#œ J Œ

5 4

:“; ¯ #œ œ œ œ œ œ œ 3 4Ó &8 4

” to open +“ ¯ œ œ œ œ œ œœ œœ œœ œœ œ œ œ œ œ œœ œœ œœ œœ # œœ œœ œœ œœ œœ œœ œ>œ œœ 5

5 8

∑

5 4

5 8

∑

5 4

7:6

Pno. f

?3 8

4 4 nœ “‘

∑

{

∑

slow bend

Vln. 1

° 3 œ™ &8

œ 4 R ‰™ 4

#œ. 5 -˙ J 8

#œ J

5 4

#œ J

5 4

#œ J

5 4

j #œ

5 4

f f

slow bend

œ™

œ 4 R ‰™ 4

3 &8

Vln. 2

j 5#œ. 8 ˙

f f

slow bend

œ™ B 83

Vla.

4 œR ‰ ™ 4

#œ. 5 -˙ J 8

Œ 3

f f

. 4 œJ 4

? 3 œ™ 8

Vc.

slow bend

‰

∑

j œ ˙

5 &8 -˙ f

p n

?3 ‰ ‰ 8

Db.

4 j 4 bœ nw

5 8 w n

sffp

∑

5 4

Begin each cue together Subsequent accel. need not align

‚

E decay rapidly after each attack (lip up)

46 ° 5 œ #œ #œ œ œ Fl. & 4 mf

˙ Œ

qœ ù

ùœ

qœ ù

ùœ ùœ ùœ ùœ

ùœ

ùœ ùœ ùœ ùœ

œ œ Ob.

ù˙

4 4

˙ (lip up)

5 œ #œ #œ &4

4 4

ù˙

ùœ

p mf

f sf sf

, Cl.

5 & 4 œ #œ #œ #œ œ

≈ ∑

4 w 4

˙ Œ

≈ ∑

p ff mf

f decay rapidly after each attack

Bsn.

#œ J

?5 ¢ 4 ‰

œ ˙ J

œ™

4 ‰ 4

j j ‰ œ œ

‰

j ‰ œ

j œ

repeat event dovetailing with tbn. / blend with bass

f mf

Hn.

° 5 Œ &4

#˙ pp

≈ ˙

#≈ ˙

4 œR ‰ ™ 4

#˙

(lip up)

˙ C Tpt.

œ 4 R ‰™ 4

5 <#>œ &4

ù˙

ùœ

ùœ ùœ ùœ ùœ

f decay rapidly after each attack (valve) 3

œ™

,4 4

? 5 #e ™ Tbn. ¢ 4

œ œ

œ J

j‰ œ

‰

œ œ3 J

j‰ œ

repeat event dovetailing with bsn. / blend with bass

f mf

E 4 Œ 4

solo

° Perc. 1

5 œ / 4

>™ ≈ œJ

> ‰ œJ

q ‰™

≈

>œ R Ó

q Hi-hat ¿

half open

hard mallets

≈

mp ff (ff) Ride Cymbal

r 4 œ ‰™ 4 œ

(to even roll)

Perc. 2

˙ æ

5 ¢/ 4

sticks

≈ Œ

œ ææ n

≈ ˙ ææ

(mute strings again)

1 œ

1 1 E. Gtr.

5 &4

1 Ó

Œ n>

‰ 1

≈ ∑

4 4

∑

“>” œ œ 4 4

œ>œ

≈ ∑

Æ1 ff

5 &4

∑

œ>œ Œ

fff low black-note cluster with forearm

Pno.

?5 Ó 4

{

‰ ‰ >

4 4

≈

œ>œ œœ

≈

≈ ∑

≈ ∑ &

b⁄ °

E œ 4 R ‰™ 4

ord. vib.

œ™ Vln. 1

° 5 #œ ™ &4 mf

≈ ∑

ff fff ord. vib.

œ ˙ #œ Vln. 2

œ 4 R ‰™ 4

5 & 4 <#>œ ≈ mf

fff ord. vib.

