WHISKY THAT BLENDS THE RULES
B
efore you learn how to fly, you first have to learn how to fall. Paul Simon documents that mood and journey in his 1973 song Learn How to Fall.
“You got to drift in the breeze before you set your sails,” the US singer belts out. This issue marks my 10-year work anniversary, a period characterised by remarkable storytelling and profound personal growth. Having to crawl before learning to walk has been the biggest lesson.
When taking a trip down memory lane, my mother enjoys reminding me of my delayed motor skills; apparently, as a toddler I walked a little later than my peers. Mama, today I confidently take my first step, more assured and less clumsy.
“You don’t have to see the whole staircase, just take the first step,”
Martin Luther King jnr famously said. So, what does this mature and rhythmic gait look like? Allow me to brag for a second! An exclusive tête-à-tête in April with Italian fashion mogul Renzo Rosso, founder of Diesel and president of OTB — the parent group of Diesel, Jil Sander, Marni, Maison Margiela, and Viktor&Rolf — in his luxury
suite at The Silo Hotel in Cape Town certainly ranks high. Our chat (read about it on sowetanlive.co.za/s-mag/) put the spotlight on the brilliance of fashion superlatives Martin Margiela, John Galliano, David LaChapelle, and Glenn Martens.
A month later, I was on a virtual call, having a heart-to-heart with creative geniuses Lisi Herrebrugh and Rushemy Botter, the duo behind Dutch label Botter (read about it on p. 5). Throughout the video call, I was low-key screaming, kicking, and punching the air. But I stayed cool as a cucumber and kept my poker face on.
Afterwards, I chuckled when I reflected on how far I’d come. My first celebrity interview in April 2015, with Simphiwe Dana at Tashas in Rosebank, was a colossal disaster. Star-struck, overwhelmed with nerves, and shaking like a leaf, I accidentally spilt tea all over her Kisua jacket. She was visibly upset. I wanted to dig a hole and bury myself. While it was no laughing matter at the time, I eventually afforded myself grace and she would tease me about it in future interactions. That was the first lesson — life goes on; don’t be defined by your mistakes.
THE EDITORFrom
Another lesson has been learning to stop taking things personally. Don’t get me wrong, at different stages in the past decade I have had moments when I’ve felt overlooked and slighted. It can be a hard pill to swallow when you are younger, but it should never deter your progress. It also should never be a reflection on your passion and commitment. Sometimes life sucks and not everything happens for a reason.
The past 10 years have gone by fast, with the days feeling longer but the years seeming shorter. I remember strutting into the newsroom like it was yesterday. I recall splurging on a rose-gold iPhone 6s with my first salary. I wanted an Apple Watch the year it launched in 2015, and I still don’t own one. I did, however, buy a selfie stick.
Uptown Funk by Mark Ronson featuring Bruno Mars passed the vibe check. Adele’s retro-style Hello video directed by Canadian auteur Xavier Dolan was very cinematic. “Ghetto-fabulous” fashion experienced a resurgence thanks to Cookie Lyon’s (Taraji P Henson) wardrobe in thennew series Empire. Swedish retailer H&M opened its first store in SA, on the verge of a hot collaboration with Balmain. Rihanna certified herself queen of the Met Gala in a canary-yellow fur-trimmed Guo Pei coat that was goated by memes. Jon Snow’s (Kit Harington) death in Game of Thrones had TV viewers devastated. And never forget that Steve Harvey accidentally crowned the wrong Miss Universe.
How will I remember 2025 a decade from now? As the year Beyoncé finally won Album of the Year at the Grammys for Cowboy Carter.
We will laugh about “naked dressing” being banned at the Cannes Film Festival. Tyla, who was the cover star of the Youth issue in 2023, will be 33 years old. We will celebrate Mzansi fashion making a splash at the Met Gala with Precious Moloi-Motsepe wearing David Tlale, while Aurora James and Ivy Getty donned Thebe Magugu.
Above all, it will be the year fashion trio Ponahalo Mojapelo, Nkuley Masemola, and Mordecai Ngubane ushered in the non-binary era on the cover of SMag’s Youth issue in honour of International Pride Month. Then the second season of Shaka iLembe returned, with new cast members Zamani Mbatha and Luyanda Zuma gracing our pages.
Plus, we’ve christened a new leading lady — Shalate Sekhabi from House of Zwide and Go!.
Crochet bucket hat, R500, Simon & Mary; Loewe sunglasses, R5 750, Picot & Moss; MJ10 varsity jacket, R17 500, MaXhosa; Unisex Premium Chore Evergreen jacket, R3 899; Bend 3D loose jeans, R3 999, both G-Star; Hide & Jack sneakers, R6 990, Europa Art
CARIBBEAN COUTURE HITS G-STAR
The morning after fashion’s biggest night, the Met Gala, I jump on a virtual call with Lisi Herrebrugh and Rushemy Botter, the visionaries behind Dutch label Botter. A few days earlier they were named creative directors for G-Star Raw’s premium collections.
Having carved a unique path as creative directors at Nina Ricci between 2018 and 2022, the dynamic duo bring their genderless approach to fashion and that much-loved signature “Caribbean couture” style to the equally eco-friendly G-Star.
Their biggest challenge? Reintroducing Raw Research, the cutting-edge G-Star collection where the fashion lexicon is defined by pushing boundaries, introducing bold, creative ideas, and shaping the future of denim. In January 2026 they will debut their Raw Research collection at Paris Fashion Week, with a first taste coming out this month. Is this a marriage made in sustainabilityfashion heaven? Herrebrugh: We believe so. For us it’s very important that everything feels natural. We are super excited.
How are you bringing Caribbean couture to G-Star? Botter: Caribbean couture is about being curious and thinking innovatively. When I think of Caribbean couture I think of my family; they don’t have a lot and work with what they have — it’s working with less material but with a rich feel to it.
G-Star has collaborated with the likes of US musician and designer Pharrell Williams and designer Walter Van Beirendonck in the past. Which collection stood out? Botter: Walter has been a mentor for a long time, since when we studied at the Royal Academy of Fine Arts Antwerp. He has a big place in our hearts. Walter is always a bit dreamy and we are also big dreamers.
How do you preserve the G-Star heritage without compromising on modernity?
