TROY QUINN, MUSIC DIRECTOR DIGITAL PROGRAM
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Welcome.
It is my pleasure to present A Salute to Pops!, the second concert of 2025 with The Venice Symphony. For this highly requested program, Music Director Troy Quinn has curated a nostalgic selection of popular orchestral music from across the decades.
As a valued patron of The Venice Symphony, your feedback is essential to us. We encourage you to participate in our post-concert surveys, which you’ll receive via email after select performances. With our community in mind, our staff, musicians, and Music Director strive to create exceptional musical experiences for all.
This season, we’re excited to introduce our Locks of Love campaign, running through March 8. In support of our annual Gala, this campaign invites you to leave your mark with a personalized lock, available for purchase at upcoming performances. Your Locks of Love will be prominently displayed at our Parisian-themed Gala, with all proceeds benefiting The Venice Symphony’s mission to transform lives through music. Tickets for the Gala are now on sale online and at the box office—we hope to see you there!
Stay connected with us by following @The VeniceSymphony on social media for updates on performances, education programs, and volunteer opportunities. Thank you for your continued support of The Venice Symphony and for joining us on this musical journey.
Sincerely,
Christine Kasten, President/CEO The Venice Symphony
TROY QUINN, MUSIC DIRECTOR TROY QUINN, MUSIC DIRECTOR
Emmy-nominated conductor Troy Quinn has quickly established himself as one of his generation’s most versatile young artists. Lauded for his energetic and riveting, yet sensitive conducting, Quinn is in his seventh season as Music Director of the Venice Symphony in Florida. He is also in his eighth season as Music Director of the Owensboro Symphony in Kentucky and serves concurrently as the Pops Conductor of both the Santa Rosa Symphony in California and the Rhode Island Philharmonic. Quinn’s engagements have included performances with many prestigious orchestras in the United States, including the Boston Pops, Los Angeles Chamber Orchestra, Rochester Philharmonic Orchestra, and the Chamber Orchestra of Philadelphia.
Equally at home in the pops and commercial world, Quinn has performed and recorded with some of the most popular artists of our time, including The Rolling Stones, The Beach Boys, Barry Manilow, Lee Greenwood, Josh Groban, Jennifer Hudson, Michael Feinstein, Tower of Power, The Indigo Girls, and Nas. As an accomplished vocalist, Quinn has also collaborated with such prominent maestros as Helmuth Rilling, Carl St. Clair, and Dan Saunders of the Metropolitan Opera. In addition to his concert work, Quinn has worked extensively in the television and recording industry, earning an Emmy nomination for the PBS special A Night at the Oscars with the Owensboro Symphony. He has made appearances on such hit television shows as Fox’s GLEE, NBC’s The Voice, and The Tonight Show with Jay Leno while recording on films like The Call of the Wild and Indiana Jones and the Kingdom of the Crystal Skull. He has also appeared at many of the world’s major music centers and at such famed venues as the Hollywood Bowl, Walt Disney Concert Hall, and Tanglewood, where Quinn conducted the BUTI orchestra.
A native of Connecticut, Quinn pursued a bachelor of arts degree from Providence College where he was the recipient of the Leo S. Cannon award for superior achievement in the music field. He went on to earn his master’s degree with honors from the Manhattan School of Music, studying conducting with David Gilbert and voice with highly acclaimed Metropolitan Opera singer Mark Oswald. He completed his doctorate in conducting at the University of Southern California’s Thornton School of Music, where he studied with Larry Livingston and Jo-Michael Scheibe and was named the outstanding doctoral graduate of his class. Quinn has participated in numerous masterclasses as a conducting fellow, attending conducting institutes at the Royal Academy of Music, Eastman School of Music, and Bard Conservatory of Music. He has been mentored by such renowned conductors as Benjamin Zander, Neil Varon, and Leon Botstein. Quinn serves on the conducting faculty at the University of Southern California’s Thornton School of Music and has previously served as a faculty member at Providence College.
