Concerts in the Garden 2022

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FORT WORTH SYMPHONY ORCHESTRA

YEARS

CONCERTS IN THE GARDEN

MUSIC • FAMILY • FUN!

JUNE 16 - JULY 4, 2022 Presented by

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FOR THOSE SEEKING EXCEPTIONAL RESULTS AND EXCEPTIONAL REAL ESTATE

table of contents 2

About CITG/30th Celebrations

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Music Director Robert Spano

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FWSO Musicians

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Fort Worth Botanic Garden

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CITG Sponsors

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FWSO Staff

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CITG General Info and Policies

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Asleep at the Wheel

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Jackopierce

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Radio Highway’s The Music of The Eagles

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Sarah Jaffe

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Classical Mystery Tour: A Tribute to The Beatles

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Windborne’s The Music of Pink Floyd

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Star Wars and Beyond

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Windborne’s The Music of The Rolling Stones

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Windborne’s The Music of Queen

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July 4th Celebration

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Hailed as “the official start to summer” and “a seasonal rite,” the Fort Worth Symphony Orchestra’s Concerts in the Garden is a cherished Fort Worth tradition.

Making its triumphant return after a two-year hiatus due to COVID-19, Concerts in the Garden is back. With 30 years of spectacular music-making to look back on, each incarnation of the Fort Worth Symphony’s annual Concerts in the Garden only gets better. This critically acclaimed festival is one of those truly unique traditions that makes Fort Worth the destination city that it is and provides nearly 35,000 listeners a year with unforgettable memories of musical fun in the sun.

This three-week summer festival was created by the Fort Worth Chamber Orchestra and Music Director John Giordano with help of the Fort Worth Botanic Garden, the Fort Worth Botanical Society, and the City of Fort Worth Parks and Community Services Department. Concerts in the Garden has grown into a community favorite summer experience that guarantees spectacular shows and a little something for everyone.

In the weeks leading up to the festival, a veritable army of Fort Worth Symphony staff, crew, and volunteers work to transform the North and South Vistas of the Botanic Garden into the famous concert venue that you see each year. Families come from miles around to fill the grassy expanse on concert nights, touting picnic baskets and blankets, coolers, and lawn chairs to settle in and stake their claim on the lawn each evening to kick back and enjoy the music.

This year is a wonderful mashup of old and new, with plenty of familiar acts returning to headline at the Garden along with several new acts. Concerts like The Music of Pink Floyd and the July 4th Celebration are perennial favorites, and while fireworks are a guarantee at every show, the performances of “Star Wars and Beyond” include a must-see laser light spectacular!

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Concerts in the Garden is just one of the many opportunities to hear the FWSO outside of Bass Performance Hall. The orchestra’s programs for families and children in local churches, schools, and elsewhere reach more than 60,000 in a typical year, and many also hear the orchestra through various collaborations with organizations like the Fort Worth Opera and The Cliburn.

ABOUT MUSIC DIRECTOR

ROBERT SPANO

Violin Concerto No. 3 with the Dallas Symphony Orchestra; Dimitrios Skyllas’s Kyrie eleison with the BBC Symphony Orchestra; the Tuba Concerto by Jennifer Higdon, performed by Craig Knox and the Pittsburgh Symphony; Melodia, For Piano and Orchestra, by Canadian composer Matthew Ricketts at the Aspen Music Festival; and Miserere, by ASO bassist Michael Kurth.

In addition to his leadership of the ASO and Aspen, Spano recently returned to his early love of composing. His most recent work is a song cycle on Rilke’s Sonnets to Orpheus that he wrote for mezzo-soprano Kelley O’Connor. In 2016, he premiered his Sonata: Four Elements for piano at the Aspen Music Festival, and a song cycle, Hölderlin-Lieder, for soprano Jessica Rivera. Those works were recorded on the ASO Media label and praised by Oberon’s Grove: “On this latest release, from ASO, we experience Spano as both an imaginative and evocative composer - with a special gift for writing for the voice - and a poetic pianist.”

Robert Spano, conductor, pianist, composer, and teacher, is known worldwide for the intensity of his artistry and distinctive communicative abilities, creating a sense of inclusion and warmth among musicians and audiences that is unique among American orchestras. After twenty seasons as Music Director, he will continue his association with the Atlanta Symphony Orchestra as Music Director Laureate. An avid mentor to rising artists, he is responsible for nurturing the careers of numerous celebrated composers, conductors, and performers. As Music Director of the Aspen Music Festival and School since 2011, he oversees the programming of more than 300 events and educational programs for 630 students and young performers.

Principal Guest Conductor of the Fort Worth Symphony Orchestra since 2019, Spano became Music Director Designate on April 1, 2021, and begins an initial three-year term as Music Director in August 2022. He will be the tenth Music Director in the orchestra’s history, which was founded in 1912.

Maestro Spano made his highly-acclaimed Metropolitan Opera debut in 2019, leading the US premiere of Marnie, the second opera by American composer Nico Muhly, with Isabel Leonard, Janis Kelly, Denyce Graves, Iestyn Davies, and Christopher Maltman. That season also saw him conducting vocal masterpieces including Verdi’s Otello, Beethoven’s Fidelio, and Bernstein’s Candide. Recent concert highlights have included several world premiere performances, including Voy a Dormir

by Bryce Dessner at Carnegie Hall with the Orchestra of St. Luke’s and mezzo-soprano Kelley O’Connor; George Tsontakis’s

The Atlanta School of Composers reflects Spano’s commitment to American contemporary music. He has led ASO performances at Carnegie Hall, Lincoln Center, and the Ravinia, Ojai, and Savannah Music Festivals. Guest engagements have included the Cleveland, Philadelphia, and Minnesota Orchestras, New York and Los Angeles Philharmonics, and the San Francisco, Boston, Chicago, Dallas, Houston, New World, San Diego, Oregon, Utah, and Kansas City Symphonies. Internationally, Maestro Spano has led the Orchestra Filarmonica della Scala, BBC Symphony, Amsterdam’s Royal Concertgebouw Orchestra, Orquestra Sinfonica Brasileira, Orquestra Sinfonica Estado Sao Paulo, Wroclaw Philharmonic, the Melbourne and Sydney Symphonies in Australia, and the Saito Kinen Orchestra in Japan.

