Performances Magazine San Diego | La Jolla Playhouse, June 2025
INDIAN PRINCESSES
Begins June 10
THE HEART
Begins August 19
ALL THE MEN WHO’VE FRIGHTENED ME Begins September 16
“What happens here is that you find yourself. You’re actually opening. You’re walking through many, many doors inside of you. I take with me a quietness that I’m able to share and instill in people. Because I’m back as Diane. I’m back whole.”
The Iconic Retreat
P1 Program
Cast, performances, who’s who, director’s notes, donors and more.
6 In the Wings
The Book of Mormon and Moulin Rouge! The Musical at the Civic Theatre; Jaja’s African Hair Braiding at La Jolla Playhouse; One of the Good Ones at The Old Globe; the San Diego Smooth Jazz Festival; and more.
8 Feature: Spotlight on Mainly Mozart
A preview of the Mainly Mozart All-Star Orchestra Festival, with concerts at The Conrad and Epstein Family Amphitheater (pictured).
13 Dining
Our favorite food and drink picks for June, including Mister A’s, Little Victory Wine Bar (pictured), Brisa Restaurant & Bar, and more.
24 Parting Thought
Performances’ program platform for theater shows and concerts can be accessed from any digital device
ALL OUR FOSSILS. ALL IN ONE PLACE. FOR ALL TO ENJOY.
Your support of The Nat makes big things possible. Like the debut of our brand-new Paleontology Center, which brings our fossil collection together under one roof. This state-of-the-art venue ensures our 1.5 million fossil specimens are cataloged and cared for well into the future and makes them more accessible to researchers and visitors.
The Paleontology Center is part of our newest exhibition experience, Amazement in the Basement, opening June 6 at The Nat. Learn more at sdnat.org/amazement.
PUBLISHER
Jeff Levy
EDITOR
Sarah Daoust
ART DIRECTOR
Carol Wakano
PRODUCTION MANAGER
Glenda Mendez
PRODUCTION ARTIST
Diana Gonzalez
CONTRIBUTING WRITER
Stephanie Saad
ADVERTISING DIRECTOR
Kerry Baggett
ACCOUNT DIRECTORS
Walter Lewis, Jean Greene, Liz Moore
CIRCULATION MANAGER
Christine Noriega-Roessler
BUSINESS MANAGER
Leanne Killian Riggar
MARKETING/ PRODUCTION MANAGER
Dawn Kiko Cheng
DIGITAL MANAGER
Lorenzo Dela Rama
Contact Us
ADVERTISING
Kerry.Baggett@ CaliforniaMediaGroup.com
WEBSITE
Lorenzo.DelaRama@ CaliforniaMediaGroup.com
CIRCULATION
Christine.Roessler@ CaliforniaMediaGroup.com
HONORARY PRESIDENT
Ted Levy
Fax:
Plug into Your Creative Side. Experience Art!
JULY 5 - AUG. 29, 2025
800-487-3378
PageantTickets.com
WHERE ART COMES TO LIFE No CGI, no deepfakes—just real people stepping into iconic works of art at the Pageant of the Masters in Laguna Beach. Watch masterpieces transform into living pictures, with narration and an original score performed by a live orchestra under the stars. It’s not just a show—it’s an unforgettable experience!
WHERE ART HAPPENS. No screens, no shortcuts—just real artists showcasing original works at the Festival of Arts Fine Art Show in Laguna Beach. Stroll through an outdoor gallery, join free art tours, enjoy live music, and create your own masterpiece in hands-on workshops. It’s art you can explore, experience, and take home. JULY 2 - AUG. 29, 2025 (closed July 4)
EXCITING
THE OUTRAGEOUS MUSICAL comedy The Book of Mormon returns to the Civic Theatre, June 10-15—following two young Mormon missionaries who travel to a remote village in northern Uganda, where a brutal warlord reigns. It’s followed by the San Diego premiere of Moulin Rouge!
The Musical, winner of 10 Tony Awards, also at the Civic Theatre, June 24-July 6. broadwaysd.com Jocelyn Bioh’s Broadway hit, Jaja’s African Hair Braiding, runs at La Jolla Playhouse through June 15; the comedic play takes us inside a bustling hair-braiding shop in the heart of Harlem. lajollaplayhouse.org
The cast of Jaja’s African Hair Braiding Opposite (from top): Classic Albums Live; saxophonist Eric Darius; The Rady Shell at Jacobs Park.
