Photo: Pedro Grieg
New Breed is presented on the land of the Gadigal of the Eora Nation. Carriageworks, Sydney Dance Company and The Balnaves Foundation acknowledge the Gadigal and pay respect to Elders past and present.
WELCOME
Welcome to the 12th edition of New Breed, a vital program showcasing the next generation of choreographic voices. It’s wonderful to be back at Carriageworks rounding off an incredible year. From Continuum, our mighty triple bill with Stephen Page and New Breed alumni Tra Mi Dinh, to performing to sold out shows across Australia, including the intimate and up-close Somos, to international stages across France, Slovenia, Italy, Greece and Finland, it’s been a remarkable year.
It is fitting, however, to end 2025 with New Breed, which celebrates four rising Australian choreographic voices. Sydney Dance Company is deeply committed to supporting the contemporary dance sector and fostering a space for the next generation of Australian choreographic talent. New Breed is a wonderful opportunity to do just that.
New Breed began with a simple conversation between myself and the late Neil Balnaves AO. We shared a belief that the future of dance depends on giving new voices a chance on creating space for artists to dream, to risk, to fail and to fly. From that conversation from that shared passion, New Breed was born.
Our 2025 choreographers have risen to the challenge, breaking new ground with their creativity and artistry as dance makers alongside our talented technical and creative team. A massive congratulations to Emma Fishwick, Ngaere Jenkins, Ryan Pearson and Harrison Ritchie-Jones for their work and passion. Each powerful, each creative and each unique. I am so excited to see where each of their journeys go next.
The impact of New Breed over the last 12 years has been extraordinary. It has changed the course of choreographic careers. It has helped shape the landscape of contemporary dance in Australia.
New Breed would not be what it is without The Balnaves Foundation, our Principal Partner. They have been instrumental in New Breed’s success since its inception in 2014. We thank them for their unwavering support in bringing artists and audiences together.
Our partnership with Carriageworks for New Breed is longstanding and greatly treasured. This is an iconic and inspiring hub for choreographers, dancers, designers, and audiences alike. This collaboration has allowed New Breed to thrive and I’d like to sincerely thank the Carriageworks team led by Fergus Linehan.
And finally, thank you to our wonderful audiences and Sydney Dance Company family for your ongoing support and for allowing us to continue sharing memorable dance experiences.
While 2025 marks the final season of New Breed with the incredibly generous support of The Balnaves Foundation, this is not an ending, but an interval as we remain committed to supporting independent practice.
I hope you enjoy New Breed 2025.
Rafael Bonachela Artistic Director, Sydney Dance Company
WELCOME
New Breed began in 2014 with the meeting of two creative minds: my father, Neil Balnaves AO, and Sydney Dance Company’s Artistic Director, Rafael Bonachela. United by their appreciation of creativity, their passion for contemporary dance, and their understanding of the challenges facing the arts, especially the lack of opportunities for emerging talent, they imagined what might be possible with the right partnership. New Breed is the realisation of that shared vision.
The Balnaves Foundation is a proud champion of the arts and believes deeply in its importance as part of the social fabric of the country. New Breed’s mission to create opportunities for emerging choreographers and introduce fresh ideas to audiences aligns strongly with the Foundation’s vision of creating a better Australia.
Over the past twelve years, New Breed has supported 47 emerging choreographers in creating world premiere works with Sydney Dance Company’s renowned dancers. Many of these pieces have since moved onto Sydney Dance Company’s mainstage in Australia and abroad, helping launch some of the country’s most exciting and fresh choreographic voices.
This final season invites us to reflect on the collective achievements of the choreographers, the Company dancers, the lighting, sound and costume designers, the composers, and the entire team who have brought New Breed to life. Now, after twelve wonderful seasons, 125 shows, and 49 world premieres, we celebrate the lasting effect New Breed has made on the Australian contemporary dance scene.
The partnership shared between The Balnaves Foundation and Sydney Dance Company has been unique and special, collaborating to bring to life this extraordinary program. This incredible journey will have a lasting effect on the Australian contemporary dance landscape for years to come. It is wonderful to see this initial vision now evolve into the Balnaves Foundation Artist in Residence Program and we look forward to seeing the impact of this next iteration.
