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On the red carpet with

Chopard A pArtner to CAnnes Film FestivAl And A jeweller to the stArs, ChopArd’s exquisite CreAtions Are the A list’s gems oF ChoiCe. AheAd oF reveAling Four high jewellery pieCes At CAnnes this month, ChopArd’s CAroline

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s the latest Cannes Film Festival unfurles this month, one of its most glittering partners is gearing up for a launch of its own. Chopard, which has been crafting the Palme d’Or since 1998, is helping to mark the 60th anniversary of the award with a new collection that also celebrates something equally dear to Chopard – sustainable luxury. More than just a buzzword, it has become increasingly a key part of the jeweller’s mandate to improve the environment and the lives of those at the very beginning of the high jewellery supply chain, whose work is often forgotten amidst the glitz and high-carat opulence of fine jewellery.

La Femme: You must be so proud of your journey with the Green Carpet Collection which has been so interesting in terms of raising awareness of ‘fairmined’ gold. How is this collection being developed and evolved?

Caroline Scheufele” Since May 2013, we have been unveiling Green Carpet High Jewellery creations to deepen our commitment to The Journey. [The Journey to Sustainable Luxury launched in 2013 as the world’s first watch and jewellery company to support and enable gold mining communities. We are committed to increasing the quantity of Fairmined gold in our products by introducing new High

Jewellery creations for the Green Carpet Collections in the coming years.

In fact, to ensure the traceability of the Fairmined gold used, we have created and put in place a segregation process in our workshops in Geneva ensuring that Fairmined gold is not mixed at any stage with other types of gold. Gold waste is also dealt with separately. The Green Carpet Collections of High Jewellery, made in accordance with the Green Carpet Challenge (GCC) ethical benchmarking, are all produced through this dedicated process.

In today’s world where even luxury can be mass-made, it is such a true luxury to know the provenance of your pieces – is this something that you may develop in all your pieces?

Our Journey to sustainable luxury is a multi-year program and as I often say, Rome wasn’t built in one day! We launched the Green Carpet Collection in 2013 and two years later we also have two L.U.C watches made out of Fairmined gold. We are trying to introduce more and more pieces in Fairmined gold and Chopard truly wants to increase the amount of Fairmined gold in our general production, not only the High Jewellery Collection. However, the available quantity of Fairmined gold is limited.

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Did the Red Carpet collection started with a particular celebrity or celebrities in mind, as your muses?

After attending the Festival for many years, I acquired a keen awareness of how important the red carpet moment is for the stars and of the kind of jewellery they were dreaming of.

For this reason, I have imagined the Red Carpet collection and designed original pieces, all very different from each other, so that each celebrity would find the jewellery that best suits her personality and would make her shine like no other. At the end, all women inspire me!

The Journey initially began with gold and diamonds and we now search other materials to use in our unique pieces. We are currently working on the possibility of using different stones and we are very proud to work with opals, since the beginning of the year, that are sustainably sourced. As the Journey progresses, further developments will happen in the sourcing of other key materials – but this will take time.

Chopard is involved with several good causes, are there others close to your heart?

When life has given you so much, it is only right to give back and to serve just and noble causes. We have been involved

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for many years now in a number of patronage activities covering a variety of fields including medicine, ecology, art and culture. Among our engagements, we support the Elton John AIDS Foundation and the José Carreras foundation against Leukemia.

Chopard has been crafting the Palme d’Or since 1998… do you think your involvement has helped make it more of a global event?

We have been the official partners of the Cannes Film Festival since 1998. I do not know if we can say that Chopard made the Cannes Film Festival more of a global event but we definitely brought our glamourous touch to the Festival…

Which celebrities are you particularly happy to see wearing Chopard?

Chopard loves actors and actresses and the feeling is mutual. Through the various editions of the Cannes Film Festival we were able to adorn the most glamorous stars like Cate Blanchett, Zhang Ziyi, Pénélope Cruz, Angelina Jolie, Charlize Theron to name but a few. Seeing Chopard jewellery on the red carpet is always such a pleasure and our creations really come to life when they are worn.

And now you’ve created a collection with one of these celebrities… Marion Cotillard has collaborated on a collection with Chopard…

I’ve known Marion Cotillard for a long time, ever since the day when, as a young actress, she received the Trophée Chopard in Cannes – a trophy that rewards particularly promising young talents. We were certainly right about her! I’ve been regularly following her film career as well as her commitments to protecting the environment. This collaboration arose quite naturally. I really love Marion’s design. Her hand jewel reminds me of all the hands that work on crafting these exceptional models: from mining the stones through to gem setting. It’s a beautiful symbol. Marion also designed a model that corresponds to her, that she would wear. She likes the mix of styles and eras; the rich colour palette of these opals associated with diamonds inspired her this Art Deco hand jewel.

And meanwhile at Baselworld, Chopard unveiled its latest collections for 2015… What stands out for women?

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Among our novelties we present this year the new Happy Sport 30mm Automatic; a model with a smaller, elegant case of 30mm and a self-winding movement. This Happy Sport watch is a timeless, feminine watch that is delicately sized while exuding sophistication and technical refinement.

We also revisited our Happy Hearts Collection by approaching it from a whole different angle. The traditional openwork hearts have now become “solid” turquoise, onyx or mother-of-pearl hearts placed along slim white or rose gold chains. A new shape is also welcomed in the collection: a bangle bracelet of which the two ends, one colorful heart and another enclosing a moving diamond, face each other in an elegant pas de deux.

Finally, in High Jewellery, we are introducing one-of-a-kind creations paying tribute to the light and colors of nature’s seasons.

The craftsmen based in our Geneva manufacture masterfully reinvent and craft our unique Haute Joaillerie creations.

Is everything made in-house, from cutting the stones to the final polish?

We are proud to say that today we have a fully integrated production process. Through our five modern production sites, of which Geneva, Chopard Manufacture and Fleurier Ebauches in Fleurier, we have more than 30 different crafts represented by watchmakers, jewelers, polishers, gem-setters, engravers, bevellers, precision mechanics… We have a complete mastery of High Jewellery and High Watchmaking by combining traditional expertise with the use of new technologies and innovation.

Moreover, we have a strong commitment to in-house training and we established our own watch making school to ensure in-house training to all of our craftsmen. We train a number of apprentices (watchmakers and jewelers) and we encourage accordingly the transmission of expertise.

We are also proud to be one of the few brands to have our own inhouse gold foundry.

You introduced jewellery to Chopard – are you more fond of jewellery or watches as a product to look after and develop?

As said before, I am truly passionate with my work and I love everything I do. It is difficult for me to choose between jewellery and watches.

These are completely different worlds but both very interesting. I enjoy creating magnificent jewellery and beautiful watches, I adore gemstones and I love to include them in both jewellery and watch creations.

How do you ensure that collections of watches and jewellery complement each other?

