Writing these founder’s letters is always emotional for me, as I often find myself at a loss for words. Our region is undeniably special, despite the challenges we face, our art, music, designs, and culture continue to flourish. But, most importantly, our stories endure—etched into the world, leaving a timeless legacy. These stories are embodied in the diverse individuals profiled in this edition.
This edition resonates with me more than any other because purpose is the very foundation of our existence. It’s our North Star, guiding us towards our goals. For me, defining my purpose is challenging, as it is constantly evolving with each new issue. Purpose, after all, is not a fixed destination—it’s a dynamic force that grows with us. Today, however, I can say my purpose lies in pursuing my dream of making our region proud, showcasing our talent to the world, and reminding everyone that despite all the turmoil, we remain resilient, standing tall and strong.
For this issue, our cover stars come from diverse backgrounds, both in their fields and geographically. Yet, they all share one common thread: stories of purpose— distinct, yet universally resonant. Abdelrahman Elaraby, a professional swimmer, the stroke of defiance, carving a path where purpose meets the stream. Mayan El Sayed, a movie star, the heart beating at the core of Egyptian cinema. Ramsey Chahine, an international artist, the weaver of worlds where myth and modernity dance on canvas and screen. Abdulaziz Al-Hosni, a celebrated photographer, master of nostalgic imagery, finding meaning in juxtaposition. These narratives show that purpose is not a fixed goal but a dynamic process, influenced by dedication, determination, and a sense of belonging.
Beyond our cover stories, this edition continues to explore the powerful impact of creativity, brimming with inspiring individuals, from Samar Younes’ innovative fusion of art and technology to Hashim Nasr’s poignant photography and Sylwia Nazzal’s powerful fashion statements. I’ve mentioned just a few; many more creatives and their compelling stories await discovery within these pages.
These stories remind us of the power of unwavering dedication and the profound impact that a life lived with purpose can have. This magazine is more than just ink and paper; it’s a testament to the resilience and creativity of our region, a celebration of the human spirit, and a call to action - to discover and embrace your own unique purpose.
SAM / EDWIN HARB / IBRAHIM ELHINAID / IBRAHIM SHEBANI / IVANNA OSYP / JACOPO FIORENTINO / JACK CHIPPER / JEAN KAIROUZ / JOSEPH ACHAJIAN / JOSH JAMES / JOSH MCCULLOUGH / JUNAID
AZAM / KAMILLA / KATYA VARZAR / LEX
NOVATOROC / LYDIA WHITMORE / MAINA
MILITZA / MAURO HERNAN / MAZEN
ABUSROUR / MARTIN TOURNEBIZE BASIL PEROT / MAYAN EL SAYED / MIGUE LEYVA
J / MOE ALRAZOUK / NADA MESH / NATA
BOCHA / NICOLE STERIOVSKI / NTITLED / POLINA SHABELNIKOVA / RANJITH BARA / RAMSEY CHAHINE / ROSY VASSALLO / ROSEANNA HACKETT / SALAH ABUMINA / SCAR SALARIO / SCOTT MCKENZIE / SHARGEEYA / SANA JAMALI / TALAL
KAHL / TAMTAM / TATYANA HARKOFF / TAYLOR SCHANTZ / UGLY MOSS / VERA
JIGALOVA / VINCENT KABBARA / YEHIA
BEDEIR / ZAID FAROUKI
founder and editor in chief SANDRA YEGHIAZARIAN
creative director SAIF HIDAYAH
art director
ATHINA SYMEONIDOU
senior editor LOUIS PARKS
junior fashion stylist NUJOUD OWEIS
junior talent manager OMAIA JALLAD
producer LANA SHASH
digital writers MENNA SHANAB
MARIANA BAIÃO SANTOS
executive assistant DARA HAMARNEH dara@thisisyung.com
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All rights reserved. No part of this publication may be reproduced in whole or part without permission from the publishers. YUNG Magazine welcomes new contributors but can assume no responsibility for unsolicited photographs or illustrations. Every effort has been made to contact the copyright owners of the images and text in this issue.
photography MAZEN ABUSROUR
styling POLINA SHABELNIKOVA
photography EMMIE AMERICA
styling NATA BOCHA
photography ESRA SAM
styling NUJOUD OWEIS
photography ABDULAZIZ AL-HOSNI
words
OMAIA JALLAD
HASHIM NASR
Visual Escapes
Hashim Nasr, a photographer born and based in Khartoum, Sudan, is known for his conceptual and experimental artwork. His signature style incorporates flowers, fabrics, and vibrant colours, delving into the narratives behind his observations and ideas. For Nasr, photography is more than just a creative outlet—it’s an escape from the stress and monotony of daily life, a source of joy, and a source of self-worth. His art grapples with themes of identity and ageing, questioning himself and an uncertain future amidst years of political and economic turmoil. Driven by an unrelenting passion to tell new stories, Nasr crafts compelling images using merely his mobile phone, turning everyday moments into powerful visual tales.
What first inspired you to pick up a camera, and how did your journey as a photographer begin?
I never had a lens-based camera until last January when I purchased a Canon M50 Mark II camera. Most of my past artworks were shot with my phone camera. It has been on and off since 2012, but since the COVID-19 pandemic, it has started to become more frequent as I became more consistent in documenting my emotions back then, using my hands as an object of expression.
How has growing up and living in Khartoum shaped your perspective on life and art?
Societal restrictions in Sudan and throughout the Middle East significantly influence my artistic and personal concepts. Most of my work aims to break stereotypes and enrich the public imagination by creating surreal images
Can you walk us through your creative process, from the initial idea to the final photographic artwork?
Surrealism and crafting always inspire me to create new photographs, starting from sketching and drawing the initial ideas in my notes, then creating what can be crafted and then planning the location for the photoshoot and coordinating with the models for the photoshoot day.
What significance does the colour blue hold in your work, and what led you to choose it as a prominent feature in your photography?
I call blue the colour of my dreams because it has been my favourite colour since I was a child. I feel it represents my personality as it signifies solitude, spirituality, and serenity.
In many of your photographs, the subject’s faces are covered. Is there a reason behind this choice, and if so, what is it?
It started as all my models were friends and family members and they had no background in modelling, so most of them weren’t OK with the idea of showing off their faces. So I came up with the idea of covering the face without changing the main idea of the photograph, in many cases it enhances the context even more.
How do identity and ageing evolve in your art, particularly given Sudan’s current challenges?
It has really influenced my perspective of my artistic expression, I go back and forth on how I want to convey and reflect those challenges [through my work].
If you could capture a photo anywhere in the world, with no limitations, where would it be and why?
There is a special place in Khartoum, in Omdurman next to Halfayah Bridge; I have many memories there, where I started developing my series A Leap Into A Dream. If I could get back to Khartoum I would do anything to get back there.
If there is another option, I would wish to visit Socotra Island, the dreamy and surreal landscapes there are magnificent and fit perfectly into the theme of surrealism that I am always passionate about.
JANA G. YOUNES
The Alchemy of Dance
Lebanese filmmaker and movement practitioner Jana G. Younes’ artistry is characterised by a dynamic energy that resonates through her many creative ventures. As a dancer, choreographer, teacher, and director, she has made her mark in a diverse range of projects, from fashion films and music videos to dance cinema and television. Co-founder of the Beirut Contemporary Ballet, Younes champions the fusion of physicality with narrative and philosophical depth, emphasising that dance’s true essence lies in its bodily expression. Her commitment to this philosophy shines through her award-winning films, including ‘Orenda’, ‘And so do I’, and ‘Ghazal’, which have captivated audiences worldwide with their exploration of movement and emotion. Younes’ work proves that dance is not just performance, but a catalyst of expression of human experience.
When was it that you discovered your interest in dance and film?
As a young performer, we used to get these recordings of our yearly recital, and it always made me wonder how filming and editing could better capture the feel of the theatre. I’ve always wanted to break the screen barrier and immerse the audience as if they were watching it live.
What inspired you to co-found the Beirut Contemporary Ballet?
In 2016, I asked Jens Bjerregaard to choreograph and star in my dance film, ‘And so do I’. Our combined creative methods led to an interesting approach to making screen dance. During post-production, over coffee, we joked about starting a company. We began telling people, got to the studio, and a few months later, we launched Beirut Contemporary Ballet and premiered our first work, a duet called ‘Skirmish,’ at Alserkal Avenue in Dubai.
What do you find most fulfilling about making dance accessible?
Dance sometimes risks oversimplification, presenting itself in a way that can deceive the audience into thinking it’s easily accessible. My fulfilment lies in making the intricate, complex compositions of dance accessible, allowing the audience to appreciate the depth without diluting the art.
How do you balance your roles as a filmmaker, choreographer, and teacher?
Each inspiration demands its own unique channel, and I’m fortunate to be able to externalise these inspirations through different mediums. Whether I’m making films, creating movement, or teaching, there’s always a focus on the present moment—a mindfulness that’s essential for both creation and communication. This awareness keeps me grounded, balanced, and fully engaged in the creative process, allowing me to translate complex ideas into tangible, expressive forms.
Can you discuss a memorable moment or reaction from a film festival screening of ‘Ghazal’ and its significance to you?
Ghazal speaks of time and the possibility of a backward flow. My premise is that ‘there is no such thing at a very deep level, that causes [must] precede effects’. The long one-shot dance sequence in the film was choreographed and shot in reverse, creating a very subtle magical effect when played forward. Audiences are amazed when they learn this and often want to watch it again immediately.
Is there a particular artist or mentor who has had a significant impact on your creative journey? If yes, who?
I like to think of Elizabeth Gilbert when she speaks about ‘your elusive creative genius’. Her talk delves into the expectations of those who choose creativity as a career-life choice, and how creative people manage the emotional risks of being an artist. I cannot not mention Leonard Cohen’s ‘How to speak poetry’ [Do not work the audience for gasps and sighs. If you are worthy of gasps and sighs it will not be from your appreciation of the event but from theirs. It will be in the statistics and not the trembling of the voice or the cutting of the air with your hands. It will be in the data and the quiet organisation of your presence]. I am now coming to the realisation of how much I am impacted by writers!
In what ways do you see dance evolving in the future, and how do you plan to contribute to this evolution?
I hope that dance never loses its essence. I believe in the power of integrating physicality with narrative and philosophical depth. If we focus too much on intellectualising dance, we risk losing its bodily expression. Through Beirut Contemporary Ballet, I aim to nurture these skills and uphold the values of openness, communication, and inclusivity.
If you could choreograph a dance for any fictional character or historical figure, who would it be?
Jesus! I mean he can walk on water and perform miracles. There is nothing that I could ask him to do that he wouldn’t be able to. It would be divine!
JO RIZK
by
photography
HOUSE BABYLON
Timeless Elegance and Conscience
House Babylon, founded by Egyptian Mariam Elshafie, a lawyer by education, blends her legal precision with a passion for design. Born from the quest to “make what was a simple yet premium shopping experience accessible,” House Babylon is designed with intention and priced with transparency. The brand offers home and lifestyle essentials crafted with meticulous care. Each product is a timeless piece, combining elegance and comfort to enhance personal spaces. By eliminating retail middlemen and delivering directly to the customer, House Babylon makes luxury accessible while redefining industry norms. Committed to ethical practices, including sustainable sourcing and eco-friendly packaging, every item aligns with their values and provides peace of mind.
In what ways do you believe your background in law has influenced and shaped your journey towards founding House Babylon?
I loved my years studying law. From the first class I attended in my undergraduate studies until my last one five years later. The theories of law teach you history outside of the mundane way history is taught, but most importantly it teaches you how to discuss, listen and form thoughts in a structured way. Working in law, however, was far removed from the studies I adored.
Every step, from founding the company to running it as a young person in business, was influenced by my background in law. From using analytical skills to evaluate situations, to the attention to detail with sourcing to looking over contractual work, the skills and experiences from my legal career have really given me a solid foundation to build and grow House Babylon.
I think most importantly it has helped me get out of trouble. Understanding regulatory compliance, I believe, is one of the most important aspects of running a smooth operation.
What inspired your mission to make luxury more accessible and inclusive?
It was really a personal quest at first. Growing up in Egypt for the first 12 years of my life meant great weather, tasty fruit and really good sheets. I remember my mum would take us with her to the factory outlet for our home and table linen. At the time there weren’t really any bedding or home brands. In the 90s in Cairo you would go to the factory outlets and buy exceptional fabrics for very little. When I started looking for similar quality fabrics for a reasonable price in London in 2016, it seemed impossible. There is a sea of misinformation, fake Egyptian cotton and steep prices for average sheets. That personal quest quickly became a mission for me: To make what was a simple, yet premium, shopping experience accessible. Today we work with hotels and businesses on a b2b level and in our first meetings I always try to convince our clients to opt for the slightly pricier, but considerably better, option.
Can you describe any challenges you’ve faced in balancing exceptional craftsmanship with the goal of keeping products affordable?
When we say affordable we mean affordable in the product category. If we are selling a 600 TC certified Egyptian Cotton bedding we aim to offer it at the most affordable price possible. It doesn’t mean it is going to be cheaper than a bamboo bedding set.
Our candle collection, which we have now sold out, posed quite the challenge for us. Instead of going with a big supplier from Paris, we decided to work with smaller workshops in the UK to cut costs and be able to offer a completely natural soy wax candle with high grade essential oils for less. However, that didn’t work. We ended up spending as much as we would have making it in Paris.
What steps does House Babylon take to ensure ethical sourcing and fair practices throughout your supply chain?
We work with only three big factories for the bedding, bathroom and loungewear, all of which I personally know and visit frequently. We do, however, request various types of certifications from them every year to ensure transparency on all fronts. We also have our own studio in which we produce tote bags, fabric packaging and b2b orders for Studio Babylon. The studio has the capacity to produce big orders such as the Dior runway show furniture we produced.
If you could collaborate with any fashion brand, who would it be and why?
Loewe. Their minimalist aesthetic and artisanal craftsmanship have made them one of the most loved fashion brands in the world. I admire their craft prize competition and the simplicity they find in the artisans they choose to work with. It’s all about simple beauty, and that aligns perfectly with the ethos of House Babylon.
What’s the most rewarding feedback you’ve received, and how does it reflect your mission to make luxury accessible?
One of the most rewarding pieces of feedback we’ve received came recently after we launched in Egypt. Until a few months ago, my friends and family hadn’t had the chance to try our full range of products due to shipping restrictions. Since then, the number of people who have made repeat orders and told me they’ve replaced their old bedding with House Babylon products has been incredibly gratifying.
In a region known for its fine bedding, hearing that our products have become their new standard is a powerful testament to our mission. It reflects our commitment to making premium homeware accessible. This feedback not only validates our efforts, but also fuels our passion to continue providing affordable luxury to more people around the world.
FRANCESCA MATTA
Poetry in Every Frame
The fragility of time lies at the core of Francesca Matta’s photography. Based between Lebanon and Italy, Matta, a graduate of Nuova Accademia di Belle Arti with a Master’s in Photography and Visual Design, uses her craft to explore the ephemeral nature of existence. Her work goes beyond mere aesthetics, delving into the emotions embedded within each image. Matta reconstructs the past, engaging deeply with archival materials to create images that feel like a journey through time yet remain strikingly relevant today. Her photographs resonate with culture, ancestral roots, and emotions that persist across generations, challenging the boundaries of photography by making the intangible palpable.
What is your earliest memory of photography?
I was exposed at an early age to the fragility of life. I remember being about 12 years old, going through family photos and gathering those that held traces of my childhood. That was my earliest memory of photography—unconsciously fearing I might lose those photographs, those memories.
How has your background, being based between Lebanon and Italy, influenced your artistic perspective and practice?
In Beirut, I feel more aware of the ephemeral. It feels like I have to capture what remains—home and everything in between. In Italy, I feel I have more freedom to experiment and explore my surroundings. This blend of duty and freedom makes my approach to photography more fluid, striking a balance between a documentary and a personal approach.
Can you describe your process of working with archives and how you choose which elements to incorporate into your work?
While continuously documenting my family, I found myself exploring my grandparents’ archival pictures. They revealed a different version of Lebanon to me and, most importantly, another side of who they were—connecting me to a past I never lived. Through these images, I’ve bridged the gap between the invisible and the present, between the void and what remains.
In working with these archives, I spend most of my time selecting and then developing images that visually intrigue me or resonate with their context, transforming them into personal expressions. It sometimes feels like an extension of my own work, and that’s when I know it works.