At The Old Globe through June 22, don’t miss the San Diego premiere of Gloria Calderón Kellett’s heartwarming comedy, One of the Good Ones. Cultural assumptions and generational differences surface when Yoli brings home her new boyfriend to meet her Latino American parents. theoldglobe.org
Bayside Delights
THERE’S ARGUABLY NO better way to spend a San Diego summer afternoon or evening than at a concert at The Rady Shell at Jacobs Park. On June 20, Classic Albums Live will perform David Bowie’s groundbreaking 1972 album, The Rise and Fall of Ziggy Stardust and the Spiders from Mars, note for note, just as fans remember hearing it. If you like your jazz smooth, head to The Rady Shell June 21-22 for the seventh annual San Diego Smooth Jazz Festival, hosted by saxophonist, vocalist and songwriter Eric Darius. This year’s diverse lineup of musicians includes Brian Culbertson, October London, Will Downing, Jackiem Joyner, Jeanette Harris, Erisa Nicole, Down to the Bone, and BPM featuring Brian Bromberg, Paul Brown and Michael Paulo. The San Diego Symphony opens its 2025 Summer Season on June 27, with Music Director Rafael Payare conducting and featuring trumpeter Paul Merkelo. The repertoire spans works by Ginastera, Wynton Marsalis, Dukas and Debussy. See website for The Shell’s full June concert schedule and tickets. 222 Marina Park Way, downtown, 619.235.0804, theshell.org
MUSIC
AN ALL-STAR ASSEMBLY
MAINLY MOZART’S ANNUAL FESTIVAL IS A CONFLUENCE OF MUSICAL EXCELLENCE
by STEPHANIE SAAD
SINCE ITS INCEPTION in 1988, Mainly Mozart has established itself as a significant presence in the classical music landscape. Founded by Maestro David Atherton and former San Diego Symphony Executive Director Nancy Laturno, the organization was conceived to provide SoCal and Baja with opportunities to experience
live performances by principal orchestral musicians during the summer months. Initially focusing on the works of Wolfgang Amadeus Mozart, the festival has broadened its scope to include compositions from the 18th and 19th centuries. “Mainly Mozart is now the largest Mozart festival in North America,” says Laturno. “We always have Mozart on our program, but we
took a different look this year at the role of the festival from a national perspective. We should be a place that someone in the Midwest or on the East Coast, or anywhere in the country, looks to come to if they’re a Mozart lover.”
The organization’s flagship event, the annual Mainly Mozart All-Star Orchestra Festival, brings concertmasters and principal players from
UC San Diego‘s Epstein Family Amphitheater
“A truly must-see show. Epic and beautifully written.”
— NEW YORK DAILY NEWS
leading North American orchestras to converge in San Diego. This assembly of talent forms a temporary, yet remarkable, orchestra under the baton of Music Director Michael Francis, who has held the position since 2014. The festival offers a concentrated series of performances, drawing attention to the artistry and collaborative spirit of the musicians.
SAN DIEGO PREMIERE
JUNE 4-29
A touching journey through one woman’s ordinary life, weaving laughter, tears, and reflections on the passing of time and evolving relationships. The play offers a unique perspective on life’s milestones, capturing profound changes from one year to the next.
by NOAH HAIDLE | directed by DAVID ELLENSTEIN
NORTHCOASTREP.ORG
Box Office (858) 481-1055 Group Sales (858) 481-2155, Ext. 202
“I’m always looking for pieces that let the orchestra just fly,” says Francis. “They love playing these extraordinary pieces with each other, playing off each other. You see this energy that is produced by artists at the peak of their talent. Each has the capacity to play their part at their highest level and be completely aware of what everyone else is doing—anticipate and spontaneously make music with everybody else. It’s like Lionel Messi
playing football—you sense what’s going to happen and react accordingly, while being completely in control of your instrument. It creates a frisson, a magic electricity that for me is extraordinary and for the audience as well.”
The upcoming AllStar Orchestra Festival, scheduled for June 18-28, 2025, provides a unique opportunity to witness a concentration of exceptional musical talent in a single ensemble. The temporary nature of this orchestra, drawing principal players from orchestras such as the New York Philharmonic, Los Angeles Philharmonic, Cleveland Orchestra, and many others, offers a distinct musical experience for audiences in San Diego.