Herrebrugh: We are in a lucky position because we were given time to do profound research in the archives. G-Star has one of the largest general archives. We have been going through all of those and the lookbooks. That’s our way of informing ourselves of the DNA, so we infuse ourselves with knowledge of G-Star and eventually process it.
What surprised you about the G-Star archives?
Botter: A lot of stuff we found from the beginning of the 1990s were still modern, with these intelligent cuts and innovative seaming. So, sometimes we just changed the fit, tweaking it.
In an exclusive interview, editor-inchief Emmanuel Tjiya chats with our fave fashion duo, Lisi Herrebrugh and Rushemy Botter
Herrebrugh: It was the same for me. The quality of the refinement of the garments, the finishing, seaming, buttons, stitching. In the past, they loved to have intentionally wrong stitching but in the right placements. That inspired us.
Botter has been worn by Madonna, Lewis Hamilton, and Burna Boy. Who would you like to see the Raw Research collection on?
Botter: We are always inspired by African artists. I recently found out that my roots are in Nigeria. So,
when I’m listening to the music, I’m feeling these similarities. I’m inspired by [musicians such as] Asaki, Davido, Burna Boy, and Rema. For me, it’s also about giving the podium to up-and-coming artists.
Herrebrugh: It’s beautiful how they blend everything … in a way that makes it their own. In terms of fashion, mixing women- and menswear. In music, mixing different cultures. They make the storytelling so personal — that’s why we feel connected. What should we expect in the preview this month? Herrebrugh: The first collection is very curated. We were in love with the Elwood jeans. Why hasn’t this strong patent piece been explored more? So this is something we played with, thinking about the Elwood details but implementing them in a jacket. We loved the 3D cutting of G-Star and the washings. You are going to see some visual washings that inspired us when we were on a trip in Dominican Republic, where my family is from. Do you know yet what the Paris Fashion Week collection will look like? Botter: I have had some dreams about it. We have been working on it for over a month. It’s heading in a direction, but it’s still open.
EDITOR-IN-CHIEF EMMANUEL TJIYA (smag@sowetan.co.za)
CREATIVE DIRECTOR ANNA LINEVELDT
FASHION DIRECTOR SHARON ARMSTRONG
BEAUTY EDITOR NOKUBONGA THUSI
SUBEDITOR IOLANDI POOL
FASHION ASSISTANT JENNIFER KRUG
DESIGN INTERN PATIENCE TSHABALALA
CONTENT PRODUCERS NOMBUSO KUMALO & MASEGO SEEMELA
FINAL EYE CARÉNÈ BOSHOFF
SOWETAN EDITOR SIBONGAKONKE SHOBA
CEO PULE MOLEBELEDI
ADVERTISING ACCOUNT MANAGERS
ANNE ATKINSON
0836804440 atkinsona@arena.africa
EMILY MALGAS
0839606430 malgase@arena.africa
DEPUTY CHIEF SALES OFFICER PIERRETTE SPADONI spadonip@arena.africa
S.Mag is published five times a year PRINTED by CTP Printers, Cape Town, for Arena Holdings, Hill on Empire, 16 Empire Road (cnr Empire and Hillside roads), Parktown, Johannesburg, 2193
Vows with a view Wedding A 17-year love story Ekhoneni Hanging out with Harrison Mkhize
DRAW MAKEUP INSPIRATION FROM MZANSI’S MOST PRIZED NATURAL TREASURES, FROM FANTASTICAL FLORA TO THE BIG 5
01.
Who needs “demure and mindful” when runways serve us peacocking at its finest? At Valentino, lashes were bold and fantastical with extra-length feathered falsies lining the top and bottom lash lines, creating a halo effect. At Thom Browne, models were sent out with wispy strands of ostrich-like feathers attached to the outer corners for an abstract take on lashes.
Into the wild
Taking your cue from Mzansi’s national flower, the Protea, for a multi-dimensional flush. As seen at Etro, a vibrant halo blush goes one step further with up to three colours blended seamlessly into the cheekbones, temples, and nose bridge. Go for punchy blush hues reminiscent of fynbos.
MAC Strobe Beam Liquid Blush in Magic Aura
R560; Fenty Beauty Shimmer Blush in Bubble Bands,
04 GREYSCALE:
04.
Turn to the African elephant for the coolest hue this season with the resurgence of 2000s matte-grey eyeshadow at Luar and Kim Shui, where super-matte, chalky grey was given a graphic, 1980s twist. At Chanel, grey was applied as an icy, sheer wash layered over a neutral brown base shadow to prevent skin looking too washed out.
03.
The inner eye corner is primebecoming real estate as the runways skip a fully lined eye in favour of a suggestion of colour. At Dhruv Kapoor and Dior, models sported feline eyes that were left almost naked except for a flash of colour by way of a slither of eyeshadow or huggingeyelinerthe inner corner.
INNER FELINE:
TRY: Byredo Makeup Eyeliner in Technical Black, R870; Yardley Precision Liquid Eyeliner in Black, R160
TRY: Chanel Joues Contraste Intense in Rouge Franc, R1 165
TRY: Huda Beauty Icy Nude Eyeshadow Palette, R1 475
TRY:
Fenty Beauty Matte Shadow Stix in Cuz I’m Black, R575
’Fro real 1.
’Fro real: We can’t talk about the marvels of Mzansi without talking about the quintessential Afro, and the Met Gala made a strong case for statement ’fros that gave a nod to the 1970s disco era. From Doechii and Lauren Hill to Cardi B and Angela Bassett, the Afro was the hairstyle of choice with a sharper, more barbered look — think compact with a super-structured, angular finish.
03.
In the loop: If you’re planning on braids at the Durban July to combat the winter chill, make sure they are not basic by taking your cue from Simone Rocha, Kim Shui, and House of Aama, where braids were styled into mini loops to create visual interest. At Rocha, simple box braids were elevated by braids looped along the crown to create height while at House of Aama slicked-back styles were accessorised with a single braid looped along the forehead. 04.
Braided heights: The higher the hair, the closer you are to rocking some of the coolest braids of the season, as seen at Tolu Coker. This is definitely not your protectiveaverage style — models were sent out with literal hair art on their heads, from multi-coloured braids woven into a hat to sky-high, braided beehive towers that would do Marge Simpson proud.