CONCERT PROGRAM
January 31, 2025 I 7:30 pm
February 1, 2025 I 3:30 + 7:30pm
Troy Quinn, Music Director
Aaron Copland Fanfare for the Common Man
Ernest Gold Boston Pops March
Riz Ortolani/Nino Oliviero More from Mondo Cane
arr. Richard Hayman
Richard Hayman “Pops” Hoe-Down
Jaques Brel If You Go Away
arr. Richard Hayman
Elmer Bernstein
The Great Escape March arr. Patrick Russ
Meredith Wilson Seventy Six Trombones from The Music Man arr. Leroy Anderson
Arr. John Williams
INTERMISSION
That’s Entertainment
Leroy Anderson Seranata
Leroy Anderson Bugler’s Holiday Kris Marshall, John Castleman, Ken Brown, Trumpets
Leroy Anderson The Waltzing Cat
Arr. Morton Gould Yankee Doodle
Morton Gould American Salute
Today’s performance will be approximately 90 minutes in length.
MUSICIANS
M u SIC DI re CT or Troy Quinn David & Deborah West Chair
F I r ST V I o LI n
Marcus Ratzenboeck
Concertmaster
Paul & Linda Mulligan Chair
Hannah Cho
Associate Concertmaster
Stephen & Redenta Picazio Chair
Katherine Gilger
Assistant Concertmaster
Diane & James Crawford Chair
Erik Berg
Edward and Patricia Crary Chair
Sergio Carleo
Robert & Bonnie Anderson Chair
Francisco Diaz
Henry & Joan Hajdas Chair
Benita Dzhurkova
Mark & Jeanne Polzin Chair
João Felipe da Fraga
Frank & Kathe Magadance Chair
Emin Huseynov
Albert & Susan DiGiacomo Chair
Evgeny Komarnitskiy
Maria Bradley & Martin Pfister Chair
Karissa Ratzenboeck
Joseph & Maureen Bentley Chair
Iryna Usova
Rev. Chris & Paula Gray Chair
Se C on D V I o LI n
Amy Rawstron Watson, Principal
Beatrice Holt Chair
Wallace DePue, Assistant Principal
Barbara Freeman Chair
Samvel Arakelyan
Sidney & Suzanne Durham Chair
Isabella Diaz
Ernest & Judith Bago Chair
Jana Kaminsky
Robert & Barbara McClure Chair
Anna Khalikova
Elena Komarnitskaia
Jack & Beth Gehring Chair
Xiaomeng Ma
Nicole Rawley
Imanuel Sandoval
V I o LA
Paul Reynolds, Principal
Elliott & Dana Corn Chair
Ethan Durell, Assistant Principal
Fred & Cindy Gossman Chair
Yaniv Cohen
David Chivas & Ron Rice Chair
Roberto Henriquez
Brian & Ruth Smith Chair
Seongwoo Jeong
Monica MacMichael
Rafael Ramirez
Michael & Ginger O’Keefe Chair
Teal Vickery
Daphne Waggener
Ce LL o
Susan Debronsky, Principal
Thomas & Martha Galek Chair
Julia Tretyakova, Assistant Principal
Michael & Patricia Dunlap Chair
Oliver Cole
Maida Hoag Atkins Chair
Anthony De Peña
Antonio Innaimo
Helen Lewis
Rocio Mendoza-Silva
Chris Pegis
Emily Yoshimoto
B ASS
Christopher Riley, Principal
John Myers Chair
Trent Harper, Assistant Principal
Kenneth & Selma Bitz Chair
Kevin Gallagher
Jonathan Ingram
Laura Miranda
Jordan Nashman
F L u T e
Francesca Arnone, Principal
Robert & Debra Waldron Chair
Angela Massey
Dennis & Marilyn Eshoo Chair
Jarrett May
Carole Raymond Chair
MUSICIANS
2024-25 S EASON Mu SIC S PONSORS • Stephen and redenta picazio
p ICC o L o
Jarrett May
Carole Raymond Chair
O BOE
Amy Collins, Principal
George De Luisi Chair
Chanmi Kim
Patrick & Geri Allard Chair
Josh Hall
Schultz-Hill Foundation Chair
en GLISH H orn
Josh Hall
Schultz-Hill Foundation Chair
C LA r I ne T
Asher Carlson, Principal
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Kelsey Castellanos
Dennis & Ruthanne Neeser Chair
Michael Drapkin
Vinod & Gail Sahney Chair
b ASS CLA r I ne T
Michael Drapkin
Vinod & Gail Sahney Chair
B ASSOON
Patrick Broder, Principal
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Javi Rodriguez
Stephen B. Hammond Chair
C on T r A b ASS oon
Vacant
Stephen B. Hammond Chair
H ORN
Joseph Lovinsky, Principal
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Chase DeCarlo
Steve Easton Chair
Jennifer Miller
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William Bard