This year’s All-Star Orchestra Festival promises a diverse program across six concerts, / CONTINUED ON PAGE 18
JUNE
10 – JULY 6, 2025
THE ARTISTIC DIRECTOR'S CIRCLESEASON SPONSORS
Denise and Lon Bevers
Theodor S. and Audrey S. Geisel Fund
Kay and Bill Gurtin
Jeanne L. Herberger, Ph.D.
Joan and Irwin Jacobs
Sheri L. Jamieson
La Atalaya Fund
Rebecca Moores Foundation
Paula and Brian Powers
Jordan Ressler Charitable Fund of the Jewish Community Foundation
Weston Anson, Melissa and Michael Bartell, Gail and Ralph Bryan, Gary and Marlene Cohen, Brian and Silvija Devine, Hal and Hilary Dunning, The Estate of Pauline Foster, Greg and Marike Fitzgerald Charitable Fund, Hanna and Mark Gleiberman, Lynn Gorguze and Scott Peters, Debby and Hal Jacobs, Laurents / Hatcher Foundation, Veronica and Miguel Leff, Esq., Perlmeter Family Foundation, Maryanne and Irwin Pfister, Robin and Larry Rusinko, Karen and Jeff Silberman, The Stockdale Family, Molli Wagner, Peggy Ann Wallace, Mandell Weiss Charitable Trust
PRODUCTION SPONSORS
Hal and Hilary Dunning
A MESSAGE FROM THE ARTISTIC DIRECTOR
Dear Friends,
The script for Eliana Thelogides Rodriguez’s Indian Princesses came to us via normal channels: The Playwrights Realm, a New York City-based company, often shares projects they’re developing that they think would be a good fit for La Jolla Playhouse. What happened next, however, was wonderfully unusual.
Our Director of Artistic Development, Gabriel Greene, leads a weekly script analysis seminar with our artistic interns, examining the objective criteria we use to evaluate plays. In so doing, he often shares recently-submitted scripts that even he hasn’t read yet. After one such meeting last summer, the two interns, Katrina Heil and Isabel Dirks, came into Gabe’s office a couple of hours later; they’d already read the play, and adored it so much they couldn’t wait another week to discuss it.
Within a few days, Indian Princesses had made its way around the artistic department – and other departments – and the groundswell of love for this story was universal. When I read the play soon after, I could see why: Eliana’s writing beautifully holds so many conflicting ideas and emotions at the same time. It can be simultaneously funny, bruising, tender and heartbreaking. With a warm heart and a sharp eye, Eliana shows us the moments when childhood innocence collides with devastating realizations, and the gap between a father’s pure, unspoken love and the clumsy, awkward way in which it’s expressed – or not. The play is also a canny exploration of identities – not just those of the individual characters, but of America itself.
I’m proud that the Playhouse is the home of Eliana’s first major professional production – and that the very talented Miranda Cornell (who served as the associate director for Kristina Wong, Sweatshop Overlord and The Outsiders at the Playhouse) returns to make her Playhouse debut as director. I also want to offer my sincere gratitude to Will Davis, Kate Eminger and Maegan Morris at Rattlestick Theater for their willingness to help make this production possible. Thank you for joining us for the world premiere of Indian Princesses.
CHRISTOPHER ASHLEY
THE RICH FAMILY ARTISTIC DIRECTOR OF LA JOLLA PLAYHOUSE
LAND ACKNOWLEDGEMENT
La Jolla Playhouse acknowledges the land on which our theatres sit as the unceded territory of the KUMEYAAY NATION. Today, the Kumeyaay people continue to maintain their political sovereignty and cultural traditions as vital members of the San Diego community. Their contributions to our region are tremendous and we thank them for their stewardship.
