THE LIST
RAWDAH MOHAMED
THE MODEL
MASERATI GRANTURISMO THE OTHERS JUST TRAVEL
GranTurismo Trofeo – engine: V6 90° 2992 cc – max power: 550 hp – max torque: 660 Nm – max speed: 320 km/h – 0-100 km/h acceleration: 3.5 secs – fuel consumption (combined cycle): 10.1507 l/100 km - CO2 emissions (combined cycle): 230 g/km.
maserati.com
MASERATI GRANCABRIO DRIVE LIKE THE BEST IS YET TO COME
Grancabrio Trofeo – engine: V6 90° 2992 cc – max power: 550 HP at 6.500 RPM – max torque: 660 Nm at 3.000 RPM – max speed: 316 km/h – 0-100 km/h acceleration: 3.6 secs – fuel consumption (combined cycle): 10.4-10.5 l/100 km - CO2 emissions (combined cycle): 236-238 g/km.
maserati.com
LENNY KRAVITZ
T H E WATC H M A K E R O F WATC H M A K E R S
CALIBRE 860
REVERSO
E H T T S I L THIS IS YUNG
06-07
LETTER FROM THE FOUNDER
As I reflect on this past year, I am struck by how deeply 2024 has shaped me. It’s been a whirlwind of transformative moments—from witnessing extraordinary talent to navigating challenges that pushed me to grow. This year has been a journey filled with milestones, learning experiences, and an overwhelming sense of pride in seeing our region’s resilience and growth. From our first panel at XP to meeting countless visionary talents, launching iconic covers, and seizing new opportunities, 2024 has been nothing short of remarkable.
This year has been about overcoming adversity and also incredible stories. Stories that remind me why I started YUNG in the first place. Stories of resilience, ambition, and creativity from a region that has so much to offer the world. Every issue of YUNG is a celebration of the exceptional individuals and scenes emerging from our region and its diaspora. Today, I am thrilled to present our latest edition—The List. This special annual edition is more than a feature; it’s a tribute to the changemakers and dreamers who are shaping the future of art, music, fashion, sports, entrepreneurship, and beyond. It’s a tribute to the rising stars who remind us that our voices matter and that our stories deserve to be heard. This year, we honour 50 remarkable individuals, though the truth is, there are so many more. My hope is that The List grows each year, expanding its reach and continuing to shine a light on the brilliance of our region. From creative directors and musicians to artists and filmmakers, these are the people taking our heritage global. They’re proving that the world doesn’t just need our stories—it’s craving them. YUNG has always been more than a magazine. It’s a community, a platform that champions the talent and dreams of the Middle East and Africa. Too often, we’ve been told to look outward, to think that “West is best,” but our mission at YUNG is to flip these narratives. We’re amplifying the voices of our region, building meaningful connections within our communities, and celebrating the artists, athletes, and innovators who inspire us.
This issue’s cover stars embody everything YUNG stands for. Rawdah Mohamed, the Sudanese model breaking fashion norms. Zeyne, the Palestinian artist connecting us to our roots through her music. May Calamawy, the Egyptian actress whose authenticity is a beacon of inspiration. Kaylia Neymour, the Algerian Olympian champion proving that discipline and grace can conquer anything. And Amna Al Qubaisi, the Emirati racecar driver breaking barriers with courage and determination. Each of these women is a testament to the power of daring to dream.
Yes, this year had its challenges. But challenges make us grow. They remind us why we need platforms like YUNG—to tell our stories, to celebrate our creatives, and to connect with one another. So, as we step into 2025, my promise to you is this: we will continue to amplify these narratives with sincerity, passion, and a deep commitment to our community. Thank you for being a part of this journey. Let’s keep dreaming, creating, and celebrating together. Until next year,
Founder & Editor in Chief - YUNG
E T
RM 07-01 In-house skeletonised automatic winding calibre 50-hour power reserve (± 10%) Baseplate and bridges in grade 5 titanium Variable-geometry rotor Case and open-link bracelet in white gold set with diamonds
A Racing Machine On The Wrist
THIS IS YUNG
08-09
Letter From The Founder Contents and Contributors Masthead The List Rawdah Mohamed Zeyne Kaylia Nemour May Calamawy Amna Al Qubaisi Prince Gyasi 90's Redux Moha Mmz Audemars Piguet x KAWS Puma Animus Top Bags 2024 Chanel’s Cruise 2024/25 Asteri Beauty Rally A'Shira Fashion Trust Arabia 2024 Jaeger-LeCoultre Bvlgari x Mary Katrantzou Richard Mille x McLaren XP Music Futures 2024 Yung Escapes The Space
CONTENTS
06-07 08-09 10-11 12-39 42-57 58-71 72-85 86-101 102-115 116-127 128-145 146-155 156-159 160-165 166-173 174-181 182-187 188-189 190-193 194-201 202-203 204-209 210-211 212-215 216-219 220
CONTRIBUTORS
AJAY VALSARAJ / AIDA GLOW / ALEX JOSE / ALEX NOVATOROV /AMANDA KAY / ANASTASIIA BARYLKO / ANNA NEKRASOVA / AXLE JOZEPH / BETTY BEE / BRUNO MCGUFFIE / DALIA REDAI / DAVEY SUTTON / DAVID LAMMOND / DEVIKA / DIMA SAID / ELLIE BOND / ELENA SGOURAS / ESRA SAM / FANNY MAURER / GAELLE IBRAHIM / HANNAH KNOWLES / IAN KOBYLANSKI / IVANNA OSYP / JESSICA ISAEVA / JIES CLEODORE / JULIETTE MALAQUIN / KAWA H POUR / KHOULOUDMATAR-KASAA/KHOULOUD SALHI / KIAN KANANI / KITE CHUANG / KRISTINA KAZARIAN / LUKMANUL HAKKIM / MAGGIE SEMAAN / MARILLA MERYL / MATTHEW LAWRENCE / MAZEN ABUSROUR / MIRA MOROKI / MOHA MMZ / OLUWASEMIRE GBENGA EMMANUEL / POLINA SHABEL / PRINCE GYASI / QUAN PENN / RASUL H POUR / RENNATO OLIVEIRA / SANA JAMALI / SARAH EZZEDDINE / SARA YUNIS / SETH ROBERTSON / SHADI H POUR / SOPHIA FRENCH / VADYM YATSUN / WILOW DIALLO / YAULA MAZIN / YEHIA BEDEIR / YONATAN GRIFFON
founder and editor in chief SANDRA YEGHIAZARIAN
creative director SAIF HIDAYAH art director ATHINA SYMEONIDOU senior editor LOUIS PARKS junior talent manager OMAIA JALLAD producer LANA SHASH digital writers MENNA SHANAB MARIANA BAIÃO SANTOS executive assistant DARA HAMARNEH dara@thisisyung.com SUBMISSIONS AND INQUIRIES hello@thisisyung.com
PRINTING AL GHURAIR PRINTING AND PUBLISHING LLC PUBLISHED BY THIS IS YUNG LLC Sharjah Media City hello@thisisyung.com www.thisisyung.com
All rights reserved. No part of this publication may be reproduced in whole or part without permission from the publishers. YUNG Magazine welcomes new contributors but can assume no responsibility for unsolicited photographs or illustrations. Every effort has been made to contact the copyright owners of the images and text in this issue.
photography SOPHIA FRENCH styling DAVEY SUTTON
photography VADYM YATSU styling DAVEY SUTTON
photography AXLE JOZEPH styling WILOW DIALLO
photography MAZEN ABUSROUR styling SAIF HIDAYAH
photography ESRA SAM styling MARILLA MERYL
THIS IS YUNG
12-13
“The List” by YUNG is our annual celebration of the change-makers, pioneers, and visionaries shaping the future of the MEA region and beyond. It’s a curated collection of trailblazers—emerging and established—who are redefining industries and challenging the status quo across cultural, social, and economic spheres. This isn’t just a feature; it’s a platform for recognizing innovation, influence, and impact. From artistic disruptors to game-changing entrepreneurs, everyone on The List shares a common thread: they’re breaking boundaries and rewriting the narrative, all while living in or being rooted in the MEA region. There are no rankings, no categories, no podiums. We’re not here to box people in—we’re here to celebrate the limitless potential within our communities. Each name represents a story of creativity, grit, and ambition, from Olympic champions to culinary innovators, from musical prodigies to sporting trailblazers. These are the ones to watch.
This is The List. We are YUNG.
THE YUNG LIST
THIS IS YUNG
14-15
THE YUNG LIST
JOSEPH SALAH Palestinian, American-born Joseph Salah, currently Creative Director at Charlotte Tilbury, has shaped the international luxury beauty landscape for years. With collaborations spanning from Dior to Marc Jacobs, Salah is one to watch. Among his many projects this year, he has worked on Charlotte Tilbury's holiday campaign, The Charlotte Tilbury Beauty Show, which breaks away from traditional beauty advertising. Through his work, Salah continues to push boundaries, weaving storytelling into beauty while championing the next generation of talent.
photography VINCENT FLOURET
CTOR TIVE DIRE A E R C E TH
Mariam Yehia, the Egyptian-French designer behind Mrs. Keepa, co-founded the brand with her husband, Bassel Komaty, whose nickname inspired its name. Since launching in 2016, Yehia has approached contemporary fashion with bold, avant-garde designs. She focuses on sustainability and combats waste in fashion by using zero-waste production and repurposed materials in her designs. This year, Mrs Keepa collaborated with VOX Cinemas during Dubai Fashion Week, where the brand unveiled its Spring/Summer 2025 collection, Need Therapy, through an innovative 15-minute film presentation.
MRS. KEEPA
IO THE FASH
MARIAM YEHIA
N DESIGN
ER
photography MICHELLE AOUN
Cynthia Merhej is the Lebanese designer behind Renaissance Renaissance, the Beirut-based brand she established in 2016. Dividing her time between Paris and the Lebanese capital, Merhej works side by side with her mother, Laura, to design bi-annual collections that are equal parts elegant, poetic, and daringly experimental. Her work combines modern fashion with a harmonious fusion of tradition and innovation. Today, Renaissance Renaissance is stocked around the world including at retailers such as Harrods, SSENSE, and Nordstrom Space in New York, expanding the Beirut-couture brand internationally.
IO THE FASH
N DESIGN
ER
RENAISSANCE RENAISSANCE CYNTHIA MERHEJ
ION DE THE FASH
SIGNER
NAFSIKA SKOURTI photography HANEEN QART
NAFSIKA & STEPHANIE SKOURTI
Greek-Palestinian designer Nafsika Skourti, together with her sister Stephanie, established their namesake brand in 2014, combining Nafsika’s creative vision with Stephanie’s sharp business expertise. Rooted in “everyday glamour,” the brand masterfully fuses highend craftsmanship with modern, versatile silhouettes. With offices in Amman and Dubai, Nafsika Skourti has become a global force, stocked at retailers like Ounass, Harvey Nichols, and Revolve.
THIS IS YUNG
16-17
THE YUNG LIST
L’ALINGI ESSORIE THE ACC
Alia Zaki, founded her brand L’alingi in 2017. On a quest to create “wearable social ice-breakers”, she elevates the ordinary clutch into a bold and artistic statement piece. With a focus on making the mundane luxurious, the brand embodies a quirky, yet feminine aesthetic intended to unleash “the child within”. Today, L’alingi is stocked all around the world, including Harrods, Selfridges and Bloomingdales, and has grabbed the attention of notable figures like Jennifer Lopez, Adwoa Aboah and Meghan Fox amongst others.
S DESIGN
ER
photography MOLLIE HOSMER
ALIA ZAKI
Aya and Mounaz Abdel Raouf are the visionaries behind Okhtein – the Egyptian label blending traditional craftsmanship with contemporary design that has gained international attention, and been worn by celebrities all around the world. In 2024, Okhtein celebrated its 10th anniversary with the opening of its first store in Dubai’s City Walk, marking the first of many significant expansions into the GCC, delivering luxury products while fostering communities and interactions.
ES THE ACC
SORIES D
ESIGNER
OKHTEIN AYA & MOUNAZ ABDEL RAOUF
Nadine Ghosn is a Lebanese-Brazilian jewellery designer known for challenging the industry’s conventions with her namesake brand. Ghosn often transforms everyday objects into fine jewellery pieces, creating playful designs to reimagine luxury. From food-inspired pieces to gemstone-adorned stationery, her designs offer a new, fresh approach to modern adornment that is celebrated by the likes of Beyoncé, Drake and Pharrell. This year, Ghosn has collaborated with art supplier Crayola on a collection that blends creativity with nostalgia.
ESIG ELLERY D THE JEW
NER
NADINE GHOSN LARA ZANKOUL photography SELF PORTRAIT
TOGRAPH THE PHO
ER
Lara Zankoul, a Lebanese photographer based in Beirut, shifted from a background in economics to pursue photography as a means of self-expression and creative exploration. Her surreal, vibrant compositions blend storytelling and artistry, inviting viewers to delve into dreamlike narratives. Zankoul’s work reflects her passion for pushing artistic boundaries and challenging visual conventions.
THIS IS YUNG
18-19
THE YUNG LIST
TAREK MAWAD Tarek Mawad, an artist and photographer based in Berlin and Paris, combines influences from anatomy, mythology, and cinema to create modern archetypes. His work, defined by dynamic contrasts and vibrant colours, captures his subjects’ energy and vulnerability. With a background in projection mapping, Mawad’s photography exudes cinematic, symbolic, and powerful storytelling.
ER
photography SELF PORTRAIT
TOGRAPH THE PHO
Prince Gyasi, a self-taught Ghanaian artist, uses his photography to challenge Western stereotypes of Africa. Influenced by synesthesia, his hyper-colourful work blends personal experiences with community-focused storytelling. Founder of Boxed Kids, he empowers underprivileged youth in Jamestown. Gyasi’s art is featured in major collections and has led to collaborations with brands like Balmain, Apple, and Converse.
PRINCE GYASI TOGRAPH THE PHO
Y ARTIST
photography DAVID BRANDON GEETING
Egyptian-born conceptual artist Laila Gohar transforms food into a captivating art form. Inspired by her upbringing in a family of passionate hosts, she collaborates globally across art, fashion, and design, with notable collaborations including work with Commes des Garçons, Hermes, Chanel, and Simone Rocha. In 2020, she cofounded Gohar World with her sister Nadia, a whimsical celebration of tableware, tradition, and craft.
LAILA GOHAR ARY AR THE CULIN
TIST
SOLEMANN HADDAD photography MISBAH CHOWDHURY
F THE CHE
Chef Solemann Haddad, winner of Michelin Guide’s Young Chef of the Year '22, Gault & Millau Future Great '22, and What’sOn Chef of the Year '23, earned his restaurant Moonrise a Michelin star in 2024. Born in Dubai to a French mother and a Syrian father, his cuisine blends Middle Eastern, Japanese, and French influences, creating what is, perhaps, a unique culinary fusion.
THIS IS YUNG
20-21
THE YUNG LIST
YASMINA HAYEK F THE CHE
photography DAVIS MCDONALD
photography RANI FAWAZ
Yasmina Hayek, Executive Chef of Em Sherif Restaurant and its international branches, blends tradition and innovation in her culinary creations. This year, she made history as the first woman from the Middle East to receive the Michelin Guide's Young Chef Award. With a noteworthy portfolio behind her, Hayek leads with vision and excellence.
Yasmine Diba, a Los Angeles-based director and photographer, discovered her love for film through childhood movie nights with her dad and began taking photos at 11 while horseback riding. This passion grew into her profession, where she now creates raw, powerful images that push the boundaries of photography.
LINARY TIDISCIP THE MUL
YASMINE DIBA
photography LUSAN PUFFIN
Blending music, fashion, and creative direction, Xander Ghost is a constant source of new ideas. From his eyewear brand ‘A Better Feeling,’ worn by the likes of Travis Scott and Billie Eilish, to his genre-defying music that pulses with raw energy and cultural resonance, Ghost never stops reinventing himself. This year, he co-founded Barraserb, a MENA-based streetwear brand, with Marwan Pablo.