Victoria Balnaves Trustee, The Balnaves Foundation
WELCOME
Welcome to Carriageworks, one of the most striking and historically resonant buildings in New South Wales. The world-renowned urbanist Jane Jacobs once wrote that “new ideas need old buildings”. Spaces like these — wide-open, rough-edged, and layered with history — invite us to think beyond what is familiar and well-loved, and to imagine what the future might hold. It’s perhaps for this reason that Rafael Bonachela chose to place New Breed here in the industrial halls of Eveleigh rather than in one of the well-heeled venues along our sparkling harbour.
Over the past 12 years, New Breed has renewed and reinvigorated contemporary Australian dance. But even programs as vital as this come to an end, and as New Breed takes its well-deserved bow, I am hugely excited to see where Sydney Dance Company will take us in the years ahead.
To The Balnaves Foundation: thank you for your generosity, your bravery, and your unwavering commitment to the cultural life of our city and our country.
And thank you for coming to this performance.
We hope to see you again soon.
Fergus Linehan CEO, Carriageworks
Welcome to New Breed 2025. For more than a decade, New Breed has become an extraordinary platform — one that has nurtured and launched a generation of bold, brilliant choreographic voices.
New Breed is a testament to what is possible through partnership. First and foremost, thank you to our Principal Partner, The Balnaves Foundation. Their visionary generosity has been the heartbeat of New Breed since its inception. To our long-standing co-presenters, Carriageworks, thank you for providing a home where New Breed could flourish. This partnership has been fundamental to the success of this program, to the stories told, and, as we enter its 12th and final season, the legacy it has created for the future of contemporary dance in Australia.
We also gratefully acknowledge the support of our Board, donors and government partners — the Australian Government through Creative Australia, and the NSW Government through Create NSW.
And of course, my heartfelt thanks to everyone who brings this season to life on stage and behind the scenes at both Sydney Dance Company and Carriageworks. Your artistry, skill and dedication make this magic happen.
Lou Oppenheim Executive Director, Sydney
Dance Company
Warnings: This production may
New
Sonrisa
Naiara de Matos
Ryan Pearson
Eka Perunicic
Amelia Russell
Piran Scott
Sam Winkler
Rehearsal Director
Richard Cilli
Rehearsal Associate
Mia Thompson
SAVE POINT
RYAN PEARSON
Save Point is inspired by video games from Pearson’s childhood, the work moves between nostalgia and invention, using movement to reconnect with a time when games felt limitless. Pearson explores movement, combat choreography and nostalgic worlds, blending imagination with physicality and deeply personal reflection.
Choreographer Note
I’d like to thank Mum for all the old brooms, poles and sticks she’d let me keep outside, I’d like to thank my sister Kira for my first Play Station 2, and I’d like to thank Nan for letting me play that computer all summer long...
Thank you to my dancers Liam Green, Morgan Hurrell, Eka Perunicic, Mali Comlekci, Sonrisa Hubbard, Mathilda Ballanthyne, Lucy Angel and Amelia Russell.
A special shout out to Raghav Handa for his creative contributions towards the work.
Finally, I’d like to thank Jamaine Wilesmith (Durriwiyn) for creating this amazing score, and for always being with me on every battlefield since day dot.
Choreographer Ryan Pearson
Composer Durriwiyn
Costume Designer Aleisa Jelbart
Lighting Designer Alexander Berlage
FROM THE HORIZON THEREAFTER
NGAERE JENKINS
From the horizon thereafter is an evocative contemplation on the whenua (land) Jenkins comes from, its misted horizons, fern-fringed bays and lakes encircled by mountains that stand as her tupuna (ancestors). In her work, Jenkins embodies the ephemeral beauty and memory of her homeland — its holding and yielding, its silences and calls, its quiet invitation to listen and be led.
Choreographer Note
A big thank you to Jackie, Aroha and Stefan for your beautiful composition, and to the dancers for your collaboration, support and all the good vibes carried into this kaupapa (work). Heartfelt thanks to Raghav for his gentle guidance along the way. I acknowledge Ngāpuhi as the holders of the mōteatea Rimu Rimu, and Hannah Tatana for the version sung, which upholds and enriches this work. And to my whānau (family) — thank you for your aroha and grounding. Ngā mihi nui ki a koutou.
Choreographer Ngaere Jenkins
Composers Jackie Jenkins, Abigail Aroha Jensen and Stefan Jenkins
Costume Designer Aleisa Jelbart
Lighting Designer Alexander Berlage
Music Features Rimu Rimu, Arranged and performed by Hannah Tatana, with kind permission of Viking Sevenseas
MARATHON, O MARATHON
EMMA FISHWICK
marathon, o, marathon, is a moving chorus, a strange nagging, a something about now.
