OCTOBER–JANUARY | 2025/26


OCTOBER–JANUARY | 2025/26
Dear Friends,
As autumn unfolds and the holiday season approaches, The Westmoreland remains a place of connection, inspiration, and discovery. We are excited to present a rich lineup of exhibitions and programs that bring the community together while celebrating history, heritage, and the holidays.
We conclude our Year of Women Artists with a compelling trio of exhibitions, beginning with Elizabeth Catlett, whose iconic prints and sculptures honor the strength, dignity, and resilience of African American women. Brynn Hurlstone's interactive installation addresses the often unseen issue of domestic violence using reactive materials such as glass, water, and steel. And Maryam Safajoo offers a deeply personal reflection on the oppression of the Bahá’í people in Iran through her richly detailed paintings. Together, these exhibitions close the year with bold voices that reflect the diversity and power of women in American art.
As a meaningful conclusion to this year-long celebration of women, we proudly announce the acquisition of Marie Watt’s Skywalker Greets Sunrise VI, a striking steel I-beam sculpture inspired by the Seneca creation story. The work honors Watt’s ancestors—both the original inhabitants of New York and the “Skywalkers,” Indigenous ironworkers who built steel skyscrapers. At the same time, we welcome Nicole Lampl as our new Curator of American Art, whose vision and expertise will help shape the Museum’s future as we continue building a more inclusive and dynamic collection.
As the weather cools, the Museum lights up with our beloved holiday traditions. Winter Lights returns to transform our outdoor spaces into a magical wonderland, while Winter Nights—extended evening hours filled with music, warm beverages, and free gallery access—create the perfect atmosphere to
gather with friends and family. This year, we debut Winter Tales, an immersive installation that animates snowy scenes from our collection through projection, sound, and subtle effects. Adding to the festive spirit, our Holiday Mart (December 4, 5, and 6) offers unique gifts, local crafts, and seasonal treats—ideal for holiday shopping while supporting regional artists. It’s a magical experience for visitors of all ages.
Fall also marks the start of our contribution to the national commemoration of the 250th anniversary of the United States in 2026. As part of this multiyear journey, we present Steel Valley Visions: An American Legacy, exploring the contributions of southwestern Pennsylvania’s people and industries to the American story. On Sunday, November 9, join us for a free preview of The American Revolution, a new documentary series by Ken Burns, followed by a discussion on regional connections to the War of Independence. Additionally, The Westmoreland is hosting a Liberty Bell replica decorated by artist Mandy Sirofchuck as part of Pennsylvania’s Bells Across PA initiative. Her glass mosaic design, featuring local wildlife and landmarks, is displayed outside the Museum through 2026.
We hope you will join us this fall and holiday season as we reflect on the past, celebrate the present, and look forward to the future.
With warm regards,
Silvia Filippini-Fantoni, PhD
The Richard M. Scaife Director/CEO
The Art of Elizabeth Catlett from the Collection of Samella Lewis opened at The Westmoreland on September 7, 2025, and will be on view through January 4, 2026. This exhibition celebrates Elizabeth Catlett’s (1915–2012) achievements in sculpture and printmaking and honors a half-century of her artistic activism in support of women.
A trailblazing sculptor and printmaker, Catlett spent seven decades creating art that honored the dignity and strength of marginalized communities. Her powerful depictions of laborers, women, and African Americans address social issues relevant in both the United States and Mexico—the two countries where she lived and worked.
Drawn from the collection of Dr. Samella Lewis (1924–2022)—an artist, historian, and Catlett’s former student—this exhibition highlights Catlett’s impact as an artist and educator. It celebrates her lasting influence and the ways she merged art and activism to inspire change.
The Westmoreland partnered with Dr. Grace Hampton, professor emerita at Penn State University, to curate this exhibition.
Grace Hampton, PhD, is professor emerita of art, art education, and integrative arts at Penn State University. An accomplished artist, educator, and administrator with more than 60 years of experience, she has received numerous awards, including two Senior Fulbright Awards and the Penn State Alumni Association’s Honorary Alumni Award. She was a member of the US delegation to FESTAC '77, the Second World Black and African Festival of Arts and Culture. In 2022, Forbes Magazine named her a social entrepreneur, recognizing her establishment of Weaving Wisdom, a community-based intergenerational project.