Christopher Ashley
THE
RICH FAMILY ARTISTIC DIRECTOR OF LA JOLLA PLAYHOUSE
Debby Buchholz MANAGING DIRECTOR OF LA JOLLA PLAYHOUSE
Eliana Theologides Rodriguez BY
DIRECTED BY
Miranda Cornell
FEATURING
Anissa Marie Griego*, Rebecca Jimenez*, Greg Keller*, Patrick Kerr*, Jason Maddy*, Serenity Mariana*, Mike Sears*, Clarissa Vickerie*, Haley Wong*
SCENIC DESIGN
COSTUME DESIGN
LIGHTING DESIGN
SOUND DESIGN
CULTURAL CONSULTANT
CASTING
LOCAL CASTING
STAGE MANAGER
ASSISTANT STAGE MANAGER
PRODUCTION MANAGER
GENERAL MANAGER
ARTISTIC PRODUCING DIRECTOR
Emmie Finckel
Samantha C. Jones
Mextly Couzin
Salvador Zamora
Sierra Rosetta
tbd casting co.; Stephanie Yankwitt, CSA
Jacole Kitchen and Hannah Reinert
Alexa Burn*
Jack Ganguly*
Annette Nixon
Ryan Meisheid
Eric Keen-Louie
Indian Princesses was developed by RATTLESTICK THEATER through the Terrence McNally New Works Incubator in partnership with The Terrence McNally Foundation. Indian Princesses was developed as part of The Playwrights Realm’s Writing Fellowship (Katherine Kovner, Founding Artistic Director | Roberta Pereira, Executive Director).
Understudies are never substituted for listed roles unless a specific announcement is made at the time of the performance.
ADDITIONAL STAFF
Assistant Director Olivia Espinosa
Community Building Advocate Ann C. James
Associate Scenic Designer Jessie Baldinger
Associate Lighting Designer Manuel Da Silva
Assistant Lighting Designer Nayeli Bailey
Assistant Sound Designer Scarlett Shi
Production/Script Assistant ......................................................................................... Katie Davis
ACKNOWLEDGEMENTS
The Playwrights Realm, Rattlestick Theater, Tom Kirdahy Productions, The Terrance McNally Foundation, New York Theatre Workshop, Round House Theatre, Arin Arbus, Toni Avonne, b, Jeff Biehl, Sam Breslin-Wright, Nadia Brown, Arnie Burton, Dan Butler, Camila Cano-Flavia, Alexis Cofield, Tyler Crow, Tsaitami Duchicela, Fiona Rose Dyer, Gabriel Ebert, Michaela Escargena, Majo Ferrucho, Joel Marsh Garland, Chris Genebach, Marion Grey, Yadira Guevara-Prip, Josh Hamilton, Matt Harrington, Mercedes Hesselroth, Mike Iveson, Shayna Jackson, Maya Jeyam, Kiana Kabeary, Tom Kopache, Drew Kopas, Janelle McDermoth, Sophia Menconi, Max Moore Gordon, Mia Pak, Kat Pascual, Pauli Pontrelli, Jessica Ranville, Alyssa Rios, Michael Russotto, Thomas Jay Ryan, Robert Stanton, Jillian Sun, Douglas Ullman Jr, Gameela Wright, Mani Yangilmau
THE COMPANY
America Covarrubias (Understudy: Hazel/ Lily)
La Jolla Playhouse: Debut. A proud Mexican-American artist raised in Baja California. Regional: La Lucha (Optika Moderna); A Midsummer Night’s Dream (Coronado Playhouse). Staged Readings: Tuyo Pa’ Letras (Tuyo Theatre); San Diego Latinx New Play Festival. Educational: In the Corner, By the Door (San Diego City College). Education: Current student in the MCIAT 10-Month Comprehensive Certificate Program.
Anissa Marie Griego she/her (Lily)
La Jolla Playhouse: Debut! Ainadamar (The Metropolitan Opera), 1776: First National Tour (Networks); West Side Story (Houston Grand Opera); The Prom (Sharon Playhouse); The Hunchback of Notre Dame (REV Theatre Company). Education: Arizona State University. Proud descendant of the Yaqui Tribe! All my love and thanks to the DGRW squad, Brian, Amanda, Mom, Dad, Mia, and Elise. Community is everything, so remember to nourish it. @anissagriego
Jason Heil he/him (Understudy: Chris/Glen/ Mac/Wayne)
La Jolla Playhouse: Bhangin’ It, Zhivago. OffBroadway: Sea of Souls. Regional: Twelfth Night, Plaid Tidings (Old Globe); Mother Road, Sweat, Beachtown, Hand to God, Violet, Clybourne Park, A Christmas Carol (SD Rep); Curious Incident…(CCAE); Laguna Playhouse, Arkansas & Tennessee Repertory Theatres, Capital Stage, A.C.T., A Noise Within, and 9 seasons with the Utah, Lake Tahoe, Marin and Texas Shakespeare Festivals. Other San Diego: Lamb’s Players Theatre (Associate Artist), North Coast Rep, Cygnet Theatre, Moonlight Stage Productions, Intrepid. www.jasonheil.com
Rebecca Jimenez (Andi)
La Jolla Playhouse: Debut. Off-Broadway: Our Dear Dead Drug Lord (WP/Second Stage), Comedy of Errors (The Public Theater), Superstitions (New Ohio), Sketchy Eastern European Show (The Players Theatre). Regional: The Other Americans (Arena Stage), Leveling Up (New Theatre), Women Playing Hamlet (New Theatre), A Chorus Line (Delray Performing Arts Center). She has developed new work with New York Theatre Workshop, Roundabout Theater Company, Page73, Playwrights Horizons, Ojai, Playwrights Realm, and others. Education: B.F.A. from SUNY Purchase.
