Middletown Magazine October 2021 by Towne Post Network, Inc.

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OCTOBER 2021

MUSIC MAN

EASTERN HIGH SCHOOL WELCOMES CONNER KINMON AS BAND DIRECTOR

WHAT A RIDE Craig and Landreth Cars is Committed to Customers and Community SOUNDS OF PERSISTENCE The Louisville Orchestra Endures Amidst the Pandemic

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IN THIS ISSUE

OCTOBER 2021

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Eastern High School Welcomes Conner Kinmon as Band Director

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The Louisville Orchestra Endures Amidst the Pandemic

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M A N

EASTERN HIGH SCHOOL WELCOMES CONNER KINMON AS BAND DIRECTOR taken over the baton. Kinmon is a native of Kentucky, hailing from the city of Williamstown in the northern part of the state. He attended Williamstown Independent Schools, which encompasses the elementary, middle and high school on one campus. Writer / Julie Engelhardt Photography Provided

This talented director began his musical career while in the sixth grade. His instrument: the trumpet.

The Eastern High School band has held a lofty position in the arena of marching organizations for many years, winning a multitude of awards and grand championships within the county, the commonwealth and even in neighboring states. If you’ve ever had the opportunity to take a peek inside the band class area, the room is teeming with trophies that showcase the band’s years of success and accomplishments.

“My dad was very insistent that I did band,” he says.

The pandemic, along with other circumstances, brought the marching band’s rehearsals and performances to a silencing halt. The band director who had been with the school for more than 20 years parted ways, but an interim director stepped in to keep the program afloat. Now, it’s the dawning of a new day for this well-respected group of young performers as a new director, 27-year-old Conner Kinmon, has

Both of his parents played instruments in school - his dad played trombone and his mom clarinet - but neither of them ever took it to a professional level to teach music. “At Williamstown, the band was pretty much the only thing that was any good,” Kinmon says. “They had just won two state championships in marching band. The athletics weren’t very much. Everyone who was in band was super proud to be a part of the program. I figured it was a good place to be.” Kinmon admits that after he began with the program, he wasn’t too sure if it was quite right for him. As a seventh grader, he was playing and marching with older students,

many in the 12th grade. He wanted to drop out immediately. “I begged my father to let me quit after my first day,” he says. “I was definitely in over my head. Everyone else seemed to know more of what they were doing than I did, and seventh graders don’t always fit in with seniors. I grew up really quickly to make sure I wasn’t that annoying little seventh grader. My dad encouraged me to stick with it, and I guess the rest is history, as they say.” Kinmon did continue with the program through his senior year, and he had the distinct pleasure of being taught by Robert Gregg, a well-known band director in the state of Kentucky. Kinmon confesses that the trumpet wasn’t his first instrument of choice. “I originally wanted to play the mellophone,” he says. “When I asked about it, the band director said it wasn’t an instrument you can start out on, so he said, ‘What about the trumpet?’ I said, ‘Sure.’ ” Kinmon explains that he decided to stay with the trumpet because there is a history of great trumpet players at Williamstown. “I had some really great role models in the

6 / MIDDLETOWN MAGAZINE / OCTOBER 2021 / TownePost.com

older students,” he says. After graduation, Kinmon went on to the University of Kentucky (UK) to continue his music education, stating that he was afforded many opportunities there that he may not have had elsewhere. He also formed a very tight network of friends and colleagues. “I was able to play in a variety of really highperforming ensembles, I got to study with great teachers, and being in Lexington, I got plugged into the band director scene there,” he says. Also while in college, Kinmon began working as a trumpet teacher at Lafayette High School, and he also taught private music lessons. In college Kinmon was involved with the symphony orchestra, jazz ensembles, chamber groups and others.

“You name it, and I was a part of it,” he says. “I probably overcommitted. There was one particular semester I was in nine different groups, and sometimes I’d be playing from the morning to late at night.” After Kinmon graduated from UK with a bachelor’s degree in music and music education, he began his career in teaching as a substitute instructor in Lexington. “I had the opportunity to be in so many different classrooms, and in front of bands and general population classes,” he says. “I feel that extra time really prepared me for my first year of teaching.” When the next school year was about to begin, Kinmon went on the job hunt applying for music director positions. “I applied for everything,” he says. “I stopped counting after submitting 30 applications. I cast a wide net to see what I could land.”

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His search landed him a job at Henderson County High School as director of bands. “Henderson has been a lot of fun and I’m fortunate that I came in at a really good time,” he explains. “We’ve had a lot of success. We improved a lot, going from 15th place in marching band to achieving eighth place in 2019. The wind ensemble was selected to perform at the Kentucky Music Educators Association conference in 2021, which was a great honor for the band program.”

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Although Kinmon was quite happy at Henderson, he had heard through the band director grapevine that a position had opened up at Eastern for director of bands. His wife is a graduate of Eastern High, and she actually played flute in the band. He began doing his research, and eventually threw his hat into the ring. He was hired by the school this past spring. “Eastern is probably one of the most admirable positions and programs in the state,” he says. “This was an opportunity to be part of something with a great history. This opportunity was too great to pass up. I’m excited about Eastern, and the opportunity to collaborate with the symphony orchestra and working with the choir. All of the fine arts programs at Eastern are so strong.”

Although they weren’t able to perform in person, they did send in a recording of their performance to the conference. Kinmon is also proud of the fact that the number of students participating in the program grew from 68 students to 105 under his tutelage. “The kids in the band really advocate for themselves,” he says. “We all try to promote a positive atmosphere.”

days

Although the band’s summer season started out slowly, Kinmon did have small gatherings and meet-and-greets with the students and their families, at school and at

Wetherby Park. On one Saturday, when they had an abbreviated band camp, Kinmon revealed their show for the fall season. “We have our fingers crossed that the fall show will be in full place,” he states. One of the most anticipated programs produced by the Eastern Band is their Eagle Classic competition. The contest is usually held in September, but this year it will take place on October 9. Their annual fall fundraiser, the Holiday Boutique, will also be back, happening on November 13 in the school’s gymnasium. “We’re so excited to get started and to be a part of the Middletown community,” Kinmon says. “From an outsider’s perspective, the community really heavily supports the band program. Middletown is a very unique place. It’s pretty awesome what the community does to support all of Eastern High School.”