His opera performances include Covent Garden, Welsh National Opera, Lyric Opera of Chicago, Houston Grand Opera, and the 2005 and 2009 Seattle Opera productions of Wagner’s Ring cycles.

With a discography of critically-acclaimed recordings for Telarc, Deutsche Grammophon, and ASO Media, Robert Spano has garnered four Grammy™ Awards and eight nominations with the Atlanta Symphony. Spano is on faculty at Oberlin Conservatory and has received honorary doctorates from Bowling Green State University, the Curtis Institute of Music, Emory University, and Oberlin. Maestro Spano is a recipient of the Georgia Governor’s Award For The Arts And Humanities and is one of two classical musicians inducted into the Georgia Music Hall of Fame. He makes his home in Atlanta and Fort Worth.

“Mr. Spano drew a glowing, spacious performance of this Brahms masterwork from the orchestra, marking a great return visit for both him and this essential ensemble.” – The New York Times “The festival’s music director, Robert Spano, caught both the broadest and finest strokes of tempo, dynamics and critical orchestral balances. He drew the best playing in the quiet, subtle moments of the score and long buildups to big climaxes.” – Aspen Times “The sonics of the CD are excellent, and the presence of both Rivera and Spano well-suited. It is a fine presentation of both Rivera’s voice and Spano’s collaborative capabilities at the piano, as well as his insight into his skills as a composer.” - ArtsATL

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BNSF Railway proudly sponsors

Concerts in the Garden

FORT WORTH SYMPHONY ORCHESTRA Robert Spano, Music Director Designate Nancy Lee and Perry R. Bass Chair

Kevin John Edusei, Principal Guest Conductor Designate Alex Amsel, Assistant Conductor Rae and Ed Schollmaier+ Foundation Chair

VIOLIN I Michael Shih, Concertmaster Mrs. Mercedes T. Bass Chair Mr. Sid R. Bass Chair Swang Lin, Associate Concertmaster Ann Koonsman+ Chair Eugene Cherkasov, Assistant Concertmaster Mollie & Garland Lasater Chair Samantha Bennett° Jennifer Y. Betz Ordabek Duissen Qiong Hulsey Ivo Ivanov Izumi Lund Ke Mai Rosalyn Story Kimberly Torgul VIOLIN II Adriana Voirin DeCosta, Principal Steven Li, Associate Principal Janine Geisel, Assistant Principal Symphony League of Fort Worth Chair Molly Baer Tatyana Smith Matt Milewski Dylan Naroff Kathryn Perry Andrea Tullis Camilla Wojciechowska VIOLA DJ Cheek, Principal HeeSun Yang, Associate Principal° Aleksandra Holowka, Assistant Principal° Joni Baczewski Sorin Guttman Dmitry Kustanovich Daniel Sigale CELLO Allan Steele, Principal Mrs. Mercedes T. Bass Chair Mr. Sid R. Bass Chair Emileigh Vandiver, Associate Principal Keira Fullerton, Assistant Principal Burlington Northern Santa Fe Foundation Chair John Belk Deborah Brooks Shelley Jessup Jenny Kwak

BASS William Clay, Principal Mr. & Mrs. Edward P. Bass Chair Paul Unger, Assistant Principal Jeffery Hall Julie Vinsant

TROMBONE Joseph Dubas, Principal Mr. & Mrs. John Kleinheinz Chair John Michael Hayes, Assistant Principal Dennis Bubert

The seating positions of all string section musicians listed alphabetically change on a regular basis.

BASS TROMBONE Dennis Bubert Mr. & Mrs. Lee M. Bass Chair

FLUTE Jake Fridkis, Principal Shirley F. Garvey Chair Gabriel Fridkis, Assistant Principal

TUBA Edward Jones, Principal

OBOE Jennifer Corning Lucio, Principal Nancy L. & William P. Hallman, Jr., Chair Tamer Edlebi, Assistant Principal Tim Daniels ENGLISH HORN Tim Daniels CLARINET Stanislav Chernyshev, Principal Rosalyn G. Rosenthal Chair* Ivan Petruzziello, Assistant Principal Gary Whitman E-FLAT CLARINET Ivan Petruzziello BASS CLARINET Gary Whitman BASSOON Joshua Elmore, Principal Mr. & Mrs. Lee M. Bass Chair Cara Owens, Assistant Principal HORN Gerald Wood, Principal Elizabeth H. Ledyard Chair Alton F. Adkins, Associate Principal Drs. Jeff and Rosemary Detweiler Chair Kelly Cornell, Associate Principal Aaron Pino TRUMPET Kyle Sherman, Principal Cody McClarty, Assistant Principal Dorothy Rhea Chair Oscar Garcia

TIMPANI Seth McConnell, Principal Madilyn Bass Chair Nicholas Sakakeeny, Assistant Principal PERCUSSION Keith Williams, Principal Shirley F. Garvey Chair Nicholas Sakakeeny, Assistant Principal Adele Hart Chair Deborah Mashburn Brad Wagner HARP Position vacant Bayard H. Friedman Chair KEYBOARD Shields-Collins Bray, Principal Rildia Bee O'Bryan Cliburn & Van Cliburn Chair STAGE MANAGER Jacob Pope ORCHESTRA PERSONNEL MANAGER Brenda Tullos ORCHESTRA LIBRARIANS Christopher Hawn David Sterrett *In Memory of Manny Rosenthal °2021/2022 Season Only Denotes Deceased

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The Concertmaster performs on the 1710 Davis Stradivarius violin.

The Associate Concertmaster performs on the 1685 Eugenie Stradivarius violin.

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Fort Worth Botanic Garden The oldest major botanic garden in Texas, the Fort Worth Botanic Garden’s mission is to “engage, inform, and inspire with plants, landscapes, and nature.” The FWBG comprises 110 acres in Fort Worth’s cultural district two miles west of downtown Fort Worth and includes the beautiful Fuller Garden, the historic Rose Garden, the Japanese Garden, and the Victor and Cleyone Tinsley Garden, which features plants native to north central Texas. The FWBG also prides itself in its nationally recognized begonia species collection. The Garden Center is open Monday through Sunday from 8am to 6pm. Admission to the Botanic Garden is $12 per adult, $10 per senior, $6 per child 6-15, and children 5 and under are free.