Bang on: Lean into an Afro-futuristic mood as the runways and streets give their stamp of approval to braids and locks with a twist of fantasy. Bring the worlds of anime and traditional braided styles together and pair braids styled in a towering ponytail with an anime-inspired micro- fringe characteristic of a traditional Japanese hime or princess cut.
05.
Swoop stakes: While others bet on their favourite horse at the Durban July, we are betting on swooping edges to have a major moment. As seen at Chromat and the Met Gala on Teyana Taylor and Simone Biles, swooped edges became the main event, whether long, face-framing hair pieces gelled along the temples or a micro- fringe sweeping across the forehead in a nod to Josephine Baker.
The
new It -
HOW SHAKA i LEMBE FOUND
THE PERFECT LOVE INTEREST FOR ITS MALE
LEAD IN LUYANDA ZUMA
text : EMMANUEL
TJIYA girl
production
: JENNIFER KRUG photography : AART VERRIPS
Aftermodelling the season’s hottest It-girl styles, Luyanda Zuma details a gruelling audition process to make the cut as Liyana, Shaka’s (Lemogang Tsipa) love interest in the muchanticipated second season of historical drama Shaka iLembe.
While she can crack a joke about it today, at the time it was no laughing matter; so much so that in the two weeks before her casting she couldn’t eat. The 23-year-old Miss SA finalist endured about seven callback auditions. It has all paid off, however, and when the Mzansi Magic series returns this Sunday she will make her mark as Liyana.
Interestingly, her friend, the singer Moneoa, first planted the idea in her head that she should audition for Shaka iLembe. Moneoa had experience working with Bomb Productions, having appeared in their other TV dramas The Road and Isibaya.
“When I got to the first audition I was overwhelmed. The night before I was reciting the one script, then woke up in the morning and changed my mind, while my audition was at 9am. I don’t know what I was thinking,” she says. “When I walked into the audition, I said one line and — blackout. They allowed me to start over and I got a callback. After my third callback my friend called me for help with a script and when I looked at it, it was the same one. So, I thought for sure it was not me. At my last callback, there were three of us remaining and I remember looking at this one actress who is stunning and thinking, ‘They will go with her.’”
Working with her acting heroes Tsipa, Sthandiwe Kgoroge, Mondli Makhoba, Nomzamo Mbatha, Thembinkosi Mthembu, Khabonina Qubeka, and Wiseman Mncube has been nothing short of magical. For Zuma, it’s a dream come true being directed by established filmmakers Angus Gibson, Zeno Petersen, and Adze Ugah, who have helmed iconic local shows such as Yizo Yizo, Isibaya and Gomora. Another astonishing detail is that Zuma didn’t immediately know after being cast that she would play such a pivotal role, although she admits that any part in the show would have done.
“When you audition for Shaka, it doesn’t specifically state which character you are auditioning for,” Zuma says. “So when I got there, I was greeted by Bongumusa Zungu [casting director and producer] and tried to get him to spill the beans, but he wouldn’t budge. When he introduced me to the wardrobe team, he said, ‘I’m not going to introduce her by her real name, I’m going to give you her character’s name.’ Even when he said ‘Liyana’, I was still in the dark about how big the character is, until they took me through her story.”
Zuma was cast on a Wednesday, went through wardrobe the same day and within 48 hours was filming her first scene with Mbatha, who plays Shaka’s mother, Queen Nandi. “I was overwhelmed, but at the same time I felt at home,” she says. “The team is so welcoming, from the directors to the cast. Obviously, because I’m so new there was that element of, ‘I’ve seen them on TV before.’ The first scene I did was with Nomzamo and I don’t know how I got through that because I was so starstruck.”
Before Shaka iLembe, Zuma appeared in local TV shows Obstruction, Uzulu Nomhlaba, and Forever Yena. While not much is known about her character except for her serving under the former queen mother, Mthaniya (Kgoroge), and being Shaka’s love interest, in her character biography she is credited as being “the daughter of Mdlaka and sister to Nyembezi”.
“When she steps into the story, she steps in as a very naive girl, but very strong as well,” Zuma offers, without giving away spoilers. “She is not interested in marriage because she sees herself as the Mkabayi [Dawn Thandeka King] of her generation. She goes through so much that South Africa will just feel for her. Her story brings in a different element of Shaka. She changes the narrative about what we have always read, that Shaka is this strong soldier, unbreakable and dehumanised. Liyana’s character comes in to bring out his human side and vulnerability.”
Zuma sees being on the show as a full-circle moment. She remembers taking a tour of the Shaka iLembe set during a visit to the Cradle of Humankind when she was a Miss SA finalist in 2022 and feeling as though she was home. Zuma has again entered Miss SA this year.
“I was in a bad space in 2022; I was coming from a heavy relationship. People would watch Crown Chasers [Miss SA reality TV show] and be concerned about me because I was always crying,” she says. “Mentally, I was not there. I was in a space [where I] needed comfort more than competition. I learnt that you need to block out the noise and chase your dream. The one thing that was constantly on my mind cost me my dream.”
She credits Miss SA Teen 2011 Celeste Khumalo as her biggest inspiration for entering beauty pageants. “My brother was going crazy over her the night she won. I looked at her and thought we looked similar;
she’s just as skinny as me,” Zuma says. “Then, when I started researching Miss SA and what it stood for with all its pillars, I realised I was the right fit.” While she’s one of the most beautiful women in the world right now, growing up in Pietermaritzburg she didn’t fit in or connect with her feminine side.
“Iwas a tomboy and that energy came from the fact that I didn’t feel beautiful,” she says. “I looked like my dad and puberty had not kicked in yet, so I had very masculine features. I wasn’t deemed feminine enough because puberty hit late and all my friends started to get their boobs; I didn’t get that until later in high school.”