XANDER GHOST ARY IDISCIPLIN T L U M E TH
USIC LINARY M IP C IS ID LT
E PRODUC
R
FAIRDOSE THE MU
Fairdose is a Palestinian-Chilean pianist, composer, and creative director known for blending music and visuals. Starting as a composer and producer, he expanded into creative direction, shaping both his work and that of his sister Elyanna, playing a big role in her music career. His piano-driven compositions fuse Arabic alternative pop with Latin influences, creating a distinct and evolving sound. This year, he directed the music videos for many of Elyanna's songs, including her visually compelling video for “Al Sham,” which is a tribute to Levantine heritage.
THIS IS YUNG
22-23
THE YUNG LIST
NASIR AL BASHIR IC THE MUS
E PRODUC
R
photography SAM RAWADI
photography ABDELRAHMAN FAWAZ
Nasir AlBashir is a pioneering music producer, record label owner, and CEO of Scarab Records, based in Amman and the UAE. He has worked with top artists such as Zeyne, Issam AlNajjar, Elyanna, and Tiesto among others. AlBashir's collaborations, including the anthem "Rajieen," have amassed over 400 million streams, positioning Scarab Records as a major force in the MENA music scene.
IC THE MUS
Lebanese producer and audio engineer Sleiman Damien is known for his innovative approach to Arabic pop. Collaborating with indie and mainstream artists like Haifa Wehbe, Nassif Zeitoun, and Balqees Fathi, he has made a lasting impact on the regional music scene. His work has amassed over 700 million streams and continues shaping the future of Arabic music.
E PRODUC
R
SLEIMAN DAMIEN
photography ABDALLAHSABRY
Cairokee, a pioneering Egyptian rock band formed in 2003, rose to fame with their anthem "Sout El Horreya" during the 2011 Egyptian revolution. Known for electrifying live performances, the band—consisting of Amir Eid, Hawary, Tamer Hashem, Adam El Alfy, and Sherif Mostafa—captures raw emotion and authentic storytelling, and is becoming an ambassador of modern Middle Eastern rock.
CAIROKEE LELLA FADDA D THE BAN
photography MAYA SILVA
E THE SING
R
Lella Fadda, an Egyptian-Italian singer, songwriter, and rapper, is shaking up the music scene with her bold mix of industrial beats, Arabic poetry, and hip-hop. Born in Milan and raised in Cairo, she’s been challenging norms since her 2020 debut. Her fearless lyrics celebrate women’s confidence, embracing individuality with unapologetic power.
THIS IS YUNG
24-25
THE YUNG LIST
DINA EL WEDIDI E THE SING
R
photography SARI DAHOUL
photography MAHMOUD ABU ELMAATY
Dina El Wedidi is an Egyptian singer, composer, and music producer, who’s celebrated for her genre-defying sound. She represented Egypt in the Nile Project and collaborated with Gilberto Gil, performing worldwide. Her work blends experimental and traditional elements creating unique sonics. In 2024, El Wedidi performed at Waves by Bottega Veneta in Dubai.
Palestinian-Canadian singer Nemahsis is known for blending alternative R&B, soul, and pop. Her lyrics explore themes like identity, mental health, and empowerment and have garnered her international attention. Despite having been dropped by her label, Nemahsis continues to establish her presence independently, earning the fan-voted “Audience Award” at the 2024 Prism Prize for her song "i wanna be your right hand.” She also made her Middle Eastern debut this year at Waves by Bottega Veneta in Dubai.
NEMAHSIS E THE SING
R
Mishaal Tamer, a Saudi artist, turned a childhood injury into a musical breakthrough, using guitar therapy to regain control of his hand. After sharing his track “Can’t Love Myself” online, he rose in the lofi scene. Signed by Sony in 2020, Mishaal became the first Saudi artist with a major label. He has since toured with OneRepublic and headlined Saudi Arabia’s first all-Saudi concert in 2024.
E THE SING
R
MISHAAL TAMER FRENCHY SAYS RELAX THE DJ
Frenchy Says Relax, a multifaceted writer, DJ, and curator from Kuwait, is celebrated for his ability to uncover and share unique sounds. His namesake Instagram page has earned a global following, serving as a music archive that celebrates both new and timeless sounds, captivating music lovers and artists alike. As a DJ, he has opened for various international names including Bruno Mars and Ms. Lauryn Hill, further showcasing his strength in both performance and curation.
THIS IS YUNG
26-27
THE YUNG LIST
KARROUHAT THE DJ
photography HANIFAH MOHAMMAD
Basil Alhadi, the creative force behind Karrouhat, blends Arabic heritage with global rhythms, creating an emotional musical journey crafted to connect cultures and people. This year, he performed at events like the LOEWE Paris Fashion Week afterparty, the SO/MALDIVES hotel opening, the META event, a YouTube event, and the Fashion Trust Arabia Afterparty in Marrakech, solidifying his reputation as a cultural curator and sought after DJ. For Alhadi, his music is fuelled by embracing his roots, and welcoming the world into the soul of Karrouhat.
Nooriyah is a Saudi-born, Japan-raised, and UK-based DJ, audio producer and presenter. She is redefining the future of dance music through her diverse DJ sets which blend global cultures. She founded the SWANA-focused collective, Middle of Nowhere in London, which later hosted her debut Boiler Room set, garnering over 4.5 million streams to date. With performances at Glastonbury, Nitsa, and countless soldout shows, Nooriyah is on track to building a powerful musical legacy.
NOORIYAH THE DJ
photography GUMMYSTUDIOS BEIRUT
Saliah, a British-Lebanese music producer and DJ, blends SWANA sounds with UK bass-heavy club genres, creating a distinctive, conceptual sound. With sold-out international shows and recognition like BBC Radio 1’s Dancefloor Moment for Habibi Riddim, Saliah’s influence grows. In 2024, she continues to support grassroots initiatives, teaching DJ workshops with a community-first mindset and a need to leave a legacy, embodying her mantra: "for us, by us."
IC THE MUS
E PRODUC
R & DJ
SALIAH HIBA ABOU HAIDAR photography NOUR TARABAY
T MANAG THE ARTIS
ER
Hiba Abou Haidar, founder and head of Label of Beirut Records, is a pioneer in the music industry, leading one of the first Lebanese labels to be acquired by Universal Music Group. As an artist manager and booking manager, her name is associated with over 30 regional artists including Balti, Nordo, Mawan Moussa, Hleem, Dana Salah, Big Sam, Afroto, Bu Nasser, Akhras and more, organising regional shows around MENA and international tours across Europe, the US, and Canada. Beyond her musical ventures, Abou Haidar is also a freelance event and project manager, collaborating with companies like Venture Lifestyle, Factory People, and Beat the Heat festival and she continues to shape the entertainment landscape.
THIS IS YUNG
28-29
THE YUNG LIST
TAREK MENDELEK T MANAG THE ARTIS
ER
Tarek El Mendelek is a music industry executive with expertise in artist management, A&R, music partnerships, and touring. His journey began in Beirut before he moved to Los Angeles to study Music Business at UCLA. With pivotal roles at Live Nation, Grass Fed Music, and TikTok, El Mendelek has built a distinguished career, marking his name in the industry. Currently, he serves as a Talent and Product Manager at Saudi music label MDLBEAST Records, where he helped in shaping the success of emerging artists on the label side in the SWANA region, including TUL8TE, Dafencii, Cosmicat, nour, and more.
Kuwaiti visual artist Alymamah Rashed explores identity and the natural environment through her physical form, navigating between Eastern and Western perspectives. A Parsons MFA graduate, her work engages with folklore, everyday objects, and botanical discoveries. Exhibited in New York City at the Czech Center, Parsol Projects, and The New School, Rashed’s intriguing body of work continues to inspire.
A THE VISU
L ARTIST
ALYMAMAH RASHED
photography FARAH AL QASIMI
Azra Khamissa is a UAE-based artist and designer who has reimagined henna as a modern art form. Using henna and photography, she addresses contemporary themes, such as sustainability and cultural identity while celebrating SWANA cultures. This year, Khamissa launched her book The Henna Archive, her swimwear line Azractive, and a fine jewellery collection Forget Me Not.
AZRA KHAMISSA A THE VISU
L ARTIST
HAZEM HARB photography BERNARD JOUARET
T AL ARTIS THE VISU
Hazem Harb, a visual artist from Gaza, navigates identity, memory, and displacement through his intricate practice. After earning his MFA in Rome, he moved to the UAE, where his work evolved into nuanced explorations of ties between people, places, and histories. Harb transforms archival materials— photographs, maps, and ephemera—into collages layered with geometric precision. Through these constructions, he invites fresh dialogues challenging static interpretations of history while exploring the complexities of belonging.
THIS IS YUNG
30-31
THE YUNG LIST
YUMNA AL-ARASHI LIN TIDISCIP THE MUL
IST ARY ART
photography COURTESY OF TABARI ARTSPACE
photography SELF PORTRAIT
Yumna Al-Arashi, a Yemeni-Egyptian-American artist, uses still and moving images to explore how visual narratives shape our world. Growing up in the US, she was inspired to challenge stereotypes in Western media. After earning her MFA from Zürich University of the Arts, Al-Arashi's multidisciplinary practice expanded, with her acclaimed film Rage earning a 2024 CIRCA Prize nomination and her debut monograph, Aisha, published by Edition Patrick Frey that same year.
Maliha Tabari, a Palestinian artist, collector, and gallerist, spent her childhood navigating between the Levant, the Gulf, and the US, which deeply influenced her artistic journey. Beginning with sculptural design, Tabari explored her hybrid identity as a female Arab in an evolving social landscape, reaffirming her philosophy that art should reflect human touch and dualities. She founded Tabari Artspace in the UAE, one of the region’s first galleries, and continues to support emerging and established artists.
RIST
MALIHA TABARI E THE GALL
photography AUGUSTE NOMEIKAITE
Munira Al Sayegh is an independent curator and cultural leader based in Abu Dhabi. As the founder of Dirwaza Curatorial Lab, a UAE-based curatorial incubator, she has led numerous projects centred around grassroots initiatives and the reclamation of regional narratives. Al Sayegh advocates for non-government-funded creative platforms and has been instrumental in initiatives such as Art Dubai’s Residents section and Abu Dhabi Art’s Talks Program, playing a key role in shaping the Gulf's cultural landscape.
MUNIRA AL SAYEGH C THE ART
URATOR
SULTAN AL DARMAKI photography VICTORIA FROLOVA
CULTURE
PRENEUR
With years of experience in Europe’s fashion industry, Sultan Al Darmaki has become a key figure in merging creativity with industry expertise. As the first Middle Eastern shoe designer featured at the V&A Museum, Sultan returned to the UAE to build a thriving creative community. Within just six months, he co-founded 1833, a Members Club, fostering collaboration and opportunity for creatives, entrepreneurs, and innovators, shaping a transformative future for the region’s creative landscape.
THIS IS YUNG
32-33
THE YUNG LIST
WASSIM BOU MALHAM E THE ENTR
PRENEUR
photography KARIM GHORAYEB
photography VICTORIA FROLOVA
Wassim Bou Malham, a pivotal figure in Lebanon’s music and cultural scene, has spent the past decade shaping Beirut’s nightlife. From leading the synth-rock band Who Killed Bruce Lee (signed to Sony Music/Roughtrade) to co-founding Factory People, among other projects, he has revolutionized local dance culture while performing internationally. This year, together with Factory People he launched his restaurant, Soul Kitchen, a cult favourite, as well as his new music project Gharam Electric.
Carl Gerges, a multi-disciplinary architect and musician, proves that one can truly do it all. As a member of Mashrou’ Leila and the founder of Carl Gerges Architects, he combines his passions for music, art, and design. Known for creating immersive, nature-inspired spaces, he recently designed the space for Bottega Veneta's Waves event in Dubai in collaboration with Matthieu Blazy. The space reflects the flowing essence of desert dunes and the harmonious rhythm of sound waves.
ITECT
CARL GERGES H THE ARC
photography ALBERTO STRADA
Architects David Raffoul and Nicolas Moussallem from Beirut, founded their Milan-based studio David/Nicolas, in 2011, and gained global recognition for their work across interiors, furniture, and product design. Drawing inspiration from vernacular architecture, photography, electronic music, and Italian design, they blend creativity with craftsmanship. This year, their notable projects include designing Chronora Beirut, a certified pre-owned Rolex store in Beirut, and the Ounass retail space in Dubai.
H THE ARC
ITECTS
DAVID & NICOLAS
DAVID RAFFOUL & NICOLAS MOUSSALLEM
CÉLINE SEMAAN photography SUNNY SHOKRAE
YTELLER THE STOR
Céline Semaan, a Lebanese-Canadian designer, artist, and advocate, is known for her organization Slow Factory, which tackles climate justice and social inequality through education, narrative change, and regenerative design. With the release of her first book, A Woman is a School, Semaan continues to be a storyteller of life and a teacher for collective liberation.
THIS IS YUNG
34-35
THE YUNG LIST
LANA MEDAWAR YTELLER THE STOR
photography ROGER ZIADEH
photography SMILE PRODUCTION
Lana Medawar, a passionate journalist and entrepreneur, has spent her career bringing powerful stories to life. From anchoring news on Almayadeen to launching inspiring shows like Nothing is Impossible, Medawar has dedicated herself to storytelling that uplifts and empowers. Her journey has led to the creation of the Storytelling School and the Solist Mindfulness Hub, where she continues to empower others through the art of storytelling.
Rayan Hayek is a Lebanese podcaster and storyteller who began his journey in entertainment at just 12 years old on Instagram. Known for his charismatic interviews and shows like Nojoum on Stage, Hayek has made a name for himself with his podcast Baynetna, which delves into the less curated side of celebrities. With plans to expand internationally, Hayek aims to bring his unique storytelling approach to a global audience.
CASTER THE POD
RAYAN HAYEK
photography MUSAB ABU SHAMA
Mohamed Kordofani, a former aircraft engineer from Sudan, made his powerful debut in the film industry with Goodbye Julia, which premiered at the 2023 Cannes Film Festival. Executive produced by Lupita Nyong’o, the film was submitted for the Oscars and also won the prestigious Prix de la Liberté, as well as becoming Sudan’s first-ever film featured at Cannes.
MOHAMED KORDOFANI M THE FILM
AK E R
M THE FILM
AK E R
photography SARI DAHOUL
KAIS DAHOUL Dubai-based Syrian filmmaker Kais Dahoul is celebrated for his experimental storytelling. With over a decade of experience, he has worked with luxury brands such as Piaget and Dior Beauty, as well as creating films for platforms like Nowness. Dahoul’s passion extends to independent filmmaking, which has taken him all around the world, including Tripoli, Geneva, and beyond. Today, he is also the founder of Dahoul Studio, a creative hub committed to fostering local talent and redefining the boundaries of visual storytelling.
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THE YUNG LIST photography ZAID LOZI
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TIMA SHOMALI D THE FILM
IRECTOR
photography PROVIDED BY HOUSE OF HEROES
Tima Shomali, best known for the hit Netflix original TV show Al Rawabi School for Girls, is an accomplished director, showrunner, producer, writer, and actress. Shomali’s rise in the industry began when she founded Filmizion Productions and created the hugely successful FemaleShow, which garnered over 100 million views. Today, her work continues to shape the entertainment landscape in the Arab world, with Al Rawabi being featured in over 43 countries, showcasing her influence in the global TV industry.
ETE THE ATHL
Winfred Yavi, a Kenyan-born Bahraini athlete and champion in track and field, first represented Bahrain in 2016 and won three gold medals at the Asian Games. In 2023, she became Bahrain’s first steeplechase medalist at the World Athletics Championships in Budapest. At the 2024 Paris Olympics, Yavi shattered the 2008 Olympic record to win gold in the 3,000-metre steeplechase.