It is important for us to have a connection between jewellery and watches. The first jewellery collection was the Happy Diamond, which came to complete the watch collection wearing the same name.

Nowadays we have watches and related jewellery in most of our collection even in the High Jewellery with “L’Heure du Diamant”. We always try to create a synergy between watches and jewellery.

You work so closely with your brother. What is it like working with him?

My brother Karl-Friedrich and I serve as Co-Presidents of the company and are running the brand. He is responsible for the men’s watch division, our Chopard Manufacture in Fleurier and its related developments, as well as handling the technological and commercial aspects of the company. Even if we manage our own poles of responsibilities, we work very closely and we share the same office since we joined the company and it will remain that way! It facilitates the flow of information and allows us to debate more easily. Our opinions on each other’s work is very important for us.

As a linchpin in a family business, what are your key responsibilities day to day and what are the advantages of working as a family?

I am responsible for the entire women’s division - watches, jewellery and high jewellery -, the accessories and the retail division. We are a 100 per cent family-owned business. An important aspect about independence that we were able to preserve throughout the years – my parents acquired Chopard in 1963 – is the financial independence of the company; we do not have to report to stakeholders. Being a family business is an advantage regarding decision making and strategy planning: we regularly and more easily consult with each other regarding decisions on corporate development involving issues such as global strategy, production, distribution, new designs and new products. This allows us to be flexible and take quick decisions.

And what are some of the challenges – time must be one of your greatest luxuries? Do you get time off?

Time is indeed a real luxury! When I do manage to get some time off, I simply enjoy spending some time at home. I love gardening and taking care of my dogs. After all, I have nine of them.

Chopard’s Green Carpet capsule collection will be available at Chopard and select Ahmed Seddiqi & Sons stores. For more information, please contact: Chopard Dubai Mall at 043398333 or Chopard Fours Seasons at 043855858.

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BULGARI FUNDRAISING GALA

A glittering array of guests including Suzy Menkes, Carla Fendi, Frida Giannini and Alberta Ferretti joined Nicola and Beatrice Bulgari at a fundraising dinner for th Maxxi Museum in Rome, which supports artistic innovation. Vanessa Beecroft performed during the dinner as guests mingled amidst a display of Bulgari jewels.

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RoGeR VIVIeR pRIVAte LUNch

Ines de la Fressange welcomed fashion’s A-list to a lunch celebrating the Limited Edition Miss Viv’ L’ArcoBaleno handbag.

The bag designed by Bruno Frisoni (inspired by Ambra’s design website L’ArcoBaleno) was on display while guests including Tod’s CEO & President Diego Della Valle, Livia Firth and Freida Pinto enjoyed cocktails and a DJ set

by Nektar De Stagni.

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Mulberry All change at

A British LABeL reBorn

By ReBecca StevenS

designer Johnny Coca has finally been announced as Mulberry’s new Creative Director. The decision has been a slow and considered one for the brand; it’s taken 18 months for Mulberry to decide on a worthy replacement for acclaimed predecessor, Emma Hill.

At one point there were mutterings of London designer Mary Katrantzou accepting the role, however that rumour never amounted to anything. Katrantzou’s shouty, decadent prints, Faberge-inspired collections and heavy embellishments couldn’t be further from Mulberry’s timeless and simplistic heritage appeal.

Lisa armstrong / teLegraph magazine / the interview peopLe

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ritish label, Mulberry hasn’t had an easy ride over the past 24 months. What with the very public walk-out of its Creative Director, Emma Hill in summer 2013 and the widely reported quitting of CEO Bruno Guillon in March, the brand has taken a bit of an unexpected hit. Yet with the announcement of a new Creative Director on November 28, Mulberry’s shares have risen again, bringing fresh hope to this much-loved heritage brand.

After a prolonged wait, Spanish-born accessories

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les inspirateurs This page: a look from Erdem’s pre-spring 2015 collection. Opposite, Erdem’s spring/summer 2015 collection

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Says the incoming designer of his new appointment: “I very much look forward to joining Mulberry as their new Creative Director and to leading a new design direction at one of the very best British Brands.”

So what can we expect from Coca at the helm? His teachings come mainly from Paris where he studied art, architecture and design. As an established accessories designer, Coca’s built up a convincing CV having previously worked at Bally, Louis Vuitton and most recently Celine, of which he is leaving to join Mulberry. It was infact Coca who developed Celine’s iconic ‘wing’ ‘it bag’ - a design that is firmly rooted in Celine’s emergence as a fashion innovator and global powerhouse. The bag has remained iconic, with a host of other luxury labels repurposing Celine’s ‘wing’ design in one way or another. Mulberry has fallen culprit to this, casually incorporating the wing bag in to its SS15 collection.

But how else does Coca fit the brief?

Up until now, there have been two notable strands to Mulberry’s success: accessories and ready-to-wear. Prior to Emma Hill’s appointment in 2007, Mulberry was only really known for its luxe leather bags and wallets. With the majority of leather goods now manufactured abroad, Mulberry’s ‘local’ Somerset factory and community skill-base held strong appeal. Hill fused Mulberry’s already desirable product with high-end fashion and introduced an eagerly anticipated catwalk show to the London Fashion Week schedule. An invitation only affair, Hill transported guests to a land of fantastical luxury and imagination, drawing on the established country garden and woodland themes to help propel the brand’s vision. For the first time, Mulberry had a commercial identity, and it worked well for Mulberry’s profits, reputation and success.

And now, Coca must now fill these shoes. It’s no secret that he has limited ready-to-wear experience, however Mulberry needs a creative injection; it cannot survive on the successes of Emma Hill for much longer. To the horror of many, Mulberry’s ready-to-wear show was stripped from the London Fashion Week schedule after Hill’s departure. The collections anxiously fell in to the hands of Fran Stringer and, as head of ready-to-

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wear Stringer was entrusted to keep the fading brand above water. And she’s done a great job. Spring/summer 15 incorporated a hexagonal motif than intertwined across playful A-line skirts, softly flared shift dresses and formal jackets. Garments were intensely embroidered with pretty florals that wouldn’t look out of place in an English country meadow. This paired with muted utilitarian shades and elements of moody midnight blue hues kept the collection interesting, desirable and wearable.

Fortunately Mulberry’s genuine craftsmanship is definitely still there; after the bad press it received in March, it became very important for Mulberry to showcase its sumptuous quality at an

affordable price. Now is the time for the brand to try something new. And this they have done – be it subtly – in the form of an SS15 envelope bag: the fastening flips from back to front, enabling a two-way, colour-block design. New ideas are already creeping in to the Mulberry mix, and that’s even before Coca takes the reigns this July. In the mean time, UAE fans of Mulberry can keep an eye on the accessories range currently available here – the runway looks are not yet on our shores, but with so many changes afoot, it may only be a matter of time before the brand with the little tree logo expands its presence here.

Whoever said an old dog can’t learn new tricks?

