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Civil war half a world away hits close to home Kinesiology student representative talks about spending summer in Libya ANNA-LILJA DAWSON Associate News Editor Kinesiology student councillor Nour Abouhamra has seen a nation torn apart by injustice unite in hope for a better tomorrow. Now she’s brought her experiences back to the University of Saskatchewan to help support students dealing with similar issues. Ever since she was three years old, Abouhamra’s family has visited their home country of Libya each summer. The only exception was 2011 when they thought a visit was too dangerous due to the spring revolution. This past summer Abouhamra and her family returned to their country, now ravaged by the atrocities of a civil war. “The first thing you see when you walk out of the airplane there are bullet holes in the glass of the airport,” Abouhamra said. “You could see houses that had tonnes of bullet holes and shelling, tanks just parked on the side of the road and trucks that have anti-aircraft guns mounted on the back.”
raisa pezderic/photo editor
Nour Abouhamra, who moved to Canada from Libya when she was three-years-old, represents the College of Kinesiology on students’ council. She returned to Libya this summer to the aftermath of the uprisings that blanketed the Arab world in 2011.
Aside from the obvious physical damage done to the Libyan capital, Tripoli, Abouhamra said there had been a visceral change since the revolution. There was a sense of freedom in the country that she had never felt before. “Things are different, people are different. You feel more free like you can do whatever you want, say whatever you want.” One of the biggest changes she
saw was that people were no longer living in fear. With the fall of Muammar Gaddafi’s dictatorship and later his death, Abouhamra said that Libyans were no longer afraid to say his name. Prior to the revolution, they would refer to him as “the Leader” and his son as “the Principal” because if the wrong people heard you say his name, your life could be at risk.
With the country experiencing new beginnings, Abouhamra believes that the people of Libya will no longer suffer from the extreme poverty that was created under Gaddafi. She said despite Libya’s vast oil reserves, Gaddafi’s greed for money and power created a country with devastating poverty. “What Gaddafi did was he didn’t care about the people. Libya is a really rich country,” Abouhamra
said. “He took that money for himself. He didn’t give it to the people.” The most remarkable thing that Abouhamra saw while she was in Tripoli was on the day of her arrival: There were people celebrating in the streets that each had one finger dyed blue. It was July 7 and it was the first time in over 40 years that Libyans were allowed to vote. She said that it was amazing seeing so many people taking pride in being allowed to cast a ballot compared with the people of Canada, who often take voting for granted. “It was nice to see people going out and actually voting for once,” Abouhamra said. “Unless you are not given the chance to vote, I don’t think you understand how powerful it is.” This new Libya that Abouhamra visited is becoming democratic. She said that the people now had futures that they could look forward to. The Libyan people had changed, but it may not all have been for the better.
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Silence! premieres collection of student art JENNA MANN For the past 15 winters, the Visual Arts Student Union has given students a venue to sell their artwork. Silence, an annual silent auction and art exhibit hosted by VASU and held in the Snelgrove gallery, allows students to keep between 50 and 75 per cent of the sales from their artwork depending on whether or not they also volunteer for the function. The remaining percentage goes to VASU. “We made approximately $500 last year,” said Aralia Maxwell, one of the event’s organizers. ”VASU is a non-profit organization and all of our profits go back to the students in the form of the Friday figure drawing sessions and BFA scholarships, among other things.”
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A student browses the Snelgrove gallery prior to last year’s Silence exhibit.
brianna whitmore