In your opinion, what is the role of photography in documenting and preserving history?
While history is documented through various forms and mediums, I believe photography is a unique visual language that allows us to revisit and experience history in a more intimate way.
Each photograph captures a brief moment and preserves it in time and space, making it a tangible echo of history. By serving as a witness to its time, photography connects us with the past in a meaningful way, preserving history in the most sincere way.
How do you achieve the vintage aesthetic reflected in your work?
By working with analogue photography, I usually obtain a warm and nostalgic “feel” that is harder to replicate digitally. Whether during shooting or in post-production, I spend a lot of time with each image, understanding what emotion I want to share with you.
Your work often features handwritten phrases. Why?
I believe that photography and writing are complementary mediums. Each is resonant on its own, but it’s when they collide that I feel a more “complete” image. The layers of photography and handwritten phrases convey the emotions felt at the moment of capture. Sometimes photographs alone aren’t enough; as Wolfgang Tillmans says, “I say we need words. Words are worlds”—and that’s why sometimes I feel the need to merge both mediums.
How do you balance the technical aspects of photography with the emotional and conceptual narratives you aim to convey?
I don’t particularly focus on the technical aspects of photography. Instead, I concentrate on the emotions I want to convey, aiming to translate visually what I feel. This focus on emotion rather than technique gives me room for experimentation, allowing me to be less restricted by the “do’s and don’ts” of photography and less fearful of the outcome.
Looking ahead, what new themes or concepts are you interested in exploring in your future projects?
I am currently exploring the theme of people in nature, curious to see what emerges when the subject is unrestrained and roaming. I hope to hold my first solo exhibition in Beirut this December, where I will present this new series alongside other works.
LAKIN OGUNBANWO
Shadows and Stories
Nigerian artist Lakin Ogunbanwo masterfully fuses fashion photography with classical portraiture, creating enigmatic, subversive images that intrigue with their bold, seductive energy. His subjects, often draped in shadow, fabric, or foliage, evoke a refined homage to the iconic African studio photography of the 1960s and 70s, brought to life through vibrant colours and striking minimalist compositions. At the heart of Ogunbanwo’s art is a profound commitment to documenting the rich culture of Lagos, expanding the African visual archive, and presenting self-represented African narratives that challenge and subvert Western perceptions.
Can you share the moment in your life that led you to pursue photography as your primary form of artistic expression?
I’ve always said photography chose me. If I could paint I would, but photography was readily available and I started by taking photos of my sisters.
In what ways has your upbringing in Lagos influenced your work?
I think in two ways. Lagos is a very colourful/vibrant city and this is a sensibility that exists in my work. Lagos is also very busy, and can be slightly chaotic and my work (visually) has generally been an opposite response to the functional chaos Lagos is. It’s why my work is generally simple.
How do you personally connect with the subjects you photograph, and what do you hope they feel when they see themselves through your lens?
If its a portrait session, I generally connect by talking with the subjects, if it’s personal work, I treat the subjects as collaborators. It’s important to me that they see and believe in the vision of the project.
Can you talk about the creative process behind your surreal collages?
Honestly, the most interesting part of the process is going through old images of mine and the cutting (there’s a lot of cutting and tearing up). Otherwise I draw the base image (which is usually an old image of mine or a shape-from-silhouette I’m drawn to) and try to make new sense of it by glueing the cut outs from previous work.
Fashion is a key element in your portraits, serving as a cultural symbol. How do you choose the fashion pieces, and what do they represent in your artistic narrative?
Besides the strong need to represent self and culture, beauty has always been an important aspect of my artistic narrative. Fashion lends itself to me as far as representing beauty goes and I’ll decide on pieces based on colours and texture.
What do the objects and props in your photography signify? Most times they are just visual elements used to create a visually appealing composition.
If you could collaborate with any artist, living or dead, who would it be and why?
Can I get two artists? Beyonce and Fela.
The reason being, while I enjoy the finished work, I believe their process may be just as ‘scattered’ as mine is, and I can only imagine the magic that’ll be created if my mind were to meet theirs. The collaboration can be visual (motion or stills) or even sound/music.
What’s a book, movie, or piece of music that has had a lasting impact on you, and how has it influenced your work?
Two books I really love are ‘The School of Life’ and ‘Essays in Love’ by Alain de Botton. I don’t know that it’s directly affected my work, but it’s most definitely affected my person. The movie would be ‘Moonlight’. I remember watching that and I had a very strong desire to make a film.
I love music so there isn’t just one. I should say when listening to music, the melody always gets me before the lyrics, so sometimes I am moved not necessarily by a whole song, but parts of it.
NAZZAL STUDIO
Designing Defiance
Born from the creative vision of Sylwia Nazzal during her university years, Nazzal Studio is more than a fashion brand—it’s a statement of resistance and empowerment. Rooted deeply in Palestinian heritage, the brand gained international attention through Nazzal’s striking graduate thesis collection, “What Should Have Been Home” (2022-2023). This collection became a powerful symbol of Palestinian resilience, sparking global conversations about the role of art in amplifying marginalised voices. Rejecting mass production, the brand prioritises ethical practices, collaborating with refugee women to craft garments that tell stories of struggle and hope.
What was the lightbulb moment behind Nazzal Studio and how did it come about?
I always knew I wanted to create an ethical brand that was deeply rooted in activism. But after graduating in May 2023 with a collection on Palestinian resistance it was difficult looking for a job after October 7th. I started to share more of my work from the collection “What Should Have Been Home”, which started to take a deeper significance following the world waking up. I began seeing that the world was ready to accept the kind of work I was creating.
What inspired you to create a collection that blends traditional Palestinian garments with contemporary fashion?
I wanted to create a collection that reflects how I feel about Palestinian culture and I wanted to highlight the beauty and struggles around how I view my culture. Therefore, when I looked at Palestinian resistance I could only see it in two forms, maintaining tradition and the actual images of Palestinians resisting the occupation and who happened to be wearing contemporary garments.
How did you select the specific textiles, like nylon and traditional fabrics, to symbolise Palestinian resilience and the harsh realities of occupation?
It began with an image of a boy wearing a puffer jacket in a photo as he was detained by IDF soldiers. From there it kind of inspired this harsh reality of choosing these resilient fabrics that can sustain certain weather conditions like leather and nylon. But then contrasting them with soft silhouettes and fabrics like jersey or hairy camel skin.
Can you elaborate on the symbolism behind the colours you chose, particularly the dark red and the monochromatic greys and beiges?
I wanted to create this otherworldly feeling for this collection, reinterpreting what it feels like to be Palestinian. The colour range between grey, beige, silver and gold form this sense of gloom and sadness. This
monochromatic theme enhances the sense of otherworldliness, reflecting Palestinians’ resilience in the face of occupation and displacement, where memory and communication sustain existence. Almost creating this new universe for Palestinains to continue existing in, despite living in our country.
In what ways do you hope “What Should Have Been Home” will change the narrative or perception of Palestinian culture and resistance in the global fashion industry?
I believe we need more activism in art, and fashion has been a form of art as well as resistance throughout history. Clothes tell a story and this collection is only here to shed light on the fact of what is happening. I chose these huge silhouettes so people cannot ignore what they already try to silence. And the narrative I want to share is the truth. The culture is elegant and full of richness, yet it also carries a lot of sadness and despair. Despite the suffering, we continue to stand together in unity. This is the feeling that the collection embodies and hopes to instil in everyone who sees it.
How has your own connection to Palestinian culture and heritage shaped your approach to design?
It is so easy to be inspired by our Arab heritage that when I design, I look at what I was raised with as my biggest form of inspiration. Beyond how I see my culture, I combine it with the way I express my aesthetic in art.
In what ways do you see your personal identity reflected in the pieces you’ve created?
Art is subjective at the end of the day, and the things I create are an extension of me and how I view my culture. Everything an artist creates embodies who they feel they are and how they express themselves. That is all I have done, I am just grateful for other people to resonate with it.
If you could see your collection in one specific place or event, where would it be, and why?
I want to see more celebrities advocating for Palestine in events, this extends to more than a pin on a dress by a designer you should already be boycotting. I want to be a way for more people to advocate, while also giving a bigger platform to Palestine. I personally work with refugee women and donate a percentage of the profits to Palestine, so why would you want to wear a designer who does not care about the world we are living in when there is an ethical one that happens to also be avantgarde?
SAMARITUAL
Art, AI, and Ancestry
Founded in New York by the Lebanese hybrid artist and futurist Samar Younes, SAMARITUAL is an avant-garde studio where art, research, and strategy intersect to envision the future. Her work, which integrates Western and Eastern influences, crafts immersive experiences that push boundaries and inspire groundbreaking learning. Combining artisanal techniques with AI and neuroaesthetics, SAMARITUAL produces visionary cultural artefacts and rituals. The practice spans art, fashion, and design, focusing not just on creation, but on transformation. Younes sees AI as a collaborator, not a replacement, using it alongside traditional methods to explore and celebrate cultural heritage.
What is the significance behind the name “Samaritual”? “Samaritual” fuses my name, Samar, with “ritual,” embodying creativity as a sacred, transformative practice. It reflects my belief in art and design’s power to create meaningful experiences that become ritualistic, shaping our perceptions and well-being. This name resonates deeply with my Middle Eastern roots, where rituals play a significant role in our cultural fabric.
How has your multidisciplinary background influenced your approach to art today?
My multidisciplinary background in architecture, visual communication and scenography allows me to see connections between seemingly disparate fields. This diverse foundation enables me to create work that transcends traditional boundaries, blending elements from various disciplines to craft holistic, immersive scenarios that engage multiple senses and cultural contexts, particularly those often overlooked in mainstream narratives.
How do collaborations across art, fashion, and design influence your practice and contribute to your innovative approach?
Kaleidoscopic perspectives and multiversal, multitemporal identity expressions brought to life through collaborations across art, fashion, design, and nature are integral to my practice, allowing for a crosspollination of ideas that often leads to unexpected surreal cultural stories. By working across these fields, I explore how different forms of expression can inform and enhance each other beyond archetypes, envisioning fashion as space and space as fashion, especially in the aesthetics of the Global South connected to the Silk Road. This interdisciplinary approach keeps my work fresh and pushes boundaries, offering new perspectives on indigenous sustainable and expressive futures.
In your collaborations with artists and craftsmen, how do you ensure a balance between traditional methodologies and avantgarde expressions?
Balancing ancestral vernacular methods with avant-garde multiverse expressions is about imagining an interspecies cross-generational, harmonious future, through the lens of the future ancestors. I deeply understand various disciplines’ techniques and their cultural significance, then reinterpret or extend these methods using contemporary technologies. This might involve using advanced computational models to generate new archetypes of forms or patterns, or applying ancestral Global South indigenous techniques to create future ancestor scenarios, always maintaining the essence of our cultural patterns and textures.
In what ways do you think your narratives can influence societal perceptions and contribute to a broader understanding of wellbeing?
My narratives challenge Global South/SWANA stereotypes by presenting nuanced, multi-dimensional futures that broaden our understanding of well-being. By creating stories and experiences that blend diverse Global South cultural elements with biomimicry, and imagination, I expand perceptions of what’s possible for our region and its diaspora. These narratives reimagine our relationships with natural and synthetic beings, our personal embodied worn environments, and the spaces we inhabit. Incorporating neuroaesthetics, I explore how to envision futures that centre sustainability and multispecies living, demonstrating how art and design can directly impact cognitive and emotional personal and societal well-being.
How did you come up with your Edu Lab “Imaginalogy”?
“Imaginalogy” emerged from my desire to create a space where imagination and methodology intersect, particularly for creatives and organisations from the Global South. It’s a discipline for studying and cultivating imaginative thinking, designed as a playground that challenges Western knowledge systems through a hybrid, multidisciplinary approach. This Edu Lab empowers individuals and organisations to upskill, reskill and cultivate future skills in hybrid creativity, interdisciplinary design and ethno-aesthetic world-building in the age of AI.
What do you think AI offers that traditional art methods don’t?
Advanced computational models offer unique abilities to process and synthesise vast amounts of information, generating unexpected combinations and patterns that spark new creative directions. They can help overcome physical limitations, allowing artists to realise complex visions that are challenging to execute manually. However, I see these technologies as collaborators rather than replacements for traditional methods, offering new ways to explore and celebrate our cultural heritage.
What’s the most unexpected or unusual source of inspiration you’ve ever had for a project?
One of my most unexpected sources of inspiration led to the CreatureKin project. Inspired by my personal experience with breast cancer, I created digital caretakers designed to foster emotional and social support through wearable digital art. These beings aim to ease stressful healthcare experiences by infusing warmth, imagination, and artfulness into clinical routines. CreatureKin serves as a catalyst to restore balance during difficult times, facilitating a playful and empathetic reconnection with our bodies on our own terms. This project exemplifies how personal challenges can spark innovative solutions that blend technology, art, and well-being.
RAKAN ALIREZA
The Gift of Sport
Saudi athlete Rakan Alireza’s journey was entirely unexpected. Having never been involved in sports growing up, his entry into this world came when he seized the opportunity to become the first Saudi to participate in the Winter Olympics. This landmark achievement, in cross-country skiing, marked his entry into sport, which he regards as a gift from God. Alireza has since amassed several titles, including playing a crucial role in the Saudi team’s historic qualification for the Winter Olympics and winning the GCC indoor rowing championships in 2019 and 2022. His story reflects a remarkable transition as he followed an uncharted path to become a prominent figure in diverse athletic disciplines.
What first sparked your interest in sports, and how did you choose such unique disciplines like cross-country skiing and rowing?
Surprisingly enough, growing up I wasn’t that into sports, but my family and closest friends were. I was an overweight child and sports required a lot of self-confidence, something I didn’t have. So when someone asks me what sparked my interest in sports I always give the same answer, “It was a gift from God”. I never chose crosscountry skiing or rowing, but they both somehow came to me.
I got a call from my cousin back in 2021, when I was working as a consultant, and all he said was “Do you want to take the chance to be one of the first Saudis to compete in the Winter Olympics?” Without hesitation I accepted. I doubted myself enough growing up, it wasn’t something I ever wanted to do again. If that meant I had five months to learn a new sport, train, compete, and actually be good enough to qualify, then so be it.
What motivates you on days when training feels particularly tough or progress seems slow?
After training for so many years I believe that anyone trying to achieve anything must have an arsenal of reasons to keep going.
For me it all depended on the day, if I was just feeling lazy I would reward myself with something I really wanted to eat - I gave myself incentive. However, when the days are really tough, and going to train is the last thing I want to do, I always try to remember two things. I will never get this time back. There will come a day where I will wish that I could train like I used to; this reminds me that I love what I am doing and I want to do it. More importantly it’s a privilege that I get to train and compete at such a high level.
I remember my “Why?” Why am I doing this? Thinking of your “why” is the reason most dedicated people can drag themselves to do what they have to do.
What’s the most surprising thing people might not know about your life outside of sports?
Except for the time that I quit my job to try and qualify for the winter Olympics I have always held a job. I have, and continue to be, employed and working full time. I also have an amazing sister.
How do you stay grounded and balanced with the pressure of being a pioneer in Saudi sports?
I try not to put too much pressure on myself. I don’t look at myself as a pioneer of Saudi sports, my accomplishments were a byproduct of doing what I love. I love the fact that it can help someone through their journey, but for the most part I still believe I have a lot to work towards before I can be in that position
What role does your cultural identity play in your approach to training and competition?
It instils pride and responsibility, motivating me to represent my country with discipline, perseverance, and respect. Embracing my roots fuels my determination to break barriers and inspire others, showing that dedication and hard work can lead to massive success. When I first showed up to Sweden with the goal of reaching the Olympics in five months, coaches from other nations would laugh and ask me if I thought it was possible, especially since I am coming from the “desert”.
What do you do to unwind and relax after a gruelling day of training?
I really enjoy spending time with my family and friends. Staying lowkey with good food is the ultimate way to relax.
But surprisingly enough, I can’t sit still for long. So even after a gruelling day of training, you will probably find me trying to convince someone to golf with me, or learning how to play the keyboard. Different day, different activity: I keep myself on my toes. Life is meant to be lived, and I am trying to do just that.
Looking back, what advice would you give to your younger self when you first started this journey?
I have two pieces of advice that I always tell myself; one, the goal is not certain, but the journey is. Love what you are doing so when you look back, there will never be regret about the path you chose.
