WELCOME TO THE 23RD ANNUAL TALLGRASS FILM FESTIVAL!
If we haven’t had the chance to meet, my name is Sierra Franklin-Morton, and I have the privilege of serving as the Interim Executive Director of the Tallgrass Film Association. As a proud Wichitan, it is an honor to welcome you to my hometown and to this year’s Tallgrass Film Festival.
Much has changed since we last gathered to celebrate independent film, but one thing remains constant: the resilience and vibrancy of our arts community. This festival is a testament to that spirit, and I am thrilled you’re here to share in it.
Over the next few days, I invite you to explore our city, connect with fellow film lovers, and immerse yourself in the incredible stories our filmmakers have brought to life. May this festival be a chance to recharge, to be inspired, and to celebrate the joy of cinema together.
Thank you for joining us, and as always, remain Stubbornly Independent.
In Community,
Sierra Franklin-Morton Interim Executive Director
BOX OFFICE & MERCHANDISE:
Boulevard Theatres at Old Town
353 N Mead St, Wichita, KS 67202
Thursday, Oct 16 | 11AM - 8:30PM
Friday, Oct 17 | 10AM - 6:30PM
Saturday, Oct 18 | 10AM - 6:30PM
Sunday, Oct 19 | 10AM - 8:30PM
PASS & TICKET PRICING
VIP TALLPASS | $259
The VIP TALLpass provides access to all in-person film screenings, parties, and VIP lounge.
FILMPASS | $100
The FILMpass provides access to all in-person film screenings.
FLEX 10 PACK | $80
TEN general admission tickets for in-person or virtual film screenings during the festival.
FLEX 5 PACK | $40
FIVE general admission tickets for in-person or virtual film screenings during the festival.
GENERAL ADMISSION | $12
Access to any individual film that is not a Gala Film starting after 3PM.
MATINEE | $10
Access to any individual film screening before 3PM.
GALA FILM ADMISSION | $25
Access to an individual Gala Film only.
GALA FILM + PARTY PACKAGES | PRICES VARY
Please check the film information for more information.
DISCOUNTED TICKETS | Visit our box office or contact boxoffice@tallgrassfilm.org for more details.
ONLINE BOX OFFICE tff25.eventive.org
THEATRE VENUES
BOULEVARD THEATRES AT OLD TOWN
353 N. Mead St, Wichita, KS 67202
EMILY BONAVIA TALLGRASS FILM CENTER
120 E. 1st St. N, Unit 113, Wichita, KS 67202
MARY JANE TEALL THEATRE - CENTURY II
225 W Douglas Ave, Wichita, KS 67202
EDUCATION VENUE
COURTYARD MARRIOTT OLD TOWN
820 E 2nd St. N, Wichita, KS 67202
PARTY + RECEPTION VENUES
XY BAR
235 N Mosley St, Wichita, KS 67202
FARM CREDIT BANK BUILDING
245 N Waco Ave, Wichita, KS 67202
ADVANCED LEARNING LIBRARY
711 West 2nd St N, Wichita, KS 67203
BRICKYARD
128 N Mead St, Wichita, KS 67202
VIP LOUNGE
CITY ARTS
334 N Mead St, Wichita, KS 67202
Friday-Saturday | 9:30AM - 6PM
VOLUNTEER LOUNGES
CITY ARTS
334 N Mead St, Wichita, Ks 67202
Thursday | 9:30AM - 7PM
Friday | 9:30AM - 5PM
Saturday | 9:30AM - 3PM
COURTYARD MARRIOTT OLD TOWN
820 E 2nd St. N, Wichita, KS 67202
Sunday | 9AM - 7PM
VIRTUAL FESTIVAL
| OCTOBER 20-27
VIRTUAL FILM SCREENINGS Pay What You Can with a $7 minimum + 99cent unlock fee. Once you’ve hit play, you have 48 hours to stream the film. Go to https://watch.eventive.org/tff25 for more details. Certain geographic restrictions may apply.
PARKING
Wichita has implemented new paid parking regulations for downtown, please be mindful of signage. General paid parking hours are: Monday–Thursday 8AM-6PM & Friday/Saturday 8AM-6PM. Accessible parking is available at each venue. Visit parkwichita.com for more details.
