Bombardier’s Luxury Magazine for Private Aviation • Issue 44 • 2025
LEADERS WHO SHAPE THE WORLD
Susie Wolff
For once, having a shorter runway is better for business.
Your reflection in the sky
Exploring Arizona’s sun-drenched oasis—a destination that is reigniting its allure for the world’s most discerning travelers.
By
Fiorella Valdesolo
SPOTLIGHT
Canvas of Dualities
How Ethiopian-Italian artist Jem Perucchini manages to combine cultures, voices and visions into his prolific works.
By Jordan Anderson
21 Leaders Who Shape the World
Motorsport maven. Neoclassical composer. Sustainable-city developer. The world’s top visionaries, from Canada to Monaco to U.A.E., are leading the way toward a future defined by innovation.
By Ève Laurier
A Toast to Mendoza Wine, wellness and gastronomy combine for a full-bodied Andean retreat.
By Renée Morrison
Impeccable India
Inside the opulence and magnificence of Madhya Pradesh.
By Ellen Himelfarb
WINGSPAN 50 Led by Design
At the brand-new assembly facility where the Global 8000 aircraft earns its wings, Bombardier’s leadership in human-centered design is on full display.
By Michael Stephen Johnson
CRAFTSMANSHIP
Restructuring the Future
Japanese multihyphenate Momoyo Kaijima on the research and design strategies that are fueling an exciting new chapter in architecture.
By Yuki Sumner
Atelier Bow-Wow’s Juicy House in Setagaya, Tokyo.
Bottega Veneta’s Ark Collection lounge chair.
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Welcome to this edition of Bombardier Experience magazine. It is with great pride and pleasure that I take on the role of Editorin-Chief for our 44th edition.
Helping curate this issue’s content is certainly a great creative exercise and also an opportunity for me to step out of my comfort zone. Most of all, I view it as an extension of how I truly enjoy meeting Bombardier’s extended family, whether they be customers, promoters or aviation enthusiasts around the world . Through this magazine, I hope to build on Bombardier’s value of fostering true connections with each and every customer, no matter what continent you are reading this on, or flying over.
As Bombardier’s CEO, I have been carefully considering how to articulate a simple, succinct and impactful statement that serves as the driving force that inspires, rallies and motivates our team—a North Star, so to speak.
Throughout my 18-year tenure at Bombardier, I have constantly felt our people’s sheer love, passion, commitment, engagement to excellence, teamwork and innovative thinking throughout our facilities around the world. What makes our 18,000 employees so driven toward perfection, pushing the limits and caring so much about what they do is also what our customers tell us time and time again: we all feel like a family.
After months of interviews and discussions, one phrase stood out loud and clear. It aptly summarized why we are so proud and passionate about building and servicing the world’s best business jets in their categories: because Bombardier enables leaders who shape the world
Our customers are culture-makers, entrepreneurs, executives and governments who are shaping the world where we live and we, at Bombardier, are the extraordinary people who help make that possible. They rely on us to perform their craft around the world, to lead businesses that move the economy and lift up populations, and finally they rely on us to keep countries safe.
Bombardier is all about fostering true connections, and as we continue our global growth, we get to build relationships with people who truly make a difference in their fields.
It’s my utmost honor to present three such individuals that I’ve had the chance to be inspired by the past few years. This issue of Experience covers how all of them are making and have made a significant mark in their respective fields of excellence, paving the way for new generations.
We are proud to be part of your journey. Your success has been our motivation for over eight decades, and we are only beginning.
“Bombardier enables leaders who shape the world.”
• Bombardier, Challenger, Global , Challenger 3500, Challenger 650, Global 5500, Global 6500 Global 7500 and Global 8000 are trademarks of Bombardier Inc. or its subsidiaries.
• All performance data are preliminary estimates and are based on certain operating conditions.
• The Bombardier Global 8000 aircraft is under development and remains to be finalized and certified. It is expected to enter into service in 2025. All data and specifications are approximate, may change without notice and are subject to certain operating rules, assumptions and other conditions. All data provided herein is valid as of the date of publication. Visit Experience magazine online at bombardier.com/experience
Éric Martel PRESIDENT AND CEO, BOMBARDIER
Jordan Anderson
Canvas of Dualities / page 14
Jordan Anderson is a Milan-based creative director and journalist from Kingston, Jamaica. Anderson is the editor-at-large of nss magazine and contributes to publications such as Document Journal and Vogue Italia . In this issue, Jordan interviews artist Jem Perucchini.
page 21
Ève Laurier, Vice President of Communications, Marketing, and Public Affairs at Bombardier, is passionate about branding, corporate culture and story telling. She spearheaded the 2024 launch of Bombardier’s new brand identity, emphasizing the company’s unique, family-like approach. Ève believes a strong brand is built on engaged employees and is committed to telling their stories and further connecting clients with Bombardier’s brand. She also authored this Leaders Who Shape the World.
EDITORIAL DIRECTOR
Elio Iannacci
SENIOR ART DIRECTOR Michael Tong
FACT CHECKER Tara Dupuis
Yuki Sumner is an author and researcher specializing in art, architecture and design. Her book New Architecture was nominated for numerous awards, and she’s the founder of The Future Rural Collective, a platform dedicated to promoting creators engaged in revitalizing rural communities. In this issue, she explores the groundbreaking work of Momoyo Kaijima.
COPY EDITOR Jonathan Furze
PROOFREADER Katie Moore
DIRECTOR OF OPERATIONS
Sharon Adonis
CONTRIBUTORS
Jordan Anderson, Ellen Himelfarb, Michael Stephen Johnson, Christopher Korchin, Renée Morrison, Yuki Sumner, Justin Teodoro, Fiorella Valdesolo
COVERS
Justin Teodoro
Justin Teodoro is an artist who transitioned from fashion design to illustration, collaborating with brands like Louis Vuitton, Lancôme and ESPN, and contributing to Celebration Tour. His work has appeared in Harper’s Bazaar and GQ , and he exclusively illustrated the three covers of Experience for this issue.
CHIEF EXECUTIVE
MANAGING DIRECTOR
GROUP ACCOUNT &
ADVERTISING & MEDIA SALES
CANADA, SPAFAX
ASSOCIATE SALES DIRECTOR Nicole Mullin nicole.mullin@spafax.com
UNITED STATES, SPAFAX SALES DIRECTOR, NORTH AMERICA
Mary Rae Esposito maryrae.esposito@spafax.com
EUROPE, UK, SPAFAX SALES DIRECTOR, UK & EUROPE
Matthew Tickle matthew.tickle@spafax.com
Designed by Justin Teodoro with photography provided by Philip Gay (Susie Wolff), Drowster (Alexandra Stréliski) and courtesy of Faris Saeed/SEE Holding (Faris Saeed).