I managed to qualify for the 2022 Winter Olympic games, but due to unfortunate circumstances that were out of my hands I did not make it to the competition. Many people thought that I had wasted my time, but if I was given the chance to do it all over again knowing the outcome, I would do it every single time. I loved it.
The second piece of advice is “ الله ىلع لكوتا ” which translates to “Put your faith in God”, his plan for me is surely better than anything I could ever come up with.
SUEZ STUDIO
Threads of Tradition
You might know Suez Studio for their keffiyeh-inspired pieces which have been at the forefront of their work—from bucket hats to patchwork jackets and trousers. This London-based creative hub, founded by Egyptian/Iraqi designer Serag Elmeleigy, reimagines Arab culture and heritage for a new era. By reworking traditional textiles, Suez Studio seamlessly blends modern design with rich ancestral stories, creating fashion that transcends time. Each piece is a dynamic fusion of historical motifs and contemporary style, sparking a vibrant conversation between past and present. Through their innovative designs, Suez Studio takes us on a passage through the Middle East, celebrating Arab identity while crafting a bold, global statement that resonates deeply with today’s audience.
What was the initial idea behind Suez Studio and how did it come about?
I had always wanted to get into fashion and I felt I was always wearing clothes that didn’t represent me too well. I felt that I was severely lacking and wanted to rep the rich culture I’m from through clothes. It was really just filling in the gap I saw; as the saying goes, ‘Create the things you wish existed.’
What is it about your Egyptian/Iraqi background that most inspires your work?
With their rich and deep histories I always felt it was necessary to explore the histories of both countries. With family still living in Egypt, including my dad and brother, I try to visit as much as I can and Egypt, especially Cairo, is never lacking inspiration, it’s one of my favourite places to go. From the people, to the street signs, to the old architecture, it’s an incredible city that will inspire you the second you set foot. With Iraq, having never been there, my inspiration has always come from books, movies et cetera. I hope I can change that very soon as I plan to go for the first time this year or next. The beauty of Iraq has prevailed through much strife, and having the opportunity to witness this first hand would elevate my already existing appreciation of its cultural identity.
What challenges have you faced in preserving cultural authenticity while adapting it for a modern audience?
I think the challenge is more personal. The questions that have arisen since I started the brand are: Am I pandering to ‘Western’ cultural aesthetics? For example, the design aesthetic that has permeated much of the West is minimalism. Our cultures are far from minimal, so I wish to challenge those aesthetics and make sure we do not dilute our rich and vibrant cultures in order to fit in. I think the 1-of1 Khayamiya jackets were a great example in how I wish to move forward with Suez and start challenging fashion norms for men, especially in how we can interpret the ‘essential’ modern navy suit that every man owns. And no matter where you’re from you’ll tend to catch most men at a formal event wearing a navy suit. I’d love for these sorts of events to have more variety and to showcase the individuals’ culture a bit more.
How do you ensure that your designs resonate with both Middle Eastern and international audiences?
With this, it is almost like a formula, you see what sort of styles are worn, I tend to go off the styles of clothes I like to wear, and then figure out a way to incorporate cultural elements into it. I’d always loved the KAPITAL bandana jackets, our keffiyeh patchwork jackets were heavily inspired by that. With us using real keffiyeh scarves in all our clothes this also comes with a problem solving process of how
we are able to incorporate the keffiyeh into clothing, as its not made to be sewn together, so you end up figuring out ways to make it work and the main technique we use to make it work is ‘fusing/interfacing’ - this is ironed on to the keffiyeh and it sticks, as one side of the fabric is glue, and so once its fused onto the keffiyeh it makes it stronger and able to be sewn on and able to withstand tension at the seams.
What role does storytelling play in your design process, and how do you incorporate it into your work?
Storytelling is one of the most important aspects of any brand, if not the most important. As we draw a lot of inspiration from the past, we seek to almost retell stories from the past within the fashion context. I think the House Of Wisdom T-Shirt is a great example of that as we were able to tell the story of what the House Of Wisdom was and how integral it was not only to the Middle East, but to the whole world. This resonated really well with our followers, especially our fellow Iraqis, as it told of a great period in history in which Baghdad was the intellectual capital of the world. Our region has unfortunately been prone to misrepresentation despite being the locus of much literary, scientific, and philosophical innovation. I want to use the opportunity to spotlight our history through a more authentic and positive lens.
How does the Suez Studio’s London base influence your design choices for this collection?
I’ve been very privileged to grow up in London and no doubt it’s the fashion capital of the world. There’s so much happening here, whether it’d be new designers coming up or events or just the general style of people, the landscape is incredibly inspiring and it motivates you to step your game up.
What are some key cultural symbols or motifs you frequently use, and how do they contribute to the overall narrative of your designs?
Up until now, I think we can boil down Suez into some design principles, I think the main one is reworking traditional textiles and techniques from the Arab world into contemporary clothing; but I think people know us for our keffiyeh pieces as that’s what we’ve used for the first two and half years, but there are plenty of others that use the keffiyeh amazingly. I started off reworking the keffiyeh into bucket hats and then moved the keffiyeh into clothing like the patchwork jackets and trousers, and then most recently we worked with the Khayamiya (tentmakers) artisans from Cairo. We reworked their incredible hand-stitched pieces into one-of-one jackets, we even took one back to the artisan, Esaam Ali, and shot him wearing his work but now as one of our one-of-one jackets.
MORGAN OTAGBURUAGU
Illuminating Strength
Morgan Otagburuagu is a Lagos-based photographer from Abia State, whose experimental work beautifully captures the strength of the Black female form and the radiant beauty of black skin. A true master of light, Otagburuagu’s artistry reflects his deep belief that art is not just a practice, but a way of life, a philosophy that shines through in each of his portraits. His diverse portfolio spans fashion, beauty, still life, and videography, earning him admiration from both art connoisseurs and industry professionals alike. His work continues to push creative boundaries, celebrating Black identity with grace and power.
How did you first get into photography?
At eight years old I had my first camera and have taken pictures all my life, but never knew it would be my profession till 2017. My passion is for documentation, especially Black women.
As a master of light, how do you manipulate lighting to highlight the iridescent beauty of black skin in your photography?
My lighting style is bold and rich. Contrast has always been an element when I am with Black women, so I use hard lights to accentuate the richness of black skin.
How have Abia State and Lagos shaped your artistic vision and the stories you tell?
Both parts of Nigeria are rich in culture and diversity. Lagos, where I grew up, is a vibrant and electrifying atmosphere with diverse communities which gives me the ability to see through multicultural dimensions.
How do you select your subjects, and what qualities do you look for when choosing individuals to feature in your portraits?
Due to my subject interest, black skin is paramount; then a subject with strong features, especially a distinctive face, as I love to tell intimate stories with a close up composition.
You describe art as a way of life. How does this philosophy manifest in your daily creative process and the work you produce?
Art is a medium of expression and can tell stories impossible in other mediums. I have been able to open conversations about the need to celebrate and appreciate one’s uniqueness and encourage boldness and essence.
Flowers are a recurring element in your photography. What do they symbolize for you, and how do they enhance the themes you explore in your portraits?
Flowers represent life and death, celebration and mourning. Rebirth and blossoming. Flowers are an important element in the deconstruction of my message.
Is there a particular artist or photographer whose work you find yourself returning to for inspiration?
Quite a lot, but I will stick to a couple, with the Gabonese-Canadian photographer Yannis Davy and Italian Paolo Roversi.
What’s one thing you always carry with you when you’re on a shoot, and why?
It has to be my beauty dish. It is my number one go to when modifying light.
SHITANDA
The Dreamweaver
When it comes to Kenyan artist Shitanda’s work, one cannot help but be intrigued by its unpredictability. Shitanda’s creations, blending experimental textures, vibrant colours, and dynamic light and shadow play, seamlessly merge the mundane with the surreal. His art explores the interplay between presence and absence, evoking a soft, elusive nostalgia that connects distant memories with the present. Through grainy textures and a painterly quality, he challenges conventional rhythms of life, blurring the lines between fantasy and reality with an unconstrained perspective. Each image invites viewers into a dreamlike realm where beauty and complexity intertwine in “inexplicable” ways.
What’s your earliest memory of a camera, and how did you get into photography?
My earliest memory would be of my dad’s old film cameras, which really charmed me as a kid. Engaging with past moments through photo albums at that present time was quite thrilling, and my interest slowly picked up from there.
What inspired you to challenge preconceived notions of life’s rhythm in your artworks, and how do you convey this through your visual style?
I’ve always been fascinated by the idea that life isn’t as linear or predictable as we often think. There’s a rhythm to life, but it’s filled with pauses, unexpected beats, and even dissonance, a blend of chaos and order, spontaneity and structure.
Most of my works are centred around contrasts and dualities aimed at inviting viewers to see the familiar in an unfamiliar way, calling to mind a sense of curiosity and reflection, encouraging people to question various preconceived notions and to explore the beauty in the unexpected.
How do you select your subjects and materials, and what significance do they hold in representing Kenyan culture and lifestyle?
With my subjects, I lean mostly towards themes that resonate with me on a personal level, be it physically, emotionally, or sometimes just out of visual appeal. I’m drawn to subjects that can convey a story, evoke a particular mood, or capture a moment of raw emotion. It could be something as simple as the way light falls on a subject or the expression in someone’s eyes that inspires me to explore the idea further.
I often pick materials based on how they can best present the narrative or emotion I’m trying to express, mostly experimenting with different mediums.Whether it’s the texture of a particular paper, the depth of colour in a certain paint, or the tactile quality of mixed media elements.
Can you elaborate on your technique of creating granular detailing that gives your photographs a painterly texture?
I have a deep appreciation for old things and the way time leaves a mark on different materials. I’m fascinated by weathering and wear, how surfaces crack, fade, and accumulate layers from passing seasons. I love to bring that tactile quality to my works, whether digitally or by physically distressing photographic prints, paintings, textiles and other materials. It’s kind of my way of honouring the beauty in imperfection and the narratives that people and objects carry as they go through life.
Your work evokes a sense of soft, allusive nostalgia for the unknown. What personal experiences or memories influence this recurring theme in your art?
Finding beauty in the transient nature of life.
I’d say It’s more of a yearning for something that feels so close but so out of reach, a bittersweet mix of memory and imagination. Most of the imagery feels like fleeting memories, with delicate but distressed compositions to create a sense of intimacy and ambiguity. My subjects often appear as if they are caught between worlds— familiar yet distant, present yet fading. Like a mirror of our own human experiences, living in a universe so vast, knowing so much, but also nothing at all.
What colours do you find yourself most drawn to when it comes to your art?
I currently find myself most drawn to the colour red for its versatility in representing a range of emotions and its embodiment of contrasting themes that make it able to convey both pleasantly profound and unsettling or grotesque aspects of life.
How does the interplay of light and shadow in your work contribute to the narrative and emotional impact of your pieces?
For me, these two elements create a compelling visual tension centred around the concepts of presence and absence.
Light represents the “known”, controlling the emotional tone of a piece, depending on its quality and intensity. Shadows, on the other hand, add contrast, depth and sometimes obscure details, creating a sense of ambiguity or foreboding, inviting viewers to look closer and interpret the piece from an “unknown” point of view.
If you could step into one of your artworks, which would it be? I think I take a little step into most of them while or prior to creating. ■
Beyond the medals and accolades, adorned in Cartier, Abdelrahman Elaraby opens up in this candid conversation.
rings, CARTIER. hoodie, GUCCI. sunglasses, Tom Ford
“I recently discovered that I
hate the idea that people see me as just a swimmer.”
Countless individuals would trade places with Abdelrahman Elaraby in a heartbeat—he’s the picture of success, youth, and charm, adorned with medals and accolades. The spotlight follows him effortlessly; his athletic prowess is undeniable. He’s popular, he’s endearing, and the path to even greater achievements stretches out before him, ready for the walking. Yet, he’s wrestling with an internal conflict: does he truly want it all?
In a candid moment, he peeled back the curtain on the complex reality of a professional athlete’s life. It’s not just about the glittering trophies and the roar of the crowd. It’s a constant battle against a maze of expectations, navigating the demands of federations and universities, all while under the crushing weight of needing to perform at your peak, every single time.
Speaking from his Garden City family home in Cairo over ZOOM, Haridi Sameh, also known as Abdelrahman El Araby, the outspoken Egyptian swimmer who doesn’t shy away from speaking his truth, be it about his uphill battle with mental wellness, his nagging self-doubts despite an impressive array of awards, or his relationship with God, initially presented a composed, almost stoic façade. It was a challenge to decipher the emotions behind his guarded expression. There was this wariness but also a subtle inquisitiveness layered behind his brooding eyes. Question after question, we began to chip away at these layers, and his true personality started to reveal itself, one laced with this charming, yet sometimes self-deprecating wit, all underpinned by this inexplicable desire for genuine human connection.
I was armed with a stock of questions dissecting everything related to swimming – his big wins, and his future plans to conquer the sporting world – but he instantly disarmed me, revealing that he just completed a Master’s of Non-Profit at Notre Dame and is actually going to be starting a corporate desk job soon. This was the same young man who had been a member of the Egyptian National Team, a Junior Olympic Bronze medalist, Egypt’s National Champion, a Mediterranean Games Silver medalist, a twotime All African Champion, and an NCAA Champion, among other things.
“I feel at home when I’m in the pool,” he shares. “It kind of feels like flying sometimes, especially when you jump in at the deep end and you let yourself sink.”
top, pants, DIOR. shoes, KENZO
“I remember after the speech, I got invited for free fried chicken sandwiches, and I’m like really? I did this for free fried chicken?”
Despite his impressive track record and his recent surge in fame, he wasn’t willing to gamble everything on swimming. He explained that a stable corporate gig would ease the immense pressure of relying solely on swimming for his livelihood. In his words, “I would be stressed every day that if I don’t do well in this race, I won’t be able to eat for several months.” He paused, then added, “This would be a good motivation to have, but let’s bring this idea five minutes before the actual race. I don’t want this to be the whole thing I’m thinking about for like five or six months before my actual competition.”
It was clear he wasn’t interested in putting all his chips on the table when it came to swimming. Honestly, it caught me off guard – having read all about his incredible milestones and accomplishments prior to the interview – but it also made me lean in more, set aside my carefully-prepared questions, and just listen. He had a lot to unload.
“I love swimming,” Elaraby confesses, a hint of wistfulness in his voice, “but it does bring a lot of stress.” It was a relentless juggling act—qualifying times, strict schedules, championships clashing with academic commitments. “There’s a lot of other factors,” he sighs.
necklace, rings, bracelet, CARTIER. blazer, pants, SAINT LAURENT.
“People think I’m a celebrity, but I’m not. I’m just a guy.”
He recounted the trials and tribulations of his collegiate sports career. In 2018, after two consecutive years as Egypt’s top-ranked swimmer and a seventh-place finish in the 50m butterfly at the FINA World Junior Swimming Championships, he left Cairo for the American Midwest, snagging a full-ride scholarship from the University of Louisville, where he would spend the next five years in what he called a “very miniature city,” fighting to keep his passion for swimming alive while grappling the relentless pressure to perform that emanated from the underbelly of the US sporting system. There, he faced the daunting challenges presented by a new culture, a grueling training regimen, and a back injury that nearly sidelined him.
Struggling to balance academics with intense training, homesickness gnawed at him. He found it hard to adapt – the cold pools, the demanding workouts, the absence of his familiar coaches and his mother. “I was lonely,” he confessed. “I was the weird new kid from Egypt. I believe I’m different. I’m an acquired taste, I didn’t expect everyone to love me.”
He did things a bit differently, he swam against the grain, butting heads with coaches along the way. “I was just a kid that just came from Egypt. I had never swum more than 5,000 yards at practice. Suddenly, I found myself swimming 12,000 yards a day along with these pro, Olympic-qualifying swimmers. It was a lot,” he admits. “It was more than anyone in my family has ever walked in their life, probably,” he added jokingly.
The relentless grind eventually became too much. The rigid rules, the constant pressure to qualify, the near-misses at the Olympics – it all chipped away at his love for swimming, leaving him feeling trapped and disillusioned. A deep depression took hold, nearly culminating in a tragic, self-inflicted incident. It was a harrowing low point that shook him, and those around him, to the core.