The FWBG offers botanical backdrops and multiple gardens for your special event. Experience 13 distinct outdoor and 8 indoor locations. From lavish and intimate to large and rustic, the Garden’s venues are the natural choice for your ceremony or reception. Many of our settings are available after hours. Ask about booking your ceremony or reception at sunset.

The Botanical Research Institute of Texas (BRIT) is committed to environmental sustainability. Through careful site design, responsible landscape management, and conscientious human behavior, BRIT seeks to reduce its footprint on the natural world as well as protect and restore ecosystem services. The new BRIT building was designed to accomplish several key goals: reduce energy and water consumption, enhance indoor environmental quality, and use recyclable and renewable materials.

FWBG | BRIT knows that education is lifelong. We are dedicated to inspiring nature-lovers of all ages to explore the world around them, discover new interests, and engage their communities in positive change.

Education at the Botanic Garden features programs for adults, children and families, and schools. We strive to introduce community members to the wonders of plants and ecology, the importance of conservation and sustainability, and social-emotional learning.

For more information on upcoming events and programs, please visit fwbg.org and follow us on Facebook and Instagram. ©JulienLambertPhoto.com

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The Fort Worth Symphony Orchestra is grateful to our generous sponsors for the Concerts in the Garden festival PRESENTING SPONSOR

OFFICIAL PICNIC PARTNER

OFFICIAL AIRLINE PARTNER

OFFICIAL MEDIA PARTNER

ADDITIONAL PARTNERS

CONCERTS IN THE GARDEN | 7

FWSO STAFF EXECUTIVE OFFICE Keith Cerny, Ph.D. President and CEO Melanie Thomas Interim Executive Assistant ARTISTIC OPERATIONS Drew Field Director of CITG Artistic Operations George Cripps Project Manager CITG Christopher Hawn Orchestra Librarian Kelly Ott Artistic Administrator Jacob Pope Production Manager David Sterrett Assistant Orchestra Librarian Brenda Tullos Orchestra Personnel Manager DEVELOPMENT Meagan Hemenway Vice President of Development Courtney Mayden Grants Manager Tyler Murphy Gifts Officer Malia Nelson Development Associate Jonathan Neumann Senior Director of Annual Fund and Board Liaison Veronika Perez Development Coordinator FINANCE Bennett Cepak Vice President of Finance and Chief Financial Officer Lucas Baldwin Staff Accountant James Gonzalez Controller HUMAN RESOURCES Jacque Carpenter Vice President of Human Resources MARKETING Carrie Ellen Adamian Chief Marketing Officer Melanie Boma Tessitura Database Manager Chloe Burns Box Office Associate Jacob Clodfelter Box Office Associate Laura Corley Box Office Associate Marti Deno Marketing Manager Katie Kelly Communications and Digital Marketing Manager Victoria Paarup Education and Community Programs Manager Sydney Palomo Box Office Associate Paul Taylor Box Office Associate Amelia Webber Director of Ticketing and Customer Services

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CITG General Info & Policies POLICIES For your safety and the safety of those around you, we do not allow smoking (including vaping), personal fireworks, pets, or open flames in the concert area.

TABLE ETTIQUETTE A table ticket reserves a seat at a patio-style table with chairs for four.

If you do not purchase a complete table, other people may be seated with you. All people at the table, including children and infants, must have a reserved table ticket. Strollers placed at a table also require a table ticket. If you purchase two adjoining tables, you may push them together if you desire. Each table is covered by a vinyl tablecloth. You may set the table in any way you desire with the exception of open flames. For the safety and convenience of others, please do not place coolers or other items in the aisles. Table taller than an ice chest are not permitted on the lawn area.

CONCESSIONS & MERCHANDISE Pack your own picnic, purchase concessions onsite, or pre-order your dinner from our official Picnic Partner, Central Market, at (817) 337-9307. Food, beer, and wine are available on-site from the Rock Springs Café.

PROHIBITED ITEMS AND BEHAVIOR • Animals (except service animals to aid guests with disabilities) • Non-motorized and motorized vehicles/devices (except that aid guests with disabilities) • Fireworks, firearms, and weapons of any kind** • Drones • Laser pointers • Obscene or indecent clothing • Noisemakers or noise making devices of any kind • Signs or flags on sticks or poles, or larger than what one person can hold • Balloons • Any other item determined by festival management to be dangerous or inappropriate All persons and/or their belongings are subject to search. Guests who appear to be inebriated and unmanageable will not be permitted admittance into the venue and/or removed from it. Vioaltors of the rules of and state or city laws will be refused admission. **Exceptions will be made for law enforcement personnel. Off-duty law enforcement personnel with weapons must register with the Director of Festival Operations upon entry.

FIRST AID & EMERGENCIES There is a FIRST AID tent, located near the concessions/restroom area, where medical treatment is available. FWFD EMTs are positioned there and are ready to respond to medical emergencies.

Patrons needing medical assistance are encouraged to contact these EMTs or a nearby staff member.

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Patrons experiencing a non-medical emergency are encouraged to contact a nearby event staff member or a Police Officer for assistance In the event of a venue-wide emergency, please remain calm and follow the instructions of event staff for the proper emergency response.

CODE OF CONDUCT Concerts in the Garden is committed to creating a safe, comfortable, and enjoyable entertainment experience. The following Code of Conduct is enforced for all concerts and applies to the audience area, the surrounding areas within the Botanic Garden, and the parking lots. Patrons have a right to experience an environment where: • • • • • • • •

Patrons will be treated in a consistent, professional, and courteous manner by all venue personnel Patrons will enjoy every event free from disruptive patron behavior, including foul or abusive language or obscene gestures Patrons will consume alcoholic beverages in a responsible manner. Intervention with an impaired, intoxicated, or underage patron will be handled in a prompt and safe manner Patrons who engage in fighting, throwing objects, or attempting to enter the stage/performance area will be immediately ejected from the venue Patrons will smoke, including the use of e-cigarettes and vaping, in designated smoking areas only Patrons will comply with requests from venue staff regarding facility operations and emergency response procedures Patrons will also be responsible for their own positive experiences by reporting inappropriate behavior to venue staff The Concerts in the Garden staff has been trained to intervene when deemed necessary and to use their best discretion to help ensure that patrons who ignore Code of Conduct do not interfere with other patrons’ ability to enjoy an event. Patrons who violate Code of Conduct may be subject to ejection without refund and, to the extent of their conduct constitutes a violation of law, may be subject to arrest.