ACCESSIBILITY
All in-person venues are ADA-accessible. Many films have open captioning. See the website for details, or contact accessibility@ tallgrassfilm.org. Quiet spaces are also available at some venues. Any other needs may be accommodated; just let us know.
SEATING
Tallgrass Film Festival venues are open seating (non-reserved). If you require additional assistance or time for seating, please let Tallgrass staff or volunteers know.
PASSHOLDERS
Priority entry at all screenings beginning 30 minutes before show start time. Venue and film capacity varies, it is advised to reserve in advance to guarantee a seat! We strongly encourage you to be at the theatre and in your seat 15 minutes before showtime.
TICKET HOLDERS
Ticket, Flex Pack, and Voucher holders. Entry begins 15 minutes prior to show start time.
STANDBY
For shows with no tickets remaining, there is a possibility that tickets will become available via the Standby Line beginning five (5) minutes before show time on a first-come, first-served basis at the venue. Standby Lines will form thirty (30) minutes before show time. Ticket holders must arrive no later than ten (10) minutes before the event start time to guarantee entrance. Any available seats will be released to the Standby Line at that time.
Director | Runtime (min) | Country | Year | Premiere | Suggested Audience
RUN TIMES
Film running times do not include introductions, shorts, and Q&As. Most blocks are less than 2 hours in total. All films are in English or have English subtitles, and many have open captioning. This is a reminder to check the online schedule for updates and more information.Learn more at tff25.eventive.org
RATING GUIDE
Most films have not been rated by the MPA. For rating suggestions, films are listed as All Ages, 13+, or Mature. We provide content warnings when applicable and are also available online. Parental discretion is advised.
VIRTUAL AVAILABILITY
A selection of films will be available online following the in-person portion of the festival. Please visit https://watch.eventive.org/tff25 for more details.
FAQ
Please see the website for detailed explanations on how to use the Eventive ticketing system. https://tallgrassfilm.org/festival-faq/
STAFF
Sierra Franklin-Morton | Interim Executive Director
Tom Mittlestadt | Events Director
Vickie Kline | Accountant
Brandon Bena | Social Media Director
PROGRAMMING TEAM
Andre Seward | Programming Director
Alex Megaro | Documentary Shorts Programmer
Brian Ratigan | Vortex Shorts Programmer
Canan Turan | Narrative Shorts Programmer
Tina Walterscheid | Community Engagement Coordinator
BOX OFFICE
Claire Garrison | Box Office Manager
Jorja Schroeder | Box Office Assistant Manager
EDUCATION
Crickett Rumley | Panels Director
Caitlyn Cody | Emerging Filmmaker Program Coordinator
VOLUNTEER
Kelsey Unruh | Volunteer Coordinator
HOSPITALITY
Marie Garcia | Transportation Coordinator
FOOD + BEVERAGE
Gabe Murphy | Food+Beverage Co-Coordinator
Juan Lucero | Food+Beverage Co-Coordinator
Ann Spikes | Food Coordinator
Jack Silvers | VIP Lounge Coordinator
Bryan Clark | VIP Lounge Coordinator
TECH
Nate Kampe | Technical Director
BOARD OF DIRECTORS
Jennifer Rygg | President
Lynette Murphy | Secretary
Kenton Hanson | Treasurer
Garrison Matthews | President-Elect
Alicia Sanchez | Past President
Andrew Gough
Anna Heustis
Austin Dugan
Brendan O’Bryhim
Caleb Wilson
Jenni Drinnen
Jonathan Wood
Kate Bastian
Kim Henderson
Mark Janzen
Susan Moeder
Todd Ramsey
Emily Bonavia | Emeritus
Floyd Gruver | Emeritus
PRE-SCREENERS
Bob Clark, Buddy Lee, Bryan Clark, Chelsea Lee, Colin Hohenbary, Dina Coldiron, Irem Dogancali, Jen Hussey, Jenni Drinnen, Priscilla Zanni, Scott Hussey, Susan Moeder, Zheyu Liang
EMERGING YOUNG PROGRAMMER APPRENTICESHIP
Avi Lee, Brooklyn Baxa, Cassie Heine, Claire Marquardt, Emry Costilla, Isaac Gorges, Londyn Biering, Samuel Shulda, Wyatt Snider
ENTERTAINMENT + DECOR COMMITTEE
Andrew Gough, Anita Raghavan, Ann Spikes, Anna Heustis, Christa Vazeos, Gabe Murphy, Gianna Williams, Gretchen Mitchell, Jason Tapler, Jessica Brazil, Jovana F Johnson, Juan Lucero, Kate Bastian, Kelsey Unruh, Lynda Carrier-Metz, Lynette Murphy, Mark Janzen, Mary Winter, MaryAnne McCullough, Shan Jabara, Stacy Ward Lattin, Tavrick Lawless, Will Pyles
Be a part of the magic of Tallgrass year-round! Become a member, host your event at the Tallgrass Film Center, or make a donation! Your support keeps indie film alive in Wichita—thank you for making it possible! SUPPORT TALLGRASS HERE >>
STUBBORNLY INDEPENDENT + GORDON PARKS FEATURE + GORDAN PARKS SHORT
Jada-Amina is a Black Indigenous American new genres artist, curator, and cultural worker born and based on the South Side of Chicago. Her work spans sound, writing, video, and collage, exploring tenderness within the ancestral and contemporary context of the Black Atlantic, and centering a love ethic, as informed by bell hooks (All About Love, 2000). Rooted in Black feminist and faith traditions, her practice addresses memory, migration, and materiality, attuned to their erotic, gender, and class dimensions.
