Pre-Professional Year 2025 Prospectus

“The culture of Sydney Dance Company’s Pre-Professional Year has allowed me to be a more vulnerable and fearless person, aiding me in making the most out of every opportunity.”

Vivienne Clements-Lee Pre-Professional Year 2023-2024

Pre-Professional Year

2025 Prospectus

About Sydney Dance Company

Sydney Dance Company, celebrating more than 50 years of defining contemporary dance in Australia, is a national and international touring Company and has appeared on the great dance stages of the world, from Sydney Opera House, to The Joyce Theatre (New York), Royal Opera House (London), Shanghai Grand Theatre and Théâtre National de la Danse Chaillot (Paris).

Sydney Dance Company is a not-for-profit organisation and is supported by Creative Australia and Create NSW. Actively creating and touring new work under the Artistic Directorship of Rafael Bonachela since 2009, the Company maintains an ensemble of 17 professional dancers. Programs of dance include works by Artistic Director Rafael Bonachela and guest choreographers including Jacopo Godani, Melanie Lane, Alexander Ekman, Gideon Obarzanek, Marina Mascarell, Antony Hamilton, Gabrielle Nankivell and Cheng Tsung-lung, as well as collaborations with Sydney Festival, Australian Chamber Orchestra, Sydney Symphony Orchestra, Sydney Conservatorium of Music Composing Women and composers Bryce Dessner, Nick Wales, 48nord and the late Ezio Bosso.

In 2014 Sydney Dance Company launched the Pre-Professional Year program providing world-class professional training in an unparalleled environment. 2025 will be the twelfth year of this program. Over a decade later, Pre-Professional Year graduates are carving unique and exciting careers in Australia and across the world as the course continues to collaborate, respond, and evolve with the industry.

h Company dancers Emily Seymour & Jacopo Grabar in ab [intra] (2022). Photo by Pedro Greig.

Message from Rafael Bonachela

Artistic Director, Sydney Dance Company

Sydney Dance Company’s Pre-Professional Year provides exceptional training for the next generation of contemporary dance artists. As one of the most recognised and respected contemporary dance companies in the world, it’s wonderful for Sydney Dance Company to be able to connect with students and provide invaluable training, knowledge and professional experience, so aspiring dance artists can launch fruitful careers.

As a dancer and choreographer, I know how important it is to have the best training opportunities available in order to reach your career goals. Sydney Dance Company is proud to be at the forefront of Australian dance, and the Pre-Professional Year will allow you to develop your skills to the highest artistic and technical standards alongside our professional Company dancers. Sydney Dance Company’s artistic staff will guide you throughout the year, supported by an outstanding team of choreographers and educators. Their diverse expertise and teaching methods will encourage you to discover your own direction as an artist.

I’m looking forward to working with the dancers of Sydney Dance Company’s Pre-Professional Year in 2025 as they develop their technical skills and artistry.

Rafael Bonachela, Artistic DIrector

“With sophisticated technique, authentic movement and a strong sense of the artist within, Pre-Professional Year graduates are brave and generous when working within the contemporary dance industry.”

Rafael Bonachela, Artistic Director, Sydney Dance Company

h Photo by Pedro Greig

Sydney Dance Company Studios

Sydney Dance Company’s home is on the lands and over the waters of the Gadigal of the Eora Nation.

Sydney Dance Company moved into the Wharf Studios in 1986. A unique space, hewn from Sydney’s industrial heritage, our studios have been home to generations of renowned dancers and the foundation of performances that have brought world-wide acclaim for Australian culture.

Over the years, we have taught hundreds of thousands of people to dance in our Studios. The beautiful studios on the Wharf, sitting on the water at Walsh Bay, have become synonymous with Sydney Dance Company.

As part of the NSW Government’s landmark Walsh Bay Arts Precinct redevelopment, the transformation of our home began in 2018 and saw us return to the Wharf in 2021. This significant reconfiguration and refurbishment has been our first major upgrade and has created an environment which meets the needs of both our exceptional dancers and students, and enthusiastic, committed dance class patrons.

The state-of-the-art studios and facilities provide a myriad of opportunities to delve into dance, performance, training and wellness.

In addition to five studios, Sydney Dance Company has a Conditioning Studio, a fully equipped weight training and rehabilitation gym and a 79-seat black-box studio theatre for regular performance and industry networking opportunities.