WINFRED YAVI
photography AXLE JOZEPH
Yousra Mohsen, a Lebanese-born artist, moved to Paris at 17 to pursue professional dance. She made history as the first Arab woman to perform at Crazy Horse Cabaret. Mohsen has danced for artists like Mika, appeared on Star Academy and became the face of Make Up For Ever’s global lipstick campaign, marking her influence in both the dance and fashion industries.
YOUSRA MOHSEN CER THE DAN
TWINS HADBAN photography FEDYA RO
U E N C E RS THE INFL
Humaid and Mohammed Hadban, Emirati twin brothers from Al Ain, gained popularity during the pandemic with their viral videos. Their innovative style, transitions, and distinct aesthetic quickly captured the attention of social media users and international fashion houses, including Dior, Gucci and Valentino among others. Combining creativity and fashion-forward sensibilities, the twins continue to inspire audiences worldwide.
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THE YUNG LIST
SHARBEL HASBANY Sharbel Hasbany, a Beirut-born Lebanese makeup artist and beauty director, is a prominent figure in the beauty industry. After studying at Atelier Maquillage Paris Modèles in 2013, he built a successful career working with top industry leaders across the Middle East and Asia. Hasbany has worked with the likes of Elie Saab, and Saiid Kobeisy, to name but two.
T UP ARTIS
photography ELSN SAWARA
E THE MAK
Remah Jammoul is a Lebanese hairstylist celebrated for his bold, cutting-edge styles. With a unique, artistic approach, he transforms hair into dynamic, sculptural masterpieces that express individuality and creativity. His work combines innovation with precision, establishing himself as a sought-after hairstylist, contributing to campaigns for renowned brands such as Casablanca.
photography ROY FREIHA
STYLIST
REMAH JAMMOUL THE HAIR
50 CHANGERMAKES
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COVERSTORIES
STORIES
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ALWAYS KEEPS IT REAL: RAWDAH MOHAMED
AL WAYS KEEPS IT REAL Rawdah tells us what it means to really know your worth. photography VADYM YATSU styling DAVEY SUTTON words MENNA SHANAB
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ALWAYS KEEPS IT REAL: RAWDAH MOHAMED
“They need to come to me. I’m not going to them. If I’m the source, why am I playing to your tune?” “They need to come to me. I’m not going to them,” Rawdah Mohamed says. “If I’m the source, why am I playing to your tune?” She knows what she brings to the table, and she knows exactly who benefits when she’s invited to sit at it. The fashion world loves to parade its commitment to diversity, but Mohamed knows better. She’s seen the hollow gestures, the polished politics of high fashion, the performative nods to inclusion that often take more than they give. She’s not here for the performance. “I think it’s just survival,” she says, her voice steady, as though she’s spent time untangling these thoughts. “If I don’t speak up for myself, I think I’m going to go extinct. People like me, you’re so used to people speaking for you or speaking over you, and now that I finally have my own platform, I’m not going to play by their rules.” Mohamed feels she has cracked one of the codes of the industry. “The system cannot be upheld without the underdogs wanting to be a part of it, right?” They need you too,” she says. “I really want the underdogs to understand the power they hold.” She understands the system intimately—the big houses, the curated appearances, and the unspoken dynamics behind the scenes. But she didn’t step onto the runway to be a symbol. She didn’t set out to check a box or break ground, the first Muslim, Somali, or this-that-and-the-other model. She’s not interested in a litany of firsts. She came to work. And do it her way, sidestepping any noise. “Now I have the platform and my community supporting me, I owe it to them and I owe it to the voiceless person I used to be,” she reflects. “I don’t feel like I have anything to lose. You guys never supported me. The system was never for me. I don’t mind messing it up a little more. Why am I expected to follow the rules? Being rejected by the elite is such an accomplishment to me.” When we speak, Mohamed is in Norway, lounging in a hoodie while waiting for furniture deliveries to fill her new home. The move comes after a year that’s kept her on the road, hopping between Europe and the Middle East for a slate of projects that keep her in constant motion. “Elhamdullah,” she says, smiling when I ask her how she’s managing the pace. “It’s a lot of work.” Norway, she explains, is a small stage— she quickly exhausted its fashion potential. Today, her work takes her to the industry’s power centres: Paris, London, and Dubai.
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ALWAYS KEEPS IT REAL: RAWDAH MOHAMED
“Now I have the platform and my community supporting me, I owe it to them and I owe it to the voiceless person I used to be.” She has transitioned from healthcare professional to model, viral activist, even taking up a stint as fashion editor of Vogue Scandinavia, and she did it all with no blueprint in hand. “My family came straight from the war. We were immigrants—refugees. And we stayed in Norway,” she says. “I moved around a bit too—one year in New York, a bit in London.” No veils are covering her words, no over-explaining. For Mohamed, it’s simply context—the foundation for everything she’s built. Today, her presence disrupts more than it conforms, proudly admitting that she’s always the “loud mouth” of the group; she continues to challenge the fashion world’s limited imagination of what beauty, modesty, and power can look like together. A behavioral analyst by training, Mohamed had no plans to enter fashion. But a chance encounter in 2018 with her future manager at an Oslo fashion show changed the entire plot. The industry was unprepared for hijabi models, and she had to confront its unfamiliarity—and, often, resistance—head-on. As part of the first generation of hijabi models, Mohamed took it upon herself to educate the industry. Singular wins were never the goal. It’s always been about collective transformation for her, uplifting the whole community. The hijab, often wielded as a symbol of oppression, became a focal point for her activism. In 2021, she launched the viral hashtag #HandsOffMyHijab, aiming to discredit the French ban on the Muslim veil and used her platform to centre the voices of Muslim women often left out of the conversation.
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ALWAYS KEEPS IT REAL: RAWDAH MOHAMED
“Representation means keeping your integrity. It’s about standing for what you believe in and never forgetting who you were or where you came from before you ‘made it.’”
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ALWAYS KEEPS IT REAL: RAWDAH MOHAMED
“The tides have changed. I think now is a great time to be vocal.” For Mohamed, the hijab is not a symbol to be dissected. It’s simply part of who she is. The fashion world she’s creating doesn’t ask her to compromise that. And she’s beginning to see glimmers of that reality now. “Before I used to get a lot of backlash. You lose a lot of jobs. Now, of course, I lose jobs too, but I’ve been really outspoken about things that are important to my community, whether that is women’s rights, the hijab ban, Palestine, Sudan, Lebanon. I’ve always spoken about those things but now it’s becoming more common. And thankfully I think people have woken up, especially in the West. So it doesn’t have the reputation that it used to. I think brands now are terrified of being boycotted. The tides have changed. I think now is a great time to be vocal,” she says. There’s a constant energy of forward motion in her words, a readiness to ignite and take action. Yet, despite her drive, she often feels as though she’s not doing enough. “There’s always more to be done,” Mohamed reflects. “But I’m beginning to understand that sometimes, this is what I can do, in terms of advocacy. I’m always conscious of what I’m not doing, and that can make me feel helpless—sometimes to the point of burning myself out.” Still, she doesn’t let that weight paralyze her. “I don’t just sit and wait for governments to act because I know they won’t. We have to apply pressure where we can, and that understanding helps. I remind myself: I did what I could do. I need to focus on what’s within my ability and strength and accept that change doesn’t happen overnight.” This philosophy extended to her work as fashion editor at Vogue Scandinavia. Her work was deeply personal, weaving her own evolving ethos into the magazine’s pages. From her love of thrifted pieces to her appreciation for the simplicity of a well-tailored midi skirt, she revealed a view of fashion that was at once intimate and grounded. She invited readers to see fashion not just as an aesthetic choice, but as an evolving dialogue with oneself—a mirror of identity and intention. In one piece, she wrote, “I dress modestly, which can be timeless, chic, and it can be daring—yes, it can be daring,” she wrote in another editorial. “I choose to disengage with the constant fixation on the woman’s body and the social insanity that comes along with it. I don’t dress modestly to control men’s thoughts toward my body. I am not responsible for others, nor am I concerned with them.”
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ALWAYS KEEPS IT REAL: RAWDAH MOHAMED
“The system cannot be upheld without the underdogs wanting to be a part of it, right? They need you too. I really want the underdogs to understand the power they hold.”
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ALWAYS KEEPS IT REAL: RAWDAH MOHAMED
“My family came straight from the war. We were immigrants— refugees.” Mohamed moves through the fashion world with the calm assurance of someone who has seen past its glittering veneer. And she decided to stay, not for the spectacle, but for the craft. She’s not chasing validation from big brands or industry gatekeepers. She decided doesn’t need to. Steady, self-assured, she navigates the system on her own terms, taking what she wants and leaving the rest. Yet, within the industry’s vastness, there are pockets of real connection. “There are subgroups,” she explains. “That’s where you find your people – talented people, people who are making the shift and changing the industry. You go where you’re celebrated.” Community is the key to survival and renewal in her opinion. “You have to give yourself to a community, to help each other and be a part of it. These alternative pockets within the industry are what keep creativity, passion and fashion alive. You have to give and you have to take. You have to seek out the brands, people and photographers you want to work with,” she says. And when you “make it” she continues, “you give back to your community and offer them the opportunities, not go sell out just to have worked with a big name,” she says. We should give back when we receive, not just vie for a bigger slice of the pie for ourselves. “Representation means keeping your integrity,” says Mohamed. “It’s about standing for what you believe in and never forgetting who you were or where you came from before you ‘made it.’” It’s about accountability. It’s about the responsibility to uplift, to advocate, and to challenge systems, not simply exist within them. “Just because someone shares my skin tone doesn’t mean they’re fighting for me or my people,” she continues. “If you’re not doing that, then I don’t want to be represented by you. I don’t want you in those spaces speaking for me because you’re not. You’re speaking to your masters, and that has nothing to do with me.” It’s not enough to simply occupy space. It’s about transforming it for those who follow. And if that means calling out those who fall short, so be it. This is where her quiet power lies: in holding her ground, supporting her peers, and nurturing her community while enjoying herself in the process. Mohamed loves fashion, and it shows—not in the pursuit of fleeting status, but in the way she lives it. ■
set designer HANNAH KNOWLES; makeup ANASTASIIA BARYLKO; nail technician ANNA NEKRASOVA; photography assistant RENNATO OLIVEIRA, IAN KOBYLANSKI; styling assistant SANA JAMALI; production assistant ELENA SGOURAS
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IN FULL BLOOM: ZEYNE
IN FULL BLO OM After a magnificent metamorphosis, Zeyne steps into a new chapter of her career. photography MAZEN ABUSROUR styling SAIF HIDAYAH words MENNA SHANAB
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IN FULL BLOOM: ZEYNE
“When I’m on stage, I go back to the person I was when I wrote each song.” Her eyes, piercing yet unguarded, seem to reach through the screen, breaking out of the digital space to meet ours. There’s urgency in her gaze. She demands your attention, holding it in a way that compels you to reciprocate. Zeyne’s eyes have always been a quiet force in her visual storytelling— always in constant communication, speaking a language of their own. In Mish Asfeh, a post-breakup anthem from 2021, she holds that gaze almost unbroken for nearly the entire video, her eyes animated and flickering with emotion. If eyes are windows to the soul, Zeyne’s reveal the depth of what she holds inside. In her latest music video for Asli Ana, Zeyne’s eyes meet ours again, locking us in. This time, they speak of Palestine—sometimes heavy with pain, sometimes charged with anger, always resolute. “Asli Ana was my way of trying to reclaim my connection to my Palestinian identity,” Zeyne shares. “It’s about reclaiming the beauty, strength, humanity, resilience and excellence of our people. To me, it’s not just about existence, it’s about embracing and owning our identity in our image.” Asli Ana is bold and honest. Straight from the heart and charged with urgency, it reframes what it means to hold onto and celebrate Palestinian identity. Though it does confront the ways in which Western systems have attempted to erase and rewrite histories, it goes beyond just being a critique of colonialism. It shifts the focus entirely, refusing to centre the oppressors or their frameworks. Instead, Zeyne’s work becomes a space for reclamation—where language, customs, and stories are preserved and celebrated. There’s an intimacy to the song that hits home, threading in subtle nods to the things that bind people to their heritage—rituals, textures, rhythms, and symbols of belonging. It’s a thoughtful, deliberate act of honouring what has endured. Culture isn’t static or fragile, but alive and evolving, even under pressure. By centring her heritage with such clarity and purpose, Zeyne ensures it’s seen and heard on her terms, creating a connection that feels as much about collective memory as it does about personal identity.
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IN FULL BLOOM: ZEYNE
“I think there’s a lot of talented people out there, but in my experience you quickly realize that that only takes you so far if you want to turn this into a career.” Zeyne’s eyes might be windows to her soul, but they also mirror her evolution as an artist. There was a time when her gaze was less bold, less assured. When I first spoke to Zeyne in March 2023 for her first cover story, it felt like she was on the brink of something transformative. She had just changed her Instagram handle from @whoiszeyne to @zeyne—a quiet yet assertive declaration of self. Once a shy girl who hid behind half her face while singing covers, she was now finding her wings, writing and singing her own words. As she moved toward creating original music, she seemed to blossom. This transition to songwriting and recording helped her shed this hesitancy and believe in herself. Each song, each studio session and performance, felt like a step closer to fully owning her voice. This past year and a half has seen Zeyne fully go through the motions of this magnificent metamorphosis, dazzling the cameras, putting out hit after hit, exuding confidence and grace, fine-tuning her stage presence, taking command of audiences with an enchanting aura. This transformation came to fruition at her performance for WAVES by Bottega Veneta in Dubai, a career-defining moment in a whirlwind year. Designed by Lebanese architect Carl Gerges, the venue featured concentric seating and sandtoned textures, evoking the beauty of the desert. Her performance, like her music, carries an emotional weight. “When I’m on stage, I go back to the person I was when I wrote each song,” she says. “Mixing that with the energy of an audience takes me somewhere else.” In this setting, Zeyne felt like an organic extension of the surroundings—her movement, her voice, and her energy blending with the venue’s minimalistic elegance. In every performance, she embodies her music in a way that feels visceral and immediate.
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IN FULL BLOOM: ZEYNE
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IN FULL BLOOM: ZEYNE
“I want to shed light on the beauty and richness of our culture, the depth of our history, and our penchant for excellence.” Sharing the stage with Palestinian-Canadian artist Nemahsis, Zeyne curated a performance that felt like a narrative arc. “We approached this show very differently,” Zeyne explains. “My musical director Nasir AlBashir and I curated the set in a way that felt continuous, a wave of emotions tied into a story. I wanted the audience to feel like we knew each other a little bit better by the end of the performance. The themes of the performance were loss, love, heartbreak, self-love and identity, where I ended it with a Dabkeh, which definitely felt very liberating.” This performance marked another chapter in Zeyne’s impressive run over the past year and a half. From releasing chart-topping tracks to refining her craft, she’s emerged as an artist who knows how to balance substance with spectacle. At Waves, she proved she belongs on stages like these, where her voice and message can take over. Her music stands at the intersection of R&B and Arabic pop, a blend that feels so natural but also groundbreaking. “R&B has always been one of my favorite styles of music,” she says. “One of the things I love most about it is how versatile it can be sonically. You can go anywhere from club tracks to ballads, whilst being authentically in the genre, and so it leaves a lot of room to express based on what you feel in the time of writing. It also gave me the room to bring in different elements of Arabic music and integrate them in several ways. I love that I can keep developing my sound without it feeling played out.”
