








Welcome to Talk of Texas Magazine, where business and philanthropic connections ignite.
Talk of Texas Magazine invites you to be our guest as the curtains open to showcase Texas celebrities and Hall of Fame performers. Please take your seat as our celebrities step out to share their philanthropic stories, songwriting, and their life journeys. Listen to our backstage stories as founders, mentors, and the Texas Heritage Songwriters Association team share how some of the greats got started in Texas.
We are honored and grateful to pay tribute to the Texas Heritage Songwriters Association and Hall of Fame 2024. Our great state of Texas is brimming with star-studded talented musicians who show up, put in the work, and are our best-kept secrets in Texas. These artists give back to their community and state and bring us love, laughter, and a lifetime of enjoyment and memories.
A special thank you to Parker McCollum for hosting our cover for this tribute issue. There is never enough songwriting from Parker McCollum. His honesty and free spirit lead the way through the songs he writes, withstanding the test of time. Talk of Texas Magazine is one of his biggest fans.
We have so many positive influences across Texas to explore. We can’t wait for the storytelling and charitable services that await us. Stay tuned.
Managing Editor Talk of Texas Magazine
One of the most outstanding instrumentalists in rock over the past 40 years, Texas guitarist Eric Johnson was already a legend before he recorded his first album. By the early ‘80s, many celebrated guitarists were singing the praises of this skinny kid from Austin with the mind-melting chops. Comparisons were made to such guitar heroes as Jeff Beck and Jimi Hendrix. With the release of his highly-anticipated 1986 solo debut, Tones, the underground guitar legend finally emerged onto the scene fully-formed. It landed him on the cover of Guitar Player magazine, which hailed the album as a “majestic debut,” and earned him his first Grammy nomination for the song “Zap”. With the release of his follow up album, 1990’s platinum-selling Ah Via Musicom, which contained the Grammy Award-winning song “Cliffs of Dover,” Johnson became a bona fide international guitar phenomenon.
The New Age Music Guide once opined that “Eric Johnson plays guitar the way Michelangelo painted ceilings: with a colorful vibrancy that’s more real than life” while Rolling Stone included him in their list of the 100 Greatest Guitarists of the 21st century. A dynamic singer as well as an incredibly gifted guitarist and prolific songwriter, Eric has been featured on the cover of countless guitar magazines around the
world while also racking up critical accolades and mega-sales along the way.
The son of an Austin physician, Eric was born in 1954 and began studying piano at age five. He took up guitar at age eleven and progressed quickly from Beatles and Ventures songs to Wes Montgomery, Jimi Hendrix and Django Reinhardt. In early 1974, he joined Austin’s first notable fusion band, the Electromagnets and the following year saw the release of the group’s self-titled debut. In 1978 he recorded Seven Worlds with Electromagnets alumni Bill Maddox and Kyle Brock. Eric subsequently became an in-demand sideman, appearing on recordings by Cat Stevens, Carole King, Rodney Crowell and fellow Texan and longtime friend Grammy-winning singer-songwriter Christopher Cross.
Since 1986 Eric has released twelve studio albums and several live albums, in addition to albums with other artists such as Eclectic with jazz guitarist Mike Stern, and G3 Live with Joe Satriani and Steve Vai. Eric has received eight Grammy nominations along with numerous other recognitions, awards and wins in various polls and magazines. He emerged from the pandemic with two new records, The Book of Making and Yesterday Meets Today.
Written by Melissa Orsak
Johnson’s childhood home was a hub of musical inspiration and growth. From a young age, he was immersed in the world of music, taking piano lessons and learning guitar at age 11, where his musicianship quickly accelerated. His father exposed him to a wide variety of music, which helped Johnson develop skills that spanned many genres, including rock, blues, fusion, jazz, soul, classical, folk, and country. Johnson recounts, “At a very early age, I figured out that there was great music everywhere and there’s something valuable and beautiful about every style of music and every musician.”
Trying to succeed as a singer and songwriter came with a myriad of difficult times, but it also provided joy. Johnson refuses to let the challenges deter him. Instead, he focuses on the adventurous joy he feels along the way, which keeps him from being swayed from his goals. When asked to expound on the difficulties, Johnson doesn’t hesitate, “It’s hard work. It’s been tough! If you realize the value of your enjoyment in something it can kind of be a thread that gives you a buoyancy no matter what other stuff happens. And a lot of stuff happens! It’s a matter of hanging onto that graceful thread of enjoyment that will get you through all the other stuff. ” Johnson shares how the knocks can be riveting and, at times, will make some musicians give up. However, if you focus on the joy you receive from your music, your journey will stay true to its course even when it seems unpredictable. Your journey will always have ups and downs. Johnson reiterates, “You just have to find the joy in it.”
Johnson is propelled forward with gratitude for simply being able to play, reach, and connect with people. Johnson’s gratitude for his joy in his musical journey is palpable as you talk to him. Johnson graciously shared his secret in remaining positive and driven over the years, “I had to work at it. I think I was more reactive when I was younger. I just realized you kind of create your own vibe, and you can build your own world on what makes you feel good and you use that to move through life. Otherwise, you’re always reacting to everything. ” It’s hard not to feel reactive when you are pouring countless hours into your music and sacrificing so much. Johnson recounts being forced to either push through his obstacles or relent. In his early
days, he would often feel frustrated about business deals. During those hard moments, he would escape and do the thing he loved most: play music. His clarity and perspective heightened when he escaped to his musical oasis. Johnson recognized that these trials were crucial in helping him hone in on adjustments to improve his craft, bringing him joy and fulfillment.
From Austin, Texas, to Chicago, New York, Europe, and Japan, Johnson has toured the world, sharing his golden melodies with audiences far and wide. Some of his favorite local venues from the past included the Armadillo, Steamboat, Castle Creek, and The Ritz in Austin, Texas. Johnson fondly recalls the simpler times, the moments of camaraderie and humor that still make him chuckle today. He recounts, “a lot of wonderful times when things were super simple. You’re sleeping in a van on top of a road case. You can’t afford to get a hotel every other night. Just trying to make ends meet. Somehow, some way, you get by. There’s a lot of richness in those times when it’s not as easy. We’ve had all kinds of crazy things happen while on the road. ”
In the 70s he played in a Jazz Rock Fusion Band called the Electromagnets. Once they were booked to perform in a country western club in Huntsville, Texas. Their tunes did not meet local’s expectations. The band was threatened with their lives and asked to leave. Another time, they were paid to stop playing when their locale wanted music to accompany square dancers. The patrons yelled out comments like, “We can’t square dance to this!” The manager finally begged, “I’ll just pay you all now if you quit.” Johnson laughs, not blaming them for their awkward plight. Through the ups and downs of Johnson’s musical journey, John-
son has earned numerous accolades. Some of these include being one of the “100 Greatest Guitarists of the 20th Century” by Musician Magazine. The city of Austin, Texas, has consistently voted him as the “Best Electric Guitarist” and “Best Acoustic Guitarist” year after year. Austin has also named Johnson, “Electric Guitarist of the Decade” and was in the top five for “Musicians of the Decade.” He has been nominated for eight Grammy Awards, winning in 1991 for Best Instrumental Composition in “Cliffs of Dover.” In recognition of his musical prowess, Johnson was inducted this year into the 2024 Texas Songwriters Hall of Fame, a significant recognition of his talent and extraordinary career.
While Johnson’s connection with the Texas Heritage Songwriters Association is new, he has friends like Christopher Cross and Gary Keller who are involved and have been instrumental in his journey. Johnson shares, “I think it’s a great institution that really honors all types of music. It’s great to be a part of that. To see the people they selected this year is wonderful. ”
Johnson also has a big heart and loves to give back to those in need. Among his favorite charitable contributions was his collaboration with Cars for Kids, which is part of the Make-a-Wish Foundation. This foundation raises funds to grant wishes for children with terminal medical conditions. Johnson contributed his time, talent, and signed merchandise to support the foundation’s worthwhile cause.
During the COVID-19 pandemic, Johnson felt compelled to help those who were struggling to access food. He volunteered with the Food Bank. It bothered him that while he didn’t have to
worry about where his next meal was coming from, there were many others who did. In response, Johnson helped come up with an innovative way to contribute to the cause. He offered a series of online guitar lessons, which were open to anyone who wanted to learn. Their lessons were donation-based, and participants could choose to donate any amount they wished to their preferred food bank. Through this initiative, Johnson managed to raise awareness and funds for the Food Bank while also sharing his love of music with others. He felt this avenue was highly successful and fulfilling.
Looking ahead, Johnson is determined to continue his musical journey by always progressing as a student of music. This spring, Johnson’s band, Tone-A-Rama, featuring Johnson, Keith Carlock, Roscoe Beck, and Sean Giddings, embarked on a short four-day tour. The tour took them to some of Texas’s most iconic music venues, including the House of Blues in Dallas/Houston, the Paramount Theatre in Austin, and the Aztec Theatre in San Antonio. This particular tour was new and a little different for the band as they continue to push the boundaries of their art together.