In grade 9 she fell in love with drama. She later studied live performance at Afda and never looked back. “In my second year, my lecturer wanted to kick me out of my live-performance class because she felt I had a director’s eye,” she says. “But I insisted that I wanted to learn performance. I respect the craft so much — I would like others to respect us for studying it too.”
p. 12-13: Headpiece, stylist’s own; Satellite Signal 3D printed dress, POR; Satellite Signal jacket, POR, both Gert-Johan Coetzee; Essence boots, R4 990, Europa Art
p. 14: Earrings, model’s own; layered crystal necklaces, R650 each, Reminiscene; Atomic coat, R12 500, The Bam Collective; crystal brooches, R150 each, Reminiscene; Essence boots, R4 990, Europa Art
p. 15: Crystal brooch, R150; layered crystal necklaces, R650 each, all Reminiscene; beaded leopard-print jacket, R100 000; beaded leopard-print costume, R10 000, both Essie Apparel; stockings, stylist’s own; Essence boots, R4 990, Europa Art
Stockists
Essie Apparel
enhlem@yahoo.com Europa Art europaart.co.za
Gert-Johan Coetzee shopgert.com
Reminiscene 083 256 0813 The Bam Collective thebamcollective.com
“I WAS IN A SPACE [WHERE I] NEEDED COMFORT MORE THAN COMPETITION”
leading gen Nextlady
FROM
HOUSE OF ZWIDE TO
GO!,SHALATE SEKHABI
Shalate
Sekhabi is textbook entertainment royalty with well-established showbiz parents, although she is discreet about her multi-generational showbiz legacy.
The 24-year-old starlet is the daughter of Aubrey Sekhabi — playwright, director, and artistic director of the South African State Theatre. Her mother, former actress Nontutuzelo Sekhabi, works for the department of arts & culture.
In the past five years she has become a household name playing Shoki in the e.tv daily drama House of Zwide. This year, her career took an exciting trajectory when she starred as Nthabi in the Netflix young-adult series Go! opposite Thandolwethu Zondi, Wonder Ndlovu, and Ntobeko Sishi.
Shalate was born to be in front of the camera and she is only warming up as the hottest next-generation leading lady.
How would you describe the past five years? Incredible. My start has given me a wonderful foundation and a huge platform that helped me to do many amazing things. I have grown a lot and have learnt how to work with others and understand people. But, above all, I’ve been growing in my craft and expanding my interests. What has been a highlight? Graduating in April 2023 from Wits [University of the Witwatersrand] while acting full-time. The course was four years long. I was studying film and television and I got my honours two years ago. It was difficult to juggle both and stay consistent. There were times I wanted to give up and I’m glad I didn’t. In terms of the work I have done, Go!, which came out on Netflix this year, is my biggest highlight. How did you juggle all of it? The production helped me a lot and worked with my schedule as well. I just did it, I don’t know how. If I had to be in class I would be there and if I was needed on set I would show up. If somehow the schedules weren’t aligning, my agent helped to coordinate things for me. You need a lot of support. What was it like to shoot Go!? Go! was amazing. Shooting it in Hillbrow was different and tricky because in House of Zwide I was used to a studio setup. Go! came with its challenges, but it was so nice to be in the world in my character. It was a nice growing moment. How has fame treated you? Fame has its ups and downs, for the most part positive — it’s given me many opportunities. But the challenges are navigating people’s opinions and people approaching you on the street to talk to you, no matter how you feel. I’m always running late, so if I’m in a mall and someone stops me for a picture, having to deal with that by being calm and patient takes a lot. You have to understand that in their eyes it’s a once-in-alifetime opportunity and they are excited to see you. Where were you born? I was born in Mahikeng, but grew up in Pretoria. I’m an only child and grew
p. 16-17: Headpiece, stylist’s own; Thula Sindi coat, R7 999, Africa Rise
p. 18: Felt fedora, R2 150, Crystal Birch; Sun Defender fringe dress, POR, Gert-Johan Coetzee; suede chess boots, R6 990, Europa Art
p. 19: Earrings, stylist’s own; necklace, R475, Reminiscene; sulphur blazer, R9 200, The Bam Collective; Luella Western boots, R1 799, Foschini
Stockists
Africa Rise africariseonline.co.za Crystal Birch therealcrystalbirch.com Europa Art europaart.co.za Foschini bash.com
Gert-Johan Coetzee shopgert.com Reminiscene 083 256 0813 The Bam Collective thebamcollective.com
up in an artsy family. I was sheltered from a lot. I spent a lot of time at home and all my friends came to me. I had to put myself out there when I got to varsity because I was very shy. At the same time, I was in a choir and did dance and drama. I was on stage a lot at school, but as soon as I got off the stage, I would go back into my cocoon. What was your upbringing like? My parents met during a play that my father was directing. My dad is an artistic director and my mom now works at the department of arts & culture. They both have drama degrees. They would always push me to go for art things in school. When I was in the choir, they would help me rehearse. They had access to a lot of artists and musicians. I started doing acting classes when I was eight. I also did a bit of piano classes but, unfortunately, I didn’t stick it through. Singing lessons started when I was nine. I am who I am because of them. How has their expertise in the industry helped you? My dad coaches me a lot. Before I got my first role, whenever I had auditions I ran the scenes with both my parents, who would give me notes. How did you end up on House of Zwide? I auditioned in 2020. I did my first audition and got a callback. Then I did another chemistry read and got the part. It’s nice to play Shoki’s journey because it has helped me grow a lot. It has afforded me a great opportunity to work on my craft. She wasn’t supposed to last this long in the story. It was supposed to be a short role, but then she started to have her own story. How is your music career going? I want to dedicate this year to being consistent with it. I got comfortable because I was on this House of Zwide wave and acting was picking up for me. I released my project [Love Is...] in September 2023 and this year I’m going to release another project.
