




SITUATED WITHIN MERCHISTON PARK ALONG EDINBURGH’S UNION CANAL, MY PROJECT IS A COMBINATION OF AN ART GALLERY [LVL -2], AND A RETREAT SPACE, WITH PRIVATE ROOMS FOR OVERNIGHT STAYS [LVL -1] AND MEDITATION ROOMS [LVLS -3 & -4].
THE COMPLEX IS MEANT TO SERVE AS A SPACE OF TRANQUILLITY AWAY FROM THE BUSY URBAN HUB SURROUNDING—A REFUGE FOR PEOPLE TO SELFREFLECT, TO RUMINATE VIA ART, VIA SOCIAL, OR INDIVIDUAL ACTIVITY.
TO EMBODY THIS SACRED TRANQUILLITY I LOOK TOWARDS THE NATURAL—PARTICULARLY TOWARDS LIGHT AND WATER. NOT WANTING TO DISTURB THE SERENE PARK, I DECIDED TO BUILD UNDERGROUND. WATER HAS ALWAYS BEEN A SACRED ELEMENT, A TRANSITIONAL THRESHOLD, AND SO I PULLED THE CANAL INTO THE PARK, CREATING A GLAZED WATERCHANNEL SKYLIGHT ABOVE MY CIRCULATION, BOTH WATERWAY AND PATHWAY SPIRALLING DOWN AROUND THE CENTRAL COURTYARD.
EACH LEVEL IS DIVIDED INTO 4 ZONES OF OCTAGONAL ROOMS. IN THE GALLERY [-2], EACH ZONE IS DEDICATED TO EXPERIENCING THE ARTWORK THROUGH ONE OF 4 CORE BODILY MOVEMENTS: WALKING, STANDING, SITTING DOWN, AND LYING DOWN. IN THE RETREAT [-3&-4], EACH ZONE IS DEDICATED TO ONE OF 4 CONTRASTING SENSORY THEMES: LIGHT VS DARK, AND SOUND VS SILENCE.
[KEY SECTION CUTTING THROUGH THE UNDERGROUND RETREAT AND GALLERY ENTRANCES]
STAGE 3 FINAL DESIGN PROJECT ]
GALLERY ENTRANCE HALL
1. ENTRANCE
2. ENTRANCE LOBBY
3. ADMINISTRATION ROOMS
4. INFIRMARY
5. PRIVATE RETREAT ROOMS
6. PRIVATE RETREAT ROOM COURTYARDS
7. CENTRAL COURTYARD CIRCULATION
8. RETREAT PRESENTATION ROOM
9. STAFF ROOM
10. CHANGING ROOMS
11. VENTILATION ROOM
12. PRIVATE ROOM STAIRWELLS TO REACH THE MEDITATION ROOMS IN LVL -3
13. BRIDGE
14. VOID AROUND CENTRAL COURTYARD FOR LVL -2
DOUBLE VOLUME
15. EARTH
16. CENTRAL COURTYARD VOID
17. LIGHT WELL VOIDS REACHING DOWN TO LEVEL -3
1. ENTRANCE TO GALLERY
2. ENTRANCE LOBBY
3. CLOAKROOM
4. WATER TANK AND FILTRATION ROOM
5. VIEWPOINT DOWN TO ZONE 4 LYING DOWN GALLERY
6. GIFT STORE AND LIBRARY
7. RAMP CIRCULATION BEGINNING
8. ZONE 1 WALKING GALLERY
9. SUN TUNNEL LIGHT WELL, THE SHAFT IS COVERED IN REFLECTIVE MATERIAL TO SHINE LIGHT ONTO THE ARTWORK DISPLAY WITHIN IT
10. FIRE ESCAPE CORRIDOR
11. ADMINISTRATION ROOMS
12. PRIVATE ROOM STAIRWELLS TO REACH THE MEDITATION ROOMS IN LVL -3, WITH SEATED VIEWING PORTS LOOKING INTO THE GALLERIES, HIDDEN BEHIND A TWO-WAY WINDOW
13. ZONE 2 STANDING GALLERY
14. PRESENTATION ROOMS
15. ZONE 3 SITTING DOWN GALLERY