“I’m just thrilled and honored to be a part of the Texas music scene. I was born here and grew up here. I’ve just always appreciated and enjoyed all the different styles of music and all the wonderful musicians through my life that I’ve met, heard, and been inspired by. Just to be part of that fraternity of men and women that I just admire so much. It’s a real honor. ”
Johnson’s advice for anyone wanting to chase a musical dream is, “Find your own thing that’s unique and develop that. It’s got to
be in something you really love, a style, or a version of the music that really feeds you and gets you where you want to put in the time and effort. Find that style and that type of music and that instrument that really gives you the energy and the wellspring of passion so that you will pursue it. Otherwise, you won’t stay with it. But if you find that particular thing that does have that, develop your own signature style, your own unique thing, and do what you do that nobody else can do like you. ”
Johnson’s perspective to “Realize the value of your enjoyment” has evolved over the years. Initially, his passion-led focus was centered more on his identity as a musician and profitability. With life’s ups and downs, he was forced to rely solely on what brought him joy, which became his beacon through the tough times. This shift helped shape him and his craft, and he learned that it wasn’t just about what he did but who he was as a person. Johnson shares, “I’m still really absorbed in what I do, but I don’t look at it the same. It’s not everything. It’s really who you are as a person, and [your talent or livelihood is] just what you do, not who you are. It gets kind of equilibrated over the years. You can have the same passion, but realize it’s a gift given to you that you can give back to somebody else.” Johnson epitomizes finding your passion, nurturing it, and then sharing it with the world, always keeping enjoyment at the forefront of his mind and using it to fuel his work.
World Icon Eric Johnson: Guitarist and Singer acknowledges that his passion is
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Born in The Woodlands, Texas, Jack Ingram has maintained a reputation for uncompromising, personally charged song craft and energetic, charismatic performances for over 20 years. Around the time Jack started writing songs and performing, he was studying psychology at Southern Methodist University in Dallas. “Music and psychology come from the same place,” he says. “It’s about studying why people tick. I write songs to figure out my world, why people act the way they do, why they make the decisions they do.” Lucky for us, Ingram chose a career in music-and discovered an altogether different kind of therapy.
As a veteran of the Texas music scene, Jack is known as an exhilarating live performer. He’s released six live albums, 10 studio albums, and most recently, a collaborative album, The Marfa Tapes, with Miranda Lambert and Jon Randall. Ingram’s style, often compared to country music’s Outlaw Movement artists like Waylon Jennings and Willie Nelson, also draws inspiration from alternative country artists such as Robert Earl Keen and
Lyle Lovett. His affinity for the musical explorations of these artists, coupled with his understanding of the human condition as drawn from his studies in psychology, contributed significantly to his songwriting craft.
Jack has been honored by the Academy of Country Music with Awards for both Top New Male Artist and Song of the Year, and has landed GRAMMY and CMA nominations. Jack Ingram is also the new host of Texas Music Scene, the syndicated tv show featuring Texas-based artists in over 80 markets.
In 2013, Jack teamed up with actor Matthew McConaughey and University of Texas at Austin football coach Mack Brown to create a fundraiser for their favorite children’s charities, dubbed Mack, Jack & McConaughey. Jack is also a supporter of Texas Songwriter U (TxSU), an annual songwriting development program consisting of a songwriting competition, educational workshop and showcase event, along with Broadcast Music, Inc (BMI), and The Texas Heritage Songwriters’ Association.
Written by Melissa Orsak
Dreams do come true…even for stars like country singer and songwriter Jack Ingram. One of Ingram’s favorite musical memories was singing with Willie Nelson in 2006 when they performed “Dang Me,” a Roger Miller original, as part of the Cracker Barrel exclusive album, Songs of the Year. This album rendition, as have the artists who sang it, became a favorite.
This experience, among others, has defined Ingram’s remarkable career. Some of Ingram’s favorite experiences include, “Playing shows for five people then coming back and the place is packed. Those are fun. A+B=C is like a magic trick to me. Opening shows for my heroes. Selling out Gruene Hall [in Gruene, Texas] every time and counting. Playing the Grand Ole Opry. Being a part of the legacy that is Texas Music from A to Z, from B to W… Buddy Holly to Waylon.” Reflecting on his journey, Ingram weaves his
bumpy, dusty, weathered road into a timeless tale that reflects the reality of life beautifully intertwined with joy and hope.
Ingram, a born and raised Texan star, possesses a voice as rich as our musical heritage and a spirit as untamed as our open plains. His down-to-earth, hometown western charm continues to captivate audiences in Texas and beyond. Initially signed to Big Machine Records, his genuine talent has resulted in the release of eleven studio albums, one extended play, six live albums, 14 music videos, and 19 singles over the course of his musical career. His number-one Billboard country chart hit “Wherever You Are” paved the way for six more Top 40 singles.
These legendary hits won Ingram four prestigious country music awards: CMT Music Award for Wide Open Country Video of the Year, two Academy of Country Music Awards for Song of
the Year in collaboration with Miranda Lambert and Jon Randall and for Top New Male Vocalist, and Texas Heritage Songwriters Association Hall of Fame inductee. He also received three award nominations: CMT Music Award for Wide Open Country Video of the Year, CMA Award for Song of the Year with Lambert and Randall, and a Grammy Award Nomination for Best Country Song with Lambert and Randall.
One of the keys to his success is in the poetic weaving of life’s triumphs and tribulations, drawing from his personal experiences and keen observations of those around him. He reflects, “Musicians are a brotherhood of thieves. We steal from the past and use it to build our future. That’s the way it’s always been and always will be, hopefully.” Songwriting is challenging and vastly different for every songwriter. Ingram describes, “My process is nothing if not chaotic. I spend my life observing human nature as it occurs through my view. The only thing I do is grab a guitar and see if there’s a song in it that wants to get out. I write about things that make me laugh, cry, love, or hate. Everything else is filler.” By transforming Ingram’s reality into inspiration, his music establishes a profound connection that offers solace to wanderers as they navigate their journey.
Singing and songwriting are just a few things that keep Ingram propelling forward. In 2019, Ingram began hosting The Texas Music Scene. The Texas Music Scene is a TV series airing throughout Texas that features Texas songwriters and singers through live performances and insightful stories about artists’ songs and life on the road.
empowered, the lives we are able to enhance and even save, the participants. We provide a safe and exhilarating experience to be able to give back to our communities. I always heard, ‘You give 1, you get back 10. I know for a fact it is a much larger ratio!’”
Ingram’s commitment to giving back is evident in his mentoring role for Texas Songwriter U and in supporting the Texas Heritage Songwriters Association. He believes in the importance of these programs, stating, “The Texas Heritage Songwriters Association pays attention and respect to the same things I do, both as a fan of the songwriters they hold in esteem and as a songwriter. They’re integral to the celebration of legacy as well as the championing of the future.”
For aspiring songwriters, he offers this advice: “Write your song. Then write another one. Get a gig, then get another one. Wash and repeat. No plan B’s… you’re either all in or all out… unless you just wanna do it for fun, which is ok too.”
According to Ingram, balancing songwriting, service, family, and life is challenging. When asked how he manages to find equilibrium, he candidly admitted, “Not always as well as I’d like. But for the most part, my life is integrated. I am a father. I make music.” He also mentioned that reflecting on these interview questions was enjoyable as it prompted him to reevaluate his life and thoughts. As a songwriter, he believes combining deep contemplation and emotions gives birth to music. Often, the most extraordinary stories originate from the most ordinary circumstances.
Ingram is also driven to help others. In 2013, Ingram, Academy Award-winning actor Matthew McConaughey, and University of Texas at Austin football coach Mack Brown created an annual MJ&M (Mack, Jack & McConaughey) fundraising event to benefit children’s charities. This exciting two-day event includes a gala, golf tournament, fashion show, and live music. The event has raised over $61 million to support organizations such as CureDuchenne, Dell Children’s Medical Center, HeartGift, just keep livin Foundation, and the Rise School of Austin. Ingram feels passionate about this remarkable charity, sharing, “MJ&M has had a huge impact that I am very proud of. The kids we’ve
Ingram’s future shines bright as he continues to ascend on his path to stardom. Looking ahead, he expressed, “I hope fans can expect me to do what I do. To be who I’m gonna be. Good, bad and in-between to write a song, get a gig, wash and repeat… that has worked pretty good so far.”
Like Texas’ country music celebrity and icon Jack Ingram, turn your dusty road into whatever you need for yourself and the world around you. Then, let your harmonies blend with Ingram’s, leaving an indelible mark among the stars, to illuminate the path for weary travelers.
AGRAMMY, CMA, and ACM Award-winner, Jon Randall has seemingly done it all over his three-plus decades in the music business, working as a songwriter, guitarist, and critically acclaimed producer with some of the biggest names in country, bluegrass, and Americana. Born and raised in Dallas, Randall caught his first big break after moving to Nashville, where he was invited to join Emmylou Harris’s Nash Ramblers band. In the years to come, he would go on to release a series of widely lauded solo records, produce for Dierks Bentley, Dwight Yoakam, Jack Ingram, Pat Green, and the Nitty Gritty Dirt Band, among others, and write with and for the likes of Miranda Lambert, Maren Morris, Blake Shelton, Little Big Town, Guy Clark, Kenney Chesney, Reba McEntire, and countless more. He’d go on to earn a slew of award nominations, as well, and take home CMA Song of the Year honors in 2005 for “Whiskey Lullaby,”
recorded by Brad Paisley and Alison Krauss, and the ACM Song of the Year trophy in 2018 for “Tin Man,” which he penned with Lambert and Ingram on one of their regular writing retreats to Marfa. The three returned there in 2019 to record their bare-bones Marfa Tapes album, which landed the trio performances at the CMT and ACM Awards, as well as a Grammy Nomination for Country Album of the Year and an ACM Nomination for Album of the Year. Jon has continued to produce Grammy-nominated projects including Miranda Lambert’s latest record Palomino as well as Dierks Bentley’s High Note featuring Billy Strings. In 2023 Randall was nominated for the Academy of Country Music’s Producer of the Year Award, and partnered with Big Loud and Miranda Lambert to launch their new record label, Big Loud Texas.