TOSUPPOSED
LAST THISLONGINTHESTORY. “SHEWASN’T ITWASSUPPOSEDTO ABE SHORTROLE,
BUT THEN
SHE STARTED TO HAVE HER OWN STORY”
NGUBANE, THE NEW FACES OF FASHION, AREUNAPOLOGETICALLY QUEER, EFFORTLESSLY COOL, AND UNDENIABLY
BOLD
PONAHALO MOJAPELO, NKULEY MASEMOLA, AND MORDECAI
INTEERNATIONALPRIDEMONTH
THE TRIO MODEL FLUID,NON-BINARY, AND GENDERLESS STYLES FROM UP-AND-COMING LOCAL FASHION DESIGNERS
p. 21: Felt poor-boy cap, R1 850, Crystal Birch; earrings, model’s own; necklace, model’s own; Adrift pleated bolero, R2 200; Adrift shell top, R2 800; Adrift circle trousers, R1 950; all Black Coffee; socks, stylist’s own; chunky loafers, R599, Foschini
p. 20: Back-to-front shirt, R6 400; oversized suit jacket, R8 000; oversized suit trousers, R6 000, all Nhlanhla Masemola; socks, stylist’s own; chunky loafers, R599, Foschini
p. 22: Earrings, model’s own; Stella McCarthy bio-acetate spectacles, R5 400, Picot & Moss; necklace, model’s own; asymmetric cropped denim jacket, POR, TADI wa NASHE
p. 23: Oversized office shirt, R4 000; tie, R480; modular suit jacket, R7 000; extreme wide-leg suit trousers, R6 000, all Nhlanhla Masemola; chunky loafers, R599, Foschini
Sh ow yo ur pr ide
p. 26: Felt fedora, R2 150, Crystal Birch; earrings, model’s own; facet jacket, R2 300; Flight highwaisted trousers, R1 900, both Black Coffee; Eveet combat boots, R2 990, Europa Art
p. 24-25: Earrings, model’s own; trompe l’oeil blazer top, R6 000; oversized office trousers, R3 700, both Nhlanhla Masemola
p. 27: ReForm coat, R4 900; ReForm cargo skirt, R1 800; Crescent pavement-sweeper trousers, R2 300, all Black Coffee; chunky loafers, R599, Foschini
cover 3: Nkuley Masemola wears: Earrings, model’s own; Stella McCarthy bio-acetate spectacles, R5 400, Picot & Moss; necklace, model’s own; asymmetric cropped denim jacket, POR; ¾ wide-leg denim trousers, POR, both TADI wa NASHE Ponahalo Mojapelo wears: Loewe Curvy spectacles, R3 950, Picot & Moss; cropped shirt, POR, printed wide-leg, cut-out trousers, POR, both TADI wa NASHE Mordecai Ngubane wears: Celine bold 3 dots spectacles, R5 800, Picot & Moss; earrings, model’s own; printed kimono with gold accents, POR; pleated wide-leg shorts, POR, both TADI wa NASHE
Stockists Black Coffee blackcoffee.co.za
Crystal Birch therealcrystalbirch.com Europa Art europaart.co.za Foschini bash.com
Nhlanhla Masemola masemola.shop Picot & Moss picotandmoss.co.za
TADI wa NASHE karenkaparipari06@gmail.com
p. 28: Celine bold 3 dots spectacles, R5 800, Picot & Moss; earrings, model’s own; printed kimono, POR; pleated wide-leg shorts, POR, both TADI wa NASHE; Eveet combat boots, R2 990, Europa Art
MBATHA ZAMANI livinginfullbloom
ZAMANI MBATHA GETS READY TO SHAKE UP SHAKA
i LEMBE
text : LESLEY MOFOKENG
production : JENNIFER KRUG
photography : AART VERRIPS
It's a quiet
Wednesday afternoon in the Joburg suburb of Killarney, except for the hadedas and cooing doves up in the trees punctuating my tête-à-tête with actor Zamani Mbatha.
Our catch-up session happens exactly nine years since the last time I interviewed him, when he made his TV acting debut on Mzansi Magic telenovela Isithembiso aged 19. He portrayed a “Jim Comes to Jo’burg” matriculant at a Joburg college.
On Sunday, TV viewers will see the now 27-year-old heartthrob in the highlands of Zululand in the second season of the award-winning production Shaka iLembe, where he takes on the character of Nomahlanjana, the son of Zwide (Wiseman Mncube).
Mbatha certainly looks the part with his ripped physique, chiselled face, and heaps of charisma.
Looking back on his nine years in the industry, a period marked by consistency and professionalism, Mbatha says he has rolled with the punches. “Just as in any other life, you know, you make it and then it’s trials and tribulations, it’s learning and unlearning. My journey has been beautiful because I’ve managed to find myself. I always choose the positive side of everything and that has worked in my favour.”
Mbatha’s rise to fame has been impressive, paved with career-defining roles and legions of adoring fans. He has also transformed from an actor into a dependable brand.
During the Covid-19 pandemic in 2020, he had to pivot into monetising his star power. “I had to make a plan. I had the numbers, as [my] TikTok had gone viral. I already had some partnerships going but it wasn’t solid. I learnt to do things from TikTok that I thought were really cool.” What followed was an offer from a cell-phone giant. Eventually, thanks to his content-creation skills, innovation, and engagement, more brands came knocking.
Mbatha is now a sought-after collaborator with brands that sell male beauty products, fitness supplements, alcoholic beverages, and broadcasting/streaming services. He may have come across a winning formula to ensure that he doesn’t end up as a struggling artist. But here he corrects me: “‘Struggling’ only for lack of a better word. In this industry, it happens that you have work and then you don’t. But one has to maintain a positive outlook. One of the things my sister [Nomzamo Mbatha] taught me was, ‘The eye that you look at life with, is how your life will be.’ This has helped me envision my life. I think because I work hard it will not be easy for me to fall on hard times.”
Circling back to the role of Nomahlanjana, Mbatha says he auditioned for the role in the first season, but didn’t land it. “Fast forward to season two and it felt ‘more right’ to be part of this season. They decided to cast me after recalling my season-one audition.”
He adds: “Nomahlanjana is the rightful heir to the throne. He is very ambitious and driven by destiny and the fact that he wants to be seen by his father as the favourite. A strong son, the right son of whom his
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father can be proud and know that he will make a good king some day. He is skilful, ambitious, dangerous, and unpredictable — in short, he is a ticking time bomb.”
Viewers are in for a treat as Mbatha shows off a range that has not been apparent in previous roles. “I didn’t take this role as another acting gig; it was something deep and meaningful. This story is based on the lives of people who actually walked this earth. Nomahlanjana is idlozi [an ancestor] who lives. Before going on set I would go down and pray that he gets closer to me so that I can tell his story in the best way possible. I felt his presence. It was a feeling that empowers you so that when they yell ‘action’ you are ready. Once I was done, I could feel that he stayed with me.”
In preparation for the role, Mbatha underwent rigorous training, including ice baths. “A big thank you to my dunk team. They presented me with my own ice bath. I was also on a solid eating and training plan with the goal to lean up, tone up, and get ripped. I needed to look like an elder son,” he says.