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ALICE OLIVIA IN WONDERLAND

LA FEMME MEETS STAcEy BEndET EiSnEr, THE crEATOr OF “crAzy pAnTS” And cOnTEMpOrAry FASHiOn BrAnd ALicE + OLiviA.

BY Mia Xu

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The off-the-beat story of Alice and Olivia starts with a pair of trousers. To be specific, with a pair of trousers made from curtain fabric. Not the most obviously fashion-forward beginning of a brand now beloved by the industry’s insiders as well as appealing to the upscale high street shopper, but then Alice and Olivia has never been the most predictable of sartorial protagonists. And neither, as she readily admits, is its founder and chief designer, Stacey Bendet. After the designer’s graduation from the less-thantrendy University of Pennsylvania, the then-21-year-old Bendet worked as a graphic designer building flash websites for public relations agencies and fashion brands. “While I was building websites, I was learning about the fashion industry. I had that experience of being around a lot of designers,” she recalled. “The background in graphic design helped me understand colours and prints.” As a graphic designer, Bendet would frequently explore markets and unusual places, looking for inspiration for the web sites she was working on. One day Bendet came accross a roll of bold striped fabric; the thought struck her that it might lend itself to a quirky pair of trousers. To test out her idea, she took one of her favourite pair of jeans and those fabrics to a pattern maker and made the

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Clockwise from left: Grand with Marc Jacobs; Love magazine; with Andrea Della Valle; Cara Delevingne. Opposite: with Delevinvgne, left, and Georgia May Jagger

first pair of Bendet’s “crazy pants”. She recalled: “Wherever I went, people would stop me and ask ‘where did you get those pants?’” Not long afterwards, designer Lisa Kline bumped into Bendet outside her fashion store in Robertson Boulevard, Los Angeles (where Bendet now has an Alice and Olivia boutique), saying “where did you get those pants? I need them for my shop.” On the spot, Kline made an order from Bendet; and that was the initial moment when Bendet embarked on turning her hobby into a career in fashion.

“My dad always told me ‘If you can turn your love into your work, you will be happy.’ And I think that is truly what I did.

Of course there are challenges, everyday there are challenges. Producing things

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all over the world, shipping things and getting stores opened... There are always problems. You have to make lemonade out of lemons,” she says. Starting from scratch, with no experience in garment making, young Bendet and her college classmate Rebecca Matchett launched a designer label named after their mothers.

In 2002, Bendet had her first fashion show at the Russian Tea Room, New York, with topless models carrying flowers, in a collection of colourful, daring pants.

At that show, Bendet met her longterm business partner Andrew Rosen the co-founder of contemporary fashion line Theory and the person who has financed Alice and Olivia after Bendet’s original partnership with Matchett was

dissolved in 2003.

“He came to the show and said it was really cool. It is like Theory’s little crazy sister. He’s been the most incredible partner and friend that anyone could ever have. I feel very lucky,” said the designer.

Focusing solely on her signature trousers, Bendet was nicknamed “Stacey Pants”

by Rosen. she said: “When I started, I thought it was important to brand only one thing. For a lot of designers, probably the biggest mistake they’ve made is that they started with a whole collection. It may lose the focus on who they are and what they are going to be in the industry. I was just going to make some awesome, sexy pants.

And we’ve really branded ourselves as a pants brand. When talking about Alice and Olivia, people would think of crazy pants. And we’ve actually evolved from there.”

It seems that Bendet’s strategy helped her brand to get the focus and foundations that it needed, as not long after the quirky fashion show, Alice and Olivia received its first order from renowned department store Barneys New York. For an emerging designer new in the industry, their first order from a prominent retailer is inevitably encouraging, exciting yet challenging. “I was obviously very excited, but I had no clue about what I was doing at that time. I was so young and had to think about what I had to do next,” she continued. “I think there are always difficulties. The answer is never that we can’t do that; it is how we are going to do that. It’s the same for everyone who is a creative person and an entrepreneur.

Because you can spend your day focusing on things that are difficult to do. But at the end of it, it is more about having a positive outlook on what you can do.”

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And today, having evolved completely from Bendet’s experimental hobby of making unusual, colourful trousers, Alice and Olivia has evolved into a full lifestyle brand that includes ready-to-wear, accessories, footwear and children’s wear, with more than 20 freestanding boutiques and more than 800 point-of-sales worldwide, including Saks Fifth Avenue, Neiman Marcus, Bergdorf Goodman, Lane Crawford, Harvey Nichols, Harrods and Net-a-Porter. Owing to its distinctively exuberant, playful style, the brand has been a favourite in Hollywood, attracting the likes of Gwyneth Paltrow, Blake Lively, Drew Barrymore and Taylor Swift.

While keeping signature trousers as a key feature of her designs each season, Bendet has presented numerous feminine dresses and skirts in her recent collections.

“I think for the design aesthetics, I have grown up a little bit. That’s part of the evolution. But we always maintain the femininity, flirtiness and sexiness for the clothing. I like to make women feel like women, to feel sexy and cheerful. They smile when they put our clothes on,” she explained her design methodology. “I think of four different women when I am designing. I look around New York. Is she in downtown? Is she in uptown? Or is she in Brooklyn? For our Air line, it’s all about jersey pieces. It’s about being a mom.

There are easy pieces that make you feel cool and casual. And our To Work line is more about the girl going for work every day, running around in New York and going out afterwards. It is not about just being a lawyer but a girl with a sexy dress going for a drink straight after work.”

“For the fall [collection], we really went back to cool, novel pants with amazing fabrics, wide legs and high waist. The show was really about a fairy tale. It started with butterfly prints. The clothes for [this] fall are really feminine and sexy.

There are a lot of two-piece dressings with details. The trousers ware beautifully tailored with rich fabrics.” Bendet talked about her A/W 2014 collection presented at the McKittrick Hotel in New York, titled ‘Enchanted: The Search for the Golden Monarch’, Alice and Olivia A/W 2014 collection is inspired by pop-up books by French Illustrator Benjamin Lacombe. The designer interpreted the look of some fairytale favourites, such as

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savoir vivre

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Bulgari Hotels & Resorts, Milan

With a mind on forthcoming fashion Weeks, What more suitable place to stay than a hotel synonymous as a marque of contemporary style and repute. a place to lay your head that can provide the tranquillity to alloW you to decompress from the seemingly non stop Whirl of the city, but also alloWing easy access to What’s happening in the very heart of milan – much of Which is Within Walking distance. by dean o’grady

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pen since 2004 and celebrating its tenth anniversary, the Bulgari Hotel in Milan is tucked away in a somewhat enviable position; privately and discretely situated at the end of a drive, just a stones throw away from the luxury fashion and design avenue of Montenapoleone. Occupying an 18th-century palazzo, the reformed building designed by Antonio Citterio and Partners has taken on a new lease of life to provide the very essence of the Bulgari Hotel - contemporary and functionally elegant, appealing to those seeking a cool and calming environment suitable for either business or leisure. The modern lines of the exterior and interior design match a dĂŠcor that is airy but tranquil in tone, set against a solid architecture from a sumptuous mix of materials that include marble, teak, oak and granite. A designer hotel - but with 58 rooms and suites it is a bit more than boutique, with space both indoors and out to allow visitors to find a spot to relax.