Consider the world today, there is a lot to hold at once, we have multiple climate crises, global conflicts and growing power imbalances. Some say we are repeating history, whilst others say the times we live in are unprecedented. In many ways we are running a marathon and a sprint at the same time. The work attempts to capture this feeling by placing the macro against the micro, and the individual next to the collective. Using imagery of medieval dance manias and fallen knights, next to collapsed marathon runners and states of protest, was a way to gesture towards a certain kind of human conviction that stretches across time. What I hope marathon, o, marathon evokes is a desire for us to keep going but to do this with tender and persistent attention to each other.
Choreographer Note
Deepest gratitude to all the fabulous dancers and to the extraordinary Ella-Rose Trew for her unfailing support and input. Thank you to Zendra, Isabella, James, Tristen, Renée, Richard L, Alex, Richard, and Aleisa for their collaborative support along the way and to Sydney dance for platforming independent artists. Finally, thank you to my family and Michael for their love and support.
Choreographer Emma Fishwick
Artistic Collaborator
Sound Designer
Costume Designer
Ella-Rose Trew
Tristen Parr
Aleisa Jelbart
Lighting Designer Alexander Berlage
Music Features Father Death Blues composed by Allen Ginsberg, interpreted by Nick Cave, Allen Ginsberg & Falco from the Viva La Poesia Album, with kind permission from reemedia Verlags GmbH
PIGEON HUMONGOUS HARRISON RITCHIE-JONES
Pigeon Humongous investigates a dystopian vision in which a global virus collapses humanity and gives rise to a postapocalyptic world of punk pigeon people. In this disintegrated society, where words, structures and rules no longer hold, movement emerges as the only language and the only salvation.
Choreographer Note
A humongous thanks to the wonderful and incredible dancersNgaere, Mali, Morgan, Lucy, Sam, Eka, Finn and Piran. It’s been amazing to connect and work together.
A big thank you to Michaela Tancheff my best friend, dance partner and rehearsal director who helped me brew and create this world from the beginning to the end - I could not have done this without you.
Another thank you to my dear friend and maestro, Sticky aka Nicholas Roder for amazing commitment and making my music dreams come true.
Thanks to Aleisa and Alex for all your support and bringing the vision with costume and lighting. And finally, thanks to the whole team at Sydney Dance Company for the warm welcome and support over the last two weeks. I feel very grateful for the opportunity to create new things and grow as an artist through this unique opportunity.
Choreographer Harrison Ritchie-Jones
Choreographic Assistant Michaela Tancheff
Composer Nicholas Roder
Costume Designer Aleisa Jelbart
Lighting Designer Alexander Berlage
By:
Photo
Pedro Greig
CELEBRATING 12 YEARS OF NEW BREED
New Breed has been a powerful platform for emerging Australian artists, offering the space, support and visibility they need to create works without limits. Each season has showcased vibrant voices, perspectives and choreographic styles reflecting the incredible diversity of Australia’s next generation of dance makers. The result is a collection of works that are fresh, unpredictable and full of creative possibility.
Beyond the stage, New Breed has launched careers, nurtured new leaders and helped shape the future of Australian contemporary dance. It has become a proving ground for innovation and a celebration of the artists who will define what comes next.
“The opportunity to create for New Breed 2018 came at such a pivotal moment in my career as an independent artist. Discovering what it means to explore my choreographic voice and Cultural story to a phenomenal ensemble of non-Indigenous dancers was crucial in my development as a Wakka Wakka Kombumerri artist.
I’m eternally grateful for this, thank you The Balnaves Foundation, Sydney Dance Company and Rafael for your trust and support!”
KATINA OLSEN (2018)
“New Breed has been one of the great highlights of my career. What started as a seed, to be able to collaborate with the extraordinary company artists through the creation of the new work Woof, has transformed into a relationship with Sydney Dance Company that has been beyond a dream. From the honour of being part of the 50th anniversary celebrations with Woof, to the mainstage commission Love Lock, I’m incredibly grateful to have had the gift of New Breed as part of my artistic journey. Congrats and thank you to The Balnaves Foundation and to Raf for this invaluable legacy that has touched so many artists and enriched our artform.”