Our conversation moves to the wonder of ice baths. Mbatha is a self-appointed advocate of plunging into freezing water, saying that the icy conditions help with decision-making and determination, improve moods, and lead to happiness and positivity.
As Mbatha takes some time off to do more research and prepare for his next big role, he hopes viewers will walk away from Shaka iLembe with a deeper understanding and appreciation of their history. “People will understand, accept, and open their hearts — when we tell our stories the way they are, in the most authentic way, they come out beautifully. We should always open our hearts to learn and unlearn. This is a show that teaches us about our history. We have to appreciate our past.”
text : PALESA BUYEYE
Shaka Inside
iLembe’s
intense workout
warrior
Personal trainers detail how season two’s physical happenedtransformations
Two years ago, coach Mubeen Bassa, the founder of Versa Fit Club, left our jaws on the floor when he revealed that he only had 35 days to get Thembinkosi Mthembu, Lemogang Tsipa, and Senzo Radebe into warrior shape for season one of Shaka iLembe. Bassa detailed the vigorous workout routine that resulted in the dramatic physical transformation seen onscreen. Ahead of season two this Sunday, we circled back to Versa Fit Club personal trainers Roan Kitshoff and Nevan Peacock, who got heartthrobs Mthembu, Tsipa, Fanele Zulu, Lungani Mabaso, and Wiseman Mncube into god-like shape.
How many days did you have this time?
Kitshoff: We had eight weeks to get them ready before shooting started.
What was the focus?
Kitshoff: It came down to their current physique and the specific role each actor was selected to play. For the older cast members, the goal was to put on a bit more muscle but not to lean them out too much. As for the cast members playing the younger roles, their goal was to put on a bit more muscle, get more toned, and lose fat. Break down the workout routine for us.
Kitshoff: We took into account their lifestyle, how much time they had to train, and what equipment
they had access to. Some cast members had very little time available for training, while others did not have access to training facilities, so their workout programmes had to be built around home-based training and limited equipment. We developed a training programme of five to six workout days and included cardiovascular or functional training workouts once or twice a week. The workout programmes focused on progressive overload, correct performance of the exercise, training intensity, and the correct nutrition.
What struggles did everyone face?
Peacock: The biggest issue was time — having enough time to complete their workouts and having access to training facilities while on production, as well as making time to prepare their meals. Their busy schedules also made it challenging to check in and communicate with their respective coaches.
What was the eating plan?
Kitshoff: Nutrition plans were customised and developed for each individual actor, based on their physical goals for the role, taking into account their food preferences and what would best suit their lifestyle. Typically, the meal plans comprised four to six meals per day. As muscle building and toning was the main goal, protein intake was prioritised to support muscle growth and recovery. As the cast members were also working long hours, the meal plans needed to be balanced with carbohydrates in order to sustain the energy levels required for work and training. Post-workout nutrition was crucial to aid and facilitate muscle recovery.
How much water intake was needed a day?
Peacock: Three to four litres a day. What else had to be considered?
Peacock: One of the key aspects is getting enough sleep, as this is when the body recovers and optimises muscle development. When working long hours, this can be difficult.
How was their progress measured?
Peacock: Each cast member was allocated a dedicated online nutrition and fitness coach. Regular communication and interaction form a vital part of our coaching process through weekly check-in calls and messages. Although many of the team members were in locations across the country, they were still able to chat to their coaches for guidance, support, and accountability. These calls helped our coaches to determine how each client was progressing, and how they were feeling on their nutrition and exercise programmes. Our mobile app ensured that everyone could access their workout programmes and meal plan at any time. The actors tracked their progress by updating their body weight and body measurements and uploading progress photos. This gave us an indication of how much progress was made and when we needed to implement changes.
If this year’s Met Gala is anything to go by, the classic gentleman and old-school grooming are gearing up for a resurgence. The much-anticipated gala theme — Superfine: Tailoring Black Style — was an ode to Black dandyism, an African-American cultural movement dating back to the 19th century that also had some roots in Central Africa with the rise of les sapeurs. As a response to slavery and racial discrimination, Black men adopted the European concept of dandyism as a way to use stylish clothes, impeccable grooming, and self-expression to counteract societal limitations, exercise autonomy, reclaim a sense of dignity, and redefine what it meant to be a Black man. Ranging from zoot suits to perfectly coiffed hair, dandyism was all about expressing a strong sense of individuality and pride by dressing to the nines. Today, touches of dandyism can be seen in tastemakers such as Dapper Dan and musician Tyler, The Creator, giving new life to the aesthetic as it merges with an effortless, Gen-Z cool for a refreshing reinterpretation.
JUST DANDY
Ltext : NOKUBONGA THUSI
sharp gent.
ean into old-school barbering and dapper trims. Wavy rows: Rappers ASAP Rocky and Pusha T added a twist to a familiar staple at the Met Gala. Merging 1920s finger waves with the street-culture cool of cornrows, Rocky sported cornrows woven intricately along the scalp and hairline, mimicking the look of retro finger waves, and finished off with kiss curls to tame the edges. Pusha T went down a simpler but still effective route with graphic cornrows that mixed sharp angles with more rounded and fluid wavy braids. Side piece: When it comes to Black dandyism, clean and sharp is always the memo and no-one understood the assignment better than actor Tramell Tillman, who gave the classic side part a modern revival with defined curls created using the shingling method. This technique involves defining curls by working a curl activator or gel product into sections of hair and using a fine-toothed comb in a twisting motion to distribute the product and define curls. Classic man: Take your cue from actor Jeremy Pope and musician Jidenna circa his “Classic Man” era and tap into the mood of the 1920s dapper gentleman. Think meticulously styled waved hair, clean shaven or with sharply trimmed facial hair, and oozing swag. Pope took it one step further with black guy liner smudged into the waterline of the eyes to create a defined, smouldering gaze. Bearded excellence: Despite dandyism being associated with a clean-shaven gent — or, at most a neatly trimmed pencil moustache — the modern take brings the bearded gang into that culture. A full beard has become a popular choice over the years and dabbling in dandyism doesn’t mean going for the chop. Apply the principle of “impeccable grooming” and go for one that is combed out, neatly trimmed, and finished off with a nourishing oil.
