Jamieson Carr
Shock and Awe for percussion ensemble
Shock and Awe by Jamieson Carr Š 2012 Tapspace Publications, LLC (ASCAP). Portland, OR. All rights reserved. International copyright secured. Printed in USA. www.tapspace.com Notice of Liability: Any duplication, adaptation, or arrangement of this composition requires the written consent of the copyright owner. No part of this composition may be photocopied or reproduced in any way without permission. Unauthorized uses are an infringement of the U.S. Copyright Act and are punishable by law. TSPCE-69
Program Notes When I was asked to write a piece for the opening of the Forbes Center at James Madison University, I knew I wanted it to be a spectacular work. Halfway though my writing process, the words “shock and awe” came into my head. The term “shock and awe” originated in a 1996 military doctrine written by Harlan K. Ullman and James P. Wade. The basis of this idea was to use overwhelming power, dominant battlefield maneuvers, and spectacular displays of force to paralyze an enemy and destroy their will to fight. This militaristic term is the inspiration for the piece.
Performance Notes •
There is a sound that occurs in measure 19 of the Percussion 1 part that is very unique. It requires the player to place the base of a Roto tom upside down on top of a suspended cymbal stand and then spin the base. The player then takes a triangle beater and presses it gently onto the spinning base to create a series of quick metallic ringing notes. If a Rototom base is not available, any loud ringing piece of metal, struck with triangle beaters in a fast to slow rubato style, will suffice.
•
Staccato marks that appear throughout the score typically mean to muffle or choke the sound of any instrument after it is struck (i.e., cymbals and tam tams). When it appears over a note played on bass drum, the bass drum is to be dampened with a towel or the player’s arm.
•
The opening measure is meant to be startling–a “shock.” An effective performance technique is to have the ensemble already in place on stage with the lights out. When the conductor cues the first note, the lights then come on. The first two measures should last about 10 to 15 seconds.
•
A small djembe or conga may be substituted if a doumbek is not available.
•
Percussion 3 and 4 should be placed on opposite sides of the ensemble so as to create an antiphonal effect.
Players and Instrumentation Shock and Awe requires 13 players with the following instrumentation: 1 glockenspiel, 1 chimes, 1 xylophone, 2 vibraphones, 2 medium marimbas (4.3-octave, low A), 1 large marimba (5-octave, low C), 5 timpani, auxiliary percussion (shekere, doumbek, large tam tam, hi-hat, concert bass drum, ocean drum, finger cymbals, medium low tom, brake drum [or anvil], 3 woodblocks [low, medium, high], crash cymbals, tambourine, 2 triangles [high, low], bell tree, 3 Zil-bells [at least 2 pitch variations], 3 sets of wind chimes, 4 suspended cymbals, 2 splash cymbals, 2 sizzle cymbals, and china cymbal)
Suggested Setup
Level: Med-Advanced Approx. playing time: 3’30”
Chimes
Xylophone
Vibraphone 1
Vibraphone 2
Marimba 1
Marimba 2
Marimba 3
U ∑
b3 √ &b 4 ∑
Percussion 1
∑
∑
U ∑
∑
∑
∑
∑
b3 √ &b 4 ∑
U ∑
∑
∑
∑
∑
∑
∑
∑
b3 √ &b 4 ∑
U ∑
∑
∑
∑
∑
∑
∑
∑
b3 √ &b 4 ∑
U ∑
∑
∑
∑
∑
∑
∑
∑
b3 √ &b 4 ∑
U ∑
b3 √ &b 4 ∑
U ∑
? b3 √ ¢ b4 ∑
U ∑
∑
∑
∑
∑
∑
∑
∑
U ∑
∑
∑
∑
∑
∑
∑
∑
°? b 3 √ ¢ b4 ∑ °
(All sounds ring unless otherwise noted)
#f ™
∑
f™
p
#f ™
∑
f™
#f ™
f™
mf
f b f f #f f f f f f f f f f f f #f f b f f f f f f f f b f f #f f f f f f f f f f f f #f f b f f f f f f f f b f f #f f f f f f f f f f f f #f f b f f f f f f f f b f f #f f f f f f f f f p
mf
p
mf
p
mf
p
f bf f #f f f f f f f f f f f f #f f bf f f f f f f f bf f #f f f f f f f f f f f f #f f bf f f f f f f f bf f #f f f f f f f f f f f f #f f bf f f f f f f f bf f #f f f f f f f f f
p
mf
p
mf
p
mf
p
√ Tam tam U (start before sound dies out) 3> & ~~™ ~~~~~~ & ™ &™ &™ &™ / 4 ™ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ & ™ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ & ™ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ & ™ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Y W.C.
ffff
√ B.D. 3> / 4 F™
mp
U ∑
∑
∑
∑
∑
√ >Y ™China cym 3 Y ™Sus cym U ∑ / 4
∑
∑
∑
∑
∑
∑
∑
∑
ffff
(All sounds ring unless otherwise noted)
Percussion 3
∑
Jamieson Carr (ASCAP)
∑
(All sounds ring unless otherwise noted)
Percussion 2
q = 148
∑
F# A Eb F# A
Timpani
Shock and Awe
° bb 3 √ & 4 ∑
approx. 10"
Bells
Written for the James Madison University Percussion Ensemble C. William Rice, Director
(All sounds ring unless otherwise noted)
ffff
√ 3 >Y ™ Cr. Percussion 4 / 4 ¢
U ∑
∑
∑
∑
~~ & ™~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~ & ™ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Wind Chimes
∑
mp
∑
ffff
© 2012 Tapspace Publications, LLC, Portland, OR. (ASCAP) International copyright secured. All rights reserved.