MELANIE LANE (2017)
Lee Serle | White Elephant
Joel Bray | Wagan
Josh Mu | ZERO
“Being a part of New Breed is still a peak moment in my career. Having the opportunity as an emerging artist to work with such a renowned dance company, and the privilege to work with the most incredible dancers was so valuable. The knowledge gained, the friendships made and the whole experience is something I hold dear to my heart and will never forget.
Thank you Sydney Dance Company and The Balnaves Foundation”
TYRONE ROBINSON (2017)
“My experience with New Breed was creatively exhilarating and totally affirming on a personal level. The exposure and visibility gained through the long season run, an unwavering Sydney Dance Company audience base, and the influential context of Carriageworks, all thanks to the generous support of The Balnaves Foundation, are truly unmatched opportunities for an emerging choreographer; utterly propelling my career and confidence in myself as an artist.”
JENNI
LARGE (2022)
Holly Doyle | Out, Damned Spot!
Beau Dean Riley Smith | Gubba
Jacopo Grabar | Stereotipo
Ariella Casu | Arise
12 YEARS OF SUPPORTING AUSTRALIAN DANCE ARTISTS
2014
Juliette Barton | Scrutineer
Cass Mortimer Eipper | Dogs and Baristas
Gabrielle Nankivell | Wildebeest
Lee Serle | White Elephant
Charmene Yap | Do We
2016
Richard Cilli | Hinterland
Shian Law | Epic Theatre
Rachel Arianne Ogle | of dust
Jesse Scales | What You See
2018
Holly Doyle | Out, Damned Spot!
Janessa Dufty | Telopea
Prue Lang | Towards Innumerable Futures
Katina Olsen | Mother’s Cry
“Thank you, The Balnaves Foundation, for supporting my New Breed debut. This opportunity was pivotal, propelling me beyond dancer to choreographer, stager and movement director. It taught me vital skills — from commissioning music and lighting to leadership and effective communication — which remain fundamental to my ongoing artistic career.”
FIONA JOPP (2015)
2015
Kristina Chan | Conform
Fiona Jopp | so much, doesn’t matter
Bernhard Knauer | Derived
Daniel Riley | Reign
2017
Nelson Earl & Cass Mortimer Eipper | Bell Jar
Melanie Lane | WOOF
Tyrone Robinson | [bio]Curious
Petros Treklis | The Art of Letting Go
2019
Ariella Casu | Arise
Davide Di Giovanni | In Walked Bud
Lauren Langlois | Creeper
Josh Mu | ZERO
“New Breed offers a vital platform for experimentation, invention and artistic courage. For independent dance makers, it provides a rare opportunity to create with a highly skilled ensemble, enabling ambitious ideas to be realised at scale. My 2020 New Breed work, Cult of the Titans, ignited public discourse on race, religion and cultural appropriation. I am a fearless maker, and my choreographic voice has evolved into one of the most distinctive and unapologetically bold in the contemporary Australian landscape.”
RAGHAV HANDA (2020)
2020
Jesse Scales | Inertia
Chloe Leong | Nostalgia
Joel Bray | Wagan
Raghav Handa | Cult of the Titans
2022
Luke Hayward | The remnants of
Jenni Large | S U C K E R
Sophia Ndaba | The Veil of Separation
Charmene Yap | Drunk Tank Pink
2024
Piran Scott | Breath
Dean Elliott | FULL IN/HALF OUT
Siobhan McKenna | Say it again
Amber McCartney | leech
“Being part of the inaugural New Breed season was a pivotal moment that first unveiled my choreographic voice and my passion for creating work that truly captivates audiences. Returning in 2022 for another New Breed season allowed me to expand beyond contemporary dance, exploring movement across theatre, music videos, and other genres—all thanks to that very first step with New Breed.”
CHARMENE YAP (2014, 2022)
2021
Jacopo Grabar | Stereotipo
Rhiannon Newton | The Gift of a Warning
Jasmin Sheppard | Given Unto Thee Lilian Steiner | Springtime Again
2023
Riley Fitzgerald | Everyb0dy’s g0t a B0mb
Eliza Cooper | Revenge Tales and Romance
Tra Mi Dinh | Somewhere between ten and fourteen
Beau Dean Riley Smith | Gubba
2025
Emma Fishwick | marathon, o marathon
Ngaere Jenkins | From the horizon thereafter
Ryan Pearson | Save Point
Harrison Ritchie-Jones | Pigeon Humongous
Photo: Pedro Greig
Donate Now
NEW BREED PARTNERS
SYDNEY DANCE COMPANY
Led by Artistic Director Rafael Bonachela, Sydney Dance Company is one of the world’s strongest forces in contemporary dance. Our acclaimed group of 17 dancers present new works each year by Bonachela and renowned choreographers, designers, composers and musicians. Beyond the practice and performance of our Ensemble, Sydney Dance Company has a broad reach that allows thousands each year to connect with the grace, strength and creativity within all of us. We have the largest public dance class program in Australia and curriculum-aligned training and education programs for primary and secondary students, pre-professional dancers and university graduates.