16. CENTRAL COURTYARD
17. LIGHT WELL VOIDS REACHING DOWN TO LEVEL -3
18. ZONE 4 LYING DOWN GALLERY
19. WATER BASIN WHERE RAIN CHAIN FROM CANTILEVERS ON LEVEL 0 DRIP WATER, WHICH THEN FALLS DOWN AGAIN THROUGH THE BASIN VOID TO -4
20. ART DISPLAY, CHANGES WITH EVERY NEW EXHIBITION
21. BRIDGE FROM ZONE 1 ONTO AND OVER ZONE 4, LOOKING ONTO LYING DOWN GALLERY
22. EARTH
1. ENTRANCE FROM COURTYARD CIRCULATION
2. WATER TANK, FILTER AND PUMP ROOM FOR THE WATER BASIN OF LEVEL -4
3. ZONE 1 BATHING IN THE DARK ROOMS
4. ZONE 2 SITTING IN THE LIGHT ROOMS
5. ZONE 3 GROUP ACTIVITY ROOM, WITH STAIRWELL PASSAGE TO NOISE ROOM ON LEVEL -4
6. ZONE 4 GROUP ACTIVITY ROOMS WITH PASSAGE TO 7
7. ZONE 4 SILENCE ROOM, WELL LIT FROM THE WINDOWS AT THE CENTRE, WATCHING THERE THE WATER FALL FROM ABOVE IN SILENCE
8. STAIRWELLS FROM PRIVATE RETREAT ROOMS ON LEVEL -1
9. LIGHT-WELLS ABOVE
10. EARTH
CREATING A PSEUDO-STREET: A LONG CORRIDOR OF ALTERNATING BARREL VAULTED SPACES & LIGHT WELLS. A SAFE COMMUNAL CORRIDOR FOR ELDER RESIDENTS TO RELAX IN & YOUNGER RESIDENTS TO PLAY IN, WHILE THEIR CARERS OVERLOOK FROM VIEWS WITHIN THE HOUSING UNITS.
INTERNAL VIEWS INTO THE COMMUNAL CORRIDOR ARE FOUND THROUGHOUT THE HOUSING UNITS.
GROUND FLOOR SECTIONAL PERSPECTIVE
INSPIRED BY THE SITE’S PROXIMITY TO THE SEA, AND THE EFFECTS OF SAID PROXIMITY, I AIMED TO EXPERIMENT WITH THE CONCEPT OF WEATHERING.
ALONGSIDE BEING HOSTS TO A LOCAL MARKET, MY STRUCTURES PRIMARILY FUNCTION AS ART EXHIBITS, WITH ADVENTUROUS ROUTES, AND ARTWORK DISPLAYED BOTH INDOORS AND OUT. THOSE OUTDOORS WILL BE ENCASED WITHIN BLOCKS OF MATERIAL THAT, COMPLETELY EXPOSED TO THE NATURAL ELEMENTS, WEATHER AWAY TO SLOWLY EXPOSE THE ARTWORK EMBEDDED WITHIN.
WITH THIS, NATURE TAKES ON THE ROLE OF SCULPTOR ALONGSIDE THE EXHIBITION’S HUMAN ARTISTRY.
[ALLOWING THE TIDE TO CHANGE THE SPACE AT VARYING TIMES OF DAY]
AT HIGH TIDE THE PYTHAGORAS CUP MECHANISM BRINGS SEA WATER INTO THE DISPLAY, ALLOWING IT TO SLOWLY CORRODE THE BLOCKS OF ENTOMBED ARTWORK.
RESIDENCE OF INDULGENCE — STALAGMITES, JANUS, AND A CUPPED HAND
FORMERLY AN OFFICE FACILITY, THE EXISTING BUILDING HAS BEEN REFURBISHED INTO AN AP (ALTERNATE PROVISION) SCHOOL. IN PHASE 2, WE TACKLE THE FIRST FLOOR AND THE EXTERNAL AREAS, AIMING TO INCREASE THE PAN FROM 30 TO 64 PUPILS.
PARTICIPATION
PARTICIPATED IN DESIGN & STAKEHOLDER MEETINGS, AND ATTENDED A SITE VISIT WITH THE PROJECT TEAM.