∑
Wind Chimes
& ™~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~
mp
2
Shock and Awe – Carr
° b B &b 10
∑
∑
∑
#ff
∑
f Ch
X
V1
V2
M1
M2
b & b #f ™
f™
f™
p
b &b
∑
b &b
∑
b &b
∑
b &b
#f ™
#f ™
∑
f™
#ff
f
f
f
nff
ff
3
ff ff ff ff J J 3
f
f
mf
∑
ff
ff
3
3
#f ™
f™
p
∑
∑
∑
ff
∑
pp
#f ™
f™
∑
∑
f
f
mf
f fbf f f f f f f f f f f fbf f f f f f f f f f f fbf f f f f f f f f f pp
∑
#ff
∑
f
∑
∑
#f f f fF f
∑
∑
∑
∑
∑
∑
f f #f f F
f
f f f #f f b f f f f f f f f b f f #f f f f f f f f f f f f #f f b f f f f f f f f b f f #f f f f f f f f f f f f #f f b f f f f f f f f b f f #f f f f f f f f f f f f #f f b f f f f f f f f b f f #f f f f f f f f f mf
p
mf
p
mf
p
mf
p
b & b f f f #f f bf f f f f f f f bf f #f f f f f f f f f f f f #f f bf f f f f f f f bf f #f f f f f f f f f f f f #f f bf f f f f f f f bf f #f f f f f f f f f f f f #f f bf f f f f f f f bf f #f f f f f f f f f mf
p
mf
p
mf
p
mf
p
M3
?b ¢ b
∑
∑
∑
∑
∑
∑
∑
∑
T
°? b ¢ b
∑
∑
∑
∑
∑
∑
∑
∑
/
& ™~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
∑
∑
∑
∑
∑
∑
∑
/
∑
P1
P2
°
Ocean drum
F™
F™
F™
F™
F™
F™
F™
mf
P3
/
∑
P4
¢/
~~ & ™ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~ & ™~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~ & ™ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ∑
∑
∑
∑
~~ & ™~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~ & ™ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~ & ™~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~ & ™ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ∑
∑
∑ & ™~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~ TSPCE-69
3
Shock and Awe – Carr
° b #f B &b f 18
f Ch
X
b &b f
A
nff
ff
3
ff ff ff ff J J 3
f
f
V2
M1
M2
#ff
T
3
∑
p
f f f Œ
b &b
∑
Œ
>f f ‰ #fJ f
b &b
∑
Œ
Œ
#ff
f
f f
#ff
#ff
f f f
mf
P2
f
f ‰ fj ≈ j #f ™
f f
f fbf f f f f f f f f f f fbf f f f f f f f f f f fbf f f f f f f f f f pp
j ‰ #ff ff >
f
∑
#f f f f f™
∑
f f #f f f ™
ff f f™ #f f ™
ff
FF ™™
f™
>f f J
f™
>f f J
FF™™
bf ™
f ‰ fj ≈ j #f ™
bf ™
f™
mf
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
f f f #f f b f f f f f f f f b f f #f f f f f f f f f f f f #f f b f f f f f f f f b f f #f f f f f f f f f f f f #f f b f f f f f f f b f f f f f f f f f f f f b f f f f f f f f f f f f b f f f f f f f f f f f f mf
p
mf
p
mf
p
mf
p
b & b f f f #f f bf f f f f f f f bf f #f f f f f f f f f f f f #f f bf f f f f f f f bf f #f f f f f f f f f f f f #f f bf f f f f f f bf f f f f f f f f f f f bf f f f fnf f f f f f f bf f f f f f f f f f f f ?b ¢ b
p
mf
∑
∑
p
∑
mf
∑
∑
∑
∑
∑
‰
∑
Œ
F™
F™
#f
f
> ‰ j ¿
Œ
∑
P4
¢/
~~ & ™ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~ & ™~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~ & ™ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ∑
∑
f f
#f #f
f f
f f
#f #f
f f
f f
f
#f
f
f
#f
f
f
cresc. poco a poco
cresc. poco a poco
∑
∑
∑
∑
B.D. w/ hard mallets
f
f
f
pp
/
p
mf
∑
F™
f f
Tam tam scrape w/ triangle beater
*see performance notes
P3
TSPCE-69
Œ
w/ triangle beater* f ™ striking ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
mf
ultra staccato mallets
∑
p
/ /
#f #f
∑
p
°? b ¢ b
°
p
∑
Spin rototom base while
P1
bf ™
∑
pp
b f bf f f f f f &b f f f f f f
b &b
∑
ff
p
mf
M3
ff
3
pp
V1
ff
∑
∑
~~ & ™~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~ & ™ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
f
f
f
f
f
f
cresc. poco a poco
~~ & ™~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~ & ™ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ∑
∑
∑ & ™~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~
4
Shock and Awe – Carr
° b f™ B & b f™ 26
Ch
b &b
#ff ™™
ff ™™
∑
ff ™™
f f bf f f™
ff ™™
f f bf f f™
ff ™™
f f bf fnf ™
bff ™™
bf f f f f ™
f
bf
f
f f bf f f™
ff ™™
f f bf f f™
ff ™™
f f bf fnf ™
bff ™™
bf f f f f ™
f
bf
f
f
#f
bf
2 4
f
Œ
4 4
f
#f
bf
2 4f
Œ
4 4
mf
mf
X
V1
V2
b &b b &b