All patrons must maintain reasonable and appropriate behavior at all times. Patrons who engage in disorderly conduct may not receive a refund for their tickets or be compensated in any way for their loss.

All patrons in attendance are required to wear a shirt and shoes at all times for their own safety. The CITG management reserves the right to deny entry to patrons for wearing clothing items displaying offensive text and/or images.

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Intentionally blocking the view of other patrons by standing on chairs, placing children on shoulders, wearing oversize hats, dancing at seats or in the aisles, or other such acts Drunk and disorderly conduct Fighting or challenging others to fight “Mooning” or exposing private body parts Interference with or delay of the event Violation of the CITG event policies Violation of the local, state, and federal laws and statutes Igniting and display of flames, i.e., lighters/matches Attempting to enter the performance area, stage, or backstage areas without permission Throw, discharge, or launch any liquid substance or objects Willfully and maliciously disturbing another patron/employee with loud and unreasonable noise Using profanity and/or offensive words, which are likely to provoke a violent reaction from others Taunting, heckling, screaming, whistling, or using offensive language toward performers, production staff, or venue personnel

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Asleep at the Wheel / June 16 Fifty years ago, Asleep at the Wheel’s Ray Benson wrote in his journal that he wanted to form a band to bring the roots of American pop music into the present. It seemed like an ambitious goal for a 19-year-old, yet Benson has done exactly that – traversing the globe as an ambassador of Western swing music and introducing its irresistible sound to generation after generation. Although the lineup has changed countless times since its inception, Benson’s mission has never wavered.

That merging of past and present is effortlessly woven throughout two of the band’s new releases. First, their Better Times EP compiles three new tracks: “All I’m Asking,” a rousing plea for a second chance; the hopeful title track, about getting back to life as it once was (namely, before the pandemic); and “Columbus Stockade Blues,” a traditional tune arranged in the spirit of Willie Nelson and

Shirley Collie’s 1960s version. Then, in the fall, a career retrospective recorded with the new band -- and a few special guests -- will carry Asleep at the Wheel back onto the road, where they’ve remained a staple for five decades.

out of college in 1969 and moved to a farm near Paw Paw, West Virginia, to figure out how to put a band together with two friends, Lucky Oceans and LeRoy Preston. Although he gravitated toward honky-tonk and swing music, Benson stood on the opposite side of the generation gap – a young man opposed to the Vietnam War.

Letter That Johnny Walker Read,” became a national Top 10 country hit in 1975. For the remainder of the decade, Asleep at the Wheel rode the wave of success, charting multiple singles and developing an international following. The Academy of Country Music named them the top touring band for 1977. The band won the first of 10 career Grammys in 1979.

“Music became a rallying cry for these disparate groups,” he recalls. “My reaction was we need to take this music to my generation to show them it’s not the political posturing that is important, it is the soul of the music.”

By 1981, the band faced a turning point.

Most of its members had departed and the disco craze stood in direct contrast to Asleep at the Wheel’s authentic approach.

While the band still played shows, they went without a label deal for six years.

Benson made ends meet by producing commercials for Budweiser.

Then, in 1970, two hippie buses pulled up to the farm looking for the band they’d heard about. Inside were a ragtag group of musicians calling themselves the Medicine Ball Caravan and they invited Asleep at the Wheel to open their upcoming show in Washington D.C. The

“I’m the reason it’s still together, but the reason it’s popular is because we’ve had the greatest singers and players,” Benson explains. “When someone joins the band, I say, ‘Learn everything that’s ever been done, then put your own stamp on it.’ I love to hear how they interpret what we do. I’m just a singer and a songwriter, and a pretty good guitar player, but my best talent is convincing people to jump on board and play this music.”

fledgling band at this time was centered around guitar, steel guitar, bass and drums.

When Benson booked Commander Cody for a double bill in D.C., the cosmic country legend encouraged them to give the Berkeley, California, a try. The group arrived out West in August 1971 and started booking shows in the East Bay clubs. Word of their Tuesday night gigs reached Van Morrison, who loved country music and asked to play a show with them.

Around this time, when Rolling Stone asked if that pop star was excited about any new bands, he name-checked Asleep at the Wheel. That’s when, as Benson remembers, “the L.A record companies came running.”

Raised in Philadelphia, Benson dropped

One of the band’s compositions, “The

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The 1990s put Asleep at the Wheel back on the map permanently, with the band regularly playing between 180 and 200 dates a year. Benson enlisted the top country artists of that era for an

outstanding pair of Bob Wills tribute albums, a move that solidified the band’s focus on Western swing. When a duet version of “Roly Poly” with Dixie Chicks impacted country radio in 2000, Asleep at the Wheel became that rare country band to chart across four consecutive decades.

Fifty years in, Asleep at the Wheel represent an important cornerstone of American roots music, even though some of its members and audiences represent a new generation. That far-reaching appeal remains a testament to Benson’s initial vision.

“How do you keep this music going?”

Benson asks. “Well, you’ve got to have some young people. If young people aren’t doing this, then we’re just a museum – and I don’t want to be a museum.”

Jackopierce / June 17

Jackopierce formed in 1988 in Dallas as theater students at SMU. The duo steadily made a name for themselves, especially with two of their signature tracks, “Vineyard” and their version of the classic “Please Come to Boston.”

They released ten studio albums (two for major label A&M), toured three continents, nine countries, and 45 states - amassing millions of loyal fans along the way. Over the years They have shared the stage with John Mayer, Dave Matthews Band, Matchbox20, Counting Crows, The Wallflowers, Sheryl Crow, Toad the Wet Sprocket - to name a few. After a five-year breakup, the guys reunited in 2002 to test out the waters. They were very warm and city by city, Jack & Cary got back out there to play for grateful fans that thought they would never see them again. The two now have a totally renewed creative vigor, mutual respect, and deep gratitude for their fans.