Margaret Dixon
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Tru M pe T
Kris Marshall, Principal
Henry & Barbara Price Chair
David Dash
Bert & Janetta Nicholson Chair
Kenneth Brown
Dean & Theresa Hilgers Chair
John Castleman
Jeff Wooldridge
Tro M bone
Joe Offner, Principal
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Tom McNair
Teddy Arnold
b ASS T ro M bone
Chris Lundquist
Tub A
Joseph Alvarez, Principal
Mick & Cindy Bryan Chair
T IM pA n I
Gavin Dougherty, Principal
Joseph & Susan Wolters Chair
Julie Angelis Boehler
p er C u SSI on
Dana Kimble, Principal
Robert Gilbert Storyk Chair
Al Lyman
Dr. Murray & Sharon Smith Chair
Michael Woods
Nick Bruno
William Brown
HA rp
Giuseppina Ciarla, Principal
Sean & Esther Kelly Chair
K e Y bo A r D
Judi Glover, Principal
Joanne Corcoran Chair
The Venice Symphony is a proud member of
CONCERT NOTES
Aaron Copland is one of America’s most iconic composers, often dubbed the “Dean of American Composers.” Fanfare for the Common Man (1942) is one of his most wellknown works, composed during World War II as part of a series of fanfares commissioned by the Cincinnati Symphony Orchestra. This work, grand and powerful, has become a symbol of the American spirit and resilience, often performed at ceremonial events. Its bold brass and percussion sections convey a sense of dignity and strength.
Ernest Gold was an Austrian-American composer, best known for his film scores. His most famous work is the score for Exodus (1960), which earned him an Academy Award. The Boston Pops March (often associated with the Boston Pops Orchestra and performed regularly in their concerts) reflects the exuberance and celebration of American popular music. Its lively and catchy melody captures the spirit of a festive event.
Riz Ortolani and Nino Oliviero composed More, a pop song adapted from a film score for the 1962 Italian documentary film Mondo Cane. Ortolani and Oliviero originally composed the melody as an orchestral arrangement that served as the film’s theme music. Italian lyrics were provided by Marcello Ciorciolini, which were adapted into English by Norman Newell. It has since become an easy listening and pop standard.
CONCERT NOTES
Richard Hayman was a prominent American conductor, arranger, and harmonica virtuoso. His arrangement of Hoe-Down from Copland’s Rodeo (1942) is a delightful, upbeat orchestral piece that exemplifies American folk music through Copland’s distinct style. The Pops Hoe-Down arrangement adds a bit of extra flair, making it suitable for lighter, popular performances, often with a lively and celebratory mood.
Jacques Brel was a Belgian singer-songwriter, known for his powerful and poignant songs in the French chanson tradition. If You Go Away (originally Ne me quitte pas) was one of his most famous and heart-wrenching songs, with themes of love, loss, and longing. This version, arranged by Richard Hayman, transforms the original song into an orchestral arrangement that retains the emotional intensity while giving it a lush, symphonic treatment. It’s a beautiful blend of classical instrumentation with Brel’s deeply emotional storytelling.
Elmer Bernstein was one of Hollywood’s most versatile composers, with a career spanning many genres. The Great Escape March (1963), composed for the classic World War II film The Great Escape, is one of his signature pieces. The music is heroic, with a sense of optimism and determination in the face of adversity. Patrick Russ’s arrangement adds a more orchestral flavor to Bernstein’s already iconic march, often evoking themes of courage and teamwork.