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Each LO Virtual Edition concert streamed live. They were also available on-demand for over a month after the performance was edited. The first four concerts were also shown for free at the Sauerback Family Drive In.

SOUNDS OF PERSISTENCE THE LOUISVILLE ORCHESTRA ENDURES AMIDST THE PANDEMIC

Writer / Julie Engelhardt Photography Provided by the Louisville Orchestra

The past year, throughout the COVID-19 pandemic, has been difficult for many businesses. A number of places had to shut down due to lack of customer patronage. Entertainment venues shuttered their doors, which meant the cancellation of concerts, plays and most anything else that involved large crowds. Singers, dancers, actors, musicians and their support crews became unemployed. Bringing it home, how were people involved in the Louisville entertainment community affected, and what did they do to weather the storm, especially those associated with the Louisville Orchestra? According to Michelle Winters, the orchestra’s marketing director, everything was sailing along smoothly during the beginning of 2020, without an inkling as to how things were going to change, quite drastically, within a few weeks’ time. “We had performances on February 22 and 23,” she says. “We performed at the Kentucky Center to a packed house and then we went the next day to St. Stephen Church to perform ‘Gospel in Symphony’ with the church choir. A couple of weeks later on March 14 we were scheduled to perform a world premier by local composer Jacob Duncan with Norah Jones. It was scheduled to be another full, packed house. We were incredibly excited.” News about the coronavirus soon became more prevalent.

“Word started circulating of the Speed Ball held on March 8, which was kind of a superspreader of the virus, and one person [from the orchestra] had been at that event and had been exposed,” Winters explains. Winters says it was very concerning at the time. That Wednesday, March 11, orchestra leaders made the decision to shut down a concert three days away. “There wasn’t even a minute to think or grieve, or figure what was going to happen or to plan,” she says. “We instantly had to communicate with people. Of course at the time we were getting, ‘You idiots, you’re all just scared of something that doesn’t really exist,’ or, ‘Thank God. We weren’t going to come anyway but we’re so glad you’re doing the right thing.’ ” Winters says their next task was to notify everyone who had tickets, try to get the story out to the media fast enough, and get the public’s attention.

knew the balance of the season had to be canceled,” Winters says. The orchestra leaders had to cancel 10 public concerts, plus they had to cancel their education concerts, for which school children would come listen to a performance. These education concerts had been in existence since 1941. It was Music Director Teddy Abrams’ goal, and the orchestra’s goal, to keep things on track as much as possible and provide music for Louisville. “Everybody had to go through a moment of personal reflection, and also organizational reflection if you represented a group,” Abrams says. “In particular, the performing arts recognized this was going to be a major moment of change. Across the board, people throughout the world were wondering if we were going to be experiencing a short-term, a long-term or a life-changing kind of event.” Abrams says the orchestra members were very realistic when considering what they would need to do to adapt.

The staff notified patrons by email and on the phone. Twenty percent of the March 14 “We had made one really early smart decision,” audience asked for a refund, and the rest said Abrams says. “We didn’t hope for the best. We they’d like to hold that money in their account. used the opportunity of having a momentous kind of tectonic shift in the way people think “That was just one concert,” Winters says. and work, to actually move forward with some of our biggest visions and longest-range The staff returned to work the following concepts for what an orchestra can do for its Monday and began trying to determine what community.” would happen with the next concerts. The orchestra members did not want to “We were sort of tumbling along one concert take advantage of a challenging situation in a at a time for about two weeks, trying to figure negative way, Abrams says. it all out until we got to the point when we 10 / OCTOBER 2021

“On the other hand, if that is a path towards thinking bigger and being more effective, and doing what you’re capable of doing even better, then that can turn a very negative and very tragic situation into something that ultimately breeds new life and allows you to flourish,” Abrams says.

ramification, but we have Breonna Taylor, and we have the changes in downtown and the way people perceive Louisville,” he says. “Clearly music, as a healing part of society, as a mechanism for bringing people together and giving each other pride in their city - clearly that’s going to be needed to a heightened and more critical state. That was what we set out to do.”

That’s what the orchestra members wanted to do - find a way to work through the roadblocks Abrams explains how all of this led the presented by the pandemic. orchestra down what he refers to as a “triple path.” These paths center upon needing to “I think we were very realistic with the affect the positive health of our community, challenges, and the difficulties and the create opportunities for equal access to their tragedy,” Abrams says. “There was never music, and do something that changes the way anything other than clarity about that. What we really did was step back and ask, ‘What can people perceive Louisville and the way we we do for our community that needs us more perceive ourselves. than ever?’” “We need to give people pride about being from Louisville, and we need to give the Abrams points out that Louisville was going outside world a glimpse of what Louisville can through many difficult situations during the do at its very best,” he says. past year. “We have COVID and its continuing

The orchestra began building their

Jason Clayborn and Daria Raymore, performing for the FREE American Soul Concert on November 21, 2020

programming for the COVID year and beyond, based upon those principles. “It led to a really amazing state of creativity and growth,” Abrams says. “Last season we were able to play an entire season of music making, when many other orchestras weren’t able to do anything.” He explains that many of the biggest orchestras in the United States basically had to wait it out, and either had to furlough their entire staff of musicians, or tried to do smallscale performances when health regulations allowed. “We had, by great fortune, helped design the Old Forester’s Paristown Hall, which is part of

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“A friend knows the song in your heart and sings it to you when you’ve forgotten the words.” OCTOBER 2021 / 11

The final full concert for the LO Virtual Edition on April 10, 2021

the Kentucky Center’s properties,” Abrams says. “We had designed it specifically with technology in mind, even though we weren’t planning for a pandemic. It turned out that all the investment that was made to allow the orchestra to play at Paristown Hall was perfect for us to move in, and it was very easy to make a strictly social-distanced, safe environment for our musicians and staff, because that was the priority.” During their rehearsals they had a very comprehensive safety guideline and policy set that they enforced, because if there was any spread they would have had to shut down. Twice per week the staff, musicians, any extra musicians and guest artists had to get tested for COVID-19.

