Perfect Circle of Sound

The Perfect Circle of Sound

By Freya Savitri

Ancient Traditions across the world have their creations stories rooted in the origins of Sound. Examples include The Word, The Circle and the Cross and Om, the sound from which all other sounds are created and within which they are contained.

In the beginning… there was the void, where Divinity Itself meditated upon and within Itself for an eternity until Self-Realisation inspired! The Divine uttered the first sound, ‘Ooh! Mmm…’ - aka Om. Lol! - I couldn’t resist. This little bit of spiritual humour was inspired in my consciousness one morning whilst meditating. Indeed I erupted into laughter! I perceive there may be more truth to this joke than meets the eye and, clearly, there’s more to sound than meets both the eye and the ear.

Cymatics

Let’s explore Cymatics, the way in which sound is made visible. By observing the immediate physical effects of frequency upon form, this provides a window into the essence of alchemy, upon which one may more deeply contemplate the nature of alchemical process and ‘reality’. This could be a whole article of its own, so rather than write the book, watch these videos to get a handle on this amazing subject. In this video you can learn about the history and possibilities of Cymatics:

Evan Grant TED Talk

In this video you can see the best description of sound on all elements in nature:

Cymatics Nigel Stanford

Insights into the process of creation of the above video,

Cymatics by Nigel Stanford Cymatics Documentary (Pt 1 of 4) What are Solfeggio Frequencies?

I have found no apt descriptions of what Solfeggio Frequencies actually are in my research, so I will do my best to explain them. Solfeggio Frequencies are a set of specific frequencies, which are intrinsic to creation. They are said to create the perfect circle of sound, similar to squaring the circle. They are transformative at a level beyond the minds capability to comprehend as they literally are, and resonate with, the fabric of creation itself. When entering into a relationship with them, particularly by the intentional and methodical manner of an ascending scale and in unison with a pure heart and clear intention, these frequencies are beyond description in their capabilities. With regular application they are entirely capable of taking a person to Self-Realisation. They are born from the Absolute as sound geometries or frequencies, reminding the listener of the Divine/Absolute and their soul’s relationship to it. In the same way that a dormant guitar sitting in a room will self-attune to the key of another instrument being

“…Solfeggio Frequencies entrain the listener or singer’s being, through all levels and dimensions…”

played, Solfeggio Frequencies entrain the listener or singer’s being, through all levels and dimensions, to their highest truth. Also simultaneously, through the grace-filled process of osmosis and transmutation they cause, they transform and thus create a miracle. The key ingredients for this process to occur optimally are that the listener is teachable and has a freely willing heart. I have personally experienced many miracles working with these frequencies over the course of my own journey. Follow the link to the ones I use.

The Origins of Humanities Relationship to Solfeggio Frequencies

This is a very strange rabbit warren of mystery and intrigue, for somewhere along the way, like so much other important wisdom in humanities story, like who created ancient architecture and how? The Solfeggio Frequencies were lost or perhaps even suppressed. In the 10 -11th C, a Benedictine monk known as Guido D’Arezzo (990-1050), created a scale known as the ‘Just Intonation Scale or the Guido System’. This formalised a group of specific sounds, stretching back to arcane times and which were handed down by pre-Egyptian Mystics. To date no one has been able to explain how these mystics measured these frequencies in this ancient bygone epoch. It is surmised that most likely that the mystics channelled these frequencies from Source code. D’Arezzo, encoded the syllables for the scale, “Ut-Re-Mi-Fa-SolLa”, into ‘Ut Queant

Laxis’ – Hymn to

John the Baptist, written by Paulus Diaconus an 8thC Historian. Whilst D’Arezzo is not attributed to having written the words to the hymn, he is attributed to having composed the music for it, based on a pre-existing melody. It was then, from the music composed for this hymn, by D’Arezzo, that the set of numbers encoded within it were re-discovered and attributed to the specific Hertz Frequencies we know today as Solfeggio Frequencies. Clearly this begs the question how did D’Arezzo know about this scale? A question that will alas remain unanswered, as no one knows. Ut Queant Laxis (Hymn to St John the Baptist)

The Rebirth of the Solfeggio Frequencies

It was Dr Leonard G. Horowitz, a Harvard educated independent researcher and respected naturopathic physician and herbalist, Dr Joseph Puleo (pseudonym Joseph Barber), who brought the Solfeggio Frequencies back from antiquity in the 1970s.