VICE PRESIDENT, COMMUNICATIONS, MARKETING & PUBLIC AFFAIRS Ève Laurier
EDITORIAL STRATEGY & LOGISTICS
Mark Masluch, Christina Lemyre McCraw, Marie-Andrée Charron, Nicolas Le Pottier, Marie-Laurence Bellerive
BRAND
Maria Pagano, Aurore Batt
Contact Experience magazine at experience@aero.bombardier.com
RADAR
Goods • Design • Inspiration
Road to Elegance
Broad Arrow Auctions makes its European debut at the prestigious Concorso d’Eleganza Villa d’Este on May 24, 2025. Set to take place on the western shores of sparkling Lake Como, the event will showcase over 70 exceptional classic and vintage automobiles, celebrating automotive craftsmanship in one of Italy’s most picturesque settings
PHOTO: FANI KURTI
Voyage to Vitality
Euphoria Retreat in Greece’s serene Peloponnese region is setting a new standard in destination wellness with its revolutionary 360-degree Signature Advanced Medical Holistic Longevity Programme. The health and longevity experience begins before departure with at-home biomarker testing and, upon arrival, guests are immersed in hyper-personalized treatments, including precision diagnostics alongside nutrition and exercise plans, all delivered in the sanctuary of a hillside resort that feels anything but clinical
Serving Good Dish
Since 1735, Ginori 1735 has redefined tableware as a form of art. The Oriente Italiano collection breathes new life into modern dining with its vibrant hues and timeless craftsmanship. Featuring 10 distinctive colorways and adorned with the classic a Garofano floral motif—rooted in Faenza ceramics and inspired by Asian design—each set is sure to turn any table into a striking conversation starter
Perfect Timing
To mark its 200th anniversary, The Macallan has unveiled the TIME : SPACE Collection, which includes the world’s oldest single malt: an 84-year-old whisky distilled in 1940 paired with a five-year-old single malt from The Macallan’s new distillery. This limited edition—encased in a dual-chamber vessel symbolizing time travel—is restricted to just 200 bottles
Pillow Talk
Sublime and Superfine
In May 2025, The Metropolitan Museum of Art’s Costume Institute will Superfine: Tailoring Black Style, an exhibition that explores the evolution of the Black dandy style from 18th-century Europe to today’s fashion capitals of New York, London and Paris. Inspired by Monica L. Miller’s Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity, it promises to be a powerful exploration of sartorial elegance and Black culture, celebrating style and fashion as tools for rejecting stereotypes. The exhibition opens the Saturday following the 2025 Met Gala, co-chaired this year by Colman Domingo, Lewis Hamilton, A$AP Rocky, Pharrell Williams and Anna Wintour alongside honorary chair LeBron James
Handcrafted in an atelier in Montreal’s Mile End district, Cushion Cult ’s luxury throw pillows bring artistry and sustainability to the forefront of home decor. The brand uses both repurposed vintage and modern fabrics to create pieces that are as thoughtful as they are elegant
Epic Explorations
Micato Safaris elevates adventure to an art form with 2025 itineraries that venture where few have set foot. Guests can take a helicopter journey to the Turkana basin to meet renowned paleoanthropologist Dr. Louise Leakey, sandboard down the dunes of Kenya’s remote Suguta Valley, or follow the elusive snow leopard in the otherworldly landscapes of India’s Ladakh region
Creature Comforts
Bottega Veneta reimagines the art of lounging with the Ark Collection, a limited-edition series inspired by the Zanotta Sacco chair. Originally designed in 1968 by Piero Gatti, Cesare Paolini and Franco Teodoro, the Sacco’s body-molding fluidity finds new life under creative director Matthieu Blazy’s creative vision. This reinterpretation transforms the design classic into playful animal-shaped forms, adding a touch of whimsy to the brand’s signature craftsmanship
Phoenix Rising
Exploring Arizona’s sun-drenched oasis—a destination that is reigniting its allure for the world’s most discerning travelers.
By Fiorella Valdesolo
If one believes that the desert is a place with healing powers, then Arizona must have a profoundly curative effect: It is the only U.S. state to span four distinct American deserts. The Greater Phoenix area basks in the Sonoran Desert, known for its unique and seasonal landscape (spring is awash in wildflowers) and its signature towering saguaro cacti which can climb up to 50 feet (15 meters) tall and live for over 200 years. But don’t be fooled by this verdant setting: Phoenix is hot, very hot, and the city often has more than 100 days a year with temperatures creeping above 100°F (38°C). Its nickname, “Valley of the Sun,” is well-earned, so pack sunblock, a hat and this itinerary.
—STAY—
When the backdrop for your stay is the majestic Camelback Mountain, you’re already starting strong. Located a short drive from the Echo Canyon Trail, the luxurious new Global Ambassador is the first foray into hotels by acclaimed restaurateur Sam Fox (unsurprisingly perhaps, there are five restaurants on site, including the excellent rooftop-set théa). According to Fox, the design draws inspiration from his extensive travels and was brought to life by Judith Testani of testani design troupe with Nelsen Partners architects. “Interiors exude warmth and refinement, featuring honed marble, wood plank flooring and patinaed metal ceiling panels while guest rooms evoke a European pied-à-terre with rich textures and timeless details,” says Fox. For true luxury, book one of the 30 expansive suites, many of which feature unfettered views of those aforementioned mountain peaks which can be enjoyed while lounging in a plush Frette robe on your private furnished patio or balcony.
PHOTO: KEVIN BROST
—PLAY—
The Valley of the Sun is also the valley of golf. Phoenix is one of the most popular destinations in the world to come and tee off. Choose from some 200 local golf courses for your round of 18, and to watch professional-level putting, time your visit for the annual WM Phoenix Open , a tournament that’s come to be affectionately known as “The Greatest Show on Grass.”
—EXPLORE—
Don’t forget your hiking boots, because to fully appreciate Phoenix’s singularly beautiful desert environs you have to get out in them. Global Ambassador can arrange a guided hike of Camelback Mountain, which at 2,700 feet (825 meters) is the highest local peak and is best suited for seasoned climbers. For more spectacular views and rock scaling, set your sights on the second-tallest mountain, Piestewa Peak. Or, for something significantly more laid-back but no less scenic, try a trail at the 1,200-acre Papago Park, meander the Judith Tunell Accessible Trail or head to the Desert Botanical Garden which boasts the one of the world’s largest and most diverse collection of desert plants.
—SEE—
Phoenix’s beauty isn’t limited to its natural wonders—there is also plenty of art and architecture to behold. The Phoenix Art Museum is one of the largest art destinations in the Southwest (currently the work of iconic photographer Richard Avedon is on display), the Heard Museum celebrates the vast breadth of American Indian art, while the Musical Instrument Museum houses more than 7,500 instruments from over 200 countries including ones played by artists like Johnny Cash. And just outside the city, set on 500 acres in the foothills of the McDowell Mountains, you’ll find Taliesin West, beloved architect Frank Lloyd Wright’s winter home and studio, now a UNESCO World Heritage site.
—DINE—
Must-visit restaurant Bacanora is an homage to the cuisine of Sonora, the Mexican state that borders Arizona, and chef René Andrade works magic at the wood fire grill (especially with the forty ounce bone-in rib-eye). After your meal, be sure to sip the mezcal-based spirit for which the restaurant is named. Another top dining option is Fry Bread House, which offers hand-stretched golden fry bread and Indigenousstyle stews. For an exceptional selection of shareable small plates, head to the James Beard-nominated Valentine, and be sure to indulge in a dessert crafted by pastry chef Crystal Kass. Lastly, stop by the stunning Wright Bar at the historic Arizona Biltmore (a favorite of Marilyn Monroe) for a tequila sunrise (it was invented here in the 1930s).
Canvas Dualities
How Ethiopian-Italian artist JEM PERUCCHINI manages to combine cultures, voices and visions into his prolific works.
By Jordan Anderson
Je m Perucchini’s work is a revelation of duality, a meeting point where histories and identities intertwine. Born in Ethiopia and raised in Italy, he occupies a liminal space, both personally and artistically. His work, primarily vibrant oil paintings, is steeped in cultural narratives that extend beyond the canvas. With each mark, Perucchini bridges disparate worlds, weaving together the visual traditions of the Italian Renaissance and the intricate patterns of African textiles. His paintings are not merely images but layered conversations—between past and present, Europe and Africa, the personal and the universal.
Perucchini’s upbringing in Italy, a country he identifies with deeply, was shaped by his exposure to its artistic legacy. From an early age, visits to cultural landmarks such as the Uffizi Gallery and the Vatican Museums ignited his imagination and sparked a lifelong fascination with art history. He often cites the work of Piero della
Francesca, particularly The Baptism of Christ, as a key influence. The purity of form, the balance of composition, and the profound symbolism characteristic of the early Renaissance left an indelible mark on Perucchini’s practice.