Jenna McGuiggan, The Westmoreland's Marketing and Communications Manager, spoke with Dr. Grace Hampton, curator for The Art of Elizabeth Catlett from the Collection of Samella Lewis, to talk about Catlett’s work.
Jenna McGuiggan [JM]
Please tell us about meeting Elizabeth Catlett.
Grace Hampton [GH]
I met her at a national conference of Black artists when I was a graduate student. She talked about how the visual image could speak in a way that voices don't always articulate. She wanted her art to speak to her people, by which she meant the people of the two cultures she was involved in: the African American culture and the culture of Mexico.
At the end of the meeting, I saw she had brought some of her prints, including a signed and numbered print of Sharecropper, which is one of the prints in The Westmoreland’s exhibition. When I told her I was a student, she sold me the print for $10, which is such a wonderful example of her desire to make and share art for the people. The notion of making art accessible was one of her major concerns. And so by doing a linoleum cut or a woodcut or lithograph—those are three of the major ways of making prints—you can make multiple copies.
JM What excites you about this exhibition?
GH
It's very meaningful to me personally to be part of presenting this work to the public. When I started taking classes as a second grader at the Art Institute of Chicago—where Elizabeth Catlett had also studied for a time—I could not have imagined that one day I’d help to bring this important artist into full view for the public. I’m excited to help people understand the importance of her work—who she was and the contribution she made, not just to African American art, but to the art field in general.
JM
What do you hope visitors will take away from this exhibition?
GH
I hope people will understand that Catlett wanted people to have her art and to see themselves represented in it. While her work focuses on African Americans and Mexicans, her work is universal in its concepts: it's about humanity. I hope this exhibit will uplift and inspire people.
JM
Why did you want to work with The Westmoreland?
GH
When I first visited the Museum, I was immediately impressed by how inviting and welcoming it is to everyone regardless of their knowledge of art. When I was invited to curate this exhibition, I said yes because I wanted to be involved with a group of people who present art in the way I feel it should be presented—not as something that is far away from you and only hung on the walls, but something that it is part of your life that you can understand and be enriched by. The Museum makes art available to the people.
Generously supported by
provided by
Opening October 4, 2025
The Westmoreland is excited to present a fresh take on the Museum’s “Scenes of Industry” collection with Steel Valley Visions: An American Legacy. The Big Steel Era (18501970) in western Pennsylvania captivated artists throughout that time as well as today.
The Westmoreland’s “Scenes of Industry” were last organized into a major exhibition and catalog two decades ago as Born of Fire: The Valley of Work, which traveled internationally. Following the success of that exhibition, related works have been added to the collection, including those that tell the human story of America's Industrial Revolution, namely of the immigrants and migrants that flocked to the region seeking job opportunities in the coal mines and steel mills. Today, contemporary artists continue to draw inspiration from this legacy, responding not only to the imagery of the past but also to the raw materials and labor that powered the Industrial Revolution.
In Steel Valley Visions, select works from Born of Fire are presented with more recent acquisitions and key loans to tell this important story from many perspectives, just in time for the America 250 commemoration in 2026. Experience familiar favorites by artists like Aaron Harry Gorson, Otto August Kuhler, Francis Komperda, Virginia Cuthbert, and Aaronel deRoy Gruber, along with works by contemporary artists Marie Watt, Stephen Towns, Sophie Glenn, and Alan Shepp, among many others. The exhibition also features a listening lounge with songs from the Big Steel Era, and an interactive area that allows visitors to reflect on and share their own connections to Steel Valley history. An immersive experience related to the exhibition will debut at the end of January 2026.
