FRONTIER Indianapolis Colts Drive Girls’ Flag Football Growth
The Man Behind the Mascot Enters His Final Season
PUBLISHER
COREY BOSTON corey@townepost.com (502) 407-0185
KEY CONTRIBUTORS
JESSICA ABLE
DEVON DEAN
RYAN GABBERT
MELISSA GIBSON
CHRISTY HEITGER-EWING
GAVIN LAPAILLE ED PEAK
JULIE YATES
El Caporal’s 35 Years of Authentic Mexican Cuisine
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CREATIVE DIRECTORS VAL AUSTIN TONI EADS
MANAGING EDITOR DEVON DEAN
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While fashions come and go, one thing remains true - a Derby hat is a must.
You can’t think of the Kentucky Derby without thinking of the bright and bold fashions, particularly those adorning the heads of both women and men. Whether it’s a subdued sun hat or an all-out statement piece, Derby revelers treat the event as an opportunity to show up and show out.
According to the history books, the story of Kentucky Derby hats dates back to the beginning of the race itself. Colonel Meriwether Lewis Clark Jr., the founder of the Kentucky Derby, looked to prestigious
HATS OFF
THE HISTORY OF KENTUCKY DERBY MILLINERY
Writer / Jessica Able
races such as London’s Epsom Derby and Paris’s Grand Prix for inspiration in transforming the new American racetrack - Churchill Downs - to one associated with elegance and grand tradition.
At European races, attendees treated the events as major social gatherings equal to balls and cocktail parties for the noble set. Women and men wore elegant fashions of the time including hats and headpieces.
As the Kentucky Derby took off and became one of the world’s preeminent horse races, the media was greatly interested in who attended the race and what they wore. While the more flamboyant style of large-brimmed headpieces began to take off in the 1960s, fashion and headwear have always been central to the history of the Kentucky Derby.
The Derby, dubbed the most exciting two minutes in sports, began in 1875. At the end of the 19th century, hats indicated a certain societal status. While everyday hat-wearing became less popular at the turn of the century, donning a hat at the races continued.
During the early years of the 20th century, large-brimmed hats with large feather plums were popular. In the 1920s the flapper style dominated the races, and much smaller cloche and bucket caps were worn by women and men, according to the Kentucky Derby website.
The 1930s and 1940s saw many similar styles to the ‘20s, with smaller hats and people opting for suits instead of dresses. The ‘50s and ‘60s exuded elegance and sophistication with statement hats making an entrance. This
particular era of Derby fashion, the Kentucky Derby website said, continues to inspire present-day Derby style.
The next two decades saw bold colors and fun accents on wide-brimmed hats, while some people dropped the tradition all together. The 1990s saw hats grow even larger, while those in the infield sought more simple attire including sundresses and straw hats, the Kentucky Derby website said.
The turn of the 21st century saw a continued desire to purchase extravagant and increasingly expensive hats, even while everyday hat wearing was largely not in fashion. The highly publicized wedding of Kate Middleton and Prince William in 2011 showcased fascinators, a style of headpiece that is light and affixes to the head with
a headband or comb, according to the Kentucky Derby website.
Local milliners Rachel Carroll and Kate Smith, owners of The Hat Girls, said the largest trend they have seen in the 13 years they’ve been designing Derby hats is the emergence of fascinators.
“We have seen the evolution of the fascinator’s popularity grow before our eyes,” Carroll said. “When we started the business, we were making and selling a majority of hats. About seven years ago, we saw a complete change in trends. Now we sell about 70% fascinators and 30% hats.”
Sara Bachman and Valerie Netherton, owners of Fascinate Designs, agreed with the popularity of fascinators in recent years.
“We’ve definitely seen growth in the preference of fascinators over hats,” Bachman said. “We both always preferred wearing fascinators because of the comfort
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and flexibility in hair styling.”
Whether Derby goers prefer hats or fascinators, thousands continue to flock to local boutiques and online shops searching for the perfect hat or fascinator to complement their look.
Carroll and Smith have been creating oneof-a-kind statement pieces since 2013. The two were featured milliners of Kentucky Derby 149 and 150, and official hat designers of the Kentucky Derby Festival from 2016 to 2024. Last season, the duo made more than 2,000 hats and fascinators.
Carroll said while pink is “always the most popular color for Derby fashion,” they are seeing more orange and yellow being incorporated into spring dresses, and anticipate those colors to be desirable.
Their storefront is located at 211 Clover Lane, Suite H in St. Matthews. Visit their
online shop at thehatgirls.com and view them on Instagram @thehatgirls.
Bachman and Netherton say they focus on what they believe will be trending colors of each Derby season.