On stage everyone had different entrances, everybody had a mask, and mesh masks were placed over the bells of instruments. There was plexiglas between performers, and they had special fans installed by air-flow experts. The orchestra placement was also changed so the winds wouldn’t blow air on the stringedinstrument players. “That was the biggest trip of all,” Abrams explains. “It would be like a football team with the defense playing offense and vice versa. It was very weird. Nobody ever grumbled. Everybody knew how lucky we were to be playing music. Everybody was thrilled. We made do.” Another positive aspect rising from the darkness of the pandemic was a project Abrams was asked to work on, which came forth from Mayor Greg Fischer, called Lift Up Lou. “That was really designed to provide the city with opportunities to be creative, to

experience art and artists while they were isolated, and to eliminate some of the isolation to make them feel more connected to each other,” Abrams says. “It was a cultural initiative.” Abrams says two major accomplishments came from this initiative. A massive group song called “Lift Up Lou” was created, co-composed by 27 Louisville musicians including Jim James from My Morning Jacket, Will Oldham, who is known as Bonnie “Prince” Billy, Ben Sollee, and a whole host of talented artists. “The other big thing is that we created the Louisville Arts Network,” Abrams says. “We ended up with nearly 200 pieces of art in all genres, from music to weaving to visual art.” Abrams is excited for the orchestra’s upcoming 2021-2022 season. “We’re creating this kind of journey, which is bookended by celebrations of the city,” he

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says. “The first concert is two kinds of sets of music. The second half is Tchaikovsky’s 6th Symphony. It’s called the ‘Pathetique,’ and while it is tragic it also has moments of real joy. It’s not something that just makes you forget about the year and a half we’ve had. It’s a real reflection, and that’s important for us to acknowledge.”

experienced similar effects on their careers because certain opportunities were not provided to them.

“There’s a deep, deep relationship between black and Jewish artists,” Abrams says. “If you think about spirituals that are all Old Testament, they’re inspired by the Exodus story,” he says. “You think about Gershwin writing jazz and having an all-black cast in “The first set of music that people will hear ‘Porgy and Bess’ when it was premiered. You is all by Louisville composers,” Abrams think about all of the great jazz artists who continues. “We have seven different were black, who were singing songs by Jewish Louisville musicians to create a new piece composers like the Gershwins or Irving Berlin of music that’s a reflection on what they’ve experienced. We felt that having a tie to locals and so on.” is important. Also, providing opportunities Other concerts during the orchestra’s season for local musicians to share our space is will explore Latin American music, and one important for us.” of Abram’s friends, pianist Yuja Wang, will perform a piano concerto composed by The orchestra will also begin a four-year Abrams. exploration, which delves deeply into the relationship between Jewish artists who had “She is one of the most sought-after pianists their careers either altered or ended during alive,” Abrams says. “She is a huge, huge, huge the Holocaust, and black artists in America star. She played with the Louisville Orchestra black composers and black musicians - who

years ago, and she is as big as they get in the classical music world.” When asked what final thoughts he would like to convey to Louisville, Abrams responded as follows. “The overall message from us is that we’ve been working for the city this whole time to give them the kind of musical institution that they deserve, and I want to make sure that everybody understands that we didn’t take this year off,” he says. “We didn’t make it easy on ourselves and take the easy way out. We did what we felt was right for our town, to have a great orchestra that serves the community first and foremost. We don’t start by asking how the community can help us. We ask, ‘How do we serve the community?’”

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Basic oil change includes standard oil filter and up to 5 quarts of 5W30 conventional or synthetic-blend oil. Oil type is based on availability and may vary by location. Special oils and filters are available at an additional cost. Offer valid on most cars and light trucks at participating Meineke locations. Discounts apply to regular retail pricing. One offer per service per vehicle. Not valid with any other offers, special order parts, or warranty service. Additional shop supplies or disposal fees may apply. Coupons have no cash value and must be presented at time of estimate. See the center manager for any additional details. Void where prohibited. Limited time offer.

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TIPS FOR HOSTING THE PERFECT

PARTY

Writer / Abigail Hake

pooky days are on their way, and many of us are in need of any reason to decorate or party lately. While the times continue to be a little hairy, there’s still room to have fun, especially during the Halloween season. Here are a few tips on how to throw a spook-tacular Halloween party for you and your friends.

have to be fancy, but it can be. The biggest factors to consider are restrooms and overall space. This year especially, make sure that whatever venue you choose has enough room for your guests to spread out a little. If the party won’t be at your own home, check to make sure the venue owners allow decorations, because that’s up next…

INVITATIONS

DECORATIONS

This might be the year to indulge in creative invites. With fewer social opportunities to see friends and family in person, an actual mailed invite to your guests would be appreciated. Depending on the guest list, create your own or order pre-made invitations and add your own little touch. Throw in something spooky like a slimy crawler or tiny spiders so that when your guests open it, they’ll really be wowed!

LOCATION

Will the gathering be outside or inside? At your house or another location? It doesn’t

First, you might want to decide whether your party will be full-on scary, or just a little spooky yet family friendly. Regardless, a party is always more fun when the location is decorated so don’t skimp. You can keep it simple with spiderwebs, pumpkins and bats, or go a little crazier by adding mischievous skeletons to every room. Maybe include a skeleton that guests can pose with for a photo. Add some haunted decorations outside to welcome your guests in. Don’t be afraid to do something unconventional. If there is ever a time to try something crazy, it’s during Halloween. 14 / OCTOBER 2021

COSTUMES

Encourage your guests to dress up, and make sure this is included on the invite so there’s no confusion. Maybe even note that there will be a costume contest, with a few different categories and a prize. You can even make your own trophy to give out at the end of the night. Once people know there is a prize involved, they’ll really up their costume game.

GAMES AND ACTIVITIES

Make sure there’s something available to entertain your guests as well. If you are partying outside, indulge in yard games like spooky cornhole with ghosts added to the boards. Pumpkin ring toss is a great game that’s super easy too. Use glow necklaces or bracelets as rings to play after dark. Consider a craft station where kids can make their own trick-or-treat bags to take home.

FOOD

This is where it can get really fun. Try a hand

ice cube floating in your punch bowl, witches’ fingers or band-aid biscuits, to name just a few. Research websites like Pinterest, and you’ll find loads of horrific and blood-curdling treat ideas.