Generously supported by
The Westmoreland Museum of American Art is honored to receive Skywalker Greets Sunrise VI by Marie Watt, generously gifted by Dawn and Chris Fleischner after being acquired from Catharine Clark Gallery. Honoring the Mohawk skywalkers who constructed New York City's iconic skyscrapers and bridges, a tradition that continues today, this powerful steel I-beam sculpture arrives during our Year of Women Artists celebration and supports our mission to diversify the collection. Watt, a leading contemporary artist and member of the Seneca Nation, explores themes of community, resilience, and Indigenous knowledge. Her work is held in major institutions including the Whitney and the Met. This important addition deepens our engagement with underrepresented voices in American art, enriching and expanding the stories and history explored by The Westmoreland's "Scenes of Industry" collection and beyond.
Nov. 1, 2025–Mar. 8, 2026
Persian American artist Maryam Safajoo is a visual ethnographer and narrative painter based in Morgantown, West Virginia. Recently awarded a 2025 Guggenheim Fellowship in Fine Arts, her work preserves and shares the experiences of members of the Iranian Bahá’í community, a religious group that has been systematically persecuted since the 1979 revolution. The individual stories she shares, including those of her family members, are meticulously depicted based on conversations, interviews, and archival research. Safajoo finds purpose as an artist in sharing these stories of resilience in the hopes that one day the world will be free from prejudice.
In partnership with Discover Westmoreland, Westmoreland Heritage, and GO Laurel Highlands, the Museum is proud to serve as a host site for Bells Across PA, an initiative in celebration of the United States's 250th anniversary. This exciting project, led by America250PA, places unique, artist-designed Liberty Bell replicas in all 67 counties of Pennsylvania. The bell at The Westmoreland was unveiled on August 10 and will remain on view on the Museum grounds through 2026.
Through a countywide call for proposals, Ligonier artist Mandy Sirofchuck was chosen to decorate the bell being hosted by the Museum. Sirofchuck, a renowned glass artist with over 40 years of experience, created a glass mosaic design that depicts the region’s iconic landmarks and waterways and diverse wildlife and lush natural resources. The bell also references
significant places in Westmoreland County and the hardworking spirit of the people who call this area home.
The Bells Across PA project is one of many exciting initiatives happening in the years leading up to America's Semiquincentennial in 2026, and it aims to unite communities across the state with art, history, and civic pride. More information about this project and other America250PA initiatives can be found at america250pa.org
On view through January 4, 2026
This interactive exhibition addresses the pervasive, yet often unseen, issue of domestic violence. A transdisciplinary artist, Hurlstone uses reactive materials— steel, glass, water, salt, silk, and water-soluble paper— to create an environment that “is alive, in continual transformation, and activated by human presence.”
Brynn Hurlstone: Resonance
Photograph by Sam Fritch, image courtesy of the artist.
On view through March 29, 2026
This exhibition showcases remarkable depictions of the female body by women artists, highlighting their subversion of gender and sexuality conventions.
On view through June 7, 2026
YEAR
Works from The Westmoreland’s permanent collection, the Pennsylvania Academy of the Fine Arts, and the National Academy of Design highlight the artist’s contributions to American art.
Support provided by Cecilia Beaux: Inventing the Modern Portrait is curated by Hannah Turpin.
Treasures from the National Academy of Design
On view through January 17, 2027
Paintings by Thomas Eakins, Henry Ossawa Tanner, and John Singer Sargent join The Westmoreland’s own holdings in this once-in-a-lifetime collaboration.
Support provided by
For a full list of exhibitions on view, visit thewestmoreland.org/exhibitions YEAR
Free admission to exhibitions is supported by
The Westmoreland’s exhibition program is generously supported by the Hillman Foundation and The Heinz Endowments.
820 Liberty Gallery
The Pittsburgh Cultural Trust, Pittsburgh, PA
October 24, 2025 - May 10, 2026
WENDY & DAVID BARENSFELD
Michener Art Museum, Doylestown, PA
On view through January 11, 2026
This summer, Nicole Lampl joined the Museum staff team as Curator of American Art. In this lead curatorial role, she will work to give voice to diverse perspectives and expand the traditional canon of American art. She will oversee the presentation of innovative exhibitions and guide the Museum’s new art acquisitions.
Nicole is a curator, writer, and arts leader with 16 years of experience across museums, galleries, academic institutions, and arts education. She most recently served as the inaugural Director and Curator of the Reeves House Visual Arts Center in metro Atlanta, where she launched the visual arts program from the ground up—curating over 20 exhibitions and shaping the institution’s identity through strategic planning, community partnerships, and immersive programming.
