As we prepare for Christmas, we are privileged to share the joy of the season unfolding on our stage in this edition of The Roses Chronicle.
At the heart of this issue is the making of our Cinderella pantomime. With a true behind-the-scenes interview and sneak peek, our Technical Manager, Will offers an insight into the carpentry behind the carriage. We also share how The Roses has shifted towards an in-house production, why this is essential for balancing the books, and how it allows us to nurture talent within our region. When it comes to nurturing new talent we are brimming at the seams. In this issue, our Youth Producer, Georgia Shire, shares The Roses latest initiative to support young people with special educational needs to access work experience. Her article features the story of Harrison, who we have enjoyed having with us helping on everything from stage design to props to customer service. It is thanks to your support that The Roses can continue providing opportunities for young people to explore a career in the arts.
From nurturing new artists to supporting professionals our resident Prince Charming, Lewis Noble, is also an avid film goer and we are delighted to feature his latest review of the new film, Wicked. Despite being sceptical about musicals, Lewis was thoroughly impressed and gives a fascinating insight into what makes this adaptation of the Broadway classic so good. If Lewis’ review sparks your interest, be sure to book tickets to see it at The Roses later this winter!
As ever you’ll also find a preview of all the shows soon to go on sale, a creativity corner to help you get crafty this Christmas, and our ongoing thanks for supporting the arts and our community – now more than ever we couldn’t keep it alive without you. So, without further ado, we hope you enjoy this latest issue of The Roses Chronicle.
Warm wishes, Grace
and The Roses’ Team
Right: The cast of Cinderella turn on Tewkesbury’s Christmas lights
Behind the Curtain: Work Experience at The Roses Theatre
This term, we’ve been working on something really special in our Youth and Education department.
We’ve been running work experience placements, tours and an internship programme for students with Special Educational Needs (SEN) from across Gloucestershire and Worcestershire.
The students have been getting stuck into all sorts of roles, from helping Stage Management create props for our upcoming pantomime, Cinderella, to working with our Front-ofHouse and Box Office teams. It’s been amazing to see them grow in confidence, learn new skills, and get a taste of what it’s like to work in the world of theatre.
“The highlight of my work experience is, having a sneak peek of this year’s pantomime Cinderella, because I’ve always wanted to see the behind the scenes of pantomimes.
I have learnt about how the tickets are sold to customers, as well as working out what props could be used in Cinderella and helping with design concepts and learning about how the stage is set up for said performance.
I transferred my skills I used in Customer Service at NSC and used them in the Box office at The Roses” Harrison, National Star
The creative careers pathway at The Roses is all about giving young people opportunities and providing access to showing that theatre has a role for everyone.
If you would like to learn more about initiatives The Roses delivers to support young people and career development and how you can get involved please get in touch.
Image: Meg Anderson
A Feature on Film – Guest Review of Wicked by our resident Prince Charming, Lewis Noble
Gelling as a team is crucial for the camaraderie and chaos demanded of pantomime, so when the cast arrives at The Roses it is time to bond.
The team doubles in size, and it is a pleasure to get to know everyone. To strengthen these connections, the cast headed for a fun night out at the flicks, and we learned that Lewis Noble, our resident Charming, writes film reviews for Letterboxd – a social platform designed for film fans. Intrigued, we asked if he wouldn’t mind sharing his latest piece, and Lewis was kind enough to say yes. So, here’s what Lewis – or Charming – thought of Wicked
“As someone who doesn’t really like musicals and has never seen the Broadway show, I walked into the viewing of Wicked with a somewhat cynical mind. As much as I went in open minded, I expected to come away having watched another over hyped musical that didn’t make me feel much other than cringe.