Yet his work cannot be fully understood without acknowledging the influence of his Ethiopian heritage. While Perucchini’s upbringing may have been rooted in Italy, his origins are intrinsic to his identity and manifest themselves subtly yet powerfully in his art. “Oftentimes when I do my paintings and put them on display, people make an evident connection with my African heritage through my European-styled work,” he explains. “Through the colors I use, to the patterns, this is never intentional, but I like to think that it stems from my memories of Africa.” This unintentional yet undeniable link imbues his work with a sense of dual belonging, a reflection of his own multifaceted identity.
Clothing and jewelry play a pivotal role in Perucchini’s compositions: More than decorative elements, they serve as vessels for
storytelling. Patterns in his paintings often draw from traditional Ethiopian attire, African wax prints and the geometric designs found in Renaissance garments. These details create a visual lexicon that connects his African roots with his Italian upbringing, forging a bridge between two cultures. The figures in his paintings are richly adorned, their clothing and accessories fused with layers of meaning. These details are not merely aesthetic choices but deliberate acts of preservation and reimagination, reflecting Perucchini’s fascination with archetypes and shared human experiences.
This exploration of archetypes—the universal symbols and motifs that transcend cultural boundaries—is central to Perucchini’s work. He is drawn to the idea that different societies, even those with no historical interaction, can share common perceptions and imagery. His paintings often feel timeless, evoking a sense of déjà vu as if the viewer were encountering something both deeply familiar and intriguingly new. Perucchini credits scholars like Aby Warburg, Carl Jung and Jurgis Baltrušaitis for shaping his understanding of collective archetypes, which he seamlessly integrates into his art.
One of Perucchini’s recent and most ambitious works to date is a major public commission entitled Rebirth of a Nation , unveiled at Brixton Underground station in London. This piece pays homage to the history of the south London neighborhood while engaging with the larger socio-political context of the African diaspora. Inspired by the vibrant murals of Brixton from the 1980s, Perucchini’s work reimagines the local narrative, infusing it with his signature blend of historical reference and contemporary resonance. True to his practice, he does not merely depict history but reconstructs it, using his art to question how historical fantasies influence our present realities.
“I was born in Ethiopia. I grew up and was educated in Italy. These two aspects of my life converge in my work.”
Perucchini’s work is steeped in the act of unearthing forgotten or overlooked narratives, giving them new life and relevance. “I was born in Ethiopia, a country extraordinarily rich in history and always linked to the West. I grew up and was educated in Italy, a country of immense significance in art history. These two aspects of my life converge in my work,” he reflects. This convergence is evident in the way his paintings navigate the intersections of identity, history and cultural memory. His art resists the constraints of time and geography, presenting a world where the Renaissance meets African traditions and where the past and present coalesce.
Underlying Perucchini’s work is a profound engagement with the intricacies of identity. As an Afro-Italian artist, he navigates his dual heritage with nuance and grace, embracing the complexities of belonging to two distinct yet interconnected worlds. While he acknowledges feeling more Italian due to his upbringing, he celebrates his African roots as a unique and enriching aspect of his identity. “I see it as a huge plus in being unique,” he says. This duality is not a source of conflict but a wellspring of creativity, allowing him to move fluidly between cultural perspectives.
Perucchini’s paintings transcend visual spectacle; they are acts of storytelling, preservation and transformation. They invite viewers into a world that is at once familiar and enigmatic, encouraging us to look beyond the surface and engage with the deeper narratives embedded within. His work is a powerful reminder of the connections that bind us—across cultures, histories and identities. By reimagining the past and illuminating forgotten stories, Perucchini offers not only a window into his own experiences but also a vision of a shared humanity.
PAGE 15: The Fig Tree (Eros e Thanatos) PAGE 16: Ipomea (Eurydice)
PAGE 17: The Bright Side of The Darkness PAGE 18: Untitled PAGE 19 (ABOVE):
Anemone (The Letter) PAGE 19 (BELOW): The Shadow (Erebo)
It All Starts with the Land
The Santa Lucia Preserve is classic old-world California, with all the modern amenities of a world-class private community.
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© Joe Fletcher
THE WORLD WHO SHAPE LEADERS
Motorsport maven. Neoclassical composer. Sustainable-city developer. The world’s top visionaries, from Canada to Monaco to U.A.E., are leading the way toward a future defined by innovation.
By Ève Laurier
On paper, Faris Saeed, Alexandra Stréliski and Susie Wolff couldn’t be more different. Born in Jordan, Saeed is a Dubaibased developer focused on sustainability; Quebec’s Stréliski is an award-winning neoclassical composer and pianist who recently wrapped up a two-year tour; Scotland-born Wolff is a former professional race car driver and now leads the F1 Academy in Monaco. Yet regardless of their backgrounds, these three A-types share striking similarities: They are strong leaders shaping the future with immense drive and determination.
Though they come from different worlds, they each stand as powerful forces who care deeply about the next generation. Wolff, for instance, was the first woman in more than two decades to participate in a Formula 1 race weekend; she now devotes her time to creating opportunities for other women to succeed in motorsports. Similarly,
Stréliski—one of the few women changing the rules in modern classical music—has had strangers thanking her for being a role model to their little girls interested in performing or creating sound. As founder and chairman of SEE Institute, Saeed makes room on his giant to-do list for mentoring eco-minded students in how to build sustainable cities. These trailblazers also have some common characteristics that make them stand out in their respective fields. For starters, they’ve each put aside their ego to concentrate on empowering others. Wolff’s strategy—“it’s up to us to create opportunities”—is something that is shared between the three visionaries. Or, as Stréliski so succinctly puts it, “A leader nowadays is a lot about listening… and putting people in the right place to excel.” All three prioritize an authentic approach to planning the future, each developing a fierce desire to do what’s right. And their creativity knows no bounds. In fact, their unconventional thinking will impact the world for years to come. “It’s our responsibility to start fixing this world for [future generations],” says Saeed. “Otherwise, everything we do has no value.”
DRIVING CHANGE
F1 Academy’s SUSIE WOLFF is shaping the future of women in motorsports.
Susie Wolff, managing director of F1 Academy—a femaleonly championship founded by the Formula One Group— knows firsthand what it’s like to be the sole female in a male-dominated industry. As a young girl, she rode bikes and go-karts alongside her brother in their hometown of Oban, Scotland. By age 18, she held the title of Top Female Kart Driver in the World, ultimately progressing through Formula Renault UK, Formula 3 and the Deutsche Tourenwagen Masters (DTM), where she raced for Mercedes-Benz. Wolff went on to make history in the 2014 British Grand Prix as the first woman in more than
two decades to participate in a Formula 1 race weekend. All the while, she was encouraged to wear pink helmets and drive pink cars. Wolff resisted stereotypes and focused her energy on transforming the F1 landscape. “When Stefano Domenicali, CEO of Formula One, called me to talk about a role at the F1 Academy where I could support women in motorsports, I realized it was a once-in-a-lifetime chance for positive change,” says Wolff, 42. With women making up around 10 percent of motorsports participants globally, she sees the growing investment behind women’s sports as a pivotal opportunity. “We have the chance to shape the future,” she adds, citing the F1 Academy as
an incubator for emerging female talent. “Formula 1 is realizing the world has changed and is committed to changing with it through collaborating, not just competing.”