Nicole’s curatorial work is rooted in scholarly research, interdisciplinary thinking, and a deep commitment to public engagement. Her exhibitions explore intersections of art, science,
What really drew me to The Westmoreland is the commitment to both regional relevance and national conversation in the arts. There’s such a great opportunity here to deepen the Museum’s role as the strong cultural anchor that it already is, while pushing towards fresh and ambitious programming.
–Nicole Lampl
identity, and social justice, and are known for combining conceptual rigor with accessible storytelling. She has also held curatorial roles at the New Orleans Museum of Art and worked independently on a range of curatorial projects. Her writing has been published in academic journals, and she has presented her work at conferences across the country.
She holds an MA in Art History from Tulane University and a BA with honors from UC Berkeley, where she double-majored in Art History and Studio Art. Her graduate research on Gustav Klimt was supported by a yearlong fellowship at Freie Universität in Berlin, Germany.
Nicole is excited to bring her collaborative approach and curatorial vision to The Westmoreland, with a focus on making art more inclusive, resonant, and engaging for diverse audiences.
November 14, 2025–January 18, 2026
Winter Tales transforms the McKenna Gallery into a magical winter scene, immersing visitors in a sensory journey through the season of snow. Created by award-winning OLO Creative Farm, this one-of-a-kind installation brings to life stunning works from The Westmoreland’s collection using multi-projection, surround sound, and delicate animated effects like mist, falling snow, and glistening frost. Visitors will feel as though they’ve stepped inside the paintings, surrounded by winter landscapes from Greensburg, Pittsburgh, the countryside, and beyond. Featuring works by artists such as William Coventry Wall, Charles W. (Bud) Gibbons, Henry Koerner, and Ron Donoughe,
among others, Winter Tales offers both visual wonder and emotional resonance. Select original winter scenes from the Museum’s collection will also be on view nearby, providing an opportunity to experience both the digital and physical works. Winter Tales is the first of two immersive experiences at The Westmoreland. The second will debut at the end of January 2026 to accompany the exhibition Steel Valley Visions: An American Legacy.
Founded in 1986, The Westmoreland Society is a Museum affiliate group with a special focus on supporting the permanent collection and recognizing individuals who make a significant impact in the arts. A portion of your membership contribution goes directly toward acquiring new works for the Museum.
As a Society member, you’ll enjoy a rich array of exclusive benefits that bring you closer to the art, the artists, and the community that supports them, including:
• Exclusive previews of selected exhibitions and acquisitions
• Curated travel experiences with behind-thescenes access
• Invitation to the annual Westmoreland Society Reception, where you can cast your vote to help select new artwork for the Museum’s permanent collection
One of the Society’s most anticipated benefits is the invitation to private tours of galleries, artist studios, and distinguished art collections.
In 2025, members enjoyed exclusive access to two remarkable private collections in the Pittsburgh area, followed by a beautifully catered luncheon. We extend our heartfelt thanks to all the friends and supporters who made the 2025 Collectors Tour a resounding success.
Join us January 16–18, 2026 for a New York City Art Tour featuring a curated art itinerary, including visits to galleries and tours of Sotheby’s and Christie’s Americana Week exhibitions! For more information and pricing, contact Ashley Formato, Individual Giving Manager, at aformato@thewestmoreland.org or 724.837.1500 x138.
Questions about your Westmoreland Society membership or about becoming a Westmoreland Society member? Please contact Ashley Formato at aformato@thewestmoreland.org or 724.837.1500 x138.
Friday, October 10, 6–9pm
Grab a friend and rock out during this excellent evening of Art on Tap! Enjoy a Museum-wide scavenger hunt and sip on craft brews or a signature cocktail while the tunes rock all night long.
$12 member/$15 non-member Event is 21+. Ticket includes entertainment, light bites, and one free drink from the cash bar. Sponsored by Burns White LLC.
Saturday, October 11, 10am–12pm
Celebrate "Spooky Season" with a simply splendid spirit in glowing colors. Create this Pop Art-inspired multimedia painting just in time for Halloween!