To my surprise I was truly blown away by this masterpiece. The amount of care and love put into this movie by everyone involved is very apparent. Every possible element within this production is done to absolute perfection, especially the practical settings. The world they have built here is magical and I was totally absorbed. All performances were believable, and the leads played by Ariana Grande (Galinda) and Cynthia Erivo (Elphaba) were simply outstanding. Ariana’s ability to play the comedic role compared to Elphaba’s more stern character who is dealing with the issue of being seen as different is marvellous. The dynamic of these two is wonderful to experience, with ups and downs in their relationship throughout the movie and some incredibly funny moments that had the entire cinema laughing. The movie runs at 2:41 however feels more like 2:00. I found myself so absorbed by the movie that I was never bored. The movie has such a wonderful balance between the musical elements and the story telling. My major issue with musicals is they have a poor balance with musicality as it often feels overused without considering the major substance of the plot. This movie has perfected how much of every song is involved and the sequences that go alongside each number are truly remarkable. The choreography, the amount of people on screen at any given time, mixed in with the outstanding camera work and smooth shots really show the level art of we are dealing with. CGI was impressive and it all looked gorgeous. I normally have a massive problem with movies split into two parts. This movie ends at the end of act 1 on the Broadway show however it still felt like it had a final crescendo. If I came away unaware there was going to be a part 2, I would still feel satisfied with the ending I got. If anything, it makes me incredibly excited knowing there is a part 2 which is rare for me. The movies’ overall ability to make small moments seem epic is phenomenal. The movie has its issues, but they are forgotten about as we are aware this is an adaption from theatre. I wasn’t looking for the realism in the world as it’s clearly not a normal kind of movie. It’s magical, unique and quirky. It really felt like I was watching theatre on screen which normally I try to avoid, but this worked well. This movie is a must see for anyone who likes musicals, and I would even say that those who are hesitant to watch because of this should give it a go. I think you’ll be surprised like myself.”
Has Lewis’ review made you want to see Wicked on the big screen? If so, you can book in to see it at The Roses on 29 December or 4 January at www.rosestheatre.org/events/wicked
Image: Ariana Grande and Cynthia Erivo in Wicked
From Page to Stage: How to Build a Pantomime
Pantomime is the jewel in The Roses’ crown and at the heart of everything we do. For many, it’s a first taste of live performance—an unforgettable experience that can ignite a lifelong love of the arts. It brings families together, spreading joy and laughter across generations, while also training the next generation of performers, who have the chance to audition and shine in our young people’s chorus.
This year, we’ve even gone a step further, supporting an emerging writer to create their first full-length pantomime script.
But panto isn’t just about the magic on stage—it’s a cornerstone of our theatre’s survival. As a small regional venue, it generates 20% of our annual turnover, crucial for sustaining us through the quieter summer months. This year, we’re particularly excited to have brought even more roles in-house. Our Director, Jess is taking the helm as Director of Pantomime for the first time, and our Technical Manager Will is leading on production and set construction. Producing in-house allows us to control costs and ensures that more of the income we generate stays within the charity, unlike touring productions where as much as 80% of the revenue goes to external production companies.
To learn more about how it all comes together, we caught up with our Technical Manager Will Maeers.
The Early Stages: Collaborating on Cinderella’s Vision
The process of creating a pantomime begins long before the first performance. As soon as the script is in the hands of the production team, brainstorming begins, the script is analysed, and ways to bring the story to life through sets, lighting, sound, and special effects are devised. The team is usually given an early draft of the script by August, with sets and props being booked months ahead. One of the logistical decisions is working out what can be built in-house and what needs to be sourced externally. While large items, like the backdrops are often rented, there is still a significant amount of customisation and improvisation that takes place in-house.
As the show progresses from script to stage, key milestones are hit. This includes cloths arriving, painting the stage and key props being built for example in Cinderella, where the magical pumpkin turns into a carriage. These moments require special effects and careful planning, as they are often the most anticipated parts of the performance. An added challenge at The Roses is finding the space to build and store these props as the only space large enough is the stage so time must be found when we’ve nothing else on which often means late finishes in the Autumn months.
Quick Changes and a Demanding Schedule
As any seasoned theatre professional knows, no production ever goes entirely to plan. “Stuff will change right up to the tech week,” Will shares. As the show gets closer to opening, the technical crew is constantly adjusting the design, adding new elements, and solving unexpected problems. In this environment, flexibility is key. For example, sometimes set pieces must be built on the fly, requiring long hours and quick thinking. By the time the production gets closer to opening, the team has mastered the logistics of set building, lighting, sound, and effects. In this period, there’s a balance between making sure everything is in place for opening night and managing the team’s energy, given the long hours and demanding pace. To address this, The Roses Director and Community Producer have been developing a wellbeing
programme for the cast and crew. It’s something The Roses is particularly proud to be championing in the industry and includes everything from healthy food to voice care, to a culture of fun!
