Playing with Hues and Shades

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Valeria Montjoy Playing with Hues and Shades: The Power of Colour in Building Facades

“Colour is life; for a world without colour appears to us dead.” Distinguished painter Johannes Itten described with these words the exceptional power of colour in our perception of the world. As a sensory event, colour not only defines what we see, but also how we feel and think; it has been shown to alter productivity, inspire decision-making, shape our perspective, and influence our well-being. Especially in architecture, these effects materialize and reach their maximum splendour. Design is, after all, a visual form of communication, and colour palettes –coupled with light, shadow, texture and sheen– play a critical role in conveying a building’s message. They create the ambiance that supports the function of a space, completely transforming user experience. Even the greats have recognized this power: “Polychromy is as powerful an architectural tool as the plan and section,” Le Corbusier once said. From Gaudí to Bofill, iconic architects have historically not been afraid to play with colour. Fast forward to today, and colourful buildings around the globe continue to bring

life to cities with endless combinations, layouts and finishes. Of course, colours conquer both interiors and exteriors, but it is in facades where they truly set the tone and make their first strong appearance. Colour is inherent in the materiality of a facade, and by carefully combining material and colour choices, coloured facades provide infinite creative and functional possibilities in contemporary design.

Architects face a number of challenges when choosing colours, and many questions often arise: How to make colour relevant to the surrounding context? How to put together a meaningful colour palette? How will colours react to each other, the space and light? How do materials influence colour choices? A lot evidently depends on a project’s specific vision, function and context, but one thing is certain: architects must not take the selection process lightly. Their colourful envelopes must be carefully thought-out, consider factors like perception and fade resistance, and achieve high-performance without overlooking aesthetics.

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Left: Maltfabrikken social and cultural centre, Ebeltoft, Praksis Architects, Svenborg, DK/ photo: Michael Ellehammer, Frederiksberg, DK. Rendered facade insulation system (StoTherm Mineral) with heat-reflecting facade paint (StoColor X-black), see ark 1/21 P. 28f.
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Above: “Shades of pink and purple” / Photos: Angela Moore, London, UK

Aesthetic and functional possibilities of coloured facades

Facades can use colours in different ways. Some create a bold aesthetic with saturated tones, while others opt for a warm look with subtle, muted shades. They can feature one colour throughout or explore many of them in unique combinations and finishes (matte or glossy, smooth or textured). And on top of that, the perception of colour will depend on the effects of shade, light, sheen and other surrounding colours – when two colours are side by side, for example, their interaction creates a simultaneous contrast effect that changes our perception accordingly. Different materials can also determine appearance, whether it be due to their finishes, interaction with light or even texture, as rough or smooth surfaces will scatter light differently.

Beyond aesthetics, colours can provide important functions when used strategically, particularly in terms of energy efficiency. A dark exterior wall absorbs 70 to 90% of radiant sun energy; this heat gain on the building can lead to thermal expansion of the materials and subsequent cracking. However, thanks to solutions like Sto‘s X-Black range of facade paints, it is possible to reduce this solar gain using heat-reflective technology. Light-coloured facades, in contrast, tend to show soiling due to weathering, which encourages the growth of unsightly microorganisms on the building envelope. Sto addresses this with Intelligent Technology

Finishes designed to dry the facade quicker. Using high-quality pigments will always be necessary to ensure maximum durability and avoid any fading issues over time, especially because facades are exposed to diverse climatic conditions and many other external threats. Naturally, the exterior surfaces of buildings tend to degrade and can suffer damage throughout the years, making restoration and renewal processes essential in improving tired existing facades.

To address both aesthetics and performance, good design must go hand in hand with high-quality solutions. Sto has adopted that mission and developed a series of products and services with a focus on colour, aiming to assist architects during the entire design process. The Sto Colour System serves as a planning tool that consists of 1400 colours for architectural use (or can be matched to any colour) and is incorporated throughout Sto‘s facade, interior, floor coatings and acoustic materials. With Sto‘s Intelligent Technology Facade Finishes, designers can work with a series of facade coatings, which come in a variety of tones and provide protection against the extremes of global environmental conditions. This includes, for example, Dryonic technology that protects facades from algae and fungus growth, and coatings with X-Black technology that regulates temperature for buildings with darktoned facades.

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StoSignature Texture: Rough 10 + Effect: Granulate 30, Deutsches Bergbau Museum in Bochum by Bethem Crouwel Architects, Amsterdam, NL / Photos: Guido Erbring, Cologne, DE. Ventilated rainscreen cladding system (StoVentec R) rendered with organic finishing render (Stolit K6) and blown-in silicon carbide particles, see ark 3/2007, p. 46f + ark 4/10 p. 26ff.