f f f bf f f f f f f f f f f f bf f f f f f f f f f f f bf f f f f f f f f f f f bf f f f f f f f f f f bf f f f f f f f f f f f bf f f f f f f f f f f 2 f f f#fnfbfbf 4 4 4
∑ f f f f f f
f
p
mp
b &b f f f f f f p
M1
M2
b &b
T
P1
f
f f f f f
f
p
f f f f f
f
mf
f f f f f
f
p
f f f f f
f
mf
bf
f
f f
mf
f f f f f
f
f f f f f
f
f f f f f
f
f f f f f
mp
f
bf
f
f f
mf
p
#f #f
bf bf
2 4
#f #f
bf bf
2 4 4 f f f f#fnfbfbf 4
bf f f f f f f f f f f f f f bf f f f f f f f f f f f bf f f f f f f f f f f f bf f f f f f f f f f f f bf f f f f f f f f f f bf f f f f f f f f f f f bf f f f f f f f f f f mf
p
mf
p
mf
p
mf
ffff #fnfbfbf 4 4
p
p
2 4
f f f f#f p
nfbfbf 4 4
f bf f f f f f bf f f f f f bf f f f f f bf f f f f f bf f f f f f f f f f f f bf f f f f f f f f f f 2 f f f b bf 4 f 4 & b f f f fnf f f f f f f f f f f f f f f f f f f f f f f f f f f f f f f#fnfbfbf 4 mf
M3
mf
p
? b #f ¢ b #f °? b ¢ b #f °
p
f f
f f
f
f
f f
f
f f
f f
f
f
f f
f
p
f f
f f
f
f
∑ j j f ‰ f ≈ f™
j j f ‰ f ≈ f™
/
P3
/
∑
& ™~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~
~~~ & ™ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
P4
¢/
~~ & ™ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
∑
∑
f
f
f™
∑
P2
f
f™ f™
mf
f ‰ f ≈ f™ f fJ f™ J j j f ‰ f ≈ f™
f™ f™
f™
p
f ‰ f ≈ f™ f fJ f™ J j j f ‰ f ≈ f™
f f
mf
bf bf
f f
mf
f
Œ
Œ
f f
p
#f #f
(F# C Eb F# A)
bf bf
f™
f™
∑
f
f f f f f ∑
∑
f
f f f f f ∑
~~~ & ™~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~ & ™ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
∑
2 f f f f#fnfbfbf 4 4 4 p
∑
2 4
∑
4 4
∑
2 4
∑
4 4
mf
∑
/
mf
3 3 3 3 3 3 2 4 f f f f f f f f f f f f f f f f f f 4 ffff f f f f 4
~~ 2 & ™~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~ & ™ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 4
∑
4 4
2 4
∑
4 4
∑
∑
TSPCE-69
5
Shock and Awe – Carr
° b4 B &b 4 34
Ch
X
∑
b4 &b 4
∑
b4 &b 4 f Œ Ó b4 &b 4 f Œ Ó b4 &b 4
f
Œ Ó
f
M1
M2
b4 &b 4
f
f
Œ Ó
f
M3
? b4 ¢ b4f Œ Ó °? b 4 ¢ b4
hard mallets
æ wæ >
fp
P1
°
p
P2
4 / 4f Œ Ó Sus cym
w/ sticks 4 Y™ / 4 Œ ææ
p
4 P4 / 4 ¢ TSPCE-69
>f f
ff
fj f nf Π>f >f n>f
j f bf f ‰ f f ‰ bf >f > >f >f >f
fj f nf Π>f >f n>f
>f f
f bf f ‰ fj f ‰ bf >f > >f >f >f
> >f n>f #>f f f Πnf #f f
>f f
>> n>f #>f f ff Πnf #f f
>f f
>f > b >f n >f bf j #fnfbfnf f f f f f f f f f >f f n b f f f‰f f Œ f f> b>f >f f >f > ff > >f >> j j n>f #>f f ff Œ ff f bf f ‰ f f ‰ f f nf Œ f nf #f f bf >f >f n>f >f > >f >f >f j f ‰fŒ >f >f
Œ
ff
f Π>f
j f ‰fŒ > >
f Π>
Œ
> Π#f #>f #>f
Œ
Œ
∑
Ó
nf #f f f Œ n >f #>f >f >f Œ
Œ
>f >f f f
>f >f ‰ f f J
>f >f > f f #f f f f w
> f
> > f f
> > ‰ f f J
> > f f
j > ‰ nnff Œ ff bf f f ff bf f f nnff > > >
nf f f
Œ
∑
#>F
>f >f ‰fŒ f J
>f f
Œ
>f >f ‰fŒ f J
>f >f f f
>f >f ‰fŒ f J
>f >f f f
>f >f ‰fŒ f J
>f >f f f
>f >f ‰fŒ f J
>f >f f f
∑
> >j f ‰fŒ
> f Œ
Œ
> f
> ‰ ¿J Ó
ff
ff
Œ
f f #f f
mf
f #f f f f
>f b f f f f f f f f f f f f f f f f b f f f f f f f f f f f f f f f ffp
>f >f ‰ f f J
>f >f > f f #f f f f w
f b f f f f f f f f f #f f
ff
nf f f
p
f bf f f f f f f f f #f f
ff
p
> f #f f f f f b f f f f f f f f f f f f f f f f b f f f f f f f f f f f f f f f ffp
>f >f ‰ f f J
>f >f > f f #f f f f f bf f f f f f f f f f f f f f f f bf f f f f f f f f f f f f f f
>f >f ‰ f f J
>f >f f f #f f f f f >
ffp
Œ
Ó
ff
>¿
f f
low F# to A
Œ
Ó
Œ
f #f f f f #f f f #f bf f
Œ
mf
∑
∑
∑
Ó
∑
Œ
Œ
>. >. j j œ ‰ ‰ œ Œ
>. >. j j œ ‰ ‰ œ Œ
^¿. ^¿. J ‰ ‰ J
^¿. ^¿. J ‰ ‰ J
Œ
Œ
> œ
(open)
>¿
Œ
Ó
∑
Œ
Ó
∑
Œ
Ó
∑
Œ
Ó
(choked)
> ‹ Œ
Cr.
∑
Œ
Splash cym
Sus cym w/ stick
ff
>¿ ^¿. China ^¿. J‰‰J Œ
∑
> w
>f >f > f f #f f f f w
very muffled (w/ wooden mallet)
Œ
Œ
> > j > > > Eb to Db>f #>f > >f #>f > >f >f > >f fbf ‰ f f f f ‰ j f f bf f f f f f f f f f f f #>f > >
Œ
to shekere
ff
>f >f ‰ f f J
>f b f > > n >f f f f bf f f nf n f f f n f ‰JŒ
ff
f
P3
Œ
>> >> j f bf f ‰ f f f f f f f bf f f f f f bf nf Œ f n>f f> b>f >f f >f #fnfbfnf f >
ff
4 / 4 Œ ææ™ Y
>f f
ff
ff
f
T
> b>f > > > f f‰f f Œ J
ff
b4 &b 4 f Œ Ó
> n>f #>f >f ff Πnf #f f
∑
ff
f
V2
∑
ff
f
V1