MUSIC

This is key for any party. Curate your own playlist to ensure continued spooky sounds for the entire night. Make sure you include classics like “Monster Mash” and “Thriller” on there. Once you’ve completed it, make sure to put it on repeat so you don’t run out of mood music throughout the evening. Your guests will love the theme music and it will keep everyone feeling good. With these tips, you should be well on your way to throwing a memorable party that will be the talk of October. Remember, this is a time to be silly and creative, so don’t hold back. As always, stay safe and have fun!

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ARTISTIC VISIONS ANDRE KIMO STONE GUESS HAS BIG PLANS AS NEW PRESIDENT AND CEO OF FUND FOR THE ARTS Writer / Stephanie Wright Photography Provided

The arts have the power to bring hope, healing and connection to a community. Andre Kimo Stone Guess knows this power, and that is why he was recently named the president and CEO for the Fund for the Arts (FFTA) here in Louisville. The incumbent, Christen Boone, stepped down this past May after serving for seven years. The pandemic and social injustice have brought Guess back to his hometown to start advocating for change. As a native Louisvillian, Guess grew up in Smoketown. His family holds roots in the area that date back to the early 1900s. Growing up in the same house his father grew up in, he had aspirations to become a physician, with a love for jazz music. His passion for jazz exists today. It all stems from time spent at Lloyd’s Barbershop, where barbers and patrons taught him about the instruments, blues, and the innovative modes of jazz music. They had a significant influence on his being, and jazz remains a large part of his life today. After graduating from high school, Guess moved to Boston for medical school. However, he soon found out that being a physician was not in his heart. He came

home to finish college at the University of Louisville, obtaining a bachelor’s degree in economics with a minor in actuarial math. This career change led him to his first job at Capital Holdings in town. After a few years, Guess wanted to leave the corporate world for the nonprofit sector. He graduated with his Ph.D., and served as vice president and producer of Jazz at Lincoln Center (JALC) in New York City. Following his tenure in New York, he became president and CEO of the August Wilson African American Cultural Center located in Pittsburgh. In addition, Guess has owned and operated his management consulting firm, GuessWorks, Inc., successfully for more than 14 years. He has managed many awardwinning artists at the firm, leading him to travel the world and visit some impressive art centers. One of his most significant accomplishments manifested in 2005 when Hurricane Katrina made landfall in New Orleans. Guess narrowly escaped the city right before Katrina hit amid mandatory evacuations. However, when he returned to New York City, he saw the devastating damage on the news. As a result, he and his two friends, one being the artistic director of the Lincoln Center and the other a music producer, planned and executed the Higher 18 / OCTOBER 2021

Ground Hurricane Relief Benefit Concert at the Lincoln Center. In 10 days they put together a star-studded, five-hour concert event televised nationwide. The occasion raised an estimated $3 million for Hurricane Katrina relief. “The beauty that was in the building that day to deal with the tragedy of Mother Nature’s wayward daughter Katrina - to be able to be in the position to do something, and be able to see how it affects and healed the people mourning the loss of loved ones while seeing the therapy happen in real time, was amazing,” Guess says. In the midst of all this, he and his wife wanted to give their two daughters a more stable home, so they moved back to Louisville to settle down. Even though he still traveled quite a bit for most of the year, his family finally found their forever home and currently lives in St. James Court. His youngest daughter just graduated from high school this past May. As an empty nester, Guess wanted to find ways to get involved in the community by using his connections to help benefit this town. He let go of his artist management business and went back to working on consulting projects, many outside of the city.

Once settled, his life changed when a friend sent him the posting for the CEO and president position at the FFTA, via LinkedIn. “I saw the job description, and there was language in there about the transformative power of the arts to heal, and I saw there was a significant push that started in 2017 about equity, diversity and inclusion,” he says. “I saw how serious the fund and the board were for the cultural plan to try to overcome the tragedy, COVID, isolation and destruction of the community. I knew right at that moment that I was meant to do this job.” Guess, along with his wife, wanted to be involved and serve their town. This position was the best way to do that.

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name. Give that young man the job, but I want to be his chairman so I can help him.” Those relationships and his experiences also enable him to serve as a mentor to others. He continues to work with mentees in his field. “Because of what’s been done for me, I have to be very intentional about doing that for other people,” he says.

ensure a safe journey. “I’ve been very fortunate to have had, as a black man, five meaningful mentors, and I would not be where I am today without their help,” he says. His cherished mentors have taught him much about fundraising, performing arts

and working in the nonprofit realm. One of these mentors is named Aaron Walton, who served as chairman of the board at August Wilson. When the organization’s search for a CEO began, both Walton and Guess were contenders for the role. When his friend and mentor learned that Guess was a contender, Walton went to the board’s current chairman and said, “I’m withdrawing my

Guess wants to bring the wisdom from his mentors and lessons learned from his career to Louisville to improve citizens’ lives, while meeting community needs. Guess reflects on the current FFTA mission and his outlook for the future. “My goal is to make sure that ‘every’ means every person across race, culture and sexual orientation where we don’t see representation across those lines,” Guess says.

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He reflects further on the importance of increasing collaboration across all arts disciplines. He envisions people in separate fields, like visual arts and performing arts, taking down any barriers, to come together and work toward increasing diversity and inclusion. Starting in August, Guess is opening his office doors to the public. “I’m actively engaged in a listening

campaign right now,” he says. “I want to have office hours once a week and allow anyone in the community to come in and talk about needs or give their opinion, so people can see what we are doing and that we are transparent.” He is also intentionally going out into the community to set up town halls for the public, in churches, art facilities and community centers.

On the personal side, Guess is an artist himself. He holds a passion for writing in his minimal spare time, and has been writing for 30 years. Andre Kimo Stone Guess is going to make a significant impact on the arts in Louisville. His passion for the nonprofit sector and the community is felt when you hear his words about the city and what it has meant to him. Congratulations, Andre.