“I have been so fortunate to be involved with dance companies worldwide for over 30 years. It is so important for a young dancer to develop the skills necessary for a successful career within an immersive ‘company environment’ or as a freelance professional artist. Sydney Dance Company’s Pre-Professional Year is a unique experience in Australia.”

Dame Darcey Bussell DBE, International Patron, Sydney Dance Company

h Photo by Pedro Greig

About Sydney Dance Company’s Pre-Professional Year

Located at the Walsh Bay Arts Precinct, in the heart of Sydney, Sydney Dance Company’s Pre-Professional Year is a unique experience for aspiring professional dancers to approach full-time training alongside a resident dance company.

A wide and multifaceted view of the dance industry is developed through training in the immersive professional environment of Sydney Dance Company.

Encompassing a wide spectrum of industry-based dance practices, the PreProfessional Year dancers train as an ensemble and work with over 40 choreographers, teachers and company affiliates each year.

The expansive and highly curated program offers a diverse range of practices and movement philosophies, forging a direct link to the global contemporary dance community, including the opportunity to learn, rehearse and perform existing repertoire choreographed by Sydney Dance Company’s Artistic Director, Rafael Bonachela.

Spanning two years, analytical and critical thinking is developed to process and manifest the wealth of knowledge, ideas and expertise

that is openly shared. Each extended workshop, masterclass or choreographic development emphasises both the expansion of technical ability and the self-regard required in a professional setting. Pre-Professional Year dancers will complete the CUA51520 Diploma of Professional Dance (Elite Performance) in the first year and the CUA60120 Advanced Diploma of Professional Dance (Elite Performance) in the second year of training (RTO #45863).

“From experiencing life in a full-time dance company to exploring the pathway of an independent freelance artist, choreographer or teacher, the Pre-Professional Year will provide the guidance and care to empower you to find your individual career.”

Linda Gamblin, Head of Training, Sydney Dance Company

h Photo by Wendell Teodoro. Dancers Paige Carr and Lily Cole in Desencuentro, Lee-Anne Litton and Alejandro Rolandi, PPY23 Revealed.

Linda Gamblin Head of Training

Linda Gamblin trained with The Royal Ballet School in London and went on to perform soloist and principal roles in ballets such as Romeo and Juliet, Coppelia, Nutcracker, La Fille Mal Gardee, Beauty and the Beast and more, while working with The Australian Ballet, The Royal Ballet (London), National Ballet of Portugal and Sydney Dance Company. Linda has worked with contemporary choreographers such as Michael Clarke, Meryl Tankard, Graeme Murphy and Gideon Obarzanek and has performed works by Jiri Kylian, Maurice Bejart and Jerome Robbins. Her career has seen her travel extensively throughout the world with highly successful tours to Europe, UK, Asia, USSR and USA.

Studying and teaching Pilates, Linda attained her Level 3 Diploma in Anatomy and Physiology which has contributed to her unique approach to the muscular and skeletal systems and biomechanics in classical ballet. Linda’s extensive professional development and personal interest in mindfulness, mental health and psychology are integral to her ongoing work with young people.

As Sydney Dance Company’s Head of Training, Linda Gamblin pioneered the Pre-Professional Year in 2014. Since then, Linda’s approach to dance training continues to be applied to every aspect of training at Sydney Dance Company. Linda holds the qualifications Advanced Diploma of Dance (Elite Performance) (CUA60113), Diploma of Dance Teaching and Management (CUA50313), Certificate IV in Training and Assessment (TAE40110), First Aid Certificate and Mental Health First Aid Certificate.

“I am thrilled to inspire young people through the exploration of dance while encouraging personal and professional development. I am passionate about both uncovering the spirit of a group environment and allowing space for the individual to confidently accept and mature their genuine nature in preparation for a professional career.”

Linda Gamblin, Head of Training, Sydney Dance Company

Photo by Daniel Boud

Juliette Barton

Training Associate

Juliette Barton was born in Perth, Western Australia. With a performance career spanning over 20 years, she has worked with choreographers including Rafael Bonachela, Alexander Ekman, Jacopo Godani, Emanuel Gat, Russell Maliphant, Andonis Foniadakis, Gideon Obarzanek, Gabrielle Nankivell, Adam Linder and Keneth Kvanstrom. Juliette was a Company dancer at Sydney Dance Company for 12 years, with her final performance in 2021. Throughout her career, Juliette has performed to critical acclaim across Australia and the world including in New York, London, Germany, France, Russia, China, Korea, Columbia, Brazil, and Chile. As a choreographer, Juliette has created solo works for Sydney Dance Company’s New Breed 2014 season, and the Art Gallery NSW Archie Plus program in 2020.