B
Ó
∑
Œ
> ‰ ‹Ó J
∑
∑
> ‹
Œ
Œ
Sus cym w/ yarn mallets
Y æ p
6
Shock and Awe – Carr C
° b B &b 42
Ch
X
∑
Shekere
‹
‹ ‹ ‹
‹
‹
‹
‹
‹
‹
‹
‹
j ¿ f ‰f f
¿
f ¿ f‰
‹
‹
‰
j ¿ ¿
‹ ‹
‹
‹
‹ ‹
‹
‹ ‹ ‹
f ¿f
j j f ¿ f‰ f ‰ ¿ ¿ f f
¿ f¿ ‰
b &b f Œ Ó ff >f b b Œ Ó &
Doumbek
f mf
¿ f¿ ‰
j f
regular = bass tone 'x' = normal hit
j ‰ ¿ f
∑
∑
j f
∑
∑
∑
ff
V1
M1
b> &b f Œ Ó
∑
‹
∑
∑
∑
∑
b &b f Œ Ó > ff >f b Œ Ó b &
∑
∑
∑
fbf f f f Πf#fnfbf nf#f f f fbfnf f f f f f f f
mp
b> &b f Œ Ó
f
‰
∑
‹
∑
f
j ‰ ¿ f
j ¿ f ‰f
f
f fbf f f f Πf#fnfbf nf#f f f fbfnf f f f f f mp
f
∑
f f f#f f f f f #f f f n f f f #f f f b f f f f f f f b f f f f f f f f ‰ ‰ fJ ‰ fJ f p
j f
mp
f
ff
M2
‹
f fbf f f f Πf#fnfbf nf#f f f fbfnf f f f f f f
ff
V2
‹
mp
mf
ff ff #f ‰J‰ f J
∑ ff
‰
ff #f ff f J ‰ J
∑
∑
∑
∑
∑
∑
∑
Œ Ó
∑
∑
∑
∑
∑
∑
∑
°? b ¢ b >f Œ Ó
∑
∑
∑
∑
∑
∑
∑
Œ Ó
∑
∑
∑
ff
M3
?b ¢ b
>f
ff
T
ff
P1
°
Œ
+¿ ¿ ¿ ¿ ¿o
Hi-hat
/
Œ
/
w/ xylo ^ >. ‹ j ‰ Œ Œmallet œ
∑
∑
∑
Sus cym w/ yarn mallets
∑
¿
Y ææ
f
p
mf
Zil-bell
P2
P3
P4
∑
∑
∑
∑
∑
f
/
∑
¢/
>¿. (choke) J‰Œ Ó
Medium low tom on head and rim w/ sticks
œ ¿ ¿ œ¿ ¿ œ ¿
œ ¿ ¿
œ ¿ ¿ œ¿ œ¿ ¿ œ¿ ¿
œ
¿
œ ¿
¿ œ ¿ ¿ œ¿
‰
f J
f ff
f æ
œ ¿ ¿ œ ¿ ¿ œ¿ œ ¿ ¿ œ¿ ¿ œ ¿
œ ¿ ¿
œ ¿ ¿ œ¿
‰ fJ f æf f f
‰ fff fff
mp
f
Tambourine
f mp
fffff ææ
‰ fff fff
f æ
ff ‰ ff J
f ‰f J
f
fffff ææ
f æ TSPCE-69
7
Shock and Awe – Carr D
° b B &b ‹
‹
b &b f
¿
50
Ch
X
V1
V2
b &b ‰ b &b ‰
‹
‹
‹
‹
‹
‹
‹
‹
‹
∑
‹
f
b#ff ™™
ff ff J
f
f ¿ f‰
j f ‰
j ¿ ¿
f
f f f#f f f f f #f f f n f f f #f f f b f f f f f p
‰
f
f f f#f f f f f #f f f n f f f #f f f b f f f f f p
b &b
¿ f
‰
j j f ¿ f‰ f ‰ ¿ ¿ f
f f bf f f f f f f bf f f f f
f
∑
∑
to chimes
∑
M2
M3
T
P1
P2
b & b #ff b &b
ff
j ‰ ff ff
°? b ¢ b
∑
/
∑
/
∑
/
P4
¢/
TSPCE-69
‰ #fj bf
∑
∑
∑
Œ
Ó
∑
∑
∑
f f ‰ fJ ‰ fJ
ff
Œ
Ó
∑
∑
∑
f f
f ff FF f
‰ fj f #f f ‰ fj f f f bff f f ∑
∑
∑
Œ
fbf f f f
f f
b#ff ™™
Ó
ff ff J
Œ
∑ ∑
mp
f
‰ j‰ f
¿ ¿ ¿o ¿ ¿ ¿o ¿
f
f
Œ
f
j f
Œ
f
¿
¿o ¿ ¿
H.H. (closed unless notated as open)
#FF ™™
ff
ff
b#FF ™™
∑
f#fnfbf nf#f f f fbfnf f f f f f f j f
f
mp
∑
∑
‰ fj ‰
f mp
∑
b#FF ™™
ff
∑
‰ fj f f f
ff
f f ‰ fJ ‰ fJ
f
∑
P3
bff
∑
?b ¢ b
°
ff ™™
ff
∑
f
M1
#FF ™™
∑
‰ f f f#f f f f f#f f fnf f f#f f fbf f f f f
‰ ff ‰ fJ
p
f
f
f
‰ fj ‰ fj Œ
#f
f
f
‰ fj ‰ fj Œ
#f
‰ #fJ ≈ fJ ™
f
‰ #fJ ≈ fJ ™
f
¿ ¿ ¿ ¿ ¿ ¿ ¿o ¿ ¿ ¿o ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿o ¿ ¿ ¿ ¿ ¿ ¿ ¿o
mp
∑
∑
∑
Œ
Finger cyms
∑
∑
∑
∑
∑
∑
∑
∑
Y™ mf
œ¿ ¿ œ¿ ¿
œ ¿
œ ¿
¿ œ ¿ ¿ œ ¿
ff ‰ ff J
‰
f ff
f æ
f J
f
‰ fJ
œ ¿ ¿ œ¿ ¿ œ¿ ‰ fJ f æf f f
œ
Œ
Ó ∑
‰ fJ
8
Shock and Awe – Carr
° b B &b f f 57
Ch
X
V1
V2
∑
FF ™™
b &b
∑
mp
∑
∑
∑
f™ f ‰ #fj F f
b &b
∑
b &b
∑
bf ™ f f f™ bf ™ f ‰ f ≈ f ™ J J
f f
mf
b & b ff
bf ™ f ‰ fj ≈ fj™ bf ™ f f f™
FF ™™
b &b
f™ mp
f f #f ™ fJ fJ #f ™
mf
f f
bf bf
F F
∑
∑
∑
f
bf
F
∑
∑
∑
∑
∑
∑
∑
f f f f f bf
f
j j f f #f ™ mf
f
ff bf f f fnfbf f f f fnfbf f f f f nf bf f ‰ fj f f nf ™ f ‰ #f f f bfnf#f f f f f f f f f f f f f nf #f f bf f f f bf nf ™ #fJ f mp f f f f™ f f™ J
F F
f
f f
fj f ™ f f™
mf
M1
f™ f™
∑
F F
f
∑
f ™ f #f F f™ f ‰ #f F J f ™ f ‰ #fj F f ™ f #f F
f™ f™ mp
f™ f™ mp
∑
∑
f f #f ™ fJ fJ #f ™
mf
f
j f f #f f f f #f f mf
∑
f f
f f
Œ
bf bf
F F
∑
f f
F F
∑
mp
∑
æ Fæ F
mp
M2
M3
T
b bf &b f f f f ? b #f ™ ¢ b ≈J
‰ fj ‰ fj f f f f
Œ
j ‰ j ff ff ff
Œ
j j ‰ ff ‰ ff ff
Œ
‰
f
°? b ≈#f ™ ¢ b J f
Ó
P1
P2
P3
/ / /
¢/
∑
∑
∑
Ó
∑
∑
∑
æ Fæ F
mp
Ó
∑
∑
∑
∑
f ™nf ‰ #f f ™nf #f æJ
f f F f f æF ææ
f F f F æ
f f ™nf ‰ #f f f FF f ™nf #f æf ææ æJ æ æj æ f ™nf ‰ #f fæ ff FF f ™n f #f f æ
f F f F æ
bf bf bf bf
f F f F ææ æ wæ
æ wæ
æ wæ
bf bf
pp
¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿o ¿ ¿ ¿ >‚ ¿ ¿ >‚ ¿ ¿
¿ ¿ >‚ ¿ ¿ >‚ ¿ >‚ ¿ ¿ >‚ ¿ ¿ ¿ ¿ ¿ >‚ ¿ ¿ >‚ ¿ >‚ ¿ ¿ >‚ ¿
+¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ >¿o >‚ ¿ H.H. Œ Ó
∑
∑
f
Œ
∑
Y™
∑
∑
∑
∑
‹™
‹ ‹ ‹™ J J
mp
mf
Zil-bell
∑ ∑
B.D. w/ felt beaters
∑
f
pp
Ó
∑
Sus cym w/ yarn mallets
Y æ
∑
Œ
>1
mf
>1 ‰ J Œ
Œ
>1
>1 ‰J Œ
Œ
>1
>1 ‰JŒ
1™
1 1 1™ J J
1
mp
mf
mp
f
1
!
