Summer Shuki 2025 夏の酒器
Exhibiting artists
Kanji Atarashi
Manabu Atarashi
Kazuhiro Fukushima
Shinya Fukushima
Yoshitaka Hasu
Yuka Hayashi
Shigemasa Higashida
Yoshiaki Imamura
Youtarou Isezaki
Ryuichi Kakurezaki
Mayumi Nakamura
Akihiro Nikaido
Katsunori Sawa
Yu Sugimoto
Shinji Suzuki
Yoshinobu Suzuki
Hiroyumi Suzuki
Takashi Tanimoto
Teppei Terada
Yumiko Toda
Hiroshi Yamada
Kazu Yamada
Summer Shuki 2025
夏の酒器
ToThere is a quiet invitation at beckoning to pause, to hold, exhibition—around 250 pieces ceramic artists across Japan—are conviviality; they are philosophical to pay attention.
In Japan, sake is not merely communed with. Its vessels, become conduits between nature guest and host, between maker collective term for these vessels, To host them is to take part ever evolving, deeply intimate
There is reverence even in the etiquette, to pour or receive considered impolite—not only offer or from whom you receive, customary to use both hands, something of quiet dignity. not as an object of convenience, human exchange. Every act vessel a guest at the table.
In Summer Shuki 2025, we breadth of expression. From Iga to the enduring earthiness Seto and Mino, the playful and and the innovation now pulsing exhibition charts the landscapes imagination. Each piece carries and the soul of its maker.
The artists assembled here contemporary Japanese ceramics—venerable grounded in centuries-old practices, bold new paths, and senior-career promises to shape the next decades to refining their practice restraint; others bring fresh in contemporary perspectives tradition. What unites them clay and fire, and a shared pursuit: lives, not merely exists. Some whisper, quietly resonating,
To hold with both hands
Introduction for the Collectors’ Preview
by Howard Clegg, Director, The Stratford Gallery
at the heart of sake ware—a hold, to consider. The vessels in this pieces crafted by 21 exceptional Japan—are not simply tools of philosophical companions. They ask us
merely consumed—it is honoured, vessels, shaped by hand and fire, nature and the self, between maker and user. Shuki, the vessels, carries this cultural weight. part in a tradition that is ancient yet intimate yet inherently communal.
the smallest gesture. In Japanese receive sake using only one hand is only to the person to whom you receive, but to the vessel itself. It is hands, as one would when handling In this, the sake vessel is treated convenience, but as a participant in the act becomes a ceremony, and every
welcome an extraordinary From the embers of Shigaraki and earthiness of Bizen, the historic kilns of and evolving spirit of 17C. Oribe, pulsing through Tajimi’s studios—this landscapes of both geography and carries the signature of its region
span the continuum of ceramics—venerable masters practices, emerging voices charting senior-career makers whose ascent next era. Some have dedicated many practice through repetition and fresh urgency to the form, folding perspectives without breaking faith with them is their profound respect for pursuit: to make something that Some shuki solicits attention, others waiting to be understood.
To collect sake ware is to participate in a quiet kind of intimacy. Unlike grand statement pieces, these small forms speak in gestures—in the cool curve of a Shino lip, the distorted belly of a tokkuri, the fire-kissed blush of a woodfired guinomi, the fingertip-softened edge of a pouring spout. Their power lies in their proximity to use. They are made to be held, warmed, washed, and returned to again. Each one becomes personal, storing not just sake, but memory. Each pour marks a moment, each sip resembles acceptance.
Sake ware is, in its purest form, a mirror to our own humanity. It celebrates imperfection, honours transience, and speaks the quiet language of beauty found in the modest and the worn. To cup a guinomi in hand is to feel time slow; to pour from a tokkuri is to offer more than drink—it is to offer presence. These gestures, small and ritualistic, remind us of what it is to be human in a world too often rushing past itself.
Summer Shuki 2025 is not just an exhibition. It is a seasonal moment—a gathering of form, fire, and feeling. A celebration of craft and connection. We invite you to explore, to collect, and to drink in all that these vessels offer, not just to the palate, but to the soul.
In this Collectors’ Preview each participating artist is represented with their studio location in Japan and a selection of the work they have submitted for Summer Shuki 2025.