œ œ Vla.

B 45 <#>œ ≈ #œ

4 œR ‰ ™ 4

fff

ff mf

≈ ∑

ord. vib.

Vc.

5 & 4<#> œr ‰ ™

œ #˙

4 œ ‰™ 4 R

trill ~~~~~~~~~~~~~~~~~~~~~ Ÿharmonic ≥ ≤ bow freely ≈ O G ˙

f mf fff

Db.

?5 ¢ 4

∑

4 4

nœœ -œ œ 3 œ œ b-œ -œ bœ œ œ œœ ff furiously

3 ord.

j œ

œ œ œ

repeat event, with some rubato

Out of time: ≈ 8" a tempo Meno mosso, q=60

„

Start squeaking bubble wrap as soon as possible

Ó Bubble squeak

‰

squeak material with friction from hands avoid excessive rustling

œ q œ œ œ œ œ œ œ œ œœ , 4 4

° q ùœ ùœ œ Fl. &

To bubble wrap

∑

∑ /

, œ œ œ œ œ œ œ œ œ œ 44

& ùœ ùœ œ œ œ œ œ

Ob.

To bubble wrap

∑

∑ /

ff (lip up)

Cl.

, , ,

, nœ œ œ œ œ œ œ œ 4 4

#œ œ œ œ œ & ù ù p

, , , , , ,

To bubble wrap

∑

∑ /

alternate fingerings (3)

œ 7 - œ 7 - œ 7 - œ 7 - œ 7 - œ 7 - œ To bubble wrap

4 4

? Bsn.

∑

∑ /

¢ 5 mp (echo)

Hn.

, , ,

(lip up) ° & ùœ ùœ œ œ œ œ œ

To bubble wrap

4 œ œ œ œ œ œ œ œ œœ 4

∑

∑ / p

C Tpt.

To bubble wrap

#œ œ œ œ œ œ œ œ œ , 4 4

#œ ù œ œ œ ù &

∑

∑ /

To bubble wrap

4 4

? Tbn.

w ˜œ

∑

∑ /

¢ p

a tempo Meno mosso, q=60

q ≈

° Perc. 1

≈

j ¿¿

¿¿

4 4

∑

alternate with woodblock

œ œ

œ Perc. 2

e œ e œe œ e œ 4 4

œœ œ

¢/

w ææ

mf extreme fuzz

E. Gtr.

∏∏∏∏∏∏

start before beat

≈ ∑

#˙ 4 ##˙˙ 4 ˙

≈ ∑

∑

:“; œ>œ & œœ

≈

##œœ>œœ &

≈

œ>œ œœ

≈

4 4

œœ

fff f

Pno.

{

##œœ>œœ

≈ ?

4 4 b -⁄

ø a tempo Meno mosso, q=60 harmonic trill Ÿ≥~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~ Ÿ˙ ~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~ < #O > Ÿ~~~~~~~~~~~~~~~~ GO O ≤O bow freely # ˙ O œ q≈ G gliss. ˙ G ˙ G 4 4