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“We know flooring based on trends of colors and styles of course, but River City Flooring was started in 1997 by Owner Chris Brumley as also based on the lifestyle of the a sand and finish service out of his home. Today, River City is a fullhomeowners we meet,” Brumley says. service hardwood, luxury vinyl plank, laminate, and carpet flooring “Our job is to convey the best option dealer. They now boast an inventory of more than 100,000 square feet for that customer and their family, of hardwood, laminate, and popular waterproof luxury vinyl plank. because we know it’s a big decision that affects their home space for years CONNECT The River City Flooring showroom, conveniently located in the to come.” Bluegrass Industrial Park, has an area of 3’x3’ samples to help customers envision the bigger picture of what different flooring “With the evolution of YouTube, options look like when actually installed. Brumley and his team saw people are taking on home projects themselves every day,” he a move toward wider panels, and installed the samples to make the continues. “That’s where we can really help. We offer such a large decision-making process easy and worry-free for customers. Many selection of products that the customer can DIY, and we offer even big-box stores may have sample panels up high near the ceiling. better pricing in those situations when customers want to cash “Customers are thinking, ‘My flooring’s not going to go up on the ceiling,’” Brumley says of the big-box store experience. “We try to help people make a decision.” River City Flooring offers a wide array of options for all areas of the home, including carpeting for bedrooms, hardwood flooring for main living spaces, and even waterproof vinyl plank that has vastly improved in appearance since early models debuted. They offer more than 60 different colors of vinyl flooring, which works great for homes with large dogs or kids, as it protects against spills and tough wear. Many families have even opted for waterproof vinyl plank over hardwood in many living areas, rather than just basements. “We started selling [vinyl plank flooring] just for basements, but it’s become a red-hot product due to its waterproof nature, and now we’re doing the whole first floor of houses,” Brumley says. “It’s amazing how every year products are looking better and better.” According to Brumley, 63% of American households have some sort of pet, and because of this and other factors, many homeowners don’t want to worry about maintaining hardwood flooring. Vinyl plank flooring is scratch resistant and 100% waterproof.

and carry. Not only can we beat box stores at their prices, we offer firsthand knowledge that we know the customer is not getting when it comes to buying floors at those places. We have a more personalized experience for them.”

Like many other companies in the building world, River City Flooring has seen unprecedented backorders and delays recently, but Brumley says they’ve worked hard to keep a handle on stocking products at great prices throughout this time. “We’ve got so many great products that we believe in and our customers have loved, so we feel very blessed that we have such a large warehouse that we can provide quality floors by brands like Anderson, Mannington, Mohawk, COREtec, Southwind and more quickly to our customers who need it,” he says. Be sure to visit River City Flooring on Plantside Drive in Jeffersontown this fall when it’s time to fix up your floors. Whether you want to DIY and cash and carry, or have the staff handle the installation for you, they are a wonderful homegrown flooring store that provides great prices and service in hardwood, carpet and luxury vinyl plank.

OCTOBER 2021 / 23

Larry Craig and Joey Craig

WHAT A RIDE

CRAIG AND LANDRETH CARS IS COMMITTED TO CUSTOMERS AND COMMUNITY

opened a Ford dealership in Morgantown, Kentucky. He returned to Louisville in 1975 to open Craig and Landreth Cars with June of 2021 marks 73 years that Larry another close friend, Henry Landreth. Sadly, Craig has been part of the Louisville Landreth was involved in a fatal boating community. Born and raised in the area, accident in 1977. Although he lost a close he has spent 56 of those years happily friend and business partner, Craig decided immersed in the automobile industry. At 17 against changing the company name, as a years old, he started working for a Chevrolet tribute to their friendship. Now he co-owns dealership here in Louisville, working first the business with his son Joey, and it’s a in the office before transitioning into sales. family affair through and through. Once he started selling cars, it was clear that he had a knack for it. He realized how much “My sons, grandson, granddaughter and he loved it, and it was all due to the people nephew all work here,” Craig says. “It’s he got to help each and every day. definitely a family-owned and -run business. Writer / Christy Heitger-Ewing Photography Provided

“I like people,” Craig says. “I like building relationships with my customers and vendors. A lot of customers even end up becoming friends.” In 1970 Craig went into business with his friend Roy Phelps. Three years later, the pair

Everyone here has got skin in the game.”

Craig has a long tradition of involvement in his local community. He has contributed to, and actively participated in, numerous projects and organizations, including Kosair Charities, a nonprofit that is near and dear to his heart, and for which he serves on the 24 / OCTOBER 2021

board of directors. Founded in 1923, Kosair Charities is a nearly 100-year-old charitable foundation that partners with pediatric organizations across Kentucky and southern Indiana, with the goal of enhancing the health and well-being of children with medical conditions. Craig’s care for the community extends to his customers, who are his number-one priority. “We are customer-first people - we always try to do what’s right,” says Craig, who is the only used car dealer ever to be on the board of directors for the Better Business Bureau. He has also served as president of the Kentucky Automobile Dealers Association, the Greater Louisville Automobile Dealers Association, and the Kentucky Motor Vehicle Commission. “I tell my team that the nicest person in the

“It’s easy and transparent, with no surprises,” it once was. By doing online research, Craig says. “It’s really a very simple process.” prospective buyers can find a car at a good price, search to find out the car’s history, According to Craig, that process is easier figure out what a monthly payment should now than it has ever been, due to increased be, and get an idea of what their trade-in is consumer knowledge about the automobile worth. industry. That’s all due to technology, and the fact that information is now just a click Craig and Landreth’s inventory is away. Armed with a wealth of knowledge, automatically updated on their website on car buying can be much less stressful than a daily basis, so consumers can be sure that

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world can end up being the worst person in the world if you don’t treat them right,” Craig says. “I’ve seen it happen. You treat people the way you want to be treated.” Most dealerships are corporate owned, so when a potential customer steps on the lot, much of the time they are not talking to someone who can actually make a decision. According to Craig, car buying should be the simplest thing you can do. “The only thing that makes it complicated is the people you’re dealing with,” he says. “We’ve always got somebody here to help our customers, whether it’s me, my sons, my nephew or my grandson. If a customer has a question, we can instantly give them help.”