“Pink always tops the request list,” Bachman said. “We are also anticipating all shades of purples and greens this year too.”
Check out Fascinate Designs at fascinatedesigns.com, or on Instagram @ fascinatedesigns. To view pieces in the store, Collections Boutique in Westport Village carries recent designs.
Nicole Finch, owner of Magnolia Millinery, said she takes inspiration from “different eras and things I see in everyday life.”
“With popular shows like ‘Bridgerton’ and ‘The Gilded Age’, it’s hard to not admire the millinery from that era; the pieces in both of
those shows are incredible,” said Finch, who has been making hats since 2009.
She describes her style as one that stands out from the crowd, with a little bit of Southern charm, a dash of over-the-top, but always classy.
Magnolia Millinery is the exclusive milliner for a new Hallmark Channel movie called “Derby Romance”. The movie is a love story about a man training his horse for the Kentucky Derby and a woman who makes hats for the big race. It’s scheduled to premier in April. Finch’s designs are featured prominently throughout the film.
Visit magnoliamillinery.com, or @ magnoliamillinery on Instagram, to check out Finch’s headpieces.
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THE NEW FRONTIER
INDIANAPOLIS COLTS DRIVE GIRLS’ FLAG FOOTBALL GROWTH
Writer / Melissa Gibson
Flag football is one of the fastest-growing sports in the world. It will be added to the 2028 Summer Olympic Games in Los Angeles. More than 50 colleges are expected to have girls flag football teams by 2028 in response to overwhelming interest.
That’s why the Indianapolis Colts and the Jim Irsay family committed $1 million to growing the girls high school flag football program in Indiana. In order to make flag football a sanctioned sport with the Indiana High School Athletic Association, 100 high schools must participate in the program.
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They’re calling the new campaign “Road to 100” and they’re nearly halfway there.
In 2023 the Colts formed a high school football league with eight teams, and in 2024 the league expanded to 27 teams. It’s a statewide network to grow the game in Indiana and help connect young athletes to NFL FLAG-sanctioned programs.
There are 43 Indiana high schools, including Beech Grove, Warren Central, Pike and beyond, that have committed to offering a girl’s flag football program, with more signing up every day.
When a new team is launched, the Colts help offset costs with funds for equipment, uniforms, training and coaching.
“We want to drive participation to the game and continue to support and amplify the game,” said Andy Matis, senior manager of football development at the Indianapolis Colts. “As we grow, we’re
able to incorporate more audience, which is a key focus.”
Unlike tackle football, play consists of two 24-minute halves. It’s a five-on-five format and players rotate positions throughout the game. The field is smaller than a standard tackle football field, 40 yards in width and 100 yards in length. Of course, instead of tackling the opponent, the goal is to pull a flag from their waistband. Point scoring is similar, with six points for a touchdown.
It’s safe to say that in the past, young women have not had the same elite-level options in football as young men have had, but when the Colts opened up the opportunity for a women’s league, they were met with plenty of interest.
In fact, 50% of the girls coming out for flag football tryouts have signed up for their first high school sports program ever.
“Even in youth leagues they’ve consistently offered coed options, but there’s two girls
in the midst of all the boys coming out for these,” Matis said. “They might not feel inclined even though they’re interested. Now, having your own space in sports, you don’t have to ask if you love the game enough to try tackle. You have your space in the sport.”
Young women from the original eight teams have enjoyed the nature of the game and the relationships formed through the process, just like many other tight-knit sports teams. It’s a memory they’ll never forget.
Players from the Colts team have been supportive as well, happy to see the sport continue to grow in unique and inclusive ways.
Indianapolis Colts linebacker Zaire Franklin has recently been named Global Flag Ambassador for the NFL’s commitment to growing flag football across the nation. Franklin has been working with the league over the past few years, and wants to help drive support and make the program fun.
“This is just a great opportunity,” Franklin said. “Everyone loves the game and football has taught me so much about life. This program gives young women the opportunity to learn those lessons and build those bonds.”
He’ll be hosting a clinic for flag football teams in the state soon and hopes to invite a few individuals from the U.S. team to get involved.
“Last year I had the chance to help coach girls flag football players at Lucas Oil Stadium and I was so impressed by the skill, tenacity and passion of these young ladies,” Franklin said. “I look forward to helping grow flag football in Indiana and around the world, and providing more opportunities for girls and boys alike to learn, play and connect through this awesome sport.”
Like most team sports, flag football offers physical and mental health benefits, hones teamwork skills, and teaches discipline and resilience.
Just in the past few years, reports from high school athletic directors across the state have been positive. Young women who were having a tough time in school are now getting better grades. Attendance is up and the empowerment they feel is evident.
