April 2018
VOL 48/ISSUE 07 Pet Contest
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STEPHANIE LARSON
3 Purple Coats
Entertains and Educates
Top: Tracy Cooley portrayed a popular blues singer by the name of Bessie Smith. Smith was one of the most popular female blues singers during the 1920’s and 1930’s. Bottom: Performers show their excitement during a skit when they hear that their characters are finally free from slavery. Pictured from left to right: Garland Moore, Kennedy Lacey, Heaven Everage and Leah Becoat. Photos by: Krystie Morrison
slarson@lc.edu Lewis & Clark Community College recently hosted local theatre troupe 3 Purple Coats Productions for a musical and theatrical exploration of Black history. The original piece, based on the musical High Cotton, included spirituals from the time of slavery in America, jazz and blues performances, as well as dramatic sketches depicting the Civil Rights Era and other key moments in African-American history. Leah Becoat was the director, playwright, and producer and also stood in as an actor in several scenes. The main cast, who switched between many different roles in the piece, were Courtney Wilson, Garland Moore, Kennedy Lacey, and Heaven Everage. Additional performers were featured in solo musical performances. “High Cotton was about an hour and a half musical revue. And I’ve also created a 15 minute skit for a Dr. Martin Luther King celebration. So I basically pulled some elements from High Cotton as well as the skit honoring civil rights and Dr. King and put them together following a timeline: from slavery to change,” said Becoat. “We’re here today to celebrate Black History Month. But how many of you know that black history is not limited to one month?” asked Becoat as she took the stage. “If you’re here today that’s your black present. If you look back on yesterday, that’s your black past, and if we move forward toward the future, that is definitely the black future.” The diverse crowd filling Benjamin Godfrey Memorial Chapel was composed largely of students from local elementary and middle schools. Becoat says she saw this as an opportunity to educate as part of the show. “One thing that I saw today is that I asked if anyone had ever heard of the Red Summer of 1919 and not one raised their hand. And so for them to just get a snapshot of what took place, that’s what I call ‘edu-tainment’; education and entertainment intertwined. They got to see a part of history that’s not necessarily in the textbooks,” she said. The scene concerning the Red Summer of 1919 depicted a veteran of World War I, played by Courtney Wilson, giving a poetic monologue about the racist violence faced by black soldiers returning home. By their extended applause, the audience showed their appreciation for this dramatic depiction of a dark period in history. Another highlight of the show was a montage depicting famous African-American singers such as Bessie Smith, Lena Horne, and Cab Calloway. The audience also appreciated a skit that blended the story of the Freedom Riders with an actress portraying Rosa Parks singing the civil rights anthem “Ain’t Gonna Let Nobody Turn Me Around.” The final song of the show, Sam Cooke’s “A Change is Gonna Come,” performed by Garland Moore, was met with a long standing ovation. Becoat was proud of the show’s success. “All of our work is original. It is just a joy to work with young people and have them step out of their comfort zone and become something or someone they maybe have not even heard of,” she said. More information about 3 Purple Coats Productions can be found on facebook.com.
War Brides of WWII: Families Altered Forever By War ALEX GENT
agent@lc.edu With immigrant family members often being one or two generations removed, most Americans share similar, but unique stories of how their families came to be in America. On March 7 attendants were treated to a presentation of the story of the “War Brides” and given a look into the experience of the over 1 million immigrant brides produced as a result of World War II. The hour-long presentation took place in the Ringhausen building on campus and was part of the on-going celebration of Women’s History Month. Thanks to Dr. Kelly Oberneufemann, Lewis and Clark Community College has been hosting speakers for Women’s History Month since March 2005. This month, as part of a theme following “Lost Connections”, Michele Thomas narrated a PowerPoint presentation explaining some of her experiences as well as the experiences of many others that she has gathered over fortyfive years as part of her work for “The American War Bride Experience”. With an introductory explanation of how her father had come from Detroit and that she was born in Belgium, arriving in the United States at the age of one year old, Mrs. Thomas told the story of the many women who married the American G.I.s deployed throughout Europe and other continents during WWII.
The presentation helped explain how many couples met at organized social outings and through positions of employment, as many native women found work as secretaries at various bases and posts. In 1945 the War Bride Act was passed allowing brides of American G.I.s to come to America, and eventually gain citizenship. It seems that just as many of the incoming immigrant brides were not well received in America, neither were the American G.I.s in some places. During the war the British had a saying that “Americans are over-paid, oversexed, and over here”. There were many stories describing the hardships faced by all those involved. One touching story described American G.I. Dan and his German wife Katrina, who were separated when Dan was forced to leave Katrina and their child behind after his service had ended. Dan then had to join the crew of a boat headed back for Germany and jumped ship to enter the country illegally and be reunited with his wife and child. There were many other hardships shared by the War Brides such as rigorous travel stipulations, long, crowded, uncomfortable journeys by boat sometimes taking as many as 18 days to arrive to in-law families they did not know prior, and could not communicate with easily, due to the language barrier. Overcoming emotions of homesickness, and adapting to cultural changes were just a few of the labors of
Michelle Thomas brought in books and other interesting pieces of history with her and set them aside for students to look at before and after the presentation. Photo By: Krystie Morrison love War Brides would undertake for the sake of their husbands and children. The War Brides are apart of the largest migration of women to the United States of America, but an unfortunate implication of it was that it created over 37,000 illegitimate children who were left behind. There are organizations such as GITrace.com that help try to connect those affected with their birth
parents, but the success of this is limited due to the amount of time that as has passed since WWII. Michele Thomas has been researching and collecting the stories of War Brides for more than forty-five years. If you would like to contact her to give your own experience, or for your own research you may do so at www.usawarbrides. com.