As an independent scholar and psalmist, her work is deeply rooted in spirit-led inquiry. At the Old Town School of Folk Music, she serves as a Programmer. She is also the Curator of the Black Harvest Film Festival at The Gene Siskel Film Center and the Public Programs and Engagement Manager at the South Side Community Art Center .
Jamie Broadnax is the founder and CEO of the online publication Black Girl Nerds (www.blackgirlnerds.com), a website focused on television, film, entertainment news, lifestyle topics presenting the intersection of geek culture and Black feminism. Jamie Broadnax graduated with a Master’s Degree in Film from Regent University and a Bachelor of Science in Broadcast Journalism at Norfolk State. She’s covered some of the greatest entertainers from Denzel Washington to billionaire media mogul Oprah Winfrey. Outside of BGN, Jamie has written for Variety, The Hollywood Reporter, The New York Post, Huffington Post, Vox, Vulture, IGN, Essence Magazine, The Lily (Washington Post) and SYFY .
Sydney Alicia Rodriguez is an Afrolatinx producer, cultural worker, and former theater kid from PG County, MD focused on resourcing the emerging generation of Black and Brown worldbuilders. As a Program Manager at BlackStar Projects, Sydney has co-produced eleven short films as part of the Philadelphia Filmmaker Lab and spearheaded the program of the William & Louise Greaves Filmmaker Seminar from 2021-2024. They produced the short narrative film Gales which premiered at BlackStar in 2021, and went on to play at American Black Film Festival, the 30th Anniversary Pan African Film Festival, and more. Sydney is currently producing a short animated film titled, Tell Me When You Get Home.
JADA-AMINIA
JAMIE BROADNAX
SYDNEY ALICIA RODRIGUEZ
NARRATIVE FEATURE + KANSAS FEATURE + KANSAS SHORT
Junes Zahdi is a multicultural, award-winning actor, producer, and writer, lighting up big and small screens in hits like, “Counterpart,” “Strange Angel,” “The Mindy Project,” and TIFF’s “Concerning the Bodyguard.” After winning 9 “Best Lead Actor” awards for the controversial Feature “MSOTG,”Junes is now developing numerous socio-critical projects and screenplays. Junes’ recent Film credits include the MGM Feature “Dog,” as well as starring roles in the upcoming Psychothriller “The Judgment,” and the Blumhouse/Netflix Martial Arts Drama “Absolute Dominion.”
JUNES ZAHDI
Raised in the wilds of Eastern Washington, Kelsey Taylor attended Loyola Marymount University, earning a degree in Film Production and minors in both Film Studies and Music. Kelsey’s career began as a cinematographer and camera assistant, building a strong foundation for visual storytelling before transitioning into directing. Her breakthrough sci-fi short, ALIEN: SPECIMEN, was created through an initiative with 20th Century and has accumulated over 6 million views. Kelsey’s debut feature film, TO KILL A WOLF, is a modern reimagining of Little Red Riding Hood told through the lens of sexual grooming. The film premiered at the Edinburgh Film Festival in 2024 and will be hitting Regal Cinemas in summer 2025. Kelsey is a DGA member, represented by Bellevue and commercially by Eleanor, recently crowned “The 2024 Production Company to Watch” by AdAge. Kelsey was selected by Film Independent as one of six fellows in their 2024 Episodic Directing Intensive.
