Art Column – Derek Howarth – Sculptor
As you approach ART @ MG – Mardleybury Gallery in Datchworth it is easy to see the two very large sculptures that have recently become landmarks outside of the gallery, as pictured below. These sculptures were created by Mr Derek Howarth and were originally exhibited within the University of Leicester’s botanical gardens. Both sculptures rotate on their stands - The White Lady, who’s shape has definitely been influenced by the great Henry Moore, is named ‘She’s got a ticket to ride’ after the Beatle’s famous song written in the ‘60’s. The second sculpture is called ‘The Curates Egg’ and tells the story around civilization. If you call into the gallery the owners will only be too pleased to give a full explanation of the meanings. But to tell you more about the sculptor himself …… Following the gain of a BA Hons in Sculpture, Derek Howarth started his career as a young artist by working alongside the great international sculptor Henry Moore. Making the most of this unique opportunity and absorbing as much knowledge as possible Derek soon developed his own skills in building large sculptural art. When Derek originally joined Henry Moore, traditionally only heavier materials were used to create the ‘masterpieces’. However, Derek had heard about a German artist who used only lighter weight material such as polystyrene and fibre glass, and so he took the brave step to introduce the idea to Henry. This put Derek in good stead as Henry soon felt the benefits from the new process and, as a consequence, continued to involve Derek in several large projects during the following years. Like all artists, the need to find a way to earn a living wage became of primary importance and so with this in mind Derek taught at the Norwich School of Art until 1967. It was after this period of teaching that Derek opened up his own professional studio/workshop creating threedimensional work for films, theatre, television, exhibitions, industry, shopping centres and public buildings. Applying his skills in developing techniques for building props and sets for theatre and films, and incorporating the use of lighter weight materials, it wasn’t long 28