These good vibes shine through on their 25th anniversary live album “Live 25.”

It’s definitely been a creative time for the duo, and celebrating the past inspires the guys to move forward in new, inventive ways. To freshen up the live show, Jackopierce started creating uniquely intimate “Destination Shows.” These shows are a whole new fan experience where people can enjoy gorgeous scenery, share delicious food & wine and have “campfire”- type access to their favorite band. It’s a vacation and concert in one. Each Destination Show provides a unique experience dedicated to the local culture: Napa/Sonoma vineyards at sunset, a ranch in Austin Hill Country, high society in Dallas, a

two-mile-high a private club in Aspen, amazing history at the Biltmore in NC, a 14,000 square foot hacienda in San Miguel de Allende, MX - and the list goes on. July 27, Jackopierce will host their first 7th Destination Show in Martha’s Vineyard and they’ll be back for their fourth annual Destination Show in San Miguel in April 2020.

“We have been doing destination events for 10 years now and they have been a huge hit with our fans and have allowed us to make so many great new ones along the way,” said Cary Pierce. “I think these events continue to grow and sell out because people want more than “just a show” - they want an experience. They want to create lasting memories, explore a new place or visit an old favorite. In some cases, we’re offering them a trip of a lifetime. We’re finding there a lot of people that really value these experiences.”

Jackopierce has celebrated numerous career milestones including the T-Bone Burnett produced A&M debut album “Bringing on The Weather,” being a part of one of the world’s largest live events with close to 400K people in attendance at the 1997 Blockbuster RockFest at Texas Motor Speedway alongside artists No Doubt, Counting Crows, and Matchbox Twenty, performing on Conan O’Brien in 1992 with the Max Weinberg Band backing them up and sitting in the chairs on the Rosie O’Donnell Show.

“Even after 30 years I feel like we’re just getting started,” said Cary Pierce.

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Central Market is proud to be the official Picnic Partner for Concerts in the Garden. Call us at (817) 377-9307 to pre-order one of our delicious picnics available in family sizes or for two.

We’ll have it delivered fresh to you at the concert. Don’t forget to order dessert!

View the Menu

Place your order a minimum of 48 hours before your concert. Pick up at the concert from 6:30 to 7:45 pm in the Fort Worth Botanic Garden on Rock Springs Road between the lawn admission and white table areas (look for the Central Market tent).

Radio Highway’s

The Music of the Eagles / June 18

Glenn DeLaune, vocalist/guitar H.L. Wilson, vocalist/guitar Eldon Sully, vocalist/guitar Danny Miranda, vocalist/bass Selections to be announced from the stage.

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Sarah Jaffe / June 19 Sarah Jaffe started work on The Body Wins the day she bought a bass and a drum set at a pawnshop.That day, she wrote the rhythmic “A Sucker For Your Marketing,” and her second full-length began to take shape. It had been building up inside her; she just didn’t have an outlet. Jaffe had been writing songs on her acoustic guitar since she was a teenager. She knew everything she could do on it, and everything she couldn’t do. It wasn’t a creative tool for her anymore.

When Jaffe first started playing guitar, everything was a discovery.

Every chord she played, she thought she had made it up. Not knowing how to play bass or drums, but forcing herself to try, brought that back to her. And so there was “A Sucker For Your Marketing,” a song she may not have been able to write before, but needed to. Maybe not that song, exactly, but Jaffe had pent-up creative energy inside her, after spending most of the year traveling and touring behind her debut (Suburban Nature), seeing and feeling things, soaking up the world.

Plus, there was a side to Jaffe that didn’t exist on Suburban Nature, the part of her that liked to dance and listen to hip-hop and cover Robyn songs live. That’s not to say The Body Winsis a party record.

It isn’t. But it has a pulse to it, more than a heartbeat, not quite a breakbeat. “Glorified High,” the first single, perfectly captures that, the energy she’d built up and the energy that had always been there, with a chorus that smacks you in the chest and lingers like a hug.

It would be nice to say that, after that first day of writing on bass and drums, everything fell into place quite easily. Maybe in the movie biopic version it would. But when Jaffe entered the studio with producer John Congleton (St. Vincent, The Walkmen), who had worked with her on Suburban Nature, she’d only completed a handful of songs, and bits and pieces of a few others. Congleton told her to send everything she had, “even the stuff you’re embarrassed about.” So she did.

“John is clearly a master at what he does,” Jaffe says.”But,to me, his true genius is the fact that he knows when something is good, and knows when something can be great when you think it’s absolute rubbish. I can imagine when you work with as many artists as John has worked with you inherently become a psychological handyman.

He didn’t baby me when I had my freakouts about not having enough songs. He simply said, go home and write. And I would. Or when Robert[Gomez] or Scott [Danbom] were laying down their instrumentals,I would go in the room next door and quickly finish a song, or write a part. Just being around all that creative energy, it was a thrilling pressure. And it worked well with me.”Going in, Jaffe also knew she wanted to work with her friend Fiona Brice, an orchestral arranger, composer, and violinist who tours with Placebo.

Along with the playing of Jaffe’s crack backing band (featuring members of Midlake and Centromatic, among others), Brice’s touch to Jaffe’s songs adds a rich, lushness that makes every song sound huge, even the quieter ones. It permeates everything, like the sort of set decoration Wes Anderson uses, present even when it’s not.

The Body Wins may sound differentto those introduced to Jaffe through Suburban Nature. It should. But it’s not by any grand design to change.It’s where she’s at now, a product of everywhere she’s been since Suburban Nature—literally and figuratively—and a hint of everywhere she might go from here.

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ROBERT SPANO, MUSIC DIRECTOR DESIGNATE KEVIN JOHN EDUSEI, PR INCIPAL GUEST CONDUCTOR DESIGNATE KEITH CERNY, Ph.D., PRESIDENT AND CEO

2022/2023 Season

Keith Cerny, Ph.D., President and CEO

A new musical era begins...