Shane Konicki is a filmmaker from Wichita, KS. He’s loved making movies ever since he snagged his dad’s camcorder at his grandparents house when he was 8—and ever since it’s been a wild ride of making movies with friends and family. After a series of class projects, short films, and 24 hour film races...Lemon Parade Films, a low budget film production company comprised of a small group of Kansas film-lovers and makers, was born. Shane now lives in Kansas City—working at KCTV-5 as a co-host on the 9AM show, My KC Live.
KELSEY TAYLOR
SHANE KONICKI
MURMURATIONS FEATURE + MURMURATIONS SHORT
Arlin Golden is a Bay Area-based documentary filmworker, serving as co-director of Video Project, a non-profit distributor of documentaries, as well as director and programmer of Drunken Film Fest Oakland, a free annual event bringing invigorating independent shorts to local bars. He’s also co-host of “Wiseman Podcast,” a continuing series on the films of Frederick Wiseman. Arlin’s documentary shorts have screened in festivals internationally; his most recent, Balloon Boy (Tallgrass, ‘23), was named a Vimeo staff pick.
Co-Founder and Program Director of the Houston Latino Film Festival
Sam has spent over 20 years falling in love with stories—whether through film festivals, queer cinema, or global health advocacy. Based in Berlin, they have had the joy of working behind the scenes at the Berlin International Festival since 2002, making sure filmmakers and guests feel welcome and inspired. As part of the X-posed Queer Film Festival jury and programmer for Oslo’s Fusion Queer Film Festival, they’ve been lucky enough to discover bold new voices and help bring underrepresented stories to the screen. More recently, they’ve joined the pre-selection team for Norway’s Grimstad International Film Festival, where they get to geek out over short films and what makes them truly special. Outside of film, their work in development and humanitarian missions has taught them how powerful storytelling can be in creating real-world change— something they carry into every project. They’re thrilled to be part of this festival’s jury and can’t wait to dive into this year’s selections!
ARLIN GOLDEN
PEDRO RIVAS
SAMANTHA SOKOLOWSKI
DOCUMENTARY FEATURE + DOCUMENTARY SHORT
Andalusia K. Soloff is an Emmy-nominated documentary filmmaker and multimedia journalist based in Mexico City who specializes in state violence, migration, indigenous land struggles and gender-based murders in Latin America. In her work, Andalusia seeks to center the voices of those most affected by these crises and violence by focusing on their human dignity and resilience. Her work has appeared on Al Jazeera, VICE News, HBO, BBC, Democracy Now!, NBC, The Intercept, NPR, Teen Vogue, New York Magazine, RAI, and La Jornada. Andalusia is the author of Taken Alive, a graphic novel (Penguin Random House 2019) about the 43 disappeared Ayotzinapa students. Andalusia directed the Emmy Nominated Al Jazeera film, A Sense of Community: Iztapalapa, and was a producer for the Internationally acclaimed HBO film Endangered, as well as numerous other international award winning productions.
Debra McClutchy is a Brooklyn, NY based documentary filmmaker, archival producer, creative consultant, and speaker, with experience that spans development to distribution. Debra co-developed and codirected the Academy Award ® nominated archival documentary short film THE MARTHA MITCHELL EFFECT (2022, Netflix). Her most recent archival producing credits include WTO/99 (2025, True/False Film Festival, Full Frame Film Festival, DC/Dox), SWAMP DOGG GETS HIS POOL PAINTED (2025, SXSW, Magnolia Pictures) and SECRET MALL APARTMENT (2025, SXSW, Wheelhouse Creative). Previously, she was a senior creative at independent film distribution company Oscilloscope Laboratories founded by Adam Yauch of Beastie Boys, a producer at The Criterion Collection, and an associate producer in documentary television. Debra has served as a guest juror , panelist, and speaker at numerous film festivals and universities.
Paris Burris (she/her) is a filmmaker and film programmer based in Oklahoma City. She serves as the Short Film Programmer for deadCenter Film Festival, Oklahoma’s largest and only Oscar ® qualifying film festival, and is the founder of Femme Film, a monthly series dedicated to showcasing films made by femmes for free to the Oklahoma community. Paris shares her insights on Indigenous media through the Reel Indigenous Podcast and is passionate about creating independent films with her friends. She is also dedicated to discovering and sharing underseen films with wider audiences. A proud citizen of the Chickasaw Nation of Oklahoma, Paris is deeply committed to amplifying diverse voices in film.