I’m truly honored and beside myself to be included in this group of songwriter’s, whose music and writing I’ve admired throughout the years and still do. It’s more than I ever could imagine to consider them all my peers. What a wonderful validation and blessing for my own body of work! Thank You!
In the tightknit musical community of Austin, Texas, it’s tough to get away with posturing. You either bring it, or you don’t.
If you do, word gets around. And one day, you find yourself duetting with Bonnie Raitt, or standing onstage with the Allman Brothers at New York’s Beacon Theater and trading verses with Susan Tedeschi. You might even wind up getting nominated for a Best Blues Album Grammy — four times. And those nominations would be in addition to your ten Blues Music Awards, three Austin Music Awards, the Grand Prix du Disque award from the Académie Charles-Cros in France, a Living Blues Critics’ Award for Female Blues Artist of the Year, and the title of an “inspiring American Artist” as a United States Artists 2018 Fellow.
There’s only one Austinite with that résumé: Ruthie Foster. The small rural town of Gause, TX had no chance of keeping the vocal powerhouse known as Ruthie Foster to itself. Described by Rolling Stone as “pure magic to watch and hear,” her vocal talent was elevated in worship services at her community church. Drawing influence from legendary acts like Mavis Staples and Aretha Franklin, Foster developed a unique sound unable to be contained within a single genre. That uniqueness echoes a common theme in Ruthie’s life and career - marching to the beat of her own drum.
Joining the Navy was one way for Ruthie to stake out her own path. It was during her time singing for the Navy band Pride that her love for performing became apparent. After leaving the service, Ruthie signed a development deal with Atlantic Records and moved to New York City to pursue a career as a professional musician.
A deal with a major label would seem to be a dream come true for a budding artist. But the label wanted Ruthie to hand over her authenticity in exchange for being molded into a pop star. In another bold move, she walked away from the deal and returned to her roots, moving back to the Lone Star State.
Returning to Texas, Ruthie solidified her place as an up-and-coming singer/songwriter and began a musical partnership with Blue Corn Music. Her studio albums for the label began with “Runaway Soul” in 2002, followed by “The Phenomenal Ruthie Foster” in 2007, “The Truth According to Ruthie Foster” in 2009, “Let It Burn” in 2012, “Promise of a Brand New Day” in 2014 and “Joy Comes Back” in 2017. Her live shows, which she has referred to as a “hallelujah time,” have been documented on the album “Stages” in 2004, the CD/DVD release “Ruthie Foster Live at Antone’s” in 2011, and 2020’s “Live at the Paramount”, which featured the Ruthie Foster Big Band: a guitarist, keyboardist, bassist and drummer, plus 10 horn players, three backing vocalists and one conductor.
Ruthie Foster’s ninth studio album, released November 18, 2022, represents a new high water mark for the veteran blues artist—a collection of songs possessing pure power, like a tidal wave of musical generosity. Healing Time finds Foster pushing her boundaries as a singer and songwriter more than ever before, creating a truly live-sounding atmosphere with the help of her band, who sound refreshingly loose and lived-in throughout these 12 songs. We’ve all been in need of some healing in recent times, and Foster’s latest provides a guide for how to move through the world with equal parts compassion and resolve.
Tried & true Texan, Music City hitmaker, frontman, and multi-instrumentalist are just a few of the monikers Terry McBride has worn in his decades-long chart-topping career. A Lampasas, TX native, McBride spent his teenage summers on the road with his dad, the late Dale McBride, who was a recording artist with several Billboard charted singles. Terry traveled as part of his father’s band for three years before moving on to Austin to further pursue his musical career.
In 1989, Terry left Austin for Nashville where the songs he had been writing found their way to MCA president Tony Brown, who would later go on to sign Terry to a recording contract with the label. The group McBride & Ride was formed and the trio racked up several top five singles including “Sacred Ground,” a # 1 single in 1992. McBride received two million air awards for his writing credits for “Just One Night” and “Going Out Of My Mind”. During that time, the band received CMA and ACM nominations for vocal group of the year before disbanding in 1995.
After his run with McBride & The Ride, Terry began to focus most of his attention on songwriting. Through the years his
songs have been recorded by Garth Brooks, George Strait, Reba McEntire, Hank Williams Jr, Ronnie Dunn, Kix Brooks, Alan Jackson, Cole Swindell, Trace Adkins, Easton Corbin, Kenny Rogers, John Anderson, Cody Johnson and many others.
Terry has had over 25 songs recorded by GRAMMY-winning duo Brooks & Dunn, including thirteen singles, four #1 songs, and five top-five singles, including the duo’s fastest-rising final #1 single, “Play Something Country,” was written by McBride and Dunn. Terry also co-wrote and produced the duo’s final single, “Honky Tonk Stomp,” featuring rock icon Billy Gibbons. Other notable singles include “Proud of The House,” “Cowgirls Don’t Cry,” featuring Reba McEntire, and the mega-hit “If You See Him/If You See Her,” also with Reba.
Terry continues to tour as a solo artist along with the recently reunited, McBride & The Ride, who recently released new music for the first time in nearly two decades. Texas grit, never-ending talent, and a smiling personality, of a man who never met a stranger, make up the incredibly prolific career of Terry McBride that spans 4 decades with hundreds of cuts and multiple #1 songs.
Written by Melissa Orsak
Terry McBride’s love for his state runs deep and echoes through his country hits and life. McBride is a multifaceted artist who has positively impacted the world with his inspiring musical legacy, songwriting success, and dedication to family and community.
Melodic tunes graced McBride’s childhood country home in Lampasas, Texas. He was blessed to have legendary country music singer Dale McBride as his father. McBride’s talent traces back to great-grandmother Ma Thomas, who lived to be 102. Ma Thomas taught McBride’s father to play rhythmic classics like Little Brown Jug. McBride’s father, in turn, shared his musical passion with his son, Terry McBride, gifting him his first guitar at the age of nine. As McBride’s father was often gone, McBride embraced the guitar and music to win his father’s attention.
McBride’s father had an office attached to the house where many musicians, clad inconspicuously behind dark shades, would come and go daily when McBride’s father was in town to create and record music there. This intrigued McBride, luring him into the music industry. Thanks to the support of his artistic mother and helpful grandparents who lived next door, McBride quickly learned to play the guitar while attending grade school. McBride’s father had mixed emotions about him joining the music industry, making him work very hard for it. His father’s expectations did not lessen even after he earned a place in his father’s band during the summers of Terry’s eighth and ninth-grade years. To McBride’s dismay, when the summer ended, he was still expected to quit the band and return to school.
Throughout high school, McBride played current hits in a popular local country band. Since he was just up the road from Austin, Texas, he often jumped in his little Chevy Chevelle to hear his favorite artists. The music scene took off in Austin in the 1970s, with music from
Wylie Hubbard, Rusty Wier, Doug Sahm, and Gary P. Nunn inspiring McBride.
After high school, McBride joined his father’s band fulltime as a singing bass player and the tour bus driver. With his father’s band, he toured Texas and opened shows for Ronnie Milsap, Roy Clark, Johnny Dunkin, Rosie Flores, Barbara Mandrell, and Delbert McClinton. Desiring to focus more on songwriting, McBride landed a writing job with Bill Carter and Ruth Ellsworth, who opened for Stevie Ray Vaughan.
In 1989, McBride found his way to producer Tony Brown, his personal idol, in Nashville, Tennessee. MCA president Tony Brown invited McBride to a holiday New Year’s Party to coax him into creating a new band. With Brown’s encouragement, Ray Herndon, Billy Thomas, and McBride formed a band called McBride and the Ride. Their 3-part vocalization created an incredible harmonic blend, superseding their instrumental talent. In five years, the band recorded four studio albums, charted over ten Billboard Hot Country Songs singles, and received ACM and CMA nominations for vocal group of the year. Tony Brown saw potential with McBride and signed him to a recording contract with the label. McBride’s lasting friendship with Brown has greatly impacted McBride’s musical career. McBride shares, “Tony Brown is an amazing person. He has been a friend all these years! You don’t find that a lot in this business. It’s a special trait, and it is something about him that I really admire.”
As McBride and the Ride’s journey was ending, McBride started writing songs for other country and rock artists. His first cut after the band dismembered was for John Anderson, which opened doors for him to write for even more artists, including George Strait, Reba McEntire, Garth Brooks, Kix Brooks, and Brooks & Dunn, among others.
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McBride was invited to join Brooks & Dunn musicians Ronnie Dunn and Kix Brooks on a 15-day tour where McBride both performed and wrote ten songs with the band. The tour marked the beginning of a 13-year-long journey where McBride, Dunn, and Brooks traveled the country playing and writing music. McBride played the bass guitar for the band for three years and switched to solely writing for the remaining time. McBride reflects, “They treated me well and are still on top of the world.” Together, they recorded over 25 songs, of which five were top-five and four were number-one single hits. This year, McBride was inducted into the Texas Heritage Songwriters Association Hall of Fame, which recognizes songwriters in Texas for their outstanding musical contributions.
Despite his busy life, McBride still managed to prioritize serving others. McBride and his wife, Cathy McBride, have been married for 43 years and have three talented children. McBride recognizes the toll this profession
takes on families, and he greatly appreciates Cathy’s strength, security, and support. Together, they chose to serve children and families at St. Jude by bringing awareness of the children at St. Jude’s needs to the community and fellow artists. The McBride family’s financial support, gathering other’s aid, spotlighting the needs of the children, and sharing their talents make a tangible difference in the lives of families affected by Leukemia.