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information can sometimes be misleading or just plain false. “We had a guy in here recently who said he found a car on the internet in Nashville that was $1,000 cheaper than ours,” Craig says. “We ran a Carfax on the car and found that it had been a total loss and was a rebuilt car with a salvaged title.” Armed with that knowledge, the man decided that the cheaper vehicle was not the one he wanted to purchase.

they are getting a full and accurate view of what is available at any given time. “Knowledge makes the deal a lot easier and a lot fairer because you’re dealing on an equal basis,” says Craig, who estimates that 75% of the people who come to his business have visited the company website, which means they already have a few vehicles

in mind. “They know what we should be asking for the car, and they have all the knowledge they need to decide if it’s a good deal for them or not.” Despite being well-informed, when it comes to car shopping, one can easily get overwhelmed from the massive amount of information available online. Also,

26 / OCTOBER 2021

“Our car was $1,000 more, but he was getting what he paid for,” Craig says. “The other one was not a good deal.” As a full-service dealership with an inventory of more than 500 vehicles, Craig and Landreth Cars specializes in pre-owned vehicles that are in great shape. “We do a 110-point inspection on every certified vehicle that we sell,” Craig says.

“We check to make sure they don’t have any issues before leaving the lot.” Because the company has a full-service shop, the staff does not have to send anything to a third party for repair, which saves both time and money - savings that ultimately get passed down to the consumer. “We can work on our cars here, so you’ve got somebody to go back to if you have a problem,” Craig says. “That makes the shopping process a whole lot easier.” Craig says customers want service, transparency and honesty.

everything else you need to know. If you’re interested in test driving but don’t want “Those are the three things you’ve got to to come to the dealership, they will bring have,” he says. the car to you as long as you live within 50 miles. During COVID-19 last year, a lot of Convenience is another nice perk, and that’s people used and appreciated this service. something the company offers through a concierge service that started during the It’s this dedication to customer care that pandemic. They provide the purchase price scores the company repeat clients and tons of the vehicle, all of the conditions, and of referrals. Plus, due to their longevity in

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the industry, they now have second- and third-generation customers. “I’ve seen a lot of these kids grow up,” Craig says. “We’ve been in business so long, we’re selling cars to their grandkids now.” For more information on Craig and Landreth Cars, call 502-447-3450 or visit craigandlandrethcars.com.

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This small landing was the perfect place to be transformed into an intimate reading room. The vibrant, pumpkin-orange little love seat adds some fun and is perfect for lounging. The cabinets make for a classic library and display to conjure up sentimental memories. The small accent chair finishes out the corner of the room.

DESIGN FOR A RELAXING RESPITE Writer / Kristen Pawlak Photography Provided

“Sometimes the most productive thing you can do is relax.” So says Mark Black, author of the book “Live Life from the Heart,” and a man who exemplifies resilience and perseverance. In 2005 he became the first man in history to run a marathon with someone else’s heart and lungs. Today, he is a motivational speaker based in Canada. Most people think of the bedroom as a place for relaxing respite. We want to wind down and prepare for a healthy night’s sleep, and then wake up to an environment that inspires us for a new day. As you are re-evaluating your bedroom in light of that goal, here are some tips. Color is critical in promoting a space conducive to relaxation. Choose a calming color palette. Lighter shades of gray, blue, and green often promote calmness. Improve storage so there is no clutter in sight. Clutter can instill a sense of chaos instead of calm.

floors with area rugs to create softness and add some tranquil color. If you have the space, create a reading or TV nook with a comfy upholstered chair, a chaise lounge, or a love seat. Other rooms can be designed to be more relaxing as well. Exercising, believe it or not, is relaxing for some. If you have a dedicated space for exercise or yoga, add some design elements that enhance your escape from stress. Can you let more of the outdoors in by having more open window treatments? Can you bring nature inside with greenery? Can you add soothing music instead of some video coach yelling at you? If you have a large multi-use space, you can create a little retreat in one area. Use a couple of chairs and an accent table to make for a solitary retreat or intimate space to converse with a guest. Use wall art or wall coverings to help make the space distinct.

Flowers and plants can be visually and aromatically soothing. Certain scents can have a calming effect. White candles can add an air of serenity. Natural sunlight does wonders for one’s attitude. Let the sunshine in.

A small landing can be the perfect place to be transformed into an intimate reading room. A little love seat can be perfect for lounging. A closed book cabinet with glass doors could make for a classic library, and display for keepsakes and photos to conjure up those sentimental memories. Add an oversized coffee table to also serve as a place for resting the feet. Finish it off with a small accent chair to offer seating for a guest.

Throw pillows and blankets can create a feeling of coziness. Contrast hard surface

Make those new design features a benefit to your mental health. Relax and enjoy. OCTOBER 2021 / 29

Yes, for some, exercising, especially yoga, is a relaxing respite. This was an add-on space, adjacent to the combined office and study space for mom and kids. There’s room for yoga mats and other equipment. The client loves gardening, so there is plenty of room for plants. It all makes for connecting with nature while keeping mentally and physically fit.

The wall art and wall covering behind the bookcase create an outdoor experience in this multifunctional space.

Kristen Pawlak, DDCD, is owner and interior designer at KP Designs/Decorating Den Interiors. For more info, call 502-245-0052 or visit kpdesigns. decoratingden.com.

GRAB YOUR PADDLE

PICKLEBALL IS PICKING UP SPEED IN THE GREATER LOUISVILLE AREA Rick Redding is a realtor with eXp Realty (502-439-6391). He owns and operates the longest-running and most interesting podcast in the ‘Ville - the Rusty Satellite Show. Writer / Rick Redding Photography Provided

If the game of pickleball were a contagious disease, Louisville would be in the midst of an epidemic. All across the city, people are finding new places to play the country’s fastest-growing sport, and flocking to them. In July, 16 new public courts replaced tennis courts at E.P. “Tom” Sawyer State Park in eastern Jefferson County, attracting dozens of players at all daylight hours. At peak times, the facility is packed with players, four to a court, with more people waiting their turn. The July 17 ribbon cutting was attended by Kentucky Tourism, Arts & Heritage Cabinet Secretary Mike Berry, State Parks Commissioner Russ Meyer and State Senator Julie Raque Adams. The Tom Sawyer State Park Foundation chairperson Carol Timmons welcomed a few hundred people out to see the site and play on the

first day it was open. The steady growth of pickleball at Metro Parks will culminate next spring with the addition of at least 20 new courts, including a dozen at Charlie Vettiner Park in Jeffersontown. With additional courts coming to Petersburg, Highview and McNeely Lake parks, Metro Parks will have doubled its outdoor courts to nearly 40 in a single year. So what’s driving this amazing level of activity? A study by the Sports and Fitness Industry Association revealed that the game’s participation grew by 7% in the five years leading up to 2019, while the overall activity level was flat. It prompted The Economist to call it “the fastest-growing sport in America.” “No matter what your athletic ability is, no matter if you’re an athlete or never played a sport in your life, we can put a paddle in your hand, and in about 20 minutes you’re going to be dinking this little ball over this 30 / OCTOBER 2021