“We’re building the next generation of strong adults,” Matis said. “The appetite is there. The interest is there. To see these girls come out and bring their competitive fire to this sport has been really inspiring.”
School representatives interested in participating can find more information at colts.com/ footballdevelopment/flag/ high-school-girls-flag.
Your Story Matters
THE LOUISVILLE STORY PROGRAM HIGHLIGHTS THE VITALITY OF THE LOUISVILLE COMMUNITY
Writer / Christy Heitger-Ewing
Everybody has a story. Most of those stories, however, will never be told, and certainly never be published. Through the Louisville Story Program, Darcy Thompson set out to not only share stories, but also represent people from communities that have historically been underrepresented or misrepresented in the public discourse.
Prior to launching this documentary organization, Thompson worked for the nonprofit Teach for America. As a seasoned national staff member, he participated in a weeklong professional development retreat in New Orleans, Louisiana, doing a neighborhood, community-based story project.
“Writing and oral history mean a lot to me,” says Thompson. “I was energized to see the voices being published that you normally don’t get to hear from.”
When he got home to Louisville, he was inspired to introduce a similar model. In
2013 he began the Louisville Story Program as a one-man operation, for which he partnered with people in and around the city to develop books, exhibits and digital collections that document the richness and vibrancy of their respective communities.
“This intensive process of co-creation strengthens our community by making connections along the way by honoring legacies, building skills, educating audiences, and demonstrating the brilliance that abounds in every corner of our community,” says Thompson, Louisville Story Program’s executive director. “Often folks perceive the communities we serve as being rare exceptions of talent, when the truth is that there’s an abundance of creativity, resourcefulness, leadership and brilliance.”
Each book shares stories about different slices of Louisville life.
“My hope is that by celebrating these authors and their work that we can all learn,
appreciate and hopefully spark some good civic dialogue to help us understand our city better and more fully.”
The first project by Louisville Story Program, called Our Shawnee, was written by eight high school students who were attending The Academy @ Shawnee (formerly Shawnee High School). At that time, the school had the lowest test scores in Kentucky.
“Largely, test scores tell you about the economic demographics of a school more than anything else,” Thompson says. “We wanted to give these students the opportunity to talk about their lives using their own words.”
Our Shawnee, published in May 2014, became the bestselling book in Louisville that year. Articles touting it were published in the Courier Journal and USA Today.
Another book called I Said Bang!: The History of the Dirt Bowl includes 37 authors and details a decades-long,
community-wide, grassroots basketball tournament. Published in 2016, the book won two national awards from the American Association for State and Local History. It also received a History in Progress award, which is only given to one or two projects a year in the country.
To date, the Louisville Story Program has produced 12 major publications, including the most recent from September 2024 called I’m Glad About It. It’s a book and boxed set about the legacy of gospel music in Louisville that features 83 restored recordings that were originally released on vinyl records between 1958 and 1981 by local gospel artists. Some of the projects have been photography based. For instance, Available Light, a coffee-table book, documents and preserves the legacy of Louisville’s black photographers. It honors the legacy of Bud Dorsey, West Louisville’s most iconic photographer who snapped more photos of life in black Louisville from 1970 on than anyone else in the city.
The Louisville Story Program also completed a youth project on the Kentucky School for the Blind.
“It’s the only book that’s ever been written by blind and visually impaired teenagers talking about their experiences in the world,” says Thompson, noting that they made three editions of the book, including a braille, large print, and standard print.
Better Lucky Than Good documents the backside of Churchill Downs, home of the Kentucky Derby. Written by 32 people who work in the barns performing various jobs such as stable hands, hot walkers, grooms, outriders, jockeys and gate workers, the book provides various perspectives and shows the collective effort it takes to put on the iconic race.
While the Louisville Story Program initially began with Thompson seeking out people to share their stories, as word spread, more people began knocking on their door to ask
about a collaboration.
“We love it when people come to us with an idea,” says Thompson, who makes sure that during this collaboration between author and editor, he gets it right.
“We are accountable to them,” Thompson says. “It’s important because people are trusting us with their most precious stories.”
Right now the Louisville Story Program is working on a book called The Peacekeepers Project that will launch in the fall in conjunction with a national conference that will be held in Louisville.
“We were approached by a national organization called Cities United,” Thompson says. “They work with folks in 130 cities to help build safer and healthier communities by reducing community violence.”
After each project is complete, the Louisville Story Program holds book launching events where they invite the community to participate. On average, around 400 people come out to each book launch. While some people are friends and family of the authors, many are community members who are there to celebrate the project. Clearly, the community wants to hear these stories.
“There are experiences people have been affected by, in which they feel a connection through honesty and candor,” Thompson says. “Seeing their experience represented can be really powerful.”