EXTERNALS
WORKED ON THE EXTERNAL AREAS PLAN, AND DEVELOPED THE EXTERNAL PLAY AREAS.
CREATED A CONCEPT OF GREENING THE FENCES WITH COMMON IVY, TO COMBAT THE PRISONLIKE FEEL OF THE EXCESSIVE FENCING NECESSARY IN AP SCHOOLS.
16
GT 2 KS3 29
45
Science Lab 17 17 57 10 MI 22
Head Office 45
Main Recep
Maintenance store 8 Interview room 28
AC WC
ICT Car Park
Food Tech 78
78
Prep. Prep. Changing 3 Changing 1 15 Changing 2 Dining halls 163
4 Lift 11
11 Staff Toilets
16.5
7.3 7.7 Str
Meeting Room Food Str
Group Room Therapy Room 15
Classroom 1 Lobby
7 Central Stairway 47
Recep Circ. Food Str
3.3 8 Lobby Staff Toilets
22 11
1.7 Cleaners store Pupils Toilets
15 2
Student Recep Sick Bay
5
127 17 13
Main Entrance Pupil Entrance
Activity Studio Str 28
Stairwell 2
28
Classroom 52.27 20.44 Therapy Room Str 9.24 8.95
Group Room Classroom 45.06
Str 8.3 8.33
Office Classroom 44.66 5.55 Group Room
Staff work room 19.01 Group Room 5.83 Art Str 73.09
Classroom 45.25 8.27 Office
Str 5.12 Str 5.12 Classroom 44.27
ICT Classroom 9.8
Therapy Room 31.9 13.63 47.96
Hygiene Room
Basic Teaching Halls and Dining Learning Resources Non-Net Staff and Admin Storage
9.96 1.73
Str 5.06 Str 5.03
Central Stairway 16.2
Str
3.7 Lift 3
12
9.57 2.74 StrToilet Str Str AC WC 2.65
Toilet 9.97
Deputy Head Office Str 6.73 8.45 Not in use Area
Group Room Not in use Area
Staff room
Art room 21.96
Art Str
4 Kiln 3.51
Stairwell 2 12.15 Server 13 2 4.75
28
Stairwell 1 Ground Floor First Floor
DATE
KEY Non-Net Parking/ Vehicle Access Building Area Building Main Entrance Building Pupil Entrance ByRev Description 155 Moorgate, London, EC2M 6XB www.macegroup.com PROJECT DRAWING TITLE DRAWN BY CHECKED SCALE
1:200@A3
INTERNALS DIAGRAMS DATA MANAGEMENT Stairwell 1
SH A - MACXXXX D2005 FS0633 -
WORKED ON THE SOA (SCHEDULE OF ACCOMMODATION). CREATED ADJACENCY DIAGRAMS.
Spatial PROJECT No. Form Originator Disc. Functional Number
DateCHK'D FILED ON AUTOCAD AS:C:\Users\tamar.sarkissian\OneDrive Mace\Desktop\Aspire Liverpool_Nelson\Week 6_6-11-23\adj (003)_first floor adjacencies_10-11-2023.dwg
P01 VORTEX HOUSE, WAVERTREE TECHNOLOGY PARK, ENTERPRISE WAY, LIVERPOOL, L13 1FB FEASIBILITY INTERNAL ADJACENCIES - PHASE 1 DRAFTASSET_NO
03/04/23 16
CENTRAL BEDFORDSHIRE — VIABILITY STUDIES
APPRAISALS FOR BATCHES OF 26 SCHOOLS IN TOTAL. STUDIES OF WHETHER THESE EXISTING SCHOOLS ARE VIABLE FOR EXPANSION OR NOT, AND IF THEY ARE, PRODUCING PROPOSALS. SITE VISITS ARE CONDUCTED & VIABILITY REPORTS ARE PRODUCED.
DATA MANAGEMENT PARTICIPATION
- COLLATED INFORMATION INTO DOCUMENTS AND EXCEL SPREADSHEETS (REGISTER OF INFORMATION).
EXCEL SPREADSHEETS (REGISTER OF INFORMATION).
- SET UP SHEETS, VIEWS AND SCHEDULES ON REVIT.