Outside, the secluded garden is a focal point of relaxed meetings in the day and social gatherings at night. Bordering the city’s botanical gardens and designed by noted landscape architect Sophie Agata Ambroise, the garden has a number of differing areas, each with its own distinct character. Breakfast, lunch and daytime coffee allow a leisurely feel against the green natural scape, with the city hub seemingly a distance away.

From early evening, the calm gently and almost unnoticeably transforms into a sophisticated buzz - the terraced outside lounge area decked with cushioned seating is a particularly popular spot for guests and the impeccably well-dressed Milanese alike, to enjoy drinks and aperitivo, meet with friends and peoplewatch.

For those that choose to dine, the cuisine does not disappoint. Naturally modern, Italian, but also simple, seasonal, and beautifully executed. Sample mains include tuna cheek with mashed tomato and aubergine, suckling pig with fava beans and wild mushroom, and salmon with pea cream, chard and raspberries.

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The cheese fondue ravioli is legendary.

Overlooking either the gardens or courtyard, rooms and suites are consistent of the functional and efficient theme that is found throughout the property and its facilities, but are not without touches of decadence - as exemplified by the teak four post-bed frames. On entry, the oak parquet floors give guest rooms a natural feel, and folding glass doors lined with brass screens separate the bedroom from the bath and sitting room, whilst still allowing light to pass. Attention to detail is apparent, but certainly not in a boastful manner. Furnishings are tasteful and in every manner high quality as would be expected, right down to the heavy oak clothes hangers that hang in the wardrobe. Serene tones of brown, beige and slate reaffirm the natural theme and the oversized free-standing carved stone bath tub affords views to the garden below, making the most of the hotel’s leafy setting. Bulgari bath amenities are provided (of course!) and the suite is equipped with every little thing that you may need, including a Nespresso, iPod dock and a Tivoli clock radio. In the evenings, turn down service includes a stainless steel thermos of herbal tea, and the bath is softly illuminated by scented votive candles. The penthouse suite, of which I didn’t unfortunately get to experience, enjoys a private terrace and a superb view of the Duomo.

Downstairs, the lobby at the Bulgari is an inviting space where many guests choose to spend some time. Leather couches and chairs are arranged close to an ethanol flickering fireplace that becomes a focal point of social activity in the winter months. At any time it provides a casual area for relaxation and browsing magazines and guidebooks, as well a suitable location for meeting others before heading off into the city.

If there is time that you want to be away from the city and immerse yourself even more into relaxation, then the promise of the Bulgari spa does not disappoint.

From the ambience of the surrounds, the elegance in design, through to the range and delivery of available treatments, the total experience is that of complete la femme 171

sAInT LAuREnT

LouIs VuITTon

ALIcE AnD oLIVIA

HEELS, PAULE KA,

focus on:

DHs1,600

HANDBAG, SALVATORE FERRAGAMO, DHs11,000

exotic influence Dolce & Gabbana led the way with this look on its SS15 runways with embellishment galore on red, black, white and gold and its accessories certainly reflect it. Chanel also featured some ethnic-inspired pieces within 66 la femme

StripeS Vertical, horizontal or a blend of both as Louis Vuitton demonstrated fabulously, stripes are here to stay this season. Though very few would be gutsy

HANDBAG, DOLCE & GABBANA, PRICE ON REQUEST

HEELS, CHRISTIAN LOUBOUTIN, DHs9,390

HERMèS

CHANEL

JACKET, SANDRO, DHS1,600

CLUTCH, LOUIS VUITTON,

LANvIN

MARC JACOBS

DHS97,500

HAND BAg, LOEwE,

A nod to nAvy

Get the right January blues this season with this chic spring/ summer trend. By Surena Chande Though spring/summer collections often conjure images of pastels, brights and florals, SS15 runways featured a heavy navy influence with jackets and accessories taking

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centre stage at Marc Jacobs and Chanel that both opted for a more military-inspired look, while Burberry approached the hue with soft, sheer fabrics.

Navy is easily channelled

through clothing, but accessories such as clutches, handbags or shoes are perfect for adding just a touch of the trend to your ensemble too.

SKIRT, BURBERRY, PRICE ON REQUEST

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DHS9,000

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Dolce & Gabbana Flamenco-fuelled frills and thrills infused the Italian duo’s new collection, with a riot of bold reds, dramatic blacks, and Spanish style that richly evoked the sartorial language of Spain. Sicily’s heritage has provided Domenico and Stefano with rich inspiration for several years now, and this collection is no different, looking at the period between 1516 and 1713 when Sicily was ruled by Spain; that country’s archetypes re reimagined to fabulous effect here. With its signature dramatic style, the D&G powerhouse presented vivid embroidery on bolero jackets, fringes on shawls and everywhere the riotous pattern of the polka dot in a palette of crimson, white and black. Gilded, excessive and bejewelled, the matador madams and flamenco queens of D&G offer a matchless vision for spring/summer.

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Dsquared2 Dsquared2 turned up the volume on shape, form and colour this season, with a collection that is a riot of bright prints, riotous, summery frills, and contrasting silhouettes From slouchy ‘boy’ trousers to feminine-yet-boyish shorts, there are certainly nods towards masculine tailoring here; albeit with an infusion of sculpture-like forms that curve gently around the body. The inclusion of silken fabrics, billowing floor-length skirts and allover beadwork, combined with hooded sweatshirts and crop-tops define the brand’s couture-meets-sporty sensibility for this season. www.dsquared2.com

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Fendi How does Karl Lagerfeld manage it? Not content with masterminding the creative offerings for the House of Chanel and with being the creative powerhouse behind his eponymous brand, he also manages to find the time to design Fendi’s collections, to a standard that many who might have that role full time would struggle to emulate. Under his visionary aegeis, we have Fendi’s orchidinfused collection to enjoy. The tropical floral motif recurred throughout the collection, embroidered into dress fabrics or laser-cut in leather. Inspired in part by the Palazzo della Civilta (the new Fendi headquarters in Rome), dresses with architectural elements and highly engineered silhouettes were softened with the inclusion of the floral element, an interesting counterpoint to the more rigid structures. “, Palazzo Della Civiltà Italiana, that inspired the setting of the show, inspired us and it will be a source of inspiration for the

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Salvatore Ferragamo Iconic craftsmanship elements formed a large part of the collection by Massimiliano Giornetti. Textures such as cuts, frays and woven fabrics combined with meticulous tailoring offered up an elegant exploration of surface textures and shapes. Italian elegance; ‘sprezzaturra’ is at the heart of Ferragamo’s philosophy and this was seen in flowing silhouettes.