In the case of Our Shawnee, for instance, many students go into school facing challenges with limited access to resources. Thompson explains that a student’s trauma may manifest in anger or frustration. What often follows is blame to the student and/or their family, which
isn’t fair. This book shows the amazing writing students are capable of when they are supported and championed.
“That was really powerful for them because the world is always telling them and their families that they are nothing,” Thompson says. “To pour iron into their spine is really amazing.”
And then there is simply the human element that mustn’t be forgotten.
“As humans, we are wired for connection,” Thompson says. “That’s why sharing our stories is so important.”
The Louisville Story Program is located at 859 Library Lane in Louisville. For more information, call 502-583-3326, email hello@louisvillestoryprogram.org, or visit louisvillestoryprogram.org.
Hop Aboard our Trains
QUALITY PLUS MORE
WINDOWS PLUS GEARS UP FOR BUSY SUMMER SEASON
When Todd Ovington graduated from high school, he took what he thought was a short-term job with a friend’s dad installing windows. Now, Ovington owns Windows Plus, one of Louisville’s largest window companies. Since 2017 Windows Plus has strived to put quality first, by providing a variety of services that can improve the appearance and value of homes for many years.
Writer / Gavin LaPaille
Serving central Kentucky and southeastern Indiana, including Louisville, Lexington, Elizabethtown and Clarksville, Windows Plus uses high-quality products for solutions towards window replacement, door replacement, home siding, kitchen cabinet refacing and bathroom remodeling. From initial design consultation to expert installations that are quick, easy and mess free, the Windows Plus team wants to provide superior customer service at every phase of the remodel process.
“We have a true lifetime warranty so we only offer products that we can stand behind,” Ovington said. “Most companies offer a limited lifetime guarantee with a lot of exclusions. Windows Plus warranty does not reflect that.”
Ovington’s journey into owning a window installation company was long, as he worked for several different companies performing various tasks before branching
out on his own. While out on jobs, he often felt the quality of products was not up to the standards he would want for his own home. Ovington’s main motive for starting Windows Plus was to ensure customers are getting what they are expecting when purchasing windows.
“I wanted to work independently to ensure customers received the quality they deserved; your home is a safe place,” Ovington said. “As a subcontractor replacing windows, I noticed that many customers were being sold subpar products. When I started my own company, I wanted to offer a product that would stand the test of time with a warranty that supports that. I’m a pretty meticulous person. I take pride in my attention to detail in the home improvement industry. I realized after doing it for many years not everyone is as meticulous as I was. I always strive to be the best.”
With over 50 employees and a wide variety
of services offered, Windows Plus offers expertise in all of its products to ensure the greatest quality. Warranties protect the entire lifespan of the products as set forth by the manufacture, and can be transferred to new homeowners. The attention to detail has paid off, as Windows Plus comes with high praise. Windows Plus has an A+ rating and accreditation with the Better Business Bureau, and was the 2018 recipient of Angi Super Service Award.
Initially providing just windows and door remodeling, Windows Plus eventually expanded to other services including siding and guttering, before eventually adding shower and bathroom remodeling to its repertoire. Recently Windows Plus has started kitchen cabinet styling, an area of the business Ovington hopes to grow over time.
“Everything is handled in-house; we have W2 employees,” Ovington said. “We focus on training and hiring a specialist for each specific product. Our systems and training processes are fully documented to ensure that every team member is highly skilled and effectively installing the products we offer.”
Known as the Pink Team, Ovington chose pink as the official color for Windows Plus, as no other companies seemed to use pink. Windows Plus also partnered with the Susan G. Komen Breast Cancer Foundation in Louisville for several years to further highlight its association with the color pink. The color makes Windows Plus very visible, with its headquarters right off Interstate 64 near the Blankenbaker Parkway exit, and its
trucks driving around Louisville.
“My aunt was diagnosed with breast cancer around the time I started the company,” Ovington said. “I noticed an increasing number of people being diagnosed with breast cancer, which inspired me to support the cause. When I founded Windows Plus, many companies used colors like red or blue, but none had embraced pink.”
On its website, Windows Plus shows the numerous past projects its staff has completed on a wide range of homes all over the region, generally servicing
about 100 customers per week. With the interactive map, customers can easily see the location of Ovington’s past work and what products were purchased, with the ability to filter down to the different job types. Also on the website there are many customer testimonials supporting Ovington and his team for work they have completed, and a regularly updated blog gives tips on how to approach different remodeling projects. Costs can vary considering the size and scope of the home’s needs, but Ovington is committed to ensuring his team doesn’t cut corners and gives customers exactly what they paid for.