But that close call reignited something within him. Less than a year after that dark moment, he was back on his feet, winning the 50-yard freestyle at the ACC Swimming Championship. Elaraby had been collecting accolades since he was 15, but this victory held a different significance. “Maybe for other people an ACC medal does not really matter much but it was not about the medal, it was what the medal represented,” he reflects.
bracelet, CARTIER. sunglasses, TOM FORD. top, pants, shoes, GUCCI
The win was a lifeline, pulling him back from the brink. It marked a turning point, a shift in perspective. “I was really scared of falling back into the trap of swimming becoming everything in my life again,” he admits. Instead, he sought solace in exploring other dimensions of himself—a devoted brother, a loving son, a loyal friend, even a talented cook.
Beneath his words and gestures, there’s a subtle weariness, a hint of disillusionment, yet also a disarming humility. You feel his deep-seated need to be recognized as a person first, not just the sum of his accomplishments or the labels that have been plastered onto him. He is a man who has weathered many storms, who sees through the clout and popularity that comes with fame. He doesn’t want to indulge fully in the celebrity game, choosing instead to navigate his life with intention and purpose.
He doesn’t want to be reduced to the “iconic swimmer” or the “Arab legend”. He wants to connect. He wants to feel and inspire. He wants people to see him as Abdelrahman, the young man from Garden City, Cairo who unexpectedly found himself thrust onto a much larger stage. It’s not that he shies away from the responsibility, but he craves something more real, tangible, and human.
“I recently discovered that I hate the idea that people see me as just a swimmer,” Elaraby confesses. “I hate when people meet me and they’re not interested in getting to know me as a person. The conversations always revolve around the next move, the next Olympic win.”
In October of 2023, Elaraby experienced a massive-life shifting moment on a podium in Greece. He was in Athens for the World Aquatics Swimming World Cup. He had just snagged first place in the 50m Butterfly final. Instead of basking in the glory and riding the adrenaline high, he ushered in a sobering moment, pointing attention back to Gaza and his brothers and sisters in Palestine, giving a speech that would reverberate around the world, through sensationalist headlines, and a litany of interviews, all of which blistered through social media. This placed a major spotlight on him, giving him a massive platform, and suddenly.
Elaraby remains grounded, preferring to stay out of the limelight until he achieves his ultimate goal—an Olympic gold medal. “Yes, I appreciate that you appreciate what I did,” he says, “But I didn’t do a good thing for you to tell me I did a good thing. I did a good thing because I wanted to do a good thing. Again, I’m just a guy.”
Elaraby’s podium statement on Palestine catapulted him into the global spotlight, a position he never sought. “I did this because that was the right thing,” he insists. Despite facing backlash and threats, he never sought recognition for his actions. With a touch of wry humor, he recalls, “I remember after the speech, I got invited for free fried chicken sandwiches, and I’m like really? I did this for free fried chicken?”
As his following swelled by the thousands in the weeks that followed, Elaraby didn’t squander his newfound reach. He became a vocal advocate for the causes he held dear—Palestine, mental health awareness, a bit of motivational coaching. When it comes to mental health, he treads carefully, acutely aware of his influence and the potential pitfalls of one-size-fits-all advice. “It’s a tricky topic to give advice on,” he admits. “Some people take your advice and validate what they are doing, not what they are feeling.” He shares an anecdote of his words being misconstrued to justify laziness, underscoring the difficulty of navigating the nuanced conversations surrounding mental health, ending it with, “I fear that when I try to save some people, I will drown some others.”
rings, necklace, CARTIER. top, JACQUEMUS
“I’m not saying curl up and cry but if you’re feeling a certain way, go get help so your future son doesn’t have to suffer from the trauma that you never resolved.”
“I would be stressed every day that if I don’t do well in this race, I won’t be able to eat for several months.”
He’s particularly sensitive when addressing men, challenging traditional notions of masculinity. “Especially when I’m talking to men, and I tell them you have to validate if you’re feeling sad or depressed, that makes you more of a man,” he emphasizes. “I’m not saying curl up and cry but if you’re feeling a certain way, go get help so your future son doesn’t have to suffer from the trauma that you never resolved.”
Nearly a year after his statement in Athens, Elaraby finds himself at a crossroads, contemplating his future. While uncertainty lingers, a new corporate role at Notre Dame awaits him. Yet, his heart remains drawn to the water. “I feel at home when I’m in the pool,” he shares. “It kind of feels like flying sometimes, especially when you jump in at the deep end and you let yourself sink.”
But his ambitions extend far beyond the pool. He’s actively working towards launching a mental health non-profit in Egypt, alongside a podcast and website.
Despite the fame and accolades, Haridi remains remarkably down-to-earth. “People think I’m a celebrity, but I’m not,” he says with a chuckle. “I’m just a guy.” A guy who finds solace in the water, holds his faith close, and aspires to be a force for good in the world. A guy who refuses to be silenced, who dares to challenge the norm, and who hopes to ignite that same spark in others. ■
Dressed in Cartier, Mayan El Sayed Takes Us On a Cinematic Journey.
photography ESRA SAM
styling NUJOUD OWEIS
words MARIANA BAIÃO SANTOS
necklaces, rings, CARTIER. top, pants, JACQUEMUS
necklace, earrings, CARTIER. dress, FERRAGAMO
“I have to be good for them and I have to do good for them.”
In a candid conversation, star of the silver screen Mayan El Sayed spoke to us from Cairo, radiating joy and representing the embodiment of her philosophy, that of having fun while pursuing her craft. With delightful ease, she shared the story of her journey in cinema, emphasising her dedication and resilience in overcoming challenges while lacking connections in the industry. El Sayed approaches acting with deep empathy, fully immersing herself in her characters to explore their backgrounds and motivations. This commitment enables her to deliver authentic performances that resonate with her audience, highlighting her artistic mission and establishing her as a significant figure in cinema.
Mayan El Sayed’s journey in Egyptian cinema is an inspiring tale marked by dedication, hard work, and an unwavering commitment to her craft. From her early childhood, she displayed a profound love for the performing arts, often transforming her living room into a stage where she could express herself. “I would take my mother’s clothes and put on little shows for my family,” she recalls, her voice filled with warmth. Those early moments of creativity were not just innocent play; they were the initial sparks that ignited her passion for acting, asserting to herself and her parents that “this is what I’m going to do for the rest of my life”.
Yet, the path to becoming a celebrated actress was not without its challenges. El Sayed shares that she entered the industry without any connections or a support network. “I had to find my way in on my own,” she says, reflecting on the obstacles she faced in an industry that can often be difficult to navigate for newcomers. This blank sheet did not deter her; instead, it fueled her determination to succeed. She worked tirelessly, auditioning for roles and seizing every opportunity that came her way, all while honing her skills and learning the nuances of the craft.
When preparing for a new role, El Sayed employs a comprehensive approach that prioritises depth and authenticity, often incorporating elements of method acting. She believes that grasping the entire narrative is essential, allowing her to connect the dots between characters and their arcs, an approach which ultimately provides her with a broader perspective on the story, “If I connect with [the character], that’s the best part,” she says, emphasising that this connection is the driving force behind her ability to deliver performances that truly resonate with her audience.
skirt, gloves, heels, ALAÏA.
OWN
rings, necklace, CARTIER. dress, GEORGES
bracelets,
HOBEIKA
“I would take my mother’s clothes and put on little shows for my family.”
A defining characteristic of El Sayed’s acting is her strong commitment to empathy. She immerses herself completely in her characters, saying, “I forget all about Mayan and her issues.” This dedication drives her to explore the character’s history, relationships, and emotional landscape, often tracing back to pivotal childhood experiences that shape their identity. “Childhood is everything,” she stresses, underscoring the importance of these formative moments. Her research extends beyond the script, as she delves into the specifics of a character’s life—whether that means understanding their profession or learning about cultural nuances—to ensure her performances are rich in authenticity and realism. Moreover, a non-judgmental approach allows her to explore the complexities of human nature, providing a nuanced portrayal of characters even in morally ambiguous situations, reinforcing her belief that every character has a story worth telling. “I never judge my character,” she says, rather by being “a hundred percent with them,” El Sayed acknowledges the humanity in each character allowing them breadth to be their own and for her to love them as they are.
For El Sayed, representation is not just a duty, but a profound commitment to showcasing women in a powerful light. She firmly believes that roles played by women should be authentically brought to life by those who truly understand the intricacies and nuances of their experiences. While some characters may start off feeling vulnerable or marginalised, their journeys often lead them to uncover their own strength and resilience. Through these narratives, El Sayed highlights the complexities of female identity while discovering her own empowerment, reinforcing the idea that representation matters deeply.
Managing a large social following has been transformative for the actress, and has impacted her career and her relationship with her fans deeply. Initially elated by the influx of followers and recognition, she soon realised that this responsibility came with its own burdens, often feeling like a job in itself. “I cannot take it for granted. It’s a big thing,” she acknowledges, understanding that her platform necessitates addressing important issues. However, this journey has not been without challenges, as she has faced negativity and criticism from some followers. “I had to go through that and I had to fall and then get up,” she reflects.
El Sayed admits that her desire to be liked made it difficult to accept that not everyone would embrace her. “That’s not realistic,” she states, having learned to navigate the complexities of public scrutiny through therapy and self-discovery. Now, she focuses on the supportive fans who uplift her, particularly the young girls who view her as an inspiration. “I have to be good for them and I have to do good for them,” she emphasises, recognizing the significance of her influence. Ultimately, El Sayed approaches her platform with true commitment, taking it seriously and determined to be a positive role model for her followers while embracing the journey of personal growth that comes with it.
“I never judge my character.”
During her graduation project, El Sayed had a memorable interaction with a young fan that touched her heart. After her first performance, as she stepped off the stage, she was greeted by a bright-eyed little girl who had travelled all the way from Dumyat just to see her. The girl exclaimed, “I love you so much,” as she wrapped her arms around El Sayed in a warm hug, accompanied by her mother. This heartfelt gesture meant the world to El Sayed, especially knowing that the girl had journeyed from another city in Egypt to support her. To make the moment even more special, the young fan presented her with a small trophy she had brought along, which, although simply acquired—likely from a gas station—felt like an Oscar to El Sayed. “It was as if I got this big award from a major show,” she tells us. For El Sayed, these interactions with her fans are cherished moments that remind her of the love and support she receives, inspiring her to continue her journey with gratitude.
earring, rings, CARTIER. dress, DIESEL
“That’s the I want to I want to make
earring, ring, bracelet, watch CARTIER. dress, ABADIA. headband, GEORGES HOBEIKA
legacy leave behind; people feel.”
“This
year, I realised that I need to enjoy it more. I need to have fun while pursuing my craft.”
El Sayed passionately emphasises that aspiring actors need to truly enjoy the process. “Sometimes, in the hustle of pursuing this dream,” she explains, “I would forget that enjoyment is part of it.” She acknowledges that many actors, driven by ambition and the pressure to succeed, lose sight of the joy that acting brings. “It’s easy to get caught up in running after this dream, focusing solely on the end goal,” she says, likening it to parents who push their children toward certain careers without considering what those kids actually want.
El Sayed, acting is not just a profession; it’s her passion, what she lives for. “Why aren’t you enjoying it?” she questions, urging others not to take the journey too seriously or to treat it as a burdensome obligation. “You should have fun doing it,” she insists, though perhaps this is a lesson she has only recently embraced herself. “This year, I realised that I need to enjoy it more. I need to have fun while pursuing my craft,” she says.
As El Sayed contemplates her future in the world of acting, she lights up at the thought of her dream roles and projects, expressing a deep passion for musicals. She shares her desire to be in a romantic musical, where she could embody a character who transitions from heartfelt monologues into vibrant dancing and singing. “I think it would be so different and beautiful for me,” she says.
Beyond the allure of musicals, El Sayed harbours a profound admiration for classic Egyptian cinema from the golden age. “I would love to portray one of those iconic characters,” she says, longing to channel the essence of the remarkable actresses who graced the silver screen during that era. The famous names of the past resonate with her, as she dreams of stepping into the shoes of these beloved figures and bringing their stories to life.
bag, bracelets, CARTIER. dress, ABADIA. headband, GEORGES HOBEIKA
“Sometimes, in the hustle of pursuing this dream, I would forget that enjoyment is part of it.”
“People will forget what you did, people will forget what you said, but they will never forget how you made them feel.”
When discussing the professional legacy she wants to leave behind, El Sayed’s passion shines through. She hopes to evoke genuine emotions in her audience, saying, “I would love for people to feel because of me.” The moments she cherishes most are those powerful scenes where she can see emotions reflected in her family’s eyes as they watch. “I love to make people feel—whether it’s love, pain, jealousy, or pride,” she emphasises.
El Sayed recalls a poignant quote that resonates deeply with her aspirations: “People will forget what you did, people will forget what you said, but they will never forget how you made them feel.” This sentiment encapsulates her artistic mission. She aspires to create experiences that linger in the hearts of her audience long after the curtain falls, firmly believing that her true legacy lies in the emotional connections she forges through her performances. “That’s the legacy I want to leave behind; I want to make people feel.” ■
full look, DOLCE & GABBANA
watch, rings, CARTIER. jacket, pants, GIORGIO ARMANI. top, GUEST IN RESIDENCE
THE ODYS SEY OF
Wearing Cartier, Ramsey Chahine uncovers how his work explores identity, storytelling, and the interplay of mediums.
photography EMMIE AMERICA styling NATA BOCHA words MARIANA BAIÃO SANTOS
necklaces, bracelets, CARTIER. shirt, shorts, MAISON MARGIELA. top, FLAKE
“I think everyone has a calling, and there’s an adventure that awaits you with that calling.”
In art, the journey of an artist often intertwines with their creations in ways that reflect their unique experiences and perspectives. Lebanese-American Ramsey Chahine is an artist whose path into this world has been marked by exploration and a deep-seated desire to tell stories through various mediums. Here, Chahine shares insights into the influences that have shaped his artistic journey, the sources of inspiration that fuel his creativity, and his current phase of experimentation as he merges painting, sculpture, and animation.
From an early age, Chahine was surrounded by a landscape of imagination. “I was always creative, I was born creative,” he reflects, referring to an upbringing filled with curiosity and a relentless drive for storytelling. Books, especially those rich in mythology and intricate narratives, captured his attention. “I got really interested in books and writing when I was younger,” he explains, revealing how these literary adventures became the initial spark for his artistic expression.
As he delved deeper into storytelling, the transition from words to visual representation felt like a natural progression, as his hands slowly moved from the page to the paintbrushes. This eventually grew into drawing, painting, and visually representing his storytelling, Chahine recalls, marking the foundation of what would become a lifelong dedication to the arts.
Despite the allure of conventional career paths, Chahine recognized that he didn’t fit into a traditional mould. “I knew I couldn’t do a normal job,” he admits, understanding that his creative energy could not be confined to a desk job. During his college years, he immersed himself in his art, often preferring painting and writing to nights out. “I was painting all the time,” he says, evoking a sense of nostalgia for the joy and satisfaction that came with creating.
This fervour yielded results when, before graduation, Chahine experienced the exhilarating rush of selling his first paintings. “I sold like two paintings, one was for 150 bucks, and one was for like 600 bucks,” he shares how blown away he was to receive such recognition for his work. It felt like a dream come true, and in that moment, everything clicked for him. This validation ignited a spark within him, boosting his confidence in a way he hadn’t experienced before. It was as if someone had handed him a ticket to the world of professional art, and he was ready to board the train.
necklaces, watch, CARTIER. full look, BOTTEGA VENETA
necklaces, watch, CARTIER. full look, BOTTEGA VENETA
watch, bracelet, CARTIER. top, VERSACE
“There can be this fear that if you change, you may lose what you have.”
This pivotal moment solidified his commitment to pursuing art as a profession, turning his dream into reality. It made him realise that he could make a living doing what he loves, all of which proved another source of fuel for his passion. With this newfound confidence, he began to envision a future where his art could serve as a means to connect with others and to share stories. This realisation marked the start of his journey as an artist, allowing him to fully embrace his identity and believe in the value of his work within the art world.
At the core of Chahine’s artistic philosophy lies the belief that everyone has a calling—a unique journey within them, waiting to be embraced. “I think everyone has a calling, and there’s an adventure that awaits you with that calling,” he asserts, speaking of the excitement that accompanies the pursuit of one’s passion, even in the face of uncertainty. For him, the process of self-discovery and creative exploration mirrors the narrative arcs found in literature, where the unknowns and challenges enrich the experience.
This independent spirit, paired with an innate curiosity, has allowed Chahine to navigate the evolving landscape of art with purpose and confidence. “I enjoyed exploring ideas, and it gave me so much satisfaction,” he shares, emphasising the importance of discipline in transforming his vision into reality.