Pouch coats and short capes fastened with leather belts are crafted from structural woven fabrics, while halternecks and voluminous trousers show subtle flashes of skin. The colours of murano glassware infuse the collection, with natural colours punctuated with sudden bright flecks and metal veins that underscore a metamorphic quality. www.ferragamo.com

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Lanvin Alber Elbaz’s vision of femininity, and his admiration of women, is unmistakable, and the unmistakably ‘Lanvin’ collection this season offers a little bit for every woman, from long, flowing shapes to cinched-in, highly structured garments. Celebrating its 125th anniversary, there were party dresses aplenty, as well as metallic fabrics in an array of tunics, gowns and frocks.

Elsewhere, the signature statement jewellery that accentuates his designs was evident, with large necklaces and ornate, bejewelled piece lending their own sparkling touch of drama. www.lanvin.com

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Loewe Debuting at the house of Loewe, JW Anderson’s vision for the brand was a symphony of flowing fabrics and textures.

Leather and soft suede played a large part, with jagged pleats, torn edges, rib knits and even precious crocodile skin bringing a new vocabulary to the brand. It’s a departure for the company, but one that aficionados of JW Anderson will doubtless recognise as part of the designer’s androgynous language.

Relaxed and modern, the loose-fitting clothes made for an organic, comfortable feel, with cottons, leather and pared-back detailing. www.loewe.com

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la mode

Burberry ‘The Birds and the Bees’ was the colourful, emblematic theme of British fashion house Burberry, where the flora and fauna of an exuberant British summer played out in a rainbow of textures and patterns. Printed honey gabardine, silk and suede, wing-pleat tulle and butterfly-printed satin highlights infused the runway as Burberry’s campaign icons du jour, Kate Moss and Cara Delevigne took centre stage on the front row. The iconic Burberry check was revisited in a sun-drenched colour, while trench coats and wasp-waist denim jackets gloriously reimagined in a riot of print gave the house’s signature a bold new interpretation for the new season. Introduced this season the new Burberry Bee Bag, sure to become a musthave for the summer. www.burberry.com

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Marc Jacobs “I quite like the idea of how things are perceived, how people look at things and people’s interpretation of them, in and out of context,” said Marc Jacobs of his inspiration this season, and the designer expanded on this theme by taking the familiar colours and motifs of military attire (a recurring theme on fashion’s great runways) and reinterpreting it to dramatic, and frequently surprising effect.

Utilitarian clothing was the starting point, and a neutral colour palette the departure point for woold gabardine dresses belted at the waist, wide-leg pants with fitted, classic coats, and belted cargo pants with cropped jackets. Decorative elements such as guipure embroidery, flower dot embroidered silk and cut-out details accented the collection, turning the utilitarian into the feminine and magical. www.marcjacobs.com

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Nina Ricci In 1946, Nina Ricci made scale models of couture dresses to promote French Fashion during the post war period. The “Theatre de la Mode”, as it was known, was a means for French fashion houses to work around the restrictions of the time and inject couture with a new energy. This ‘make do and mend’ approach was the starting point for artistic director Peter Copping, who says of the collection: “Images of war-torn Paris led me to think about how Parisiennes had to be resourceful with their wardrobe.” In this spirit, lean silhouettes, re-proportioned shirts and double faced fabrics appear, though the finished effect is far from rationed in terms of its luxurious appeal. Instead, the tailoring is precise, leaving nothing extra or uneccessary, while the colours: brigh reds, saffron and yellows are tempered by white, pink and camel. www.ninaricci.com

Tod’s Allesandra Facchinetti’s third collection for Tod’s is called ‘Private Green’, and, like her first, references the heritage of the Italian leather goods house that recently embarked on a ready-to-wear collection to complement its famous shoes and handbags. At the centre of the look is a biker jacket, seen in a variety of styles.

Silhouettes are crisp and wearable, soft and flowing, with clever cuts that echo high-end saddlery. Meanwhile the use of cottons offer a sense of naturalness, while the colour palette – browns, neutrals and emeralds – in a variety of leather, nylon and silks – nods to the inspiration of Italy’s famous gardens, the inspiration for this collection. www.tods.com

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la mode

Versace Donatella Versace’s vision for the Italian house of couture is bold, sexy and fresh – and you would expect nothing less of Versace. Lines are clean, colours are strong and details are playful, feminine and bold.

Black tailoring is trimmed with oversized white stitching, knitwear is sporty, and lasetcut tops bring lightness, to a collection that is colourful, full of colour-blocking features, and unabashedly ‘Versace’. “This is about a fresh new Versace, one that is contemporary, clean and strong. It is the way women wear Versace now and in the future,” states Donatella Versace. www.versace.com

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la mode

Saint Laurent A glamour-soaked vision of the late 1970s was this season’s delectable offering from Hedi Slimane. Vertigious platforms, short skirts and short jackets made appearances, with inspirtation for this season stemming from the work of photographer Robert Heinecken, whose provocative works collaged together images from popular culture and pornography, among others. Models sporting full-length leather coats, sequined halterneck minidresses, ‘pimp’ hats and hotpants att alluded to the seedier side of the 1970s but with a confidence and allure that lends the vision a classier edge. www.saintlaurent.com

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Stella McCartney A gentler, more feminine approach to elegance defines much of McCartney’s output and this collection offers women a practical, pretty array of garments with which to see in the first season of 2015.

Loose-fitting structure, pretty florals and neutral colours are apparent throughout, as is denim, which is predicted to have yet another ‘moment’ this spring. Wearable cream suits, comfortable knitwear and pretty silk dresses make this a collection that is friendly to the female form in all its curves and non-runway ready imperfections. www.stellamccartney.com

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la beautĂŠ

Behind the mask AvAnt-gArde cosmetics brAnd illAmAsquA holds An AlternAtive stAnce on beAuty. its founder Alex box tells lA femme thAt the womAn of todAy hAs mAny fAces

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very so often, a brand comes along with a genuinely new viewpoint to stake in the existing landscape, ruffling the proverbial feathers of its peer group as it does so.

Illamasqua is one such brand. Launched in just 2008, it has become a tearaway success story, beloved of the alternative fashion crowd, edgy society beauties, and, if its cultish campaigns are anything to go by, a few painted theatre escapees to boot.

To say that its contribution to the cosmetics industry is nothing short of revolutionary is an understatement.

Make-up tends to riff on the same themes in rotation: in winter, and especially around the festive December months, colours look to a predictable palette of deep reds, plums and sparkling golden shimmers. Springtime, meanwhile, is all about the fresh-faced, pastel beauty of the woman who definitely did not overdo it on the party circuit back in December.

And indeed, beauty trends themselves tend not to deviate too far from expected parameters.

And then along came Illamasqua.