ANDALUSIA K. SOLOFF
DEBRA MCCLUTCHY
PARIS BURRIS
VORTEX ANIMATION + VORTEX EXPERIMENTAL + MUSIC VIDEO + NARRATIVE SHORT
In Rancho Cucamonga, CA (yes, that’s a real place), Chris learned how to make films as a child by forcing his siblings to act in parody rap videos. His passion for storytelling, music, and offcolor comedy has led to his previous work as a freelance music journalist, and Video Producer at GQ and Apple. His work has been supported by the Will & Jada Smith Family Foundation, Issa Rae’s Short Film Sundays, the Middlebury Script Lab, MTV, and BET. In 2021 and 2022, he was selected as an SF Filmhouse Resident to develop his feature film “Rolling Stone”, which was selected for the SF Rainin Grant in Spring 2020. He holds an M.A. in Arts Politics from NYU’s Tisch School of the Arts, in addition to a B.F.A. in Film and Television from Tisch. His short film “Terminally Ill” is a Vimeo Staff Pick, and won the Audience Award and Oscar-qualifying Jury Award for Comedy at Aspen Shortsfest, and a silver screen Young Award for Creative Use of Sound.
Isabel Sandoval is recognized as “one of the most exciting and multitalented filmmakers on the indie scene with a bold approach to cinematic style” by The Criterion Collection. Meanwhile, The Museum of Modern Art has recognized her as a “rarity among the young generation of Filipino filmmakers.” She has directed three feature films which are currently streaming on The Criterion Channel. Her debut, Señorita, premiered at Locarno. Her critically acclaimed third feature, Lingua Franca, premiered in Venice and was nominated for an Independent Spirit Award. She starred in the César Award-winning short film Maria Schneider 1983. Her TV directing credits include the acclaimed limited series Under The Banner of Heaven starring Andrew Garfield and Sam Worthington, and The Summer I Turned Pretty.
Joshua Miner is an Associate Professor of Film & Media Studies at the University of Kansas. As an independent filmmaker, Joshua is a sound designer, composer, and founding codirector of upstart animation house Ghost View Studios, along with fellow co-founders David Mai and Matthew Cook. As a researcher, Joshua specializes in animation, with an emphasis in narrative, music and sound design. His writing has appeared in Animation, Games and Culture, The Computer Games Journal, International Journal of Cultural Studies, Information, Communication & Society, and other journals and collections.
CHRIS COLE
ISABEL SANDOVAL
JOSHUA MINER
THANE CHASTAIN EMERGING YOUNG FILMMAKER
Alyssa Pfeifer is a filmmaker based in Wichita, Kansas. Originally from Kansas City, Missouri, she studied Media Arts and Graphic Design at Wichita State University. She’s worked all around the city, including long-term employment with the Wichita Wind Surge, KAKE News, and she now works with Kent Audio-Visual, while also doing freelance projects in her spare time. She is so excited to be back at Tallgrass after her short film “Harmony” premiered here last year, and to be a juror for the Emerging Shorts for a second time, celebrating young filmmakers!
A sophomore at Wichita State University studying Acting for Digital Arts, Chase Bradley has already built a reputation for her dynamic and expressive on-screen presence. She has a diverse background in performance, which she draws upon to inform her acting, including a foundation in musical theater and a passion for horse riding. Chase is a versatile performer who excels in a range of media, from music to digital shorts. She is dedicated to mastering her craft and aspires to use her unique blend of talents to bring compelling and authentic stories to life
Monica Honey is a local writer and director whose debut feature, Meet Me at Magic Hour, was released in 2024. She loves creating character-driven, people-focused stories that can move audiences and leave a lasting impression.
ALYSSA PFEIFFER
CHASE BRADLEY
MONICA HONEY
EDUCATION
Unless otherwise indicated, all sessions occur at COURTYARD MARRIOTT OLD TOWN
820 E 2nd St. N, Wichita, KS 67202
Meet the Programmers/Filmmakers
Fri, 10/17 | 10:00-11:15AM | Moderated by Crickett Rumley, Panels
Panelists: Tallgrass Interim Executive Director Sierra Franklin-Morton Programming Director Andre Seward, Documentary Shorts Programmer Alex Megaro, and Vortex Shorts Programmer Brian Ratigan.