q Vln. 1

≈ ∑

° &

ff sempre ff

harmonic trill bow freely

≈ Œ Vln. 2

~~~~~~~~~~~~~~~~ Ÿ≥ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~ O ™ ≤< # O > œŸ™ G O ≈ œ G #œ ˙ w ˙™ 4 4 p sempre ff f ff

Vla.

harmonic trill Ÿ~~~~~~~ <#O > Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ # O n œ > < ~~~~~~~~~~~~~~~~~~~~ O Ÿ bow freely ≥ ≈ GO≤ ≈ # O # ˙ ™ < > G #œ œ ˙ gliss. 4 #˙ ˙ ˙ 4

ff f sempre ff

<Ÿ>~~~~~~~~~~~~~~~~~~ ≈ gliss. & ˙

Vc.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~ Ÿ ≈ O 4 ˙ GO ™ ˙ G 4 sempre ff

?sul pont. Db.

Ÿ~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~ b ˙ ™ <b O > Gœ O ˙ J

-œ

molto sul pont.

4 4

b˙

œ ˙™ J

œ bœ œ

œ™

¢ 3 3

n p

Mysterious and pained

F Begin together f on downbeat, then stagger entrances and dim. Aim for a variety of lengths and speeds

, , ,

, , , , , ,

° Fl.

, , , , , , , , ,

, , ,

, , , , , , , , , , , , , ,

, , ,

/ p

, , , , , Ob.

, , , , , , , , ,

, , , , ,

, , ,

, , , , ,

, , ,

/ p

, , , Cl.

, , , , , , , ,

, , , , , ,

, ,,

, , , , ,

/ , , , , , ,

, , , , , ,

, , , , , , , , ,

, , ,

∑ Bsn.

¢/ f , , , , , ,

° Hn.

, , ,

, , , , , ,

, , , , ,

, , , , , , , , ,

, , , , ,

/ , , , , , , , ,

C Tpt.

, , , , , ,

, , ,

, , , , ,

/ , , , , , , , , ,

, , , , , ,

, , ,

∑ Tbn.

¢/

Mysterious and pained

F >œ

° ∑ Perc. 1

∑

/ f

/ œJ

‰ Œ

∑

n Snare Drum stiff, wide wire brush hold perpendicular to head fan tips of bristles slowly against surface, back and forth

Perc. 2

¢/

∑

˘˘˘˘˘˘˘ Slightly under bubble wrap

reduce reverb

E. Gtr.

∑

& Pno.

{ F Mysterious and pained ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ¯¯¯¯¯¯¯¯¯¯¯¯¯¯

Balance with bubble wrap

to molto vib.

!™ Vln. 1

.... 1

crazed whistle

° &

R ‰™

R ≈

R≈

mf mp

ff to molto vib.

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯

!™

1 crazed whistle

Vln. 2

.... 1 1

1 R ‰™

‰™ Œ

‰

1.... 1 R‰

& mf mp

ff to molto vib.

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯

n! ™

1 crazed whistle

Vla.

.... 1™

1 R ‰™

≈ Œ

.... 1™1 ≈ J‰

1 J

‰

& mp

ff mf to molto vib.