“We want to make sure customers choose a product that fits the area we live in,” Ovington said. “Our windows and doors are built to withstand all four seasons, and we’re the ones actually doing the work. Many competitors rely on subcontractors to complete the work. When an issue occurs, homeowners can often feel frustrated and get the runaround. We call this the home improving waltz, where no one wants to take responsibility for the mistake, and homeowners are left chasing down someone to fix it. At Windows Plus we take full responsibility for our installations. Many competitors add service fees for products
still under warranty, charging the customer for labor or repairs. At Windows Plus we believe this should be included. If you call us, you deal directly with our team. We respond promptly without service fees.”
Windows Plus offers free estimates, and it typically takes about six to eight weeks from order to install, with products usually installed in just one day. Ovington understands not everyone can afford to pay for all services up front. Windows Plus offers finance options that offer the flexibility some customers are after. Potential customers can obtain a free quote by submitting their name, address, phone number, email and project type they are envisioning. From the time of purchase, every customer’s job is reviewed by multiple departments to ensure the remodel process is completed accurately and efficiently. Even with the unpredictable nature of local weather patterns, Windows Plus rarely reschedules jobs and works in all conditions. The company regularly offers
ACCOUNTING
special promotions and discounts, and welcomes any questions.
At Windows Plus the focus isn’t just on selling products; its ensuring homeowners have all the information they need to make the best decision for their home. “We’ll come out and do a full, healthy home inspection at no charge,” Ovington said. “We create a priority list for the customer, so if and when they decide to move forward, they have all the information they need to make a decision.”
Windows Plus serves a diverse range of homeowners, from those in million-dollar estates to those in mobile homes. “I wouldn’t say there is a typical customer,” Ovington said. “We work with all types of homes and homeowners, ensuring that everyone receives the same level of care and quality service.”
Being locally owned and operated means Ovington lives in the same community as his customers, making him passionate about ensuring a high-quality standard.
At Windows Plus, customer-centered service is a top priority, something that sets the company apart in an industry dominated by franchises and large corporations. “We’re not a franchise or a corporation,” Ovington said. “Most of the options out there are.”
By maintaining full control over both product quality and customer service, Windows Plus delivers a level of accountability and care that larger companies often cannot match. For homeowners that means peace of mind, knowing they are working with a team that stands behind their promise every step of the way.
“We ensure that our customers receive exactly the service, product and warranty they deserve,” Ovington said.
For more information on Windows Plus, customers can call 502-632-3112 or visit windowsplusky.com.
MAY CROSSWORD PUZZLE
BUDDY AT THE BAT
THE MAN BEHIND THE MASCOT ENTERS HIS FINAL SEASON
Writers / Ed Peak and Devon Dean
As the Louisville Bats celebrate their 25th season of baseball at Slugger Field, a changing of the guard will take place at the end of the season for one of the team’s most beloved fixtures.
Jeremy Sharfe, an assistant principal at Dixie Elementary, is embarking on his farewell season as the man behind the mask, so to speak. Sharfe will retire from his role as Buddy Bat after 22 seasons.
Sharfe’s career as a mascot began during his college years at Western Kentucky University, where he spent two years as “Big Red.” After graduation, he made appearances as a mascot for Pepsi.
But Sharfe wanted more. After graduating from Western Kentucky with a degree in education, he called both the Louisville Bats and Churchill Downs. Both organizations interviewed him, culminating in him taking the role of “Churchill Charlie” for some time before deciding to focus on Buddy Bat.
FOR THE LOVE OF THE GAME
Sharfe’s passion for baseball is part of what drew him to audition for Buddy Bat. “I love baseball and sitting in the dugout before games and talking with the players,” said Sharfe. “I was a Cubs fan before the Bats. I loved Ryne Sandberg.” Sharfe recalled a memorable moment when Sandberg, managing Lehigh Valley, remembered him days after a brief conversation. “When I walked past, he said ‘hi Jeremy.’ That was neat he knew who I was.”
Louisville Bats President Greg Galiette told a story of how Sharfe’s passion got him in a bit of hot water once, with Buddy Bat being one of the first-ever baseball mascots to be ejected from a game by an umpire. Galiette wouldn’t get into too many specifics, other than saying, “Buddy did not agree with a close call at second base.”
BEYOND THE BALLPARK
Performing as Buddy Bat has involved more than just game-day antics. Sharfe used to make over 100 appearances a year outside of Bats games, including visiting hospitals and working to cheer up patients of all ages. “I used to go to hospitals 20 to 30 times a year. Now it’s about four or five,” said Sharfe. “Seeing those kids with cancer... I’ve cried inside the costume. It’s tough.”