34" net, and you’re going to have a smile on your face - and you’re going to go home and your legs are going to hurt,” says Steve Hocker, a local teacher and enthusiast. The game is simple to learn. Anyone who’s ever tried ping-pong or tennis can catch on within a few minutes on the court. While it’s athletic, it doesn’t require the foot speed or athletic ability required for tennis or racquetball. While you’ll see players in all age groups, it’s a game a lot of older individuals have adopted. The 16 courts at Sawyer Park are expected to be an economic boom for the city, and this is likely part of the reason state government leaders, led by Adams, appropriated about $100,000 to build them. “There are studies on the economic impact of 16 courts,” says Hocker, adding that Sawyer will likely host up to five major tournaments per year. “Tournaments can have a major impact for the area. It all adds up. The national average spent by players at

just step into games with people you don’t know, and you make friends.”

tournaments is $39 per player per day.”

advertising leagues, tournaments and new locations at churches and community centers around the city have popped up at every local court.

Nick Price, the Sawyer park manager, says After the Sawyer Park complex opened the game has been played indoors at the in July, park officials decided to sponsor park for 30 years. The movement to build outdoor courts began in 2015, he says, when the park foundation began to work “ NO MATTER WHAT YOUR ATHLETIC ABILITY IS, toward raising funds. “We wanted to reclaim our position in the city as the bestknown place to play,” he says. “I think people appreciate it, that some can just walk up and get in a game.” Keith Johnson is the creator and manager of the Derby City Pickleball site on Facebook, which grew to more than 1,000 members in one year.

NO MATTER IF YOU’RE AN ATHLETE OR NEVER PLAYED A SPORT IN YOUR LIFE, WE CAN PUT A PADDLE IN YOUR HAND, AND IN ABOUT 20 MINUTES YOU’RE GOING TO BE DINKING THIS LITTLE BALL OVER THIS 34" NET, AND YOU’RE GOING TO HAVE A SMILE ON YOUR FACE - AND YOU’RE GOING TO GO HOME AND YOUR LEGS ARE GOING TO HURT.” —STEVE HOCKER

“It’s just exploded,” he says. “We haven’t advertised or sought out players. You can

a league on Friday nights, hoping to attract 30 players. After a big response the league expanded to 50 players, but many who wanted to play were left out. Signs

Not to be outdone, Metro Parks is promoting new courts throughout the city. Jason Canuel, assistant director of engineering and planning for Metro Parks, says plans for the 12-court complex at Charlie Vettiner Park, which will replace five tennis courts, were underway at the same time as the Sawyer Park expansion.

Canuel says Metro Council members Kevin Kramer, Robin Engel and Stuart Benson helped provide financing for the $275,000 to build the courts, and they’ll be ready in the spring of 2022. In addition, Canuel says up to eight

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courts will be built at Petersburg Park in Newburg for next spring. Projects backed by Councilman James Peden will bring new courts at Highview Park and McNeely Lake Park. Canuel says parks leaders began building courts a decade ago by putting single courts at Sun Valley, Riverside Gardens and PeeWee parks. However, it wasn’t long before feedback indicated players wanted more than one court at a location. Gradually courts were built - three at Des Pres Park in 2017, six at Wyandotte Park in 2018, two at Charlie Vettiner in 2019, and three at

Hounz Lane in 2020. At these Metro Parks facilities, there are games going on in the morning and evening with regulars who welcome new players. Some are more organized. A group at Charlie Vettiner communicates through the WhatsApp smartphone application. By 9 a.m. on most mornings, the three courts at Hounz Lane are full, with players putting their paddles in a box - the equivalent of yelling “I got next” as they wait their turn.

Because all you need for a court is a net and lines, plenty of driveways and patches of concrete at homes are being used as homemade courts. Buying a portable net and painting lines can be accomplished for less than $400. Paddles range in cost from under $50 to $200. The game was invented in 1965 by some fathers who wanted to keep their families busy. From there, the game has grown dramatically and now includes national tournaments. While the game seems simple, there are plenty of professional instructors and enthusiastic students.

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Rick with Eamon O’Brien of the Omni Hotel - Photo by Bill Brymer

THE RUSTY SATELLITE SHOW RICK REDDING’S PODCAST REACHES THE MOST INTERESTING PEOPLE IN THE ’VILLE “One thing I’m good at is consistency,” Redding says. He sits at a table in the Biscuit Belly in the heart of Nulu, nursing a hot drink as a remedy from the first snow about to fall later that day. “This stuff today, it’s all self-imposed,” he says.

Writer / Andrew Toy Photography / Provided

When a friend asked Rick Redding to run a podcast, Redding replied by asking what a podcast was. Don’t worry, Rick wasn’t out of touch. This conversation took place long before the word “podcast” was a household name. And that’s how Rick Redding, local blogger, got into the podcasting game and launched “The Rusty Satellite Show.” He did so under the condition that he would get a sponsor within a couple of months. After all, he wasn’t interested in having yet another hobby. Dan, the friend who’d recruited Redding to run the podcast, had headed a fundraiser campaign to raise the money for a studio and equipment. Passport swooped in as a sponsor, and Rick the former blogger was in business. Other sponsors stepped in and he kept going.

Although an appointment for an interview for his podcast has fallen through, Redding shrugs it off, saying that anything could happen in this business. Despite the unexpected gap in his schedule, he isn’t worried. That’s because he wasn’t going to have someone breathing down his neck asking why he doesn’t have a show up and running this week. “But I feel a responsibility to the sponsors, to myself, to put out a show every week,” he says. Luckily, he already had a meeting set up with mayoral hopeful David James, and Redding is looking forward to asking what makes him tick, and the big question, that is, why on earth would you want to be a mayor in today’s aggressive political climate?

a week, none of it came without putting in the work. He kept track of who had the most front-page stories, and constantly stayed on top of the news. And that was his start in journalism. When he was covering technology for “Business First” in 1999, the internet was a new thing that many hadn’t caught on to yet. “I remember going to my editor at ‘Business First’ saying, ‘There’s this thing on the internet called email, and we’ve got to have it.’ ” They resisted.