Imagine jet skiing around 500 miles straight to support a local charity. McBride supported Brooks & Dunn as they hosted a two-day charity jet ski ride from Nashville to Memphis, culminating in an epic live concert. Navigating across the Tennessee River was no recreational jaunt. While it was an adrenaline-packed adventure, it was also grueling. The path was not meant to be crossed, but these artistic daredevils, McBride, Brooks & Dunn, live on the world’s edge, creating anthems etched in the riverbanks that ripple across the philanthropic landscape. Arriving in Memphis to greet the eager crowd,
Brooks & Dunn, a little saddle sore, still gave it their all, in song and heart. Their tunes hit a chord with the nation which raised over $100,000. This was one long journey McBride doesn’t wish to repeat, but he will forever treasure the experience and his contribution to others.
McBride also enjoys mentoring young songwriters and singers who aspire to be successful in the music industry. He knows that it’s a harsh field, so his advice to young artists includes, “This is a business where you have to be a self-motivated person. You’ve got to be disciplined. You’ve got to show up and do the work. No one is going to do it for you. You’ve got to get in the room with someone and pour your heart out. It is an interesting job as a songwriter. If you are not a people person, it can work against you.”
“Who you surround yourself with makes a big difference. You can be pulled and pushed in a lot of directions. You’ve got to have a sense of who you are, what you want, and who you want to be, or you can get off track easily in this business.”
Charts, the Texas Music Association, and the T3 Chart have significantly enabled songwriters. People are always asking McBride, “How do you make it?” He answers, “If you’re in Texas, you have a great opportunity because there is live entertainment or something happening in just about every community. That’s a great place to start…See who is doing what you want to do. Is there anyone else writing in your community? Is there anyone else playing music live? You have got to get out and expose yourself a bit and you’ve got to meet some people. The music business is a big part of that. It is a big part of networking. Meeting people, knowing people, like-minded folks that have the same interests and desires and dreams that you do. If you meet with enough of those people, you might connect with a couple of them, and it could lead to something. That is the way that this business works. ”
McBride says there are more opportunities for songwriters today than ever before. For example, Red Dirt
Terry McBride is a true gem of the Lone Star State. His charismatic charm, hearty laughter, generosity, and unforgettable country melodies are loved by many Texans and will continue to echo through the hearts of those who this Texas legend has touched.
Photo by Derrek Kupish
he 2023 Country Music Hall of Fame Inductee and twotime GRAMMY® winner Tanya Tucker continues to inspire artists today. Born in Seminole, Texas, Tanya had her first country hit, the classic “Delta Dawn,” at the age of 13 in 1972. Since that auspicious beginning, she has become one of the most admired and influential artists in country music history, amassing 23 Top 40 albums and a stellar string of 56 Top 40 singles, ten of which reached the No. 1 spot on the Billboard country charts. Tanya’s indelible songs include some of country music’s biggest hits such as the aforementioned “Delta Dawn,” “Soon,” “Two Sparrows in a Hurricane,” “It’s a Little Too Late,” “Trouble,” “Texas (When I Die),” “If It Don’t Come Easy,” “Strong Enough To Bend” and many more. Tanya’s trophy mantle is filled with numerous awards, including an ACM Career Achievement Honor; two ACM Awards; two CMA Awards; three CMT Awards; and in 2020, Tanya received two GRAMMY® Awards for Best Country Album: While I’m Livin’ and Best Country Song: “Bring My Flowers Now.” In October 2022 “The Return of Tanya Tucker, Featuring Brandi Carlile,” a documentary that chronicles the resurgence in Tucker’s career following
the success of her aforementioned 2019 album While I’m Livin’, hit theaters globally via Sony Pictures Classics. Lauded by The New York Times, the documentary raves that Tanya “hasn’t lost a step in terms of phrasing. The teardrop in her voice, strategically used in heartache songs, remains credible. [The doc] interweaves the contemporary sessions…better-than-competent piece of fan service.” In December 2022, Tanya made her acting debut in a lead role in Paramount’s “A Nashville Country Christmas,” starring alongside Academy Award® winner Keith Carradine. This year, Fantasy Records will release Tanya’s new album, Sweet Western Sound, which stands on her exquisitely warm and wizened vocals and a spectacular collection of cut-deep songs—an assertive and confident declaration of vitality and purpose from an irrepressible and irreplaceable country music icon. Produced once again by Brandi Carlile and Shooter Jennings, Sweet Western Sound reunites the award-winning trio. In October of 2023, Tanya will be inducted into the Country Music Hall of Fame - marking more than 50 years in the entertainment business.
Written by Melissa Orsak
Mike Appel, Co-Founder of BIG HAT Spirits, takes immense pride in sponsoring the Texas Heritage Songwriters Association. With a shared mission to celebrate Texas music legends across generations, BIG HAT and the Association aim to keep Texas’s rich musical heritage alive. So, sit back, relax, and enjoy a BIG HAT cocktail or mocktail from your neighborhood liquor or grocery store as you dive into the story of this inspired venture.
BIG HAT’s journey began nearly four years ago when Appel and co-founder Troy Geyer were out on Appel’s boat, experimenting with cocktail recipes. Convinced they had something unique, they embarked on a journey to create a super-premium, better-for-you, better-tasting, ready-to-drink cocktail & mocktail company. Unlike other cheaper, mass-produced cocktails loaded with artificial ingredients, BIG HAT’s recipes are made with kombucha, fresh fruits, spices, and super-premium spirits. They partnered with an award-winning, 5th generation tequila distillery in Arandas, Jalisco, Mexico, and soon after, BIG HAT was born.
But BIG HAT was meant to be more than just a cocktail company. Appel & Guyer above all else wanted to give the brand soul and have a meaningful purpose. While brainstorming a valuable mission, Appel and Geyer were inspired by a favorite Texas country song “Man With The BIG HAT,” a duet sung by Jerry Jeff Walker and Willie Nelson and written by Steven Fromholz. The lyrics, about a cowboy telling stories of life on the range, resonated with them deeply. “That was it,” Appel recalls. “The song’s spirit of honoring stories and legends struck a chord.” This inspiration led them to name the company BIG HAT, with a mission to honor legends and keep their stories alive.
year during Texas Songwriters Hall of Fame inductions, BIG HAT releases limited-edition cans featuring honorees’ photos, quotes, and QR codes linking to videos about the legends or ways to donate to Texas-based charities. BIG HAT aims to introduce Texas music legends to younger generations, keeping the culture vibrant and celebrated.
Beyond music, BIG HAT honors sports legends on their cans like Coach Darrell Royal & Ben Crenshaw, iconic Texas places like the Armadillo World Headquarters, and worthwhile causes such as Folds of Honor, Warrior Health Foundation, and The Muny Conservancy’s “Save Muny”.
After launching in February 2023, BIG HAT became a sponsor of the University of Texas Athletics and is now featured at Darrell K Royal-Texas Memorial Stadium, Moody Center, and UFCU Disch-Falk Field. Appel recalls, “When we started the UT Athletics sponsorship, we were a little worried as we inherited a cavernous bar space in the NE corner of DKR Stadium that was just a bland concession stand, and we just had four weeks to transform it into something spectacular. The pressure was on as the BIG HAT name was at stake. It needed to be memorable to enhance the Texas football gameday experience. Our vision? A mash-up of our favorite Austin dive bars
like Deep Eddy Cabaret and Don’s Depot. We got help from one of our advisors who had a connection to Taylor Sheridan’s chief set decorator, Carla Curry. With her expertise, we sourced authentic Texas antiques and memorabilia from Terry Boothe and Adam Wooley, who have one of the largest and coolest collections of Texas antiques and memorabilia. Together with Carla’s genius, we transformed the bland concrete space into an authentic, legendary Texas oasis.”
Their mission quickly gained momentum when a Texas Heritage Songwriters Association board member learned about BIG HAT’s purpose and saw a potential partnership. Today, every
The new gameday lounge setting above Gate 25 boasted timeless German beer garden tables from the 1800s, antique Texas wagon
wheel furniture, vintage Texas keepsakes, and Texas songwriter memorabilia. Fans walking into the BIG HAT Longhorn Lounge are greeted with a nostalgic trip through Texas history, seamlessly blended with the vibrancy of Austin’s bar scene. The buzz was undeniable. Now brimming with character and charm, the space became an instant hit. Rave reviews poured in, praising the blend of historic and modern Texas culture. The BIG HAT Longhorn Lounge didn’t just enhance the gameday experience; it redefined it, proving that sometimes, a little worry and a lot of Texas spirit can turn a bland concession stand into a legendary gameday destination.
BIG HAT’s growth has been fueled by collaborations, but the Texas Heritage Songwriters Association has been particularly influential, providing inspiration and invaluable connections.
“Music is a huge part of Texas culture,” Appel says. “It gives BIG HAT its soul and purpose, honoring Texas songwriting legends.” To support new talent, BIG HAT, alongside the Association, launched the “Next Generation of Legendary Songwriters” program. A promising artist is featured on BIG HAT cans each year, with sponsorship to help them tour. Their inaugural artist was William Beckmann, a rising star performing vibrant, modern-day country music that reflects what came before.
One of Appel’s favorite moments was honoring Willie Nelson’s sister, Bobbie Nelson, at the unveiling of her exhibit at the Bob Bullock Texas History Museum. Appel recounts, “Honoring Bobbie Nelson on a BIG HAT was truly something special for us.”