Juliette officially joined Sydney Dance Company’s Advanced Training team in 2022 bringing a wealth of industry and educational experience, combined with a Bachelor of Arts/Dance (WAAPA), a Postgraduate Certificate in Communications (Griffith University), and a Certificate IV in Training and Assessment (TAE40116). Juliette is also trained in First Aid and Mental Health First Aid.

h Photo by Daniel Boud

Tobiah Booth-Remmers

Course Coordinator

Tobiah Booth-Remmers is a freelance dance producer, creator, performer, teacher and facilitator from Adelaide, Australia. Since graduating from the Adelaide College of the Arts’ Bachelor of Dance Performance course in 2009 Tobiah has worked with a wide range of Australian and international artists, companies and studios. Most notably he has worked with Branch Nebula, Brink Productions, Larissa McGowan, Lina Limosani, Gabrielle Nankivell, Garry Stewart, Paul Gazzola and Paulo Castro among many others. Tobiah has performed in major arts festivals including the Adelaide Fringe Festival (Aus), Adelaide Festival of the Arts (Aus), Brisbane Festival (Aus), WOMAD (Aus), Dance Massive (Aus), Dublin Dance Festival (Ire) and has performed at the Barbican Centre, London (UK). Along with his performance work Tobiah is also a prolific creator and teacher. His work extends from large-scale curated warehouse dance festivals through to solo movement, text and imagery pieces, and often centres around humanity and how we interact with ourselves and each other.

He has choreographed many short works for a variety of commissions and programs as well as training institutions including three full length works with his Adelaide based performance collective; The Human Arts Movement. Tobiah has created short works and lectured in dance at Adelaide College of the Arts, LINK Dance Company, Queensland University of Technology, Transit Dance and Sydney Dance Company Pre-Professional Year.

Tobiah also maintains a strong international presence as a dance practitioner and pedagogue. He regularly returns to Europe for residencies, performances and teaching after previously living in Brussels for two years. His performance work has been developed and presented in Bulgaria, Brussels, Sweden and Greece. Tobiah has taught workshops on his own creative and movement practice in Belgium, Israel, France, Mexico, Portugal, Italy, Sweden, Greece and Bulgaria.

In 2022 Tobiah was the Associate Artist at Australian Dance Theatre. As part of this program the company supported him with a year long residency and resources to produce a new full length experimental work.

As a regular guest teacher and choreographer with Pre-Professional Year since 2015, Tobiah joined Sydney Dance Company as PPY Course Coordinator in 2023.

h Photo by Daniel Boud

Lexy Panetta Learning Associate

Alexandria Panetta (Lexy) is a Sydney-based artist, choreographer and academic with a strong interest in dance performance, improvisation, writing and film. She has completed a Bachelor of Arts, BA Dance and BA Education, BA Arts and Social Sciences, Honours in Dance Studies at the University of New South Wales (UNSW). In 2022 Lexy received a competitive research scholarship to complete a Master of Philosophy (MPhil in Creative Practice) at UNSW. Her thesis Enacting (Re)Actions: Affect Theory and Embodied Resonance in Improvisational Contemporary Dance and Compositional Pedagogy contributes to the educational sphere in NSW and Australia and analyses the core of improvisation; supporting the creative value and potential of choreographic development through improvisational skills.

Lexy works as a passionate academic in both dance and education faculties at the Australian College of Physical Education (ACPE) and continues her aspirations as a dance researcher, incorporating theory, philosophy and practice in her written work. Lexy has been a long-standing tutor and collaborator for The Arts Unit (Department of Education) working in their programs and ensembles. As the Learning Associate for the Sydney Dance Company, Lexy offers her insights and perspective in educational approaches to dance and creativity. She is passionate about the alignment and application of valued industry skillsets to training and education. Lexy creates and delivers academic resources and content to the Pre-Professional Year.

Eugénie English Learning Administrator

Eugénie English is Alumni of Pre-Professional Year 2018, graduating with a Diploma of Dance (Elite Performance) (CUA50113). After completing Pre-Professional Year, Eugénie continued her education through the University of Sydney and holds a Bachelor of Arts in Film Studies. Eugénie takes interest in multidisciplinary practices and research, and how the practice of dance evokes critical thinking skills. Through her role as Learning Administrator, Eugénie facilitates the journey from enrolment through to graduation for each student, supporting communication and accreditation delivery for the Pre-Professional Year team.