His writing took him on a pinball ride through different jobs. He had done a story on a company called Iron Max. They needed somebody to do the kind of stuff he did, so they hired him. The company was locked inside the internet bubble, so he got to use email after all. Although it lasted only a year because the company dissolved, but he took another job at a place called NetWorld because he had done a story on them. He worked there for almost four years. “I’ve A Louisville native, Redding was 36 years always had work, but I’ve never had a fourold when he started his first job as a reporter year anniversary at a job,” Redding says. in 1996. He’d done freelance writing, like a lot of stuff having to do with sports. But at After NetWorld, he tried entrepreneurship 36, he decided he wanted to make his mark by becoming a freelance writer. The turning writing for the media. He landed a job with point came in late 2006. Someone he knew “Business First” as a reporter, and it turned was working on a campaign for Bruce Lunsford who was running for governor. out, “I was pretty good at it,” he says. He Redding jumped on the campaign, thinking wrote intriguing stories and won awards, and even though he only wrote three stories they were going to win. Lunsford led most

34 / MIDDLETOWN MAGAZINE / OCTOBER 2021 / TownePost.com

He used his connections from his previous employments, and since no one else was really into blogging yet, he received a lot of attention. “I would go out to a press conference at 3 and I would have it up on my blog at 4,” Redding says. “The new stations ignored their own websites,” he says. “They held it until 5 or 6.” People When he started blogging for ‘The Ville who had access to the internet at work Voice,’ it was the first online news blog in were reading the news on Redding’s the city. “I put something out every day,” Redding says. Back then, everybody wanted blog, which is no longer available. “I was the predecessor,” he says. “I heard all to have a bog, but they didn’t want to put these stories from people at the ‘Courier in the work to keep it up, but that’s exactly (-Journal)’ who said my site was on their what Redding did, going so far as to make monitors 24/7. ‘The Real Voice’ was the first it a business. He did five or six posts a day, place you looked. I just fell into it.” The blog and in those days, that stood out above the rest. It was all he poured his time and energy ended in 2009. into daily. What was the next obvious step from blogging once that platform had run its What did he blog about, exactly? What course? Podcasting, of course. His friend was his niche? He blogged about the news, Dan had been impressed with Redding’s mostly. He kept that up through most blog and came to him asking if he’d like of 2007. He wrote about anything and to do this new thing called podcasting. everything in the city that interested him. Redding’s idea was to interview the most of the time up until May when the primaries were held, but Steve Beshear gained unexpected momentum and passed him up. Redding was sure he was heading for a long career in politics, but that disappeared when the campaign ended.

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stopped. I felt like I had to stop, too.” But after eight weeks of static, he asked himself why he wasn’t still doing the podcast, so he picked himself back up, along with his show.

interesting people from the ‘Ville, keep it general, and make it all about the guests who come onto the show. From the start, the guest list has consisted of politicians, entrepreneurs, artists, folks from the nonprofit world — just about anyone who grabs Redding’s attention. Either way, he tries to keep the pot diverse. If he’s had on three chefs in a row, he’ll reach out to an athlete or someone from a different industry to keep things fresh.

What makes him tick? “Even going back to the days of being a reporter, I like interviewing people, I like asking people what makes them tick,” he says.

When Dan moved on about a year ago, Redding bought the business from him. Up until the second week of the COVID-19 pandemic — sometime in March of last year — Redding had put out a podcast every week (approximately 300 consecutive weeks).

Redding says he likes to draw people out and make them say things that the audience would want to hear. “I do it because I like to do interviews, I do it because I like for people to know that that’s what I do,” he says. “That they think of me as the guy who created ‘The Rusty Satellite Show’ out of nothing.” He says he feels a sense of accomplishment when he hears people like the mayor refer to “The Rusty Satellite Show.” “It’s kind of weird, but unique and interesting,” Redding says. “In my imagination, I think of a typical listener thinking, ‘I wonder who Rick’s

But when the world stopped, the podcast did likewise. “The pandemic affected everyone in different ways,” Redding says. He recalls how no one wanted to go anywhere or see anyone. “The world

going to have on the show this week?’ And if there’s people who think that, then that’s a reward too.” The name Rusty Satellite, by the way, came about by his oldest son who, in middle school, created a comic strip character named Rusty Satellite. Redding liked the name so much he told his son that he’d like to use it someday for something. That something turned out to be for Louisville’s longest-running podcast. And what are Redding’s aspirations going forward? He would like to host a localized version of “The Daily.” But of course, that’s a high hope. But having run a successful blog and a podcast, all centered around this little ol’ ’Ville, that’s not a bad thing to have on your resume. So, if you get a call from Redding and he wants to talk to you, just know that you’ve done something great to catch his eye, and many more will be exposed to you and your work as well.

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We face cancer with innovation, so you can face cancer with new hope. We are the face of discovery at UofL Health – Brown Cancer Center. With academic research and leadingedge clinical trials you can only get here, we help save lives with less invasive treatments. And as one of the leading centers in the world to pioneer promising new cellular therapies like TILs and CAR T-cell therapy, we cure the incurable.

Brown Cancer Center is also at UofL Health – Medical Center Northeast Now patients can find the same expert care teams from our downtown location at our new outpatient facility located at 2401 Terra Crossing Boulevard off Old Henry Road near I-265/Gene Snyder Freeway.

We are one of the only centers in the area with CyberKnife®, delivering radiation using pinpoint accuracy. And Monarch™, a robotic endoscope that diagnoses lung cancer in hard-to-reach areas, even at early stages. Our multidisciplinary team of specialists focuses exclusively on your form of cancer. By making the impossible possible for the past 40 years, we help patients face cancer with new hope.

THAT’S THE POWER OF U Visit UofLBrownCancerCenter.org Call 502-562-HOPE (4673) today