$20 member/$25 non-member
Advance registration is required; deadline is October 9 Designed for children ages 7–10. Materials provided.
Wednesday, October 15
7–9pm, Doors and Bar Open at 6pm Jazz returns for another fantastic season at The Westmoreland!
$20 member/$25 non-member Season ticket: $60 member/$80 non-member Cash bar and complimentary snacks available.
Sunday, October 19, 10am–3pm
Celebrate the rich heritage, culture, and traditions of Native American communities during this special edition of Sunday Fun Day! Enjoy a day filled with hands-on artmaking, live performances, storytelling, and educational activities for all ages.
FREE
Enjoy food and drink options available for purchase.
Tuesday, October 21 6–8pm
Join Amy Roadman for an immersive pottery workshop where creativity blooms! Participants will create stunning flower dishes and sculptures using clay. Perfect for all skill levels, this workshop promises a delightful blend of artistry and fun!
$20 member/$25 non-member
Advance registration is required; deadline is October 14 Materials provided.
Thursday, October 23, 6–8pm
To register or purchase tickets for these events visit thewestmoreland.org/events
Advance registration is recommended for most events.
Explore the world of artist Aaron Gorson in this talk by Maxwell King, author of the upcoming biography on the artist, Fire in the Night Sky. Drawing from his research into Gorson, King will illuminate key aspects of his life and artistic practice as expressed in the works featured in the exhibition Works by Aaron Gorson, Words by Maxwell King.
FREE
Saturday, November 1, 3–4:30pm
Join a docent-guided tour of The Art of Elizabeth Catlett from the Collection of Samella Lewis
FREE (members only)
Advance registration is required; deadline is October 31
Saturday, November 1, 6:30–9pm Westmoreland Society members will gather for the 38th annual meeting to select, vote on, and acquire artwork for the permanent collection. The reception will feature hors d'oeuvres, cocktails, and musical entertainment.
$125 member/guest (Westmoreland Society members only)
Advance registration is required; deadline is October 25.
Wednesday, November 5, 5–7pm
Saturday, November 8
10am–12pm
Look to the style of Cubism to create your own bird-inspired masterpiece. Turkeys are top of mind for November, but any bird will do to make us thankful for creativity.
$20 member/$25 non-member
Advance registration is required; deadline is November 6. Designed for children ages 7–10. Materials provided.
Sunday, November 9, 1–3pm
Active public school teachers are invited to an exclusive tour of this featured exhibition. Join us for an evening of exploring the galleries through hands-on learning experiences to take back to your classroom!
FREE
Advance registration required.
Teacher programs supported in part by contributions from businesses eligible for tax credits through the PA Educational Improvement Tax Credit (EITC) program.
Eligible teachers will receive two Act 48 credits issued by the Westmoreland Intermediate Unit.
To register or purchase tickets for these events visit thewestmoreland.org/events
Advance registration is recommended for most events.
To celebrate Veterans Day and in anticipation of America's Semiquincentennial, watch a special preview of The American Revolution, a documentary by Ken Burns, Sarah Botstein, and David Schmidt. After the screening, learn about regional connections to the War for Independence. Veterans will also be treated to free donuts and coffee all day.
FREE
Wednesday, November 12
7–9pm, Doors and Bar Open at 6pm
$20 member/$25 non-member Cash bar and complimentary snacks available.
Thursday, November 13, 10am–1pm
In celebration of Native American Heritage Month, join artist educator Jennifer Busato for an introduction to the art of coiled basketry.
$20 member/$25 non-member
Advance registration is required; deadline is November 6
Materials provided, but participants are welcome to bring yarn or fabric scraps that can be repurposed as a part of their artwork.
November 14–December 26
nightly, from dusk to 10pm
FREE
Celebrate the holiday season at The Westmoreland with the Museum's magical Winter Lights display and a special series of free events for all ages!