Felicity McGee

Conditioning Studio Manager

Felicity works closely with our Company Physiotherapist and Exercise Physiologist to oversee the strength and conditioning programs for both company dancers and PPY students. Leveraging her comprehensive understanding of biomechanics and Pilates expertise, Felicity tailors programs to enhance performance and promote injury prevention and rehabilitation. Her dedication to holistic movement education ensures that each individual receives personalised attention and guidance towards achieving their movement goals.

Felicity is a graduate of Elmhurst Ballet School in England and gained further experience as an apprentice dancer with Balletto di Siena in Italy. She holds a Diploma in Contemporary Pilates Teaching Methodology from Tensegrity Training and has extensive experience as a Clinical Pilates Instructor, collaborating closely with physiotherapists. Felicity has also completed specialised training with leading breath and posture physiotherapist Jakki Tobin and holds a Mental Health First Aid Certificate.

Jolie Brook

Yoga Practitioner and Somatic Mentor

Jolie Brook is a yoga teacher who offers the essence of yoga as a means of harnessing and strengthening the mind and body. Through her practice, Jolie supports the student in experiencing this interconnectedness recognising that they are not two separate entities but rather integral parts of the self. Her expertise in yoga is particularly valuable for dancers who can benefit greatly from the physical and mental aspects of the practice.

“I’ve discovered there is more to dance than I knew and have learnt to express myself through an authentic and sensitive approach; a greater connection to my mind and body. The various artists that share their practices and ideologies with the Pre-Professional Year course has opened my mind to the creative possibilities and complexities of this alluring art form.”

Vincent Garcia Pre-Professional Year 2023-2024

h Photo by Wendell Teodoro. Dancer Vincent Garcia.

Pre-Professional Year Program Overview

Curriculum

The Pre-Professional Year program consists of two cohorts and runs Monday to Friday between 9am and 5pm, following the NSW school terms. The curriculum consists of daily classes including contemporary techniques, classical ballet, improvisation techniques, creative task skills, a variety of somatic practices including yoga and meditation and various industry lectures. Technical morning classes are followed by extended workshops and choreographic developments with prominent national and international choreographers.

Performances

The Pre-Professional Year program offers a myriad of opportunities for dancers to perform in formal and informal settings. From regular performances in Studio 5: Neilson Studio, Sydney Dance Company’s 79-seat black-box theatre, to a graduation performance season at a prominent Sydney theatre, the pre-professional students enjoy many opportunities to network with and present their work to industry leaders.

Professional Experience

In the first year of study, Pre-Professional Year dancers attend regular Company classes in a roster system throughout the year. In the second and final year of study, placements of up to two weeks are offered within Sydney Dance Company’s professional Ensemble. During placements, students learn repertoire from Company members and artistic staff, watch studio runs and participate in rehearsals.

Conditioning Studio

In the expertly equipped Conditioning Studio, Pre-Professional Year dancers will receive personalised fitness and conditioning mentoring from Sydney Dance Company’s full-time Conditioning Studio Manager. The Conditioning Studio Manager offers a range of Pilates instruction and other pioneering conditioning concepts in conjunction with Sydney Dance Company’s Physiotherapist.

Wellness

All Pre-Professional Year artistic staff and management hold a Mental Health First Aid Certificate. Sydney Dance Company offers all students free and confidential wellness sessions with a clinical psychologist and nutritionist, with sessions ranging from short 15-minute check-ins for practical tips to full-hour consultations, ensuring holistic support for physical and mental well-being.

Course Accreditation

Sydney Dance Company’s Pre-Professional Year offers two nationally recognised training qualifications through a specialised curriculum tailored to global industry standards.

The Pre-Professional Year comprises two cohorts of approximately 26 dancers. Ranging in age from 18 to 24, the two groups train separately, however from time to time will work collaboratively on shared projects and productions.

Successful applicants who have not yet completed diploma-level tertiary education or higher join the first year of training and complete CUA51520 Diploma of Professional Dance (Elite Performance). All graduating first-year students can progress to the second year of training to complete CUA60120 Advanced Diploma of Professional Dance (Elite Performance). Successful applicants who have already completed diploma-level tertiary education or higher join the second year and complete CUA60120 Advanced Diploma of Professional Dance (Elite Performance).