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After debuting in Selfridges Oxford Street, in the biggest retail space ever awarded to an unknown brand, the makeup brand has grown into a major player.

From the brand’s expressive beauty campaigns, to its quirky individuality, it has cemented a reputation for ‘coolness’ (awarded CoolBrands status in 2011) and a legion of offbeat admirers, for whom the theatrical is welcomed as the default setting.

On the brand’s web site, the biography is summarised thus: From its roots in the illicit 1920s Berlin club scene, to a rich heritage in the manufacture of makeup for film and theatre, Illamasqua

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takes its inspiration from members of the ‘alternative scenes’ for whom selfexpression is paramount.Our highlypigmented, long lasting products provide consumers and make-up artists alike with the products and inspiration to ensure they can express themselves, whoever they are and whatever look they want to achieve.

As its creative director, Alex Box offers the beauty industry an offbeat viewpoint of what constitutes beauty. ““I believe all women are our customer,” she says. “We truly are without age, race or gender boundaries.

We believe in the empowerment of spirit, being the best possible self and because of this our following is wildly eclectic.

We never court celebrity endorsements, celebrities are like anyone else - human and emotional and are Illamasqua fans by their own choosing. We chose not to single people out as we feel everyone is equal.”

Positioned as appealing to the ‘bolder person hiding inside all of us’, unapologetic self-confidence and

acceptance of a wider definition of beauty are at the heart of the brand.

“For me, I actually think confidence is the best trick in the book. Walking into a room with your shoulders back, head held high and a knowing look in your eye is the most alluring thing you can apply,” notes Box. But, she adds, this doesn’t mean that the Illamasqua woman has to carry off a ‘full Illamasqua’ look in order to achieve the brand’s objectives in her appearance.

“Find that little make-up signature that only you do. It’s like when you sign your name and you only have that one signature. It should be the same in makeup -finding that colour, shape, tone or moment that is your statement. Makeup comes from the soul and lives on even when it’s wiped away.”

That’s a typically opaque statement from the creative director who is something of a theatrical personality herself, with her idiosyncratic personal style and art school career background.

Box grew up in Lincolnshire in the UK, before relocating to London to study

Courtney Love, Azealia Banks, Claudia Schiffer and Kate Moss. She has created bespoke looks for Lady Gaga, an icon of the alternative worldview.

Her work for Illamasqua (which means ‘the mask’ in Spanish – the brand’s founders are originally from Spain) includes a set of new products each season as well as the brand’s regular stable of beauty musts. The Skin Base Foundation has found a loyal following, billed as ‘the holy grail of foundations’ for its magical covering up properties.

Inspired by the cult Asian market Beauty

Balm creams, Skin Base Foundation is blendable, and like the entire Illamasqua foundation range, is undetectable in a professional HD environment. Suitable for all skin types, it smoothes, softens and conditions your skin whilst providing natural coverage. “It’s a true classic that will be whispered about for years to come.

The perfect shades, texture, weight and opacity. It’s also the only foundation I have ever been able to wear. I’m a consumer too and am in love with it, thrilled to finally have my perfect shade and glow,” notes Box.

Met la assimus, solores tionsed quatus que velis sum es maximil in nos aut poreped mi, venihil laborrum et quiaess inimagnam

Fine Art at Chelsea College of Art and Design. Her installation-based work challenged and explored the relationship between the body, environment and desire to a pure form. As well as her sitespecific installations, Alex has exhibited in numerous London and international art galleries. Her career in cosmetics has included make-up shoots for Vogue, Dazed and Confused, ID, Anotehr Magazine and Stylist, and she has a Who’s Who of celebrity clients including

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ou may recognise her for her roles in the Harry Potter films, Gossip Girl and 127 Hours. Now actress Clémence Poésy is back as the chic face of Chloe’s newest fragrance. And, if you happen to be experiencing an olfactory sense of déjà vu, you’d be quite correct: it’s the second time that the Gallic beauty has fronted a fragrance for the French brand.

“I feel very grateful for Chloé s loyalty,” she says with a smile. “It’s rare, and precious, to be [so well] accompanied as you grow up. The loyalty of this house that I love so much [has] really touched me.”

Founded in 1952 by Gaby Aghion, an Egyptian émigré in Paris, Chloé rejected the stiff ‘New Look’ formality of 1950s fashion, offering instead a softer viewpoint that embraced body-conscious clothes made from fine fabrics. This luxury version of prêt-à-porter – Aghion coined the phrase – was unique for its time in that previously luxury was associated with couture. The brand has seen some of fashion’s leading heavyweights at its helm including Karl Lagerfeld Stella McCartney, and Phoebe Philo.

Today helmed by Clare Waight Keller, who in turn has cut her teeth at Gucci and Ralph Lauren, the Chloé woman is defined as strong yet feminine. “I think that Clare has captured the essence of Chloé and knows exactly how to drape women in dresses that tell stories, capes that protect them, coats that make them stronger,” says Poésy. “She wraps her women in a poetry yet nothing ever is too serious.”

With her ethereal beauty, Poésy seems to be a perfect fit for the whimsical, feminine brand, which is presumably why she has been asked to return, four years after she first debuted as their perfume muse and spokesperson. Between 2008 and 2010 she was one of three faces of Chloe perfumes, alongside Chloë Sévigny and Anya Rubik.

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A new look, A new love French actress and model clémence Poésy returns to chloé as the Face oF its new Fragrance, love story.

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“I have always loved the Chloé woman,” adds Poésy. “It’s a nonaggressive femininity, but always fascinating, luminous, dancing. There is a poetry in her, mixed with energy, invention and humor.” The sense of romance and playfulness is reflected in the campaign that is currently running.

The Love Story bottle is inspired by the love locks that line Paris’s Pont des Arts, while the fragrance features notes of neroli, orange blossom, jasmine stephanotis and cedar.

“Fragrance is one of the ways that we

present ourselves to the world. It is what remains of us in the air once we leave a room. I like having a perfume that people recognise, that people remember, a scent that is mine. I have a different perfume that I wear if I’m playing more masculine characters – I first wore it when I was working on Joan of Arc, it’s like a little shield. Yet I also love the freshness of the Chloé fragrance, there is something very joyful and fresh, a summer spirit, about it.”

