Swanky Wedding Edition April/May 2023 issue 5

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APRIL/MAY 2023 ISSUE

SWANKY WEDDING EDITION

STYLE EDIT

Real Style,Real Beauty

THE NEW WAY TO ACCESSORISE, FROM HEAD TO TOE

TIMELESS AND BEAUTIFUL A SWANKY WEDDINGS BRIDAL PRODUCTION

FEATURING THIS MONTH’S TOP PICKS FROM THE SWANKY TEAM

HEXAGON AND BEAUTIFUL NATURE

FABULOUS FASHION FINDS EVERY BRIDE NEEDS

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Inside cover AN AMAZING PROJECT BETWEEN PAST & FUTURE BASED ON AN ANACHRONISM VISION OF THE WORLD CREATIVE DIRECTOR FANNY ROGERS & CREATIVE TEAM

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Editor-in-chief SALLY MARIE Lucy Morris Ashley Buchanan Tobias James Amelia Bazzone Darren Wynne Heather Wilkins Lyndsey Adams Chloe Bennet Karaaina Bishara Laszlo Balogh

Executive Editor Fashion Editor Digital Editor Fashion Editor Photo/Sub Editor Features Editor Beauty Editor Advertisement Manager Features Editor Logo Illustrator

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@swankymag @swankymag @swankymagazine www.swankymag.com @swankymag Info@swankymag.com

The Swanky Group takes pride in all aspects of photography that prioritises the safety and welfare of every team and their environment. The Swanky Group is committed to the correct representation of the fashion world, away from the manipulation of media, and to total honesty in our captioning. Photographers, please support us in providing all relevant information around the circumstance of the image and giving total clarity of where the image was taken.

The Swanky Group will provide trusted, independent fashion, makeup and beauty, travel advice and information. Our aim is to allow access to (including, but not limited to, clothing, travel, accessories, makeup tools and books) for a range of backgrounds and budgets. Within our travel sector, we are clear with the positives and negatives of a location we visit or recommend. The views that are expressed within The Swanky Group are entirely the views of the authors, and not necessarily the views of the magazine, editorial team, or publisher. The editor-in-chief, the publisher, the contributors or the editorial team accepts no responsibility for advertisement errors, mistakes, omissions, or issues in any such advertisement feature.

The Swanky Group publications should not, under any circumstance, be reproduced either partially or wholly in any form or means without prior consent with the publication. It should not be hired, resold, or otherwise disposed to in any means of trade more than the recommended retail price set.

PUBLISHED BY SWANKY GROUP PUBLICATIONS, Swanky Group, PO Box 9661, United Kingdom, BH1 9LY DIRECTOR/CEO SALLY MARIE MEDIA

© The Swanky Group Magazine 2023

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Contents 08

HEXAGON AND BEAUTIFUL NATURE MAKEUP ARTIST: PAULINA MAŁACHOWSKA IG: @MAKEUPMALACHOWSKA MODEL: SANDRA WERONIKA KOCOT IG: @SANDRAKOCOT PHOTOGRAPHER: ELA DIUM PHOTOGRAPHY IG: @ELL.PLAZA DESIGNER: ANNA BINDA IG: @CREOMODA_ANNABINDA