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ to ord.

!™

crazed whistle

∑ Vc.

& mp

ff molto

undo C-extension

? ∑

∑

Db.

∑

At conductor's cue, start f again

q , , , , , ,

(bubble squeak, cont'd)

, , ,

3 4

Ó Fl.

, , , , , ,

3 4

Ó Ob.

, , , , , , , , ,

3 4

Ó Cl.

, , , , , ,

3 4

Ó Bsn.

¢/

, , , , , ,

3 4

Ó Hn.

, , ,

3 4

Ó C Tpt.

, , , , , ,

3 4

Ó Tbn.

¢/

Lg. Sandpaper blocks single, long stroke followed by small swirling motions (don't re-accent)

q 3 œ™ 4

° ∑ Perc. 1

∑

e J

e e e Œ Œ

œ™

e J

Vibraphone soft rubber

∑

3 &4 œ

∑

#œœ

(mf) mf

Perc. (wire bristles on snare)

3 4

¢/

(extreme fuzz)

(rearticulate)

œ #œ

#œ

∑ E. Gtr.

3 4

∑

Œ mp

∑

œ bring out prepared notes in L.H. # œ œ œ #œ œ 3 œ # œ 4

∑

#œ œ œ œ

#œ ‰

∑ #œ

œœ œ œ œ ‰™

#œ #œ

Pno. 9 9

#œ ?

{

∑

3 &4

#œ œ

‰

∑

#œ #œ

‰™

splintered

>‚

#>‚

>‚ >‚ p

#>‚

n>‚

>‚ >‚ >‚p

° ad lib. mf

At cue: small pitch deviations in highest register continue scattered texture

q µ1....

n1....

B 1....

(do not alter pitch)

Vln. 1

° &

3 4

‰

sub.p

n1 .... J

(do not alter pitch)

Vln. 2

3 4 ‰

B 1....™

n1 J ‰

µ1.... ≈

sub.p

B 1....™ 3 4 ≈ J

(do not alter pitch)

Vla.

µ.... 1 1™ J ≈

1 ≈

n1.... ≈

sub.p

n.... 1 1 ∑ Vc.

µ.... 1 1™ J J

3 4 ‰™

∑

‰ p

(sounding pitches in actual octave) ord.

legato > o œmolto o K œ œ œ œ œœ œ 3 &4 œ œ œ œ œ

III

? ∑ Db.

∑

o 5 Kœ œ œ œ œ ™

o œ œ Œ Œ

‰

¢ 6

#œ

œ œ

n 0

j œ

3 4 Œ

∑

63 (bubble squeak, cont'd)

° Fl.

4 4

3 4

4 4

Ob.

4 4

3 4

4 4

Cl.

4 4

3 4

4 4

Bsn.

¢/

4 4

3 4

4 4

° Hn.

4 4

3 4

4 4

C Tpt.

4 4

3 4

4 4

Tbn.

¢/

4 4

3 4

4 4

° Perc. 1

/ e

e Œ

4 œ™ 4

e J

3 4e

e Œ

4 4

4 4 bœ

∑ &

3 4

4 4

∑

Perc.

4 4

¢/

4 #œ ™ 4

∑ E. Gtr.

3 4

#e J

4 4

3 4

∑

4 4

3 4

∑

4 4

3 4

∑

#œ

4 #œ 4

∑ &

# œ #œ

œ #œ #œ œ

#œ

##œœ

Pno. 9

œ nœ

4 4

∑

{

#œ > #œ

#œ #œ >‚

>‚

‚

‚ pp

Vln. 1

° &

4 4

3 4

4 4

3 4

Vln. 2

4 4

3 4

∑

Vla.

Vc.

4 4

3 4 I

Œ Db.

¢& œ

4 Œ 4

4 4

o nœ

o œ

œ œ

œ J

‰

3 4

∑

4 4

, , , , ,

° 4 q Œ Fl. / 4

, , ,

, , , , , , Ob.

4 / 4 Œ , , , , , , , , ,

Cl.

4 / 4 Œ , , , , , ,

