ACTING COMPANY
IN ALPHABETICAL ORDER
Chris Gibson
Amy Decker*
Lanene Charters*
LANENE CHARTERS* (Helga Ten Dorp) is thrilled to be back at the Fulton where she was last seen as Annie Wilkes in Misery, Rosie in Mamma Mia!, Miss Shields in A Christmas Story and Deb in Elf. Broadway/Tours: Mamma Mia!, Elf, Annie Get Your Gun, Titanic, Big, Cats. Toured Japan with the Tokyo Philharmonic. Favorites: Helen (Fun Home), Louise (Holiday Inn), Karen/Murial/Norma (Plaza Suite). BFA Point Park University. www.LaneneCharters.com, @lanenec. Many thanks to Marc, Joey, & Andrew, love to mom and dad, always!
AMY DECKER* (Myra Bruhl) Amy is excited to be a part of this thrilling play. Fulton Credits: Charlie…Factory (Cherry), Equus (Dora), Sweat! (Jesse). Tours: The Phantom of the Opera (25th Anniversary Tour), Fame! (Korean Tour), The Will Rogers Follies (Betty Blake). Select Regional: Mamma Mia (Donna), Hairspray (Velma), The Drowsy Chaperone (Kitty), White Christmas (Betty), Boeing Boeing (Gretchen). Thanks to Marc and the Cast and Creative Team. Love to her husband Ryan and boys Anderson and Benjamin. www.amydecker.com
CHRIS GIBSON (Porter Milgrim) Chris Gibson is a graduate of The American Musical and Dramatic Academy (NY, NY). With more than 40 years of stage experience in Florida, New York and Texas, Chris has also toured the world with the original stage play The Intergalactic Nemesis. He was the producer of the Orlando International Fringe Festival from 2001-2004, and helped to found and now co-produces the Harrisburg Fringe. He is married to the most wonderful partner who helps him raise their seven obnoxious and adorable cats.
SCOTT LANGDON* (Sidney Bruhl) Fulton debut! Regional favorites: Man of La Mancha (Cervantes/Quixote - Barrymore nomination); Misery (Paul Sheldon); Spamalot (Arthur); Oliver (Fagin); The Who’s Tommy (Uncle Ernie); Julius Caesar (Cassius); The Crucible (John Proctor). Creative Director and Host of God: An Autobiography–The Podcast (GodAnAutobiography.com/Listen) since 2020. Proud AEA! Thanks to Joey, Marc, and the entire Fulton family! Love to his wife, Sarah, and to Mikaela, Dylan, and Connor.
KEVIN TONIAZZO-NAUGHTON* (Clifford Anderson) Is thrilled to be back at the Fulton! Kevin appeared earlier this year in EQUUS, (The Horseman/Nugget). Recent credits include: SWEET CHARITY (Charlie, Vittorio, & Oscar) at Montgomery Theater, & THE FANTASTICKS (El Gallo) with Quintessence Theatre Group. Kevin received his BFA from Penn State, is a NASM certified PT, & F45 Trainer/Coach. Love always to Mom & Dad, and Fab! @k_toniazzonaughton
JOEY ABRAMOWICZ (Casting Associate) Joey is in his 7th season as Casting Associate. He contracts actors, directors and choreographers for all Fulton productions. Joey is also a frequent actor since 2005’s Carousel, and director. Credits: Jersey Boys (Bob Crewe), and Sherlock Holmes, Sleeping Beauty, A Christmas Carol as Director. Casting Highlights: Mamma Mia, Titanic, Next to Normal, 5 Guys Named Moe, and Doubt. Love to Jeff, Piper & Jackson. @joeytumble
JOSH ALLAMON (Sound Designer) Josh Allamon is the Sound Director at the Fulton Theatre and is excited to be jumping back into the Sound Design role for Deathtrap Since joining the Fulton in 2019, he has designed and mixed a variety of productions with favorites including Murder on the Orient Express, The Sound of Music and Titanic as Designer, and Once, Kinky Boots, and The Wiz as the A1.
PAUL BLACK (Lighting Designer) is excited to be back at the Fulton where he first designed 30 years ago. Paul’s work can also be seen at: Actors Theater of Phoenix, Arizona Theater Company, Childsplay, Phoenix Theater, and the Phoenix Opera Co., The Walnut Street Theater in Philadelphia, Theater Aspen, American stage in Florida, The Carousel Dinner Theatre in Ohio, Maine State Music Theater, Maltz Jupiter Theatre in Jupiter, Florida and Palm Beach Drama Works. Music Theater West in LA.