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IN FULL BLOOM: ZEYNE
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This year, she brought that sound to COLORS with Ma Bansak, which was a dream come true for Zeyne. “During my uni years in Brighton, watching COLORS was one of my favourite things,” she recalls. “When I got the opportunity, it felt surreal. Right before performing, it was like a fever dream—‘Don’t mess this up,’ ‘I can’t believe this is happening,’ and ‘I’m so happy to be here’ were all running through my head at once.” The performance was a full-circle moment, one that reflected years of hard work and perseverance. Zeyne’s rise comes at a time when the music industry in the region is gaining momentum, something she tries to navigate with clarity and integrity. “I think there’s a lot of talented people out there, but in my experience you quickly realize that that only takes you so far if you want to turn this into a career,” she notes. “I feel like the most important factors for my career were having a vision, staying true to yourself, being resilient, a strong work ethic, and having the right people around you.” This clarity has allowed Zeyne to make thoughtful decisions about her music and platform, particularly in a year defined by global reckonings. “None of us thought it would be possible for the war in Palestine to go on for this long,” she says. “It made me reflect on how I want to move forward—music is important, but I’ve been mindful of the timing for certain releases, what I’m saying, and where I’m performing.” Her voice for Palestine has become one of her most defining attributes. Through her music and platform, she hopes to expand the narrative surrounding her homeland. “Across most media, Palestinians are defined as victims of conflict, but we are so much more than that,” she says. “I want to shed light on the beauty and richness of our culture, the depth of our history, and our penchant for excellence.” Reflecting on 2024, Zeyne acknowledges the year’s unpredictability. “I don’t think this year went the way anyone expected,” she says. “But I’m grateful that despite the surprises, I was able to achieve certain goals while remaining respectful and mindful.” As Zeyne looks to the future, she expresses gratitude for the journey so far. “Alhamdulillah, I’m so grateful for many moments this year—COLORS, Bottega Veneta, releasing Asli Ana, and working on my debut album,” she says. “But what I’m most grateful for is seeing my career unfold as I’ve always imagined, with the support of my family and friends.” Zeyne’s eyes, always a focal point of her storytelling, now reflect an artist fully in her element — confident, resolute, and deeply connected to her purpose. “I’ve gotten to know myself more over the past year,” she says. “In terms of my boundaries, values, and what I hold most important. Like many of us, I’ve been reflecting on how I choose to live my life and the implications of those choices, especially in light of everything happening in Palestine.” ■
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IN FULL BLOOM: ZEYNE
set design YEHIA BEDEIR; makeup IVANNA OSYP; hair MAGGIE SEMAAN; photography assistant LUKMANUL HAKKIM; styling assistant DIMA SAID
“It’s about reclaiming the beauty, strength, humanity, resilience and excellence of our people. To me, it’s not just about existence, it’s about embracing and owning our identity in our image.”
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THE GOLD STANDARD: KAYLIA NEMOUR
THE GOLD STAN DARD Kaylia Nemour is Algeria and Africa’s first Olympic gymnastics champion and a symbol of international excellence. photography AXLE JOZEPH styling WILOW DIALLO words LOUIS PARKS
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THE GOLD STANDARD: KAYLIA NEMOUR
“On the podium, I told myself, ‘Wow, you did it! Enjoy every moment.’ It was a dream come true.” Kaylia Nemour’s golden moment at the Paris 2024 Olympics wasn’t a mere personal triumph, it was a historic breakthrough for Algeria and a defining moment for African sports. At just 17 Nemour became the first African gymnast to win an Olympic medal, stunning the world with her grace, power, and determination, as she won no less than gold. Her journey, however, was far from straightforward and is marked by passion, resilience, and a tale of two countries. Born in 2006 in Saint-Benoît-la-Forêt, France, Nemour grew up in a household that valued movement, energy, and dreams. “ I had a joyful childhood surrounded by loving parents who always supported me,” she says. Her parents, her father Algerian, her mother French, recognizing her boundless enthusiasm and innate sense of rhythm, decided to channel it into something special. “My older sister was already doing gymnastics when I was born. As a little girl, I was always active and on the move, which led my mum to enroll me as well. Seeing how much I enjoyed it, she encouraged me to keep going,” she says, recalling her first steps into the world of gymnastics. Her early memories of the sport remain vivid and inspiring, “Being young, gymnastics was just fun for me, but as time went on, I started wanting to improve and aim for a higher level,” she says. “I’ve always been a part of the Avoine Beaumont Gymnastics Club. This club feels like family, and I’m so happy to represent it in competitions. My daily routine at the club is training in the morning, then school, and back to the gym in the afternoon until evening. That’s how we prepare for competitions.” It wasn’t long before her passion transformed into drive, and her natural aptitude began to shine through. Coaches quickly noticed her potential, and Nemour rose swiftly through the ranks. The Club, though, would be at the centre of a storm in the coming years. By the time Nemour began competing in national events, her dedication was already yielding results. Her early career was marked by rapid success and a growing reputation as one of French gymnastics’ brightest talents. In 2019, she made waves at national and international competitions, winning all-around gold at the French Championships for her age group and dominating events like the Mediterranean Championships, where she took multiple titles, including gold in the all-around and uneven bars. Her standout performance on the uneven bars earned her gold at the Elite Gym Massilia, cementing her status as a rising star.
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THE GOLD STANDARD: KAYLIA NEMOUR
“With major competitions approaching, I had the option to compete for Algeria due to my dual nationality, and I decided to take it.” Despite the disruptions caused by the COVID-19 pandemic, Nemour returned to competition in 2020 stronger than ever. She claimed the junior all-around title at the French Test Meet and continued to shine at team events, contributing to multiple victories for her club, Avoine. In 2021, her dominance on the uneven bars was unmatched, winning the French Championship title even against senior competitors. These accomplishments laid the foundation for her historic rise on the global stage. Her success wasn’t just about medals—it was a validation of the hours of hard work, the sacrifices, and her fierce belief in her abilities. But as she celebrated these milestones, Nemour’s journey soon took an unexpected turn. The rift between Nemour and the French Gymnastics Federation that would lead to her donning Algeria’s colours stemmed from a power struggle over training arrangements leading up to the Paris Olympics. What began as a dispute over training sites escalated into allegations of overtraining, heated exchanges, and an 18-month administrative inquiry. The inquiry, which concluded in late 2023, found the federation guilty of “hounding” Nemour’s home gym in Avoine, a small village in western France. The issue began in 2021, when the French gymnastics federation imposed a mandate requiring Olympic hopefuls to train exclusively at two national centres—Vincennes, near Paris, or St.-Étienne in south-eastern France. This move disrupted the training plans of several elite gymnasts, including Nemour, who trained in Avoine. For Nemour, leaving her hometown was unthinkable. Complicating matters, in 2021, Nemour was diagnosed with advanced osteochondritis, a condition linked to stress on the joints. Her surgeon performed bone grafts on her knees to enable her return to high-level gymnastics. While the condition is not uncommon among gymnasts, the federation raised concerns about overtraining, citing allegations against Nemour’s coaches, the Chirilcencos, for pushing young athletes too hard. The coaches denied these claims.
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THE GOLD STANDARD: KAYLIA NEMOUR
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THE GOLD STANDARD: KAYLIA NEMOUR
“Creating my own gymnastics move was a huge accomplishment. It’s something that will always be part of my legacy.” “Stopping gymnastics for a long period was hard, but I knew it was the best way to return pain-free. Although the time passed quickly, some moments were tough, especially watching my friends compete. I understood why I needed to do it, though. I had previously competed for France, but after my surgeries, although my surgeon approved a gradual return, the French Federation’s doctor didn’t allow me to compete again, without even assessing me. They also wanted me to transfer to INSEP or Saint-Étienne to train for the Olympics, but I didn’t want to leave my environment. With major competitions approaching, I had the option to compete for Algeria due to my dual nationality, and I decided to take it,” Nemour says with a sense of true clarity. Algeria beckoned. Her perseverance paid off, and the experience only solidified her resolve to chase her dreams. In 2023, perhaps inspired by the difficulties with the Federation, though she’s quiet on this, Nemour made a life-changing decision to represent Algeria, the homeland of her parents and a country she deeply connected with. That year, Algeria, with Nemour leading from the front, finished third in the African Championship, with Nemour winning the overall title, making her the African Champion. “Hearing the Algerian national anthem was incredibly moving. It was my first African Championship, and standing on the podium’s third place with my team made me very happy. It also allowed me to qualify for the World Championships, which was such a relief,” she says. “The welcome I received was truly wonderful, with so much kindness. I still feel this support, and I’m grateful for people’s genuine warmth and encouragement.” The decision bore fruit in spectacular fashion at the 2024 Paris Olympics, where Nemour, after first winning silver in the World Championships in Antwerp, delivered a flawless routine to clinch the gold medal on the uneven bars and become the first gymnast from Africa to ever win an Olympic medal. The significance of the moment isn’t lost on her. Her historic victory became a source of pride not just for Algeria, but for Africa and the Arab world. Her name was everywhere, and North Africa went wild. In an understated fashion, though with true feeling, she says, “On the podium, I told myself, “Wow, you did it! Enjoy every moment.” It was a dream come true.”
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THE GOLD STANDARD: KAYLIA NEMOUR
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makeup FANNY MAURER; hair MIRA MOROKI; photography assistant JIES CLEODORE; styling assistant JULIETTE MALAQUIN
THIS IS YUNG THE GOLD STANDARD: KAYLIA NEMOUR
“People are finally taking an interest in the sport, appreciating its challenges, and discovering the passion and dedication behind it.” Nemour is an icon. The first African gymnast to win an Olympic medal, and gold at that. And what’s more, she chose to represent Algeria. She was a rising star in France, she was no “also ran”. At a pivotal point she chose to take the harder route. Nemour is an icon. Alongside the titles, alongside her “status” is something a little more … unique to the sport. Her signature move on the uneven bars, a complex and daring combination of elements, has become her hallmark and a standard many young gymnasts aspire to. So much so, that it’s now a recognized move, a “Stretched Katchev from a Close Stalder”. “Creating my own gymnastics move was a huge accomplishment. It’s something that will always be part of my legacy,” says Nemour with remarkable modesty. Away from it all, when she’s not flying through the air, Nemour finds joy in something wonderfully simple, “I love baking, and I’d like to make it my profession one day,” she says, “It relaxes me and requires precision and discipline, just like gymnastics.” You get the feeling that, until she does exchange chalk dust for flour in the distant future, it always comes back to gymnastics. And that’s something she takes great pleasure in, “Gymnastics is gaining visibility, especially since the Paris Olympics, and it’s wonderful to see. People are finally taking an interest in the sport, appreciating its challenges, and discovering the passion and dedication behind it. It’s such an important recognition for us gymnasts,” she says with a smile. Kaylia Nemour’s story is one of resilience, pride, and unrelenting dedication. From overcoming obstacles in her early career to making history for Algeria and Africa on the world’s biggest stage, she has become a beacon of hope and inspiration. Beyond gymnastics, Kaylia Nemour is an inspiration for those seeking to excel, she’s the perfect example of courage and determination can create great things. ■
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BEHIND THE SCENES WITH MAY CALAMAWY
BE HIND THE SCE NES Dressed in Bvlgari, Calamawy’s story so far is one of talent, craft and identity as her star rises in Hollywood.
photography SOPHIA FRENCH styling DAVEY SUTTON words MARIANA BAIÃO SANTOS
MAY CALAMAWY
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BEHIND THE SCENES WITH MAY CALAMAWY
“Don’t wait for opportunities— create your own.” May Calamawy radiates a bright energy, balancing sharp insights with natural ease and kindness. Her journey from a young dreamer in Bahrain to a rising star in Hollywood is a testament to resilience, self-discovery, and a love for storytelling. Sitting with her, you sense someone deeply connected to her roots yet keenly carving out her own space in a competitive industry. Growing up, Calamawy knew she wanted to act. “It felt like saying I wanted to live on another planet,” she reflects, knowing her destiny lay abroad. Born to an Egyptian father and Palestinian mother, she spent much of her childhood navigating cultures, moving between Bahrain, Qatar, and Houston. At just five years old, she shared her dream with a family friend, only to be told it was too competitive. “Looking back, maybe that response fueled a quiet defiance in me, but it also made me cautious. I learned to exist between the lines—to take up just enough space to feel seen but not too much to draw attention.” Her passion for acting resurfaced in high school through drama performances. Despite her growing love for the craft, practicality prevailed, and she majored in marketing alongside acting at Emerson College in Boston to appease her family’s concerns. After college, a family tragedy brought her back to the UAE, where she supported her mother through cancer treatment before returning to New York to train at the William Esper Studio. Calamawy’s journey into leading roles wasn’t without hurdles. Early on, she struggled with confidence in high-stakes environments. “When the pressure is high, I freeze. I stop taking space, and no creative input comes to me. I’ve learned it’s about shifting my mindset—even if there’s pressure, reminding myself it’s just fun.” Her role as Layla El-Faouly in Moon Knight was a career-defining moment but came with its own set of challenges. Acting alongside seasoned stars like Oscar Isaac and Ethan Hawke, she initially felt out of her depth. “It was intimidating because I didn’t feel like I’d worked my way up traditionally. But I’m learning to stop comparing myself and trust that I belong in those spaces.” This ability to embrace discomfort has been a significant theme in Calamawy’s career. She believes there is no single formula for growth, as each project brings unique challenges. For her, self-reflection is crucial in overcoming uncertainty. Whenever she feels disconnected from her authentic self, she pauses to identify the root cause of those feelings. This introspective process, she notes, is always evolving, and it shifts depending on the nature of the project she’s working on.
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“The more you trust the process and your collaborators, the more fulfilling the work becomes.” Calamawy also emphasizes the importance of experience when it comes to overcoming selfdoubt. With each role, she feels better equipped to step into her power. “Experience teaches you that the stakes aren’t as high as you think. Every project is a chance to learn something new, not just about the craft but about yourself.” When asked about the genres she’s drawn to, the actress mentions body horror. She’s a fan of films like Raw and The Substance, which blend visceral imagery with profound commentary. While she acknowledges that these films may not appeal to everyone, she appreciates how they evoke strong emotions while conveying powerful messages. She admires their ability to address issues such as aging, societal pressures, and self-worth in memorable ways. For her, the unsettling nature of these films often enhances their ability to communicate important ideas effectively. For Calamawy, the genre offers a unique way to connect with audiences. “Watching a movie that makes everyone grossed out or deeply affected—it’s something you feel together. But beyond the shock value, the messages they carry about societal norms, like how women are perceived as they age, can stay with you for years.” Collaboration is one of the cornerstones of the actress’ approach to her craft. Working on Ramy taught her the importance of seeing the bigger picture. Early in her career, she would pour herself into scenes with immense dedication, only to later discover they had been cut during the editing process. This experience taught her a humbling lesson: the story as a whole always takes precedence. For Calamawy, this meant understanding that while it’s crucial to take her role seriously, she also needed to embrace the art of letting go, trusting that every decision serves the larger narrative—”As an actor, it’s easy to focus on your character, but you have to remember the bigger story. The more you trust the process and your collaborators, the more fulfilling the work becomes.”
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BEHIND THE SCENES WITH MAY CALAMAWY
“Every project is a chance to learn something new, not just about the craft but about yourself.” Her openness to learning extends to her interactions with seasoned actors. Observing how they cultivate a sense of safety for themselves on set has been transformative, she explains. She sees this secure environment as essential for fully inhabiting a character and to be able to take creative risks. While this level of freedom often comes with experience, Calamawy actively works on building it into her process every day, recognizing its importance in achieving authenticity and depth in her performances. Looking back, Calamawy reflects on how inspiration has played a part in shaping her collaborative spirit. As a child, she was drawn to the adaptable power of Meryl Streep and the effervescent charm of Goldie Hawn. In her twenties, she admired the fearless energy of Hiam Abbass, whom she dreamed of working with. Closer to home, she found motivation and encouragement from her friend Dina Shihabi, whose resilience and passion left a lasting impression on her. As one of the few Arab actors navigating the world of Hollywood, May Calamawy recognizes the weight of her position but approaches it all with a grounded perspective. While she takes immense pride in her heritage and the representation she brings to the screen, particularly as the first Egyptian superhero in Moon Knight, she is clear-eyed about the complexities of being viewed as a symbol. For Calamawy, the idea of representing an entire community is an impossible task. Her focus remains on doing work that resonates personally and universally, rather than trying to encapsulate the breadth of Arab experiences through a single lens. This perspective allows her to sidestep the often reductive expectations placed on actors from underrepresented backgrounds. Instead, she channels her energy into her craft, trusting that authenticity in her performances will pave the way for deeper, more meaningful representation. “I love being Arab, and I’m proud of the representation I bring,” she explains. But she resists the pressure to define or represent everyone’s experiences, emphasizing that no one individual can carry that weight alone. Calamawy also finds inspiration in the growing wave of Middle Eastern and North African creators breaking through in the global entertainment industry. There’s a palpable shift happening, she observes, as more authentic and daring stories from the region gain recognition. She believes that audiences are hungry for nuanced perspectives, and this hunger is creating space for Middle Eastern voices to shine. These emerging stories, often rooted in cultural specificity yet universal in their themes, are starting to redefine the global narrative around the region.