æ wæ
æ wæ
æ wæ
p Triangle
P4
∑
æ Fæ F
mp
x = regular zone Ride cym diamond = bell
°
∑
f f f f f bf
mp
f
∑
∑
¿ Œ Ó
∑
∑
∑
∑
f
∑
f
TSPCE-69
9
Shock and Awe – Carr
° bf B &b f
E
66
f f
f f
f f
mp
Ch
b &b f b &b Œ
f
f
f
V2
f f
Œ
Ó
Œ
b>ff >ff ‰ >ff >ff J
Œ
M2
>f >f ff J
ff
f ff
> f f # f b f f f f f f f bf f f f f f #f
>f #fnfbfnf f >f f fbfnf f >f #>f >f >f >f ff‰ ff J >f #fnfbfnf f >f f fbfnf f >f #>f >f >f >f ff‰ ff J
ff
M1
∑
∑
f bf f f f f f f f bf f f f f f f
p
> b >f b f f f f f >f f f f f f >f b >f >f f f ff # f b f fffff ‰
bf#f f b & b f f f #f f f f bf f f f f f b &b
∑
Ó
ff
mf
V1
Œ
ff
mp
X
f >f
bf#f f b bf & b f f f #f f f f f f f f f
> > f b f b f f f f f f f f f f f >f b >ff >ff
>f >f ff ‰ J
ff
> > >> f f b f b f f f f f f f f f f f >f b ff ff # f b f b b f ‰ & b f f f #f f f f f f f f f
>f >f ff J
f >f f >f f
>f
Œ
Ó
∑
ffffffff ffffffff
> b >f b f f f f f >f f f f f f # >f n f b f f >f n f b f f f f n f b f f > f f p
f ?b ¢ b f
f f
f f
f f
f f ff
T
°? b ¢ b f
f
f
f
f >
&f #fnfbfnf f f f fbfnf f
> Œ
>
Ó
ff
P1
°
f >f
Œ
>. Tam tam (muffled) Ó j‰ Œ ¿
∑
/
‰ j f > #>ff >ff >ff >ff Ó
P2
/
f
f
f
f
> f
Œ
Ó
ff
mf
>¿w/ sticks Œ Sus cym
P3
P4
/
∑
¢/
∑
TSPCE-69
>. >. j j f‰ ‰ fŒ
muffled in center
Ó
>¿
ff
3
Œ
Ó
∑
Œ
Ó
∑
Œ
Ó
∑
Œ
Ó
∑
Œ
Ó
∑
Œ
Ó
∑
> ¿
Œ
Ó
∑
> f
Œ
Ó
∑
Œ
Ó
∑
fff
fff
fff
3
3
3
3
f >f
fff
fff
Œ
Ó
>. open j > f‰ f Œ
Ó
>¿
fff
3 b>f f #fnfbfnf f f f fbfnf f f f f #f f f f f f bf f #fbf > > > > 3 >f
#>f
Ó >‹. J >¿. J
Brake Drum
(choked)
‰
Splash cym
Œ
Ó
b>f
#>f
‰
>‹. J >¿. J
^ O
3
#f
^3 O
^ O
f
f >
fff
fff
‰
Ó
fff
‰
ff
>Cr. ‹
3
∑
>f > > > > f b f b f f f f f f f f f f f # f n f b f f f n f b f f f n f b f f f >f
Ó
^¿. China ^¿. J ‰ ‰ J Œ
3
Ó
> >f #fnfbfnf f >f f fbfnf f >f f f #f >f f f fb f f b f f #f > bf f
>. j‰ Œ ¿
ff
3
Œ
>f > > > > f b f b f f f f f f f f f f f # f n f b f f f n f b f f f n f b f f f >f
f >
∑
3
> >f #fnfbfnf f >f f fbfnf f >f f f #f >f f f fb f f b f f #f > bf f
ff
M3
3
Ó
>¿ ¿
fff
Œ
Ó
> ‹
Œ
Ó
> ‹
Œ
Ó
∑
Œ
Triangle
1
p
1
1
1
1
1
1
10
Shock and Awe – Carr
° b B &b
F
73
Ch
X
V1
V2
M1
Ó
∑
∑
∑
∑
∑
∑
∑
Ó
∑
∑
∑
∑
∑
∑
∑
Ó
∑
∑
∑
∑
∑
∑
∑
Œ
Ó
∑
∑
∑
∑
∑
∑
∑
f bf f f f f f f f f f f f f f f >f Œ
Ó
∑
∑
∑
∑
∑
∑
∑
Œ
Ó
∑
∑
∑
∑
∑
∑
∑
> b bf f f f bf f f f &b f f f f f f f f f f f f f f f f f f f f f f f f f Œ
Ó
∑
∑
∑
∑
∑
∑
∑
b ¢ & b f bf f f f f f f f f f f f f f f f bf f f f f f f f f f f f f f f f Œ
Ó
∑
∑
∑
∑
∑
∑
∑
f bf f f f # f f f
b & b f f f #f nf bf bf f b &b
∑
b &b
∑
b &b
∑
f bf f f f bf nf #f
ff
f Π>f ff f b f f f f f f f f f f f f f f f >f Πf
f f #f f f f f
mp
ff
mp
ff
f b f f f f f f f f f f f f f f f >f
mp
b bf f f f &b f f f f f f f f f f f f
ff
f b f f f f f f f f f f f f f f f >f
p
M2
ff
p
M3
ff
p
T
P1
P2
ff
°? b ¢ b
∑
/
∑
/
∑
°
f
f f f f f f f
^ O
^ ^ ^ ^ ^ ^ ^ O O O O O O O
f f f f f f f
mp
P4
∑
/ ¢/
1
1
Y æ
1
1
^ O Œ f Œ >¿ Œ
p
ff
>¿ Œ
p
Ó
∑
∑
∑
Ó
∑
∑
∑
ff
Sus cym w/ yarn mallets
Y æ
mp
∑
∑
∑
∑
ff
mp
f
j j f f f#f f f ‰ f f #f f f f f f f™#f ‰ fJ ≈#fJ ™ f f f f f f f#f f f ‰ f f #f f f f f f f™#f ‰ fJ ≈#fJ ™ f f f f #f #f #f #f
ff
mp
Sus cym w/ yarn mallets
P3
f Œ
ff
Ocean Drum
w
w
w
w
mp
Ó
∑
∑
∑
∑
∑
∑
∑
Ó
∑
∑
∑
∑
∑
∑
∑ TSPCE-69
11
Shock and Awe – Carr
° b B &b 83
Ch
X
V1
V2
M1
M2
∑ ∑
T
b &b
∑
b &b Œ
Œ
b &b Œ
Œ
P1
Œ Œ
fff p
mf
f
∑
/
Œ
Œ
Œ
Œ
∑
Œ
Œ
Œ
∑
∑
Œ
∑
p
∑
#f
f
Œ
Sizzle cym
∑
fff
w/ ¿ scrape triangle beater Ó
mf
mf
mf
mf
∑
p
Œ
∑
Œ
∑
p
∑
f f
Ó
p
f f f f #f f f f f f f f f f f f f f f #f f f
f f #f
Ó
p
f f f f #f f f f f #f f f f f f f f f f #f f f
∑
f f f™ #f ‰ fJ ≈#fJ ™ f f f f f #f
∑
f f f #f f f f f f #f f f f f f f f f f f f #f f f f
f f f #f f f f f f f f f f f f f f f f f f #f f f f
fff