CONCERT NOTES
Meredith Willson was an American composer and playwright, best known for creating the hit Broadway musical The Music Man (1957).
Seventy-Six Trombones is one of the musical’s most famous and jubilant numbers, symbolizing the exuberant energy of the show’s lead character, Professor Harold Hill, as he rallies the townsfolk into forming a marching band. The song is playful, lively, and filled with a sense of optimism. John Wilson’s arrangement enhances the brass section, giving it an even grander and more polished sound for orchestral performances.
Morton Gould (1913–1996) was an American composer, conductor, and pianist, known for his ability to blend classical, jazz, and popular styles in innovative ways. Gould’s arrangement of Yankee Doodle (1942) is a brilliant, lively version of the famous American folk song that has long been associated with patriotic celebrations. The song itself dates back to the 18th century and became popular during the American Revolution, symbolizing American resilience and independence. In Gould’s version, he uses sophisticated orchestral techniques to give the melody a fresh sound, blending humor and high energy. The arrangement showcases his inventive use of rhythm and orchestration, making it a crowd-pleasing piece that exudes both American pride and a sense of musical playfulness.
CONCERT NOTES
American Salute is one of Morton Gould’s most famous compositions, often regarded as a patriotic tone poem. It is a brilliant orchestral arrangement based on the Civil War-era folk tune When Johnny Comes Marching Home. The piece evokes a sense of American patriotism and military heroism, capturing the sound of marching bands and military drums. Gould’s orchestration is vibrant and energetic, with powerful brass sections, sweeping strings, and rhythmic percussion that simulate the sounds of a marching parade.
Leroy Anderson was an American composer and conductor, best known for his light orchestral music and inventive, catchy compositions. He composed numerous pieces that have become staples of the American orchestral repertoire, particularly in the “pops” concert setting. Bugler’s Holiday (1954) is one of Anderson’s most famous and widely performed works. The piece was originally written for brass trio and later orchestrated for full brass section and orchestra. It is a lively and upbeat work that captures the spirit of a military fanfare or a bugler leading a parade.
Don’t Miss Our Pre-Concert Talks
Join Music Director Troy Quinn, soloists and musicians for a casual, entertaining and informative talk and Q&A. This is a free half-hour program before every concert, and you do not need a concert ticket or reservation. Open seating is in the orchestra level of the concert hall.
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CHAIR SOCIETY
The Venice Symphony Chair Society is dedicated to supporting the Symphony today and in the future. Members have the opportunity to sponsor a musician’s chair in the orchestra, attend exclusive events with Maestro Troy Quinn and Symphony musicians and more.
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^Charter Members
*Denotes Chair Sponsors
For complete membership information contact
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Richard Tisch
Don & Leslie Titzel
Inia Tunstall
Susan Van Wieren
Linda Varone
Melissa Wall
Peter & Mary Wallin
Winthrop & Vanessa Wassenar
Susan Weiner
Margaret Weiss
Frances White
David & Loretta Whitney
Anita Wilson
Katherine Wolyniak
Judith Wood
Linda & David Workman
Kathleen & William Wright
John & Toni Yahres
Nicholas & Janet Zennario
In Me M or IAM
Connie Crouch in memory of Joanne Corcoran
Sally Outwin in memory of Joanne Corcoran
Dr. Jim Renz in memory of my wife Linda
T r I bu T e S
Anonymous in tribute to Patricia Pratt
Bruce Ensinger in tribute to Troy Quinn
If you believe there is an error or omission in this list, please call Jon DeVries or Holly Anderson at 941-207-8822.
SUPPORT THE SYMPHONY
Your personal investment is the reason The Venice Symphony delivers exceptional concerts and affordable music education. Together, musical excellence is sustained and lives transformed.
Annual Fund – The Venice Symphony’s primary source of operating revenue and outreach. Contributions may be given monthly, quarterly or annually.
Donor Advised Funds and IrA Distributions – A contribution from an IRA or DAF is an excellent way to achieve your charitable giving objectives. *
employee Match – Many corporations will match their current employee’s or retiree’s donation. This can potentially double or triple the amount you give.