While BIG HAT cherishes Texas’s past and present musical talents, the company continuously seeks ways to evolve. Dedicated to delivering a premium experience, BIG HAT hosts immersive brand events, from launch parties to golf tournaments, and every Thursday night at Hotel Ella in Austin in the summertime, they spotlight Texas songwriters affiliated with the Texas Heritage Songwriters Association.
BIG HAT’s innovative spirit also shines through its products. Recognizing that many songwriters and younger generations are turning to alcohol-free lifestyles, BIG HAT expanded its offerings to include non-alcoholic mocktails, ensuring everyone feels welcome at the BIG HAT table. This thoughtful addition quickly gained popularity, leading to distribution across 220 HEB and Central Market stores across Texas.
Looking ahead, BIG HAT is expanding beyond Texas, with plans to enter markets in Florida, Tennessee, and other key states. As they expand, Appel emphasizes the importance of adapting to each new market’s culture, learning about local legends, and discovering rising talents and meaningful causes. “Going state to state and making BIG HAT relevant in each community is essential,” Appel shares. “There’s no reason we can’t continue to honor legends and emerging talent in every market we enter.”
“The future is bright, and BIG HAT’s mission inspires us daily,” Appel concludes. “When you make a quality product and pair it with a meaningful purpose, that’s a recipe for success.”
by Chris Kleinmeier
inger/songwriter and multi-instrumentalist Parker McCollum released Never Enough, a statement album that cements his status as one of country music’s undeniable new stars, on May 12 via MCA Nashville. Along with headlining his own tour this summer, McCollum will play stadiums with Morgan Wallen on Wallen’s One Night at a Time World Tour. McCollum has been named an ‘Artist to Watch’ by Rolling Stone, Billboard, SiriusXM, CMT, RIAA, and more with American Songwriter noting, “The Texas native teeters on the edge of next-level superstardom.” MusicRow listed McCollum as their 2021 Breakout Artist of the Year and Apple also included him as one of their all-genre “Up Next Artists” Class of 2021. A dedicated road warrior, McCollum made his debut at the famed Grand Ole Opry in 2021 and he already sells out venues across the country (over 40 sold out shows nationwide
in 2021) including record-breaking crowds in Dallas (20,000), The Woodlands (16,500), Austin (7500+), Lubbock (7700+), Jackson, MS (5000+), Kearney, NE (3000+), Nashville’s Ryman Auditorium, and three nights at Fort Worth’s iconic Billy Bob’s Texas. In March 2022, McCollum made his debut at RODEOHOUSTON to a sold-out crowd with over 73,000 tickets sold, returning to perform at the Opening Day celebration in 2023. He recently made a dream come true with his first-ever Austin City Limits performance, kicking off their 2023 season. In 2022, McCollum earned his first ACM Award for New Male Artist of the Year, took home “Breakthrough Video of the Year” (a fully fan-voted honor) at the 2022 CMT Music Awards and scored two back-to-back CMA Awards nominations (2022 & 2023) for New Artist of the Year.
Written by Melissa Orsak
Photo by Chris Kleinmeier
In the vast expanse of the Lone Star state, echoes of love, heartbreak, dusty highways, and a mother’s devotion blend with the soulful twang of Parker McCollum’s music. Whether heard gazing at the star-studded sky or immersed in the neon aura of a music venue, McCollum’s melodies resonate deeply, evoking emotions of longing and hope. Despite being a “Hollywood Gold” rising star, McCollum remains authentic to himself and his roots. His authenticity shows through in his current nationwide tour, captivating audiences with his compelling voice.
McCollum’s roots in Conroe, Texas, played a significant role in shaping his music journey. From a young age, he was fascinated with a love for music, sharing, “[I] always loved country songs. I was really, really obsessed with big country hit melodies when I was a kid. My older brother, Tyler, wrote songs from a young age and really inspired and encouraged me to write songs, sing, and play guitar.” However, McCollum’s musical palette became even richer and more diverse, embracing a range of genres, including blues, roots rock, soul, folk rock, and, of course, country. He was deeply influenced by the impactful tunes of classic artists such as Ryan Bingham, Ryan Adams, Townes Van Zandt, John Mayer, and Willie Nelson. Among the pantheon of his revered artists, George Strait held a special place in McCollum’s heart, and has won the spot as his ultimate favorite.
Throughout his life, McCollum learned to play many instruments, starting with the violin in grade school and later the guitar and harmonica. By age 13, he was already showcasing his talent at open mic nights in Spring, Texas. While still in high school, his determination led to his first professional gig in Giddings, Texas.
In his early twenties, McCollum embarked on his inaugural tour with the band, Six Market Blvd. During this time, he also released his first single, “Highway,” which laid the foundation for his future musical accomplishments.
McCollum faced his fair share of challenges despite his eventual rise to fame. However, his unwavering passion and perseverance kept him true to his aspirations to succeed in the music world. Reflecting on challenges during his journey, McCollum confessed, “I think one of the biggest ones I’ve faced is admitting my goals and saying out loud what I truly want to do in life and the aspirations and ambitions that I have. I’ve always had trouble actually admitting what I wanted to do
because I was always afraid to fail. I’ve overcome that now by just kind of sucking it up and cowboying up and chasing [my dreams] anyways, always being my authentic and true self.” McCollum has turned a challenge into a strength. McCollum’s authenticity is undoubtedly one of the cornerstones of his success, as his heartfelt narratives resonate with truth and passion, striking a chord with his beloved fans.
Challenges McCollum encountered were often accompanied by moments of laughter and excitement. McCollum recounts having “Countless funny moments from my life on the road. I remember one time at the Houston Rodeo I slipped down to a knee for my first time ever playing at the Houston Rodeo. I didn’t actually fall, but it came close. It’s the only time I’ve come close in my career and it just so happened to be on the biggest stage on the biggest night of my career, but I wouldn’t change it for the world. It’s a great memory.”
Over the years, McCollum’s drive to accomplish his dreams has led to great success. McCollum recently, in 2023, fulfilled his dream of performing at Austin City Limits. He has also garnered numerous musical accolades and nominations, with many more on the horizon. McCollum has earned 4 Gold (2023) and 4 Platinum (2023-2024) RIAA Awards (“Pretty Heart” is 3x Platinum), has won the ACM Award (2022) for New Male Artist of the Year, the CMT Music Award (2022) for “Breakthrough Video of the Year,” and two back-toback CMA Award Nominations (2022 and 2023) for New Artist of the Year.
One dream that holds a special place in his heart is his marriage to Hallie Ray. McCollum eagerly shared their good news, “Hallie Ray and I are about to have our first child, a lit-
tle baby boy. Really looking forward to that and raising him right with good manners and a great work ethic.”
McCollum also helps others fulfill their dreams. He recently gave back to emerging songwriters by performing this spring at the 2024 Texas Heritage Songwriters Hall of Fame Weekend, Darrel K Royal Pickin’ Party VIP-Sponsor Event. This annual event showcases past and present songwriters who have played a key role in shaping Texas’ distinctive cultural identity. Songwriting can be a challenging profession, often without the recognition it deserves. McCollum encourages fellow songwriters and aspiring dreamers: “I would just say be yourself. Be your absolute true and authentic self always, and don’t apologize for who you are. Wear your heart on your sleeve; the number one thing, above all else, is just to outwork everybody. You have to have a terrific work ethic if you want to make it in this business. That’s number one.”
Our “Gold Chain Cowboy” is his own kind of “Hollywood Gold.” McCollum embodies a unique blend of authenticity and glamor. Unafraid to express his innermost thoughts, he hopes to inspire others through his music. Delving into the meaning behind his 1st major label debut album’s title, “Gold Chain Cowboy,” McCollum explains that it represents his artistic aspirations and the influences that have shaped his journey. True to his nature, he is drawn to genuine honesty, and the nickname “Gold Chain Cowboy” reflects his dedication and free-spirited approach to life.
McCollum ventures fearlessly into the future, where his ambitions and dreams stretch as far and wide as the Texas plains, unhindered by any obstacles and ready to change the world in his iconic way for the better!
Dierks Bentley released his tenth studio album Gravel & Gold in February, again “proving why he’s one of Country’s biggest stars” (TODAY) whose unique 21st-century career has had a rare consistency fueled by longevity. He landed his first publishing deal in 2001 and released his debut album in 2003, producing an instant number one single. In the two decades since, Bentley has achieved success with eight more albums that reached the top of the Country sales charts, resulting in 22 number one songs, eight billion streams, three CMA
Awards, 15 GRAMMY® nominations and membership into the Grand Ole Opry. Trendy sounds have ebbed and flowed around him over these two decades, but Bentley “has been a mainstay on the country charts since releasing his debut single ‘What Was I Thinkin’ nearly 20 years ago” (Forbes.) He also has created professional endeavors outside of music with his Flag & Anthem lifestyle collection Desert Son, along with his four “Dierks Bentley’s Whiskey Row” locations. For more information, visit www. Dierks.com.
Photo by Ted Parker, Jr.
lready a decorated songwriter, Academy of Country Music Entertainer of the Year, passionate shelter animal advocate, restaurateur and business woman, superstar Miranda Lambert added New York Times best-selling author to her impressive list of titles with the arrival of her debut book, “Y’all Eat Yet?,” available everywhere now.