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“I’ve learned it’s about shifting my mindset—even if there’s pressure, reminding myself it’s just fun.” The actress’ advice to aspiring creatives is simple: keep creating. She understands the challenges of breaking into a competitive industry, especially for those from underrepresented backgrounds. Instead of waiting for opportunities, she urges creators to take initiative—write scripts, film ideas on your phone, and collaborate with people who inspire you. The process, she emphasizes, is what helps you grow. It’s not just about creating, but also refining, she explains. Editing and revisiting work are as important as the initial idea. Each attempt, no matter how small, builds your skills and sharpens your voice. She believes creativity thrives through consistent effort, and setbacks are simply chances to start fresh. Her advice reflects her own journey: resilience, resourcefulness, and a commitment to the craft. By focusing on the act of creating and improving, aspiring storytellers can turn obstacles into opportunities and find fulfillment in the process. Looking ahead, Calamawy is brimming with ideas for her own projects. While she hasn’t taken the leap into writing or directing yet, she envisions stories with strong messages told through lighter, sometimes absurd, tones. “That’s very me—tackling heavy topics in ways that feel accessible and human.” Her next role in The Actor by Duke Johnson promises to showcase her range further, but she remains wedded to her approach. “This industry can be tough, but it’s also an incredible privilege. My focus is on staying present, removing unnecessary expectations, and enjoying this journey. That’s where the real magic happens.” May Calamawy’s journey is about more than her natural talent, it’s a reminder of the power of persistence, self-reflection, and the courage to take up space in a world that often tells you to shrink. ■
set designer MATTHEW LAWRENCE; makeup KITE CHUANG; hair ELLIE BOND; photography assistant ALEX JOSE, BRUNO MCGUFFIE; styling assistants SETH ROBERTSON, DAVID LAMMOND; production assistant ELENA SGOURAS, SANA JAMALI
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DRIVEN BY PASSION: AMNA AL QUBAISI
DRIV EN BY PAS SION Breaking barriers and shattering stereotypes, Amna Al Qubaisi paves the way for women in racing. photography ESRA SAM styling MARILLA MERYL words MARIANA BAIÃO SANTOS
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DRIVEN BY PASSION: AMNA AL QUBAISI
“Never compare yourself to others. Accept and move on from losing a race, and focus on improving yourself.”
Amna Al Qubaisi is a trailblazer, a record-setter, and a force of nature on the racetrack. The professional Emirati driver has not only shattered stereotypes but also paved the way for a new generation of female athletes in motorsports. With her unapologetic determination and unparalleled passion, Al Qubaisi is redefining what it means to be a racer in a traditionally male-dominated sport. Her journey, filled with grit and resilience, offers a glimpse into the life of a woman who dares to dream big and race even faster. Growing up, Amna Al Qubaisi found her first inspiration close to home. “My father was a racing driver himself, and he was my initial inspiration to start in motorsports,” she shares. What began as a way to bond with her father, Khaled Al Qubaisi, soon turned into a passion that would define her life. Her entry into the sport was facilitated by the Daman Speed Academy, an institution she credits with honing her skills and teaching her the fundamentals of racing. “They built and taught me every part of racing,” she recalls. Al Qubaisi’s first major victory came in 2019 during the UAE F4 Trophy round. The triumph wasn’t just any win, it was a moment of national pride, taking place on her home track during the Formula 1 Grand Prix. “Standing on the F1 podium after years of hard work felt so sweet,” she says. The victory was due to her dedication and resilience, underscoring the sacrifices and relentless effort that go into every race. For Al Qubaisi, this win was not only a personal milestone but also a symbolic achievement for the UAE and for women in motorsports. The roar of the crowd, the national flag soaring above her, and the recognition on such a prestigious platform amplified the significance of the moment. It was proof that perseverance and an unrelenting commitment to excellence could break barriers and inspire countless others to follow in her footsteps.
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DRIVEN BY PASSION: AMNA AL QUBAISI
“My roots are very important to me. I get to share my heritage with a community that isn’t very familiar with it and teach them about my traditions.” Every milestone in Al Qubaisi’s career carries historical significance. She has consistently broken barriers, becoming the first female Emirati driver to compete in a number of championships, from the Italian F4 series to the F3 Asian Championship and the F1 Academy. “What these achievements mean to me is that they’re paving the way for young Arab girls who dream of competing at a high level in motorsports,” she says. Despite the accolades, the road hasn’t been easy. Al Qubaisi acknowledges the challenges of competing in a male-dominated field, particularly the lack of financial support. “Most of the support goes toward male drivers. For female drivers, we don’t get the same level of investment. My competitors often have the budget to test and familiarize themselves with tracks, while I have just enough to compete in the championship,” she explains. This financial disparity often means Al Qubaisi enters race weekends with limited preparation, relying on her skill and adaptability to compete against better-funded rivals. The uneven playing field not only underscores the systemic barriers female drivers face, but also highlights Al Qubaisi’s extraordinary ability to thrive under pressure and natural talent. Her determination to push forward, despite these challenges, is a reflection of her passion for the sport and her unwavering belief in her own potential. Amna Al Qubaisi’s father, Khaled Al Qubaisi, remains her guiding light in the world of racing. “He has always taught me to be patient and accepting of the results,” she says. Another key source of inspiration is her younger sister, Hamda, who races alongside her. “She’s my main inspiration,” Al Qubaisi notes. Together, the sisters are carving out a new narrative for women in motorsports, proving that talent and tenacity transcend systemic limitations.
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DRIVEN BY PASSION: AMNA AL QUBAISI
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DRIVEN BY PASSION: AMNA AL QUBAISI
“What these achievements mean to me is that they’re paving the way for young Arab girls who dream of competing at a high level in motorsports.” Al Qubaisi believes that commitment, dedication, and passion are the essential qualities of a great racing driver. She emphasizes the importance of mental and physical preparation. “It’s always a challenge, but I train and work with my sports psychologist to ensure these demands never become a barrier,” she says. Her ability to remain focused and adaptable has been tested time and again, particularly during races where technical issues arise. “This year, I had to deal with an engine that had no power. It challenged me mentally, but it taught me to focus on my race craft and deal with whatever I have in the moment,” she reflects. Amna Al Qubaisi recognizes the powerful role she plays as a role model for aspiring female racers. Her advice to young women is both practical and inspiring: “Never compare yourself to others. Accept and move on from losing a race, and focus on improving yourself.” She encourages resilience and a mind-set of constant self-improvement, acknowledging that the journey to success is filled with challenges. Al Qubaisi believes the motorsport industry is gradually becoming more inclusive, with initiatives like the F1 Academy offering female drivers valuable opportunities to prove their skill. “It’s becoming more normalized for women to compete,” she says, but she highlights that the lack of sufficient funding for women in motorsports is still a major hurdle. Al Qubaisi is hopeful that with continued support and opportunity, the sport will become an even more welcoming space for female talent to thrive.
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DRIVEN BY PASSION: AMNA AL QUBAISI
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DRIVEN BY PASSION: AMNA AL QUBAISI
set designer YEHIA BEDIER; makeup SARA YUNIS; hair BETTY BEE; photography assistant AJAY VALSARAJ; styling assistant NEKITA NARANG; co-producer KHOULOUD SALHI
“My father was a racing driver himself, and he was my initial inspiration to start in motorsports.” While Al Qubaisi’s immediate goal is to excel in the F1 Academy, she doesn’t shy away from contemplating the ultimate dream: Formula 1. “F1 is a far shot,” she admits. “But if I had the correct amount of funding, I’d put in more than 100% effort to make it.” In the meantime, her focus remains on improving with each season and finishing on the top step of the podium. Off the track, Al Qubaisi is a self-proclaimed homebody who treasures her downtime. “I love relaxing in my bedroom and sleeping in,” she says, citing the intense demands of her career as a reason to cherish moments of solitude. She also uses social media to connect with her fans and gain sponsorships, making it a vital part of her life as a public figure. “I like to involve the racing and motorsports community in what I do,” she adds. Al Qubaisi’s heritage is a fundamental part of her identity, shaping both her personal life and career. As an Emirati woman competing in an international sport, she takes great pride in sharing her culture with a global audience. “My roots are very important to me,” she says. “I get to share my heritage with a community that isn’t very familiar with it and teach them about my traditions.” This cultural exchange not only allows her to represent her country but also serves to challenge and break down stereotypes surrounding Middle Eastern women. In a sport where few women from the region have made their mark, Al Qubaisi’s presence on the track highlights the diversity and richness of her background, defying expectations and opening doors for others. By embracing her heritage, she is reshaping the narrative about what it means to be an Arab woman in motorsports, solidifying her role as a trailblazer both on and off the track. Amna Al Qubaisi’s journey is far from over. Whether it’s competing on iconic tracks like Monaco or inspiring the next generation of female racers, she remains steadfast in her mission to break barriers and redefine what’s possible. “My goal is to always do better than the last season,” she declares. With her unyielding determination, there’s no doubt she’ll continue to leave her mark on the world of motorsports, one race at a time. ■
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SEEING IN COLOUR: PRINCE GYASI
SEEING IN COL OUR: PRINCE GYASI The work of Prince Gyasi underscores how colours shape how we see the world, how we feel, how we understand our environment. words OMAIA JALLAD
LIMITLESS
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SEEING IN COLOUR: PRINCE GYASI
In a world of black and white, colour demands attention, transforming how we feel, how we think, and how we connect. Blue whispers calm, stillness, and serenity. Red pulses with energy, bold and commanding, igniting passion or urgency. Orange carries the warmth of sunsets, evoking memories of days that linger and fade into the night. Colours shape our moods, fuel our imaginations, and create a language beyond words. For Prince Gyasi, color is not just a tool but a living, breathing force—a way to reshape the way we see the world and, in turn, ourselves. The vibrant world of visual artist Prince Gyasi sees everyday moments transform into striking works of art. Born in 1995 in Accra, Ghana, Gyasi invites us into a universe of bold colours and stories that celebrate his roots while challenging What first sparked your interest in photography, and how did global perceptions of Africa. His images, you decide to pursue it using an iPhone rather than traditional which often blur the lines between phoequipment? tography and painting, are a testament to PG: After art school, I wanted to be different. There were painters his unique vision—a kaleidoscopic blend of everywhere, and I wanted to create a unique path. I decided to personal experience, community pride, and go with fine art photography, where I can create a beautiful marartistic rebellion. riage between my experience and knowledge in abstract painting, [knowledge of] sculpture acquired in school, and real-life experiGyasi’s work is more than just visually capences with photography. With this, I believed I could earn the trust tivating; it’s a statement. Whether capturof an audience or fans who love painting and those who love phoing the energy of Jamestown’s youth or tography. Paint, or pixels? That’s the question I want you to ask redefining beauty standards through his when you see my work. You should be confused about whether it’s lens, he tells stories that resonate far bea painting or a photograph. If you’re not confused, it means I failed. yond their frames. From high-profile collaborations with Apple and Balmain to historic How has growing up in Ghana influenced your artistic vision, achievements like becoming the first Black and how do you see your work contributing to your community? photographer for the Pirelli Calendar, Gyasi PG: Growing up in Ghana shaped how I see life, my morals, and my has cemented himself as a pioneer in convalues. There are a lot of narratives to express yourself with. Young temporary art. Prepare to be inspired by a people will create their luxury in the coming years instead of always visionary whose art is not just seen, but felt. working hard to earn money to buy luxury items. I also believe in critical thinking and ways I can improve the education sector for children in Ghana to discover their strengths and find solutions to most of the problems we face in our country. Have kids learning programming, coding, construction, assemblage, design, et cetera, earlier than I did.
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SEEING IN COLOUR: PRINCE GYASI
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SEEING IN COLOUR: PRINCE GYASI
Your work offers a counter-narrative to dominant Western perceptions of Africa. How do you ensure authenticity in representing your community and its stories? PG: If you remember where you used to be or where you’re coming from, you will naturally push narratives and create different elements that will empower the people of the Land. This mindset pushes me to continue making the way I do because the Land is for all of us, and we need representation on a global scale. How do you believe colours impact mental health and happiness, and how does this philosophy shape your art? PG: I can write a whole essay about colour therapy and how it impacts mental health, but maybe another time, in person, or at a keynote. In summary, each colour is associated with an emotion, and depending on the narrative, I choose those colours accordingly. Whenever I create, I try as much as possible to add blue tones to release calming or tranquil effects on the consumer, especially those who have colour-triggering issues. Synesthesia plays a big role in your work. How does this shape your creative process, and how do you convey it to your audience? PG: My own internal colour code creates layered narratives within my work. If I’m doing a project on ‘hope,’ I already know I see ‘hope’ as pink, so I think about how to push this colour into the work for it to make sense. How do the props in your work contribute to the painting-like qualPaying attention to the interaction between ity of your photography and enhance the narrative or emotion? colours and our associations with them, I PG: These are all elements I picked up from my knowledge of art. I try to ensure my work positively affects its am also a set designer, and I consider exactly what I want to incorviewers. Even if you don’t see the subject porate into my art. People might think I don’t release a lot of pieces smiling, you’ll already feel joy and happithese days; it’s just because I’m a perfectionist, and I take my time ness: you will feel this good energy from it. to create, develop my ideas, and make these sets and props. The subjects and props help me to execute my ideas. I can’t do without them, as in every art piece I create I make sure we can see a life or a societal problem, but parallel to that, a solution to that problem as well. My subjects represent my community, a protagonist or an antagonist, so having that makes a lot of sense. How do you perceive the role of technology, especially smartphones, in democratizing art and challenging the elitism often associated with the art world? PG: I used an iPhone because you can use whatever tool or equipment you have to tell your stories as an artist. Using an iPhone in the beginning was a way to empower the youth. Smartphones and social media have given creatives a platform to express themselves freely and reach a wider audience. I’m proud to be one of the few artists in the world to break that challenging issue of people judging art pieces based on their mediums. I’m still bouncing off using my Fuji camera, Phase One camera, and my iPhone 16.