Exploring some of these solutions, below we delve into a selection of facade designs that use colour in unique and creative ways.

Intricate patterns with coloured tiles:

District School in Bergedorf, blrm Architekt*innen

This classroom building’s envelope is characterized by two features. First, a hand-crafted render surface that creates vibrant reflections according to changing sunlight; second, ceramic tiles that resemble a pixelated effect with light-blue and green patterns. The intricate glazed tile surface acts as a reflection screen for varying light emissions and contrasts with the coarse render surfaces. In combination with a durable external wall insulation system made with mineral fibre boards, both tiles and render provide a playful and practical colour scheme that perfectly suits the building’s function.

Playful multi-coloured mural:

Innovation Studio, Sir Peter Cook

This university building had a clear objective: to encourage innovation and creativity. The architects took on the mission by expressing this vision in the outside, designing a cheerful facade mural in red, orange and yellow hues. This aesthetic is complemented with a series of advanced paint and insulation technologies, including a StoTherm external wall insulation system with an intelligent technology coating (Dryonic) that maintains the cheerful colour for longer.

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Residential and office building “Gare Du Nord”, Freiburg im Breisgau designed by von Mäckler Architects, Frankfurt a.M., DE and Hetzel + Ortholf Architects, Freiburg, i.B., DE/ photo: Thomas Eicken, Fischbach bei Dahn, DE. Rendered facade insulation system (StoTherm Cell), see ark 2/22 P. 24f. Innovation Studio by CRAP Studio, London, UK / Photo: Richard Bryant/Arcaid Images, London, UK. Rendered facade insulation systems (StoTherm Classic and StoTherm Vario) with bionic facade paint (StoColor Dryonic), see ark 1/22 p. 36ff.
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Stadtpark Lehen Residential Building by Martin Oberascher & Partner Architekten, Salzburg, AT, in cooperation with PLOV Architekten, Vienna, AT / Photo: Stefan Zauner, Salzburg, AT. Rendered facade insulation systems (StoTherm Mineral and StoTherm Vario) with bionic facade paint (StoColor Dryonic), Frastanz Hofen Education Centre by Pedevilla Architects, Bruneck, IT / Photo: Gustav Willeit, Zurich, CH. Rendered facade insulation system (StoTherm Classic) with bionic facade paint (StoColor Dryonic), massive facade elements (StoDeco), see ark 1/22 p. 30ff.

Comforting monochromatic aesthetic:

Frastanz Hofen Education Centre, Pedevilla Architects

In this education centre, a natural choice of materials seeks to create a comfortable learning atmosphere. The hand-textured, customized facade features a toned-down, dark dusty pink colour, which complements the earthy tone of the building and creates a coherent visual language. The monochromatic aesthetic is made possible by using Sto‘s portfolio of facade finishes, where you can coordinate, for example, lacquers on the window sills, metal trimmings and 3D facade profiles with the main facade surface finish. To ensure high-performance, architects opted for a through-coloured surface on an external wall insulation system coupled with Dryonic Technology.

Inviting colour gradient: Stadtpark Lehen Residential Building, Martin Oberascher & Partner Architekten + PLOV

Located between a busy street and a park, this residential project aims to enhance connectivity. Its curved facade was designed with a gradient colour scheme of yellow and green tones that brings life to the street and invites users to pass through, proving that social housing can in fact be ambitiously designed. The facade includes a StoTherm System that provides weather resistance while enabling various creative possibilities, such as curved walls.

Experimenting with texture: Boarding House, Berschneider + Berschneider

This project is a great example of how colour can work with texture and sheen to bring depth to a facade. The matt-dark, metallic shimmering panels have complexly arranged indentations that create an interesting interplay of light and shadow. Combined with the pale gold sheen of the balconies, the matte metallic shade adds a strong futuristic touch. Many innovative technologies made this possible, from StoDeco panels to Dryonic S coatings with X-black technology, both of which enhance resistance and durability over time.

Colour undoubtedly plays a critical role in architecture. It has the power to evoke emotions, draw attention to certain features, reflect the function of a space, improve energy efficiency and enhance aesthetics. The possibilities are truly limitless, and architects should not be afraid to be ambitious, innovate and get creative.

Sto will launch a new colour system and a program of talks, exhibitions and articles exploring the theme of colour in architecture throughout 2023. For more information on their products and services, visit their website or browse our product catalogue.

Note: This essay has been first published on ArchDaily on February 1, 2023.

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Boarding House Lupburg by Berschneider + Berschneider, Pilsach, DE / Photos: Gerhard Hagen, Bamberg, DE. Custom-designed massive facade panels made from mineral Verolith granulate with bionic facade paint (StoColor Dryonic) on a facade insulation system (StoTherm Mineral), see ark 2/19 p. 18f.
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