Robert Spano’s FWSO inaugural season

Special performances including The Messiah and international superstars like Yo-Yo Ma!

Subscribe today at 817.665.6000 or fwsymphony.org

Classical Mystery Tour: A Tribute to The Beatles/ June 23

Fort Worth Symphony Orchestra Martin Herman, conductor The four musicians in Classical Mystery Tour look and sound just like The Beatles, but Classical Mystery Tour is more than just a rock concert. The show presents more than two dozen Beatles tunes transcribed note-for-note and performed exactly as they were originally recorded. Hear "Penny Lane" with a live trumpet section, experience the beauty of "Yesterday" with an acoustic guitar and string quartet, enjoy the classical/ rock blend on "I Am the Walrus,” and relish the cascading orchestral crescendo on “A Day in the Life.”

Selections to be announced from the stage.

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Windborne’s The Music of Pink Floyd / June 24 Fort Worth Symphony Orchestra Martin Herman, conductor Randy Jackson, vocalist Bridging the gulf between rock n’ roll and classical music, conductor/ arranger Martin Herman takes the podium to present The Music of Pink Floyd. Performed by the FWSO and amplified with a full rock band, Herman and his ensemble that capture the essence of Pink Floyd’s ethereal harmonies while adding new musical colors.

Selections be be announced from the stage.

Conductor Martin Herman Martin Herman has appeared as guest conductor with symphony orchestras in North America, Europe, Australia, and Canada. His most recent engagements include the Buffalo Philharmonic and the Ft. Worth Symphony Orchestra with Windborne’s “Music of the Rolling Stones” and “Music of the Eagles.” He recently guest-conducted Das Sinfonie Orchester Berlin at the Berlin Philharmonie Kammermusiksaal and continues as music director and arranger for “Classical Mystery Tour” in recent performances with the Sydney Symphony Orchestra in the Sydney Opera House, Seattle Symphony, Detroit Symphony, North Carolina Symphony, Long Beach Symphony, Vancouver Symphony, San Diego Symphony, and Florida Orchestra. Martin also served as music director and conductor with Downtown Opera in Long Beach, California, conducting premieres of new operas in the U.S. and the Czech Republic.

In the fall of 2009, he was conductor and music director at LaMaMa Theatre in New York City where he led performances of his one-act opera, The Doctor, based on Chekhov short stories. He has served as assistant conductor with the San Francisco Contemporary Music Players and conductor of the Berkeley Young Musicians Program Orchestra and U.C. Berkeley Summer Orchestra. Additionally Mr. Herman has conducted several orchestra crossover projects in Amsterdam and Berlin.

Mr. Herman studied conducting and composition at Duke University, University of Pennsylvania, and University of California, Berkeley and spent two years in Paris, France on a Fulbright Grant and U.C. Berkeley Ladd Prix de Paris where he worked as conductor and composer with the “New American Music in Europe” and “American Music Week” festivals.

He has received recognition for his work in the promotion of international cultural exchange from the Trust for Mutual Understanding, New York City.

Randy Jackson, vocalist Randy Jackson is the lead singer/guitarist for the rock band Zebra. Randy’s first foray into recording success began with the self-titled Zebra debut album, released on Atlantic Records in 1983.

Critically acclaimed for its lush rock sounds, due in large part to Jackson’s searing lead vocals and soaring guitar leads, the album sold 75,000 copies the first week. “Who’s Behind The Door” and “Tell Me What You Want”, written

by Jackson, received serious notice in the press, and helped to form legions of Zebra fans almost instantly. The latest Zebra release, “Zebra IV”, was also produced and engineered by Jackson.

Randy toured as keyboardist, guitarist and backing vocalist in 1989 with the original, reunited Jefferson Airplane, their last tour together. He has also worked extensively in the area of musical software and hardware development.

CONCERTS IN THE GARDEN | 17

and Beyond / June 25–26 Fort Worth Symphony Orchestra Alex Amsel, conductor

Musical Selections JOHN WILLIAMS

March from Superman

RUPERT GREGSON-WILLIAMS

Wonder Woman (arr. Victor López)

ALAN SILVESTRI

Back to the Future: Suite for Orchestra

JOHN WILLIAMS

Theme from Jurassic Park

MICHAEL GIACCHINO JOHN WILLIAMS

Star Trek Into Darkness Adventures on Earth from E.T. The Extra-Terrestrial Intermission

JOHN WILLIAMS

Selections from Star Wars Main Title Cantina Band Scherzo for X-Wings Across the Stars March of the Resistance Rey's Theme Luke and Leia The Imperial March Duel of the Fates End Titles Video or audio recording of this performance is strictly prohibited.

Patrons arriving late will be seated during the first convenient pause.

Program and artists are subject to change.

The June 25th performance of Star Wars and Beyond is generously underwritten by Aaron & Corrie Howard 18 | FORT WORTH SYMPHONY ORCHESTRA

Windborne’s The Music of The Rolling Stones/ July 1 The Fort Worth Symphony Orchestra performs Windborne‘s The Music Of The Rolling Stones: Mick Jagger & Keith Richards 1969 Fort Worth Symphony Orchestra Brent Havens, conductor Mick Adams, vocalist The Fort Worth Symphony Orchestra and Brent Havens perform Windborne’s The Music Of The Rolling Stones: Mick Jagger and Keith Richards 1969 to celebrate the 50th Anniversary of The Rolling Stones iconic albums; Beggar’s Banquet and Let It Bleed.

Selections to be announced from the stage.

Vocalist Mick Adams Mick Adams' incredible voice, range and power speak for themselves. Born in Columbus, Ohio, Mick began singing at three years old. By the age of eight, he was the only child singing with the local adult church choir. Whilein high school, he studied voice under Elizabeth Graham and was a featured soloist in the high school choir. Mick continued his vocal educationstudying voice under Ben Bollinger whose other notable students included Karen and Richard Carpenter.