THE POWER OF CHOICE / THE CHOICE OF POWER I
THE POWER OF CHOICE / THE CHOICE OF POWER II
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SEEING IN COLOUR: PRINCE GYASI
THE ARRIVAL
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SEEING IN COLOUR: PRINCE GYASI
Your work often features the children of Jamestown. What do they represent for you, and how do you see them as symbols of a new, more liberated generation? PG: Jamestown is where my mum was born, impacted by slavery, which led to making lack of education a problem in that community. These children are super talented and represent hope to me. I remember seeing a kid making miniature boats with wood and placing an engine in them, and I told myself that’s construction and assemblage; that’s engineering. I wish I could create a design hub for them to develop that talent. I want these children to solve problems and make their luxury. You’ve collaborated with major brands like Balmain, Off-White and Apple. How do you approach integrating your deeply personal artistic voice into commercial projects? PG: I always go with being myself and ensuring my voice is heard correctly through these projects. It’s always about empowering the youth and nothing else. Talk to us about Boxed Kids—how did the idea come about, and what impact has it had on underprivileged children so far? PG: I wanted to help these children from Jamestown access education with a percentage of my income. What’s the most unexpected source of inspiration you’ve ever Boxed Kids mean kids that are boxed in drawn from? a situation they cannot get out of. Like I PG: It’s from a milk tin called Peak Milk. I saw the colours and said, I want these children to create soluthought, “I have an idea.” That idea ended up being one of my fations. They can be the next Steve Jobs, the vorite pieces, DWA I. next Elon, the next Bill Gates, or the next themselves. I started this in 2017, and so If you could paint yourself in one colour, what colour would it far, I have supported a lot of children to go be and why? through different stages in their lives PG: Blue, as I feel, I am a calm, silent creator in art. I let my art do the talking. Another reason is I see the word “Prince” in blue. If you could step into one of your photos and live in that world for a day, which would it be and why? PG: I will step into my art piece, “The Arrival,” because of the messaging and narrative. That piece motivates me a lot. It’s about an individual who always shows up, believing one of those days will be his breakthrough day—inspired by the book “The Old Man and the Sea.” ■
PURETE
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‘90S REDUX
‘90s RE DUX
Rediscover the ‘90s through a fusion of tailored precision and grunge rebellion. Sharp suits meet ripped stockings, bomber jackets collide with structured silhouettes, and effortless cool reigns supreme. This editorial captures the raw edge of the era with a refined, modern energy. It’s nostalgia, redefined. photography EMILY WHITE styling SAIF HIDAYAH
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‘90S REDUX
models IMANN PERERA, KESSY IRIZA, JOEL ANGAN, TRYSTAN CRUSEO, FILIP BLAZEVIC; makeup SASHA MAMEDOVA; hair TARIK BENNAFIA; photography assistant TEAGHAN ROHAN; styling assistant SANA JAMALI; production assistant ELENA SGOURAS, SANA JAMALI
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ANIMUS
MUS
Animus draws inspiration from Carl Jung’s theory of the psyche, focusing on the anima and animus—archetypes symbolising the unconscious feminine and masculine aspects within an individual. Through Kian Kanani’s lens, this editorial examines the multifaceted nature of the modern woman, seamlessly blending her masculine and feminine qualities. By highlighting her emotional depth and distinct characteristics, Animus offers a nuanced portrayal of identity, balance, and self-discovery. photography KIAN KANANI styling KAWA H POUR
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ANIMUS
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top, CAROLINA HERRERA. blazer, trousers, JACQUEMUS. shoes, MAXMARA. bowtie, STYLIST’S OWN
ANIMUS
full look, McQUEEN
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ANIMUS
full look, MAX & CO by RICHARD QUINN
full look, GUCCI
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ANIMUS
creative direction KAWA H POUR; hair and makeup AMANDA KAY; casting SHADI H POUR; model KRISTINA KAZARIAN; photography assistant OLUWASEMIRE GBENGA EMMANUEL; styling assistants DALIA REDAI, YAULA MAZIN, JESSICA ISAEVA; makeup and hair assistant DEVIKA; production RASUL H POUR
suit, skirt, MAISON MARGIELA. belt, CALVIN KELIN. shoes, ZARA
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AUDEMARS PIGUET MEETS KAWS
AUDEMARS PIGUET MEETS KAWS KAWS brings his iconic “COMPANION” to Audemars Piguet’s Royal Oak Concept.
words MENNA SHANAB
The marriage of luxury and contemporary art has long been a fertile playground for innovation, especially since street style began its invasion of high fashion over a decade ago. This convergence of cultural spheres brought underground icons to the forefront of design, laying fertile ground for collaborations between avant-garde artists and luxury watchmakers. Among the vanguard, the Swiss horological firm Audemars Piguet has consistently pushed boundaries, with its latest venture introducing a bold fusion of fine craftsmanship and pop art: the Royal Oak Concept Tourbillon “COMPANION”, designed in partnership with renowned artist KAWS. KAWS began his artistic journey in New York’s graffiti scene during the late 1990s. Over the years, his “COMPANION” character, with its skull-and-crossbones head and X-shaped eyes, has become a ubiquitous figure in the realms of streetwear, toy collectibles, and contemporary art. While “COMPANION” has previously found its way onto sneakers, apparel, and vinyl figures, its inclusion in a Royal Oak Concept Tourbillon represents a foray into uncharted and luxurious territory. The collaboration with KAWS marks the latest chapter in the brand’s efforts to connect haute horlogerie with broader cultural currents. This limited-edition timepiece reimagines the Royal Oak Concept as a canvas for KAWS’ creative vision. The Royal Oak Concept Tourbillon “COMPANION” is as much a sculpture as it is a watch. Crafted from sandblasted titanium, it features KAWS’ “COMPANION” character in miniature form, nestled under a sapphire crystal. The 3D figure appears to press against the glass, its brushed, sandblasted surface accentuating the intricate details of its design. Adding a deeper layer of narrative, the “COMPANION’s” chest reveals the tourbillon—a high-end complication engineered to counteract the effects of gravity on timekeeping accuracy. This motif draws inspiration from KAWS’ “dissected” art series, where the inner workings of his characters are exposed to the viewer. Surrounding the character is a titanium dial plate, adorned with a sunburst finish that adds depth and texture, emphasizing the interplay of light across its surface.
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AUDEMARS PIGUET MEETS KAWS
“Normally artists are very peculiar and clear about the expectation of materials because it’s everything for them, but he was generously open and agile. I loved that he accommodated the size, position, and different materials.” Ilaria Resta, CEO of Audemars Piguet
On the technical side, the watch is powered by the newly developed Calibre 2979, a hand-wound movement featuring a peripheral hour and minute display. Operating at 3Hz and boasting a 72-hour power reserve, the movement integrates into the aesthetic, ensuring the mechanical brilliance never overshadows the artistic centerpiece. The bridges of the movement are coated with black PVD, and the ratchet wheel has been skeletonized to resemble KAWS’ signature X motif—a subtle yet impactful nod to the artist. As a limited edition of just 250 pieces, the Royal Oak Concept Tourbillon “COMPANION” is priced at 200,000 CHF (approximately $226,000). Each piece is engraved with “Limited Edition” and KAWS’ signature on the caseback, further elevating its status as a collector’s item. Two calfskin straps—one in slate gray, the other in dark gray—complete the design, offering versatility and elegance. The unveiling of this collaboration was accompanied by the installation of an 11-meter “COMPANION” sculpture at Audemars Piguet’s headquarters in Le Brassus, Switzerland. This monumental piece underscores the shared ethos of innovation and artistry driving the project, while providing a physical anchor for the collaboration’s narrative. By integrating KAWS’ pop-art sensibilities into a haute horlogerie platform, Audemars Piguet has once again proven its ability to blur the lines between functional craftsmanship and cultural expression. Discussing the project, Ilaria Resta, CEO of Audemars Piguet, shares, “Every time we do a collaboration, for us it’s a privilege, because we work with an artist. Of course, there’s a specific point of view and expertise in their own field, but it helps us push the boundaries of what we can do in watchmaking. We open up new territory.” Resta also highlighted KAWS’ open-minded approach to the process, saying, “Normally artists are very peculiar and clear about the expectation of materials because it’s everything for them, but he was generously open and agile. I loved that he accommodated the size, position, and different materials.” This collaboration also highlights the potential of character-centric designs in high-end watchmaking. The innovative peripheral time display system introduced with Calibre 2979 offers a template for future explorations, potentially paving the way for more artist-driven collaborations. Whether it’s KAWS or another visionary, the possibilities for merging art and horology seem boundless. The Royal Oak Concept Tourbillon “COMPANION” is a bold declaration that luxury can be playful, avant-garde, and deeply connected to the cultural zeitgeist. By bringing the whimsical yet enigmatic “COMPANION” into the world of haute horlogerie, Audemars Piguet and KAWS have created a piece that is as much a conversation starter as it is a timepiece. With only 250 examples in existence, this collaboration stands as a rare and compelling artifact—a meeting point of engineering precision and artistic imagination that captures the spirit of the times. ■
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THE SPEED CAT REBORN
THE SPEED CAT REBORN First launched 25 years ago, the iconic Speedcat returns stronger than ever! With its racing-inspired roots and bold redesigns, it’s a staple for trendsetters who embody versatility and style. Featured in this editorial, the Speedcat effortlessly adapts to every look. Now dropping in classic Red and Black — plus a fresh Pink Blush, this timeless silhouette is ready to take on the streets with unmatched flair.
photography ESRA SAM styling POLINA SHABEL
trainers, PUMA. jacket, LIME. top, LES BENJAMINS. skirt, ONORI. hat, ETRO. sunglasses, ring, ENSO DESIGN LAB
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trainers, PUMA. top, RABANNE. jeans, LN FAMILY. skirt, LIME
THE SPEED CAT REBORN
trainers, PUMA. jeans, LN FAMILY. skirt, LIME
trainers, top, PUMA. dress, LIME. bracelets, earrings, ENSO DESIGN LAB. sunglasses, PRADA
trainers, PUMA. jacket, LIME. ring, ENSO DESIGN LAB
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THE SPEED CAT REBORN
makeup AIDA GLOW, SARA YUNIS; hair AIDA GLOW; photography assistant AJAY VALSARAJ; styling assistants ALEX NOVATOROV; production assistant KHOULOUD SALHI
trainers, jacket, PUMA. top, GALVAN LONDON. skirt, ONORI. bracelets, ALAIA. earrings, STYLIST OWN. sunglasses,MODEL OWN
trainers, jacket, PUMA. top, shorts, LIME. sunglasses, STYLIST’S OWN
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IT’S MOHA MMZ’S TIME
jacket, MM6 Maison Margiela. top, LEVI’S. trousers, MAISON MARGIELA
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IT’S MOHA MMZ’S TIME
full look, PRADA
Moha MMZ’s latest album, La Plage, marks a bold evolution for the artist. Once known as Pti Moha, the rapper from Corbeil-Essonnes has come a long way since his early days. At just 14, he co-founded the group MMZ (Mini Mafia Zoo) with friends, which later evolved to become a duo. Now, he delivers a deeply personal and experimental project that builds on the introspection of 2021’s Euphoria. From his early love for rap and R&B to his rise with MMZ, Moha’s journey has been one of constant reinvention. After leaving his old life behind, personal challenges and a major move to Paris pushed him to find new meaning in his music. Euphoria explored his struggles and ascent; La Plage now captures his maturity, blending reflections on guilt, love, and hope with vibrant pop and nostalgic melodies.
“This album reflects the man I am today,” Moha explains. It showcases his embrace of vulnerability, offering a mix of melancholy and lightness. Influenced by his travels and icons like PNL, Marvin Gaye, and Lenny Kravitz, Moha weaves genres like cloud rap, funk, and electropop into a dreamy soundscape. With tracks like “Mortier” and “Lily Rose,” the album balances solitude with optimism. Collaborations with artists like So La Lune and Camille Yembe add to its sincerity. For Moha, La Plage is more than music—it’s a message of peace, renewal, and finding joy in life’s fleeting beauty. True to its name, La Plage invites listeners to escape, dream, and rediscover balance. Moha MMZ has created a work that feels authentic and transformative, cementing his place as an artist who dares to inspire. ■
THIS IS YUNG
trousers, JIL SANDER. top, LEVI’S. necklace, CHANEL [TALENT’S OWN]. bracelet, MM6 MAISON MARGIELA
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IT’S MOHA MMZ’S TIME
coat, JIL SANDER. shirt, HUGO BOSS. trousers, top, LEVI’S. boots, VERSACE. necklace, STELLAR PARIS
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IT’S MOHA MMZ’S TIME
groomer QUAN PENN; styling assistant SARAH EZZEDDINE
coat, BALENCIAGA. shoes, LOEWE. necklace, STELLAR PARIS
jacket, LOEWE. necklace, CHANEL [TALENT’S OWN]
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BAGS 2024
From statement shapes to timeless classics, 2024’s standout bags offer a fresh take on accessories. Here are YUNG’s must-have carries of the year—bags that turn heads, elevate outfits, and prove that the right carryall is more than just an add-on; it’s the ultimate style statement.
curated by SAIF HIDAYAH
b el a ir, B
A L E NC IA
GA
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BAGS 2024
tee n lol a, CE LI
NE
le
tec
ke
l, A
LA
ÏA
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BAGS 2024
ginkgo clutch, BVLGARI
L27, LORO PIANA
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BAGS 2024
he cto r ba gu ett
e, TH OM BR OW
NE
valentino garavani nellcôte, VALENTINO
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CHANEL’S CRUISE 2024/25 COLLECTION
BE YOND THE HORI ZON words LOUIS PARKS
Virginie Viard embraces Marseille’s spirit of freedom to create a Mediterranean dream.
CHANEL’S CRUISE 2024/25 COLLECTION
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The sunlit shores of Marseille have always been a canvas for inspiration. For CHANEL’s Cruise 2024/25 collection, Virginie Viard dived deep into the city’s vibrant spirit, weaving the rhythms of its architecture, music, and dance into a collection that exudes freedom and fluidity. At the heart of it all is the sea—an eternal muse, with its winds and waves sculpting a narrative that’s as bold as it is effortless. In one of her last collections for the house, Viard takes us on a seaside adventure with the CHANEL Cruise 2024/25 collection, a tribute to the coastal charm and dynamic energy of Marseille. “The sun, architecture, music and dance: Marseille also has a very strong sense of freedom. I was inspired by the codes of lifestyle, of everyday life and by all the things that invite movement. The sea and the wind made me want to play with wetsuits,” Viard says. This sentiment is palpable in her designs, where wetsuit-inspired details and aquatic motifs take centre stage. The collection debuts diving hoods with press studs, seamlessly blended into CHANEL’s repertoire. Whether adorning an aniseed-green jacket or forming the collar of sixties-inspired dresses, these elements channel both nostalgia and innovation. Embroideries of little fish, shells, and fishing nets ripple across blouses, T-shirts, and vest tops, each piece telling a story of underwater reverie.
CHANEL’S CRUISE 2024/25 COLLECTION
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CHANEL’S CRUISE 2024/25 COLLECTION
“I tried to capture its power of attraction, its breath of fresh air, and to convey the energy that reigns there.”
Yet, the narrative doesn’t stop at the water’s edge. The collection captures the shimmer of summer days by the pool, translating them into silvery reflections and sequined jackets. Neoprene-like jerseys and tweeds mimic the reflective ripples of sunlight on water, while geometric shapes and grid motifs nod to Marseille’s urban facades. The spirit of movement drives this collection forward. Oversized jackets, tweed cycling shorts, and running Bermuda shorts trimmed with embroidered braids invite freedom of expression. Fish-printed chiffon takes the sweatshirt to new heights, with its kangaroo pocket reimagined on sleeveless checked dresses and sheaths. Meanwhile, flowing skirts and floral-embroidered sheath dresses exude a breezy elegance, carried by the same wind of freedom that inspires Viard. Swimwear steps into the spotlight with playful bloomers, briefs, and side-opening dresses. Waffle fabric skirts and ivory ladder lace petticoats add a touch of vintage charm, while patchworks of broderie anglaise evoke a dreamy summer mood. The footwear—towelling flip-flops with platform soles—is the epitome of laid-back luxury. Layering becomes an art form in this collection, with shirt collars, French cuffs, and jackets worn in unexpected combinations. The little black dress makes a triumphant return, this time reinvented as a jersey bustier with floral embroidery or as the top half of a swimsuit. A nod to menswear is evident in the sharp peacoats and patent leather shoes, grounding the collection in CHANEL’s classic elegance. The backdrop for this sartorial spectacle? Marseille’s iconic Cité Radieuse. “Marseille is a city that puts me in touch with my emotions,” Viard shares. “I tried to capture its power of attraction, its breath of fresh air, and to convey the energy that reigns there.” Indeed, the city’s vibrant essence permeates every stitch and silhouette of the collection. CHANEL’s Cruise 2024/25 collection is an experience. It’s a call to embrace freedom, movement, and the effortless grace that defines both Marseille and the CHANEL woman. As the waves crash and the wind blows, one thing is certain: this collection makes a splash. ■
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ASTERI BEAUTY
ASTERI BEAUTY THE SAUDI BRAND TAKING THE REGION BY STORM
words SANDRA YEGHIAZARIAN
When Sara Al Rashed launched Asteri, she wasn’t just creating another beauty brand—she was out to reshape how beauty, inclusivity and functionality work in the Middle East. From weather-proof formulations to a commitment to clean beauty, Asteri reflects the needs of modern Arab women while showcasing its Saudi roots. The brand’s meteoric rise, fuelled by innovation and authenticity, tells a compelling story of ambition and adaptability. Sara Al Rashed, an architect by profession, credits the introspection during the COVID-19 pandemic for Asteri’s inception. “I wanted to do something that’s Saudi and represents Saudi,” she shared in an exclusive interview. Her goal was to design beauty products tailored to the region’s climate and culture, emphasizing ease of use for women unfamiliar with elaborate makeup routines. Asteri’s lightweight, skin-friendly products resonate with a modern audience. They are not only easy to apply, but also engineered to endure the Gulf’s intense heat. “We’ll put them in saunas for a long period on accelerated in 60 degrees,” says Al Rashed, explaining their testing methods. At its core, Asteri champions clean and sustainable beauty. The brand’s products are vegan, cruelty-free, and free of harmful ingredients like parabens and microplastics. This rigorous adherence to ethical practices stems from Al Rashed’s personal experiences with sensitive skin. “We have a blacklist of specific ingredients we don’t include. It creates challenges, but it’s worth it,” she says. Such integrity sets Asteri apart in a competitive market. As Al Rashed shared, “We are Mastij —affordable luxury—but we’re also different because we’re clean and have our own stores”.