THE BALNAVES FOUNDATION
The Balnaves Foundation is a private philanthropic organisation established in 2006 by Neil Balnaves AO. The Foundation provides support to charitable organisations that aim to create a better Australia through education, medicine and the arts with a focus on young people, social disadvantage and Indigenous Australia.
CARRIAGEWORKS
Carriageworks is one of Australia’s most significant creative industry hubs, renowned for its dynamic cultural events, performances, and exhibitions. Housed in a historic railway workshop in Sydney, Carriageworks offers a vibrant platform for contemporary art, theatre, music, dance and more, collaborating with leading local and international artists to foster innovation and creativity in its distinctive industrial setting.
Acknowledgements
The Balnaves Foundation is the New Breed Principal Partner
Sydney Dance Company Co-present New Breed with Carriageworks.
Sydney Dance Company’s government partners are Creative Australia and Create NSW.
By:
Photo
Pedro Greig
SYDNEY DANCE COMPANY STAFF
Board of Directors
Emma-Jane Newton (Chair)
Larissa Behrendt AO
Gitanjali Bhalla
Jillian Broadbent AC
Michael Dagostino
David Friedlander
Emma Gray
Andrew Hagger
Alexa Haslingden
Sandra McCullagh
Bianca Spender
International Patron
Dame Darcey Bussell DBE
Founding Patron
Dancers’ Circle
Julian Knights AO
Ambassadors’ Council
Sarah Myer, Chair, Victoria Balnaves, Pam Bartlett, Judy Crawford, Chum Darvall, Jaycen Fletcher, Mandy Foley, Rebekah Giles, Bradford Gorman. The Hon. Don Harwin. Samuel Joyce, Alexandra Knights, Skye Leckie OAM, Amelia Liveris, Jules Maxwell, Andrew Muston. Peter Reeve. Ruth Ritchie. Keinwen Shephard, Stephen Thatcher, Bee Wood, Adam Worling, Susan Wynne, Mary Zuber.
Management
Artistic Director
Rafael Bonachela
Executive Director
Lou Oppenheim
Executive Assistant
Amy Burrows
Director, Producing
Katy Green Loughrey
Senior Producer
Dominic Chang
Associate Producer - Ensemble
Kerry Thampapillai
Associate Producer - Wharf
Michael Sieders
Director Finance and Administration
Kate Di Mattina
Accountant
Melissa Sim
Payroll Assistant
Carina Mision
Director Training and Education
Polly Brett
Head of Open Programs & Learning
Samantha Dashwood
Dance Class Manager
Ramon Monteverde Doringo
Learning Manager
Justine Ocampo
Learning Coordinator
Jacqueline Cooper
Learning Administrator
Eugenie English
Head of Training
Linda Gamblin
Training Associate
Juliette Barton (Maternity Leave)
Madeline Harms
Learning Associate Lexy Panetta
Pre-Professional Year Course Coordinator
Tobiah Booth-Remmers
Conditioning Studio Manager
Felicity McGee
Customer Experience and Venue Manager
Sue Neilsen
Customer Service Assistant
Ellie Cevik
Director Philanthropy and Partnerships
Fiona Crockett
Head of Philanthropy
Katharine Seymour
Philanthropy Manager
Lachlan Bell
Trusts and Foundations Manager
Madeleine White
Philanthropy Coordinator
Bianca Mulet
Director Market Development
Olivia Blackburn
Marketing Manager
Kylie Boyd
Digital Marketing Specialist
Rebecca Nash
Marketing and Communications Coordinators
Gabriella Lay
Rohan Furnell
Head of CRM and Business Intelligence
Thida Kyaw
Ticketing Specialist
John Calvi
Technical Director
Guy Harding
Company and Resident Stage Manager
Simon Turner
Production Manager
Shane Placentino
Production Coordinator
Tony McCoy
Sound Operator
Cameron Smith
Production Technician
Tom Kelly
Head of Wardrobe
Mary-Ellen Baxter
Costumers
Nicole Artsetos
Erika Schwarz
Iona Warren
And a special thanks to Manuela, Jane and Margaret for their helping hands.