Wolff proved her power through performance, first as a driver and later in leadership roles, including team principal and shareholder of Rokit Venturi Racing in Formula E — Monaco’s only racing team — before becoming CEO and leading the team to its most successful season. Her victory in Formula E marked a significant milestone, demonstrating that her success wasn’t defined by external expectations or distractions. Instead, it was a testament to her determination, vision, and ability to lead a team to the pinnacle of performance. The win in Formula E solidified her as a formidable force in motorsport, affirming her place not only in the sport but as a trailblazer in the industry.
The year following her retirement from driving in 2015, Wolff launched Dare to Be Different, a non-profit organization aiming to increase women’s participation in racing. Now at the helm of F1 Academy, she continues to break down barriers. “Our much wider vision at F1 Academy is fueling the future of women in motorsports. We want to inspire the next generation, create role models and opportunity,” says Wolff. “And it’s not just about being a race-car driver; whether you want to be an engineer, mechanic or journalist… there are thousands of people involved in working in this sport and it’s up to us to create opportunities for female talent.” Her efforts have been recognized off the track as well: In 2017, Wolff was made a Member of the Order of the British Empire for her contribution to women in sport.
Having just wrapped their second season, F1 Academy has already thrust some fresh faces into the spotlight, including 22-year-old
“There are thousands of people involved in working in this sport and it’s up to us to create opportunities for female talent.”
Alpine junior Abbi Pulling—the first female driver to win a British F4 race. Wolff has also pulled in an unconventional partner in beauty brand Charlotte Tilbury—the first company founded by a woman to sponsor F1 Academy drivers.
The wins, however, didn’t come without perseverance. “It’s easy to have a first impression where everything [appears] shiny,” says Wolff. “I’ve had tough days where I thought, ‘okay, am I ever going to get the traction I need to create this change?’ I’m incredibly lucky that I have a great team of people around me that makes everything possible… I also have a lot of tenacity. People tell me something’s not possible and it makes me even more determined. I love to be doing something with purpose and passion.”
SELF COMPOSED
Creative powerhouse ALEXANDRA STRÉLISKI on shaping the symphony of tomorrow.
Alexandra Stréliski approaches her music much like a novelist. With each composition, she creates a narrative through sound that pulls you in and keeps you hooked, where every note tells a story that captivates. Through curiosity, an open mind, and a deep focus on human connection, her music crafts a journey that engages both the mind and the heart. This commitment to sonic storytelling has helped the Montreal-based neoclassical composer and pianist earn over 600 million streams worldwide and recognition from Billboard magazine as one of the most significant emerging figures in modern classical music. Each achievement brings her closer to her goal
of connecting more deeply with her audience. “Art makes people resonate, emotionally and intellectually, to what you do,” she says. Such an intuitive technique has served her well. Pieces from Stréliski’s 2010 debut album, Pianoscope, have been featured in major films, including fellow Canadian Jean-Marc Vallée’s Dallas Buyers Club and Demolition, as well as Vallée’s HBO series Big Little Lies Her second album, 2018’s all-instrumental Inscape, went double platinum. Her third album, Néo-Romance, earned a coveted spot on the 2023 Polaris Music Prize Long List and won multiple awards, including Best Selling Album at the 2024 Gala de l’ADISQ and the Opus Klassik 2024 New Classic/Neo Classic album of the year. The album
was conceived during a pivotal time in Stréliski’s life, when she moved to Rotterdam to be with her partner. There, she unearthed the depth of her French, Polish and Jewish heritage, which profoundly influenced the album’s creation. Despite the accolades, Stréliski remains focused on her audience: “I’m into bridging classical music to more popular audiences and reviving those emotions that have maybe been lost, because classical music has always been seen as elitist. There’s a big gap that’s been created.” Stréliski uses words like “minimalism,” “cinematic” and “emotional” to describe her music, which in part explains why her work crosses over into the pop world and beyond. (At the 2024 Festival d’été de Québec, for instance, she performed alongside acts like the Jonas Brothers, Mötley Crüe and Post Malone.)
Stréliski, who previously scored TV ads and documentary films, recently performed in front of nearly 100,000 fans internationally on a two-year Néo-Romance tour, which wrapped up in January 2025. She says she gains inspiration from playing at different venues in various countries and from a shared experience with her audience. But she appears just as satisfied with studio work. “It’s a very interesting [feeling] to do these enormous events and suddenly it stops,” says the Juno Award-winner, of post-tour life. “It’s a time to go back to basics, to the essence of who I am as an artist. It’s important, when you’re a creative person, to accept there will be moments of silence, moments of nothingness. And to embrace it and enjoy that process, as well.”
In a quest to reach a broad audience, Stréliski is philosophical about the power of neoclassicism. As she explains, “Instrumental music has this quality that you can listen to it in very different contexts. [People tell me] they listen on a loop and they live with the music.
“I notice on stage that this music is mine, originally, but it doesn’t belong to me anymore. It belongs to everyone.”
And I notice on stage that this music is mine, originally, but it doesn’t belong to me anymore. It belongs to everyone… Some people have very deep human experiences such as grief or birth, and so when I’m playing a song, these people are reliving their own memories.”
Stréliski’s talent is impacting a younger generation, as well. As one of the few women in neoclassical music, she shares that she has received letters from parents saying she’s a role model for their daughters who are playing piano or composing. Stréliski recalls an incident from her own childhood, which forced her into a leadership role. “We had to elect a school president, and I raised my hand because I thought that people wanted me to do so,” says Stréliski, who indeed landed the role. “You don’t position yourself as a leader. To me, it’s about listening to who is surrounding you, and then inspiring, and then yes, leading. You also need to fight as a leader—you need to fight for your cause.”
SUSTAINABLE FUTURES
A new chapter for eco-conscious cities according to FARIS SAEED.
The empires of the future are the empires of the mind.”
This prescient quotation by Winston Churchill reflects the idyllic vision Faris Saeed has devoted his life to. Saeed, chairman & CEO of SEE Holding, has been a leading force in pioneering sustainable real estate developments. Part of his latest project is all about planting seeds for the future—literally and figuratively. Welcome to The Sustainable City in Dubai, a trailblazing development completed in 2016 that has set a new standard for sustainable living. The brainchild of Saeed, SEE’s sustainable-city concept has become a working model for future cities and has since expanded to Yas Island and Sharjah in the UAE, as well as Yiti, Oman. Designed to accommodate 10,000 people, The Sustainable
City Yiti is slated for completion in 2026 and committed to achieving net zero emissions by 2040. These big plans include creating residential communities comprised of high-end villas, car-free zones to encourage walking and biking, a school and nursery, retail space, two hotels, an equestrian club and a cutting-edge center for children with autism. In Saeed’s vision of tomorrow, green spaces are the priority and produce comes from urban farms and biodome greenhouses. Saeed’s home concepts are incredibly energyefficient, powered by renewable energy sources and equipped with water-recycling systems.
Ironically, it was the 2008 global financial crisis that sparked the idea of an eco-friendly city. “I wanted a sustainable model…that’s immune against any financial crisis,” says Jordan-born Saeed, who
trained in civil engineering. “We started with the social part— human-centric development, we call it… [Humans] love to be ecofriendly but they don’t want to pay a premium for that.” To that end, Saeed promised during preconstruction that they’d collect “zero service fees,” a tactic that attracted buyers in droves.
When planning for new developments, Saeed turns to figures from SEE Institute—a hub for sustainability education, research and business incubation housed within Dubai’s Sustainable City (Saeed is founder and chairman of the Institute). “We always think of what’s coming tomorrow,” he says. “Our Institute is the most sustainable building in the world,” he notes, pointing to the fact that SEE’s modus operandi includes a net-zero emission strategy and the capacity to produce 300 percent of its energy requirements. “We call it a living lab because we’ve opened the doors for everyone to come in and learn.”