4 Œ Bsn. ¢ / 4 p f , , , , , Hn.

° 4 / 4 Œ , , ,

C Tpt.

4 / 4 Œ , , , , , ,

4 Œ Tbn. ¢ / 4

Perc. 1

° 4 q œ / 4

e Œ

4 & 4 bnœœ

∑

Perc.

4 ¢/ 4

E. Gtr.

4 #œ &4

#œ

“œ”

#œ #œ #œ

4 ##œœ & 4 #œ

œœ œ

#œ œ œ œ œ œ œ

#œ #œ œ

œ œ œ œ

œ ‚

‚

Pno.

œ ‚

#œ#œ

6 7

#œ ?4 4

? #‚

n‚ >

{

#‚ >

> n‚ #‚ ‚ ‚ ‚ ‚ n‚ #‚

#œ

‚ ‚

‚ #‚

‚ ‚ ‚

‚‚

pp no cresc.

sul pont.

Vln. 1

#q O # ° 4 ˙ &4

Oœ

Oœ # J

O˙

-O nœ nœ œ œ œ nœ œ œ

pp 3 sul pont.

µe

#˙

#œ Vln. 2

#œ J

4 &4

œ œ #œ œ œ

œ nœ œ nœ œ

3 3 sul pont.

ric. to ord. solo

#.... œ

œ #œ

œ œ

Vla.

œ #œ

B 44 p

5 5 œ #œ œ nœ œ n œ œ œ œ œ nœ œ b œ œ nœ œ œ

pp 5

3 5 con sord. (ord.)

Vc.

4 &4

œ J

‰ p

n mf

o K >œ ™

4 o & 4 #-œ

œ œ

œ K œo ™

œ Ó

-œ

-œ mf

sub.p

Db. 0 0

? 4 œj ¢ 4

j œ

‰

∑

Start at mp, die out gradually

G q , , , , ,

, ,

(bubble squeak, cont'd)

, ,

3 4

/ ∑

Fl.

, , , , , , Ob.

3 4

/ , , , , , , , , ,

Cl.

3 4

/ , , , , , ,

Bsn.

3 4

¢/ mp , , , , , ,

° Hn.

3 4

/ , , ,

C Tpt.

3 4

/ , , , , , ,

Tbn.

3 4

¢/

G q œ

° ∑ Perc. 1

‰ ™ œR

3 4

œ œ œ œ œ œ œ œ œœœ œ ∑

∑

3 4

& pp

Perc. sweep brush across drumhead

æ œæ™

¢/

‰

3 4

ne J

3 4

nœ #œ nœ œ œ Ó

3 4

œ™ ∑ E. Gtr.

∑

& mf

# œœ œ Œ & #œ

#œ nœ #œ

∑

œ ‚

‚

Pno. 7 9

‚‚

{

‚‚Œ

∑

3 4

Ó œ

>‚

b >‚

>‚ pp>‚

Ó Bubble squeak Start as soon as possible

G , ,

molto sul. pont.

Vln. 1

To bubble wrap

° & e# e e e e e e e e e e e e e e e e e b œ

œ œ b˙

˙ Ó

3 4

n fpp molto sul. pont.

Ÿ~~~~~~~~~~~~~~~~~~~~~~ To bubble wrap Ó / & e ene e e# e e e e e e e e œ œ œ nœ œ ˙ # œ e e e e n fpp

, , ,

Vln. 2

3 4

molto sul. pont. 9

œ™

B e be e e e e e e e œ ™

Vla.

Ÿ~~~~~~~~~~ œ ™ bœ

, , , , , , , , ,

To bubble wrap

∑

3 4

/ (p)

fpp

? Œ

œ J

To bubble wrap

Bœ

3 ˙

‰

Ó /4

Vc. n

n I I IV

o ∑

∑

¯ 3 o5 œ œ œ œ œ œ œ œ œr ‰ ™

3 4

œ pp

Db. 0

? ∑

∑

Œ j œ

3 4

71 To flute

3 (bubble squeak, cont'd) / 4

4 4

∑

3 / 4

4To oboe 4

∑

Ob.

3 / 4

4To clarinet 4

∑

Cl.

3 ¢/ 4

4To bassoon 4

∑

Bsn.

° Fl.

n To horn

° Hn.

3 / 4

4 4

C Tpt.

3 / 4

4 4

3 Tbn. ¢ / 4

4 4

∑

4 4

∑

To trumpet

∑

To trombone