The Company
Rehearsal Director
Richard Cilli
Rehearsal Associate
Charmene Yap (Maternity Leave)
Mia Thompson
Balnaves Foundation Artist in Residence
Raghav Handa
Dancers
Lucy Angel
Finn Armstrong
Mathilda Ballantyne
Timmy Blankenship
Mali Comlekci
Ali Dib
Liam Green
Sonrisa Hubbard
Morgan Hurrell
Ngaere Jenkins
Sophie Jones
Naiara de Matos
Ryan Pearson
Eka Perunicic
Piran Scott
Sam Winkler
Trainee
Amelia Russell
Head Physiotherapist
Ashlea-Mary Cohen
Company Doctor
Dr. Michael Berger
Sports Doctor
Dr. James Lawrence
Company Teachers
Emily Amisano, Anton, Lee Brummer, Joshua Consandine, Rachel Coulson, Tra Mi Dinh, Holly Doyle, Cathie Goss, Madeline Harms, Sue Healey, Samantha Hines, Paul Knobloch, Jenni Large, Chloe Leong, Rikki Mason, Yui Masukawa, Iohna Mercer, Rhiannon Newton, Marnie Palomares, Jasmin Sheppard, Chimene Steele-Prior, Jessica Thompson, Annabel tom Dieck, Kimball Wong, Victor Zarallo, Zee Zunnur
Sydney Dance Company Wharf 4/5 15 Hickson Road DAWES POINT NSW 2000
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CARRIAGEWORKS STAFF
Board
Michael Gonski (Chair)
Laura Berry
Gitanjali Bhalla
Cameron Honey
Andrew Maiden
Tony Nimac
Marion Potts
Robi Stanton
Jake Thomson
Executive
Chief Executive Officer
Fergus Linehan
General Manager
Francisca Peña
Head of Programming
Adrian Burnett
Curator, Music
Tom Supple
Producer, Performance
Michelle Cao
Producer, Performance
Priyanka Martin
Producer, Programs
Susan Bui
Producer, Solid Ground
Felix May
Program Manager, Solid Ground
Luke Pidgeon
Education Assistant, Solid Ground
Ray Baker
Director Marketing, Communications & Audiences
Miranda Cookman
Head of Marketing and Communications
Electra Foley
Head of Audience
Experience and Insights
Ollie Lee
Communications Manager
Marissa Giannone
Visitor Experience Manager
Georgina Grisold
Box Office Manager
Kaylee Rankin
Digital Marketing Manager
Ben Drogemuller
Graphic Designer
Lauren Dannenberg
Audience Insights and Ticketing Specialist
Jonathan Zhang
Marketing and Communications Coordinator
Alanna O’Riley
Box Office Supervisor
Kevin Tran
Head of Development
Camilla Chapman
Sponsorships Manager
Cameron Brown
Director, Events & Production
Kri Leitner
Manager, Major Events
Chantel Bann
Producer, Events
Chloe King
Production Manager
Dominic Hamra
Technical Manager
Kurtis Hammer
Technical Supervisor
Jared Wilson
Farmers Markets
Creative Director
Mike McEnearney
Producer, Food Events
Jessica Abrahams
Facilities Manager
Will Brownley
Building Facilities Coordinator
Rodrigo Arriaza
Facilities Maintenance Assistant
Grant Richards
Operations Coordinator
Yulia Vynokurova
Director, Commercial and Venue Partnerships
Andrew Demetriou
Manager, Commercial and Venue Partnerships
Hannah Spencer
Emma Carson
Account Manager, Venue Partnerships
Jacqueline De La Rosa
Marsela Ardi
Head of People & Culture
Vicky Hopper
Payroll Officer
Somi Li
Head of Finance
TingTing Li
Finance and Administrative Assistant
Alexandra Sava
Finance Assistant (Systems)
Kisook Park
Head of Safety and Compliance
Jack Audas Preston
Photo by: Pedro Greig
Photo: Pedro Greig
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sydneydancecompany.com carriageworks.com.au balnavesfoundation.com
Photo
Pedro Greig