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SWANKY ACCESSORIES

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TIMELESS AND BEAUTIFUL A SWANKY WEDDINGS MAGAZINE BRIDAL PRODUCTION

THIS MONTHS TOP PICKS FROM THE SWANKY TEAM

EDITOR-IN-CHIEF: SALLY MARIE IG: @SALLYMARIEMEDIA EXECUTIVE EDITOR / WRITER: LUCY JANE IG: @LUCYJANEMARIEMORRIS FASHION EDITOR/MUA: AMELIA BAZZONE / IG: @AMELIABAZZONE EDITORIAL INTERN/MUA: ROSIE MCNAMARA IG: @ROSIE.MCNAMARA PHOTOGRAPHER: SAM NASH /IG: @SAMNASHSHOTS, @ THEREALSAMNASH, @ROTOLIGHT DESIGNER: EDEN KESHIA IG: @EDENKESHIABRIDAL VIDEOGRAPHER: BRENTON MASHONGA IG: @SOUTHPOINTMEDIAW MODEL AGENCY: GINGERSNAP MODELS IG: @GINGERSNAPMODELS MODEL: ELENA PRODAN IG: @ELENAPRODAN MODEL: BETH TIERNEY IG: @BETHTIERNEY_ MODEL: HOLLY WATSON IG: @HOLLYGWATSON MODEL: AMBER PIERSON IG: @AMBERPIERSON AUB MEDIA AND PERFORMANCE: AUB / IG: @MAKEUPAUB HMUA: LIBBY HELLEN IG: @LIBBY.HELLENX HMUA: TEGAN EARL /IG: @TEGAN_MUA HMUA: ROSIE GALE /IG: @ROSIE.GALE HMUA: HANNAH BALLARD IG: @HAN_MARIE_MUA

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April May 2023

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SWANKY FAVOURITES

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“DREAMS CONNECTED TO THE CHÂTEAU DE FERRIÈRES”

THIS MONTHS TOP PICKS FROM THE SWANKY TEAM

AN AMAZING PROJECT BETWEEN PAST & FUTURE BASED ON AN ANACHRONISM VISION OF THE WORLD CREATIVE DIRECTOR FANNY ROGERS & CREATIVE TEAM FULL INTERVIEW OF HOW THE PROJECT WAS MADE AND WHO WAS INVOLVED IN THE PROCESS.

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SWANKY FAVOURITES

THIS MONTHS TOP PICKS FROM THE SWANKY TEAM A ROUND OF OF ALL OUR LATEST PRODUCTS THAT THE SWANKY TEAM ARE LOVING!

Yo u C a n D o w n l o a d D i g i t a l Issues via ISSUU

.com/SWANKYGROUP

THIS MONTH’S FRONT COVER MAKEUP ARTIST: PAULINA MAŁACHOWSKA IG: @MAKEUPMALACHOWSKA WB: WWW.MAKEUPMALACHOWSKA.PL

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Hexagon And Beautiful Nature MAKEUP ARTIST: PAULINA MAŁACHOWSKA IG: @MAKEUPMALACHOWSKA MODEL: SANDRA WERONIKA KOCOT IG: @SANDRAKOCOT PHOTOGRAPHER: ELA DIUM PHOTOGRAPHY IG: @ELL.PLAZA DESIGNER: ANNA BINDA IG: @CREOMODA_ANNABINDA

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Timeless and Beautiful A Swanky Weddings Magazine Bridal Production

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or our April / May 2023 front cover shoot, four strong models and creatives, along with luxury wedding atelier, Eden Keshia, come together with Swanky Productions in a celebration of the new wedding season with our timeless and beautiful wedding accessories issue.

Whilst driving to be on location, I posed some questions to the brains behind the production and Editor-in-chief, Sally Marie. My curiosity into what made the perfect wedding accessory was at the forefront of my mind - many women have dreams of being married, and often the accessories that go alongside the dress are the pièce de résistance, but what are her top choices of a stunning accessory?

Sally replied with much enthusiasm, with an apparent passion for creative direction. ‘Many people think that having a big wedding dress is the star of the show and brings the satisfaction and goals achieved to get that perfect wedding. It is my opinion, however, that wedding accessories are often under-utilised. Something subtle and simple with a vintage but modern twist is eye-catching as you walk up that altar. Bringing in complimentary pieces such as an embellished beautiful veil, an adorned pair of lace gloves, and a stunning neckpiece can, without a doubt, bring that elegance and wow factor.’

Working with Eden Keshia, a luxury atelier specialising in refined, romantic and effortlessly unique bridalwear, Sally explains why Eden was the perfect fit for this production. ‘Looking for a designer that had a flair for bridal couture and elegance was vital to this production. As a wedding couture luxury designer, Eden ticked all the relevant boxes - and after seeing her designs and meeting her on the runway, I knew she was the perfect fit.’