f™ bf ‰ nfJ f
∑
p
p
#f f f
∑
∑
p
∑
Œ
∑
mf
∑
p
‰ fj f
Ó
p
∑
f™ bf ‰ nfJ f
mf
p
∑
f f
mp
Ó
Œ
p
p
mf
f f #f
Œ
∑
Ó
p
mf
∑
°? b ¢ b f
f ‰ #fj ‰ j f bf f
Ó
f f f f #f f f f f #f f f f f f f f f f #f f f
mf
p
Œ
∑
f f f #f f f f f f #f f f f f f f f f f f f #f f f f
f f f #f f f f f f f f f f f f f f f f f f #f f f f
b ¢& b
‰ fj f
∑
#f f f
∑
∑
#f
f
Œ
f f f™ #f ‰ fJ ¿
Ó
mf
w
w
/
P3
/
∑
¢/
∑
TSPCE-69
f™ f ‰ #fj f
f ‰ #fj ‰ j bf ff
mp
w/ triangle beaters or light bell mallets
∑
p
P2
P4
Œ
∑
b & b f f f #f f f f f f f f f f f f f f f f f f #f f f f
°
f
mf
p
M3
f™ f ‰ j #f f
mf
b &b
b &b
Œ
∑
w
w
∑
Œ
∑
w & ™ ~~~~~~~~~~~~~ ~~~~~
W.C.
w
w
∑
∑
∑
∑
∑
mp
∑
Œ
>1 mf
Ó
∑
Œ
>1
Ó
12
Shock and Awe – Carr
° b f bff ™™ bf ™™ f B &b 90
mp
Ch
b f bf ™ bf ™ &b mp
X
V1
b &b
∑
ff
Œ
Ó
Œ
∑
f
V2
∑
Œ
Ó
Œ
M2
b &b
∑
b &b
∑
b ¢& b
∑
f
P1
∑
/
mf
P3
/
w
/
Œ
p
j f ‰ ##ff ≈ f ™™ f J f
#f ™ #f ™
j ≈ j f ‰ ff f ™ f™ f
f™ f™
‰ j ≈ j f #f f ™ f #f f ™
f™ f™
f f #f
mf
f™ f™
f f
f™ f™
f f
¢/
∑
bf #f ‰ f f ™ bf f ≈ ™ f #f J J j j f‰ bf ≈ f ™ ##ff f bf f ™
‰ f#f f f Œ J
f
Ó
Œ Œ
f™ f™
f f
f™ f™ f™ f™
Œ Ó
f™ f™
f f
#f ™ Œ #f ™
f f ‰ fj f
#f f f
Brake drum w/ yarn mallets
mp
∑
f™ f™ f™ f™
pp
f fJ
f f
f f J
f f
f f J
6
#f
f f f™#f ‰ fJ
Ó
#f ™ #f ™ f™ f™
j f ‰ #f ≈ f ™ # f ™ f f J f‰ f ≈f™ f fJ f™ J j f ‰ ##ff ≈ f ™ f J f™
ŒÓ
f
1 1 11 ‰J
f f
Œ
bf
f™ f™
bf #f ‰ f f ™ bf f ≈ ™ f #f J J
f™ f™
bf #f ‰ ff ≈ f ™ bf ™ #f J fJ
f f
f f ‰ ff f f J
#f ™ #f ™
f f
f ‰ f ≈ fj™ f fJ f ™
f nf ™ f nf ™ J
bf ™ bf ™
bf bf J
f nf ™ f nf ™ J
bf ™ bf ™
bf bf J
mf
f
mf
f f f
f f ‰ fj f
w
w
Œ
&~~™ ~~~~~~~~ Ó ~~~~~~
#f f f
666
pp
6
1 1 11 1 1 ‰ J ‰J p
Œ
Ó
mp
f
f™ Œ f™ f
f™ Œ f™
#f
f
bf bf J #f #fJ
f
f f f™#f ‰ fJ ∑
¿
mf
w Œ
bf bf J
p
O O O OO O O O OOO O O O OO O O O OO O O O O mp
f™ Œ f™
p
mf
f f #f
f f J
p
f f f #f f f f f f f f f f f f f f f f #f f f f f f f f f f f f f f
≈#fJ ™ f f f f f #f
f™ f™
mf
mf
mp
mp
f bbff ™™ f J
mf
w
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 66 Ó 6 6 6
pp
11
Œ
f
p
ŒÓ
f ‰ nfJ Œb#ff ‰bnffJ
bff
ff f fffff fffff ff f fffff fffff #f f f #f f f f
pp
O
Œ
f f#f f f f f f f f f f f f f f f f#f f f f f f f f f f f f f f f
pp
Bell tree High & low triangles w/ triangle beater
Œ
p
mf
w
Œ
f f
∑
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 66 Ó 6 6 6 Ó
Œ
p
∑
¿
mp
ŒÓ
p
f
Œ
f
p
j f f f f
3 woodblocks w/ medium yarn mallet
666
#f ™ f ™ #f ™ f™
p
f™ f™
Œ
f
p
p
Tam tam (lightly)
w Œ
f
f f™ f f™ J
f
O O O OO O O O OOO O O O OO O O O OO O O O O
~~~ Ó
p
Ó
p
f
fj f ™ f f™
j j bf #f ‰ f ≈ f ™ bf #f f f ™
f f J
Œ
p
p
f™ Œ f™
f f™ fJ f™
f
pp
P4
f #f ‰ f f f f J
p
f
w & ™ ~~~~~~~~~
ff
p
mf
pp
P2
ff ‰ ff Œ J
f f f #f f f f f f f f f f f f f f f f #f f f f f f f f f f f f f f
°? b ≈#f ™ f f f f f ¢ b J #f °
bf
Œ
ff f fffff fffff ff f fffff fffff f #f f f #f f f
p
T
Œ
‰ ffJ Œ ff ‰ ffJ
f f#f f f f f f f f f f f f f f f f#f f f f f f f f f f f f f f f
p
M3
Œ
p
p
M1
b#>ff f
p
b &b
Œ
p
p
b &b
Œ
mp
Ó
Œ
pp
O f
1 1
11 ‰J
1 1 TSPCE-69
13
Shock and Awe – Carr
° b B &b Œ 98
Ch
X
V1
V2
M1
M2
M3
bff ‰bff Œ J
f b f &b ‰ J f ‰ J f f bf b &
f™ f™ f™ f ™
f bf b &
f™ f™ f™ f ™
f b &b f f bf b &
ff
Œ
Ó
f
Œ
P1
f™ f™ f™ f ™
f ™ bf ™ f ™ bf ™
P2
P3
P4
f f f f f f
Œ
Ó
/
Œ
TSPCE-69
G
f f#f f f f f f #f f f f f f f
mf
∑
f f#f f f f f f f f f f f f f f #f f f f f f f f f f f f
Œ
f#fnfbf f f f f f f f f f
Ó
p
Œ
p
U ∑
∑
f
w/ triangle beater
f™
f™
f
p
∑
bf bf f f f f f f f f f f f
f
p
Ó
∑ Sus cym scrape w/ triangle beater
Ó
f
∑ Œ
¿
Ó
w
f™
f™
f
∑
U w w w wæ æ
∑
∑
∑
U w w w w ææ
∑
∑
∑
U ∑
∑
∑
∑
#f Œ Ó
U ∑
∑
∑
∑
Œ Ó
U ∑
∑
∑
∑
∑
U ∑
∑
∑
∑
∑
U ∑
∑
∑
∑
∑
U ∑
. . . . f f f f
. . . . f f f f
. . . . f f f f
f Œ Ó
#f
?