Chahine draws inspiration from a wide array of sources, with literature being a significant influence; he goes on to discuss how the themes and characters of his favourite literature inform his artistic practice. A particular focus on psychology, especially the works of Carl Jung, has profoundly shaped his self-portraits and explorations of identity. Jung’s concepts, such as the collective unconscious and archetypes, resonate with Chahine as he delves into the inner workings of the mind. By examining the deeper layers of self, he seeks to unearth the universal themes that connect us all. Jung’s idea of the persona—the outward identity we present to the world—plays a crucial role in how Chahine constructs his self-portraits. These works become not just representations of himself, but also explorations of the various masks we wear throughout life.
Inspiration can emerge from unexpected places, often found in the ordinary. Chahine shares a profound insight from his early experiences of painting: “If you look long enough at something, it reveals itself to you in many different ways.” This realisation speaks volumes about the depth of observation and the transformative power it holds. It’s a reminder that the simplest subjects can blossom into complex narratives filled with emotion and depth.
The transformative power of observation is particularly significant in an age where we often rush through experiences, distracted by the fast pace of life. Chahine’s approach encourages us to pause and truly see the world around us. It suggests that inspiration is not always found in grand ideas or spectacular events; sometimes, it lies in the quiet moments—the way a shadow falls across a surface, the intricate patterns of a leaf, or the fleeting expressions on a person’s face.
full look, GIVENCHY
watch, pin, CARTIER. full look, KENZO
“If you look long enough at something, it reveals itself to you in many different ways.”
Throughout his journey, Chahine has embraced change and the inherent risks it entails. Drawing on the example of renowned artist Gerhard Richter, whose practice has changed dramatically over the years, he emphasises the necessity of trusting oneself amidst external scrutiny. “There can be this fear that if you change, you may lose what you have,” he reflects, acknowledging that fear should not stifle creativity. Instead, he advocates for the importance of independence in thought and practice, urging fellow artists to cultivate their unique voices. This sentiment resonates deeply within the art community, where the pressure to maintain a consistent identity can often overshadow the desire for exploration and growth.
This rebellious spirit is evident in how he approaches his current work. As Chahine enters an experimental phase, he is exploring the intersection of a number of different disciplines- an endeavour that reflects his commitment to innovation and exploration.
Currently, Chahine is focused on refining this phase, where brings together various artistic mediums into a cohesive expression that reflects his vision for a multifaceted world. “I have several interests that I’m trying to merge—painting, sculpture, and animation,” he says, illustrating his ambition to create a world that transcends traditional boundaries. This interdisciplinary approach allows him to break free from the constraints of any single medium, enabling a richer exploration of themes and narratives. By incorporating drawings into his paintings, he envisions a future where these works can come alive through animation, creating a dynamic interplay between static and moving imagery. Furthermore, he sees the potential for these artistic explorations to translate into tangible forms, such as ceramic and metal sculptures, pieces which can embody the essence of his characters and stories in three dimensions.
necklaces, CARTIER. top, FERRAGAMO
necklaces, bracelets, CARTIER. shirt, shorts , MAISON MARGIELA.
top, FLAKE. shoes, GIORGIO ARMANI
“The main thing is that we all have a voice within us that asks us to listen to it.”
Chahine’s world-building process is heavily influenced by mythology, which serves as a foundational element in his artistic practice. “I’ve been reading a lot of mythology and trying to build this world,” he explains, highlighting how these ancient tales inspire him to construct characters and narratives that flow seamlessly across different forms of expression. The themes and archetypes found in mythology provide a depth of meaning that enriches his work, allowing him to tackle complex human experiences and emotions. As he navigates this creative journey, Chahine embraces the uncertainty that accompanies the artistic process. “My responsibility is just to make it work and see what happens,” he states, embodying the essence of an artist driven by passion and curiosity. While specific exhibitions or projects may not be firmly established, his dedication to exploration and innovation remains steadfast. This openness to possibility not only fuels his creativity, but also invites audiences to join him in the adventure of discovery, as he continues to weave together mythology and modernity in his ever-evolving artistic landscape.
In a world where artistic purpose often intertwines with the individual’s journey, Ramsey Chahine embodies the spirit of following one’s calling. “The main thing is that we all have a voice within us that asks us to listen to it,” he reminds us, encouraging others to heed their inner calling and to embrace the adventure that lies ahead.
Ramsey Chahine’s artistic journey stands as a testament to the transformative nature of creativity. From the early sparks of imagination to his current phase of experimentation, his evolution as an artist reflects a profound connection to storytelling, self-discovery, and the courage to embrace change. As he continues to explore the interplay between painting, sculpture, and animation, it is clear that Ramsey Chahine will remain a significant presence in the ever-evolving scene, inspiring others to embark on their own creative journeys. ■
NOST ALGIA MEETS THE NOW
Omani creative Abdulaziz Al-Hosni’s visual language speaks to the contemporary and the past in a wonderful coming together.
words MENNA SHANAB
“When I look at older photographs, I get a feeling that allows me to travel between times.”
In the realm of photography, Abdulaziz Al-Hosni reigns as a master of juxtaposition – the allure of the past dancing joyfully with the complexities of the present. It’s a dance between eras, a world where saturated pastels and delicious textures “create a nostalgic and futuristic utopia,” as he puts it. His images, bathed in the warm glow of ‘80s and ‘90s nostalgia, truly transcend the confines of time, offering a glimpse into a world where vintage aesthetics and contemporary narratives coexist in perfect harmony.
He deftly balances these elements, resulting in a unique visual language that feels both familiar and refreshingly new. “The vintage aesthetic allows me to be almost stuck in time… and therefore, my work can be seen, by some, as new and fresh, while others can relate to the past or older times,” he says.
Al-Hosni’s artistic journey began at the tender age of 13, when he first picked up a camera and embarked on a lifelong quest to capture the world around him. Inspired by his Omani heritage, the rhythms of Arabic music, and the weighty beauty of everyday moments, he stitches together intricate narratives that speak to the universal human experience. Ideas germinate from
the most unexpected sources: a snippet of conversation overheard on a bustling street, a meme that captures a fleeting cultural moment. “I get inspired by everyday life and mundane actions that I observe in my daily life,” Al-Hosni explains. “These little things spark me into a creative mode.”
This fascination with the ordinary, the often-overlooked details of life, fuels his artistic expression. His fearless approach to creativity, unburdened by the expectations of others, allows him to explore controversial themes and push boundaries. “The most important thing is not to think of the reaction of people, even if my art is controversial,” he asserts. “This way it allows me to be freer in my way of doing art and expressing myself.”
“I’m looking forward to seeing the reaction of the European visitors as they are introduced to and engage with photographs that present a positive way of seeing and representing Arab culture and identity.”
“The most important of the reaction of my art is
thing is not to think people, even if controversial.”
At The Melkweg Expo in Amsterdam, Al-Hosni’s latest exhibition, “Qalb Mahmood” (دومحم بلق), beckons visitors to explore the depths of the human heart. Opening its doors on October 31st, 2024, the exhibition will showcase a collection of photographs that celebrate love in all its forms.
Even with a cursory glance, one is immediately struck by the vivid hues and textured imagery that Al-Hosni has meticulously crafted in his images. The photographs transport the viewer to a place where time stands still. “The balance of each aesthetic allows me to create a nostalgic and futuristic utopia,” Al-Hosni explains. “When I look at older photographs, I get a feeling that allows me to travel between times.”
At the centre of this visual narrative is Qalb Mahmood, a fictional character who embodies the strength and resilience within us all. “QM is depicted in the work through colours, the energy of love, and many other elements within the images that tie together into one,” he adds. Through a whirlwind of vibrant colours, symbolic imagery, and evocative scenes, Al-Hosni paints a portrait of a hero who embraces the complexities of love without apology. It’s a deeply personal series, inspired by the “negotiation of the dichotomies that are based out of love.”
“Qalb Mahmood is a source of strength for everyone to challenge themselves and push their limits to be as authentic as they can be within a world that is harsh and, sometimes, repressive,” Al-Hosni reveals.
“It’s about being brave and taking the chance or the leap of faith into the unknown.”
The exhibition, a culmination of Al-Hosni’s artistic vision and technical prowess, represents a leap forward in his creative journey. Made possible through a collaboration with WePresent, it showcases the largest and most ambitious body of work he has ever produced. “It’s a continuation of my thematic and stylistic way,” he reflects.
“The difference was the scale of the work and the production.” Also, for the first time, Al-Hosni’s lens captures the strength and resilience of women, adding a new layer of depth and dialogue to his oeuvre.
“I get inspired by everyday life and mundane actions that I observe in my daily life.”
This expansion in scope and ambition reflects Al-Hosni’s own personal journey, “It’s about being brave and taking the chance or the leap of faith into the unknown,” Al-Hosni shares. “This is what Mahmood is all about. It’s about accepting Mahmood in one life and jumping into the next chapter of one’s life.”
As visitors wander through the exhibition space, they are invited to immerse themselves in Al-Hosni’s carefully crafted world, where nostalgia meets the now, and the human spirit finds its voice.
“I’m looking forward to seeing the reaction of the European visitors as they are introduced to and engage with photographs that present a positive way of seeing and representing Arab culture and identity,” Al-Hosni shares. With this art, he hopes to bridge cultural divides and foster understanding, spotlighting the richness and complexity of Arab culture and identity.
Through his photographs, Al-Hosni encourages viewers to embrace their true selves, to confront their fears, and to navigate life’s complexities with an open heart. As the exhibition unfolds, visitors will discover a world where vintage aesthetics and contemporary themes intertwine, where chance encounters spark profound reflections. ■
“Qalb Mahmood is a source of strength for everyone to challenge themselves and push their limits to be as authentic as they can be within a world that is harsh and, sometimes, repressive.”
CLAS SICS RE BORN
The Bvlgari Tubogas collection, where luxury meets innovation, resulting in sleek, modern masterpieces bathed in the timeless allure of yellow and rose gold.
photography LYDIA WHITMORE
styling SAIF HIDAYAH
words LOUIS PARKS
Tubogas necklace in yellow gold with diamonds, BVLGARI
Tubogas necklace in yellow gold with mother of pearl, emerald tourmaline, and diamonds, BVLGARI
Tubogas necklace in rose gold with chrysoprase, emerald rubellite, and diamonds, BVLGARI
Bvlgari’s Tubogas collection stands as a testament to the brand’s unparalleled craftsmanship and rich history, weaving together iconic design elements with modern interpretations that resonate deeply with today’s aesthetic sensibilities. At the heart of this collection is the distinctive use of yellow gold, a material that has long been synonymous with Bvlgari since the mid-20th century. This collection reimagines the luxurious appeal of gold, capturing its essence in a form that is both contemporary and timeless.
The Tubogas design technique itself is a marvel of engineering and artistry. Characterised by interlocking gold strips that form a flexible, tubular structure, this approach requires no soldering, allowing for a seamless, elegant appearance. Each piece in the collection is crafted with meticulous attention to detail, showcasing the brand’s commitment to quality and innovation. The flexibility of the Tubogas design not only enhances the aesthetic appeal but also offers unparalleled comfort for the wearer, making each piece a joy to wear.
In its modern incarnation, the Tubogas collection introduces a variety of stunning pieces that cater to diverse tastes. From classic bracelets and necklaces to bold statement rings, each item radiates a sense of sophistication and versatility, making them suitable for both everyday wear and special occasions. The collection also features striking combinations of yellow gold with other precious metals and gemstones. For instance, the inclusion of diamonds in certain pieces elevates their allure, adding a layer of opulence that speaks to the brand’s heritage of luxury.
One of the standout aspects of the Tubogas collection is its ability to blend traditional craftsmanship with innovative design. The incorporation of the Parentesi motif—a geometric pattern inspired by ancient Roman architecture—into the pieces reflects Bvlgari’s deep-rooted connection to its Italian heritage. This motif serves as a bridge between the past and the present, allowing the collection to resonate with a contemporary audience while honouring the brand’s illustrious history.
The collection also embraces a spirited essence with its use of colourful gemstones, such as tanzanite, rubellite, and green tourmaline, which add a splash of colour and modernity to the golden designs. This thoughtful integration of hues not only enhances the visual appeal, but also showcases the brand’s approach to jewellery-making. Each piece becomes a canvas for expression, inviting wearers to explore their own style while celebrating the artistry of Bvlgari.
To launch the Tubogas collection, Bvlgari has rolled out a campaign that encapsulates the spirit of the designs. Filled with warm tones and fluid imagery, it invites viewers into a world where jewellery is not just an accessory but an embodiment of self-expression and identity. The collection was unveiled in New York, where the historic surroundings of the former Domino Sugar Factory served as a fitting backdrop for showcasing this modern masterpiece.
In a landscape where fashion trends are often fleeting, the Tubogas collection stands out as a celebration of timeless elegance and enduring craftsmanship. It exemplifies Bvlgari’s ethos of creating pieces that transcend time, making them not only beautiful but also meaningful. Each item in the Tubogas collection invites wearers to become part of a legacy of luxury and artistry, ensuring that the beauty of their designs will be cherished for generations to come. With the Tubogas collection, Bvlgari reaffirms its position as a leader in the world of high jewellery, proving that true elegance is both timeless and ever-evolving. ■
Tubogas necklace in yellow gold, BVLGARI
Tubogas bracelet in yellow gold, BVLGARI set design
JOSH JAMES; lighting assistant
JOSH MCCULLOUGH; styling and production assistant NUJOUD OWEIS; production LANA SHASH
Tubogas bracelet in yellow gold with diamonds, BVLGARI
Five regional designers talk about menswear in MENA and the challenges and opportunities they face.
DRES SING MEN
words LOUIS PARKS
The menswear scene in the MENA region never stands still. Long dominated by Western brands and trends, nevertheless, a sense of local style and direction is emerging. Arab and resident designers are gaining ever more traction, creating pieces that are entirely contemporary, but that often combine tradition with today’s styles. Each brings a distinct perspective on what menswear means today. The result? A vibrant, shifting space that never ceases to inspire. Here, we talk to five designers within the regional scene about their hopes for the future, the challenges they face and the opportunities they hope to seize.
“There’s a fascinating revival of men’s fashion in the Arab world,” says Zaid Farouki, the Dubai-based designer behind the eponymous brand Zaid Farouki and ready-towear label Zaid by Zaid Farouki. “Tradition and modernity are coming together harmoniously.” The region, according to Farouki, is increasingly embracing custom tailoring, limited edition pieces, and high-quality materials.
Ibrahim Shebani of Tunisian brand Born In Exile, echoes the idea that tradition is informing the contemporary space and presenting “an exciting and untapped opportunity for regional designers.” Shebani believes that, through a dedication to their craft, local designers are offering a fresh perspective that resonates with the evolving tastes of the region. “The market is moving towards simplicity, authenticity, and an appreciation for high quality,” he says, “People seek connection with brands that value craftsmanship and convey a deeper story rather than just following what’s ‘in’ at the moment.”
This sentiment is echoed by Eric Mathieu Ritter, of Beirut’s Emergency Room, who notes a growing interest in pieces that incorporate traditional elements, albeit in new ways. “Traditional Middle Eastern garments continue to influence contemporary menswear through their wide draped cuts and appreciation for ornamentation,” Ritter explains. “These elements blend seamlessly with today’s trend for
Maison du Mec
oversized, branded, and decorated staples, leading to a revival and reinterpretation of classic styles.” It seems that traditional elements are here to stay, though often in a contemporary, evolving sense.
Streetwear is another significant trend that is reshaping the menswear landscape in the Middle East. According to Cheb Moha, the designer behind streetwear label Shabab, streetwear has become a crucial medium for younger generations in the region, “I feel like it’s a tool for communication; I’m wearing something, I’m sending a message across to someone to see me or say something. There’s more regional brands, so if someone’s wearing something from a brand that I know, I know he’s probably into this, he likes that. Now there’s more of a language that’s being spoken with menswear and people are using that to sort of identify, understand and learn,” he says.
Ritter of Emergency Room concurs, “Streetwear has definitely transitioned from being a niche market to a mainstream trend in the Middle East,” he notes. “While it was once on the fringes, we now see many affordable brands emerging that design, produce, and sell streetwear staples infused with Middle Eastern vibes,” he says.
Joseph Achajian, from Lebanon’s Maison du Mec, is seeing streetwear becoming more popular as people seemingly move away from traditionally Western staples. He points out that while there are still strong elements of traditional Western menswear, such as tailored suits and classic pieces, there is also a growing demand for more casual, street-style garments, saying, “The young generation coming up is more trendy than it used to be. The classics? You see fewer classics on the streets nowadays. So it’s better than it used to be, at least. You have much more awareness.”