Friday, November 14, 6–9pm
Celebrate the start of the season with the opening night of Winter Lights! Enjoy sparkling outdoor light displays, live performances, and interactive demonstrations. This year, step inside the Museum to experience Winter Tales, a new immersive installation. Savor festive snacks from local food vendors and specialty drinks at the cash bar. Take part in hands-on art activities and enjoy special entertainment for all ages during this magical winter evening.
FREE
Generous support provided by the Westmoreland County Comprehensive Community Investment Fund of The Community Foundation of Westmoreland County and the Robertshaw Charitable Foundation.
Additional support for Winter Wonderland and Winter Nights provided by Art Bridges Foundation’s Access for All program.
Fridays, November 21, 28, December 5, 12, 19, 26
5–8pm
The Museum will be open late until 8pm on Fridays from November 21 through December 26. Enjoy a magical evening as you stroll through the enchanting Winter Lights display, explore the permanent collection, and experience the new immersive installation, Winter Tales. Warm up with a complimentary seasonal hot beverage, try a specialty drink from the cash bar, and enjoy art-making activities.
FREE
*Please note that the Museum will open at 12pm on these dates
December
Jazz Concert Series
RML Jazz
Wednesday, December 3
7–9pm, Doors and Bar Open at 6pm
$20 member/$25 non-member
Cash bar and complimentary snacks available.
Thursday, December 4, 5–8pm
Friday, December 5, 12–8pm Saturday, December 6, 10am–5pm
See below for more information.
FREE
Fridays, December 5, 12, 19, 26, 5–8pm
The Museum will be open late until 8pm on Fridays in December.
See page 13 for more information.
FREE
*Please note that the Museum will open at 12pm on these dates.
Saturdays, 1–2pm
Saturdays year-round , 1–2pm
Drop in for engaging, docent-led tours of the exhibitions on view.
FREE
No advance registration required.
Thursday, December 4, 5–8pm
Friday, December 5, 12–8pm
Saturday, December 6, 10am–5pm
FREE
Mark your calendar for the Museum's annual Holiday Mart!
This delightful event will feature regional artisans showcasing their unique, handcrafted gifts, making it the perfect opportunity to find special presents for your loved ones or treat yourself.
Live musical entertainment
Complimentary hot chocolate and cookies
Free gift wrapping for all purchases
10% discount on all regular price merchandise
Museum members receive an additional 10% discount
Enter to win exciting raffle prizes
Every purchase supports regional artisans and The Westmoreland!
Jazz Concert Series Eric Barchiesi
Wednesday, January 14
7–9pm, Doors and Bar Open at 6pm
$20 member/$25 non-member
Cash bar and complimentary snacks available.
New York City Art Tour
January 16–18
See page 10 for more information. (Westmoreland Society members only)
Children's Studio Calder's
Saturday, January 17
10am–12pm
Using beads, bobbles, and other found materials, create your own fish mobile inspired by artist Alexander Calder.
$20 member/$25
Advance registration is required; deadline is January 15
Saturday, January 24, 6–8pm
Join fellow members and special guests for a first look at Florida Highwaymen Painters. Enjoy hors d’oeuvres, cocktails, and entertainment while experiencing this special exhibition.
FREE (members only)
Advance registration is required.
Designed for children ages 7–10. Materials provided.
Monday, January 19, 10am–3pm
Join us for a special day of programming as we celebrate the legacy of Dr. Martin Luther King Jr. with a day of reflection, creativity, and community connection. Enjoy powerful performances that honor Dr. King’s vision and impact. Families can take part in a variety of engaging art-making activities for all ages.
FREE
Enjoy food and drink options available for purchase.
Thursday, January 29 am–12pm
Learn the Japanese art of fish printing called Gyotaku. Join Wendy Milne for an adaptation of this traditional technique by using fish molds and paint to create a variety of colorful prints and backgrounds. Paint shirts and old clothes recommended!
$20 member/$25 non-member
Advance registration is required; deadline is January 22 Materials provided.
Friday, January 30, 6–9pm
Get ready to laugh out loud during this Art on Tap! Join us for an evening of wacky high jinks featuring a comedy performance, a Museum-wide scavenger hunt, a signature cocktail, and more!
$12 member/$15 non-member
Event is 21+. Ticket includes entertainment, light bites, and one free drink from the cash bar.