p
∑
∑
F
p
#fnfbf f fnf f fbf f fnf f fbf f fnf#f fbf f fnf fbf f f
mf
U ∑
f f™ J
p
#fnfbf f fnf f fbf f fnf f fbf f fnf#f fbf f fnf fbf f f
∑
f f#f f f f f f
∑
mp
p
mf
∑
∑
f
∑
#w w w w æ mp æ wæ w #w w
f f#f f f f f f f f f f f f f f #f f f f f f f f f f f f
∑
bf bf f f f f f f f f f f f
Œ
∑
mf
mf
p
∑
f Œ Ó p
mf
f#fnfbf f f f f f f f f f
Ó
f
Tam tam scrape w/ triangle beater
Y
mf
/
U ∑
p
∑
p
∑ w
f f Œ Ó
f
∑
∑
bf bf f f f f f f f f f f f
°? b ≈#f ™ f f f f f ¢ b J #f
¢/
nf f f
ff #ff ™™ J
mp
p
bf ¢& b f
ff
p
p
f ™ bf ™ f™ bf ™
/
∑
Ó
p
f ™ bf ™ f™ bf ™
ff™™
p
p
f bf b &
°
∑
p
p
T
#ff ™™
f
w
∑
∑
B.D.
mp
&~~™ ~~~~~~~~ ~~~~~~
∑
11 11 1 1 ‰ J ‰ J p
Œ
∑ Sus cym bell w/ triangle beater
Œ
f mf
∑
Sizzle cym
& ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ & ~~~~~~~~~~~~~~~~~~~~~~ ¿ Tambourine
f f ‰ f f J
p
f f
‰
f f J
Œ
U ∑
& ~~~~~~~~~~~~~~~~~~~~~~~~ &~~~~~~~~~~~~~~~~~~~~~~~~~
∑
mf
f fff f
∑
p
∑
U ∑
∑
∑
& ~~~~~~~~~~~~~~~~~~~~~~~~~
mf
14
Shock and Awe – Carr
° b f f f f f f f f bf f f f f f f f nf bf f f f f f f f nf bf f #f B & b #f f f f f f f f 108
Ch
X
V1
V2
M1
M2
M3
b & b fJ f ™
regular chime mallets
F
b &b
∑
b &b
∑
f
f
f
f
f
f
∑
f
f
bf ™
mp
f f f f f f f f fbf f f f f f f f f f f f f f f f f fbfnf f f f f f f f f f f f #fbf f f f f f f f f f f f f f f mp
b &b
∑
b &b
∑
b &b
∑
?b ¢ b
∑
P1
P2
P3
P4
°? b ¢ b
°
/ / /
¢/
bf bf
> j f f bf # f f f f f f n f f f f f b f b f n f b f f f f f f f f f f f f f f f f f f f f Œ Œ f‰ f f f#f f f f f f f ∑ b>f f >f > ff mp > > > > f f f f f f f f f f f f f f f f f f #fnfbfnf f f f bbff f ff # f f f f f f f n f f b f f f f b f f f f f f b f f f f f f fff fff fff f ff fff Œ f‰ J ff
mp
Œ
∑ ∑
∑
#f #f
f f
f f
f.
mp
∑
f.
f.
f.
+¿ +¿ ¿o +¿ +¿ ¿o +¿ +¿
H.H.
f.
f.
f.
f.
f.
f.
f.
¿o +¿
+¿ ¿o +¿ +¿ ¿o +¿
f f
f f
f f
. f
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
>f
∑
∑
∑
∑
∑
∑
ff
Yo
f.
f.
f.
f.
f.