Being Buddy Bat has not come without its challenges. The physical toll of the role is significant. The Bats’ costume is notoriously warm, and the large headpiece has caused Sharfe neck problems. “Kendrick Haskins of WAVE-TV has wanted to put a thermometer on my neck to find out just how hot it is in the suit,” he said. “He hasn’t done that yet. But maybe he will this year.”
Throughout the years, Sharfe has gone through three or four costumes annually, especially as the large hands wear out and get slick each summer.
HANGING IT UP
Sharfe is retiring to focus on his family, as well as his music career. Sharfe is an accomplished, multi-instrument musician. He plays acoustic guitar, mandolin, harmonica, and piano. He has even played the National Anthem before the game in the suit. “We had a special head created with a hole cut out so Jeremy could play the trumpet as Buddy,” said Galiette.
The decision to retire wasn’t easy. When Sharfe informed Galiette and the team this winter, it was an emotional moment. “I was in tears,” said Sharfe. “Greg and Michelle Anderson have been great to me and everyone in the organization as well.”
Galiette admitted whoever is the eventual successor will have some big shoes to fill.
“We wanted a character similar to The San Diego Chicken. Someone known for having fun. I think everyone knows who Buddy Bat is. Our goal was to have a brand that exemplified fun for families,” he said, likening the mascot to the popular children’s character Bluey.
Initially, Sharfe and Galiette collaborated to shape Buddy’s personality. “He’s mischievous,” Galiette explained. “Pushing the envelope as a character that is good with kids, with a bit of snark thrown in.” Galiette said Sharfe pushed the envelope in terms of physicality as well.
“Jeremy would walk on his hands in the costume during kids’ races between innings,” Galiette explained. “That’s not an easy skill to master.”
WHAT’S NEXT FOR BUDDY BAT
Dan Peyton, the current “Churchill Charlie,” will step into the role in the interim. Sharfe will stay on to help select an apprentice to carry the Buddy Bat torch. “We want to lean on him to look around at current local high school and college mascots to see who might be a good fit,” Galiette said.
Though the costume will soon be worn by someone new, Sharfe’s legacy as Buddy Bat— bringing joy to fans, supporting the community, and embodying the spirit of the game—will remain a cherished part of Louisville Bats history.
For a complete schedule or to get tickets, visit milb.com/louisville.
At
we believe your home should nurture every part of
lifestyle—including your love for the
and your connection to community. Our thoughtfully designed neighborhoods create the perfect blend of comfort, beauty, and belonging. Whether you’re planting herbs on the patio or sharing garden tips with a neighbor, this is more than a home—it’s where your lifestyle takes root.
CELEBRATING GLOBAL FLAVORS
EL CAPORAL’S 35 YEARS OF AUTHENTIC MEXICAN CUISINE
Writer / Ryan Gabbert
Food is a universal language; a good meal resonates across linguistic, cultural and geographic barriers. Sharing a satisfying meal with loved ones is something we all have in common.
While the act of eating might generally be the same for everyone, food itself means something different in each corner of the globe. Every culture has its unique take on cuisine. From pho in the streets of Vietnam to pickled herring in the fjords of Norway, food reflects culture and the world around it.
Mexican food is no different. It stands out because of the rich harmony of flavors in every bite. It combines fresh ingredients, intricate sauces and recipes steeped in history that predate colonial times.
A prime example of this is El Caporal, which has been spicing up the dining scene for Louisville residents since opening its doors in 1990. Back then Louisville had few options for authentic, high-quality Mexican cuisine. Recognizing this gap in the market, the team behind El Caporal set out to change that.
The first location was out on Preston Highway and it was a huge success, with the community embracing and celebrating the flavorful dishes.
Now celebrating its 35th anniversary, El Caporal operates two locations at Blankenbaker Parkway and Meadow Lane. With a strong base of loyal customers, it continues to uphold its outstanding reputation.
Luis Angeles, owner of the Blankenbaker location, has been with El Caporal since 2003. Originally from Hidalgo, Mexico, he understands what this restaurant has meant to the Louisville community and why it stands out.
“When my partner, Jesus Leon, opened the first location on Preston Highway, it was one of the first authentic Mexican restaurants in the area,” he says. “We wanted to bring quality Mexican food to the people of Louisville.”
Mission accomplished.
Fresh ingredients are the standard for Mexican food, and El Caporal takes that standard seriously. Every entrée is grilled in its own natural juices, and the tortillas do not contain any preservatives or lard. The high quality and commitment to excellence are apparent with each bite. In addition to this, all of the salsas and sauces are homemade with fresh and dried chiles.
Great food connects with people, and El Caporal has that in abundance.