Not only is Mick Adams a ringer for Mick Jagger, he brings Mick Jagger's intense energy to each performance. As a former lead vocalist for Bo Donaldson and the Heywoods, where he performed for Dick Clark, Mick has toured the country with the likes of Tommy James, The Turtles, TheMonkees, The Association, The Lovin' Spoonful, The Buckinghams, Herman's Hermits, Ron Dante, the Rascals and more. Other notables that Mick has performed with include Spencer Davis, Rick Springfield, Johnny Rivers, Neil Sedaka, America, and rock and roll hall-of-famer Sam Moore.

Mick has recorded with Mark Kendall of Great White as well as Ronnie James Dio's guitarist, Tracy G, and has done voice over work for MADD TV. He has also performed on various telethons, including Betty White’s pet telethon, Jerry Lewis’ MS telethon and many others. Mick's band, Mick Adams and The Stones , has performed for everyone from Brad Pitt, Will Ferrell, Leslie Bibb, David Spade, Amy Adams, Flava Flav, Jack McBrayer, Judd Apatow, as well as Mark Cuban. They have been featured on National television multiple times, toured Internationally, and have appeared on and recorded for AXS televisions, The World's GreatestTribute Bands. They have also been named one of the top ten tributes in the world by Backstage 360 magazine. Mick is endorsed by Mark Cuban, Ryan Seacrest and former President of Atlantic Records, Jerry Greenberg, who signed The Rolling Stones.

CONCERTS IN THE GARDEN | 19

Windborne’s The Music of Queen / July 2 Windborne’s The Music of Queen with the Fort Worth Symphony Orchestra Fort Worth Symphony Orchestra Brent Havens, conductor MiG Ayesa, vocalist Queen unapologetically rocked their way into our everyday lives from the UK in the 1970s. With their unique sound, they helped to shape what it means to be a rock band. With the music of their chart-topping hits and enduring albums, vocalist MiG Ayesa will bring the legendary energy of Freddie Mercury to Concerts in the Garden backed by your FWSO. Selections to be announced from the stage.

ROCK YOU and as one of the TENORS OF ROCK at their resident headline show in Las Vegas and on the high seas. MiG also sailed with ROCK RHAPSODY, as well as headlining his own one man show MiG ROCKS THE BOAT.

Vocalist MiG Ayesa MiG started his career in Australia in BUDDY. He was then chosen to join the London cast including a ROYAL VARIETY PERFORMANCE for Her Majesty, Queen Elizabeth II. MiG’s other West End credits include WE WILL ROCK YOU, RENT, THRILLER LIVE and SEASONS OF LARSON. His Broadway credits include BURN THE FLOOR and ROCK OF AGES, which he also joined on the 1st US National Tour and in the Philippines. Back in Australia, his credits include GREASE, CINDERELLA, ALADDIN, WEST SIDE STORY, RENT, FAME, THE MUSIC OF ANDREW LLOYD WEBBER, and a UK and Australian Tour of THE MUSIC OF QUEEN: ROCK AND SYMPHONIC SPECTACULAR. He reprised the role of ‘Galileo’ for the 10th Anniversary World Arena Tour of WE WILL

In the Philippines, MiG played ‘Robert Kincaid’ in the first international production of THE BRIDGES OF MADISON COUNTY and starred with Lea Salonga and Tanya Manalang for the major concert event CURTAINS UP, as well as his own concert celebrating Shangrila’s 25th Anniversary, and most recently originated the role of ‘Jamie Crimson’ in the World Premiere Production of ALL OUT OF LOVE. MiG starred as ‘Joe King’ in the TV series THE FERALS. His other TV credits include FIL IT UP, MISSION: TOP SECRET, HITS AND MEMORIES, THE MIDDAY SHOW, IMT, CAROLS IN THE DOMAIN, IT’S ABOUT TIME, CAROLS BY CANDLELIGHT, PEOPLE’S CHOICE AWARDS, VIDIOT, GOOD MORNING AUSTRALIA and HEY HEY IT’S SATURDAY. MiG’s film credits include QUEEN OF THE DAMNED and SUBTERANO. A finalist in the global hit TV show ROCKSTAR:INXS, MiG released his self-titled debut album, through Decca/Universal and was an original cast member of HANDEL’S MESSIAH ROCKS: A JOYFUL NOISE. As well as releasing his 2nd album MORE THAN EVER, MiG has also penned theme songs for various TV shows.

20 | FORT WORTH SYMPHONY ORCHESTRA

Conductor Brent Havens Berklee-trained arranger/conductor Brent Havens has written music for orchestras, feature films and virtually every kind of television. His TV work includes movies for networks such as ABC, CBS and ABC Family Channel Network, commercials, sports music for networks such as ESPN and even cartoons.

He has also worked with the Doobie Brothers and the Milwaukee Symphony, arranging and conducting the combined group for Harley Davidson’s 100th Anniversary Birthday Party Finale attended by over 150,000 fans. He has worked with some of the world’s greatest orchestras including the Royal Philharmonic and the BBC Concert Orchestra in London.

Havens recently completed the score for the film “Quo Vadis,” a Premier Pictures remake of the 1956 gladiator film. In 2013 he worked with the Baltimore Symphony and the NFL’s Baltimore Ravens to arrange and produce the music for the Thanksgiving Day halftime show between the Ravens and Pittsburgh Steelers, adapting both classical music and rock songs into a single four minute show. He is Arranger/ Guest Conductor for all of the symphonic rock programs for Windborne Music.

July 4th Celebration / July 3–4 Fort Worth Symphony Orchestra Alex Amsel, conductor Angela Turner Wilson, soprano

Musical Selections JOHN WILLIAMS

Liberty Fanfare

JOHN WILLIAMS

The Olympic Spirit

JOHN WILLIAMS

Midway March

LOEWE

I Could Have Danced All Night from My Fair Lady Angela Turner Wilson, soprano

BERNSTEIN

Somewhere from West Side Story Angela Turner Wilson, soprano

RODGERS

Climb Ev'ry Mountain from The Sound of Music Angela Turner Wilson, soprano

JOHN WILLIAMS

Overture to The Cowboys

JOHN WILLIAMS

Theme from The Patriot

JOHN WILLIAMS (arr. Calvin Custer)

Summon the Heroes

Intermission BERNSTEIN

Overture to Candide

BERNSTEIN

Danzon from Fancy Free

JESSIE MONTGOMERY

Overture

PRICE

Juba Dance from Symphony No. 1 in E minor

arr. Bob Lowden Armed Forces Salute The Caisson Song Semper Paratus Marine’s Hymn

The U.S. Air Force Anchors Aweigh BERLIN (arr. Bruce Healey)

God Bless America Angela Turner Wilson, soprano

WARD (arr. Carmen Dragon)

America the Beautiful Angela Turner Wilson, soprano

SOUSA

The Washington Post March

SOUSA

Liberty Bell March

SOUSA

The Stars and Stripes Forever

Video or audio recording of this performance is strictly prohibited.