The fragrance is available now at leading beauty counters, priced at Dhsxxx

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prECious

momEnts sparkling jewellery highlights, chosen By rachael

taylor

a charming gifT

Renowned for its iconic egg creations, Fabergé has introduced striking egg-shaped charms. The assortment of charms are mostly miniature versions of the popular pendants including the Treillage, Spiral and Cadeau. However, for a truly special gift the brand has

one to watch Red gold, mother-of-pearl, stainless steel and diamonds make up this sophisticated Omega Constellation Pluma watch. A timeless classic, the timepiece’s bracelet is crafted with brushed stainless steel with subtle 18K red gold links, while the feather-like waves on the mother-of-pearl face and diamonds make it perfect for both day and evening. Dhs29,700 (24mm) & Dhs43,650 (27mm). www.omegawatches.com

fesTive ferragamo

Unusual and eye-catching, Salvatore Ferragamo’s Buckle Christmas Edition collection is a vibrant way to incorporate some colour this winter. The vegetable-tanned calfskin straps come in fuchsia, red and beige, while the watch’s gold asymmetric face features four diamonds. It is Ferragamo’s attention to detail that has us lusting after these watches, with contrasting colour stitching, guilloché faces and sleek golden arms. From Dhs4,660. www.ferragamo.com

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Time To TreaT yourself

There’s no shortage of diamonds in Carl F. Bucherer’s decadent new Alacria RoyalRose watch. With whimsical, intertwined lines on its face that are continued on to the strap created with 89 sapphires and 26 diamonds for the face and 482 diamonds and 228 sparkling sapphires for the strap, the watch is said to be inspired by the soft shapes of a violin and floral elements. Only 125 units of this limited-edition model have been released, which combines glistening jewels, white gold and mother-ofpearl to form a magnificent timepiece. Price on request. www.carl-f-bucherer.com

superb seTTing

Van Cleef & Arpels has been creating remarkable Mystery Set pieces since 1933 and its new Libellule Rubis clip has wowed us. Mystery Set refers to setting stones without revealing clasps or prongs, which takes hundreds of hours to craft delicately.

The clip features diamonds, rubies, amethyst and coloured sapphires on the body and intricate wings. Price on request. www.vancleefarpels.com

Fabulously Fierce Dripping in diamonds, emeralds and onyx set on white gold, this bracelet wraps beautifully around your wrist with Cartier’s signature feline mascot. Part of the Panthère de Cartier collection, the glistening emerald eyes add a touch of colour and work perfectly with a classic LBD. Also included in the range are bold rings, delicate necklaces, brooches, earrings and more sleek bracelets, created with gold and white gold and an array of sparkling stones – it’ll be a struggle choosing just one piece. www.cartier.com

superb seTTing

Van Cleef & Arpels has been creating remarkable Mystery Set pieces since 1933 and its new Libellule Rubis clip has wowed us. Mystery Set refers to setting stones without revealing clasps or prongs, which takes hundreds of hours to craft delicately. The clip features diamonds, rubies, amethyst and coloured sapphires on the body and intricate wings. Price on request. www.vancleefarpels.com

coveTed consTellaTions

Mademoiselle Chanel once said: “I wanted to cover women in constellations. Stars! Stars of all sizes!” after looking up at the night sky and the fashion house has continued to cover women in – and make them feel like – stars ever since. In 1932, Chanel launched its first fine jewellery collection ‘Bijoux de DIamants’ and has now released ‘Les Comètes de Chanel’. Filled with diamonds, cultured pearls and black spinel beads, the dazzling collection is made up of three parts: Nuit de Diamants, Voie

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AGENDA A SEASONAL Edit OF stylish

moments, chOSEN BY JolA ChUDy

about a bag

What is that elusive combination of design, craftsmanship and style that makes the seasonal transcend time and become a classic? In the case of Longchamp’s Le Pliage bags, it seems a perfect confluence of all three

20 years of rock & roll

Giuseppe Zanotti celebrates two decades this year, with a limitededition capsule collection marking the brand’s 20th anniversary.

There are five different rock ‘n’ roll styles to choose from, available online and at Giuseppe Zanotti Design boutiques in Dubai throughout December. www. Giuseppezanotti.com

skeleton crew

Pretty Postcode

Women who love watches take note: ahead of the annual SIHH Geneva watch fair, Parmigiani Fleurier has revealed one of its novelties for 2015. The ‘Squelette’ is a version of an existing watch family called

With a white and citrus décor that evokes a British garden in spring, the latest culinary endeavour from renowned British chef Gary Rhodes is now open in Dubai. Rhodes W1 at Grosvenor House Dubai interprets classic yet simple British dishes, imbuing their nostalgic appeal with contemporary sophistication. The lemon-yellow and white décor, with its butterflies and florals, provide a pretty foil to the cuisine, which epitomises simple pleasures at their best. Diners can indulge in elegant renditions of favourites such as Shepherd’s Pie, or delicate sole goujons with brioche crumb and orange hollandaise – the latter a sophisticated take on fish fingers, that doesn’t dent the dish’s inherent comfort-food appeal. With a bar and terrace completing the offering, W1 is one of the prettiest

a sparkle in your stocking These burnished rose-gold rings with rare brown diamonds and white topaz, with smoky quartz, are a stocking filler sure to make the recipient dance with joy. Pomellato Tango collection, as

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agenda

Marni’s christMas wish

Marni’s seasonal goodwill offering this year is a T-shirt collection that celebrates the exuberance of childish art, with drawings by children from around the world. Their artistic endeavours, printed on t-shirts or as brooches, are available at selected Marni boutiques, with proceeds going towards schools and organisations that help foster creativity and learning.

choose your choos

What’s better than a pair of Jimmy Choos? Why, a pair that you’re able to customize to your hearts content! Made-to-order shoes from Jimmy Choo are now available via an innovative online service where clients can hand-pick their desired heel height, material and colour, along with an option to monogram the sole of their shoe with a choice of up to four letters.

Orders take from nine weeks. www.jimmychoo.com

Balenciaga Pre-sPring Artistic director Alexander Wang revisits his graphic, pared back vision for Balenciaga in a collection that blends utilitarian fuctionalism with a fluid sense of sensuality.

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Sailing and sea motifs appear in a classic cotton pique shirtdress, while PVC fisherman coats appear to be cut from sailing cloth and net.

Triangular points, tails

and slashes bring a sense of dramatic movement to the collection, an origami vision for this intriguing and bold resort collection, available now in Dubai. www.balenciaga.com

styleedit InGIe

It’s hard to resist a TOuCH OF SPARkLe over the festive period and with parties galore, there’s no excuse not to add some shimmer to your NYE attire.

Accessories are the simplest and most popular way to incorporate this trend but embellished dresses and tops are perfect for braver fashionistas. Though, if you are opting for diamanteadorned accessories, don’t be afraid to go all out with colourful gems, baguettecovered clutches like the extraordinary Jimmy Choo piece below or bling rings.

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GIORGIO ARMAnI

all that glitters

sUrenA ChAnDe

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it’S timE tO ShiNE thiS wiNtEr with thESE AUtUmn/winter AccESSOriES. BY

Necklace, MarNi at BlooMiNgdale’s, Dhs3,200

riNg, JoHN Hardy exclusively at BlooMiNgdale’s,

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Dhs8,000

Heels, le silla at etoile la Boutique, Dhsxxxx

Necklace, sHourouk at Boutique 1, Dhs6,505

clutcH, JiMMy cHoo at BlooMiNgdale’s, Dhs15,400

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fashionagenda The mosT sTylish

seasonal trends, selecTed By surena CHandÉ

Pretty in Pinko

Whimsical and ultra-feminine, this stunning dress from Pinko will ensure you’re the belle of the ball this festive season. Complete with ombre feathers

Fetching Florals

Forming part of Alexander McQueen’s McQ Pre-SS15 collection, this vibrant bodycon dress covered in florals makes a great addition to your mid-season wardrobe. Eye-catching and surprisingly sexy on its own, the dress requires minimal accessories which also proves it to be effortlessly versatile.