EDITOR’S CHOICE:
COMPLEMENT A DANDY GROOMING ROUTINE WITH THESE THREE FINISHING TOUCHES
01. Do invest in a super-nourishing hand cream. Dandyism is in the details, so make sure you’re not caught with rough, dry hands. Use a shea-butter hand cream to ensure that you’re confident when going in for that handshake.
02. Don’t neglect a consistent skincare routine. Having a fresh trim and style is great and all but adding healthy-looking skin to the equation can make all the difference. Cleanse, treat, moisturise, and apply SPF daily to maintain a radiant complexion.
03. Do curate your own signature scent. Whether you layer multiple fragrances or really home in on a favourite one, having a signature fragrance is the ultimate mark of a sophisticated gent. Try going for a nuanced, gender-neutral scent profile that blends contrasting notes for anattention-grabbing trail.
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Eye Kohl Eyeliner in Feline, R460 5. The Body Shop
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Tebogo and Andiswa Thokkie’sadventure-seeker’sunforgettable wedding withviewsmagnificent
THE MEETING
Tebogo: We met through a mutual friend. It was at a casual get-together, nothing fancy. She walked in and I swear the whole room dimmed a little. We kept laughing at things our friend was saying and, in that moment, I knew two things: her laugh was going to be my favourite and I was in trouble. My first impression? She was shy and effortlessly charming.
THE DATING LIFE
Tebogo: Dating her was like strapping into a rollercoaster with no seatbelt — wild, thrilling, and absolutely unforgettable. We were always on the move — from the lush landscapes of Mpumalanga to the mountain views of Magalies, hopping between Airbnbs like they were our second homes. Our dating life was the perfect mix of chaos and charm — sunsets, playlists, roadside snacks, deep talks, and that crazy feeling that we were unstoppable together. We still are.
THE LIGHTBULB MOMENT
Tebogo: It wasn’t some grand, cinematic moment with fireworks or music playing in the background. It was the peace and security we brought each other — realising our vision and goals are aligned.
THE PROPOSAL
Andiswa: Don’t expect lights and rose petals here. We were watching our favourite telenovela — deep in suspense — and this man, in the middle of all the drama, just turns to me and says, “I’m ready to send the letter.” There was no, “Will you marry me?” No dramatic music. Just vibes. I paused the TV and said, “Wait, are you proposing or updating your to-do list?” But knowing him, that was his version of going all out. And honestly, it was so him — no frills, just straight to the point. I said, “Yes” … after making him repeat it properly!
text : MASEGO SEEMELA
LOBOLA NEGOTIATIONS
Tebogo: It was an experience that no one is forgetting anytime soon. It started with nerves, as tradition demands, and a lot of quiet whispering behind closed doors. Our uncles came in full force — suits, serious faces, and that air of “we mean business” — while on the other side they were just as prepared, ready with their list and a whole lot of side-eye. Marrying a Zulu woman “is nie pap en vleis”.
THE WEDDING
Tebogo: We chose 30 November 2024, based on the days the venue offered. We had our beautiful wedding at Red Ivory in Hartbeespoort. We chose that venue because the moment we saw it, it felt like us. The views were breathtaking — rolling
mountains in the distance, trees that danced in the breeze, and a kind of stillness that made everything else fade away. Nature was everywhere, wrapping the space in this calm, grounding beauty that felt perfect for the start of something so meaningful. We didn’t want a fancy ballroom or something overly polished. We wanted something real. Somewhere that reminded us of all the adventures we’d shared — the road trips through Magalies, hikes in Mpumalanga, early mornings watching the sun rise over quiet landscapes.
THE DRESS
Andiswa: I went through a few dresses and boutiques with my mom, my sister Thuli, and my best friend Tshiamo by my side. I had a clear vision — I wanted something simple, elegant, and classy. However, my squad had very strong opinions. Each of us have our own style, so I had to blend four different fashion personalities into one dress. Miraculously, it worked — and the final look (from Bequest Brides in Randburg) was absolutely perfect. The best part? The dramatic veil Tshiamo insisted on. It added just the right amount of flair.
THE SUIT
Tebogo: I wore an off-white tuxedo, tailored by the best in the game, Tshepo Mashego from Relevance For Men. It wasn’t just a suit — it was a statement. Clean, crisp, and classic with just the right amount of bold. The off-white jacket stood out perfectly against the natural backdrop of the venue and gave that “I’m here for something unforgettable” kind of energy. The fit? Impeccable. Tailored to an inch, from the sharp lapels to the perfectly pressed trousers. I kept it timeless with black accents — shoes polished like glass, a satin champagne bow tie, and just enough confidence to keep from tripping over my own feet when I walked down the aisle.
TOP TIPS
Andiswa: I was a full-on DIY bride. It made everything feel more personal and special. On the actual wedding day, be in the moment. Things will go wrong (something always does), but don’t let it steal your joy. The day goes by in a flash — blink and you’re already at the reception. Talk openly with your partner about finances and the wedding budget — it’s very important. Tebogo: Don’t be late. Show up on time. If you’re sweating, that’s okay — it’s love (and probably a tight collar). Remember to eat before the ceremony. You might think you’ll survive on love and adrenaline, you won’t. Also memorise this phrase: “Yes, my love.” It works in all situations — stress, planning, last-minute chaos. It’s the Swiss Army knife of groom language. And don’t forget to dance like nobody’s filming.
THE MEETING
Lebo: I thought he was an arrogant little somebody on campus, the senior who is so full of himself. Our love story took shape four years later in Grahamstown in James Ngcobo’s Touch My Blood play. On the first night, we saw each other and I was like, “Not this guy again.” Clive: We went to Tshwane University of Technology and I was ahead of Lebo by three years. I was doing my drama degree and Lebo was at the musicaltheatre department. When we saw each other after four years, I was like, “Oh my god, this guy is so hot.” He wore a black velvet tracksuit. I told the friend who was with me that I was in love and was going for him.
THE DATING LIFE
Clive: I drove back to Joburg with two of my friends, one of whom was the actress in the play I was directing in Grahamstown. I remember thinking I needed to see him again, and called him. Lebo: He asked me out to dinner and we never stopped seeing each other. Dating was fun; he would pick me up after my show and we would sing along to Beyoncé, go out, eat, party — and neither of us was broke because we were both working in the industry.