ff
∑
^j ^ ^ ^ ^ ^ ^ ^ ^j ^ ^ ^ OO‰OO OO ‰ O O O O OO
>. >. > >.j j j f Œ f‰‰f Œ f‰Ó
> > > > > > >j > > > >j f fff ff ‰ f f f f ‰ f
> Œ Y™
∑
Ó
> f Œ bf f ‰ f f bf f f f > > > J > > > > > #>f Tam tam
mp
. . . . f f f f
> f bf f f f ##ff b f f >f > >f > >f >f b >f >f >f >f > f bf f f f #f #f
j Œ bf f ‰ f f bf f f f f b>f f >f f b>f f >f f f > > > > > ff >f b >f >f >f >f b >f >f >f >f # >f f f #f f f nfbfnf Œ bf f ‰ f f bf f f f #f J
f f f f#f f f f f f f f f bf f f f f f f f f f f f f f f f nf f f f f f f f#f f bf fbfnf f
mp
∑
∑
ff
mp
T
j >f bf Œ f ‰ f f bf f f f f b>f f >f f b>f f >f f f > > > > > ff
> j f Œ bf f ‰ f f b>f >f >f >f #f b f f >f > >f > >f ff f f #fnfbfnf f f >f j #>f Œ bf f ‰ f f bf f f f #f b>f f >f f b>f f >f f > > > > ff > > > > >f b >f >f >f >f > b f f f f f f #f nfbfnf f f Œ bf f ‰ f f bf f f f f f J
f ‰ f ≈ f ™ f ™ f ‰ bf ≈ f ™ nf J J J J nf
#f f f f f f f f f f f f f f f f f f f f f f f f
∑
f f f
Brake drum
ff
. f
. f
. f
. f
. f
. f
. f
. f
. f
. f
. f
. f
. f
. f
. f
ff
∑ &~~~~~~~~~~~~~~~~~~~ ~~~~~~
& ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ & ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ∑
∑
∑ ∑
Sus cym w/ sticks
Y æ
China >¿ >¿ Ó
p
ff
Sus cym w/ sticks
>¿ >¿ Ó
Y ææ
p
ff
∑ ∑
^‹ ^‹ ^‹ ^‹ ^‹ ‰J
Zil-bell (high)
^‹ ^‹ ^‹ ^‹ ^‹ ^‹ ^‹ ^‹ ^‹ ‰J
^‹ ^‹ ^‹ ^‹ ^‹ ^‹ ^‹ ^‹ ^‹ ^‹ ^‹ ^‹ ^‹ ^‹ ^‹ ‰J ‰ J
Zil-bell (low)
TSPCE-69
15
Shock and Awe – Carr
° bf B &b >f
Œ
bf f ‰ fj b>f f >f >
f >f
b &b f >f >f bf b &
Œ
bf f ‰ fj b>f f >f > bf b>f b >f bf
j f ‰ f >f >f >f >f f ‰ fJ
f >f f >f >f f
bf b>f b >f bf
f >f >f f
f >f >f f
f >f >f f
bf b>f b >f bf
j f ‰ f >f >f >f >f f ‰ fJ
f >f >f f
bf b>f b >f bf
f >f >f f
f >f >f f
f >f >f f
117
Ch
X
V1
V2
M1
M2
Œ
>f b &b f
Œ
>f bf b &
Œ
>f b &b f
Œ
>f bf b &
Œ
>f ? b M3 ¢ b f
Œ
°? b ¢ b >f
Œ
T
P1
P2
P3
°
/ / /
Π> f
¢/
TSPCE-69
>f b >f >f bf f ‰ f J > bf f ‰ f J > >
f >f >f f
f >
> Y™
ff
Œ
> b>f >f >f >f #f #>f #f >f f #>f #f #>f #f
bf f f f f b>f f >f f f > > > > b >f >f >f >f # f # bf f f f f
∑
>. > j ‰ ‰ .j f f
Œ
>f f nf bf nf #f >f f nf bf nf f >f f f f b f f f f >f # f f f n f b f n f b f f f f f f b f f f f >f > >f f > nf bf nf #f f f nf bf nf f f f f bf f nf #f f f bf nf f
>¿
>¿
Œ
Ó
Œ
>f f f #f bf bf
Œ
> > > n f # f f f f f >f f #f f f f f f f f f f f f #f f f f f f #f f f f b f
∑
∑
∑
f > >¿
∑
Ó
∑
∑
Œ
>. j f ‰
‰
>. j f Œ
Œ
Œ
>. j f
‰
Œ
Œ
>¿. J ‰
‰
>¿. J Œ
Œ
Œ
>¿. J
‰
Œ
China
Ó
3
3 >f f f #f bf bf
Œ
Œ Œ
>f f f #f bf bf 3
f > >¿o
H.H.
>¿
ff
∑
∑
3
Œ Œ
∑ Œ
Œ
> ‹
Œ
>¿
Sus cym (large)
ff
>¿
3
3
bf f f f > > > > #>f
>. j f ‰ Ó
Œ
∑
> > bf nf #f f f f f f f #f f f f f f f f f f f f #f f f f f f #f f f f >
∑ (dampened)
Œ
3 > f f f #f f bf f > 3 > > nf #f f f f f >f Œ Ó f #f f f f f f f f f f f f #f f f f f f #f f f f bf > >f f f f b f f f f >f > > f bf f nf #f f f bf nf f f f nf bf nf #f f f nf bf nf f Œ Ó
∑
ff Sus cym
3 >f f f #f f bf f > 3
∑
Spl.
Tam tam
Sus cym
P4
bf f ‰ fj b>f f >f >
bf f f f f b>f f >f f f > > >
Cr.
Ó
Œ
16
Shock and Awe – Carr
° b B &b
∑
b &b
∑
122
Ch
X
V1
b &b
mf
3
M1
Œ
Œ
3
>f f f #f f bf >f b &b
Œ
Œ
3
3 b> & b f f f #f f bf f > 3
b> &b f
Œ
Œ
Œ
b &b
>f
?b M3 ¢ b >f
Œ
f >f fff > >f bf f n>f bf nf #>f f f f f f f mf
fff
mf
fff
>f bf f n>f bf nf #>f f f f f f
#f f f f f >f bf f n>f bf nf > f
mf
> f f f f f f f f > >
f f > > > f b>f f f f f f nf bf nf #f f f f
> f f f f f f f f > >
> > f f f > > f bf f f f f f nf bf nf #f f f
&
f f >f f >f f f > f
fp
T
P1
P2
°? b ¢ b >f
Œ
Œ
Œ
°
/ /
Π>Œ
P4
/ ¢/
f f f f b>f f f >f f f n>f bf nf #>f f f Œ
æ F™æ
>¿. J
‰
Œ
Œ
fff
>f >f
>f
U #>F ™ U > #FF ™™ ææ U #>FF ™™ ææ Uæ æ #>FF ™™ U > #FF ™™ ææ U #>FF ™™ ææ
∑
Uæ æ #>FF ™™ U #>F ™
Œ
U > Y™
Tam tam
‰
>¿. (choked) J ‰
Œ
∑
Œ
∑
ΠChina/ Sus cym
Œ
Œ
Œ
>. ‹ J
‰
(choked)
Œ
∑
Œ
fff
Œ
Ó
Œ
Ó
Œ
Ó
Œ
Ó
Œ
Ó
Œ
Ó
Œ
Ó
> ¿
Œ
Ó
> f
Œ
Ó
Œ
Ó
Œ
Ó
p
ffff
>f f
w w æ ææ w w
ff >
p
f
ffff
f #f
f
f
p
f
f
f #f
f #f
f
f
f
?
f
f #f
f
f #f
f
f #f
f
ffff
f #f bf
Œ
f
‹
f >
f >
ffff
æ Yæ
Zil-bell
ff
ffff
f
f
ff >
ffff
Œ
p
U >™ Y
Ó
ffff
fff
fff
Œ
p
p
U >Y ™ Y™
Ó
f >f ffff >f f
> w w æ
U > F™
fff
>. j f
w
p
f >
Œ
ffff
p
fff
fff
mf
Sus cym (choked)
>f
>f f
#w w ææ p
fff
China
Sus cym (small)
P3
Œ
>f
>f
fff
fp
Œ
U > #FF ™™
fff
fp
M2
>f
∑
>f f f #f f bf >f
3
V2
Œ
>f bf f n>f bf nf #>f f f f f f
ffff
f
f
f
f
f
f
f
ffff
‹
‹
‹
‹
p
‹
‹
‹
>¿ ¿ ffff
∑
> ‹ ffff
TSPCE-69
www.tapspace.com