Tom Gardner - Architectural Illustrator Portfolio 2025

TG Tom Gardner Architectural Illustration Portfolio 2025

Architecture Gardens in a Factory Remnants of a Separation

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Narrative Academic (2023)

03 - 12

Competition (2019)

13 - 16

Gardens in a Factory Location: Bata Factory, East Tilbury, Essex.

University: Royal College of Art

Bata-Ville and the Bata factory are a product of the industrial revolution, which permanently altered the human relationship with the earth; the move from agriculture to industry produced a “mechanistic” view of the world, superseding the idea of organic nature.

“Factories in a Garden” proposes the reuse of the Bata Factory in East Tilbury, under heritage protection, as the symbol of the celebration of the mono-industry & monoculture.

The approach to the design of space and community proposes a gradual transformation of the site into an educational centre for reconstituting relations between humans and nature which overcomes the separation introduced by modernity.

The campus will generate a broader learning community by teaching sustainable living strategies, remediation techniques and exploring nature through collaboration.

Architecturally, the project proposes the slow erosion of the grid across scales, from the strict land use division to the dissolution of the external walls in some buildings on site.

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Masterplan The Campus has three 5-storey factory buildings that provide learning facilities, sustainable living, and improved social infrastructure.

The 1-storey buildings, currently derelict, are converted into gardens (for both production and leisure) that serve as a pedagogical tool.

The site removes barriers to increase the porosity of the site, encouraging greater integration within its surrounding contexts.

New paths are created to encourage public engagement with the Campus and the surrounding ecologies.

The site’s phytoremediation strategies to remediate the soil and re-wild the site, opening up the possibility of future reuse depending on the community’s needs. The Campus is ideal for teaching sustainability and creating a community separate from the city’s corruption.

Illustration of the Proposed Bata Factory Site

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Programme Each five-storey building focuses on facilitating education and supplying social infrastructure to the community.

The Bata-Ville Heritage Centre provides a dedicated home for Bata Heritage Centre.

The Communal Living Centre teaches a more sustainable way of life, accommodating short & medium-term residencies.

The Innovation Centre will facilitate research to study the surrounding ecologies, monitor the effects of the remediation of the landscape, and reintroduce wildlife.

Illustration of the Proposed Bata Factory Site

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Education Agenda (1/2) The campus works alongside existing institutions (University of Essex and South Essex College), and local authorities (Forest School of East Tilbury Primary School) to facilitate learning at various levels.

For older students (college/university), there are opportunities for nature watching, monitoring, surveying, re-landscaping, Phytoremediation, removing built surfaces, replacing with nature, monitoring soil progress, and introducing wildlife to the campus.

Illustration of the Education Agenda relating to the Communal Living Centre

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Education Agenda (2/2) The Forest School curriculum for early education facilitates building dens, capturing and observing insects.

The campus encourages participation of the wider public through day visits, local interest and youth groups, communitybased projects (re-landscaping, Phytoremediation), and park walks.

The architectural interventions promote learning through individual curiosity and engagement, allowing people to learn at their own pace.

Illustration of the Education Agenda relating to the surrounding landscape

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Landscape Strategy The original Bata Grid system created optimum efficiency and flexibility, but unable to integrate with its surroundings.

The project utilises an “erosion of the grid” through landscape reorientation to maximise daylighting & create less prescriptive paths.

The landscaping incorporates Phytoremediation as a pedagogical tool, using different plants to remediate soil based on contaminants.

The occupants will develop and monitor the landscape, studying its effects on local wildlife. The site’s natural civic square improves social infrastructure and encourages community networks, creating a new identity while re-engaging with the past.

Visual of the Proposed Landscaping and Community’s Interactions

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Phytoremediation Strategy As part of the Phytoremediation strategy, I have identified the factory’s three critical zones of pollutants and toxins. These are pesticides (from surrounding agriculture), asbestos (a large underground service tunnel), and heavy metals/ petroleum (past and current industry, as well as abandoned oil barrels).

To inform the landscape strategy and architecture, the proposal will include (but will not be limited to) the following plants for their respective zones.

Map of the proposed Phytoremediation strategy

Detail plan at ground floor level. - demonstrating the interaction between the built & natural

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Communal Living Centre Altering the Bata Grid promotes interactions with the surrounding ecology; blurring boundaries between inside and outside.

Communal kitchens build a network of people with a common goal through cooking and eating, which becomes increasingly externalised by warmer weather, promoting the integration of human behaviours with nature.

Upper floors facilitate collaborative living, providing collaborative areas to study, and exchange information. For example, “conversation pits” refer to the social interactions surrounding a firepit, the “personal greenhouse” that encourages the care and cultivation of personal plants.

The perimeter consists of short-term accommodation with private study spaces.

Visual of the Communal Living Centre. Elements of the building are revealed to highlight key elements of the building & user engagements.

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Communal Living Centre Baffle Louvres control the thermal comfort and permeability of the space, acting as a continuous threshold to externalise activities to promote the nonprescriptiveness of human movement whilst also providing privacy.

The building has a single brick layer façade resulting in poor thermal performance. Therefore, the proposal contains an internal second skin, creating a thermal envelope for increased climatic comfort.

Floor plans of the Communal Living Centre

Detail section of the Communal Living Centre

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Key Architectural Interventions This page demonstrates a series of key architectural interventions within the Communal Living Centre.

