it is the gated door for the man to partake in his own experience and existence within, outside, and around the Goddess energy. He becomes aware of himself within her being. She is his teacher. It is through her that he is able to learn. And as he twirls and spins in her presence, he is able to reflect the same love, nurture, and sensuality that she has given to him. The male figure also becomes an active figure in the learning process. He is able to tap more into his own erotic nature, and re-learns what it means to be involved with the feminine in the healthy, nourishing, and enlightening auras that the Universe had created her to be. Furthermore, his experience with her teaches him how to give, receive, and experience love. In reference back to the woman in the dance of the tango, she too becomes an advent learner. She is presented with imagery concerning the various shapes, designs, colors, and smells which have been created in her encounter with another soul, particularly that which does not embody her feminine nature. And of course, we cannot forget to mention one of the key assets concerning this dance. . . the red rose. It is the rose, which is a necessary piece concerning this particular realm of the erotic. The rose is a symbol of the color, vibe, style, and movement of Mother Nature when she encounters this particular genre. It becomes a reflection
and celebration of the color red. . ., that mystical color which physical reflects the spirit of life. We could even mention that the tango is the performance, personification, and attitude of this wondrous reflection of the feminine.During the performance of this encounter, the female partner begins to embody this flower. It is again the symbol of her embodiment of one manifestation of nature, in her physical presentation of the Universe. Furthermore, the red rose is also a reminder for her own allure. Her performance of this flower brings forth the awakening and reenactment of the exotica in the spiritual. The famous take of this flower being cradled in the mouth of the female partner implies the realization of her being as an avenue where the spiritual and the physical are no longer separate realms. Sultry and sizzling beats of this flower have awakened within the feminine. She welcomes those who wish to immerse with her, in the efforts to taste and experience their own nectar of nourishment with the Spanish rose. Lauren Clark completed her studies as a ComparativeWomen’s Studies major at Spelman College in Atlanta, Georgia (USA) in Spring 2009. Miss Clark’s concentrations included the following: African-descended, African, Asian, Latina, Indigenous, Native and European women in the areas of health, performing-visual arts, literature, sociologyanthropology, and religion. She is a freelance writer and activist for womens causes.
Man’s Immersion of the Feminine In the Midst of the Tango
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