

13 -16 November 2025
F1 Pit Building, Republic Boulevard, Singapore Stand 3D-02
![]()


13 -16 November 2025
F1 Pit Building, Republic Boulevard, Singapore Stand 3D-02
Anne-Marie Zanetti uses simple, flowing elements, as well as rich colour, tone, and detail to create her contemporary, expressive oil paintings. Her figurative and still-life paintings are inspired by beauty, saturated in light, and rendered in layers of fine smooth brushstrokes so as not to distract from the overall drama of the composition.
Through her conversation with paint, she is continuously exploring and transforming her emotional landscape. In her works, she aims to highlight the preciousness of objects and moments in time that might otherwise seem insignificant… creating an intimate atmosphere of the artist’s own personal experience and inviting the viewer to share in her unique vision.

SG$15,000


60.5cm
SG$11,000


Nostalgia and atmospheric drama are captured with a gripping reality in Steve Rosendale’s recognizable retro oil paintings.
The seemingly simple photographic realism leads you into an engaging narrative whilst the cinematographic lighting enhances the true essence of the moment. It’s impossible not to fall into the glamour of a bygone era that hints of a vague recollection of vintage film and memories past.
The subjects alone do not tell the whole story, it’s the carefully considered palette with enhancing light effects that adds the final magical impact.
A Steve Rosendale artwork is more than a painting, it is a doorway into the realms of remembrance, a trigger for past times, escapism with a hint of glamour .

SG$8,000






SG$5,200
Over 50 years of painting, I’ve found that the best way to capture a subject's essence is to take out the detail — to dissolve it. By ‘dissolving’, we strip away the detail and allow the imagination in. I don’t so much paint the subject itself but the ‘effect’ or essence of it.
That’s why I like rain. Rain naturally dissolves a scene. It softens the hard edge of cities. It creates a veil. It adds mystery.
When I get to a city to start painting, I hope it rains. Rain is a way of washing away the complex detail of a city’s face, revealing something essential about the place.
Whoever said “less is more” hit the nail on the head.
We don’t see with our eyes. We see with our brain. Our eyes send a message to our brain, which sorts out the image, including its shape and colour, and interprets it using imagination and memory.
If you fill in all the details, it simply leaves less to the imagination.
When I teach, I encourage students to look beyond the details. Taking detail out allows the viewer’s imagination and memory into the painting.
The same happens when you read a book. Words trigger responses in the brain, and the reader’s imagination fills in those details, creating the scenes and the characters in the process. I try to achieve the same result through the medium of paint.
David Hinchliffe








SG$4,000
Susan’s works are contemporary and figurative with subtle abstract elements and surprises. Underpinned by concern for the environment, sustainable living and the value of a simpler life.
Acrylic and oil patterned, layered and rubbed back allows the underlying to emerge, achieving an organic quality. Echoing transience, evoking nostalgia and inviting appreciation for the often taken for granted.
Exhibiting in solo and selected shows since 1998 and internationally since 2012.
Including the New York Chelsea International Art Competition, shows in Hong Kong, Istanbul, California and Singapore and in 2018 the Rise Art Prize in London.
Awarded ‘Best of Show’
Local Contemporary Art Prize 2021 & 2024 and artist-in-residence in 2016 at One & Only Reethi Rah, Maldives.
Susan’s works are exhibited, selected and collected nationally and internationally and held in public and private collections.

SG$6,600





Ainslie’s paintings resonate with an inherent passion for the country’s unique beauty, particularly the sandy dunes and reflective waters of Queensland and South Australia.
As an artist, Ainlsie’s paintings are often a direct result of a location. It is the colours, textures, smells, patterns, in fact, the essence of a place that inspires his Images. The interpretation may be realistic, but it may also develop more abstractly.






Dai Li’s inspiration is drawn from everyday life, art and culture and the observation of people’s responses to the world around them.
Her work focuses on situational responses with human emotional states observed, how these manifest externally, and the mystery of how they arrived at this point. This is manifested in her ceramic characters which may seem humorous and childish but at the same time thought-provoking.
Often the works explore everyday situations, with normal activities but always evoking an intriguing window into the quirkiness of individuals and often including a cheeky, knowing expression. So much can be expressed through the smallest glance or the coolest accessory.






Empathy

Unwilling to Listen
I created a series of works inspired by the mythical creatures in the ancient Chinese book Classic of Mountains and Seas (Shan Hai Jing).
This book, with texts dating back to the 4th century BC, is filled with the fables and mythology of ancient China. One of these creatures is the Nine-tailed Fox, which howls like a newborn baby and whose flesh can protect predators from poison. In Chinese culture, the Nine-tailed Fox symbolises love, happiness, and prosperity.
Another fascinating creature is the mountain god Dijiang. It resembles a yellow bag, has no face, and possesses six legs and four wings, yet it knows how to sing and dance.
Then, there is the Carp-shaped Fish with bird wings. This creature flies to the West Sea and swims to the East Sea. Its sound is like a phoenix, its taste is sour and sweet, and eating it makes people crazy. Seeing it signifies a great harvest in the world.
Of course, the Qilin is indispensable. This beast, which resembles both a lion and a dragon, is considered one of the luckiest, happiest, and most legendary creatures.
The Lushu is a mythical, auspicious animal from ancient Chinese mythology. Living in the Chuyang Mountains, it resembles a horse, with a white head, tiger stripes, and a red tail. Its call is like folk songs, and wearing its fur is believed to increase offspring. Legends such as "The Song of the Lushu" are also mentioned.
The Dragons have a very important status in Chinese Culture, symbolising good luck and prosperity.
During the creation process, I relied on the vivid descriptions in the book to envision what these monsters looked like. I was repeatedly amazed by the endless ingenuity and wild imagination of ancient Chinese sages. This journey was incredibly enjoyable.
Dai Li







Through contemporary bronze and iron sculpture, I have achieved my own style, personal iconography and methodology. My universe includes symbolic elements: maps, globes, staircases, seas of methacrylate, books... The details of my characters present situations and frames that are to be read in depth and complicity, which allows me to capture abstract concepts, feelings, sensations and everything that flows inside my inner world.
Sometimes I try to transform everyday dilemmas into something beautiful: with a little artwork, that captures the beauty of a moment. I confess that a point of intrigue can be breathed in some of my sculptures. They show stories, dreams and illusions and I try to approach them subtly. The main character of my stories are very everyday elements and situations that show snapshots full of emotions and feelings of the journey of life: women taking their time to decide at a crossroads of their life, men enjoying their moments of relaxation, small pleasures, moments of pause, meditation, little epiphanies... Behind a precise description of reality, there is a meditated story, which each one can read his own way...

With You Bronze
Edition 3/8
SG$5,000




Edition 11/18
SG$2,800


Beyond The Pages
50cm x 7cm x 4cm Edition 14/25 SG$2,500

Cheerful Chapters
40cm x 7cm x 3cm
Edition 25/25
SG$2,500

Edition 13/18
SG$2,500

Edition 12/18
SG$2,500


Edition 12/25
SG$2,200

Edition 4/25
SG$2,200