New this year the team has also introduced a technical swing - a substitute technician who can step in for others and provide relief when needed. Recognising the importance of mental and emotional well-being is just as crucial. “We’ve set up regular check-ins, team meet-ups, and debriefs,” “It’s about creating an environment where people can share how they’re feeling, especially when we’re all under such pressure.”
The Shift to an In-House Team
One of the biggest changes in the current panto production has been the move towards a more internally driven team. In past years, external freelancers filled many of the critical roles in production management and technical operations. This year, however, much of the work has shifted to the Roses Theatre’s own team. “We’ve cut down the roles from six people to about three,”. “Now the Roses team is handling everything— production management, lighting, sound, and stage management.”
This shift has not only streamlined the production process but has also brought an added level of passion to the work. “When it’s your team and your space, you feel more invested in making the show amazing,”. This passion is evident in the hours the team puts in, and the pride they take in delivering a top-tier performance.
The Technical Magic of Pantomime
Image: Meg Anderson
For the tech team, some of the most satisfying moments come from watching their hard work unfold during the performances. “Set building is one of the most rewarding aspects of the job,” Will explains. “You take an idea from your mind, sketch it out, build it, and then it comes to life on stage.” The technical crew thrives on the transformation from concept to execution - creating tangible elements that contribute to the magic of the show. Similarly, the use of pyrotechnics and special effects during the transformation scene, adds an extra layer of excitement. The team works meticulously to ensure that these moments not only wow the audience but also go off without a hitch.
Sustainability and The Future of Pantomime
Sustainability plays a crucial role in panto production, with a strong emphasis on minimising waste and reusing materials whenever possible.
“We try to reuse almost everything,” says the team, highlighting efforts to repurpose wood from previous shows for new sets and carefully store props for future performances. This commitment helps ensure that materials continue to serve their purpose year after year, reducing waste and promoting a more sustainable approach to production.
Looking ahead, the Tech team has a vision for the future, a wish list that includes more space to build and store sets, as well as access to advanced lighting equipment and rigging for effects like getting Tinkerbell to fly.
“Having our own set of moving lights would make a huge difference,” notes Will. These additions would not only elevate the quality of the pantomimes but also open the door to other touring performances and income-generating opportunities, such as equipment hire, further solidifying The Roses as a leading destination for live theatre.
Inspired by our Tech Team? Turn to the back page and learn how to build your own stage, set and props in this issue’s Creativity Corner.
Keen to see more? there’s still space to book to come and see Cinderella at The Roses this Christmas. For more information head to our website or contact the Box Office.
New Shows
Here’s a round up of just a few of the shows we have put on sale recently... these have not appeared in a brochure yet!
The Music of John Denver
FRI 4 APR 7.30PM
Singer-songwriter Chris Bannister has performed in the USA at the annual Aspen In October festival eight times, often performing with members of John’s band. He has also played to sold out audiences in Europe and across the UK, and is recognized as one of the best performers of John’s music in the world.
Tickets £24.50 - £29.50
The McCartney Songbook
WED 4 JUNE 7.30PM
Starring critically acclaimed performer Peter Jackson from West End smash hit musical ‘Let It Be’, ‘The Sessions At Abbey Road’ and ‘That’ll Be The Day’, The McCartney Songbook is not a tribute band but a live recreation of the masterworks of Sir Paul performed by world class musicians and performers.
Tickets £31.00
China Crisis
SAT 21 JUNE 7.30PM
Come join Eddie, Gary and their band in 2025 as they get back on the road again performing chart-toppers that defined a generation to hidden gems that have lingered in the hearts of devoted listeners. It will be another unforgettable China Crisis night of music, laughter, and perhaps a just bit of nostalgia that will leave you answering the question of “Why stop now?” with “Why stop, ever?!”
Marcus Brigstocke: Vitruvian Mango
THU 24 APR 7.30PM
What are men for? Most heavy things can be lifted by machines and most problems can be solved by computers and most puddles can be crossed without us gallantly draping our capes over them - so are we fellas of any use at all? Award winning MAN Marcus Brigstocke thinks we might still serve some useful function. But what is it?