Join us for an informal mix-and-mingle session with the crackerjack team behind our Stubbornly Independent programming and you, the filmmakers of Tallgrass 2025! You’ll learn how to make the most of your festival experience, hear more about the films screening this weekend, and get to talk to each other in a setting more casual than a Q&A and quieter than 3AM karaoke.
Please note this event is for the following pass types: Filmmaker, Jury, Industry, Media & Staff.
Need some clarity around your goals for film festivals? Come hear these festival pros explore key differences between short and feature runs, what festivals are looking for and challenged by these days, how the festival circuit intersects with the realities of distribution, and what that new Film Festival Alliance logo on FilmFreeway means for you. Whether you’re an emerging filmmaker or a seasoned pro, this session will provide insights and information to help you navigate the evolving festival world with purpose
Trends and Topics in Documentary Filmmaking
Sat, 10/18 | 10:00-11:15AM | Moderated by Alex Megaro
Panelists: John Alexander, Sue Ding, Arlin Golden, Lorraine Sovern.
Documentary filmmaking is evolving faster than ever—driven by shifting audience expectations, emerging platforms and technologies, the rise of AI, and new ethical considerations. In this panel, working documentarians will dive into current trends shaping the field and challenges facing doc filmmakers today, from access to funding to maintaining creative integrity to topics in advocacy, style, and storytelling.
Film Financing for Uncertain Times
Sat, 10/18 | 11:30AM-12:45PM | Moderated by Arlin Golden
Financing a film is one of the biggest hurdles indie filmmakers face, especially these days. In this panel, we’ll do a deep dive into how fiscal sponsorship through a non-profit agency works, as well as touch on grants, private investors, in-kind support, and other financing options. Our panelists will share what has worked for them and what hasn’t, so that you’ll come away with insight and tips to support your fundraising efforts and attract fiscal partners.
Where are They Now?
Last Year’s Tallgrass Winners Today
Sat, 10/18 | 1:30-2:45PM | Moderated by Crickett Rumley
Panelists: Chris Cole and Kelsey Taylor.
At Tallgrass 2024, filmmaker Chris Cole walked away with the Jury Award for his poignant rap comedy Terminally Ill. Kelsey Taylor took home both our Stubbornly Independent award and the EDA award for her feature To Kill a Wolf, her modern re-imagining of “Little Red Riding Hood.” What have our award-winning alumni been up to since then? From successful festival runs to distribution deals to new projects, they’ve both been busy, gaining lots of knowledge that they can’t wait to share with you, the audience and filmmakers of Tallgrass 2025. Get ready to ask questions and get inspired!
SPOTLIGHT FILMS
STUBBORNLY INDEPENDENT
LIJEPA VEČER, LIJEP DAN [BEAUTIFUL DAY, BEAUTIFUL EVENING]
Four close friends, Lovro (21), Nenad (20), Stevan (22), and Ivan (20), fought against the Ustashas and Nazis by joining the partisans in WWII. Sixteen years later, they became renowned filmmakers. In 1957, in Communist Yugoslavia, their sexual orientation raises suspicion, and a communist party loyalist named Emir (52) is assigned to sabotage their careers and lives. The pursuit of freedom becomes a fight for survival for the artists, while Emir's beliefs are challenged.
A bubblegum grindhouse adventure through sunny and romantic Trashtown,USA.
Content Warning : Sexual situations, sex work, drug use, nudity, violence.
Preceded by: Orgy Every Other Day | Samuel Döring | 13 | USA | 2024 | Kansas Premiere | Mature
UNDER THE LIGHTS
Fri, Oct 17 | 11:15AM | Boulevard Theatre 2
Sat, Oct 18 | 2:15PM | Boulevard Theatre 6
Miles Levin | 108 | USA | 2025 | Kansas Premiere | 13+
Sam, a boy with epilepsy, is so desperate to feel normal that he wants to go to prom knowing the lights will cause a seizure.
Content Warning : flashing lights
KANSAS FEATURE
GORDON PARKS FEATURE
VOTING INFO
After each screening, pass and ticket holders will receive an email to remind you to vote for your favorite film. Your vote is important to filmmakers!