Al Rashed’s architectural background gives Asteri a distinctive edge, particularly in store design. Each location mirrors its city’s character while maintaining a cohesive brand identity. For instance, their Kuwait store incorporates fishing-inspired elements, while Jeddah’s store features a striking blue table symbolizing the sea. “In every city we open in, we make sure that we have a touch of that city that’s affecting the store,” she says. The same attention to detail extends to packaging, ensuring that every Asteri product is instantly recognizable. “It’s one of the things I really enjoy—working on the design of stores and products,” says Al Rashed. While the beauty industry is crowded with global giants, Asteri appeals to Arab women through its authenticity. The brand’s target demographic is aged 25 to 35, though it garners significant interest from younger audiences. “The younger generation gets excited when they know it’s a Saudi brand. So, it’s more the storytelling that excites them,” she says. Asteri’s marketing strategy is understated but impactful. By collaborating with local influencers, the brand aligns itself with the values and aspirations of modern Arab women. Asteri is on the up. Having established itself in Saudi Arabia and Kuwait, the brand plans to expand into Bahrain, Dubai, and eventually Europe and UK. The company’s success is down to Sara Al Rashed’s vision of blending cultural pride with modern innovation. By addressing regional needs with thoughtful, sustainable solutions, Asteri is both a beauty brand and a movement that celebrates the essence of Arab women and, as Al Rashed succinctly puts it, “We believe in products that enhance your beauty, not cover your face.” ■
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RALLY A’SHIRA
RALLY A’SHIRA Redefining adventure with Richard Mille and the RM 07-04. words SANDRA YEGHIAZARIAN
In the heart of Saudi Arabia, amidst sweeping desert vistas and along the Red Sea’s glistening shores, a ground breaking event unfolded—Rally A’Shira. Spearheaded by luxury watchmaker Richard Mille, the inaugural rally brought together 40 extraordinary women from across the globe to embark on a journey of skill, resilience, and empowerment. This incredible event celebrated women in motorsport, punctuated by the presence of the RM 07-04 Automatic Sport, Richard Mille’s first sports watch designed for women. Rally A’Shira was much more than a road trip, it was a manifesto for discovery and determination, spotlighting the power of female leadership in a dynamic, fast-paced world; it was a road map and the RM 07-04 set the pace for an inspiring adventure. The event drew women from diverse backgrounds, spanning the Middle East, Asia, and Europe, who took 20 cars across challenging landscapes. Each turn of the wheel symbolized the rally’s deeper purpose: celebrating women, not only in motorsport but in life’s every arena.
dinner on the hotel rooftop, a truly stunning setting and the perfect place to start our adventure. The following morning we took the train to Medina.
The time on the train gave me the chance to reflect on the RM 07-04 Automatic Sport, which Richard Mille made an icon of the Rally. Crafted with ultra-light materials and weighing just 36 grams, the watch combines elegance with function. Its ergonomic, incredible design ensures that it can endure extreme conditions, making it a fitting companion for a rally that challenged both my physical and mental stamiAmanda Mille na. Featuring a skeletonized automatic moveGlobal Brand & Partnership Director ment, automatic winding and an hour, minute and function selector, it’s a masterpiece of innovation. The bold aesthetics, available in vibrant hues, mirror the rally’s energy and individuality, celebrating women who live life on their terms.
Hopping off the train, we started our journey to AlUla where we drove for almost five hours. Along the way we had lunch at a pop-up food truck, SALT, and then drove onward to AlUla, Tilly Harrison where we stayed at Habitas Hotel and dined at Managing Director their Tama Restaurant. Friday included a tour of of Richard Mille Middle East & Turkey Hegra, where we saw awe-inspiring ruins dating back to the Nabataean Kingdom. Following that, Rally A’Shira was an incredible journey, it was an we had lunch at Okto Restaurant in Harrat, the highest exploration of Saudi Arabia, her geography, culture and point in AlUla, off-roading, and stargazing, capped by a traditions and we were treated to world-class hospitaliSaudi bonfire dinner back at the hotel. ty at The Edition Jeddah. The first night saw us enjoying
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RALLY A’SHIRA
The RM 07-04 combines elegance with function, designed to endure extreme conditions—a fitting companion for a rally that challenges both physical and mental stamina. After an incredible four-hour drive through the desert toward the Red Sea, we began winding down with a picturesque open-air lunch, a tranquil moment where we reflected on the beauty of the stunning landscapes around us. A serene boat ride led to the enchanting Shebara Hotel, where the adventure culminated in a magical poolside dinner under the stars, celebrating the end of the rally with elegance and camaraderie. The final day was a blend of joy and nostalgia. A sunlit lunch at Saria Pool Bar & Grill, accompanied by the vibrant rhythms of a DJ set, captured the spirit of the journey. As evening fell, an intimate dinner at Ariamare brought our time together to a close, leaving behind cherished memories of Saudi Arabia’s natural wonders.
The success of Rally A’Shira marks the beginning of an annual tradition, solidifying Richard Mille’s commitment to empowering women in motorsport. By celebrating their strength, creativity, and courage, the rally embodies the brand’s ethos and inspires a new generation of women to take the wheel in challenging circumstances. Rally A’Shira was a journey of discovery and a story of the limitless potential of women in motorsport. Coupled with the technological marvel that is the RM 07-04 Automatic Sport, the rally has set a new standard for adventure, luxury, and empowerment. ■
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FTA -
CLASS OF 24
Fashion Trust Arabia class of 2024
photography ISMAIL ZAIDY - L4ARTISTE words MARIANA BAIÃO SANTOS
Fashion Trust Arabia’s 2024 Awards showcase the incredible talent emerging from the region. The Fashion Trust Arabia (FTA) 2024 Awards reaffirmed its status as a cornerstone of the MENA fashion industry, spotlighting the region’s creative brilliance on a global scale. Now in its sixth year, the Awards took place at the iconic El Badi Palace in Marrakech, Morocco, blending fashion with cultural heritage as part of the Qatar-Morocco 2024 Year of Culture. The evening brought together luminaries from the worlds of fashion, entertainment, and media to celebrate emerging talents and their contributions to the industry. The Awards, emphasising the breadth of innovation and creativity in MENA fashion, were presented across seven categories: Ready-to-Wear, Eveningwear, Accessories, Jewelry, The Franca Sozzani Debut Talent Award, Fashion Tech and the Guest Country Award, which this year was bestowed upon a Spanish entry. What sets the FTA Awards apart from other industry events is its holistic approach to supporting designers. Winners receive not only substantial cash prizes - ranging from $100,000 to $200,000 - but also an invaluable year-long mentorship. This mentorship, provided by FTA’s global network of fashion leaders, offers guidance in areas such as sustainability, business strategy, and creative development. The program equips designers with the tools to thrive both locally and internationally, bridging the gap between regional talent and global opportunities. The awards ceremony itself was a testament to MENA’s growing influence in the fashion world. Hosted by Angela Bassett and Ahmad Helmy, the star-studded event featured appearances by icons like Alton Mason, Carla Bruni Sarkozy, and Precious Lee, with musical performances that underscored the celebratory mood. Yet, beyond the glamour, the focus remained firmly on fostering a platform for designers to showcase their work and amplify their voices on an international stage. Since its launch in 2018, FTA has become a vital incubator for MENA fashion, nurturing emerging talent and connecting them with global industry leaders. By championing creativity and cultural diversity, the awards serve as a beacon for the region’s designers, proving that their innovative visions belong on the world stage. As FTA continues to grow, its impact on the fashion industry and the broader cultural landscape is undeniable - shaping a future where MENA creativity thrives universally.
Eveningwear Yasmin Mansour Yasmin Mansour
Yasmin Mansour is an eponymous luxury fashion brand known for its avant-garde approach, blending high-quality materials with bold, conceptual designs. Rooted in authenticity and ethical craftsmanship, the brand creates sophisticated pieces that merge innovation with purpose. Frequently collaborating with other brands, Mansour continues to redefine luxury fashion by staying true to her values while pushing creative boundaries.
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FTA -
CLASS OF 24
Ready-toWear Nadine Mosallam Nadine Mos
Nadine Mos is an environmentally conscious womenswear label that champions ethical, slow, and accessible fashion. Rooted in her heritage, the brand tells personal yet relatable stories, celebrating femininity and the beauty of everyday life. Each garment is thoughtfully designed to honour the natural curves of the body, reflecting a deep appreciation for art and sculpture. With a focus on connection, Nadine Mos invites dialogue and reflection, placing genuine respect for the wearer at the heart of the creative process.
Jewellery Noura Abdulaziz Al Saud, Sara Naif Al Saud, and Mashael Khalid Al Saud
portrait of MASHAEL KHALID AL SAUD
APOA
APOA (A Piece of Art) is a couture accessories brand blending Saudi heritage with global influences. Designed between Barcelona and Riyadh and handcrafted in Italy, APOA combines organic forms, cultural inspiration, and timeless craftsmanship. With sustainability at its core, the brand minimises waste while honouring traditions like pearl diving in its debut collection. APOA creates bold yet elegant pieces for the modern, dynamic woman, woman, positioning jewellery as wearable art in a post-pandemic world.
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FTA -
CLASS OF 24
Accessories Reem Hamed RAMLA
Reem Hamed is the founder and creative director of RAMLA, a sustainable footwear brand launched to revive Egypt’s rich cultural heritage and empower women artisans. Inspired by her background in architecture and design, and her studies in Luxury Business at Polimoda in Florence, Hamed blends modern minimalism with traditional craftsmanship to create timeless, high-quality pieces. Rooted in sustainability and community, RAMLA reinvents wardrobe essentials while showcasing Egypt’s artisanal techniques, preserving cultural values, and supporting local craftsmanship.
Debut Talent Sylwia Nazzal Nazzal Studio
Nazzal Studio, founded by Sylwia Nazzal, merges fashion, ethics, and activism, deeply rooted in Palestinian heritage and resistance. The brand gained global attention with its 2022-2023 graduate collection, What Should Have Been Home, a poignant symbol of Palestinian identity and resilience. Prioritising ethical practices, Nazzal Studio collaborates with refugee women to empower communities and rejects mass production. By blending art and advocacy, the studio challenges fashion norms while amplifying marginalised voices through meaningful, purpose-driven design.
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FTA -
CLASS OF 24
Fashion Tech Batoul Al-Rashdan Studio B.O.R.
Studio B.O.R., founded by Batoul Alrashdan, is a pioneering Fashion Tech brand combining sustainability with innovation. Using bio-based materials from food waste and cutting-edge technologies like 3D printing and robotics, the brand creates designs inspired by Jordan’s heritage. Globally recognized with awards like the Taipei Design Award and WDO Sustainability Award, Studio B.O.R. is reshaping fashion by merging tradition with advanced technology for a sustainable future.
Guest Country: Spain Xavi García and Franx de Cristal ACROMATYX
ACROMATYX, founded by Xavi García and Franx de Cristal, is a Spanish fashion brand that blends elegance with avant-garde design. Evolving from their previous brand 44Studio, ACROMATYX maintains a commitment to sustainable, ethical fashion through artisanal tailoring, pattern-making research, and collaboration with local artisans. The brand focuses on creating inclusive, label-free pieces that evoke emotion and celebrate authenticity. ACROMATYX emphasises the study of volume distortion and seeks to innovate in fashion while promoting craftsmanship and a deep connection to Spanish cultural heritage.
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TIMELESS SCENTS FROM JAEGER-LECOULTRE
TIMELESS SCENTS FROM JAEGER-LECOULTRE
A unique collaboration brings haute perfumery to the forefront, blending tradition and innovation in three new signature scents. words LOUIS PARKS
Imagine wearing a fragrance that captures the timeless elegance of a Reverso watch or the celestial allure of the moonlit sky. This is the vision brought to life by renowned perfumer Nicolas Bonneville, in partnership with Jaeger-LeCoultre, under their Made of Makers program. Jaeger-LeCoultre’s Made of Makers program is a celebration of artistic ingenuity, bringing together talents from diverse fields. This latest endeavor marks its first foray into perfumery with three signature scents created by acclaimed French perfumer Bonneville. Known for his ability to harmonize traditional techniques with avant-garde innovation, Bonneville’s creations reflect the ethos of the iconic Maison. “In perfumery, just as in painting, maintaining the purity of blends is essential,” Bonneville notes. “The principle of ‘less is more’ ensures that your fragrance retains its clarity and depth; you achieve a unique scent with real character and distinction.” Each fragrance tells a story through meticulously crafted short formulas, featuring high concentrations of noble ingredients sourced from around the world. The purity of these compositions ensures that every note resonates, evoking memories and emotions, akin to the ticking of a fine timepiece. Bonneville’s fragrances are designed to reflect Jaeger-LeCoultre’s heritage and innovation: The Timeless Stories, inspired by the Reverso watch, juxtaposes woody leather tones with delicate orris, echoing the watch’s duality of rugged durability and refined elegance.
The Celestial Odyssey is a tribute to celestial wonders, the ambery, spicy fragrance captures the allure of starry nights and solar warmth with patchouli, amber woods, and vanilla. The Precision Pioneer pays homage to the heart of watchmaking, this woody, spicy fragrance features incense and vibrant cedar, symbolizing craftsmanship and innovation. These fragrances embody the synergy between perfumery and watchmaking, where every detail matters. As Bonneville says, “Each fragrance had to express Jaeger-LeCoultre’s legacy, themes like timeless elegance and celestial complications, guiding me to create a seamless narrative through scent.” Beyond mere perfumes, these creations represent a deeper narrative—one of heritage, artistry, and emotion. Indeed, Bonneville puts it best when he says, “The collaboration with Jaeger-LeCoultre was incredibly enriching, offering insights beyond perfumery. It deepened my appreciation for watchmaking’s commitment to precision, which parallels the meticulous craft of creating fragrances.” Like Jaeger-LeCoultre’s timepieces, Bonneville’s fragrances are destined to become timeless treasures, leaving a sophisticated trail wherever they are worn. ■
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words SANDRA YEGHIAZARIAN
A pillar of design and style, Bvlgari looks to the future through the eyes of Mary Katrantzou.