Tickets £21.50
Home Service
FRI 4 JUL 7.30PM
Home Service arrives at the Roses Theatre with new lead vocalist Bob Fox at the helm. Touring their new album, A Live Transmission, they blend tradition with pulsating folk rock and trenchant brass to create the unmistakable sound of Home Service.
Tickets £31.00
Tickets £24.50 - £29.50
Whole Lotta Shakin’: The Shakin Stevens Story
SAT 26 APR 7.30PM
Fully endorsed by members of Shaky’s own family, this award winning tribute to the UK’s biggest selling singles artist of the 1980’s is a nosta lgic celebration, jam packed with feel-good Rock ‘n’ Roll!
Endless Love
SAT 10 MAY 7.30PM
Starring a sensational cast, incredible vocals and a stellar live band, Endless Love is the ultimate feel good night out and it celebrates the two legendary artistes Diana Ross and Lionel Richie. Featuring authentic live arrangements taken from both artiste’s original touring shows, this is an electrifying, joyful and emotional rollercoaster guaranteed to get you singing along and on your feet!
All Aboard: A Pirate Adventure!
TUE 27 MAY 1.30PM
This 50-minute high-energy family adventure guarantees a swashbuckling journey filled with fun for children of all ages and grownups too. So, why not come dressed as a pirate and hop onboard the Good Ship Barnacle Bottom for plenty of pirate jiggingand singalong songs.
Tickets £28.50
LogicalTramp
FRI 18 JUL 7.30PM
Logicaltramp are arguably the ultimate Supertramp tribute band and are great crowd pleasers as they run through the repertoire. So many well-crafted songs, it would only be logical to join the party, partake of an American breakfast and revel in being a dreamer!
Tickets £31.50
Lipstick On Your Collar
FRI 12 SEP 7.30PM
Step back in time to the golden era of music where the jukebox roared and feet didn’t touch the floor. Get your dancing shoes at the ready, grab yourself a milkshake and relax - you are in for an evening of back to back hits from the 1950s and 60s!
Tickets £12 – £14
Lindisfarne
SUN 12 OCT 7.30PM
Legendary 70s folk-rock pioneers Lindisfarne return to form with a classic five-piece line up of long-time members fronted by original foundermember Rod Clements on vocals, mandolin, fiddle and slide guitar.
Tickets £24.50 - £29.50
Tickets £25 - £30
Tickets £35.50
Creativity Corner Shoebox Theatre
Create your own Cinderella-themed shoebox theatre with simple materials found around your home.
Materials Needed:
– Shoebox
– Scissors, glue, tape
– Cardboard, fabric scraps, coloured paper
– Miniature figures or DIY dolls
– Glitter, beads, optional fairy lights
Help Grow The Roses Family: Celebrate 50 Years in 2025!
Instructions:
1. Prepare the Shoebox – cut a window in the front
2. Create the Stage - Glue cardboard to the bottom for the stage floor and add a raised platform at the back.
3. Design the Background - Use coloured paper or fabric to create a backdrop (castle, enchanted forest, etc.)
4. Make Props and Characters
– Characters: Use clothes pegs and fabric or make them from paper
– Pumpkin Carriage: Toilet paper rolls for wheels and orange paint
– Magic Wand: Cocktail sticks and some glitter or tinsel and pipe cleaners
5. Lighting - Add fairy lights for a magical glow
6. Final Touches - Decorate with glitter and sequins
Your Cinderella Shoebox Theatre is ready for a magical performance!
The Roses is a not-for-profit registered charity. Friends of The Roses ensure that live performance, film and community groups can continue to bring joy to the whole community all year round.
In 2025 The Roses turns 50 and we would love to have new friends join us for our anniversary celebrations. We would be so grateful if you can help us by inviting your friends to become ours.
Friends’ membership starts at £4.17 a month and in return we are delighted to be able to offer a range of perks….
– Priority Booking: If we think a show will sell out fast, we offer the chance to pre book to all members.
– Credit Your Spend: If you find you can’t attend a performance, we’ll put the credit on your account.
– Exclusive Discounts: Friends receive discounts on film at The Roses.
– The Roses Chronicle: All our members receive The Roses Chronicle which includes an update on all the activities and impact you help us host and a first look at the shows coming up.
If you’d like to find out more about our Membership Programme, please get in touch with our Box Office Team or visit www.rosestheatre.org/support-us
Thank you once again for being part of The Roses’ Family!