“At some point we need a really good basic Arab manufacturer that just makes good socks and good t-shirts that everyone can get, like sort of our version of Uniqlo.”
Cheb Moha
Though there’s no doubt that global trends certainly influence the scene, there’s a strong cultural undertone to much of the fashion coming out of the region. As Farouki points out, while speaking of his own House, “Our journey involves an artful fusion of global trends and our deeply ingrained cultural identity.” Farouki sees this blending of influences as creating a fashion narrative that is not only innovative, but also profoundly connected to regional heritage.
Cheb Moha of Shabab adds that while Middle Eastern menswear may often draw from global trends, the execution is often louder and bigger, an idea echoed by Achajian. Moha suggests that, alongside taste, the increased purchasing power in the region allows for an amplified interpretation of any given trend. The end result is that local tastes run a little bolder than those of Europe and the US. “Even high-end designer brands have noticed, so they’re investing more in being present here, whether it’s through pop-ups or exclusive collections for Dubai,” Moha explains, “There is a buying power here.”
This regional twist is also evident in how traditional garments are being reimagined for modern times. “Designers are reimagining these classic pieces [the thobe, dishdasha and abaya] with updated cuts, fabrics, and styles to create garments that are both functional and fashionable,” says Shebani. “[By] incorporating traditional embroidery, calligraphy, and culturally significant patterns, designers achieve a seamless integration of heritage into contemporary designs.”
All well and good. But, there are some serious challenges facing regional designers. Achajian of Maison du Mec highlights a major issue, though it’s one that might fly under the radar: consumer perception. “The consumer is not really used to buying local brands. To me, the consumer is not really convinced so far that he should pay a certain amount of money, even though the production in Beirut is ten times stronger than that of China,” he explains. Despite this, Achajian is optimistic, noting that more consumers are becoming educated about the value of local craftsmanship, especially those who have lived abroad and experienced global markets.
Shabab
“People seek connection with brands that value craftsmanship and convey a deeper story rather than just following what’s ‘in’ at the moment.”
Ibrahim Shebani
Alongside perception issues, there’s a feeling among some of the creatives that the local environment isn’t as developed as it could be, “Designers breaking into the Middle Eastern menswear market face several challenges, including limited access to market opportunities, production facilities, and investment,” says Ritter. “The existing supply chain and infrastructure are often not well-suited to support new or smaller menswear brands,” he says, “Unless designers are highly educated, experienced, and self-reliant, it can be difficult to attract investors or find factories willing to produce smaller quantities or experiment with creative, non-traditional designs.”
Moha agrees, when it comes to production, but he adds that if the local labels continue to grow, the industry will benefit from investment, “At some point we need a really good basic Arab manufacturer that just makes good socks and good t-shirts that everyone can get, like sort of our version of Uniqlo. Why don’t we have that? We have the manufacturers, we have the ability, it’s just a matter of time.” He adds that using local production allows fashion houses to control the quality of their products and to experiment with unique elements, perhaps further setting them apart from the global market.
Moha is right, being able to rely on local producers would be a fantastic boon for the industry. While the lack of a large local production industry is a hugely limiting factor, Achajian points out that, although it’s not at the same scale as the options available in the West, local production is a selling point for Maison du Mec, “We do produce, we have a very strong production scene in Beirut, it’s one of the strongest in the region,” he explains. However, he also notes the challenges, such as those caused by the limited availability of fabric, “We cannot find the fabrics that we need. So we need to ship our fabrics from Italy, Milan or from Turkey. I prefer to use Italian fabric. We even ship from China by DHL. So that’s a cost by itself.”
Despite, or perhaps because of, the ongoing evolution and ever-changing trends, the designers all appear to have a clear vision for the future, “I hope that my work becomes a cornerstone of this transformative movement,” says Farouki, “helping to propel SWANA menswear onto the global stage, celebrated for its creativity and cultural depth.”
“There’s
a fascinating revival of men’s fashion in the Arab world. Tradition and modernity are coming together harmoniously.”
Zaid Farouki
For Cheb Moha of Shabab, the future is about creating a unique identity that transcends geographical boundaries. “I feel like by being in the space where Shabab exists, we’re kind of pushing more as an independent, strong design label that’s designing stuff that, sure it’s Arab, has Arab identity, speaks a universal language that people from all over the world can relate to,” he says.
Ritter envisions a future where regional menswear will become more expressive and unique. “There’s a growing appetite for more ‘fun’ and expressive fashion choices,” he notes, highlighting the possibility for designers to experiment with creations inspired by tradition but that also call to the modern man in the Middle East, a fusion of the contemporary and the classic.
When it comes to brands themselves, their own direction and hopes for the future, the designers are all positive. “I envision my brand as a driving force for positive change within the SWANA fashion landscape, harmonizing modernity with heritage and paving the way for a more innovative and responsible industry,” says Farouki.
Shebani hopes to expand his brand’s influence, both regionally and globally, while staying true to its roots in cultural storytelling. “In the next five years, we see Born In Exile becoming a pivotal voice in the Middle Eastern fashion landscape, celebrated for our innovation and storytelling,” Shebani states, “We aspire to be recognized as a brand that not only defines a new wave of Middle Eastern fashion—bold, expressive, and deeply connected to cultural identity—but also serves as a powerful voice for local designers on the international stage.”
For Emergency Room’s Ritter, the future is about continuing to challenge the norms of fashion, “Just as women embrace the peacock effect, men also have an appetite for bold expression. While they navigate the balance between personal style and societal expectations, it’s exciting to see more men dressing boldly each year,” he says. He dreams of a world where Middle Eastern menswear is recognized for its creativity and innovation, with his brand playing a crucial role in that narrative. “I aspire for Emergency Room to continue evolving and adapting to industry changes, with a focus on innovation and sustainability, while contributing positively to the growth of the Middle Eastern fashion landscape,” he says
Zaid Farouki
“Traditional
Middle Eastern garments continue to
influence contemporary menswear through their wide draped cuts and appreciation for ornamentation.”
Eric Mathieu Ritter
Moha wants to break away from stereotypes and create a brand that speaks to a universal audience. “What I see and what I do, when it comes to Shabab, I tend to not look too much into traditional stuff, because I feel like I’m labeling, “Oh, I’m an Arab, I’m an Arab designer, I should be doing Arab stuff,” he says. “My idea with Shabab is to kind of push that identity of sports, we’re in the 80s in America, or the Olympics, or whatever, and I want to take that and build on it, and create my own sort of way. Like how the Japanese took Americana, this Western idea. When you look at it you’re like, “Oh! They do denim better than America,” you know?”
“I am extremely happy where I am, I would have never done this anywhere better than Lebanon to be very honest,” says Achajian. “We started this with zero budget, zero financing, we started this from scratch. What we sold is what we produced and that’s how we grew. The challenge became bigger and bigger because we wanted to expand. I’m very happy where I am with everything going
on around and in the region and worldwide.” Of his future plans, Achajian says, “We have tried so many things, we’ve done fashion shows and now we’re focusing on trunk shows; we want to go a little bit more global. We are selling in Dubai, we sell in Africa, in Gabon, we sell online in LA.”
The Middle Eastern menswear scene is in an exciting place, defined by a blend of tradition and innovation, international ambitions and a creative mindset. The designers we’ve spoken to are breaking new ground, challenging norms, and forging unique narratives that celebrate both heritage and modernity. As they look to the future, they’re taking what are still the first steps in defining a contemporary regional scene, reshaping the global perception of Middle Eastern menswear one garment at a time. Their commitment to great design, local craftsmanship, and cultural expression is paving the way for a vibrant and dynamic menswear market that is becoming uniquely Middle Eastern, yet globally resonant. ■
Emergency Room
LA MEC ENA TE
photography VINCENT KABBARA
styling JACOPO FIORENTINO
La Mecenate is all about the fearless women who made history by owning their style and breaking fashion rules. From trendsetters to risk-takers, they used clothes to make bold statements. It’s not just about what they wore, but how they changed the game.
Hublot’s innovation in watchmaking is perfectly showcased through cutting edge materials including Magic Gold (an in-house scratch-proof gold alloy), ceramic, sapphire and even rubber. These materials are defined throughout the various collections of Hublot, such as the Big Bang, Square Bang, and Spirit of Big Bang, fusing luxury and innovation.
photography ABDULLA ELMAZ set design TALAL KAHL
Spirit of Big Bang Sang Bleu Sapphire
Big Bang Unico Dark Green Ceramic 42mm, HUBLOT
Square Bang Unico Magic Gold 42mm, HUBLOT
Big Bang Integrated Time Only Blue Ceramic 38mm, HUBLOT
Spirit of Big Bang Steel Full Pavé 32mm, HUBLOT
The Ultimate Driving Experience
Maserati’s stunning Grecale line of SUVs has just raised
sunglasses, GENTLE MONSTER. jacket, DIESEL
The Maserati Grecale is more than an SUV, it’s a statement of style, performance, and innovation. As the latest addition to the Maserati lineup, the Grecale offers an extraordinary driving experience that turns everyday journeys into unforgettable adventures. With cutting-edge technology, dynamic performance, and bespoke customization options, the Grecale is aimed at those who seek an exceptional experience and automotive excellence.
The highlights of the 2025 Grecale lineup have to be the Modena and Trofeo. Both models showcase Maserati’s commitment to blending luxury with performance. The Grecale Modena is perfect for those who appreciate a blend of elegance and agility. This model features a 330-horsepower, four-cylinder mild hybrid engine that offers a refined balance of power and efficiency, making it ideal for those who love to explore both urban and natural landscapes.
Upping the stakes when it comes to power, the Grecale Trofeo is designed for thrill-seekers, and offers an exhilarating experience. Powered by a 530-horsepower V6 engine, it offers a top speed of 285 km/h and can accelerate from 0 to 100 km/h in just 3.8 seconds, providing an adrenaline-fueled ride that is second to none.
sunglasses, GENTLE MONSTER. jacket, DIESEL
With its powerful engine options, cutting-edge technology, and the expected arrival of a full electric “Folgore” trim, the Maserati Grecale represents the pinnacle of modern automotive design.
Maserati is also paving the way for a sustainable future with the upcoming Grecale Folgore. This electric version will arrive in the region by Q4 2024 and will be Maserati’s first electric SUV, combining zero-emission driving with the brand’s signature performance and style. Equipped with a 105 kWh battery and capable of delivering up to 800 Nm of torque, the Folgore ensures that going green does not mean compromising on power or luxury.
Each and every Grecale marries performance with a luxurious and technologically advanced driving environment. The Maserati Intelligent Assistant (MIA) Multimedia System takes centre stage with a 12.3-inch central display, the largest ever seen in a Maserati, along with an additional 8.8-inch comfort display. This system offers a seamless, customizable experience that keeps you connected, entertained, and in control at all times. Complementing this is the Sonus Faber sound system, an immersive audio experience with up to 21 speakers, delivering unparalleled sound quality. Whether you’re cruising through the city or hitting the open road, the Sonus Faber system provides a rich, full-bodied soundtrack to every journey. The experience is rounded out by a digital version of Maserati’s iconic clock in a timeless reinvention of a classic.
full look, KENZO
sunglasses, GENTLE MONSTER. top, trousers, QASIMI
For those who crave exclusivity, Maserati offers the Fuoriserie program, a bespoke customization service that allows you to tailor your Grecale to your exact specifications. From unique colour options to customised interiors, the program enables you to create a car that is truly one-of-a-kind, reflecting your personal style and preferences.
With its powerful engine options, cutting-edge technology, and the coming fully electric offerings, the Maserati Grecale represents the pinnacle of modern automotive design. These stunning vehicles offer a dynamic expression of luxury, performance, and sustainability, crafted for a new generation of drivers who demand the very best from their vehicles. Maserati have just raised the bar when it comes to luxury SUVs. ■
full look, DOLCE & GABBANA
UR BAN EDGE
Step into the vibrant streets of London with Egyptian model Mariam Abdallah and personal shopper Mohamed Elsayed as they showcase the latest from Scotch & Soda. This is where cosmopolitan style meets urban edge—Mariam and Mohamed bring the brand’s eclectic, Amsterdam-inspired pieces to life, effortlessly blending sleek tailoring with bold prints.
photography JACK CHIPPER
styling NUJOUD OWEIS
jacket, trousers, SCOTCH & SODA. shoes, JIMMY CHOO. necklace, earrings, STYLIST’S OWN
jacket, top, jeans, SCOTCH & SODA. shoes, sunglasses, hat, TALENT’S OWN
right: jacket, blazer, trousers, SCOTCH & SODA. top, hat, sunglasses, STYLIST’S OWN
From fur to denim, plaid, leather, studs and more, this fall screams individuality and freedom.
This fall is all about uncovering your inner style icon. Whether you’re bold, romantic, or rebellious, the season’s hottest trends give you the freedom to be whoever you want. UNTAMED brings wild energy with fierce animal prints for the free spirit. FUR FRENZY blends ranch life and luxury with rich, plush textures. Want to own the room? POWER PLAY dominates in deep Burgundy, crafted for the unapologetic boss. DENIM GALORE nails laid-back, cool-girl vibes with easygoing denim. For the romantics, FULL BLOOM is a dreamy celebration of florals and whimsy. Feeling rebellious? EDGY cranks up the attitude with leather, studs, and rock ‘n’ roll details. And for the preppy yet daring? PLAID PLEASE reinvents the classic plaid with a bold twist. So, which girl are you this fall?
styling
NUJOUD OWEIS
dior backstage eye palette, DIOR
traceless soft mattefoundation,TOM FORD
city cap, DIOR
triomphe pom-pom keyring, CELINE
eyelash curler, DIOR BACKSTAGE
paco shoulder clutch in calfskin leather, RABBANE
juicy 01, GENTLE MONSTER
pointed-toe leather boots, ETRO
skirt in black leather with swiss studs, BALLY
mini palette, RABANE
serpent hoops medium, PANCONESI
rouge pur couture, YVES SAINT LAURENT
diamond shoulder east-west garnet calf leather shoulder bag, JIMMY CHOO
chain horse shoulder bag in shearling & leather, CHLOÉ
shearling and leather biker jacket, ACNE STUDIOS
ivy denim tote bag, MIU MIU
the chloé petal necklace, CHLOÉ
cosmo trench coat, EB DENIM
desert dawn eau de parfum, BYREDO
flush face tint 2.9ml in soft, SIMIHAZE BEAUTY
asics flower sneaker, CHOPOVA LOWENA
enamel orchid motif necklace, GENNY
rose earrings, ROWEN ROSE
libra embroidered leather shoulder bag, ETRO
panta jazz, MACCAPANI
constance miroir tartan calfskin bag, HERMÉS
ringo uv top, PH5
mystic moss eaux de toilette, DRIES VAN NOTEN
long skirt in wool tartan, RABANNE
check logo scarfnarrow, ACNE STUDIOS
LIGHT, MEMO RY & FASH ION
From Libya to Paris, Ibrahim Elhinaid creates timeless, emotionally rich images rooted in his Mediterranean heritage.
words OMAIA JALLAD
The world of photography offers endless approaches—some photographers focus on the set, others on props, many on lighting. For Libyan creative Ibrahim Elhinaid, nostalgia, and lighting, take centre stage in his role as a fashion photographer. Nostalgia, a powerful force in today’s fashion landscape, finds its echo in Elhinaid’s work, in which light plays a dual role, revealing and concealing, drawing viewers into the emotional depth of his images.
Elhinaid, now based in Paris, is celebrated for infusing his work with the poetic, subtle, and playful qualities of light. Deeply connected to his Mediterranean roots, he describes himself as “a child impregnated by the light of the Mediterranean world,” a sentiment that shapes his artistic vision. His photography represents a subtle, personal take on nostalgia imbued with a modern twist, with each image reflecting the warmth, vibrant colours, and intimacy of his homeland, regardless of where the photos were taken.
Elhinaid’s mastery lies in making light a central character in his work—whether it gently illuminates the contours of a subject, creates contrast, or playfully dances in the form of shadows. This emotional connection to light, colour, and memory gives his photography a timeless, almost cinematic quality, setting him apart as an artist who creates not just images, but moments that evoke deep emotion and a strong sense of place.