Living Trusts and bequests – Pledge a will bequest or name The Venice Symphony as a beneficiary of a retirement or life insurance plan. *
neW! Monthly Giving option – An easy and affordable way to offer support! Simply select monthly recurring payments when giving online or when visiting or calling our administrative offices.
play it Forward - Donate an instrument and help make a difference for a young musician in our community.
Small business and Corporate engagement – Strengthen your community by offering support through concert sponsorships, participating in special events, advertising or other unique opportunities. Let’s curate a doable option for your business!
Stock and Securities – Gifts of appreciated stocks are welcomed and may be advantageous to the donor from a tax point of view. *
For more information on any of these opportunities, speak with a Development Team member by calling 941-207-8822 or visit our Administrative Offices.
*Because each situation is different, please consult your tax advisor about tax benefits.
A COPY OF THE OFFICIAL REGISTRATION #CH5442 AND FINANCIAL INFORMATION MAY BE OBTAINED FROM THE DIVISION OF CONSUMER SERVICES BY CALLING TOLL-FREE (800-435-7352) WITHIN THE STATE. REGISTRATION DOES NOT IMPLY ENDORSEMENT, APPROVAL, OR RECOMMENDATION BY THE STATE.
941-207-8822
UPCOMING EVENTS
February 8th, 2025 | 9-11am
Storybook Street
The Venice Symphony is proud to partner with the Early Coalition of Sarasota County on this annual family-friendly event. Walk away with 20 books, a swag bag of goodies, and an early love of reading. Children are welcome to dress up as their favorite storybook character.
Ed Smith Stadium
Contact: jcastleman@thevenicesymphony.org
February 15th, 2025 I 2:30pm
Capstan Financial Consulting Group Chamber Series
Join us for a FREE music series on the Great Lawn at Wellen Park. Bring your chair and enjoy the delightful sounds of The Venice Symphony Chamber Strings!
Wellen park, Solis Hall
Visit: thevenicesymphony.org
March 5th, 2025 | 10:30am - 12pm
Friends of The Venice Symphony Meeting
Join the Friends of The Venice Symphony for a meeting to discuss 2025 events, fundraisers, and volunteer opportunities.
William H. Jervey Jr. Venice Library
Contact: jcastleman@thevenicesymphony.org
March 8th, 2025 | 6pm
The Venice Symphony Annual Gala
Join us for an evening of celebration and philanthropy supporting The Venice Symphony’s mission of uniting and transforming lives through music! Dance the night away to the music provided by The Venice Symphony’s Jazz Orchestra.
Venice Community Center
Tickets: thevenicesymphony.org/events
ADMINISTRATION & STAFF
2024-2025
The Venice Symphony board of Trustees
officers
Bob Hite, Chair
Brad Speckerman, Vice Chair
Penny Corell, Secretary
Tom Fitch, Treasurer
Members
Susan DiGiacomo
Jennifer Douglas
Roger Effron
Marc Gerken
Steven Ledbetter
Denise Mattmuller
Paul McCullough
Cole McHargue
Peter Oliger
Nick Pachota
Casey Riley
Ken Sadler
our MISSIon
The Venice Symphony exists to inspire and transform lives through exceptional musical experiences.
our VISIon
Uniting Through Music
executive office
Christine Kasten, President/CEO
Candace Kurtz, Manager of Office Operations
Artistic operations
Dana Kimble, Vice President of Artistic Operations
Tim Ferguson, Production Manager and Senior Education Consultant
Al Lyman, Principal Librarian
Terry Williams, Assistant Librarian
Patricia Dunlap, Musician Host Program Coordinator
Music education, Community engagement
John Castleman, Director of Education and Outreach
Nicole Rawley, Concert Strings Conductor
Christopher Riley, Symphonic Strings Conductor
David Wing, Symphonic Winds Conductor
Development
Holly Anderson, Vice President of Philanthropy
Jon DeVries, Director of Development
Finance
Erica Downs, Finance Manager
Marketing
Dania Hammad, Director of Marketing and Communications
Alison Posner-Solares, Patron Services and Ticketing Manager
Stacy Rector, Graphic Designer
Judith Engle-Purple, Graphic Designer