Palomino, her eighth solo album, arrived in 2022 as the largest female Country album debut of the year and earned a GRAMMY nomination for Best Country Album. Named among the best of the year by the New York Times, TIME, Rolling Stone, Billboard, Stereogum, People and many more, it marks the latest installment in a storied career that has spanned seven previous No. 1 solo albums, 11 No. 1 hit radio singles, more than 70 prestigious awards and countless sales certifications, earning the most-awarded artist in ACM history praise from NPR as “the most riveting country star of her generation.”
With her headlining Velvet Rodeo Las Vegas residency extended into 2024 at Planet Hollywood Resort & Casino’s Bakkt Theater, the top streaming female Country artist of 2022 was also named to the TIME100 list honoring the world’s most influential peo-
ple, with Pitchfork declaring that she “manages the hat-trick of both timelessness and timely activism.” Whether challenging conventional gender notions in her recent Top 10 hit “If I Was A Cowboy” or using her voice to write and record the inclusive “Y’All Means All” anthem for Netflix’s “Queer Eye,” the Texas native continues to expand the tent of the Country genre via her music, including with her latest release, the cross-genre collaboration “If You Were Mine” with Leon Bridges.
Idyllwind, her clothing and cowboy boot collection, is an exclusive brand sold at all Boot Barn stores nationwide, while her home goods collection, Wanda June Home, is available exclusively at Walmart. She is also the first female artist to have her own venue on Broadway in Nashville with her Casa Rosa TexMex cantina. An avid animal lover, Lambert’s MuttNation pet product line is available exclusively at Tractor Supply Co. with proceeds benefiting her MuttNation Foundation, a 501c3 nonprofit that has raised over $9 million since its inception in 2009. The Foundation’s mission is to promote the adoption of rescue pets, support animal shelters across the country, advance spay & neuter and assist with the transport of animals during times of natural disaster.
14-time Grammy winner and Billboard Century Award recipient, Emmylou Harris’ contribution as a singer and songwriter spans 40 years. She has recorded more than 25 albums and has lent her talents to countless fellow artists’ recordings. In recognition of her remarkable career, Harris was inducted into the Country Music Hall of Fame in 2008 and earned a Grammy Lifetime Achievement award in 2018.
Harris is known as much for her eloquently straightforward songwriting as for her incomparably expressive singing. Admired through her career for her talent as an artist and song connoisseur, Harris shook up country radio in the 1970s, and established herself as the premiere songwriter of a generation selling more than 15 million records and garnering 14 Grammy Awards, three CMA Awards, and four Americana Awards.
Harris is one of the most admired and influential women in music. She has recorded with such diverse artists as Linda
Ronstadt, Daniel Lanois, Bob Dylan, Mark Knopfler, Neil Young, Gram Parsons, Willie Nelson, Dolly Parton, Roy Orbison, Ryan Adams, Beck, Elvis Costello, Johnny Cash, Lucinda Williams, Lyle Lovett and Rodney Crowell. Few artists have achieved such honesty or have revealed such maturity in their writing. Forty years into her career, Harris continues to share the hard-earned wisdom that—hopefully if not inevitably—comes with getting older, though she’s never stopped looking ahead.
A longtime social activist, Harris has lent her voice to many causes. Most passionately to animal welfare. In 2004 she es-tablished Bonaparte’s Retreat with the goal of rescuing shelter dogs and adopting them into forever homes. To this day, Bonaparte’s Retreat continues to save dogs most in need at Metro Nashville Animal Care and Control and at municipal shelters in surrounding counties.
Asinger, composer and actor, Lyle Lovett has broadened the definition of American music in a career that spans 14 albums. Coupled with his gift for storytelling, the Texas-based musician fuses elements of country, swing, jazz, folk, gospel and blues in a convention-defying manner that breaks down barriers.
Whether touring as a ‘Duo’ or with his ‘Acoustic Group’ or his ‘Large Band,’ Lovett’s live performances show not only the breadth of this Texas legend’s deep talents, but also the diversity of his influences, making him one of the most compelling and captivating musicians in popular music.
Since his self-titled debut in 1986, Lyle Lovett has evolved into one of music’s most vibrant and iconic performers. Among his many accolades, besides the four Grammy Awards, he was given the Americana Music Association’s inaugural Trailblazer Award, and was named Texas State Musician.
His works, rich and eclectic, are some of the most beloved of any artist working today.
With a ranching dream and a passion to sing
Written by Melissa Orsak
Country singer and songwriter Garrett Bradford grew up immersed in “rural ranching cowboy culture” in Weatherford, Texas. He wouldn’t trade a thing about his country upbringing. Bradford was actively engaged in ranching, rodeos, and tending horses. His passion for music was kindled while listening to his Uncle Jim play guitar and his later participation in his local church choir at First Baptist Church, thanks to his mother’s insistence. Although he wasn’t keen on joining the choir, his mother, May Bradford’s, non-negotiable determination paid off as a new country singing star was born.
The Choir Director, Ms. Simmons, believed in Bradford’s natural talent and gave him ample opportunities to sing solos
in the choir. Over time, and with a few nudges, Bradford realized that he loved to sing. As his passion for music increased, he began walking half a mile down the road to learn guitar from his Uncle Jim. Each week, Uncle Jim taught Bradford a few songs, lending him his guitar. A year later, around age 11, Bradford’s dad, Milt Bradford, decided to gift him a Bic Wood Guitar from the local pawn shop.
At the age of 12, Bradford made friends with a new boy that moved into town. Unknown to Bradford at that time, the new boy’s father, Dan Roberts, would become one of Bradford’s most significant influences. Roberts was a solo artist and songwriter who produced many Billboard chart-topping songs for singers like Garth Brooks. Roberts took Bradford
under his wing and taught him about songwriting. Bradford quickly realized that music was his calling in life, and he hasn’t looked back since.
Bradford’s first song was a tribute to the Sego Miners who lost their lives in 2006 in West Virginia. The tragic event moved him deeply, and he wanted to help tell their story through his music. Bradford shares, “My songs are not necessarily introspective. I like looking out at the world at the things that inspire me. I like to write songs for people who may not be able to write for themselves.”
Throughout high school, Bradford experienced success writing and performing songs at open mic nights in local bars. Upon graduation, with the help of Dan Roberts, he recorded his first album. Bradford’s destiny in music became more apparent while attending Tarleton State University. There Bradford joined the ROTC, in which he lasted a mere two months, quickly realizing he hated exercise and was meant to sing! Leaving the ROTC and University, Bradford wrote music and played in shows for the next few years. He was poor, had few connections, and couldn’t afford to record his music. Despite the uncertainty of his future, Bradford remained determined to pursue his dream and was willing to do it for free.
which skyrocketed to the top of the charts in country music the day after the show aired that same week. Bradford shares, “I couldn’t be more grateful to Taylor Sheridan. For him to go out of his way to put me on there, I think it says a lot about his character- He’s not the kind of guy that pulls the ladder up behind him. He wants to help other people up! If he sees that you’re working hard, that you’re diligent, that you’re really an artist, and that you’re passionate about it, he wants to see those people succeed. Just watching him and seeing how he conducts himself inspires me.”
Sheridan’s encouragement came at a pivotal time in Bradford’s life when he needed a push to move his dream forward. With newfound momentum from his successful world debut song, Bradford desired to get a band on the road. Unfortunately, the COVID-19 pandemic was in full swing, so Bradford decided to fly solo on an acoustic tour in the great Northwest. With his recent claim to fame, doors began to open, and Nashville’s vibrant chorus began to ring in his ears as people from the iconic, musically rich city began to call. Bradford made his way to Nashville, where he learned a lot about the industry in a way he couldn’t elsewhere. It was incredible and super helpful in his journey. So, he rented a place in Nashville and still divides his time between Tennessee and Texas.
In 2014, Bradford was in a tragic car accident that claimed the life of his best friend. He shared, “It took the wind out of my sail for a while.” This experience “changed my perspective and made me more self-conscientious.” He could no longer see himself performing on stage. These feelings continued until 2019 when he was hired to do tree work for Taylor Sheridan, producer of the television series Yellowstone. Sheridan, oblivious to Bradford’s musical prowess, liked Bradford and invited him to dinner. Later, Sheridan discovered that Bradford enjoyed music and invited him to bring over his guitar. Sheridan’s jaw dropped when Bradford first performed, and he continued to invite him to perform in his house for visiting singers and actors from Paramount Pictures.
Sheridan and Bradford were sitting on the front porch one day when Sheridan said, “You know, Garrett, sometimes when people are writing songs, and they know I’ve got the number one show in the country, they’ll ask me if I’ll play their song on my show.” Bradford didn’t want to take advantage of Sheridan, so he held out and said, “Well, that’s really interesting! I bet they do”. Sheridan bellowed, “That’s a hint, dummy!” A month later, Bradford wrote This.Way. of.Life,
While in Nashville, Bradford participated in the prestigious Texas Songwriters U (TXSU) competition for two consecutive years. This annual event is not only a competition, but a developmental program that provides aspiring songwriters in Texas with valuable knowledge and connections. In 2023, Bradford claimed the championship. Besides the accolades of winning, Bradford explained that whether you win or not, TXSU connects you with many invaluable resources. Bradford loves the TXSU program and shared, “TXSU is a very special group and event, and it’s really one of a kind. I have done quite a few contests like that, but I’ve never seen or been involved in one that is quite as amazing as TXSU. It’s just literally the best. They are so good to me, and an incredible group of people in Austin. I would do anything for that organization because they have been so good to me. If they called me and asked me to make ham sandwiches today, I would be pulling over to get the bread. ” Bradford shares, “If you’re an aspiring songwriter from Texas and you’re serious about songwriting and how to do it for a living, I couldn’t recommend anything better than TXSU. That would be my advice! I tell everyone I know. I beg them to do TXSU.”