“We always think of what’s coming tomorrow. We call SEE Institute a living lab because we’ve opened the doors for everyone to come in and learn.”
competition, he’s eager to teach others how to build sustainable cities so that the impact can be felt worldwide. One of SEE Institute’s innovative offerings is Immersee, a cutting-edge immersive exhibit launched in 2024. Using multimedia installations and performances, it creates dynamic experiences designed to inspire people to embrace a sustainable lifestyle.
To motivate a new generation of leaders in sustainability, SEE Institute supports innovative start-ups in the field and offers professional education programs for students from around the world; the center recently partnered with Mohawk College in Hamilton, Ontario, to promote student exchanges and share teaching resources, among other plans. Saeed’s mission is global. Rather than fear
Saeed is also paving the way for the movement towards inclusion. For The Sustainable City in Dubai, Saeed envisioned Sanad Village—the region’s largest center dedicated to understanding autism and related conditions. It includes a research and development arm, as well as a range of amenities—such as a stimulation mall—designed to help children and adults prepare for interaction within the wider community. Its school can accommodate 600 students, including support for one-on-one therapies. “These kids are teaching the community something that transforms them as human beings,” Saeed says, adding that there’s a high volunteer rate from members of the development.
As for the motivation behind his grand visions and high ambition, Saeed is focused on the future. “Just think about your [children and grandchildren],” he says. “It’s our responsibility to start fixing this world for them. Otherwise, everything we do has no value.”
RestructuringFuture the
Japanese multihyphenate Momoyo Kaijima on the research and design strategies that are fueling an exciting new chapter in architecture.
By Yuki Sumner
The Japanese architect, author and artist Momoyo Kaijima is a busy woman. She divides her time between teaching in Switzerland and running the Tokyo-based architectural studio, Atelier Bow-Wow, which she co-founded with her partner, Yoshiharu Tsukamoto, in 1992. Their architectural design work is highly original, sometimes idiosyncratic and often playful. People interact with structures in ways that are meaningful to their lives and work, and the studio’s designs are usually a direct response to these interactions. Atelier Bow-Wow is also known for its diverse activities: participation in art and architecture biennales, exhibitions of their artworks, furniture design, education, and the publication of seminal books, such as Made in Tokyo (2001) and Pet Architecture Guide Book (2002).
Back in 2007, Atelier Bow-Wow was involved in an artist-inresidence program at the 21st Century Museum of Contemporary Art, Kanazawa. Their research work, called Iki-Iki Machiya Project, analyzed and mapped the vacant Edo-period townhouses (machiya)
in the city of Kanazawa. They noted their original features, as well as various alterations made over the years. Their focus was on historic craft, yet the process was modern and democratic. As part of the research, the Atelier spoke to various local groups, evaluating and categorizing their activities. “The idea was to potentially match their activities with empty townhouses so that these buildings could be repurposed and reactivated,” Kaijima explains.
Through this process, the atelier recognized the gravity of the situation. So many of these traditional townhouses stood vacant, no longer being passed down from one generation to the next. “I find machiya townhouses very attractive, with their openness to the streets and unique features, such as tori-niwa,” Kaijima says. A tori-niwa , literally translated as “street garden,” is a hallway that runs from the front of the house all the way to the back. It features an earthen floor (doma) and is unique to this building type. Functioning as an ‘in-between’ space, the tori-niwa is traditionally used for storage, work and play. Kaijima’s goal is to save the machiya and update them for contemporary use.
OPENING SPREAD: Juicy House (2005) in Setagaya, Tokyo. ABOVE: House Tower (2006) in Shinagawa, Tokyo. OPPOSITE PAGE: House & Atelier Bow-Wow (2005) in Shinjuku, Tokyo.
Their architectural design work is highly original, sometimes idiosyncratic and often playful.
Atelier Bow-Wow published their findings in a guidebook entitled Walking with Atelier Bow-Wow: Kanazawa Machiya Metabolism
The following year (2008), the museum hosted an exhibition based on their research on machiya . “In conjunction with the exhibition, we were able to transform one vacant townhouse in Kanazawa. We cleaned it up and turned it into a guesthouse, where people could stay and experience the original charm of machiya.”
With the owner’s agreement, Atelier Bow-Wow continued to operate the Machiya Guesthouse long after the exhibition had finished. Last year, after 15 years of operating The Machiya Guesthouse, the studio purchased it. “Now that we own The Machiya Guesthouse, we
plan to renovate it. A nearby bathhouse has recently shut down, so we are thinking of adding a bathroom to The Machiya Guesthouse.”
The studio has since been involved in the renovation of several machiya townhouses, as well as the creation of new homes inspired by this building type. According to Kaijima, one of the studio’s most fulfilling projects was a request to convert a townhouse in Kyoto into a hotel and café. The project, called Machiya of Miyagawasuji, was completed in 2019 and sits on a quiet back street adjacent to the Kamo River. Their client was inspired by the 2008 exhibition, Kaijima says, after which he became a machiya enthusiast.
At around the same time as that exhibition, Atelier Bow-Wow was approached by the Greek property developer Iasson Tsakonas, who had bought land on the island of Antiparos in the Aegean Sea. Tsakonas was dismayed by the rampant property development on some of the islands, and was determined to take a more considered, sustainable approach. His company, Oliaros, purchased large swaths of windswept, untouched land and divided it into large plots to develop properties, commissioning Atelier Bow-Wow.
“Peninsula House is a family home for Tsakonas. He approached us to design it in 2008,” says Kaijima. The site had complexities: it was split up into two parts by a water feature and facing north. Exposed to the harsh north wind, walls had to be erected as windbreaks, but this risked blocking the views of the sea to the north. “We tried to find a balance between openness and protection.”
Although work was temporarily halted by the Covid pandemic, the house was eventually completed in 2021. Following the contour of the land, Peninsula House is divided into two halves, which are linked by an intricate network of walkways, canals, arches and terraces.
“The outdoor areas and interiors are woven together, with shifting sea views unfolding as you walk through the house,” the architect enthuses. This slow revelation through a promenade, with occasional views of the landscape and the sea beyond, recalls the kind of experience you might have walking through traditional Japanese gardens.
Instead of white shoji paper doors here, you will find thick sturdy stone walls offering Grecian sanctuary and splendor. In the intervening years, the studio completed two other houses on the island: Antiparos Ring (2012) and Treehouse (2016).
Atelier Bow-Wow is already working on their next project with Tsakonas. “It’s a villa built on a hill next to a fishing village on the island of Sifnos.” For this project, they are incorporating the ethos of “back to the basics.” Inspired by the island’s vernacular housing style, the studio will be using local materials, such as stone and ceramics. They will again design it with a promenade in mind. “We want to make it as sustainable as possible, with a compact swimming pool and solar panels,” Kaijima says. “Today, a more robust political stance is called for in design. This includes responsible property development.”
OPPOSITE PAGE: Machiya of Miyagawasuji (2019) in Kyoto. THIS PAGE: Peninsula House (2021) in Antiparos, Greece.
IMPECCABLE INDIA
Inside the opulence and magnificence of Madhya Pradesh.
By Ellen Himelfarb
The fresh new road from Jabalpur Airport snakes across the geographic heart of India through a tropical savanna. Hemmed in by tall dry grass, ficus and frankincense, the route reveals little at first beyond the occasional lazy herds of wild cattle. After a few hours, however, it begins to skirt Bandhavgarh National Park, home to dozens of Bengal tigers.
With one of the highest concentrations of tigers in the world, Bandhavgarh—and its northern neighbor Panna National Park—are among the foremost settings for spotting the endangered predators. In the decades since the royal dynasties disappeared from this central Indian region, the tigers have resumed their role as apex rulers. Vestiges of the human kings remain in the dozens of palaces and forts that sprawl across the state, but a growing tiger population now roams the plains of Bandhavgarh. It’s just taken some time for the two worlds to find a way to live together.