A MARRIAGE OF HERITAGE AND INNOVATION
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Serpentine Duo Top Handle bag in Calla Crystals pattern on suede and nappa leather lining with gold plated double-head snake body-shaped handles, BVLGARI
A MARRIAGE OF HERITAGE AND INNOVATION
a nd
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“I feel connected to Bvlgari because I’m Greek and Bvlgari has the duality of Greco-Roman roots,” Katrantzou says, speaking of an identity deeply woven into the brand’s DNA. “It’s a brand that is very much about warmth and very much about positivity and very much about celebrating extraordinary women. I think that connects deeply to the UAE and generally women of the region, they are warm, they appreciate culture and there’s importance that is placed on heritage and storytelling. It’s a Middle Eastern culture,” she says. Icons like Serpenti, Diva’s Dream, Tubogas, and Monete carry layered meanings that connect with women in profound ways, she says. “It’s not just about beauty,” Katrantzou explains. “When you buy a piece of Bvlgari, we talk about 140 years of design integrity. There is a history there.” She believes that today’s luxury consumer values heritage as much as craftsmanship—a distinguishing factor that sets Bvlgari apart. “There’s a connection that happens between a woman and the symbolism of Bvlgari. I think nowadays... The heritage. People love that history.” Katrantzou’s inaugural Calla Collection pays homage to the mosaic floors of the thermal baths of Caracalla in Rome. This motif, previously used in Bvlgari’s Diva’s Dream collection, served as the foundation for her vision. “The colours are quintessentially Bvlgari—emerald green, amethyst, pearl white, and gold,” she says. “It’s a pattern that connects back to Rome very authentically,” she says.
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Mary Katrantzou, Bvlgari’s first-ever Creative Director of Leather Goods and Accessories, is re-imagining what it means to create luxury. Known for her visionary use of patterns and colour, Katrantzou’s appointment marks a significant chapter for the iconic Italian brand. Her debut collection, the Calla Collection, not only celebrates Bvlgari’s heritage, but also introduces a new narrative for leather goods and accessories, bridging the gap between timeless style and modern creativity.
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Serpenti Forever phone case in silver striated calf leather with snakehead magnetic closure, BVLGARI
For Katrantzou, the collection is both a debut and a statement of intent. “I wanted to introduce a pattern that could serve as an identity for Bvlgari’s accessories category,” she explained. This category, though already well-established, lacked a unifying symbol or pattern that could stand alongside Serpenti. The collection includes standout pieces like the Ginkgo clutch, a testament to the fusion of artistry and functionality that defines her work. “So the first collection became the introduction of a pattern, but also the foundation to build Diva’s Dream as a pillar for accessories in the near future,” she says. Taking on the mantle of Bvlgari’s first Creative Director of Accessories is both an honour and a responsibility for Katrantzou. “It’s exciting because there’s so much potential,” she said. “Bvlgari already has legitimacy in the world of accessories, which is rare for a high jeweller.” Her vision for the brand includes creating one-of-a-kind pieces that feel as special as Bvlgari’s jewellery, “This [bag] you’re buying as a unique one-of-a-kind piece is a jewel in your wardrobe, a forever piece that you will give to your daughter and hopefully will stay in the family for generations to come because it has that richness of narrative,” she says. This approach ensures that Bvlgari bags are not merely beautiful but are also heritage pieces, rich with narrative and craftsmanship. Katrantzou also plans to expand the brand’s offerings to include more evening bags, which she sees as an untapped opportunity “I was very surprised that we don’t have a purely evening offering. You know, Bvlgari should be a brand that you go for an evening bag, but a lot of the offering was day to night,” she remarked. By expanding, she aims to make the accessories category an even more vibrant part of the brand’s future.
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A MARRIAGE OF HERITAGE AND INNOVATION
Mythology scarf in 100% silk twill with a Bvlgari Bvlgari metal pendant, BVLGARI
When it comes to her creative process, Katrantzou believes in transcending trends. “Good design is timeless,” she says and she creates for, “A woman of style, a BVLGARI woman, who’s bold, who’s cultured, she doesn’t necessarily care about that. You know, not that she wants to.” Katrantzou is perhaps seeking a wider appeal. This philosophy is evident in upcoming designs like the Tuareg bag, which features a graphic aesthetic while retaining the sophistication Bvlgari is known for, “I think that’s a perfect example of a bag that’s cross-generational. Because it’s more graphic, it’s more, let’s say, Instagram-friendly. And because it’s about half heart, half snake, it’s something very universal ... there’s so much at Bvlgari already that it just needs a twist.” She also emphasizes the importance of symbols over logos. “I think brands are energy. You know when you wear something, or a watch, or a ring, or it has a meaning to you, let’s say you have it from your grandmother, that gives you that energy. But jewellery is exactly that.” This power of symbolism is central to Katrantzou’s designs. “You connect to Serpenti or Diva’s Dream or Tubogas in a deeper way. It’s not just about beauty. There is a lot of layered meaning and importance in the Bvlgari icons,” she says. Under Katrantzou’s leadership, Bvlgari’s accessories seem set to become conversation starters that resonate with women around the world. She recalled a personal experience with the limited-edition Serpenti head bag she designed during a previous collaboration, “Whenever I wear the Serpenti head and I put it on the table, whether I’m sat next to a woman or a man, it doesn’t matter. They will talk to me about it. What’s your bag? What is it? Who is it?”
Serpenti Sugarloaf in light gold Calla motif with magnetic snakehead closure, BVLGARI
As for the coming years, Katrantzou wants to build a bridge between tradition and modernity. By reimagining iconic symbols and introducing fresh narratives, Katrantzou is ensuring that Bvlgari remains relevant for years to come. As part of this Katrantzou, envisions Bvlgari’s accessories as a creative space for reinvention of its iconic symbols, by “continuously reinventing Serpenti or Diva’s Dream, you give life to those symbols, but you also allow a woman to wear Bvlgari in her daily life in a different way,” she says. From reimagining classic designs to introducing new narratives, Katrantzou aims to make Bvlgari accessories an integral part of the brand’s legacy. Mary Katrantzou’s appointment as Bvlgari’s Creative Director of Leather Goods and Accessories signals a new era for the brand. Her ability to blend heritage with innovation, coupled with her dedication to creating timeless designs, ensures that Bvlgari’s accessories will continue to captivate women for generations to come. ■
Tubogas bracelet-watch in gold with rubies, ca. 1955, BVLGARI
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RICHARD MILLE AND MCLAREN
HIGH-OCTANE STYLE Richard Mille and McLaren unite for a masterpiece of precision and performance. words LOUIS PARKS
In the world of extreme machines, where engineering and artistry converge, few partnerships shine as brightly as Richard Mille and McLaren. Their latest creation, the RM 65-01 Automatic Split-Seconds Chronograph McLaren W1, sets a new benchmark for innovation and craftsmanship. Inspired by the revolutionary McLaren W1 supercar, this limited-edition timepiece fuses cutting-edge technology with the unmistakable DNA of McLaren’s high-performance legacy. With only 500 pieces available, this incredible timepiece is certainly a statement of intent and ambition. The McLaren W1 supercar, heralded as the successor to icons like the McLaren F1 and P1, serves as the muse for the RM 65-01. Designed to mirror the car’s groundbreaking performance and engineering, the watch boasts the RMAC4 movement, which beats at an extraordinary 36,000 vibrations per hour. This rapid oscillation allows for precise timekeeping down to one-tenth of a second, reflecting McLaren’s ethos of performance without compromise. With features like a split-seconds chronograph, a rapid-winding system, and a 60-hour power reserve, the RM 65-01 is built for accurate, sustained performance. The use of innovative materials like grade 5 titanium and Carbon TPT ensures durability, while the lightweight design mirrors McLaren’s aerodynamic principles. Inspired by the W1’s bold and muscular design, with its high waistline and anhedral door, the Carbon TPT bezel rests elegantly on a satin-finished and polished grade 5 titanium secondary bezel, a testament to cutting-edge engineering. Its sculpted curves reveal the intricate Carbon TPT caseband, enhancing the watch’s depth and dynamic contours. The bezel’s creation demanded nine months of me-
ticulous development and the testing of eight prototypes. Remarkably, the upper bezel measures just half a millimeter at its thinnest point—about the thickness of five stacked Post-It notes. The skeletonized titanium dial echoes McLaren’s signature wheel rims, combining functionality with striking visuals. Meanwhile, the chronograph pushers and rapid-winding mechanism feature the brand’s iconic papaya orange—a nod to McLaren’s racing heritage. Despite its technical complexity, the RM 65-01 McLaren W1 is surprisingly practical, making it a reliable companion for both the racetrack and daily life. The watch also includes a function selector crown, inspired by McLaren’s transmission systems, offering seamless control over winding, date-setting, and hand-setting functions. The papaya orange rubber strap, with patterns mimicking the W1’s aerodynamic designs, adds a final touch of flair, ensuring the watch is as stylish as it is functional. Since their partnership began in 2016, Richard Mille and McLaren have produced three iconic timepieces, each blending the precision of Swiss watchmaking with the spirit of British engineering. The RM 65-01 is the fourth chapter in this ongoing collaboration, embodying their shared passion for pushing boundaries. The RM 65-01 McLaren W1 is a celebration of innovation, performance, and design. For those who dream of the extraordinary, this timepiece offers a chance to wear a piece of automotive history on their wrist. Bold, intricate, and undeniably powerful, the RM 65-01 is the ultimate fusion of time and speed. ■
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XP MUSIC FUTURES 2024
XP MUSIC
FUTURES 2024 A NEW CHAPTER FOR MENA’S MUSIC SCENE From creative collaborations to global recognition, this year’s XP Music Futures proved the region’s music ecosystem is thriving—and ready for the next leap.
words MENNA SHANAB
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As everyone in Riyadh geared up for Soundstorm, the region’s massive music festival that has pulled in over 1.7 million attendees in past years, the ripples of XP Music Futures are still being felt across the city. In hotel lobbies and busy restaurants, you’ll hear people talking about ideas sparked at XP—collaborations forming, plans taking shape. This year felt like more than just an industry conference. It was a real meeting of minds, a homecoming for the creative community, and a chance to welcome new faces into the fold. We were at XP last year, and it’s clear how much has changed since then. Over the past year, the music scene in the MENA region has grown fast. There’s more infrastructure, more attention from international players, and more local artists finding their footing on global stages. XP 2024 really captured that momentum. Last year felt exploratory—a lot of people testing the waters and making introductions. This year, the vibe was different: more confident, more established. Artists are building on bigger successes, industry players are more connected, and the ecosystem feels ready for what’s next. This year, XP Music Futures felt less like a big showcase and more like a space for real conversations about where the MENA music industry is headed. It wasn’t about convincing people of the region’s potential—it was about showcasing the results. With over 200 speakers
XP MUSIC FUTURES 2024
and 150 artists from around the globe, the conference hosted panels, masterclasses, and showcases that celebrated the region’s growing influence. One of the standout moments was David Guetta’s masterclass, where he broke down how Arabic scales could bring something unique to global music trends. It felt like a reminder of how much this region has to offer creatively. Then there was Panos Panay, President of the Recording Academy, announcing plans to bring Grammy programs to the Middle East. That sparked some interesting debates about what international recognition means for artists here. As for YUNG, we hosted our own panel this year, bringing core members of our team to Riyadh to talk about our journey so far, the real impact we have been making and the power platforms like ours have in creating an even more well-connected creative ecosystem. Joined by two-time cover star Zeyne and one of our favourite music industry players, Tarek El-Mendelek, we were in good company as we shared our experiences, expertise, insights and lots of stories. Titled “Platform Power-Up with THIS IS YUNG: Amplifying Artist Narratives & Rollout Strategies in the MENA Region” we talked everything from how platforms can serve as collaborators in developing an artist’s identity to practical strategies that highlight the crucial role of timing, market penetration, and cross-platform synergy. We felt we were in good hands, in a room filled with friends, colleagues, artists and lovers
of the MENA scene. It felt like a homecoming, a celebration of how far YUNG has come and how far it will go. On the performance side, there were some real highlights. The Warner Music showcase, featuring Joeboy, Kold AF, and Wizard Chan, brought a ton of energy and showed how Afrobeat is resonating with audiences in Saudi Arabia. Local acts brought their own spark, too. Haya Alhejailan from the band Seera performed and spoke on a panel about women in music, sharing a personal take on how things are evolving for artists in the region. It wasn’t all about celebrating milestones; there were honest discussions about the challenges still ahead, especially when it comes to inclusivity and building something sustainable. One of this year’s recurring themes was the influence of the Arab diaspora on the regional industry. The fusion of perspectives—from artists raised abroad to those rooted in the MENA region—fuelled conversations about representation, and equity. While the diaspora brings connections and visibility, there is a need to ensure that local voices remain central to the narrative. This commitment to collaboration was palpable throughout the event. Showcases like the MJLS x NOORstudios collaboration brought to-
gether women-led creative hubs from Egypt and the U.S., while performances by Warner Music artists such as Joeboy and Wizard Chan highlighted the rising influence of African music on Saudi audiences. The nightlife, XP NITE, was another highlight. The stages curated by collectives like Heavy Arabia and Brij Entertainment brought a huge variety of sounds, from underground techno to Saudi hip-hop. Seeing acts like Bas from Dreamville Records alongside rising local stars made it clear just how much creative diversity is bubbling up in the region. This year’s XP wasn’t about big declarations or flashy announcements. It was more grounded—a chance to share experiences, connect, and think about what still needs to be done. The overall takeaway was that while the MENA music scene has come a long way, there’s still room to grow, and that growth needs to be thoughtful and inclusive. As Soundstorm approaches, it’s exciting to think about how the ideas and partnerships sparked at XP will play out. XP Music Futures has grown into more than just an annual event. It’s become a real barometer for where the region’s music industry stands and where it’s heading next. ■
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words LOUIS PARKS
YUNG ESCAPES
ESCAPES
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YUNG ESCAPES
CASA AMOR TULUM’S SOUL MEETS DUBAI’S SHORES Discover a beachside getaway blending culinary artistry, bohemian vibes, and unforgettable moments.
Dubai has a new destination for those seeking luxury, connection, and a unique beachside escape. Casa Amor, one of the most famed spots on the French Riviera, can now be found at the prestigious Mandarin Oriental Jumeira, bringing the bohemian spirit of Tulum to the shores of the Arabian Sea. This one-of-a-kind venue offers a seamless blend of sophisticated dining, creative artistry, and vibrant energy. With every detail meticulously curated, Casa Amor promises an experience that offers refined relaxation and indulgence. At the heart of Casa Amor lies a philosophy of shared dining, where every dish tells a story. Drawing inspiration from the fresh flavours of the South of France, the menu is a celebration of diversity, blending Mediterranean heritage with delicate Latin influences. Guests can expect culinary masterpieces crafted by an expert team. The menu features premium beef cuts grilled to perfection, freshly caught seafood prepared with finesse, and artisanal breads baked with care. Each dish is designed to highlight natural flavours, creating a balance of sophistication and comfort. Whether you’re indulging in a rich seafood platter or savouring a live-grilled delicacy, Casa Amor offers an unforgettable dining experience.
As the sun begins its descent into the Arabian Sea, Casa Amor’s bar becomes the ultimate retreat. Guests are treated to a wide array of premium wines, hand-crafted cocktails, and drinks made with creative flair. This fusion of exceptional tipples and vibrant ambiance turns every sunset into an event worth celebrating. That said, Casa Amor isn’t just about dining—it’s an all-encompassing escape. From the moment you step onto its pristine white sands, the venue envelops you in its serene yet lively atmosphere. Luxurious beach cabanas invite guests to unwind while basking in the gentle sea breeze. Those seeking deeper relaxation can immerse themselves in curated wellness experiences, inspired by a free-spirited bohemian ethos. Alongside the beach and bar, Bohemian Wellness offers a range of spa treatments designed to promote relaxation and creativity. The treatments incorporate natural elements, ensuring that guests feel reconnected to both themselves and their surroundings. Whether lounging in a deckchair or indulging in a spa experience, the setting fosters a sense of renewal and tranquillity. Casa Amor elevates every visit with an artistic energy that resonates throughout the venue. From the thoughtfully designed interiors to the live performances, every detail reflects a commitment to creativity. The decor—a blend of light wood, earthy textures, and inviting furnishings—creates a warm, welcoming atmosphere that feels effortlessly chic. ■