“There is something authentic about helping young songwriters and promoting songwriting in Texas. I am forever indebted to them for the kindness they showed me. I will always be grateful for that. I want to help someday. My goal is to be a mentor one of these days. I want to be able to do what they’ve done for me and for other people because it’s such a cool thing. ”
Bradford has already found ways to give back. One of his favorite organizations to serve is the Careity Foundation out of Fort Worth. This nonprofit foundation focuses on helping people diagnosed with cancer manage care and receive needed financial aid. Bradford has performed at several fundraising events for the foundation, including The Celebrity Cutting Horse Show. This hoof-stomping memorable event gathers international celebrities and renowned artists in a horse-cutting competition. Some participants have experience, while others do not. It is a hilariously comical event that entertains the crowd while truly blessing families affected by cancer.
Bradford also shares his music at event fundraisers that support the Justin Cowboy Crisis Fund. This organization helps athletes without health insurance who are injured while participating in professional rodeos.
Despite his success, Bradford remains humble and credits most of his success to his parents, especially his mother, saying, “I was carried by my mama’s prayers. My mama’s prayers are the only thing that kept me going.” Bradford’s father passed away three years ago, and since then, his mother has become his closest confidante and friend. When asked to share about his mother’s impact, he offered multiple examples.
they saw areas of improvement, they would kindly direct him by saying things like, “I think that was good, but I think you could make that song better.”
- Observing his parents and the ways they interacted was pivotal in Bradford’s development. “They made me into who I am today. They get credit for any good things I have. Any bad things I probably learned somewhere else.”
Bradford’s advice to other songwriters and singers is simple. “If you figure it out, please let me know! It’s an Interesting business – everyone has a different path. But the one thing that has always helped me and carried me a long way is just always being authentic, being true to myself, and writing the songs that need to be written.” He encourages songwriters to steer clear of writing about what is popular and instead to have the courage to pen what the world needs to hear. “View it more as a service to the world. It’s not about you. It’s about the people that are listening to the song on the other end. Whenever I adopted that mindset about three years ago, it changed everything, and I’ve been way more successful since then and had a lot more time. If you spend too much time worrying about yourself, you’ll drive yourself crazy. I don’t have it all figured out. But I’m really happy and I enjoy what I am doing, and I think I’m doing what I’m supposed to be doing. That’s a really important thing. ”
- One of the most monumental impacts was being forced to sing in church choir. “It wasn’t optional, but it was one of the best things. I needed something to do. I can’t imagine where my life would have been if I had never tried to sing.”
- His mother and father helped him financially to publish his first album as a high school graduation gift.
- Regardless of his parents’ lack of musicianship, Bradford’s parents never discouraged him from pursuing his dreams.
- They were always there to bounce ideas off and to listen to his songs. Their feedback was honest and helpful. When
Bradford is optimistic about his future and feels fortunate to be where he is today. He intends to remain independent to keep full control of his music and career. This year, he plans to release an abundance of music. Bradford has only released 13 songs out of hundreds he has already written, and he claims that his best songs are yet to come! Last week, he recorded six more songs, and he’s excited about the direction his music is headed.
Bradford is well on his way to stardom, and he loves playing at various venues and private parties. If you are interested in contacting him to perform, you can reach him through his website or social media. Bradford is living his dream and aspires to record some #1 hits and own a cattle ranch. He wants to raise a future family, live close to his best friendhis mother, and bask in the authentic honky-tonk vibes of Weatherford, Texas.
“It’s a Texas thing.”
Written by Melissa Orsak
In 2005, Joe Ables received an unexpected phone call. Little did he know that his life was about to take a turn for the better.
At the other end of the call was his friend, Terry Boothe, who, together with radio personality Bob Cole, was laying the foundation for the Texas Heritage Songwriters Association. Ables was a prominent figure in the media business and owner of the Saxon Pub, a beloved venue for both musical artists and enthusiasts. Boothe knew that Ables’s essential skills and connections would be vital for propelling the Texas Heritage Songwriters Association forward. Boothe persuaded Ables to join the cause and take a role on the Association’s advisory board.
Together and with the help of others, they pulled off an inaugural event with resounding success! A success that marked the birth of the Texas Heritage Songwriters’ Association and the beginning of Ables’ involvement with the Association. Since then, Ables has been instrumental in securing sponsors, serving as a board member, and producing the Texas Heritage Songwriters’ Hall of Fame show. When Terry Boothe stepped down as Chair,
Ables stepped up to fill it. With Ables’ help, the Association’s journey has been wildly successful and continues to inspire the music industry here in Texas and nationwide.
The Texas Heritage Songwriters’ Association outgrew its original Hills Café location the same year the Association recognized famous Texas songwriter and singer Willie Nelson. The Association relocated to a larger venue, another iconic Texas locale, the Paramount Theatre in Austin. Yet even the Paramount could not contain the rapid growth, and the Association moved yet again, this time to the Moody Theater in the heart of downtown Austin. The Association has honored Texas songwriters over the years through Hall of Fame events filled with performances, ceremonies, moving tributes, and nominations to the Texas Heritage Songwriters’ Hall of Fame. These events also include a “private, sponsor only DKR Pickin’ Party at the Bullock Texas History Museum, an After Pick at Hotel Ella, and a public Hall of Fame Awards Show at Austin City Limits at Moody Theater.” Sixty-three extraordinary past and present Texas songwriters have been inducted thus far.
However, the Association’s success has not come without challenges. Gaining recognition and establishing credibility took time, as it does for every organization. However, Ables felt that the Texas Heritage Songwriters’ Association’s reputational growth and credibility are one of its hard-earned successes. Ables shares, “We have been so fortunate that we have been received so well. The industry itself and the individuals in the industry around the country have been gracious. They say once they get involved that we’re different from other award shows. We’re state-related, family-oriented, and we have this great vibe that everybody loves.”
The Association’s recognition and credibility continue to grow through the hard work of its members and through additional Texas community events sponsored by the Association. One of Ables’ favorites is the BMI’s Key West Songwriters Fest, an annual showcase sponsored by both the Association and the Texas Music Office. Since 1997, this major national songwriter festival has gathered country songwriters, industry professionals, and the public to help up-and-coming songwriters share their talent and bring them the exposure they need to flourish. Ables said, “It brings notoriety to what we do and honors our songwriters that are so happy to be there.” At this year’s BMI’s Key West Songwriters Fest event, nine songwriters were recognized, three of whom were Texas Heritage Songwriters’ Association Hall of Famers: Aaron Barker, Jack Ingram, and Liz Rose. Ables was thrilled to see former Hall of Famer Robert Earl Keen at this year’s Fest. Ables shares, “We’re the only songwriter Hall of Fame Robert Earl has been recognized in. That’s crazy, Nashville! I hope you’re listening!” Ables explains that the Fest is always a success, “We go above and beyond as we take our relations nationwide. I enjoyed the ovation the crowd gave. Texas Heritage Songwriters’ Association was mentioned, and the crowd responded. I said, ‘Wow, people actually know us’!”
“I’m very proud of what we do. We’ve grown tremendously. We’ve honored 63 great songwriters, and we discover every year that there are more and more of them coming up. There are so many out there that are deceased that we still need to cover. We have a long way to go. But we’re pleased where we are. It’s really a warm feeling to see some of these great performers and great songwriters get emotional when they get the Willie award, in how much it means to them. That’s the part that I like. We really mean something to people now and have for several years. It’s a Texas thing! We have so many fans outside Texas now in the industry. A guy who used to run BMI said that [one of Texas Heritage Songwriters’ Association’s recent concerts] was one of the best shows he has ever seen. He went back to Nashville and had a meeting with everyone [saying they] have a lot to learn about how to honor songwriters. We’re really proud of how we do it, why we do it, and the family atmosphere we have. It feels real. Our sponsors agree.”
When asked about the Association’s next 5 to 10 years, Ables enthusiastically shared, “We want to recognize these younger people coming up. We need to get them introduced into this
organization, monitor them, and then honor them when the time comes.” Ables hinted at an upcoming program focused on younger songwriters he anticipates will grow rapidly.
The Association also desires to continue to honor deceased songwriters who still deserve recognition. “We have done quite a few but have a long way to go in that area.” While the Association currently covers many genres like Blues, Tejano, and Rock, they are looking to expand. Texas’ musical diversity is as vast as its expansive land mass and cultural diversity. Texas Heritage Songwriters’ Association wants the world to know that Texas does not produce only country writers.
Ables plans to build an even stronger Association involving more connections, volunteers, and growth in the coming years. Texas Heritage Songwriters’ Association will continue to thrive. Ables recognizes and greatly appreciates the hard work and dedication given by the incredible volunteer team that makes it possible. With gratitude, Ables graciously recognizes the needed support his nonprofit association receives from all those who contribute, volunteer, and sponsor the Association and its events. These sponsors and volunteers include individuals, and many come from sponsors such as the Nashville Star Association, NSAI, BMI, and multiple music labels.
Joe Ables provided some simple advice to songwriters, “Write every day! Force it and write every day. It’s a business, so treat it like an office job!” Ables shares an example of an honoree who successfully lived this advice, Bob McDill. McDill was incredibly disciplined, Ables said. “He’d come in at nine and leave at five. He wrote every day. He had 31- #1 country hits. Apparently, it worked for him.”