PARTICIPATED IN DESIGN & STAKEHOLDER MEETINGS, AND ATTENDED SITE VISITS WITH THE PROJECT TEAM.
H-HLNet
H-HLNon
(Building)636
H-HLNon net area Building-Ex_TA Brief - CanopyMarginal areas (Building)46
H-HLNon net area MAC_En_32_35_36_Hard marginal areas_Footpaths Marginal areas (footpaths)443 m²
H-HLNon net area MAC_En_32_35_36_Non-Net Parking Marginal areas (Car Park)408 m²
H-HLNon net area MAC_En_32_35_80_Marginal areas-soft Marginal areas (soft)1181 m²
Non net area:
SPACE TYPE LEGEND AND DEFINITIONS
HARD
SOFT INFORMAL AND SOCIAL AREA INFORMAL SOCIAL AREAS TO SUIT LUNCH BREAKS AND FORMAL OUTDOOR LEARNING, SUCH AS GRASS, SAND OR BARK MULCH, GRASSED BANKS, SHRUBS, PLANTED AREAS, MEADOWLAND AND WOODLANDS WHICH ARE SPACE FOR GATHERING.
HARD INFORMAL AND SOCIAL AREA
THESE COMPLEMENT SOFT INFORMAL AREAS
SUCH AS PLAYGROUNDS WHICH ENCOURAGE HEALTHY ACTIVE OUTDOOR PAY DURING LUNCH BREAKS AND FORMAL LEARNING.
HABITAT AREAS AREAS CAN INCLUDE OUTDOOR CLASSROOMS SPACES SUCH AS MEADOWLAND, WILDLIFE HABITATS (PONDS), GARDENS AND OUTDOOR SCIENCE AREAS
NON-NET SITE AREAS
SOFT OUTDOOR PE SUMMER AND WINTER PITCHES FOR TEAM GAMES SUCH AS FOOTBALL, RUGBY, HOCKEY AND CRICKET, ALSO INCLUDES ALL WEATHER PITCHES. BUILDINGS
- TRACED THE SCHOOLS’ EXTERNAL AREAS ON REVIT.
- PRODUCED SITE CONSTRAINT PLANS ON REVIT.
- PRODUCED PROPOSALS FOR THE SCHOOLS VIABLE
FOR EXPANSION.
PRODUCED VIABILITY REPORTS, STUDYING THE SITE’S SURROUNDINGS, CONSTRAINTS, INTERNALS, EXTERNALS, COMPARING THE EXISTING TO BB103 RECOMMENDED GUIDELINES AND DESIGNING PROPOSAL EXPANSIONS WHEN VIABLE.
A 32-FLOOR TWO-BLOCK RESIDENTIAL TOWER. IT IS QUITE A LUXURIOUS BUILDING, AND THE ENTRANCE WITH ITS VAST DOUBLE VOLUME HEIGHT REFLECTS THE SCALE OF THE PROJECT.
I VISITED THE SITE DURING VARIOUS STAGES OF CONSTRUCTION, FROM THE CONCRETE WORKS AND HARDSCAPING TO THE FINAL LANDSCAPING.
GF Plan by A.D.&D.
I PARTICIPATED IN DESIGN MEETINGS FOR THE TOWER’S ENTRANCE, CONTRIBUTED TO THE DISCUSSIONS AND IDEAS, AND WORKED ON THE DESIGN PROCESS.
THERE IS A CONTINUOUS MOTIF OF STRIPED GEOMETRY LEADING BOTH THE LINE OF SIGHT AND THE MOVEMENT OF THE RESIDENTS TOWARDS AND WITHIN THE ENTRANCES.
THIS STARTS WITH THE PERGOLA OUTSIDE, AND CONTINUES INTO THE ENTRANCE WITH HORIZONTAL STRIPS OF WOOD ON ITS CEILING,— THEN, EVOLVING INTO VERTICAL STRIPS OF MARBLE, ALMOST LIKE STALACTITES. THEY ARE LIT UP, BECOMING A SCULPTURAL CHANDELIER.
EACH STRIP VARIES IN LENGTH, CREATING AN ALGORITHMIC WAVE THAT INTERACTS WITH THE VIEWER’S MOVEMENT, OFFERING DIFFERENT VIEWS ALONG DIFFERENT ANGLES OF SIGHT.