Sydney Dance Company as a Registered Training Organisation

Sydney Dance Company is a Registered Training Organisation (RTO #45863).

Sydney Dance Company will monitor students’ progression throughout the course and ensure national requirements for training and assessing are met.

As a Registered Training Organisation, Sydney Dance Company is bound by federal legislation and holds ultimate responsibility for the education of students enrolled in nationally accredited qualifications.

Sydney Dance Company reports to government departments as necessary. For students who successfully complete all assessment requirements for each unit of competency, Sydney Dance Company will issue the final Nationally Accredited certificate.

Pre-Professional Year

Focus Areas and Term Dates

Focus Areas of Study

Sydney Dance Company’s Pre-Professional Year learning is delivered through highly practical sessions across five main focus areas. A typical day includes technique and conditioning classes (yoga, Pilates, classical ballet and contemporary techniques), workshops (improvisation skills, repertoire and industry lectures) and choreographic developments.

Focus Areas

I – Industry

Investigating current trends and industry infrastructure will focus the dancer on becoming job ready, implementing a critical and entrepreneurial approach to shaping a future in dance.

II – Technique

Cultivating critical and empirical inquiry into a variety of contemporary and classical techniques develops a deeper understanding of how awareness drives sophisticated, deliberate movement.

III – Conditioning

Personal and physical development, selfawareness, resilience, and self-care are brought to the forefront of training. Discovering rigour through mindful conditioning practice informs the areas of injury prevention, applied anatomy and physiology, nutrition and wellbeing and positive psychology.

IV – Choreography

Exploring creative play, choreographic skills and scored and structured improvisation will enhance leadership skills to work in a professional, co-creative, collaborative environment.

Studio showings of works in progress occur regularly throughout each term.

V – Performance

To contextualise, refine and redefine movement and performance qualities in the many rehearsals and performances throughout the year cultivates professionalism. Artistry is revealed through experimentation, informative feedback, and debrief sessions. Dance on stage and screen, a respectful and safe workplace, and other essential aspects of performance are explored within this focus area.

Term Dates 2025

Term 1 3 Feb – 11 April (10 weeks)

Term 2 28 April – 4 July (10 weeks)

Term 3 21 July – 26 Sept (10 weeks)

Term 4 13 Oct – 12 Dec (9 weeks)

*Term dates are subject to change.

Pre-Professional Year

Accreditation*

Pre-Professional Year One

CUA51520 Diploma of Professional Dance (Elite Performance)

CUACHR413 Develop choreography skills

CUACHR511 Create and perform complex dance pieces

CUADAN511 Refine ballet techniques

CUADAN512 Refine ballet performance skills

CUADAN515 Refine contemporary dance techniques

CUADAN517 Refine dance partnering techniques

CUADAN518 Develop expertise in allied contemporary dance techniques

CUADAN531 Refine dance techniques

CUAFIM511 Source funding for projects

CUAPPR512 Develop sustainability of own professional practice

CUAPRF511 Refine performance techniques

CUAPRF513 Prepare for and perform in competitive environments

CUARES501 Refine conceptual understanding of dance

CUARES601 Research and apply concepts of live performance practice

CUAWHS411 Apply movement and behavioural principles to conditioning

CUAWHS413 Incorporate anatomy principles into skill development

CUAWHS511 Maintain a high level of fitness for performance

Pre-Professional Year Two

CUA60120 Advanced Diploma of Professional Dance (Elite Performance)

CUACHR511 Create and perform complex dance pieces

CUACHR611 Create choreography for stage and screen

CUADAN517 Refine dance partnering techniques

CUADAN518 Develop expertise in allied contemporary dance techniques

CUADAN531 Refine dance techniques

CUADAN613 Extend ballet techniques to a professional level

CUADAN617 Extend dance techniques to a professional level

CUADAN618 Extend contemporary dance performance skills to a professional level

CUADAN631 Perform dance repertoire at a professional level

CUAFIM511 Source funding for projects

CUAMPF612 Manage stagecraft aspects of performances

CUAPRF511 Refine performance techniques

CUAPRF513 Prepare for and perform in competitive environments

CUARES501 Refine conceptual understanding of dance

CUARES601 Research and apply concepts of live performance practice

CUAWHS511 Maintain a high level of fitness for performance

CUAWHS611 Apply advanced gym and weight training to dance

Sydney Dance Company is a Registered Training Organisation (RTO #45863).