In most cases it does represent the entirety of the work they have submitted that will be available on launch of the exhibition. The total number of works being offered by each artist in Summer Shuki 2025 is noted on the relevant page.
Kanji Atarashi Iga
3 works available
Iga Tokkuri
Iga Guinomii
Tokkuri
Iga Guinomi
Manabu Atarashi
11 works available
Iga Shinogi Tokkuri
Iga Shinogi Guinomi
Iga Shinogi Katakuchi
Iga Shinogi Shino Guinomi
Kiseto Shinogi Guinomi
Kazuhiro Fukushima Iga
Iga Oribe Tokkuri
Iga Oribe guinomi
Iga Katakuchi
Iga Guinomi
Iga Guinomi
Shinya Fukushima Iga
15 works available
Iga Tokkuri
Iga Guinomi
Iga Katakuchi
Iga Guinomi
Iga Guinomi
Yoshitaka Hasu Iga
13 works available
Iga Sakenomi
Iga Guinomi
Iga Sakenomi
Iga Guinomi
Iga Guinomi
Yuka Hayashi Tajimi
Shino Guinomi
Shino Guinomi
Guinomi
Shino Guinomi
Shigemasa Higashida
Tokyo
16 works available
Oribe Saketugi
Oribe Guinomi
Oribe Tokkuri
Oribe Guinomi
Kuro Oribe Guinomi
Yoshiaki Imamura Okinawa
3 works available
Lustred Guinomi
Lustred King’s Cup
Youtarou Isezaki
Tajimi / Bizen
10 works available
HAL Guinomi
DAYS Guinomi
HAL Guinomi
Ryuichi Kakurezaki
Bizen
2 works available
Oribe Guinomi
White Glazed Guinomi
Mayumi Nakamura Miyazaki
5 works available
Universe Guinomi
Universe Guinomi
Universe Guinomi
Universe Guinomi
Akihiro Nikaido Shizuoka
Yellow Gyokkaku
Tokkuri
White Gyokkaku Katakuchi
White Gyokkaku Ochoko
White Gyokkaku Ochoko
Katsunori Sawa Shigaraki
Oribe Katakuchi
Yobitsugi Oribe Guinomi
Shigaraki Yakishime Tokkuri
Yashichida Oribe Guinomi
Shigaraki Yakishime Kintsugi Guinomi
Yu Sugimoto
Shigaraki
Shigaraki Yakishime Tokkuri
Shigaraki Yakishime Guinomi
Shigaraki Yakishime Katakuchi
Shigaraki Yakishime Guinomi
Shigaraki Yakishime Guinomi
Shinji Suzuki
Mino
Murasaki Shino Tokkuri
Shino Akae Guinomi
Murasaki Shino Guinomi
Yoshinobu Suzuki Otsu
12 works available
Ryusensai ‘Vivid Flowing Glaze’ Guinomi
Ryusensai ‘Vivid Flowing Glaze’ Sake Pourer
Glaze’ Ryusensai ‘Vivid Flowing Glaze’ Guinomi
Glass Glaze Rock Surface Guinomi
Hiroyumi Suzuki Iga
Iga Katakuchi
Iga Guinomi
Iga Guinomi
Iga Mishima Guinomi
Iga Katakuchi
Takashi Tanimoto
7 works available
Iga Tokkuri
Iga Guinomi
Iga Tokkuri
Iga Guinomi
Iga Guinomi
Teppei Terada Seto
Kiseto Kawasemi Sakenomi
Anagama Oribe Guinomi
Blue Oribe Spouted Katakuchi
Blue Oribe Guinomi Kiseto Guinomi
Yumiko Toda Niihama
6 works available
Carved Oribe Tokkuri
Carved Oribe Guinomi
Carved Oribe Tokkuri
Carved Oribe Guinomi
Carved Oribe Guinomi
Hiroshi Yamada Echizen
15 works available
Shino Tokkuri
Ebi Shino Guinomi
Iga Tokkuri
Iga Guinomi
Shino Guinomi
Kazu Yamada Echizen
Shino Tokkuri
Kuro Oribe Guinomi
Kuro Enbu Shino Guinomi
Guinomi
kakuyu Oribe Saketugi
June 2025
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