When asked about the inspiration behind the production, Sally delved into how the beauty and elegance of the production and location came to be. ‘I attended Fashion Week Live at Grand Junction, in London. Even with the immense crowds, I knew that Grand Junction was the shoot location. Places I visit can sit in the back of my mind for years, with every location having a special feature that captures my attention. Grand Junction was stunning and eye-catching with its tall, angelic ceilings and other-worldly architecture. I’m immensely pleased with the production outcome, created with a fantastic team of creatives.’

Read more on page 30.

Swanky Production Team: Publication / Production: Swanky Weddings Magazine / IG: @swankyweddingsmagazine Editor-in-chief: Sally Marie / IG: @sallymariemedia Executive Editor / Writer: Lucy Jane / IG: @lucyjanemariemorris Fashion Editor/MUA: Amelia Bazzone / IG: @ameliabazzone Editorial Intern/MUA: Rosie McNamara / IG: @rosie.mcnamara Photographer: Sam Nash /IG: @samnashshots, @therealsamnash, @rotolight Designer: Eden Keshia /IG: @edenkeshiabridal Videographer: Brenton Mashonga /IG: @southpointmediaw Model Agency: Gingersnap Models /IG: @gingersnapmodels Model: Elena Prodan /IG: @elenaprodan Model: Beth Tierney /IG: @bethtierney_ Model: Holly Watson /IG: @hollygwatson Model: Amber Pierson /IG: @amberpierson AUB Media and Performance: AUB / IG: @makeupaub HMUA: Libby Hellen /IG: @libby.hellenx HMUA: Tegan Earl /IG: @tegan_mua HMUA: Rosie Gale /IG: @rosie.gale HMUA: Hannah Ballard /IG: @han_marie_mua

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Timeless and Beautiful

Discover Designer: The Eden Keshia Brand Eden Keshia is a Luxury Atelier specialising in refined, romantic and effortlessly unique Bridal wear for clients around the world. With a background in editorial luxury fashion, the label explores bridal wear as a fashion-forward expression of a bride’s identity, resulting in editorial style pieces with endless styling options. A predominantly bespoke label, Eden has created an immersive design experience that is as individual as each bride, resulting in gowns that are entirely exclusive to the client. Each element of the journey explores endless creative possibilities that celebrates the individuality of each bride. Eden has launched her first Bridal collection that will be debuting for the first time at London Bridal week 2023.

As a previously bespoke-only label, the first collection is Eden’s first step into creating an exclusive collection that is made-to-order and still adopting slow fashion practises that are so important to the designer. Once a design has been created, a pattern is engineered with meticulous attention to detail. Garments are made one at a time, minimising waste and adopting sustainable techniques.

Gowns are made to order, designed and expertly crafted in-house in England by a dedicated creative team. Eden offers 3 tiers of service to help manifest each Bride’s dream dress; Heirloom, Bespoke and Couture.

Each gown begins as a detailed sketch, and goes through an intense sampling process exploring embroideries, silhouette development and into final production in-house in the atelier. Designs transcend beyond a dress into a treasured work of art, featuring couture detailing and artisan practises. Juxtaposing traditional artisan techniques with sustainable methods, the label produces lavish designs with conscious design methods using deadstock materials and vintage garments in an exclusive Heirloom collection.

Embracing individuality, collection gowns are fully customisable with options for couture design adaptions and personal embellishment details. Each gown is artfully designed and created with endless possibilities in mind. As a designer and on a personal level, Eden embraces the opportunity to extend a garment’s lifecycle and renew precious memories that are woven into vintage garments. Celebrating Eden’s love for Eden’s love for vintage fashion and timeless silhouettes, the Heirloom collection features carefully curated vintage pieces that have been designed for contemporary, fashion-forward brides. The collection is an ongoing catalogue of garments filled with sentiment and history, ready to be expertly fitted and customised for each individual client. Remaining tulle and lace has been used to create lavish accessories such as hats and gloves.

Eden will be debuting her latest bridal collection ‘Stellify” at London Bridal Week 2023, exhibiting at White Gallery London. The collection has already received attention from buyers and press alike, with British Vogue describing the collection as ‘breathtaking bespoke bridal wear’.