To register or purchase tickets for these events visit thewestmoreland.org/events
Advance registration is recommended for most events.
I had the pleasure of meeting George Greer only a few times, but each encounter left a lasting impression. George always had a smile on his face and a sparkle in his eye. I wish I had more time to know him better, but through those brief moments—and the memories shared by others—it became clear how much he meant to this Museum and the broader Pittsburgh community.
George was a deeply respected civic leader and philanthropist whose commitment to Pittsburgh and Western Pennsylvania spanned decades. After a long and successful career at the H.J. Heinz Company, he served as Chairman of the Eden Hall Foundation, a role that allowed him to make an even greater impact on the region he loved. He was involved in nearly every major philanthropic initiative in the area, always working behind the scenes, never seeking the spotlight. From the arts to education, healthcare to the environment, George helped shape a stronger, more compassionate community.
At The Westmoreland, George served on our Board of Trustees and later as an Emeritus member. He joined the Board during a pivotal time, when the Museum was gearing up for a capital campaign that would ultimately transform our building and our reach. George was not just a donor; he was a believer. He had
a “let’s just do it” attitude that inspired those around him, and he understood the value of culture and creativity in a way that gave others permission to dream big. He was also part of the search committee that selected me for this role—a gesture I will always cherish.
Together with Jack Robertshaw, Don Korb, Harry Thompson, and Toby Biddle, George was part of a powerhouse cohort of board members, who brought their full hearts and talents to the table. They were committed, generous, and, most importantly, joyful. George, in particular, had a knack for making people feel seen and valued. Our former Director, Judy Hansen O’Toole, spoke of how his belief in her, especially during a difficult health challenge, gave her the strength to continue. “That was George,” she said, “always lifting others, always encouraging.”
George loved the arts, and most of all, he loved his family. He and his wife Jane were true partners, and their devotion to each other was evident to anyone who saw them together. They built a life filled with meaning and service. Together they raised two children and were proud grandparents and great-grandparents. That sense of purpose and love infused everything George did.
At his memorial, I had the chance to meet many people whose lives George touched—friends, family, colleagues, and community leaders. What struck me most was how universal the stories were. Everyone spoke of his integrity, humility, generosity, and belief in the good that people and institutions could do.
We at The Westmoreland are grateful for George’s time, wisdom, and commitment. His legacy continues to shape who we are, and we are honored to have counted him as part of our Museum family.
—Silvia Filippini-Fantoni, PhD
The Richard M. Scaife Director/CEO
Host Your Corporate Holiday Event at The Westmoreland!
With a variety of inspiring spaces and incredible amenities, the Museum can accommodate many different types of corporate events sure to wow your colleagues and help spark the next big idea.
Offerings include:
• Community room space with expansive views of Downtown Greensburg
• Elegant lobby for welcoming your guests and colleagues
• Landscaped grounds and terrace to extend your event space
• Gallery options for your guests to explore the art
• Bar and beverage package options to meet your needs
• Flexible food services, allowing your choice of caterer
• Projector and AV equipment available
• Experienced Museum staff to help make your event a seamless success
Members enjoy discounts on Museum event rentals.
For inquiries, contact the Rental Event Coordinator at eventrentals@thewestmoreland.org or 724.837.1500 x112.
Members enjoy exclusive event invitations, access to over 1,000 museums nationwide, and more. Plus, your gift supports Free Admission for All, keeping The Westmoreland open and welcoming to everyone.
To purchase a gift of membership, visit thewestmoreland.org/membership or contact Ashley Formato, Individual Giving Manager, at aformato@thewestmoreland.org or 724.837.1500 x138.
221 North Main Street, Greensburg, PA 15601
724.837.1500 thewestmoreland.org info@thewestmoreland.org
Admission is free.
September–May
Wed–Sun: 10am–5pm
June–August
Wed, Thurs, Sat, Sun: 10am–5pm Fri: 12–7pm
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cover Elizabeth Catlett, Sharecropper, 1968. Linocut. Collection of Samella Lewis. © 2025 Mora-Catlett Family / Licensed by VAGA at Artists Rights Society (ARS), NY.