THE LIGHTBULB MOMENT
Clive: We were back together after a sevenmonth breakup and had finished eating dinner at Lebo’s place. As we were washing the dishes, we got into a real conversation. I told him that I wanted this and wanted us to go to the next level and build a life together. Lebo: I had put a wall up because I had been hurt
Lebohangmulti-hyphenate Toko seal their 17-year love story with an epic celebration
before. While washing dishes, I broke that wall down and told myself I was going to be vulnerable. If he was willing to catch me, I was willing to jump, and that is what has cemented our relationship. We’ve been together for 17 years, and sometimes I feel like we’re the same person.
MEETING THE FAMILY
Clive: Lebo’s parents adored me. We had just bought our home and they visited for a week. It was the first time I got to spend time with his mom and one morning she made me mabela [sorghum] porridge because she knew how much I love it. We spent the morning with his mom telling me the entire family history, her history with Lebo’s dad and how they met. She was so generous and welcoming. Lebo: With my parents
I did not have a coming-out story and I never said to them, “This is my boyfriend.” They figured it out for themselves. During the speeches at the Bloemfontein wedding, when my family spoke about Clive, they would say, “For the past 15 years we’ve been seeing this guy at the most important ceremonies at the Toko household, and we’ve always asked ourselves, Who’s this guy? He is loud, comfortable, and respectful. But again, who is this guy?”
THE PROPOSAL
Lebo: It’s bittersweet — it began when our parents started falling ill. It started with losing Clive’s father to cancer, to losing my mother to cancer, and then losing my father. For the past six years, we’ve lost someone close to us every single year. Last year, on 19 May, I woke him up and said, “We’re getting married on 30 November and 15 December. This is our year, nobody is dying.” Clive: He delivered the news to me like he was doing a show booking. Everyone we loved had been waiting for it.
THE WEDDING
Lebo: The morning of the Bloemfontein wedding, I didn’t know what to expect. Clive’s family came through and my family was there, and there was this amazing celebratory feeling. I was told to stay in the room so the elders could talk. For me, that was the moment when we became “us”; we were seated together in the same room with all our elders advising and blessing us. It was special. Clive: After the Bloemfontein wedding, we had two weeks to prepare for the Pretoria wedding and it was the best party of our lives. My mother’s home was in Pretoria and after the formalities with our families, we had a party. I don’t identify with the Western concept of marriage. We didn’t have a white wedding. We had an outdoor stage and our artist friends performed. When people ask us when we are throwing that party again, we tell them it’s done. It was a proper get-down.
THE SUIT
Lebo: For the Bloemfontein wedding, we wore Urban Zulu, designed by Papy Kaluw, Clive’s good friend. During the consultations, he imagined us in all white. What I loved about the white outfits was that everyone else was in all these beautiful colours, and the white allowed us to stand out and make it all about us. Clive: For the wedding in Pretoria, at first, we were not going to wear the Imprint outfit as the main outfit. However, during our consultation with designer Mzukisi Mbane, he came across as somebody who understands us and will give our special day the care it needs. When we were done with the first consultation, we decided that we did not need a second look. His outfits were the Beyoncé of the show. It was magical.
Hanging ou t
MK HARRISON ZE with
HIFalling in love with radio Every time I travelled in a taxi or private vehicle, radio was part of the journey to school. It became such a good companion. • I grew up in a township and went to a former model-C school — leaving the township and going into the city, there was almost a mental cleansing that happened. • You had to present a particular image and be “white” to fit in at school. But I found that radio calmed me to be myself. • I realised that it was a platform to connect with people even when we were far apart. Biggest radio trends right now Being yourself remains a trend that sets radio apart; people connect with authenticity. • Other platforms are integrating with radio. The conversation on social media is delayed because the post needs to gain traction, but on radio the point goes viral almost immediately. • South Africa is a communal society and we are always plugging each other; radio provides that platform where people can hear the latest, biggest, and most favourite songs. • Edgy content that pushes boundaries is a trend too. Radio personalities can be provocative. • Cancel culture doesn’t happen a lot in radio because there is room for perspective and it’s a safe space, as long as you keep it respectful and honest. How the youth can break into radio Radio is a constantly relevant medium that goes hand in hand with everything else that is relevant, such as social media. Young people must take advantage of this connection and show us on
From campus radio to Gagasi FM and now 5fm, the broadcaster and musician is making waves
social media how they are able to capture and grow an audience. • Put together a radio demo in line with the station you are shooting for. Create two demos — one should be a clean demo to show that you understand the rules of radio. The second one should still show your understanding, but it must have a strong content piece aimed at the station of your dreams. • It’s also advisable to start with an online or campus station to gain training, so that by the time you make it to a commercial or national station you are ready. • Listen to other radio personalities and practise. I used to practise in the shower and do links, even when speaking to my friends. • Find your voice — you can’t come on radio and sound like Harrison Mkhize, Bonang Matheba, or Anele Mdoda. Study what they do and find your own voice. • Do not be afraid to be seen to be trying. Send out those demos and emails, ask for guidance to improve your presentation; some managers are passionate about young talent and will share advice. Keep knocking. Hottest three songs this winter Ordinary, by Alex Warren. It’s a romantic song but sounds so happy and free-spirited. • Uzizwa Kanjani, by Jazzworx, MaWhoo, and Thukuthela featuring GL_Ceejay. This song captures the essence of heartbreak, but it’s still great to dance to. • Buya, by Ugugu Ndlovu featuring PKA. It’s a beautiful song with a beautiful sound and story, by a beautiful South African artist. It’s great to share with your friends. Career highlights Being the voice of 5fm’s top 40 chart is a highlight. It is amazing that I get to crown a song as number one every week. • On the music front, it is incredible that I released my EP, A Stranger’s Love, in 2022 and three years later people are still discovering my music. • I also appreciate sharing stages with artists I have always respected and connecting with people I saw as superstars on a human level. • As an influencer on social media, I am humbled when brands approach me for campaigns. Being an MC at the 30th SA Music Awards (Samas) and a guest presenter on MTV Base were highlights too, as was hosting the Gen Next Awards.
text : LESLEY MOFOKENG
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