His approach captures moments that feel both authentic and timeless, transporting viewers to another era while grounding them in the present. With a background in documentary and street photography, his work has developed a raw, spontaneous style. A photograph can evoke a wide range of sensations and emotions; seeing is not only perspectival but also multi-sensory. Through his delicate balance of light and nostalgia, Elhinaid’s work transcends fashion photography, becoming a medium for emotional and temporal exploration.
What’s your earliest memory of photography and how did you first get into it?
One of my earliest memories is being a young child at family gatherings, playing with the family camera, snapping photos here and there.
How has your upbringing in Libya and the Mediterranean light shaped your approach to photography and storytelling?
Growing up in Libya on the coast was a big factor building my relationship with that bright harsh light, the striking contrast yet very warm and serene. I built my eye around this light growing up.
Can you tell us more about the nostalgic connection you feel to the Mediterranean and how it influences your work?
I feel like this light and place now come from a space within my mind, an imaginary source of inspiration. Over the years, this light has grown distant, and the sense of longing has turned these memories of my youth into something I shape and mould. I was always a nostalgic person, since I was very young I’ve always loved going through old family photos for hours, haha! All these eras and times that I didn’t live … how people dressed differently and how traditions change, et cetera ... now I feel like I am a bit less nostalgic, but I do like to use it as an emotion to sometimes explore in my work.
Your work is often described as poetic and playful. How do you balance these elements with the technical aspects of fashion photography?
Focusing on storytelling and emotion first, understanding lighting, composition.
What role does light play in your creative process, and how do you use it to evoke emotion in your images?
For me, light is everything in photography. The shape and quality of the light I use can tell or transform a story in countless ways. I’m drawn to sensual lighting, with a love for dramatic, film noir-style contrasts. That blend of melodramatic shadows and a warm, inviting glow is what defines my approach.
How has living in Paris influenced your artistic vision compared to your experiences growing up in Libya?
Living in Paris has broadened my artistic vision by exposing me to diverse influences and encounters with beautiful-minded, eccentric people. [While] Libya [is a more] intimate setting, Paris offers a universal perspective that helps me connect my personal experiences with a global narrative, enriching my creativity and deepening my work.
Can you walk us through your creative process when directing a photoshoot? What inspires your visual choices?
My photoshoot process involves either spontaneous collaboration or detailed planning. In the spontaneous approach, I work with a trusted team of makeup artists, hair stylists, and stylists, letting creativity unfold naturally and seeing what kind of magic can happen with this team at this certain moment. Alternatively, I start with a concept inspired by a mood, movie, or photograph. Planning and styling bring that vision to life, often blending older themes with a modern twist.
How has your approach to fashion photography evolved over the years, and what has remained constant in your work?
Initially, my fashion photography was influenced by my background in street and documentary photography, resulting in a more raw and spontaneous style. As I studied in France, I got interested in fashion photography, a more polished and planned approach, carefully directing models and coordinating with my team. Now, I’m blending these elements, balancing refined and raw aesthetics. Throughout all these changes, my focus on capturing colours and unique lighting has remained constant.
How do you approach capturing the essence of a fashion collection while infusing your own visual style?
Shooting a collection while adding my own style involves continuous research and adaptation to both the designer’s vision and the surrounding elements. It’s about finding a perspective that highlights the collection’s essence while blending in my personal visual touch. Staying in a constant quest for growth, being open to taking risks, and learning from those experiences all contribute to building my own vision.
As both a photographer and director, how do you navigate the transition between still photography and motion direction?
I approach both still photography and motion direction with a similar mindset, but with motion, I also incorporate elements like sound and movement to enhance the experience.
What’s the most unexpected source of inspiration you’ve ever had for a photoshoot?
I would say a Fifi Abdou portrait from the 80s! Which I loved!
If you could only shoot in one location for the rest of your career, where would it be, and what makes it so special to you?
Somewhere on the Mediterranean, maybe Sicily where it feels like home but also that time has stopped, or Cairo <3.
If you could collaborate with any artist on a shoot, living or deceased, who would it be?
Tilda Swinton, Fifi Abdou, or Sade.
If you could define your purpose in one word, what would it be? Beauty. ■
AIN
“Ain,” meaning “eye” in Arabic, captures the essence of the eye through captivating visuals and striking makeup. This project celebrates the eye as the focal point of beauty and expression, crafting a narrative where each gaze tells a unique story. “Ain” invites you to explore the depth, mystery, and universal language conveyed through the human eye.
photography ABDULLAH ALZANKI
styling MIGUE LEYVA J
dress, earrings, boots, THE INTENDANT. stockings, SAINT LAURENT
top, skirt, GLORREAYAH COUTURE. boots, THE INTENDANT. sunglasses, MUGLER x GENTLE MONSTER. stockings, SAINT LAURENT. earrings, BALENCIAGA
fur coat, SAINT LAURENT. earrings, THE INTENDANT.
model
KAMILLA at FASHION LEAGUE, makeup and hair
AMANDA KAY; set designer
EGOR ANDRYUSHIN, lighting assistant
JUNAID AZAM, styling assistant
MOE ALRAZOUK; retouching ALINA
dress, earrings, boots, THE INTENDANT. stockings, SAINT LAURENT
styling NUJOUD OWEIS
haut a courroies hac en selle bag in barenia calfskin and barenia baubourg calfskin, HERMÈS
half moon bag, GUCCI
le roseau xs handbag, LONGCHAMP
aimée bag, PRADA
liberta bag, BOTTEGA VENETA
inside out,
neverfull
LOUIS VUITTON
baby le 5 à 7 shoulder bag, SAINT LAURENT
Renowned American brand Tory Burch is infusing its signature elegance with a touch of Middle Eastern allure in its latest fragrance line, the “Essence of Dreams”. The exclusive series, found only at Sephora stores across the Middle East, draws upon the region’s most coveted and iconic ingredients to create a series of scents that capture the spirit of adventure, desire, wisdom, courage, and imagination.
In collaboration with Shiseido and the world’s leading perfumers, Tory Burch has crafted five unique fragrances, each telling its own story. The collection begins with Atlas Oud, a scent that embodies the essence of adventure. This fragrance transports wearers to Morocco’s Atlas Mountains with its rich blend of sumptuous oud, saffron, cypriol, and rose, balanced by warm notes of ciste and vanilla.
For those seeking a fragrance that symbolizes passion, Daring Rose offers a mysterious, luxurious interpretation of the classic bloom. This sultry creation combines the deep richness of red rose petals with the softness of velvety violet leaves, anchored by the opulent warmth of cashmere wood and vetiver.
Representing the wisdom of experience, Infinite Oak delivers an intriguing symphony of scents. At its heart is rare oakwood, complemented by fresh top notes of mandarin and a base of decadent sandalwood, vetiver, and myrrh. This fragrance is perfect for those who appreciate depth and sophistication.
A sense of courage is captured in Enduring Leather, which balances the strength of warm leather with the refreshing zest of ginger extract and the delicate aroma of dewy violet. It’s a fragrance that speaks to resilience and inner strength.
Finally, Luminous Musk brings a fresh perspective to a classic, reimagining musk with vibrant top notes of cypriol, and a heart enriched with jasmine and ylang-ylang. This fragrance is all about imagination and creativity, celebrating the endless possibilities of the mind.
The Essence of Dreams collection is an invitation to explore your emotions and dreams through scent. Each bottle reflects a philosophy of contemporary growth with a design that blends modern aesthetics with traditional elements. The curved glass body and sculptural cap are adorned with Tory Burch’s iconic Double T logo, cast in gold and bordered with colours that evoke the spirit of each fragrance. From the rich red reminiscent of the Atlas Mountains to the sweet night time scents of jasmine, every detail is designed to enhance the sensory experience.
Since its founding in 2004, Tory Burch has been synonymous with luxury lifestyle, known for its innovative designs that marry the casual elegance of American sportswear with bold colour combinations and unique textures. This latest collection of scents reinforces the brand’s commitment to quality and creativity while also reflecting its respect for the cultural heritage of the Middle East.
For those looking for a unique, contemporary scent that’s inspired by the region, the Essence of Dreams collection is an exciting new chapter. It’s available exclusively at Sephora stores across the Middle East and is well worth discovering. ■
words MENNA SHANAB
FINDING THE GCC’S SING ING VOICE
Once overlooked, the GCC music scene now vibrates with energy, driven by young voices seeking to express themselves and connect with peers. From evolving Khaleeji pop to a unique GCC hip-hop, the wave rides high on social media’s reach and a budding infrastructure. It’s a cultural revolution, where local sounds morph into anthems.
Once a quiet undercurrent in the global music tide, the GCC music scene is now cresting, fueled by a host of factors that are metamorphosing the very pulse of Gulf culture. From novel strains of Khaleeji pop to the guttural cadences of their own flavour of hip-hop, a new wave of artists are emerging, their sound amplified through a dizzying maze of digital platforms and a nascent yet robust infrastructure.
The GCC youth are hungry and their overwhelming need for self-expression and connection is driving an unprecedented surge in music consumption and creation. Streaming platforms have democratised access, allowing independent artists to bypass traditional gatekeepers and forge direct connections with their fans. As this scene buds and grows, an intricate ecosystem of recording studios, music festivals, and educational programs is taking root, nurturing the seeds of the next generation of hitmakers and industry leaders.
It’s a cultural zeitgeist – a generation scripting a new chapter for themselves, on their own terms, with new tools.
Blvxb, one of Saudi Arabia’s leading artists, epitomises the spirit of the GCC music scene. The musical journey he has been on along with his peers, he explains, is akin to a “race and a fierce struggle” moving toward a lofty ambition: not merely to show his own voice, but to become a conduit for the voices of others. “My journey in music and passion is no different from any other artist,” he shares. “We are all dreamers, and we all want to express something that reflects who we are and that mirrors a large segment of people our age.”
His style of singing, characterised by an arresting blend of softness and precision and anchored in philosophical depth, offers a melancholic counterpoint to rap’s, often bombastic bravado. “My honesty with myself might be the missing currency in Saudi rap,” he remarks. Blvxb’s music firmly plants its feet somewhere along the increasingly blurred line between Saudi-native sounds and Western influences, a natural synthesis born from a childhood influenced by American music and movies.
“For me, it felt natural—I never felt like I was adopting a foreign culture,” Blvxb confides. Yet, introducing this novel musical culture to a society steeped in tradition has been an uphill battle. “We are still seeking to rep -
resent our countries, not just locally, but regionally and globally,” he states, highlighting the his ambition and that of many GCC artists, to break their music free from the shackles it faces, to allow it them to mingle with artists from other regional cultural powerhouses, like Egypt, who have been revving up their sonic engines for decades.
The lack of financial stability is another hurdle. “Streaming platforms pay artists mere crumbs, which is not enough for basic living,” he laments. “This forces many artists to give up and look for other sources of income.”
Blvxb remains sanguine about the future. He perceives the GCC music industry as a fertile ground teeming with opportunities, with social media acting as a crucial catalyst, connecting artists with a global audience. “Thanks to social media, the world now feels like a single living room for everyone on the planet,” he remarks.
“Perhaps consistency and increasing production are the solutions,” he suggests. “But maybe if we made more of an impact, the equation would change.”
This sentiment is echoed by Tamtam, another Saudi artist making waves with her delectable blend of Alternative Pop and R&B. Like Blvxb, her music straddles the line between East and West, influenced by both Western icons like Britney Spears and Michael Jackson and the rich traditions embodied by Arabic music. She embarked on her career releasing English songs with Western flair, but gradually infused Arabic elements into her sound, reflecting a long journey back to self. “My goal has been to create a unique blend that feels authentic and makes sense,” she explains. Her lyrics often reflect her experiences as a Saudi woman, tackling social issues and celebrating milestones like the lifting of the driving ban, imbuing her music with a layer of social commentary.
Tamtam’s journey, too, has been fraught with challenges. The biggest hurdle, she admits, has been overcoming self-doubt and societal expectations, a struggle familiar to many artists charting new territories. However, she emphasises the importance of staying true to oneself and following one’s intuition, “Every new sound from the region adds something valuable and can influence the whole community,” she observes.
Every
Thanks to social media, the world now feels like a single living room for everyone on the planet. Blvxb
People have always listened to hip-hop
here but
local hip-hop
was something new. Now, with social media and streaming, there’s more space for Gulf artists to be heard. Ntitled
Tamtam has observed a remarkable shift in the Saudi music industry. “When I started releasing music, there was no real music or entertainment industry in Saudi Arabia,” she recalls. Now, she sees an industry that’s growing, with music conferences, festivals, and government support. “It’s amazing to see so many artists emerging from the GCC now,” she exclaims.
This spirit of community and collaboration also surges through the work of Ugly Moss, an Egyptian-Syrian artist based in the UAE. He brings a fresh perspective to the GCC music scene with his own iteration of super trap and trap music, drawing inspiration from American artists like Young Thug and Playboi Carti, but also incorporating Arabic influences into his sound. “I only recently started digging more into the history of our own Arabic music and world,” he shares, highlighting a growing trend among GCC artists to reconnect with their cultural roots.
His music is a product of his “third-cultured” identity and his desire to create something new and different to the ear. “My musical style, I’d say it’s unique and far from what’s commercial,” he states.
One of the biggest challenges Ugly Moss has faced is finding his niche in a diverse and multicultural environment like the UAE. “This place is filled with different nationalities, so it will be harder for everyone to relate or listen to your music if they are not from your country,”
he explains. Another challenge is the limited number of concerts and events focused on Arab artists, a gap he’s actively trying to fill.
To address this, Ugly Moss and his fellow musical peeps launched an event called “Uglymoss & friends,” which focuses on spotlighting Arabic language rap and DJ sets. This initiative aims to build a community and provide a platform for artists in his genre to connect, showcasing the DIY spirit that’s driving much of the GCC music scene’s growth.
Despite these challenges, he’s seen positive changes in the industry over the years. He’s had the opportunity to open for major artists and has witnessed a growing appreciation for Arabic rap. “Ever since I switched to Arabic, things completely changed,” he shares. “A lot of opportunities came up.”
His vision for the future is one of continued growth and community building. He advocates for more events and workshops that bring artists and industry professionals together. He also emphasises the need for a support system for emerging artists and improved quality in recording studios and sound engineering.
Ntitled, a producer and rapper from Saudi Arabia has been working on the boundaries of hip-hop, reimagining it with traditional Arabic elements, diving into the intricate maze of the maqam system to create something that is both fresh and culturally resonant. “My style is gravitating more towards blending modern hiphop with Arabic elements like traditional scales and rhythms,” he explains. He’s part of a movement of Saudi producers who are working towards establishing a distinct sound that reflects their identity. “It’s a vision I share with other producers in Saudi,” he says, “as we’re all working toward creating something unique to our region, something that represents us.”
His initial foray into music was driven by a burning desire to create something different in a scene that lacked any real infrastructure for artists trying to break new ground. He faced challenges in terms of gaining recognition and acceptance for his experimental sound. “There’s this constant pressure to give people what they already like or expect,” he observes, “especially in a region where certain genres dominate,” highlighting the tension between artistic innovation and commercial viability.
Despite these obstacles, he remains committed to his vision. He believes in creating music that represents his own experiences, even if it means going against the grain. “Originality takes time to be appreciated,” he asserts, “I believe in creating music that represents my vision rather than just following trends.”
He’s observed a positive shift in the perception of local talent in recent years. With the rise of social media and streaming platforms, there’s more space for Gulf artists to be heard and appreciated. “People have always listened to hip-hop here,” he notes, “but local hip-hop was something new. Now, with social media and streaming, there’s more space for Gulf artists to be heard.”
Shargeeya, one of Saudi’s freshest artists, describes her journey into music as a series of “constant mistakes and newfound reflections” that led her to her true calling. As a dancer and choreographer, she was always drawn to the expressive power of performance art. However, it was her move to New York City and the
challenges she faced there that sparked her songwriting journey. “Writing was a way for me to feel grounded,” she shares, “no matter where I was.”
“I realised the potential that making music offered,” she says. “It allows me to be my own creative director and connect with people I never imagined I could reach.” Her musical style is still evolving, but she draws inspiration from her dance background, traditional instruments, and Afrobeat rhythms. She’s particularly fond of the oud and plans to incorporate it into her future tracks, showcasing the blend of traditional and contemporary influences that characterises much of the GCC music scene.