Madhya Pradesh doesn’t roll off the tongue like its popular neighbor Rajasthan, yet it deserves to be talked about. This year, two bold, beautiful and utterly luxurious new properties are getting attention not only for their compassionate design but also for their vision to provide a harmonious setting for visitors and the indigenous
Vestiges of the human kings remain in the dozens of palaces and forts that sprawl across the state.
animals. Despite their shared vision, they couldn’t be more different. The new Oberoi Vindhyavilas Wildlife Resort, on the edge of the 155-square-mile (400-square-kilometer) Bandhavgarh Tiger Reserve, is a five-star setting with 19 luxury tents and two luxury villas on 20 acres amid the lush forest of the Vindhya Hills. Its sister resort, the Oberoi Rajgarh Palace, is an opulent hilltop retreat left behind by Maharaja Hinu Pat Shah of the Bundela Dynasty, built with sky-scraping Bundelkhand-style cupolas. Just now accepting their first visitors, the resorts are best experienced as a pair, with many other treasures to explore between them.
Whether travelers come to Madhya Pradesh for the majestic Bengal tiger or for Indian culture and hospitality, the Vindhyavilas resort will satisfy them all with an approach to luxury that is both quiet and deeply revitalizing. The property hews to the sustainable ethos of its owners with just 21 lodgings, 19 of which are lavish, air-conditioned “tents” inspired by royal caravans of the past yet fitted with glass and dark local wood, wool rugs and fine linens. Each
OPENING SPREAD: The Taj Usha Kiran Palace in Madhya Pradesh. ABOVE: Exterior of one of the luxury tents at The Oberoi Vindhyavilas Wildlife Resort. OPPOSITE PAGE: A wild bengal tiger in Bandhavgarh National Park.
measures more than 600 square feet and has its own private lawn and dining terrace perfect for partaking in local breakfast specialties—sautéed rice with onions and chili, fresh mangoes, guava and buttery breads washed down with masala chai—in case the elevated open-air restaurant seems just too far away. Consider a dip in the 60-foot infinity pool by the lake, unless you’ve gone for one of the two 1,100-square-foot villas, where you’ll have your own private 30-foot pool. The on-site hospitality team is devoted to creating a peaceful, recharging environment for guests of all interests and ages.
All that open space and fresh air is what you need to contemplate the remarkable landscape, not far from the national park where Kipling was inspired to write The Jungle Book. Since animal populations have rebounded here in Bandhavgarh, the park buzzes with activity. Tours are directed by Ratna Singh, a veteran guide who is India’s first trained woman naturalist. Set off in a Jeep, at any time of day, and creep along through tunnels of fragrant trees where Northern plains gray langurs squat overhead, snow-white hair framing their tiny faces. Wild boar lurk behind trunks; woolly-necked storks and kingfishers flap and mugger crocodiles sunbathe on the riverbank. Remnants of an ancient fort are draped in climbing vines (the fort, or garh, was said to have been a gift from a divine Hindu lord to his brother, or bandhav).
You might hear a deer send a warning call across the preserve, somewhere between a whistle and a shriek, alerting its family that a tiger is nearby. That bodes well for a successful safari. Tigers mark
Just now accepting their first visitors, the resorts are best experienced as a pair, with many other treasures to explore between them.
their territory just like house cats; they leave scratches on trees and scent markings to signal where they’ve been. They swagger through the bush like the rulers they are. Spotting one isn’t a given, but gliding around these rugged country tracks is the best chance you have.
To further your odds of encountering the majestic mammals, make the trip to Panna. Go by chauffeured car, on narrow, pin-straight roads under the big sky. You could drive as far as Gwalior, a city riddled with temples and palaces and an ancient eighth-century fort with umpteen limestone towers. The Taj Usha Kiran Palace, south of the city’s garden zoo and surrounded by old oaks, has one of the most sought-after spas in Madhya Pradesh. Treatments here hearken back to ancient wellness practices and blend local ingredients rooted in the five sacred elements: Jal (water), Vayu (air), Agni (fire), Prithvi (earth) and Akash (ether). Stay afterward for tea and pastries flavored with cardamom and saffron and dusted with pistachio.
OPPOSITE PAGE: The Oberoi Rajgarh Palace, Khajuraho. ABOVE: Interior of one of the luxury tents at the Oberoi Vindhyavilas Wildlife Resort.
But first, stay for a spell at the new Oberoi Rajgarh Palace in Khajuraho. Set back from a cluster of Hindu and Jain temples dating back more than a millennium, the hotel sits above Panna, a national park and tiger reserve less traveled than Bandhavgarh, with falling water and thick copses of teak trees. With the Ken River cutting through the landscape, you can opt to tour by small boat and hope to catch a tiger mid-swim—Panna is home to 80 or more. Or you can rely on the excellent shock-absorption and cushioned seats of the hotel Jeeps, driven by experienced naturalists who’ll point out not only tigers but leopards, pythons and, lazing in the rock escarpments, sloth bears.
Back up the hill, the 350-year-old Rajgarh has 66 rooms, most in the palace itself and the others scattered across the 70-acre estate. The wedding cake fortress is accessed by scalloped archways and colonnades, leading to lavish rooms where traditional Bundelkhand melds with British colonial architecture and design elements. After a day in the national park, water is the most welcome sight, and the hotel understands this, giving the dining room a full view of the lake and the spa. Post-dinner, a dip in the infinity pool allows you to decompress with a beautiful view. Listening to the water ripple is most soothing as you watch the walls of the palace turn white to pink to orange in the sunset.
Of course, you’re so close here to the tiger reserve that it never quite leaves the frame. Even while you’re seated at your table—tucking, perhaps, into heritage Mughal dishes of tender mutton curry, fluffy pilaf or fried spinach puri cakes infused with ginger and curry— you still get a full Panna panorama. If you hear the deer calling, you don’t even need to whisper. Just pick up your binoculars and watch.
ABOVE (FROM TOP): An ornate pool at the Taj Usha Kiran Palace; the Oberoi Rajgarh Palace, Khajuraho.
Beauty That Never Fades
A TOAST TO MENDOZA
Wine, wellness and gastronomy combine for a full-bodied Andean retreat.
By Renée Morrison
At the foot of the Andes mountains, Mendoza is making waves with its multifaceted wine tourism and impressive culinary scene. The region is also drawing travelers with an appetite for extraordinary experiences—from private wine tours to high-altitude excursions.
Elevated Accommodations
Nowhere is Mendoza’s tourism evolution more evident than at Argentinian winemaker Susana Balbo’s recently opened SB Winemaker’s House & Spa Suites, a chic property with seven private suites and an in-house Michelin-recommended restaurant. Each of the property’s suites was designed with meticulous attention to detail, featuring locally sourced decor and wellness amenities like steam rooms, sensation showers, cedar saunas and soaker tubs inspired by concrete wine-fermenting vessels. Terraces with heated loungers are landscaped for maximum seclusion with lush greenery and volcanic stone panels (“sourced from a friend who has a volcano on his land in southern Mendoza,” notes Balbo). Guests can enjoy in-room spa treatments ranging from massages to grape-infused body wraps and facials, all bookable with a quick message to the concierge—a thoughtful touch born out of Balbo’s understanding that privacy is the ultimate luxury.
“We want guests to feel immersed in the essence of Mendoza.”
Susana Balbo
“We want guests to feel immersed in the essence of Mendoza, from the design of the suites to the experiences we curate,” explains Balbo, Argentina’s first female winemaker. She opened her eponymous boutique property with her daughter in late 2022, combining her knowledge of the local wine scene and a keen eye for detail into a project that has reshaped the area’s hospitality landscape.