3 / 4

Perc. 1

∑

œ nœ œ œ œ

œ œ

∑

œ œ œ

3 &4

œ œ œ œ œ œ œ œ œ œ œ #œ 4 œ œ œ œ œ 4

œ œ

œ œ œ œ œ œ œœ œ

mp pp

Perc.

3 ¢/ 4

æ œæ™

‰

4Œ 4

∑

æ œæ™

‰

œ E. Gtr.

3 œ &4

œ œ

‰

4Œ 4

∑

œ™ f

œ™

mp pp

nœ œnœ bœ œ

œ bœ

3 nœ œ &4

œ bœ œ

œ #œ œ ‰™

nœ œ œ

4Œ 4

œ œ #œ œ ‰

œ 9

Pno. 9

3 7

3 &4

œœ

{

‰™

œœ œ

4Œ 4

œ œ œ

œ mp

n>‚ mf

#>‚ >‚

>‚

‚ ‚ ‚

‚ n>‚

>‚

, , , , , , ,

° Vln. 1

, , , ,

, , ,

, , , , ,

, , ,

3 / 4

4 4 , , , ,

, , , ,

Vln. 2

, , , , ,

, , ,

3 / 4

4 4 p , , , ,

, , , , Vla.

, , ,

, , , , ,

3 / 4

4 4 , , , ,

, , , , ,

, , Vc.

, , ,

3 / 4

4 4 I II III

o 3 œ &4

o ≈ œ œ

III

o 5 Kœ œ œ œ œ

œ ‰™ R

4Œ 4

o œ™

n p

III

o œ -œ mp

Db. 0

?3 ¢ 4 Œ

j œ

∑

4 4

∑

j ‰ œ œ œ pp

Hq œ J ‰ #œ

Flute

° Fl. & Ó

‰ bœ

œ J

Ÿ~~~~~~~~~~ œ Ge >œ œ œ molto p 3

nœ œ ™

-œ

œ J

œ nœ

3 5

p 3 5

f timbre

Ÿ œ ~~~~~~~~~~ œ

Ÿ~~~~~~ b œ bœ œ -œ J ‰ ≈

Oboe

∑ Ob.

œ nœ J

œ ≈≈œ R œ ˙

& 3

p mf n Clarinet solo 5

œ #œ J

-œ

Cl.

#œ œ#œ œ œ œ

#œ œ œ œ nœ J

∑ &

œ œœ

r ™ œ ‰

‰™

r œ

5 3 5

Ÿ~~~~~~~~~~ Bassoon œ Ge ?

∑ Bsn.

∑

¢/ pp

Horn (lip down)

j œ™

˙ #œ

/ Ó

Hn.

#˙

nœ

œ ≈

& p pp

mp pp mf Trumpet harmon mute (lip down)

œ™ ≈ J

∑ C Tpt.

#œ

#˙

œ J

‰

bœ J

p pp

harmon mute

™

Trombone

#œ J

∑ Tbn.

œ J

‰

¢/ n

pp mp

Hq ˙ ææ

Mounted Clave hide in bubble wrap sound

œ œ ææ ææ R

‰™

/ Ó

Perc. 1

∑

œœœœœœ œœœ œ œ œ #œ œ œ œ #œ œ œ œ œ œ œ œ œ œ nœ œ œ #œ œ œ #œ

œ nœ œ œ œ œ œ œ ≈ œ œœ œ œ œ

& p mf

Perc. (Snare) (slower swish) 5

¢/ Ó

5 5

∑ e e

e e e

œœ ™™ E. Gtr.

„o œ™

#e J

& Ó

‰

∑

p pp

nœ #œ #œ œ œ & Ó

top staff only “”œ# œ œ #œ # œ œ œ œ œ

œ œ

œ #œ œ œ

“>” nœ nœ#œ œ œ œ œ œ œ‰ œ œ

nœ œ#œ

nœ

nœ 6 9 6

6 7 7

Pno.

#œ œ nœ #œ œ

œ# œ

œ#œœnœ

#œ nœ

& Ó

{

bœ œ

#œ œ

œ œ nœ œ

#œ

?‚

œ b œ bœ ? ‚ ‚ ‚ ‚ ‚ ‰&

> f

mf mp

b >‚ p

Reach f at cue, then dim.

H (bubble squeak, cont'd)

q ° Vln. 1

Vln. 2

/ f

Vla.

Vc.

/ II III I II

5o o 5 o o 5o o 5 K œ œ œ œœ œ œ #œ œ œ œ #œ œ œ œ œ œ œ œ

& Ó

∑ ˙ n

sf p

Db. 0

? ¢ Ó

j -œ