TIRZAH BYERS* (Assistant Stage Manager) Tirzah, making her debut at Fulton Theatre, is a junior at LBC pursuing Musical Theater and Stage Management. Tirzah has had opportunities in performing, stage management, choreographing, directing, and vocal coaching. Recent credits, (SM) Marvelous Wonderettes/Servant Stage, choreographer/Susquehanna’s youth education, director/Piercing Word’s TEEN camp, (Portia) Something Rotten!/Keystone Theatrics’, (Jerusha Abbot) Daddy Long Legs/LBC, and (Alabama Lamb) Big Fish/Servant Stage. solio deo gloria!
MICHAEL DISCIULLO* (Stage Manager) is a local stage manager and theatre tech, and he is thrilled to be kicking off the Fulton season with this incredible thriller. Favorite Stage Management Credits include The Last Five Years (The Fulton Theatre), Matilda (EPAC), and Girl Group Greats (Prima Theatre). Many thanks to his parents, Elena, Dana, Sofia, and Erin Mary for their support.
BETH DUNKELBERGER (Costume Designer) thanks the Fulton and other local theatre companies who have provided her the opportunity to pursue her career in her hometown. Recent projects have included A Gentleman’s Guide to Love and Murder and Big Fish as well as Doubt, Grease, and Tuesdays with Morrie at the Fulton. Beth has also made mascots for Servomation, Sperry New Holland, Gibble Foods and Milanof Schock Library.
ANDREW KINDIG (Director) is thrilled to be back directing at the Fulton having directed Wait Until Dark, The Mystery of Irma Vep, Sleuth, and numerous Family Series shows. He was most recently onstage in Equus at the Fulton, and Every Brilliant Thing at the Gretna Theatre. A Lancaster based performer/director, Andrew and his wife, Katie, are proud to raise their family in a community that supports the arts and theater like Lancaster does. Big thanks to Marc, the Fulton staff, and all who support theatre Luv to K,A&C.

IRA LEVIN (Playwright) Ira Levin was twenty-two when he wrote his first novel, the awardwinning thriller “A Kiss Before Dying,” and twenty-five when, fresh from military service, he wrote his first play, the smash-hit adaptation of Mac Hyman’s “No Time for Sergeants.” In the years since, he has continued to work both sides of the literary street. His plays include the comedy hit Critics Choice, the musical Drat! The cat!, and the thrillers Veronica’s Room and Deathtrap Among his novels are “Rosemary’s Baby,” generally credited (or blamed) for having sparked the current revival of occultism, “The Stepford Wives,” and the international best-seller, “The Boys from Brazil,” all of which have been made into successful films. His later plays include Footsteps and Cantorial, which enjoyed runs both Off-Broadway and in Florida. His best-selling novel “Sliver” has been made into a film. A native-born New Yorker, Mr. Levin is an alumnus of New York University and has three sons. In addition to his other accomplishments, he is a four-time winner (retired) of the “New York Magazine” Competition. Mr. Levin’s Deathtrap garnered a 1978 Tony Award nomination for Best Play and was awarded a special Edgar Award by Mystery Writers of America.
WILLIAM JAMES MOHNEY (Scenic Designer) is excited to be once again bringing the macbre to the Tell Studio Theater. Favorites in this venue include Veronica’s Room, Venus in Fur, and Sleuth. Other Notable Fulton shows are Woman in Black, And Then There were None, The Addams Family, and Murder on the Orient Express, Once, The Mousetrap, and Annie Get Your Gun. He thanks his Family for the constant love and support.
KATELIN WALSKO (Prop Designer) First show at the Fulton was Deathtrap in 2010! Honored to be the Prop Manager at the Fulton ever since! Some favorite Groff Series props include: egg salad (Tuesdays with Morrie); beer on tap (Sweat); miniature furniture collection (I Am My Own Wife); the potted cactus (Other Desert Cities); the full sized Laughing Sailor (Sleuth). So grateful to create and collaborate everyday. Could not do it without Ben, Miles & Riley!
ACTORS’ EQUITY ASSOCIATION
(“Equity”) founded in 1913, is the U.S. labor union that represents more than 51,000 professional Actors and Stage Managers. Equity fosters the art of live theatre as an essential component of society and advances the careers of its members by negotiating wages, improving working conditions, and providing a wide range of benefits, including health and pension plans. Actors’ Equity is a member of the AFL-CIO and is affiliated with FIA, an international organization of performing arts unions. #EquityWorks
DRAMATISTS PLAY SERVICE
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