‘Stellify - to transform into a star.’ the collection adopts a celestial aesthetic and is inspired by Greek Mythology. Each look is inspired by a Grecian Goddess or Deity, with additional design details inspired by some of Eden’s closest friends.

Scriptures and storytelling of Greek myths allowed Eden to imagine each Goddess in the collection from her own perspective, echoing the concept of bespoke design in Eden’s Couture bridal service. Each design is unique, made in house from the first sketch through to final realisation, and represents the diversity and ever-evolving concept of non-traditional bridal wear. With celestial embellishments, hand-painted florals and embroidered personalisations, the collection manifests a focus on fashion, breaking trends, and an undeniable feel of ethereal, glamorous energy. Silhouettes feature classic lines with modern, fashion forward twists such as embellished straps, fringed hems or layering of corsets, waspies and draped silk. Each gown pushes the boundaries of traditional bridal wear into a fashion-forward selection of capes, dramatic veils, suits and gowns with high leg splits and removable sleeves. This layering of pieces adds an element of customisation to any bridal wardrobe. Off-cuts are used to create satin bridal purses, hair accessories and 3D embellishments, allowing Eden to incorporate the sustainable outlook into the fabric selection process.

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Reflecting Eden’s love for texture and embellishment, the collection features beadwork, feathers, fringe, crystals and a three-dimensional appliqués that have been meticulously sculpted and hand-painted in-house. Each gown tells a story through fabric and thread. Gowns are designed to be impactful, eye-catching and transcendently sentimental to the wearer.

Gowns Euphrosyne - The Deity of Joy has attracted a lot of attention from clients so far for it’s bold and happy three-dimensional embellishments. The one-piece has cut-outs and three-dimensional embellishments across the bodice, and can be trimmed into a mini dress after the wedding or before the evening celebrations. A Juliet cap veil adds a classic twist to a contemporary silhouette.

The Selene cape is hand embellished with crystals and moon-stone beadwork.

Ethereal yet glamorous, the piece can be worn multiple ways as a cape, veil, or attached at the shoulders for an evening celebration. The full look features a semi-sheer, corseted gown with visible boning channels and Swarovski crystal detailing.

Corazon Bridal purses: Made in our atelier from off-cuts of satin, the purse is a ruched satin pouch that has been cut in such a way that it appears as a heart once complete. The point is finished with a single beaded tassel, and can be personalised with Eden’s signature monogram embroideries making them a really beautiful, personalised accessory.

The EK muse has always been quite alternative. Capes, jumpsuits bridal separates along with unexpected, interchangeable veils are key to the collection. Bridal outfits are designed to seamlessly interchange from day to night, with niche accessories and the opportunity to re-wear gowns as a mini dress for an anniversary.

You can find Eden Keshia at: Website: www.edenkeshia.com Instagram: @edenkeshiabridal Pinterest: https://www.pinterest.co.uk/edenkeshia

Discover Photographer: Sam Nash Sam Nash is a London-based portrait photographer. He has been a freelance photographer for the past 15 years, as well as producing videography. He began as an event photographer before progressing to commercial photography, starting with small advertisement campaigns for magazines, retailers and lifestyle companies.

Sam has always been intrigued with art. He grew up drawing and painting and in a way, that propelled him into his love for his photography, as both activities were synonyms with creating an image. Sam first picked up his camera at 16 years old, and from there it went everywhere with him.

Within his 17 years of experience, he was able to work with big-named brands.

However, in the last 5 years, he began to solely focus on portrait and fashion photography, where his true passion lies. Sam is currently a Sony camera ambassador and holds the title of Master Of Light for the prestigious lighting company, Rotolight.

Sam describes his photography style as ‘all about capturing the emotion and expression of my subject, and this is why I am deeply interesting in portrait and fashion photography. My photographs are dynamic, often captured outdoors, and never in a simple studio setting. I focus on capturing the raw beauty of the subject’.

When quizzed whether Sam has a particular favourite when it comes to equipment, Sam’s answer was firm. ‘To be honest, I have always been a Sony shooter. I find Sony to be cutting-edge, class-leaders, and always able to keep up with my photography style which often requires capturing rapid movement with precision. My current camera is a Song A1 and it is currently the best camera. My favourite lens is the 50 mm GM 1.2 - it is the sharpest lens in my arsenal of lenses.’