CUAWHS612 Develop strategies for maintaining resilience in a competitive environment

Pre-Professional Year Fees

Fees

Sydney Dance Company’s Pre-Professional Year fee is $16,500.00 (no GST is charged) per year of training. Once accepted you will be required to confirm your position within 21 days of receiving the letter of offer.

Access to Dance Classes

From January 2025 until course completion, all Pre-Professional Year dancers are offered complimentary access to attend Sydney Dance Company’s Open Classes in a variety of dance styles.

Scholarship Opportunities

Sydney Dance Company offers a limited number of scholarships made available thanks to generous support provided by private donors. Dancers who have been accepted into the program and who are unable to meet the course fee requirements are encouraged to apply. Scholarship applications are assessed by Sydney Dance Company’s review panel on a case-by-case basis. Successful scholarship applicants will be contacted by the end of 2024.

h Photo by Daniel Boud. Dancers: Arabella Kiefer, Jessi Hough and Amelia Russell.

h Photo by Wendell Teodoro. Dancer Matilda Backus.

Pre-Professional Year Training Team

Pre-Professional Year Training Team

Linda Gamblin

Head of Training – including classical ballet, Pilates, conditioning, mentoring and coaching

Juliette Barton

Training Associate - including contemporary techniques, floorwork and tumbling, improvisation, Sydney Dance Company repertoire and other masterclasses.

Tobiah Booth-Remmers

Course Coordinator – including contemporary techniques, improvisation, and choreographic methodologies

Lexy Panetta

Learning Associate – including contemporary dance technique, academic studies

Felicity McGee

Conditioning Studio Manager

Jolie Brook

Yoga and Somatic Mentoring

Elizabeth Ryan

Meditation Techniques and Mindfulness

Dr Sallie Grey Psychology and Counselling

When in residence, Artistic Director Rafael Bonachela, Rehearsal Director Richard Cilli, Rehearsal Associate Charmene Yap and members of Sydney Dance Company’s professional Ensemble will deliver classes, workshops and repertoire.

Recent Guest Teachers / Choreographers

Germaine Acogny (Senegal)

Natalie Allen

Kristina Alleyne (UK)

Sade Alleyne (UK)

Diego Alvarez (Costa Rica)

Emily Amisano

Kay Armstrong

Cyril Baldy (Germany)

James Batchelor

Narelle Benjamin

Joel Bray

Lee Brummer (Israel, Sweden)

Izzac Carroll

Shane Carroll

Jana Castillo

Kristina Chan

Penny Chivas

Idan Cohen (Israel, Canada)

Renata Commisso

Eliza Cooper

Matt Cornell

Eli Crawford

Davide Di Giovanni

Tra Mi Dinh

Holly Doyle

Zoe Dunwoodie

Saskia Ellis

Cloé Fournier

Natalia Gabrielczyk (UK)

Jess Goodfellow

Catherine Goss

Ayman Harper (USA)

Emma Harrison

Luella May Hogan

David Huggins

Victoria Hunt

Annie Jeffries

Alana Jeverett

Stephanie Lake

Prue Lang

Lucky Lartey

Adam Linder (USA)

Lee-Anne Litton

Zachary Lopez

Kaitlyn Malone

Leah Marojevic (UK)

Rikki Mason

Sinead McDevitt

Emma Moran

Tamas Moricz (Germany)

Cass Mortimer Eipper

Nikki Muscat

Gabrielle Nankivell

Casey Natty

Sophia Ndaba

Rhiannon Newton

Rachel Arianne Ogle

Tony Osborne

Christen Patinyotis

Alvin Rangle (USA)

Gillian Revie

Alejandro Rolandi

Felix Sampson

Lee Serle

Todd Sutherland

Melissa Toogood (USA)

Pepa Ubera (Spain)

James Vu Ahn Pham

Kristina Wallbank-Hutton

Dean Walsh

Josie Weise

Miranda Wheen

Patricia Wood

Sam Young-Wright

Liesel Zink

h Photo by Daniel Boud. Felicity McGee with Ariana Wolf.

Pre-Professional Year

Alumni

Pre-Professional Year Alumni

Sydney Dance Company’s Pre-Professional Year Alumni have accomplished great achievements, including employment with the internationally renowned dance companies and productions listed below. It’s important to note that this list doesn’t include the many and varied independent collaborations and choreographic projects our alumni have contributed to.

