Andrew Rehs

Andrew Rehs is a multidisciplinary sculptural artist working primarily in reclaimed wood with rich history. Throughout his process, Andrew incorporates techniques from both of his career paths as a therapist and a builder. His works range from recognizable wooden portraits to abstract depictions of the strange. The majority of his materials are reclaimed from building projects which gives him direct knowledge of their etiology. Andrew has always pulled the majority of his inspiration from the allegory of human experience. This is an inescapable element weaved in from his career as a therapist. Though his clients’ stories are confidential, he finds ways to process them through movement and sculpture. He enjoys working with wood that has already lived a life of its own, adding a sequel to the story being told.

Get in touch with Andrew: www.blnkhaus.com Instagram: __rehs

My current sculpture series uses solely reclaimed material that’s left on the woodshop floor. Thus, my focus is split between my UFO street art campaign and the practice of reclaiming the remaining cutoffs to create new meaning in hangable projection tests with equivocal stimuli. My street installations incorporate my roots in psychology by planting wooden UFO sculptures around the country with titles that challenge the viewer to research more. This often results in interesting conversations with the seekers of the works’ meaning exploring elements of fear, doubt, disbelief and even sanity through the lens of disclosure. In my studio practice, I use cutoffs to explore the human brain’s ability to perceive meaningful imagery through ambiguous form. This is known as “Pareidolia”. My process involves randomly selecting what would be discarded pieces, reimagining, polishing and painting them to evoke an aesthetic or feeling. I fought the urge to place my own titles and input on the piece, but rather numbering them “I-X” allowing the viewer to experience Pareidolia themselves.