Instagram: www.instagram.com/therealsamnash Website: www.samnashshots.com YouTube: Sam Nash

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Discover Venues: El Agency Studio + Grand Junction

El Agency is a multi-disciplinary design and print agency in the creative fields of design, architecture, print, and installations. Their core service started out in printing for architectural students back in 2014, and gradully expanded to serve independant businesses, corporations, practices and individuals in branding design briefs, interior design, consulations, promotional printing and high-end printing services.

El Agency have since added on a photography studio hire service at their location in Shepards Bush, West London, that is quickly growing to an iconic location. They connect with individuals, creatives and brands from all backgrounds, industries, cultures and talent.

10 minutes’ walk from Paddington Station, beside the Grand Union Canal, St Mary Magdalene Church is one of the finest neo-Gothic churches in the country. Managed by Paddington Development Trust, the Grand Junction project sees the church opened up to all as a venue with a lively community and arts programme.

Grade 1 Listed, it was built in the 1860s and 70s by the great Victorian architect G E Street, who orchestrated the very best artists and craftsmen of the day to produce a masterwork combining architecture, sculpture, stained glass, and arguably the most remarkable painted ceiling in an English parish church. From the mid-20th century the church fell into disrepair. It has now been lovingly restored and a beautiful new building has been added alongside, designed

by Dow Jones Architects, which provides a café, learning studio and visitor facilities.

Grand Junction is now open as a venue running courses for adults, after-school clubs for young people, family workshops, and a rapidly growing arts and music programme. The church is open regularly for visitors, allowing enjoyment of its astonishing architecture by a much wider audience. At the heart of Grand Junction is the idea of bringing together different communities, bridging some of the parallel worlds of 21st century London.

You can find out about El Agency at: Website: www.el-co.co Tel: +44 752 646 3308 E: Team@EL-CO.co You can find out about Grand Junction at: Website: www.grandjunction.org.uk Tel: 020 7266 8258 E: info@grandjunction.org.uk You can catch Eden at her next event stand at Bridal Week, London amongst the White Gallery stands. Visit her at stand 414.

Swanky Magazine press team will also be in attendance along with our Editor-in-chief, Sally Marie. Be sure to connect and say hello!

You can watch the Timeless and Beautful production video, and delve into the team’s behind-the-scenes of setting up the production on YouTube.

You can find Swanky Group and Swanky Weddings at: Swanky Weddings Magazine / IG: @swankyweddingsmagazine Editor-in-chief: Sally Marie / IG: @sallymariemedia Executive Editor / Writer: Lucy Jane / IG: @lucyjanemariemorris Fashion Editor/MUA: Amelia Bazzone / IG: @ameliabazzone Editorial Intern/MUA: Rosie McNamara / IG: @rosie.mcnamara

Website: www.swankymag.com Instagram: @swankyweddingsmagazine and @swankymag Facebook: @swankymag YouTube: @swankymag Kavyar: @swanky-magazine

