Ms sect b 20170618 sunday

Page 1

B1

SUNDAY, JUNE 18, 2017 Adelle Chua, Editor

Opinion

Joyce Pangco Pañares, Issue Editor

mst.daydesk@gmail.com

EDITORIAL

POP GOES THE WORLD JENNY ORTUOSTE

HANDMAID’S TALE ON TV: SURVIVAL MODE

one of their patients started out by going to cockfighting events, which do not take place every day. The excitement grew with each winning, however, so that the weekly “sabong” no longer sufficed.

SAN FRANCISCO BAY AREA—Interest in books dealing with totalitarian states has increased with the election victory of Trump in the US. One of the books that has surged to the top of the radar is “The Handmaid’s Tale” (1985) by Margaret Atwood, which is now a Hulu TV series. Although preparations for the series were under way before Trump’s win, its release is timely. Here’s the synopsis on TV that also pretty much sums up the storyline of the book: “In a dystopian near-future, the totalitarian and Christian-fundamentalist government of Gilead rules the former United States amid an ongoing civil war and subjugates women, who are not allowed to work, control money, or even read. “Widespread infertility due to environmental contamination has resulted in the conscription of young fertile women—called Handmaids, according to Biblical precedent— who are assigned to the homes of the elite, where they must have ritualized sex with the men in order to become pregnant and bear children for those men and their wives.” The protagonist, Offred (played by Elizabeth Moss)—her name comes from the possessive “of” and the name of her Commander (the elite man to whom she is assigned), Fred—is traumatized, dealing with the collapse of society and the rise of a new order, as well as the tearing apart of her family, her husband and daughter taken away by the new government. The first episode opens with the scene where the family tries to run away into the forest—this came a bit later on in the book. Chronologically, however, this arrangement makes the story easier to understand. Next, we see Offred in Fred’s (Joseph Fiennes) household, where she meets his wife Serena Joy (Yvonne Strahovski), who tells her in no uncertain terms not to have any ideas about seducing her husband – “If I get trouble, believe me I will give trouble back.” TV Serena Joy is younger than in the book, which takes some getting used to, but her bitchiness and jealousy are therefore more believable. Atwood makes a cameo in the flashback scene at the Red Center, slapping Offred when she hesitates from participating in the collective shaming of another handmaid. Chillingly, this indoctrination, says the Center’s leader Aunt Lydia (Ann Dowd), is something that they will get used to, in time—“This will become—ordinary.” The first season earned 100 percent on Rotten Tomatoes, and it’s a welldeserved assessment. The tone of the series is finely tuned. The scenes are fraught with tension but not overwrought. The acting is restrained, as befits the new norm of behavior in a society where the elite struggles to control everyone else, who live in fear of punishment and torture for offenses they might be accused of. As the series progresses, we see Offred negotiating her assigned role. Handmaids are reproductive surrogates, Marthas keep house, Econowives are wed to those below elite ranks. Those who despair attempt to escape or commit suicide (as the previous Offred did), rebel, and are sent to “The Colonies” where they clean up toxic waste and can expect extremely limited lifespans. Offred declares her intention at the end of the first episode. “I intend to survive for her [her daughter]. Her name is Hannah. My husband’s name is Luke. My name… is June.” (In the book, Offred’s true name is not known.) By affirming her identity, she maintains her sense of self and increases her mental strength and chances at survival. This is one of the central themes

Turn to B2

Turn to B2

WHEN THE SPEAKER SPEAKS

T

HE leader of the House of Representatives, Speaker Pantaleon Alvarez, appears to take his job too literally. He speaks a lot, letting his words betray the arrogance of a man heady with the knowledge that he is the fourth most powerful person in the country. Earlier this year, he was threatened with the prospect of losing his plum post at the Legislative Department and even with a disbarment case. This stemmed from the revelation that he did not only have a paramour—he was bringing her to official functions on government expense. His honorable colleagues say this was an open secret among them. “Who does not have a mistress?” macho man Alvarez said. As to the case he faced, he was confident: “Bring it on!” This is not the only time Mr. Alvarez has regaled us with his braggadocio. Faced with the possibility that the Supreme Court, after hearing arguments on President Duterte’s declaration of martial law in Mindanao, might rule that Congress should convene to discuss the same, Alvarez said he would disregard any such decision. “They [the justices] do not have the right to dictate on Congress what we should do,” he said, citing separation of powers among the three branches of government. He is a lawyer and could have argued his point objectively, but then he took one step further.

Scan this icon to view the PDF

“Punitin ko yan [I will tear it up]!” he said, referring to the piece of paper that would contain such a decision from the court. Even the Palace said the President would respect whatever the Supreme Court decides. But wait, there’s more. Mr. Alvarez said last week three justices of the Court of Appeals were ignorant of the law when they ordered him to explain why he should not be cited in contempt for refusing to release six Ilocos Norte provincial government employees who have been detained at the House since May 29. They are accused of misusing P66.45 million in tobacco funds but said they could not remember the transactions anymore. Again, he could have shown a good example and explained, in elegant and convincing language, why he was in the right. What he said in fact was: “Mga gago yang three justices na yan!” He proceeded to threaten the abolition of the entire appellate court, which he said was a congressional creation in the first place. Granting that it is—what could be more spiteful than a House leader causing the nixing of a body that has been around for a certain function, just because it holds a different, even adverse, opinion. Now he says he wants martial law in Mindanao extended until 2022, but is quick in clarifying that it is his personal view. Does he not realize the weight of the words of a Speaker of the House? Indeed Mr. Alvarez is an interesting character. He may be imitating his boss the president, known for his colorful language, or he may just be revealing who he really is. Either way, it does not inspire much confidence—or respect.

WHEN THE STAKES ARE HIGH (PART 2) LONG STORY SHORT ADELLE CHUA

LAST week I wrote about behavior associated with gambling addiction, and cited some examples of how they can be treated in a professional facility. Junjun and Ces Gonzales, the couple running The One Algon Place in Cabuyao, Laguna (licensed as both a

drug abuse and psychiatric rehabilitation facility), share more of their experiences in helping patients diagnosed to have some form of gambling addiction—an impulse control disorder. It often starts innocently—one is not a big gambler right away. For instance,

Rolando G. Estabillo Publisher ManilaStandard

Published Monday to Sunday by Philippine Manila Standard Publishing Inc. at 6/F Universal Re Building, 106 Paseo de Roxas, corner Perea St., Legaspi Village, Makati City. Telephone numbers 832-5554, 832-5556, 832-5558 (connecting all departments), (Editorial) 832-5554, (Advertising) 832-5550. P.O. Box 2933, Manila Central Post Office, Manila. Website: www.thestandard. com.ph; e-mail: contact@thestandard.com.ph

ONLINE

can be accessed at: manilstandard.net

MEMBER

PPI

Philippine Press Institute The National Association of Philippine Newspapers

Benjamin Philip G. Romualdez Former Chief Justice Reynato S. Puno Anita F. Grefal Baldwin R. Felipe Edgar M. Valmorida

Chairman Board Member & Chief Legal Adviser Treasury Manager OIC-Ad Solutions Circulation Manager

Ramonchito L. Tomeldan Chin Wong/Ray S. Eñano Joyce Pangco Pañares Adelle Chua

Managing Editor Associate Editors City Editor Opinion Editor

Emil P. Jurado

Honor Blanco Cabie Night Editor Romel J. Mendez Art Director Roberto Cabrera Chief Photographer

Chairman Emeritus, Editorial Board


Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.