The 6 Standard Solfeggio Frequencies and their numerological value are:

396 Hz Liberating Guilt and Fear (9)

417 Hz Undoing Situations and Facilitating Change (3) 528 Hz Transformation and Miracles (DNA Repair) (6) 639 Hz Connecting/Relationships (9) 741 Hz Expression/Solutions (3)

852 Hz Returning to Spiritual Order (6)

Pythagoras and His Theorem

“If you only knew the magnificence of the 3, 6 and 9, then you would have a key to the universe.” – Nikola Tesla

These six tones have been used both in 5000 year old Sanskrit chants by Gregorian monks in 150 chants and in Biblical times, prior to the 11C. In Healing Codes for the Biological Apocalypse and The Book of 528: Prosperity Key of Love, Horowitz documented how Puleo decoded a passage of the Bible in order to identify and re-derive the Solfeggio Frequencies. During his research into the significance of the opening lines of the Hymn to St John the Baptist, Puleo spoke with a Monsignor of the Catholic Church and asked, “Well then, could you tell me what ‘UT queant laxis’ means?” The Monsignor replied, “It’s none of your business.” and hung up. How very fascinating! With doors closed to him by the church, undeterred, Puleo pressed on. It was in a vision in an altered state that Jesus appeared to him and showed him a section of the Bible, The

Old Testaments Book of

Numbers 7: 12-83 where the six musical frequencies were hidden in the verse numbers.

Puleo went on to decipher these numbers using the

Pythagorean method of number reduction, where he found a repeating pattern.

Pythagoras was an ancient Greek mathematician. Most famous for his Pythagorean Theorem, which explains the relation between sides of a right triangle, using the equation a² + b² = c². Pythagoras’s method as utilised by Puleo, requires one to add all of the digits of a larger number together. Here is the Pythagorean Theorem Explained:

Pythagorean Theorem Explained

Pythagoras was an extraordinary man with a brilliant mind, which came from his love of the Divine. His work was not purely mathematics nor philosophy, he was an Alchemist, a seeker of Divine Absolute Truth. His path of SelfRealisation was through sacred geometry and mathematics and, in his mystery school tradition, his work’s true highest aim was to perfect conscious reincarnation. A fact scarcely known in our current times. So, not only important to mathematics, Pythagoras made an enormous impression on many ancient Greek philosophers, including Plato and Socrates and continues to inspire sacred geometers and spiritual aspirants around the world.

How did the Secret Sacred Numbers and Frequencies Disappear?

Whilst this cannot yet be answered definitively, reportedly the early church music elicited outbursts of weeping, joy, miracles, and peace. There is much speculation on Pope Gregory’s interference into church music in the 6th Century, which includes Envy - One of the 7 Deadly Sins. The vocalists commanded the awe and admiration of the flock through the beauty of their performances.

“The Church hierarchy during Gregory’s reign deemed that the tones were too holy for the ears of man.”

According to Horowitz in The Healing Codes “The Church hierarchy during Gregory’s reign deemed that the tones were too holy for the ears of man.” “Historians reported that the Pope reduced the multiple original intervals of the scale to just 7, modifying the ancient music accordingly. He compiled the altered chants in two books, Antiphonarium and Gradual Romanum.” Tyrell - The Sound of Healing “By 1050 AD, the Church admitted to ‘losing’ 152 of the original Solfeggios sung by the early Church prior to Pope Gregory. Along with those Solfeggios, six intervals or frequencies inspired by ancient Hebraic songs were also missing, seemingly forever.” - Ibid “This primordial six note scale was dubiously ‘misplaced’ by the Catholic Church during the time of Pope Johannes in the 17th Century.” Sol Luckman – Conscious Healing “Each frequency had been buried centuries earlier in the Hymn to St John the Baptist, by Levitical priests, who hoped to preserve the information.’ Horowitz - The Healing Code for the Biological Apocalypse What else is left to say except thankfully the seeming attempts to suppress these extraordinary frequencies were unsuccessful!

Freya is available for Crystal Dreaming, The Liquid Crystals and a range of holistic services.

Image Credit: iStock, Shutterstock, Wikipedia

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