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“DREAMS CONNECTED TO THE CHÂTEAU DE FERRIÈRES” THE WEDDING EDITION

AN AMAZING PROJECT BETWEEN PAST & FUTURE BASED ON AN ANACHRONISM VISION OF THE WORLD

LIEU: IG: @CHATEAUDEFERRIERES DIRECTION ARTISTIQUE: IG: @_FANNYROGER ASSISTANTE WEDDING: IG: @TINKERJU DÉCORATRICES: IG: @_PAULINE_BOUQUET_ IG: @ROULANDSEVERINE PHOTOGRAPHES: @_FANNY ROGER, IG:@TEAMTHEQUARTZ IG: @CHRISTOPHEDESFONTAINES.WEDDING VIDÉASTE: IG: @SIAM_FPV COORDINATRICES: IG: @HELENEBRUZUAL AND IG: @JOELECAT COMMUNICATION: IG: @BENOIT_DUCHATELET OFFICIANTE DE CÉRÉMONIE: IG: @UNSAMEDIDAVRIL ALLIANCES: IG: @CORPUSCHRISTIPARIS BIJOUX D’HOMMES: IG:@NIRVAN_EYE_CREATIONS ROBES DE MARIÉE: IG: @FABIENNE.ALAGAMA CHAUSSURES FEMMES: IG: @DESSINEMOIUNSOULIER COSTUMES D’HOMMES : IG: @FATHERANDSONSOFFICIEL CHAUSSURES HOMMES: IG: @CAULAINCOURTPARIS STYLISTS: IG: @EDDIECORPS IG: @AARONTEAV IG: @__T.E.R.R.A__ IG:@ OLIVIAPERREE CRÉATEURS ACCESSOIRES : IG: @RAVENBLAKK IG: @THEBLACKOWLDESIGN IG: @MELINAYCOCO IG:@URBANVINTAGEPARIS TENUES ENFANTS: IG: @PETITEDIANEPARIS IG: @LESPETITSMECS/IG: @SAMNEDER.DRESS DÉCORS: IG: @LABOFRANCEPARIS IG: @MAXIMUS.PARIS/IG: @PLANETSONO WEDDING CAKE DESIGNER: IG: @AMANDINEMELONI_CAKE_PARIS PAPETERIE : IG: @ENCRESETNUANCES HARPISTE: IG: @HARPELSA ART FLORAL: HIG: @DEBEAULIEUPARIS MUA: IG: @LUCIEP.MUA IG: @RUBI_HAIR_MAKEUPARTIST IG: @MAKEUPBYCREATIVEBRAIN IG: @MXELSAA IG: @CIN_FGD77/ MODÈLES: IG: @ION_IQUE IG: @THE_GOLDEN_GECKO OLIVIER FIGURANTS: IG: @KEIGHTLEYINPARIS IG: @AVA_WLADY/IG: @CHISNOTDEAD IG: @_LILI_LOU_/IG: @ROUGIERMAEVA QUENTIN,/IG: @LEGATOSATO IG: @MARTY_MCFLY_13 CHLOÉ, BENJAMIN,ELODIEMOI, IG: @ENRHAMZA IG: @CLEMENT.CORDIER26 @COOKYMONSTER_JULIE, @62_ELWOOD, IG: @PACALEG64 ENFANTS; IG: @BILLIETHEKID_MODEL IG: @AERYN_BABYMODEL IG: @HAPPYCURLYBOYS @JASON.LITTLEMODELOFF IG: @LA_FRIMOUSSE_DE_CAMILLE_ IG: @LIZE_C_ IG: @MANNOUSKA_THELYA_MODELKIDS,ALICE IG: @LEE_ANNA_LITTLEMODEL @KELLYBOCCARA SERPENT: IG: @KUMKUMDESBOIS

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Dreams Connected To The Château de Ferrières” break from the normal, an inspiration that ventures off the beaten path. Between the molecular cuisine, alabaster

python, and avant-garde visions. This is the proposal of an anachronistic world that seeks to write the future in the symbols of the past and the present in futuristic imaginations. I choose an Anachronique theme I wanted to fuse futurism and Baroque.

FRENCH: Une rupture avec la norme, une inspiration sortant des sentiers battus...entre cuisine moléculaire, python d’albâtre et visions avant- gardistes. Voici la proposition d’un monde anachronique qui cherche à écrire l’avenir dans les symboles du passé et le présent dans les imaginations futuristes.

Je suis partie sur un thème Anachronique je voulais mixer le futurisme et le Baroque.

Welcome, Fanny, and congratulations on making our interview feature for this month’s Swanky Weddings Magazine, The Accessories Issue. Thank you for taking the time to answer our questions.

Please introduce yourself to our readers, describing a little bit about yourself and how your career began.

Hi! I’m Fanny Rodgers, a wedding designer and 33-year old photographer. I like to transmit my tender energy to people who cross my path.

Able to unleash the subtle magic of objects, I transform environments into authentic scenographies. Drawing inspiration from my many travels, I manage to tint my various projects of my mystical decorative universe. Originally, I worked for many years in decoration.