For example, “conversation pits” refer to the social interactions surrounding a firepit, the “personal greenhouse” encourages the care and cultivation of personal plants, and the “observation block”, a breakout provides views of the surrounding ecology.

Illustrated series of key architectural elements of the Communal Living Centre

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Remnants of a Separation Location: Aleppo, Syria Project Type: Solo Competition Project

It is post-war Aleppo. Syrians are starting to return to their homes. They remember a city vibrant with heritage and culture but have arrived to see a city that suffered greatly from corruption, bombing, and communal chaos during the conflict. It is a broken place that needs reconstruction to bring the region together.

The challenge is to create memory infused architecture to be served for and by the citizens of Aleppo.

The solution is a Caravanserai to help Syrians transition to a permanent home, incorporating traditional markets (Souq) and leisure activities (shopping, storytelling, and debates) to kick start the building of communities.

Visual Manifesto - “Remnants of a Separation” outlines a plan for post-war Aleppo.

It is harnessing illustration to unfold a narrative of a future post-war Aleppo through three different future points.

Typologies Study An archaeology of traditional architectural language within Syria that interweaves through “Remnants of a Separation” invoking memories as a form of celebration, delivering a new architectural vernacular.

Syrian typologies study

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A curation of process sketches underwriting the process of idea development

Walkthrough of the Caravanserai The Caravanserai arranged in a chronological progression from post-war to twenty years post conflict.

Ruins of the conflict are repurposed in public gardens, reworking the past.

Digital painting hybrid , demonstrating a series of sections of the Caravanserai proposal

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Post-Conflict Syria The masterplan demonstrates a twentyyear post-conflict Syria surrounding the Caravanserai.

The Caravanserai’s Souq expands beyond the confines of the building.

Syrians have returned to their new homes; communities are established with industry and trade flourishing.

Masterplan - 20 years of post-conflict Syria

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Approaching the Caravanserai - A conceptual visual showing the transition over time in Aleppo

Illustration

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Process

Activists in the VPRO

Academic (2022)

18 - 19

Cambridge Guildhall

Professional (2024)

20 - 21

Earl of Sandwich Stores

Professional (2024)

22 - 23

A House on Stilts Series

Personal (2025)

24 - 25

Activists in the VPRO Image type: Perspective Section Techniques & Software: Rhino, AutoCAD, Adobe Illustrator, Photoshop & Digital Hand Drawing Responsibilities: 3D modelling, concept, research & visualisation.

Project Description: The persepctive section formed part of an academic project,demonstrating Antigentrification activists within the MVRDV’s VPro building Acting as an Anti-Institution, the drawing showcases the diverse forms of resistance necessary to combat gentrification and its detrimental effects on low-income communities.

The image references past successful resistances such as the Heygate Estate, to propose new methods to address previous shortcomings in order to shape a future that is both inclusive and equitable for all.

(1/2) Perspective Section

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(2/2) Perspective Section

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Historic Drawings used as Reference

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Build 3D Model (Rhino)

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Export linework & add details

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Addition of colour, texture and shadows

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Cambridge Guildhall Image type: Perspective Section Techniques & Software: Rhino, AutoCAD, Adobe Illustrator, Photoshop & Digital Hand Drawing Responsibilities: 3D modelling, visualisation, concept design and research in collaboration with client Project Description: In 2024, I was commissioned to conceptualise and visualise the transformation of the Cambridge Civic Quarter and Guildhall as part of an open competition.

The proposal includes significant enhancements to the Guildhall to improve its functionality, accessibility, and integration with the surrounding community.

As a result of this proposal, the client was successful and is currently in the process of developing the project.

Perspective Section of Proposed Cambridge Guildhall

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01. Discuss Proposal with Client

02. Build 3D model using historic drawings & photography

03. Add linework, design details & colour in collaboration with client

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Earl of Sandwich Store Rebrand Image type: Perspective views, diagrams & sketches Techniques & Software: Rhino, AutoCAD, Adobe Illustrator, Photoshop & Digital Hand Drawing Responsibilities: 3D modelling, visualisation, concept design, product design and research.

Project Description: In 2024, I was commissioned for the concept design and visualisation of Earl of Sandwich International Restaurant Chain rebranding. This package including Facade re-design, interior designs, product/ packaging designs.

The aim was finding strategies that could promote the local farmers & produce surrounding each restaurant, which included locally sourced materials, narrative-led wall art & sustainable packaging solutions.

Developed interior view of restaurant, including the “local producers” wall art

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01. Initial development incorporate a dense package of quick concept sketches.

02. Facade treatments of standard stores were explored in concept sketches & Illustrations

03. Developed designs explored interior decoration, materials & wall art to match EoS’s rebrand

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A House on Stilts Series Image type: Isometric Techniques & Software: Digital Hand Drawing (Android Tablet), Ibis Paint & Adobe Photoshop Responsibilities: n/a Project Description: The drawing is a personal expression from a challenging time in my life, evolving into a complex composition that combines traditional illustration techniques with precise linework and architectural perspective. This approach enhances the textures and spaces, creating a vivid sense of place filled with mysteries.

In an isometric view, a quaint house on stilts rises above a floodplain by a winding river, surrounded by glimpses of the inhabitants’ daily lives and their connection to local resources. To the south, a welcoming campsite reflects the vibrant community spirit.

Moonlit Mysteries at the House on Stilts

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01. Preparing Linework

02. Preparing “Flats”

03. Colour correction, final details & shadows

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