Ÿ~~~~~~~~~~ Ÿ~~~~~~~~~~~~~ Ÿj ~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~ Ÿ~~~~~~~~~~~ q j œ™ e ™ e œ Ge œ e œ> ™ G e œ œ G >œ G > G > > n pp

° Fl. & ‰

∑ Ob.

∑

& Ÿr ~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~ #œ œ < ne> n>˙ < b e> > n

Ÿ~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~ j ‰™ & ˙ e œ #>œ ™ G e G

Cl.

<Ÿ>~~~ > œ bœ ˙ ? ≈

∑

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ ˙ ™ < ne >

Bb e

∑

Bsn.

¢ mp

Hn.

° & ˙™

∑ w

p ppp to open

+ œ

˙ Œ C Tpt.

˙™

-œ¯ J

& pp

œ ?

> #œ J

œ J ‰ Œ

‰

™ œ J

œ J

‰ Œ

∑

Tbn.

¢ 3

sfp

poco

qœ J

° ∑ Perc. 1

∑

‰

/ p

3 3

& œ œ œ œ ‰ œ œ œ œ œ

‰ œ

œ ‰ œ ‰ œ ‰œ œ

∑

ppp

Perc.

∑

¢/

E. Gtr.

& sf

:“; (top) œœ

sf sf

n>œ

nœ#œ

(solo)

n>œ

œ œ nœ#œ nœ #œ

nœ &

n œ b œnœ

nœ

#œ #œ #œ œ œ œ

b œnœ

#œ œ œ nœ

7 7 5

Pno.

nœ œ

# œ #‚

? b‚ ‚

{

b œb œ

œ #œ œ

#œ ?

#‚

‚ ‚ ‚

‚ #‚ ‚ ‚ b ‚ ‚ ‚ ‚ ‚ n‚ #‚#‚

œ p mp

same action but no more squeaking: rhythm of bubbles growing sparse and dying away

q , , , , , , , , ,

° Vln. 1

, , , , , , , Vln. 2

/ p

mp , , , , , ,

Vla.

, , , , , , Vc.

Db.

¢&

∑

Più mosso q=72

I Veiled 80 (bend)

° Fl. &

∑

U Ó

2Œ œ 4 4 - œ Be 4 p

∑ Ob.

∑

U Ó

2 4

U Ó

2Œ œ 4 4 - œ Be 4

4 4

∑

(bend)

∑ Cl.

∑

U Ó

2 4

∑

4 4

∑

U Ó

2 4

∑

4 4

∑

U Ó

2 4

∑

4 4

∑

U Ó

2 4

∑

4 4

? Bsn.

Hn.

° &

C Tpt.

? Tbn.

¢ Più mosso q=72

I Veiled Marimba hard plastic mallets scrape between bars, don't press accelerate motion for cresc.

° ∑ Perc. 1

∑

U Ó

2Œ 4

j 4 ‚‚ ‚‚ 4 3

∑ Perc.

¢&

E. Gtr.

∑

∑ :“; n>sfœ œ

œ #œ #œ

∑

U Ó

2 4

∑

4 /4

∑

U Ó

2 4

∑

4 4

∑

U Ó

2 4

∑

4 4

2 4

∑

4 4

œ #œ #œ Œ

& 5 cut off abruptly

Pno.

improvise uneven, crackling texture on all prepared notes

‚ #‚ #‚

{

‚ ‚ n‚

#‚ ‚ b ‚

‚ #‚

‚ n‚

,U Ó

‚ #‚ n‚ #‚ b ‚ sempre pp

3 pp

Più mosso q=72

I Veiled 1/2 col legno tratto Violin 0

To violin

° ∑ Vln. 1

U Ó

2 œ œ e 44 &4 Œ p Violin 1/2 col legno tratto

To violin

∑ Vln. 2

U Ó

2Œ œ 4 4 -œ e 4 p

n Viola 1/2 col legno tratto To viola

∑ Vla.

U Ó

B2 4

-œ œ e 4 4 p

Cello 1/2 col legno tratto To cello

∑ Vc.

U Ó

4Œ

-œ œ e 44 p

∑ Db.

∑

¢&

∑

U Ó

2 4

∑

4 4