Hard work, daily dedication, and passion also drive Ables in his quest to bring needed recognition to the talented songwriters of Texas. The Texas Heritage Songwriters’ Association has lit a torch that will continue to grow by providing connections, recognition, and guidance that can bless the songwriters of Texas and music listeners everywhere for years to come. After all, we’re one big Texan family; “It’s a Texas thing!”
Written by Melissa Orsak
Johnson has provided extraordinary leadership and service in and through the Texas Heritage Songwriters Association.
Serving as the Executive Director from 2012-2022 allowed Johnson to work one-on-one with a remarkable volunteer team and talented artists. Her passion for work is shown through her continual service, even after retirement, as a member of the Board of Directors of the Texas Heritage Songwriters Association, 2012-present. Johnson also currently serves as the Executive Director and member of the Board of Directors of Texas Songwriter U, where she continues to make significant contributions to the music community. Meet Michelle Johnson, a dedicated and influential leader in the music industry.
How did you get involved with the Texas Heritage Songwriters Association?
I was introduced to Terry Boothe through a mutual acquaintance. He explained the mission of the organization and invited me to attend the 2012 induction. After attending the event and meeting some of the songwriters, I was hooked.
Favorite memory while working with the association?
Getting to meet the artists behind the storytelling has been an amazing experience. To listen to their version of the songs we know and love and to hear the story behind the song is always touching and enlightening.
When have you seen artists grow through this organization? I have seen Hall of Famers reignite their passion for songwriting after their inductions. And through our sister program, Texas Songwriter U, we are discovering and developing the next great Texas songwriters.
How have you seen volunteers make a positive difference? Quite a few volunteers go above and beyond each year. We have had the pleasure of working with several dedicated volunteers, many of whom have gone on to take leadership roles. For example, April Mitchell, our current Executive Director, and Christine Duke, our Assistant Director, started as volunteers. Their skills and dedication to our cause make them wonderful leaders who will accomplish great things for our organization and community.
What tips would you share with upcoming songwriters?
Reach out to other songwriters in your community to start building your network. Look for a local songwriting group or a PRO (Performing Rights Organization) like BMI, ASCAP or SESAC. NSAI (Nashville Songwriters Association International) can also be very helpful. You may find a writing or business partner along the way. The songwriting community is much like a family and is always happy to lend a hand.
Written by Melissa Orsak
When you think of Texas, what comes to mind? Perhaps it’s the sprawling fields of bluebonnets, the lively honky-tonk traditions, or melodies where poets tell tales of heartfelt emotions. “Deep in the Heart of Texas” is unequivocally defined through Terry Boothe. His dedication to physically and lyrically preserving the culture of his beloved city, Austin, and the state of Texas while setting the stage for new upcoming ideas is inspiring. Boothe’s
poetic and sentimental character, paired with his proactive grit, make him a legendary example of what it means to be a Texan.
Being born in 1946 on a fifth-generation family farm outside of Austin, Texas on Onion Creek set the stage for Boothe’s devotion to Texas. It’s not hard to fall in love with party-filled dance halls, story-etched buildings, a refreshing
river that calls to the adventurists, and mouth-watering food that tantalizes your taste buds, all of which echoes a diversity of culture, music, and rich tradition.
Boothe’s love for music was ignited during his early years. He recounts, “Country western music was a big deal, particularly to rural kids. I was exposed through my friends, family, and the radio to [some of] the country stars of the day that I would later become acquainted with.” Boothe shares, “I remember sitting on the floor listening to Willie Nelson as a kid before he was famous, as well as other songwriters. I took note of how little acclaim so many of the songwriters got, virtually none, except for the ones who were also vocalists. ”
Boothe attended the University of Texas where he played football under coach Derrell K Royal while earning a degree in philosophy and history. Boothe embarked on a career in business and advertising sales, starting at none other than Austin’s KVET Radio where he dedicated the next ten years. While in the radio industry, Boothe was exposed and engaged, which revolved around the burgeoning Austin music scene with artists like Willie Nelson, Michael Martin Murphey, and Jerry Jeff Walker.
In 1973, Boothe attended the first annual Willie Nelson picnic and concert in Dripping Springs, Texas, where Nelson celebrated the country’s birthday with thousands of friends and fans.
In 1974, Boothe attended the very first filming of the legendary ACL (Austin City Limits) at the University of Texas, where the iconic Willie Nelson graced the stage with his soulful performance.
Boothe’s love of the Austin area led him to a labor of love that undoubtedly contributed to Austin’s charm. Boothe was irresistibly drawn to the task of restoring the rich heritage of downtown Austin’s 6th Street. Pouring his heart into the task, Boothe brought back the faded glory of many historic buildings on arguably Austin’s most iconic street. His passion for Texas history also kindled a fascination with antiques, leading him to amass an extensive collection of Texana antiques in a sprawling 15,000-square-foot warehouse.
In the mid-80s, while working on a project for Willie Nelson, set designer Cary White, now an Emmy-nominated ‘Yellowstone’ production designer, caught wind of Boothe’s warehouse. Unintentionally, Boothe found himself in the
movie props business. To White, the warehouse was a veritable treasure trove for his sets, brimming with an array of unique and iconic items. Boothe described it as a place that offered “one-stop shopping” due to its remarkable versatility.
The warehouse and antique props served as the backdrop for numerous productions, including the filming of Willie Nelson’s movie, Red Headed Stranger, and the iconic old western miniseries called Lonesome Dove. Boothe still owns the famous Lonesome bar. Reflecting on the significance of Lonesome Dove, Boothe shared, “Lonesome Dove is to Texas what Gone with the Wind is to the south.”
Boothe’s background in radio and his unique antique collection caught the attention of his good friend and owner/ morning host of KOKE FM, Bob Cole. Cole was interested in reopening and reviving the Hills Café with a music venue in the backyard. Cole sought Boothe’s help in refurnishing the Café with his antique collection. Grateful for Boothe’s support, Cole asked how he could repay the favor. Boothe said, “I would like to recognize Texas songwriters and you now have the #1 radio show, a music venue, and a passion for the same thing I have a passion for. ” Cole was on board with the plan and as they sat at the Hills Café, on the back of a napkin, they dreamed up what is now the Texas Heritage Songwriter Association. “The mission of the Association, in the interest of Texas cultural preservation, is to honor and celebrate Texas songwriters who have played an important role in defining and interpreting Texas’ distinctive culture. ”
This non-profit association was established with the notable goal of honoring and celebrating the work of Texas songwriters. Recognizing that this mission couldn’t be accomplished by Cole and himself alone, Boothe reached out to Joe Ables, who was influential in the media business and the owner of the Saxon Pub. Booth humorously remarked, “We always jokingly said, I came up with the idea, and Joe built it.” Concurrently, Boothe also enlisted the support of Bill Schneider, Coach Darrell K Royal, and Bill Arhos. Bringing Arhos, the originator of Austin City Limits, on board proved to be a challenge. He had recently entered retirement and initially declined the offer. However, recognizing the importance of his name to the music industry, Boothe persisted. After the
3rd attempt, Boothe implored, “Will you just agree to have lunch with me, please!” Arhos said, “Okay.” At lunch at the Hills Café, Boothe said, “Bill, you don’t have to do anything. All you have to do is lend us your name because you believe we are a worthy organization,” Finally, Arhos agreed.
Despite having influential figures on board, there was still some uncertainty about aspects of the association. Ables came to the rescue by securing renowned singer and songwriter Kris Kristofferson for their first show. Ables made the connection while sitting at the Saxon Pub with Steven Bruton, formally the lead guitarist for Kris Kristofferson. With Kristofferson as one of their first three honorees, coach Darrell K Royal’s support, and the other influential advisory board members, the Association had the credibility it needed to succeed.
Texas Heritage Songwriters Association found immense joy in bestowing awards at its annual Hall of Fame event. They were able to support and promote music culture by celebrating the achievements, contributions, and talent of Texas songwriters while also encouraging Texans to create and share their music.
After years of devoted service, Boothe decided to step down as Chairman of the Board. Joe Ables generously stepped in to take over Boothe’s responsibilities. Boothe praises Ables, saying that Ables has gone above and beyond his duties with his artist relations, program enhancement, and encouragement of Texas songwriters. Boothe states, “After my ten years as chairman of the board along with dozens of dedicated volunteers, Joe ably stepped in and took it to a level that is almost unbelievable with how well it has done. It’s phenomenal. I could pat Joe on the back for very legitimate reasons, not just to be kind. He has been a dynamic leader in that organization.”
Boothe’s legacy is filled with character, passion, artistry, service, and a lot of hard work! Boothe embodies the heart of Texas by living, breathing, sharing, and preserving what makes this state unique. Boothe’s contributions over his life will help preserve and foster new life in Texas music and culture.
February 14th - 16th • Lakeway and Bee Cave, Texas
Come out to volunteer at Winter Games 2025!
Sports Offered
Floorball, Powerlifting, Volleyball, FUNdamental Sports (formerly MATP), and Golf (Invitational).
Venues
HCI Sports and Fitness, Lake Travis ISD, Star Hill Ranch (Opening Ceremony) and Lions Municipal Golf Course
Join us at Winter Games in the beautiful hill country in Lakeway and Bee Cave in 2025!
The athletes would appreciate your support. Please come out and participate at the many opportunities this event offers.
We appreciate your support! www.sotx.org/winter-games #SOTXWinter
Celeste LaRocca Managing Editor celeste@talkoftexasmpress.com
Melissa Orsak Managing Director Contributing Writer
Karen Stephens Price Stephens Publishing
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