The print is can be found on several other pieces from the collection which is in McQ stores now. Dhs2,050, McQ Mall of the Emirates; www. alexandermcqueen.com

More Mccartney!

Marking the second store in Dubai, Stella McCartney is now open in Mall of the Emirates, which has recently added a host of luxury labels to its offerings.

Filled with some of the designer’s classics including our favourite, the Falabella bag, in addition to shoes, accessories, fragrances and Stella McCartney’s ready-towear range. The simple boutique has fuss-free décor, putting prime focus on the designer’s creations. www.stellamccartney.com

Bright and Beautiful Never one to follow the rules, Louboutin has released a range of vibrant new colours for the autumn/winter Passage collection. The popular bag, which features the signature red streak under its handles now comes in turquoise, red, deep violet and leopard print variations. The perfect accessory for brightening

read all about it

An accessory so good it’s bagged its own book, the Le Pliage handbag by Longchamp has stood the test of time with its chic, simple, foldable design. The failsafe, functional creation was first made 20 years ago with nylon and has since had slight variations with the brand adding a leather version, the option of a personalised monogrammed bag, along with new colours and prints. Longchamp’s founder

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WraP uP

A stylish way to stay warm this Christmas, the chic sweater dress is perfect paired with tights and boots.

With cable knit and pocket detail and a rich, cool red, the V-neck cut also allows for a simple, dainty necklace to complete the look. Dhs599, Tommy Hilfiger; www.tommy.com

cruising into sPring

Balenciaga has had plenty of fun playing with textures, hues and cuts for its Pre-Spring 2015 collection.

While sticking to a predominantly monochrome palette, the collection dabbles with hints of sparkle and colour and also features asymmetric cuts along with a strong masculine theme. www.balenciaga.com

FroM Paris, With love

Dior never disappoints, and the fashion house has released a brand new campaign for one of its most iconic bags, Lady Dior. The eerie, but striking images set in Paris show the buzz in the city of lights while focusing on the leading lady, Marion Cotillard and, of course, the bag itself in an assortment of sizes with new textures, hues and prints.

The haunting campaign images have a video to match, which can be found online at www.dior.com.

arM candy

Though we’re lusting after the entire Cruise 15 collection, Saint Laurent’s crocodile leather envelope bag is a must-have.

With monogramming and chain-strap details, the sophisticated clutch is sure

ravishing rePetto

Perfect for the festive season and inspired by the Nutcracker, Maison Repetto has revealed its holiday collection. Complete with glitter and sparkle, the dreamy

an insPirational tale

Likely to be at the top of every fashion-lover’s reading list, Diane von Furstenberg’s intimate memoir The Woman I Wanted To Be is now available in the DVF boutique. Sharing her journey through the world of fashion and contrasting between her personal life and the struggles and successes of her business, the leading lady – and previous La Femme cover – has let us into her world. www.dvf.com

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guCCI

aLexander mcQueen, Dhs11,750

Lanvin Sugar gLoSS LambSkin red, Dhs9,300

FoCuS oN:

cruciani, Dhs2,460

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Get into the holiday spirit by adding a little rouge to your ensemble

kate Spade, Dhs1,710

getty images

red

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FoCuS oN:

tWO-tOne BagS

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Dhs7,000

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corrine martin at citieS boutiQue,

tech Style

Accessories no longer stop at jewellery and clutches, because now our phones need to look the part too. A sign of the times, phone cases were even debuted on runways this year with Moschino’s infamous Barbie case.

Inject a little colour into your seasonal wardrobe with these chic two-tone bags, perfect for this transitional period.

Dhs195

moSchino, Dhs275

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la beauté AGeNDa

BEAUTY TAKES ON A SUmmErY HUE.

be SUNKISSed & NatUralTHiS SEASON, SAYS NadIa HaMIdI

MoDern TwiST

Never one to conform to the latest trends, but rather set them, the fall collection from Nars heralds a season of contemporary seduction with riveting

True love

A sensual and seductive scent of orange blossom, cedar and jasmine stephanotis, the flower of happiness, will make you fall in love with this fresh fragrance.

Chloé Love Story 100ml, Dhs495, Paris Gallery

Ruby ReDs Focusing heavily on the classic holiday reds and gold’s, Guerlain’s 10-piece limited edition colour collection certainly impresses. From the fresh, glowing golden cheeks to the shimmery beige and copper eyes, and glossy golden lips this collection is glamorous and dramatic.

Guerlain Holiday Collection, Dhsxxx, Paris Gallery

STarlighT, STar brighT

Double DuTy

Estée Lauder’s latest product delivers all the benefits of a BB cream, but in a lightweight texture that instantly brightens and perfects skin’s natural colour, while providing hydration and long lasting coverage.

Double Wear All Day Glow BB Moisture Make Up SPF 30, Dhs235, Harvey Nichols

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Christian Louboutin’s latest offering to the beauty world is this extravagant, Dhs3,320, bottle of red polish, studded in 1,500 handplaced strass crystals. The designer's polishes – which delighted women around the world

holiDay Make-up cheer

Inspired by flowers, feathers and diamonds the Chanel holiday Collection, Plumes Precieuses de Chanel offers an enchanting range of colours, from white gold and cool greys for the eyes, and peach to add a subtle warmth to the cheeks to glamourous red for the lips and nails. A special mention goes to the simply stunning shimmering Camelia de Plumes Highlighting Powder. The compact’s surface has an intricate motif shaped like a camelia, Coco Chanel’s signature flower. The sheer platinum powder has a hint of gold making this the must-have product to make you sparkle this season.

Chanel holiday 2014 Collection Plumes Precieuses de Chanel, Dhsxxx. Bloomingdale’s

FroSTeD FanTaSy

Jo Malone has created the ultimate winter wonderland experience with this fabulously festive collection. The delightful range includes gift sets such as frosted cherry and clove deluxe candles, a pomegranate noir collection, and Christmas crackers and ornaments filled with delectable scents. www.jomalone-me.com

high Five

Creating the perfect marriage between rich and unique flavours master perfumer Gérald Ghislain, from French brand Histoires de Parfums, has developed the Opera

olD School glaMour

Bobbi Brown adds a touch of old Hollywood glamour to her latest collection, "I drew inspiration from the roles played by legendary actress Lauren Bacall in How to Marry a Millionaire, alongside Marilyn Monroe. She always

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