Its menu is vast, beginning with a large selection of alcoholic beverages and soft drinks. There is an impressive selection of Mexican beers, along with a variety of house-made margaritas.
Care that Comes to You
For an authentic experience, the michelada is not to be missed. It features your favorite Mexican beer chilled in a 32-ounce mug with lime, salt, a hint of Cholula hot sauce, Clamato tomato juice and black pepper.
In addition to the drinks, El Caporal offers a wide variety of traditional Mexican dishes. From sizzling fajitas to savory enchiladas and crispy fish tacos, there is something for
every appetite. Customers will find familiar favorites, as well as discover new tastes and spices.
With a variety of lunch specials and items for the kids, it is a great choice for the whole family.
There is also a large number of vegetarian options on the menu, like the Chiles
Poblanos Rellenos. This is a fried, stuffed pepper bursting with flavor.
The menu also includes traditional Mexican desserts such as flan, churros, fried ice cream and even a cheesecake burrito. No, that is not a typo. The cheesecake burrito is made of creamy cheesecake wrapped in a golden brown pastry tortilla and finished with a dash of cinnamon sugar. Delicioso!
El Caporal is locally owned and operated, ensuring only the best for its hard-working customers. The staff at El Caporal want nothing more than to give back to their adopted hometown - a town that has embraced them so openly.
“I moved here in 1993, and Louisville has been and still is a great place to raise a family,” Angeles says.
Looking ahead, the team at El Caporal want to keep expanding around Louisville and possibly beyond, with more locations and
more outstanding food. No matter how big the franchise gets, however, it will never lose sight of what made it a success in the first place - being a family-owned neighborhood restaurant.
“We’re still a family restaurant,” Angeles says. “We like to know our customers.”
35 years is quite a milestone for anything, whether in marriage, a career, or - especially - the restaurant industry. Through decades of change, wars, recessions and more, El Caporal and its dedicated team have stood the test of time. Success is never guaranteed, but as long as the people of Louisville appreciate high-quality, delicious food, it’s not going anywhere.
If you would like more information about El Caporal, visit their website at mycaporal. com, follow them on social media, or visit one of their locations.
AROUND THE COMMUNITY, 2025
LOUISVILLE AREA EVENTS
1
2025 TASTE OF DERBY
Kentucky International Convention Center, 221 S. 4th St. kyconvention.com
KENTUCKIANA HONDA DEALERS FESTIVAL DAY AT THE DOWNS
Churchill Downs 11:30 AM - 6 PM eventbrite.com
2
5TH ANNUAL KEG & EGGS
Lou Lou on Market, 812 E. Market St. 9 AM - 2 PM loulouonmarket.com
GIRL’S NIGHT OUT CRUISE Belle of Louisville
7 - 9 PM belleoflouisville.org
10
BEECHMONT FESTIVAL OF FLOWERS 2025
Cornerstone Baptist Church Parking Lots, Southern Parkway & W. Wellington Ave. 9 AM - 3 PM beechmont.org
THROO THE ZOO 5K RUN/WALK 2025
Louisville Zoo 8 AM louisvillezoo.org
12 WWE MONDAY NIGHT RAW KFC YUM! Center 7:30pm 17 20TH ANNUAL FEAT OF LOUISVILLE 5K RUN/WALK FOR AUTISM
The Parklands at Floyds Fork, Beckley Creek Pkwy. 9 AM - 12 PM feat5k.com
JUNIOR EXPLORER: TURTLE DERBY
Ogle Foundation Woodland Pavilion in Broad Run Park, 10801 Lasater Rd. 10 AM
KOKEDAMA WORKSHOP
Waterfront Botanical Gardens, 1435 Frankfort Ave.
1 - 2:30 PM waterfrontgardens.org
22
ABBEY ROAD ON THE RIVER
Big Four Station Park, Market and Pearl Streets
1 - 10 PM arotr.com
25
HOMETOWN HALF MARATHON/10K/5K - LOUISVILLE, KY
Broad Run Park/Cliffside Playground, 10700 Broad Run Pkwy. 7 - 10 AM eventvesta.com
28
GROWN-UP STORYTIME 502 West Sixth NuLu, 817 East Market Street, Suite 101. 7 - 8:30 PM
This Creole Champion of St. Matthews, Lou Lou Food & Drink has thrived for years by delivering Louisville’s Louisiana connection in culinary delight. The New Orleans vibe is alive at Lou Lou on Market. The new concept continues its traditional Low Country cuisine, but Chef Cristian Garay adds his flair and creates a new menu. 812 East Market Street 502-515-9699
WFPK WATERFRONT WEDNESDAY
Big Four Lawn, 129 W. River Rd.