Photography started only as a hobby and was used to immortalize my travels. I’m a globetrotter and when I go abroad, I like to be in direct contact with the local population. This human touch is found in all my activities. I immerse myself in places and people to enter their worlds to photograph them.

I decided to marry my two passions.

FRENCH: Parlez-nous un peu de vous et du début de votre carrière.

Je suis Fanny Roger Wedding Designer et Photographe de 33ans.

Je shoote au Canon Mark III en focale fixe, je préfère pour être plus en contact avec l’autre et pas utiliser un simple zoom qui fait le job.

J’aime transmettre ma douce énergie aux personnes qui croiseront ma route. Capable de desceller la subtile magie des objets, je métamorphose les environnements en authentiques scénographies.

Puisant mes inspirations dans mes nombreux voyages, j’arrive à teinter mes différents projets de mon univers décoratif mystique. À l’origine, j’ai travaillé de nombreuses années dans la décoration.

La photographie n’était que passe-temps et servait à immortaliser mes voyages. Je suis globetrotteuse et quand je pars à l’étranger, j’aime être en contact direct avec la population locale. Cet humanisme se retrouve dans mes activités de décoratrice et photographe. Je m’imprègne des lieux et des gens j’ai besoin de rentrer dans leurs univers pour les photographier.

What is the story behind your project, and what was the process to get there? Who was involved in the team?

Ferrières Castle contacted me and asked if we could increase their visibility on social media. For this, I had the freedom to be the wedding designer and create scenographies in different rooms of the castle. I also photographed and filmed all the artistic work with the help of a team.

I wanted to connect to different professions and people I met along the way and keep them in mind for future projects

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Three years later, I contacted them for a unique project that would suit them. I also wanted to connect this project i nternationally, as there were people from different nationalities involved. It was a melting pot that I greatly appreciated.

Regarding the process, I was determined to have an alternative-looking couple. I met the girl at a wedding fair. I also wanted a second couple with red hair that had a more royal look and children with red hair as extras. I found them through a casting call on Instagram and Facebook.

Fabienne Alagama’s wedding dresses caught my eye, and I asked the designer directly if it was possible to collaborate, and she accepted. Similarly, I contacted the stylist Eddie Corps, who has already been featured in Vogue, as well as the Wedding cake Designer, with whom I usually work. For the floral designs, I worked with Corpus Christi for the flower rings, and I created unique floral designs.

I wanted a white snake to match the colour of the wedding dresses and to represent strong symbols.

I orchestrated 60 vendors, each with a unique role in the project.

FRENCH: Quelle est l’histoire de votre projet et quel a été le processus pour y parvenir? Qui faisait partie de l’équipe?

L’histoire de mon projet : le château de Ferrières m’a contacté et m’a demandé si on pouvait le faire gagner en visibilité sur les réseaux. Pour cela, j’avais carte blanche pour être Wedding Designer et imaginé des scénographies dans différentes pièces du château.

J’ai la double casquette j’ai également photographié et filmé ensuite avec l’aide d’une équipe tout ce travail artistique.

Je voulais connecter tout corps de métier, des gens que je rencontre sur ma route que je garde dans un coin de ma tête et 3ans plus tard je les recontacte pour un projet décalé et qui les correspond.

Je voulais déjà connecté ce projet à l’International, il y avait toutes nationalités à ce projet: un Melting-Pot que j’apprécie grandement.

Concernant le processus pour y arriver: je voulais absolument un couple aux allures alternatives, j’ai rencontrée cette fille dans un salon du mariage.

Je voulais un autre couple roux dans l’esprit plus Royal avec des enfants roux comme figurants, chose que j’ai obtenu en faisant un casting sur Instagram et Facebook.

Les robes de mariées de Fabienne Alagama m’ont fait de l’oeil et j’ai demandé directement à la créatrice si c’était possible pour une collaboration, et elle a accepté.

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FRENCH: Quelle est l’histoire de votre projet et quel a été le processus pour y parvenir? Qui faisait partie de l’équipe?

I adore the mystical universe of each country, with altars that help me create original and mystical scenographies.