Patrons arriving late will be seated during the first convenient pause. Program and artists are subject to change.

CONCERTS IN THE GARDEN | 21

Conductor Alex Amsel Argentinian-born conductor Alex Amsel is quickly establishing himself as a conductor equally at home with orchestral and operatic repertoire, as well as a music educator for students of all ages. Amsel’s hope is to integrate music into the fabric of every community he works with to reshape how we think about society and our place in it. He was appointed Conducting Fellow for the Fort Worth Symphony Orchestra for the 2019-2021 seasons, where he will lead the orchestra in a variety of concerts including Symphonic, Pops, and Education programs. Amsel was selected for the prestigious Aspen Conducting Academy for the 2020 summer where he will work closely with Robert Spano. For the summer of 2019, Amsel was selected as the Assistant Conductor for the National Repertory Orchestra in Breckenridge, Colorado, where he led the orchestra in multiple subscription concerts. Other recent engagements include Assistant Conductor and Choir Master for the Peabody Conservatory Symphonies and Opera, and Faculty Conductor for the Philadelphia International Music Festival.

As an educator, Amsel leads numerous concerts every season with the Fort Worth Symphony Orchestra while creating programs that unify the students' school curriculum while exposing them to the magic and wondrous world of music. He has been on the faculty for the Philadelphia International Music Festival, Houston Youth Symphony, and has taught with the Orchestra of the Americas in Haiti, Jamaica, and the Dominican Republic. During his time in Peabody, he served the Baltimore community in several ways through the Creative Leadership Immersion and Implementing Social Development programs. These programs helped connect the conservatory to the greater Baltimore community by helping emerging music programs at low-income schools. Amsel supported students in creating original compositions that reflect their daily lives while discussing the importance of music and how it can supplement a young person’s life through communication, open discussions, and vocal leadership. He has been a featured performer and taught masterclasses through these organizations, as well as having had an active private bassoon studio of 30 weekly students in Austin and Houston, Texas.

Amsel completed his studies under the tutelage of Marin Alsop at the Peabody Conservatory as her Graduate Assistant while working towards his Masters in Music in Orchestral Conducting. Amsel has also studied privately with Larry Rachleff, Cristian Macelaru, and Miguel Harth-Bedoya as well as having appeared in masterclasses with David Effron, David Zinman, and Hannu Lintu. Amsel has been the

22 | FORT WORTH SYMPHONY ORCHESTRA

recipient of numerous scholarships and awards such as the New England Conservatory Presidential Scholarship, Peabody Conservatory Graduate Assistantship, and Peabody Conservatory Graduate Grant. He has conducting experience with Baltimore and Fort Worth Symphonies, Buffalo Philharmonic, as well as the New England Conservatory and Peabody Conservatory orchestras.

Contemporary music forefront in Amsel's musical journey and has premiered works both as conductor and instrumentalist. He has led recording sessions of world premieres at Peabody Conservatory as well as Rice University's Shepherd School of Music, and now presents concert series with the Fort Worth Symphony performing over 10 contemporary works each season.

Amsel was selected within a pool of over 100 applicants to participate in the Cabrillo Festival of Contemporary Music while closely working with Cristian Macelaru.

As a bassoonist, Amsel has appeared with such orchestras as the Tanglewood Music Center Orchestra and New World Symphony and held positions with the Boston Philharmonic, Austin Symphony Orchestra, Breckenridge Music Festival, Austin Lyric Orchestra, Symphony of Southeast Texas, and Orchestra of Indian Hill.

During his free time, Amsel is a biking, architecture, wine, and Golden Retriever aficionado.

Angela Turner Wilson, soprano Ms. Wilson has performed leading roles with many of the major opera houses in the United States and Canada including, New York City Opera, Washington National Opera, Boston Lyric Opera, Dallas Opera, Portland Opera, Atlanta Opera, Lyric Opera of Kansas City, Calgary Opera, Connecticut Opera, Central City Opera, and others. She was awarded the Singer of the Year for 2000 by the Washington National Opera, winner of the Central City Young Artist Award, and a grant winner from the Sullivan Foundation.

As a sought after concert soloist, Ms. Wilson has appeared with the National Symphony Orchestra, Alabama Symphony, Ft. Worth Symphony, Colorado Symphony, Mississippi Symphony, Corpus Christi Symphony, Binghampton Symphony, Valley Symphony, Plano Symphony, and the Dallas Wind Symphony. As a recitalist, she has been engaged by the Dallas Opera Recital Series, The Van Cliburn Modern at the Modern Series, Abiquiu Chamber Music Series, as well as various universities and charitable foundations.

Beyond the stage, Ms. Wilson performed the role of Caroline Jefferson in the film Miss Firecracker

by Cosair Productions. She is featured in the PBS performances and DVD releases of Washington National Opera’s Le Cid and La Rondine. Ms. Wilson appeared at the Clinton White House as a featured soloist for the state dinner honoring the Prime Minister of Italy and performed “God Bless America” for the George W. Bush Presidential Library dedication.

Ms. Wilson currently serves as Assistant Professor of Professional Practice in Voice at Texas Christian University. Ms. Wilson is the Founding Director of the Festival of American Song at TCU. She is an active member of the National Association of Teachers of Singing, where her students have won young artist competitions in both the Classical and Musical Theatre divisions. Ms. Wilson’s students have attended prestigious Young Artist Programs, performed with major opera houses, held state titles with the Miss America pageant, performed in musical theatre productions in New York City, on national tour, and in theaters throughout the US, and served as music educators in all levels of education across the country.

CONCERTS IN THE GARDEN | 23

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