Shargeeya is thrilled about the rapid growth of the GCC music industry, especially in Saudi Arabia. “We went from not being able to perform publicly to hosting some of the biggest performance venues in the world,” she marvels. She sees endless possibilities for artists in the region and is grateful for the industry’s support and investment in emerging talent. Yet, she also recognizes the challenges of staying grounded amidst this rapid change, emphasising the need to “trust the process.”
Shargeeya envisions Gulf artists playing a pivotal role in shaping the MENA music scene. She sees the Khaleeji sound, with its potential for experimentation, as filling a gap in the regional landscape. As more artists emerge and embrace their unique voices, she predicts a future where Gulf music inspires cross-regional collaborations and pushes the boundaries of what MENA music can be.
This industry support is exemplified by MDLBEAST, a leading music entertainment company and label in the region based in Saudi Arabia. Edwin Harb, Senior Label Manager at MDLBEAST, describes it as a “catalyst for change,” with a vision “to foster a thriving music ecosystem that celebrates local talent, inspires regional creativity, and positions MENA as a global hub for music.” He’s observed unprecedented growth and momentum in the industry, driven by a wave of rising local talent and increased digital consumption. “We’re extremely happy to see artists from the region achieving international recognition and playing on the world’s biggest stages,” he states, highlighting the growing global reach of GCC music.
We went from not being able to perform publicly to hosting some of the biggest performance venues in the world.
Shargeeya
I anticipate further growth for the GCC industry as it is currently still in the very early stages of its development and we can already see all the great signs that this is only the beginning.
Edwin Harb
Harb emphasises MDLBEAST’s commitment to staying ahead of the curve and adapting to the ever-changing music landscape. “We really pride ourselves with being disruptive and always bringing innovation and something new to the table,” he asserts.
MDLBEAST plays a crucial role in discovering and supporting emerging artists. Always on the hunt for authenticity, originality, and passion when identifying new talent, the company has been instrumental in launching the careers of several artists. He points to success stories like Cosmicat and Tul8te as examples of artists who have benefited from MDLBEAST’s support. “Our platforms have provided these artists with the right strategies and opportunities they needed to succeed,” he states.
“I anticipate further growth for the GCC industry as it is currently still in the very early stages of its development and we can already see all the great signs that this is only the beginning,” he says enthusiastically.
Harb’s vision for a sustainable and thriving music ecosystem involves investment in talent development, support for music education, and the protection of intellectual property. He emphasises the importance of collaboration between artists, labels, venues, and collectives, as well as advocating for fair compensation for artists and creators. “To create a sustainable and thriving music ecosystem, the industry must invest in talent development, support music education and creative development,” he states emphatically.
The GCC music industry is undeniably on an upward trajectory, driven by a wave of talented artists, supportive industry players like MDLBEAST, and a growing appetite for homegrown music. Artists like Blvxb, Tamtam, Ugly Moss, Ntitled, and Shargeeya are at the forefront of this movement, each stamping their unique thumbprint on the new musical identity being forged. ■
ARTS CALENDAR 2024
WHAT TO SEE AROUND THE WORLD
October 2024 - Early 2025
words MARIANA BAIÃO SANTOS
As the vibrant colours of autumn begin to paint the world, the art scene is preparing itself for a glorious ending to the year. Wherever you find yourself this season—be it amidst the golden leaves of a serene countryside or the bustling streets of a city—this arts calendar will guide you through an eclectic array of exhibitions unfolding across the globe, from October 2024 to early 2025, wherever you are, there’s always something to see.
Prepare to immerse yourself in transformative experiences, as art enthusiasts and casual observers alike are invited to explore captivating shows that promise to spark curiosity and ignite the imagination. The upcoming season will pulse with creativity, with cities like New York, London, and the dazzling galleries of Dubai each offering a unique lens through which to engage with contemporary issues, innovative practices, and the rich tapestry of cultural narratives.
Expect to encounter works that challenge conventions, provoke dialogue, and celebrate the diverse voices shaping our collective artistic landscape. Mark your calendars and get ready to embark on a whirlwind of openings, installations, and thought-provoking showcases that will redefine your understanding of art.
So, whether you’re in Dubai, London, or travelling to distant lands, we invite you to engage deeply, connect with the artists’ visions, and revel in the shared experience of creativity that transcends borders. Grab your walking shoes and a notebook, and join us as we traverse this exhilarating artistic journey that lies ahead.
ABU DHABI - LOUVRE
IMPRESSIONISM: PATHWAYS TO MODERNITY
16 October 2024 - 09 February 2025
Prepare to deepen your understanding of Impressionism with Impressionism: Pathways to Modernity at the Louvre Abu Dhabi, in collaboration with the Musée d’Orsay. This exhibition presents a significant collection of Impressionist art, featuring over 150 works by notable artists such as Manet, Degas, Monet, Pissarro, Renoir, and Cézanne.
The exhibition not only showcases masterpieces, but also includes etchings, costumes, film, and photography that help illustrate the context in which Impressionism emerged. It invites visitors to explore how these artists, working during a period of social and cultural change, sought to capture the nuances of modern life and nature in new and innovative ways.
Impressionism marked a departure from traditional artistic conventions, embracing a fresh perspective that valued honest and immediate observations. This exhibition offers a thoughtful look at how these historical shifts in art continue to resonate today. Don’t miss this opportunity to engage with the works and ideas that shaped the Impressionist movement.
Georges Hanna Sabbagh, Les Sabbagh à Paris, 1921, Courtesy of Louvre Abu Dhabi Vincent van Gogh, The Bedroom, 1888. Courtesy of Louvre Abu Dhabi
CANDICE LIN: NIGHT STONE
26 September 2024 - 12 January 2025
In ‘Night Stone’, Candice Lin presents a compelling one-room installation that connects the contemporary trade of manganese between Australia and China to the historical commerce of sea cucumbers from the 18th century. Fascinated by the unique physiological traits of sea cucumbers, Lin explores their toxic interactions with manganese, illustrating the resulting bodily transformations.
This exhibition marks Lin’s first solo presentation in West Asia and was originally commissioned by the Biennale of Sydney and Monash University Museum of Art | MUMA in Melbourne. It features new ceramic sculptures, textile works, and a site-specific mural, creating an immersive experience for viewers.
Candice Lin is an interdisciplinary artist based in Los Angeles. Her work spans installation, drawing, video, and organic materials, addressing critical themes of race, gender, and sexuality through the lens of colonialism and diaspora. ‘Night Stone’ invites reflection on the interconnectedness of materials and histories, making it a significant exploration of contemporary issues in art.
Courtesy of Jameel Arts Centre
DUBAI - JAMEEL ARTS CENTRE
MIAMI - MIAMI BEACH CONVENTION CENTER
ART BASEL MIAMI BEACH
6 - 8 December 2024
Art Basel Miami is back, and from December 6 to 8, 2024, art enthusiasts can expect an unforgettable experience filled with groundbreaking creativity and vibrant culture. This iconic event will once again take centre stage at the Miami Beach Convention Center, showcasing an impressive array of works from over 2,000 artists across 250+ galleries representing North and South America, Europe, Asia, and Africa.
As the premier art fair in the Americas, Art Basel Miami has established itself as a crucial platform for both emerging and established artists, making it a must-visit for collectors, curators, and art lovers alike. Attendees will have the opportunity to immerse themselves in a diverse collection of contemporary art, reflecting the latest trends and innovations in the art world.
Beyond the confines of the convention centre, the spirit of Art Basel permeates throughout Miami. Expect to see stunning sculptures and installations scattered around the city, transforming public spaces into open-air galleries that invite exploration and engagement. This unique aspect of the event enhances the overall experience, encouraging visitors to discover art within the vibrant Miami landscape.
Art Basel Miami Beach 2023 Courtesy of Art Basel
BASEL, SWITZERLAND - FONDATION BEYELER MATISSE – INVITATION TO THE VOYAGE
22 September 2024 – 26 January 2025
The Matisse – Invitation to the Voyage retrospective at the Fondation Beyeler is poised to be a landmark event, showcasing the first extensive collection of Henri Matisse’s work in Switzerland in nearly two decades. With over 70 significant pieces on display, this exhibition charts the evolution of Matisse’s artistry—from his early explorations around 1900 to the bold Fauvist innovations and the playful cut-outs of his later years.
The thematic backbone of the exhibition, inspired by Baudelaire’s “Invitation to the Voyage,” invites viewers to embark on a journey through Matisse’s travels across cultures and landscapes. It’s a compelling narrative that reveals how these experiences shaped his artistic vision, offering a fresh perspective on his work.
A dedicated multimedia space enhances the experience, featuring animated historical photographs that illuminate Matisse’s travels and creative process. This intimate glimpse into his life and inspirations promises to resonate with visitors, making each artwork not just a piece of art, but a story waiting to be discovered. The retrospective is undoubtedly a must-see for anyone who wishes to delve deeper into the legacy of a true master of modern art.
For her first museum exhibition in New York City, Lebanese-American artist Nour Mobarak unveils Dafne Phono, a large-scale installation that reinterprets the first opera, La Dafne, originally staged in 1598. This innovative work features 15 singing sculptures embedded within mycelium structures, recounting the myth of Apollo and Daphne in some of the world’s most phonetically complex languages.
Mobarak’s installation draws on her interest in mechanised voice and memory, melding elements of sculpture, performance, and sound. By exploring the parallels between linguistic structures and the biological processes of mycelium, she highlights themes of repetition, decomposition, and regeneration, all while addressing broader forces of political power.
Dafne Phono invites viewers to engage with the enduring power of the voice, bridging ancient narratives and contemporary expression. This exhibition is a profound exploration of how nature and technology intersect, making it a must-see experience at MoMA.
Installation view. Courtesy of MoMA
PARIS - FONDATION LOUIS VUITTON POP FOREVER, TOM WESSELMANN & …
16 October 2024 - 24 February 2025
The “Pop Forever, Tom Wesselmann & …” exhibition at the Fondation Louis Vuitton is an engaging tribute to the Pop Art movement, spotlighting the influential works of Tom Wesselmann alongside 35 other artists who embody the spirit of this iconic genre. Curated by Dieter Buchhart and Anna Karina Hofbauer, the exhibition showcases around 150 pieces, including Wesselmann’s renowned paintings and mixed media works.
Wesselmann’s art, characterised by its bold colours and playful take on consumer culture, is presented in dialogue with contributions from celebrated artists like Derrick Adams, Ai Weiwei, and Yayoi Kusama. This diverse array of works not only highlights Wesselmann’s impact on the evolution of Pop Art but also illustrates the movement’s continuing relevance in contemporary art. Visitors can expect an immersive experience exploring the intersections of art and popular culture, inviting new reflections on identity and society within a visually stimulating context. “Pop Forever” promises to be an enthralling journey through the vibrant landscape of Pop Art.
Tom Wesselmann, Still Life #60, 1973
YUNG
words LOUIS PARKS
ESCAPES
A TRAVELLER’S HAVEN
Subtle luxuries, great food, fantastic art and a nod to heritage combine at 25hours Hotel One Central.
Amidst the ever-evolving hospitality landscape of Dubai, the 25hours Hotel One Central stands apart as a testament to unique experiences, blending Bedouin traditions with an avant-garde approach to the industry. This newly-opened hotel is no mere place to rest your head, rather it’s an ode to the Emirate, its ancient traditions and relentlessly contemporary, cosmopolitan lifestyle.
The hotel’s interior, curated by the renowned Woods Bagot, echoes Dubai’s rich heritage through contemporary art and design. Each corner of the hotel tells a story, highlighted by exclusively commissioned artworks. The lobby’s ceiling, adorned with Dominik Bulka’s ‘Under the Same Sky’, reflects the whimsical nature of the cosmos with a local twist, while the Artist Village suites boast unique pieces that speak to Dubai’s vibrant art scene.
Dining at the 25hours Hotel One Central is a journey through taste and tradition. From the Contemporary-Indian fusion delights of Tandoor Tina to the vibrant atmosphere of the Monkey Bar cocktail bar, each outlet offers a unique flavour profile set against thematic décor that complements the culinary experience. Ernst, the Bavarian Biergarten, provides a slice of Germany with authentic brews and live sports screenings, while the Nomad Day Bar offers light bites and great coffee, ensuring that there’s something for every palate.
The hotel doesn’t just cater to your relaxation and dining needs, it also encourages exploration and connection. Thanks to the unique Analogue Circus, guests can engage with the past through trunks filled with throwbacks like VHS, vinyl, typewriters and Polaroids, all offering a break from the digital world. Located on the first floor of the hotel, the area features a collection of over 500 vinyl records and a Walkman station, providing the perfect retreat from a hectic day of co-working. A partnership with Schindelhauer Bikes allows guests to discover Dubai’s corners in style on two wheels.
At the heart of the hotel, the Extra Hour Spa is a place of utter calm. Designed with the modern traveller in mind, this spa sanctuary blends relaxation with rejuvenation. Whether you’re indulging in the ‘Radiant Mum-To-Be’ maternity package or the 100-minute ‘Signature massage’ with luxurious lava shells and bamboo sticks, each treatment is meticulously crafted to restore balance and harmony. With an array of therapies, including the ‘Active Pureness’ facial and the comprehensive ‘Royal Hammam’ treatment, Extra Hour Spa promises a bespoke wellness journey that caters to the individual needs of every guest, making it an essential experience for those seeking tranquillity in the city.
For those drawn to spaces where stories unfold and every corner offers a new surprise, 25hours Hotel One Central promises a stay filled with discovery, set against the canvas of Dubai’s vibrant heart. Whether you’re unwinding at the Extra Hour Spa or sipping a cocktail under the stars at the Monkey Bar, this hotel offers a unique blend of tradition and modernity, inviting you to find your own story in the heart of Dubai.
MILAIDHOO MALDIVES: BAREFOOT PARADISE
Discover bespoke luxury, Maldivian charm, and unforgettable experiences at Milaidhoo Maldives, where every moment feels like a story waiting to be written.
Nestled on the doorstep of the incredible UNESCO Biosphere Reserve, in that famously beautiful archipelago, Milaidhoo Maldives redefines luxury with a stunning mix of modern elegance and authentic Maldivian culture. A bespoke slice of heaven, this intimate island is home to 50 contemporary Maldivian-style villas and residences, each designed to provide an incredible, once-in-a-lifetime connection to nature while immersing guests in complete comfort. From spacious overwater villas to beachfront escapes, every accommodation hosts a beautiful private pool and an outdoor living space, ensuring that you can choose the perfect place to call home on this idyllic island.
A highlight of this island paradise is the magnificent Two-Bedroom Ocean Residence, a 3,500-square-foot sanctuary of tranquillity. Boasting two elegantly designed bedrooms, spa-like bathrooms, a private 60-metre infinity pool, and panoramic views of the glittering turquoise waters, the villa represents the ultimate in luxury seclusion. Perfect for groups of friends, honeymooners, or families, the Ocean Residence includes personalised butler service and a variety of bespoke experiences like starlit cinema screenings and gourmet cooking with a personal chef.
For those seeking unique culinary adventures, Milaidhoo’s signature restaurant, Ba’theli Lounge & Restaurant presents guests with an unforgettable dining experience. Shaped like three traditional dhoni boats and floating in the lagoon, the restaurant serves Maldivian-inspired dishes crafted from fresh, natural local ingredients. This is the only restaurant of its kind in the world, making every meal here a blend of culture, history, and innovation
Milaidhoo offers so much more than just beautiful vistas and exquisite dining; it provides guests with the opportunity to create meaningful memories in one of the world’s most beautiful settings. The resort’s dedicated team takes pride in offering personalised, heartfelt service that turns every stay into an unforgettable experience. Whether you’re embarking on a snorkelling adventure in the vibrant coral reefs, diving with majestic manta rays in nearby Hanifaru Bay, or simply enjoying the peaceful isolation of the island, every activity is designed to create lasting impressions.
The resort’s sandbank experience is perfect for couples seeking a romantic escape. Whether it’s for a private wedding, vow renewal, or simply a sunset picnic, the isolated sandbank is the ultimate in luxurious privacy, surrounded by nothing but the endless ocean.
Another highlight at Milaidhoo is the Buddymoon experience, a celebration of friendship and love, where groups of friends can come together in the luxurious setting of the Ocean Residence. Bespoke activities, such as mixology workshops, yoga and meditation sessions and sunset aperitifs add a personal touch, creating unforgettable moments.
Milaidhoo Maldives is a unique proposition; it’s a barefoot sanctuary where luxury and authenticity blend seamlessly. Each guest is welcomed as part of the Milaidhoo family, leaving you with a sense of belonging that lasts long after departure. ■