For families requiring a larger space, the Grand Villa at Cavas Wine Lodge is an icon of Relais & Châteaux elegance. Nestled among the vines of Luján de Cuyo, this estate within the hotel grounds offers spacious outdoor living areas with a pool, panoramic views of the Andes, and an optional private chef.
Vine and Dine
Michelin-starred Azafrán is an anchor of Mendoza’s culinary scene, known for its never-ending wine list and perfectly balanced tasting
menu, as is Centauro, housed in a beautifully restored urban mansion in central Mendoza. Both offer tasting menus focused on seasonal produce elevated to artful, textured dishes, paired with boutique Argentine wines that are described like poetry by knowledgeable sommeliers.
Equally compelling is La Vida, an intimate dining room at SB Winemaker’s House. The tasting menu takes diners on a journey through the region’s staple ingredients, with inventive nods to traditional South American dishes. Highlights include a modern reimagining of humita (corn stew) and a fresh Andean trout ceviche, which pairs perfectly with Balbo’s signature Torrontés, an elegant white with floral and citrus notes.
For a refined but slightly more rustic experience, Zappa Cocina Mendocina charms with its cozy dining room and wood-fired grill at the heart of the restaurant. Start with the crispy egg with sautéed mushrooms, then enjoy oven-baked lamb with roasted pumpkin sourced from nearby farms.
Before a day spent exploring the city, reserve a table for al fresco brunch at Bistro M, located in the colonial-style Park Hyatt Mendoza, with views of the historic Plaza Independencia. After brunch, pop into the square’s underground Museo Municipal de Arte Moderno de Mendoza (MMAMM) for a quick tour.
Curated Excursions
Every stay at SB Winemaker’s House includes access to wine immersion programs, from guided tastings to customized winery tours (including some typically closed to the public) and behind-the-scenes
glimpses into the winemaking process. Don’t leave without a visit to Susana Balbo’s nearby vineyard, where you can explore the impressive cellar and facilities, and follow up with a tasting or a high-end picnic lunch overlooking the vines.
For adventurers, guided hikes to a Mount Aconcagua base camp can be arranged through the concierge, offering an up-close view of the highest peak in the Americas. Equestrian enthusiasts can book a private sunset horseback ride through the rolling hills at nearby gaucho ranches such as Rancho el Jarillal, culminating in a traditional asado (grilled meat) dinner accompanied by live folk music under the stars.
Cultural Touchpoints
A visit to Killka, the art gallery located within Salentein Winery, is a must. The gallery features rotating exhibitions and permanent collections that include works from both Argentine and European artists, all set against the backdrop of the winery’s sleek architecture. For those drawn to contemporary art, Espacio Contemporáneo de Arte Eliana Molinelli showcases a dynamic array of multimedia installations. And the Carlos Alonso Museum is a worthwhile stop for renowned Argentine artists such as Carlos Alonso and Luis Scafati, blending modern pieces with thought-provoking exhibitions that reflect the region’s cultural identity.
OPPOSITE PAGE (ABOVE): Centauro’s eight-course pairing menu includes a trio of amuses bouches and chocolate sphere with basil and lemon. OPPOSITE PAGE (BELOW): The beautifully curated langoustine dish at Azafrán. ABOVE: The contemporary dining room of
La Vida at Susana Balbo Winemaker’s House & Spa Suites.
For a memorable souvenir, ask the concierge about arranging a studio visit to local jewelry designer and visual artist Mariana Trípoli, or to the now-iconic Colbo ceramic atelier, which produces modern tableware from red clay sourced in the Andes.
Promoting other local winemakers and local businesses is an important part of Balbo’s ethos. “People are hungry for experiences,” she says. “Here, we don’t just sell wine or rooms; we sell a sense of place, and connection.”
The winemaker-hotelier’s soon-to-be-launched next big venture, a separate mountain eco-lodge and spa, is set to open this year, adding a new layer of indulgence to Mendoza’s flourishing tourism scene.
Further Flavors
For a deeper exploration of Mendoza’s wine culture, several standout wineries offer unique experiences. Catena Zapata, with its striking Mayan-inspired pyramid architecture, provides a dramatic setting for tastings. In the Uco Valley, Zuccardi impresses with its stateof-the-art, minimalist design that seamlessly integrates with the natural surroundings. Clos de los Siete stands out as a collaborative effort among four Bordeaux families, each contributing their unique winemaking styles to the renowned estate. Finally, Susana Balbo Wines immerses visitors in its winemaking craft, paired with a top-tier dining experience at their Michelin-recommended Osadía de Crear. Whether you’re savoring a glass overlooking the Andes or delving into the artistry behind each bottle, Mendoza offers a harmonious blend of vintner culture and natural beauty that hits all the right notes.
The Salentein Winery’s cross-shaped bodega; one of the wine pairing moments on the menu at Susana Balbo’s La Vida restaurant.
OPPOSITE PAGE: Zuccardi’s Winemaking Director Sebatián Zuccardi does a walk through the winery’s 200 uncoated concrete aging vessels.
Mendoza is making waves with its multifaceted wine tourism and impressive culinary scene.
Dassembly facility where the Global its wings, Bombardier’s leadership in human-centered design is on full display.
Wtime, the snowmobile evolved into an experience, fostering deeper connections with winter transport and recreation.
Today, that same instinct to serve and empower people through human-centered design sits at the heart of the Bombardier brand. Consider the hallmarks of the Global business jet family: industry-lead ing range, speed, field performance and smooth ride; comfort redefined by innovative features and award-winning designs; and subtle details that unlock unprecedented performance. On the ground, the compa ny’s assembly facilities are built to ensure that the design principles guiding their products also support the people who build them.
The Bombardier Aircraft Assembly Centre, the company’s newest production facility at Pearson airport in the Greater Toronto Area (GTA), takes this commitment to the cutting edge. Having officially
“We approached it as if we were designing an office building downtown because the future of manufacturing is human-centric, not just machine-centric.”
Lilia Koleva Partner, NEUF architect(e)s
includes Bombardier’s Laurent Beaudoin Completion Centre in Montreal, Quebec. Leveraging a 50-year relationship, the pair set out to build a facility that mirrors the experiential design of the Global 8000. Right out of the gate, NEUF partner architect and Toronto office founder Lilia Koleva completely immersed herself in Bombardier’s innovative vision and process. “We didn’t approach this like an industrial building,” says Koleva. “We approached it as if we were designing an office building downtown because the future of manufacturing is human-centric, not just machinecentric. Yes, the Pearson facility needed to be practical and efficient, but there is also a community of about 2,200 people working there, calling it home eight hours a day. We needed to design for them .”
Under One Roof
At 40 acres, the campus layout is carefully designed to streamline the flow of Bombardier’s manufacturing lifecycle. It covers everything from the assembly of parts to the flight test hangar and engine testing before the aircraft make the trip to Montreal to receive the full interior treatment prior to delivery.
The 24-hour production line is U-shaped and adopts an ergonomic ‘all under one roof’ workflow inspired by the Japanese Buddhist principle of ichi soku issai, issai soku ichi (one is inseparable from the whole and vice versa). Removing silos creates a sense of family: a continuous stream of cross-functional collaboration that gives all employees full visibility, fostering faster outputs and a greater sense of ownership.
Koleva and her team designed the look and feel of the Bombardier Centre at Pearson to recreate the thrill and anticipation of the Global 8000’s production journey. In the main lobby, visitors are greeted by an installation of suspended panels inspired by the silhouette of the Global 8000’s trademark, turbulence-absorbing Smooth Flĕx wings. Acoustical engineers installed sounddampening panels to ensure glassed-in conference rooms could have full visibility into the production floor without significant noise impact—another reflection of the Global 8000 aircraft, whose cabin is carefully designed to offer a sanctuary in the sky even at record-breaking speeds.