Pareille pour le stylistes Eddie Corps qui s’est déjà retrouvé dans Vogue, ou la Wedding cake Designer avec qui j’ai l’habitude de travailler, les bagues de Corpus Christi pour les fleurs: j’ai imaginé des conceptions florales décalées.

Je voulais un serpent blanc de la couleur des robes de mariées pour lier à des symboles forts.

J’ai orchestré 60 prestataires pour qui chacun avait un rôle fort dans ce projet.

I live in “Sacré Coeur in Montmartre”, which is a great source of daily inspiration: waking up to the Parisian rooftops in the 18th arrondissement is a real joy.

What was your favourite aspect of the project?

What drives me the most is to connect all the professions and create links between all my encounters. And to orchestrate, with the utmost respect, the people in this wonderful adventure.I wanted to connect to different professions and people I met along the way and keep them in mind for future projects FRENCH: Quel est votre aspect préféré du projet?

Ce qui m’anime le plus c’est de connecter tous les corps de métier et créer des liens entre toutes mes rencontres. Et d’orchestrer avec le plus grand respect les gens de cette superbe aventure.

How, and where did you find the inspiration for this project?

I draw my inspiration from my off beat travels, such as Mongolia and India. I love discovering different cultures and nomads to draw inspiration.

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Sometimes I start with a motif, a decorative object, and I build an artistic project around it. I get inspired by my walks in flea markets, window shopping, visiting big shows, and exhibitions of all kinds, and talking to my grandmother who gives me plenty of pretty vintage ideas.

I also have a lot of faith in my lucky star, as was the case with Eddie Corps, the Mexican stylist whom I met just one month before my event. He has participated in several fashion shows and accepted to be part of my adventure.

London is my favourite city, and five years ago during the Puppet Festival London of May Day, I discovered the Round of Ribbons, which I often use in my works.

FRENCH: Comment et où avez-vous trouvé l’inspiration pour ce projet?

artistique.

Je m’inspire de mes promenades dans les brocantes, en parcourant les vitrines, en visitant de grands salons, des expositions de tout genre, en parlant à ma grand mère qui me donne plein de jolies idées vintage...

Je suis très reliée à l’Amérique latine: Eddie Corps est un styliste d’Amérique latine que j’ai connu 1mois avant mon projet, je lui ai demandé s’il voulait participer au projet, et à mon plus grand bonheur il a accepté.

Londres est ma ville de coeur et il y a 5ans lors puppet festival london du MAY DAY, j’y ai découvert la ronde des rubans que j’utilise assez souvent dans mes tableaux.

What is next for you and your team in 2023?

To aim more at “the Wedding Destination”, to marry the World.

I have an international wedding scheduled for June in Nashville, USA. Also, to do weddings in England is a dream for me! I lived there for 1 year and a half, and it was a real love at first sight.

FRENCH: Quelles sont les prochaines étapes pour vous et votre équipe en 2023?

De viser plus la Wedding Destination, pour marier le Monde.

J’ai un mariage prévu à l’international, en Juin à Nashville aux USA. Également de faire des mariages en Angleterre est un rêve pour moi !

J’y ai vécu pendant 1an et demi, et c’était un réel coup de foudre.

Thank you for answering our questions, Fanny, I’m sure the readers of Swanky Weddings Magazine will love reading about your project - Dreams Connected To The Château de Ferrières.

Je puise mon inspiration dans mes voyages décalés tels que la Mongolie, l’Inde.

J’aime découvrir des cultures différentes et nomades pour m’en inspirer.

Catch Fanny Rodger’s video of The Château de Ferrières on our YouTube Channel at

J’adore l’univers mystique de chaque pays avec les Autel pour créer des scénographies originales et www.youtube.com/channel/@Swankymag mystiques.

J’habite au Sacré Coeur à Montmartre, c’est une réelle source d’inspiration au quotidien de se réveiller sur les toits parisiens du 18ème.

Je pars parfois d’un motif, d’un objet de décoration et je brode autour de ceux-ci pour créer un projet

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“DREAMS CONNECTED TO THE CHÂTEAU DE FERRIÈRES” W W W. S WA N K Y M A G . C O M