5 - 10 PM
2025 Season Artists TBD ourwaterfront.org 29
KEVIN JAMES: OWLS DON’T WALK
Louisville Palace, 625 S. 4th St. 7:30 PM
Doors open at 6:30 pm. All sales are final. No refunds or exchanges. Everyone, regardless of age including babes in arms, must purchase a ticket.
MICHELANGELO: LOVE AND DEATH AT SPEED CINEMA
Speed Art Museum 12:30 - 2 PM
Exhibition on screen. speedmuseum.org
A Cursive Comeback
CURSIVE HANDWRITING RETURNS TO KENTUCKY CLASSROOMS THIS FALL
Writer / Julie Yates
Cursive handwriting instruction will return to classrooms across Kentucky at the start of the 2025-2026 school year. The legislation, originally sponsored by State Senator Lindsay Tichenor (R – Jefferson, Oldham, Trimble), was largely championed by Iris Hatfield, a Middletown handwriting experience with more than half a century of experience.
Once a source of pride, it was dropped from academic standards after the federal education initiative Common Core was adopted by Kentucky in 2010. However,
many educators still consider cursive writing important to students’ cognitive development.
Interestingly, no two people’s cursive handwriting is alike. Cursive is a writing style where each character is joined together, and a pen or pencil is only lifted from the paper between words which makes it a faster method of taking notes. Children learn visually, kinetically, and through auditory experience. When all three are employed, memory is increased. Educators believe the kinetic motor skills used to write in cursive help learners imprint knowledge by engaging neurological pathways.
The argument against teaching cursive is that it is obsolete; most people communicate by typing on keyboards. Despite that, being able to read and comprehend cursive writing is still a necessary skill. Nearly all historical documents are written in cursive. Chances are grandparents send postcards and letters to their grandchildren that they are unable to read unless the children know cursive. Many people, such as postal workers and bank tellers, are required to read cursive.
Hatfield had a career in analyzing handwriting. Working with corporations,
she advised them on whether an applicant for a job would be a good fit. Over the years, she estimates viewing more 53,000 handwriting samples.
“I had a fabulous career and was able to see the value of being able to fluidly communicate with the written word,” she says. “Now, many of our high school students are unable to read cursive or even sign their name on a driver’s application.”
Hatfield brought her concerns before the Kentucky Commissioners of Education to try to explain the importance of cursive instruction. “Then I saw Senator Tichenor was introducing a bill for cursive writing to be a course of study in elementary schools to ensure proficiency by the end of grade five,” Hatfield says. “I sent her an email to encourage and thank her. She got right back to me and after we spoke, she asked if I would testify before the education committee.”
Hatfield addressed the state legislature in February and the information she shared was well received. Senate Bill 167 passed with only one “No” vote before being sent to the House where it passed there as well.
Now, cursive writing instruction is a
Iris Hatfield
requirement for Kentucky elementary schools.
“One of the contributing factors to the decline in penmanship was that teachers are not given student cursive workbooks or the resources to competently instruct students,” Hatfield says. “I saw the need for a penmanship program that was easy to teach and fun to learn. After conferring with Penmanship Council and numerous educators, I wrote the New American Cursive [NAC] Penmanship Program.”
The workbooks in the program are for firstgraders through adults. Hatfield simplified the letter forms of the NAC alphabet by removing the curly cues and flourishes that make people think cursive is old-fashioned. For instance, “T”, “F” and “Z” now look like print. Twenty-three extra strokes were removed so the letters are now clear, classic, and speedy to write.
The program is designed to take only 15
minutes a day to learn the simplified forms. The very youngest students master one letter a week. Hatfield says the program has exploded in popularity, with so many parents and schoolteachers requesting guidance on improving their own handwriting skills that she wrote Teach Yourself Cursive, a workbook for adults and students fifth grade and up.
The NAC Penmanship Program’s website, NewAmericanCursive.com, contains resources and information. Visitors to the
site can find links to two podcasts and a Facebook live presentation. Each workbook offered is explained. The workbooks range from beginning, intermediate, and more advanced and include options of standard textbooks with famous American quotes to ones that contain scripture passages. Workbooks for left-handed writers are also available.
“The brain remembers more what you write down than what you type. When you write something down it’s like engraving it in the
brain. Learning improves reading, writing, and spelling skills. Cursive is an educational bargain,” says Hatfield.
“In all my years of being a handwriting specialist, I have never met a person who regretted learning to write a nice cursive script,” she says. “I am thankful it is coming back to schools. Children deserve this.”
Visit NewAmericanCursive.com for more information about the New American Cursive Penmanship Program.
COREY BOSTON
corey@townepost.com
(502) 407-0185
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