“The acoustic panels weren’t just functional,” says Koleva. “We designed them in a way that ties into the brand and space, creating a gradient transition to visually reinforce the purpose of the facility.”
As guests and stakeholders navigate boardrooms and workstations, the paneling gradually changes color, brightening as you approach the production floor, beckoning you deeper into the belly of creation, reminding you that even the earliest stages of Global 8000 production are a thing of beauty.
Front Row Seats
While assembly has never been faster, it has also never been more cutting-edge. The facility houses some of the most advanced aircraft
manufacturing technology integrated in the most efficient way. Fully mobile seven-ton cranes keep even the heaviest loads moving. Carbon fiber floor plates conceal miles of underfloor cabling for safer, tidier navigation, as well as GPS sensors mobilizing an army of laserprecise robotic riveters designed for drilling, countersinking and fastener installation. The Pearson facility is like a dance choreography: Everything and everyone working closely in concert with one another; every move flowing seamlessly into the next. As much as it’s a joy to watch it unfold, it seems like it’s even more exciting to be a part of it. Bombardier has created a facility where employees have more space—literally and figuratively. For all its sophistication and fast-paced performance, the Pearson facility breathes. Open-air workstations and high ceilings make the facility feel naturally bright and inviting.
Let There Be Light
Light plays a key role in Bombardier’s design philosophy. The human body needs daylight: It regulates our circadian rhythms and boosts focus and productivity. At 45,000 feet, Bombardier solved this by creating Soleil, the first circadian rhythm-based cabin lighting system fully-integrated with the aircraft’s flight management system. At the Pearson facility, Bombardier worked closely with NEUF to provide natural light in abundance. Translucent PVC ‘megadoors’, among the widest in all of aviation, are paired with countless rows of barcode-like vertical strip windows that recreate in-flight wayfinding lights, to bathe the facility in diffused natural daylight. This not only improves working conditions but also optimizes energy use,
reducing consumption by nearly 60 percent and lowering greenhouse gas emissions by more than half compared to the previous location.
From the outside, these megadoors turn the Pearson f acility into a beacon. “We were intentional about using the doors to create a seamless day-to-night transformation,” says Koleva. “Function by day, illuminated landmark by night.” Landmark indeed: Facing the busiest runway in Canada, the facility literally glows, creating a moment of recognition for all incoming and outgoing aircraft. “I remember looking at it one evening as the sun was setting and the entire facility had this beautiful soft glow,” says Koleva. “It felt like it was radiating energy.” Using natural diffused light to stand out rather than big, brash signage is a mark of true leadership—leadership that earns attention through purpose, not volume.
The Pearson facility is a monument to Bombardier’s legacy of pioneering human-centered design. Light, flow, and space are treated with the same care as performance and precision. Much like the aircraft for which the company has become renowned, it’s a place where the needs of the people shape the design of the experience. On the tarmac, in the air, and across every square foot of this facility, the message is clear: Bombardier isn’t just building the future of business aviation, it’s leading it by design.
ABOVE (CLOCKWISE FROM TOP): An installation inspired by the Global 8000’s Smooth Flĕx wings hangs in the main lobby; sound-dampening panels add splashes of color to conference rooms; as the sun sets, the translucent PVC megadoors transform the Pearson facility into an illuminated landmark.
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So, bring us your challenges. And we’ll show you the art of what’s possible with your next Bombardier aircraft.
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Bombardier jets
Challenger 3500
Passengers
Top speed
Maximum range
Takeoff distance
Maximum operating altitude Total baggage volume
Challenger 650
Passengers
Top speed Maximum range
Takeoff distance Maximum
to 10
0.83 (882 km/h) 3,400 nm (6,297 km) 4,835 ft (1,474 m)
ft (13,716 m)
ft3 (3 m3)
to 12
0.85 (893 km/h)
ft (1,720 m)
Global 5500
Passengers Top speed Maximum range Takeoff distance Maximum operating altitude
baggage volume Up to 16 Mach 0.90 (956 km/h)
nm (10,927 km) 5,340 ft (1,628 m)
ft (15,545 m)
ft3 (5.5 m3)
Global 6500
Passengers Top speed
Takeoff distance
altitude
to 17
0.90 (956 km/h)
nm (12,223 km) 6,145 ft (1,873 m) 51,000 ft (15,545 m) 195 ft3 (5.5 m3)
Global 7500
Passengers
Top speed
Maximum range
Takeoff distance
Maximum operating altitude
Total baggage volume
Global 8000
Passengers
Top speed
Maximum range
Takeoff distance
Maximum operating altitude
Total baggage volume
Pre-owned
to 19
0.925 (982 km/h) 7,700 nm (14,260 km)
5,760 ft (1,756 m)
ft (15,545 m) 195 ft3 (5.5 m3)
nm (14,816 km)
ft (1,756 m)
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All specifications and data are approximate, may change without notice and are subject to certain operating rules, assumptions and other conditions. All maximum range data is based on long range cruise speed. The Global 8000 aircraft is under development and remains to be finalized and certified. It is expected to enter into service in 2025. This document does not constitute an offer, commitment, representation, guarantee or warranty of any kind. All data provided herein is valid as of the date of publication. Bombardier, Challenger, Global, Challenger 3500, Challenger 650, Global 5500, Global 6500, Global 7500, Global 8000, Nuage and Bombardier Vision are registered or unregistered trademarks of Bombardier Inc. or its subsidiaries. *In-flight excluding North and South poles.
Confidence, care and convenience
At Bombardier, we’ve fostered a family business approach, with a deep commitment to creating long-lasting relationships. Through our worldwide Sales team and service and support network, attuned care is built on understanding who you are and anticipating your needs.
Service and support network
Service Centers
AMERICAS
Dallas, TX
Hartford, CT
Miami Opa Locka, FL Tucson, AZ
Wichita, KS
ASIA PACIFIC
Melbourne, Australia
Singapore Tianjin, China (Joint Venture)
EUROPE
Berlin, Germany
London-Biggin Hill, UK
Customer Response Centers
AMERICAS
Montreal, QC
Wichita, KS
ASIA PACIFIC
Singapore
Mobile Response Teams
AMERICAS
Chattanooga, TN Charlotte, NC
Chicago, IL
Columbus, OH
Dulles, WA
Fort Lauderdale, FL
Fort Worth, TX
New Orleans, LA
Opa Locka, FL Orlando, FL
San Francisco, CA (2)
Santa Ana, CA (2)
Scottsdale, AZ
Seattle, WA
Teterboro, NJ (2)
Tulsa, OK
Van Nuys, CA (2)
Wichita, KS
EUROPE
Geneva, Switzerland (2)
Linz, Austria (2)
London-Biggin Hill, UK (2)
Nice, France (3)
Paris, France (2)
MIDDLE EAST / AFRICA
Dubai, UAE (2)
Line Maintenance Stations
AMERICAS
Teterboro, NJ
Van Nuys, CA
ASIA PACIFIC
Perth, Australia
EUROPE
Geneva, Switzerland
Linz, Austria
London-Biggin Hill, UK
Nice, France
Paris, France
MIDDLE EAST / AFRICA
Dubai, UAE
Component Repair & Overhaul Facility
AMERICAS
Wichita, KS
Parts Distribution Hubs
AMERICAS
Chicago, IL
EUROPE Frankfurt, Germany
Authorized Service Facilities
16 Authorized Service Facilities
Contact our 24/7 Customer Response Center:
1 866 538 1247 (North America) 1 514 855 2999 (International) ac.yul@aero.bombardier.com