THE CHANDELIERS CONTINUE ACROSS THE CEILING AND THEN CLIMB DOWN THE WALL OVERHEAD, TURNING HORIZONTAL, STARING DIRECTLY BACK TOWARDS THE CENTRAL DOORS.
THE FLOOR SUPPORTS THE MOMENTUM OF THIS GEOMETRIC MOTIF, WITH MARBLE SQUARES DOTTING ITS PLANE WHEREVER A CHANDELIER DROPS DOWN FROM ABOVE, DIRECTLY REFLECTING IT, AS IF ITS SHADOW.
BLISS 319 — ENTRANCE DESIGN
A 14-FLOOR LUXURIOUS RESIDENTIAL BUILDING. IT IS QUITE THE IDEAL LOCATION, WITH GREAT VIEWS TOWARDS THE GREEN AUB CAMPUS AND THE VAST MEDITERRANEAN SEA.
I PARTICIPATED IN DESIGN MEETINGS FOR THE BUILDING’S ENTRANCE AND LANDSCAPING, CONTRIBUTED TO THE DISCUSSIONS AND IDEAS, AND WORKED ON THE DESIGN PROCESS. I VISITED THE SITE DURING VARIOUS STAGES OF CONSTRUCTION, FROM THE CONCRETE WORKS AND HARDSCAPING TO ITS FINAL STAGES.
THE CEILING’S FLOWING DESIGN LEADS THE VISITOR’S LINE OF SITE TOWARDS THE OLIVE TREE FRAMED WITHIN THE BACK GARDEN, HONOURING THE TREE’S ELEGANCE AND BEAUTY.
IT IS FORMED OF A SOFTLY UNDULATING WAVE, AN ORGANIC FEATURE TO CONTRAST THE SHARP GEOMETRIES OF THE ENTRANCE’S STRUCTURE.
THE SCULPTED ROOF LEADING ACROSS THE ENTRANCE CREATES A CLEAR PATHWAY, PAVING THE WAY FOR THE NATURE AT THE BUILDING’S FRONT TO COME, SWEEP IN—CONNECTING THE FRONT AND BACK GARDENS WITH AN ORGANIC TUNNEL.
VERTICAL STRIPS OF WOOD HANG DOWN, LIT UP. WITH THE DIRECTIONALITY UNDULATING SEQUENCE, THEY, TOO, HELP DIRECT THE LINE OF SIGHT TOWARDS THE OLIVE TREE.
A PROJECT INSPIRED BY THE DICHOTOMY BETWEEN THE STATE OF HOPELESSNESS & THE STATE OF HOPEFULNESS, AND THE PROCESSION FROM ONE TOWARDS THE OTHER.
We are set on a path, a strip of shore with sea further we go, the closer the waves encroach our feet—until we are standing at the mouth
A jagged cavern slopes down into the sea’s depths. a small stream of light beckons us forth. We central path—although there are others, winding side of us. These other paths quickly find their exits through gaps in the walls. Our central path, however, any exit’s reach, and continues to wind and wind The ceiling slopes and slopes and the space gets we are bent over crouching. Finally we’ve reach the only to find no exit in sight. The stream of light beckoning disappeared. We are surrounded by water and Turn and go back? Or—
sea on either side. The encroach until they lap at mouth of a great hall.
depths. At its very end, are set on a single, winding around on either exits out of the cavern however, remains far from wind down its course. darker and darker until the end of the passage— beckoning us forth has wall and nothing else.
Jump despite the lack of space to move, take a leap of faith, dive into the waters, and suddenly— A whole new, endless path is revealed. The water was, is, in itself a path, with endless opportunity and endless possibility. Swim any which way in any dimension, explore and yes find light and then the exit, An exit— swim up, upwards, up into the light and surface into its brilliance. We are met with a chamber of sunshine streaming from above, above against a high, high wall. Close ahead steps beckon us forth—swim to them, lift yourself up, climb them, one step another, and we are at a height now where we can see: there’s a vast expanse, an open sky and an open sea. One step down and we’re on a boat, its sails set and blowing— Off we go.