Australasian Dance Collective (Brisbane)

Australian Dance Theatre (Adelaide)

Bangarra Dance Theatre (Sydney)

Catapult Dance (Newcastle)

Chunky Move (Melbourne)

Cirque du Soleil (Montreal, Canada)

Crystal Pite/Kidd Pivot performances with Strut Dance (Perth)

Dance North (Townsville)

Dresden Frankfurt Dance Company (Germany)

DV8 / Lloyd Newson (England)

Emanuel Gat Dance (Marseille, France)

Force Majeure (Sydney)

Form Dance Projects (Western Sydney)

Fresco Dance Company (Tel Aviv, Israel)

Göteborgsperan (Gothenburg, Sweden)

Hamilton (International)

ITDansa (Barcelona, Spain)

Ivan Perez (Heidelberg, Germany)

Legs on the Wall (Sydney)

Meryl Tankard AO (Sydney)

Moulin Rouge (Paris, France)

National Ballet of Marseille (Marseille, France)

New Adventures / Matthew Bourne (London)

Ochre Dance Company (Perth)

Opera Australia (Sydney)

Opera Ballet Vlaanderen (Antwerp, Belgium)

Poetic Disaster Club (Den Hague, Netherlands)

PR-Evolution Dance Company (Budapest, Hungary)

Punchdrunk / Maxine Doyle (International)

Shaun Parker & Company (Sydney)

ShELFISH Productions (Netherlands)

SOL Dance Company (Israel)

Stephanie Lake Company (Melbourne)

Strut Dance (Perth)

Sydney Dance Company (Sydney)

Sydney Experimental Arts Ensemble (Sydney)

TasDance (Launceston)

T.H.E Dance Company (Singapore)

The Farm (Queensland)

Theo Clinkard & Company (Brighton, UK)

Wayne McGregor Dance Company (England)

h Photo by Daniel Boud. Dancer Zoe Jewell.

How to Apply

How to Apply

The first round Pre-Professional Year 2025 audition will be an online application process that includes a video submission. Selected applicants will be invited to a second round, in-person audition at Sydney Dance Company, Wharf 4/5, 15 Hickson Road Dawes Point NSW 2000 on Sunday 15 September 2024. Applicants who are invited to and are not able to attend the in-person audition will be assessed based on their online submission.

Audition Requirements

Sydney Dance Company encourages applicants from diverse backgrounds with different experiences in dance training. All applicants must be at least 18 years in the year of enrolment and demonstrate competency in classical and contemporary dance technique. It is recommended applicants be competent in written and spoken English, however support and adjustment to learning can be offered.

Eligibility

• An intermediate level of Classical Ballet

• Compelling competency in own genre or style

• Certificate IV level of dance education or equivalent

• Australian or New Zealand citizenship or an appropriate residency visa to reside in Australia for the duration of the program (Sydney Dance Company cannot arrange Student Visas)

Applications Open: 6 May 2024

All applications must be submitted online via our website: www.sydneydancecompany.com/advanced-training/ pre-professional-year/

Application Fee

Applicants are required to make the $70 application fee payment before completing the online application form. This fee is non-refundable.

Applications Close: 2 September 2024

Video Footage

Video footage is required for the first-round audition and needs to be submitted via the online application form. Applicants need to include three video links in the online application form. Each video should showcase technical strengths, knowledge and a sense of creative interest, and must include classical ballet and contemporary technique with an option of including improvisation. Sydney Dance Company encourages applicants to include videos of cultural dance styles in lieu of other training styles.

Preferred video submission:

• 1x Contemporary dance video

• 1x Classical Ballet technique

• 1x own choice of style or improvisation

Ensure:

• The video is clear and watchable. The video can be taken using an iPhone or similar and does not need to be edited to a professional standard.

• Suitable rehearsal attire.

• The video is of a solo performance and not of a group.

The videos are best viewed via YouTube or Vimeo. Avoid using file sharing links (Dropbox / Google Drive / One Drive) if possible as the settings and restrictions on these platforms can delay viewing.

Privacy Settings

It is important to understand the privacy settings of the video-sharing platforms as Sydney Dance Company does not have control or authority over the safety of these platforms. Settings can be changed so that videos can be viewed with a private link only.

If further advice or information is required, please email fulltime@sydneydancecompany.com or call +61 2 9258 4886.

All information in this prospectus is subject to change without notice.

h Photo by Wendell Teodoro. Dancers Alani Siswoyo, Layla Meadows, Sam Osborn

Gabrielle