Greg Keller (Chris)
La Jolla Playhouse: Debut. Greg was born and raised in New York City and has spent most of his career there, originating roles in new plays. This past year he received an Obie Award for Sustained Achievement in Performance, a Drama Desk Award nomination for Outstanding Featured Performance in Marin Ireland’s pre-existing condition, and was in Yellow Face on Broadway, which received a Tony nomination for Best Revival of a Play.
Patrick Kerr (Glen)
La Jolla: Hollywood, His Girl Friday and Mother Courage. Broadway: Travesties, You Can’t Take It with You and The Ritz Tours of My Fair Lady and The Lion King Off Broadway: Playwrights Horizons, New York Theater Workshop, B.A.M., Minetta Lane. Select regional: The Guthrie, Yale Rep, The Old Globe, Berkeley Rep, South Coast Rep. Many TV roles: Friends, Seinfeld, Will and Grace, ER, recurring roles on Frasier, Curb Your Enthusiasm, and recently two seasons on Apple TV’s The Big Door Prize.
Mikaela Macias (Understudy: Andi)
La Jolla Playhouse: The Weather Busters of Beachcastle, Love All. Regional: Little Women the Musical and Our Dear Dead Drug Lord (in rep), Chronicles of Kalki, Mother of the Maid (Moxie Theatre, Craig Noel Award nomination); Vanity Fair (Scripps Ranch Theatre); Seasons: A New Musical Song Cycle (Oceanside Theatre Company); Into the Breeches (North Coast Repertory Theatre); West Side Story, Songs for a New World (Teatros San Diego); Noel, Noel (San Diego Symphony). Mikaela won the SD Critics Circle 2024 Actor of the Year award. Education: SDSU, BADA (upcoming). Instagram: @mikaelarmacias
Jason Maddy he/him (Wayne)
La Jolla Playhouse: Debut. San Diego theatre credits: Productions at San Diego Repertory Theatre, The Old Globe, Cygnet Theatre, North Coast Repertory Theatre, Moonlight Stage Productions, San Diego Musical Theater, Lamb’s Players Theatre, Ion Theatre Company, and was seen most recently in True West at Roustabouts Theatre Company. Regional credits: Utah Shakespeare Festival, Illinois Shakespeare Festival, and Kingsmen Shakespeare Festival. Jason holds an M.F.A. from the University of Illinois Urbana-Champaign and is currently the Head of the Acting program at San Diego School for the Creative and Performing Arts.
Serenity Mariana she/her (Hazel)
La Jolla Playhouse: Debut. National Tour: Peter Pan. Regional: Can’t Drink Salt Water (Montana Repertory Theatre); The Guy Who Didn't Like Musicals (CJ Productions); The Tempest (Classic Theatre of Maryland). Education: B.F.A. in Drama from NYU Tisch (2025).
THE COMPANY
Mai Lan Nguyen she/her (Understudy: Samantha)
La Jolla Playhouse: Debut. UC San Diego credits: Dirty Martini, Nerve Endings, Rogues’ Trial, Vinegar Tom, Cancelina, The Comedy of Errors, Orlando. Select credits: peerless, Everybody, Measure for Measure, and Midsummer Night’s Dream. Education: M.F.A. Candidate from UC San Diego; M.S. in Computer Science, B.A. in Theater and B.S. in Computer Science from Stanford University. Instagram: @iammaia123, website: https://nmailan.github.io.
Mike Sears (Mac)
La Jolla Playhouse: Sideways, His Girl Friday, Hands on a Hardbody, Bonnie and Clyde. NYC: When Words Fail (Houseman Theatre); Leap (Abingdon Theatre); To Have and to Hold (Phil Bosakowski Theatre). Off-Off Broadway: The American Globe Theatre, Boomerang Theatre Summer Shakespeare, New Dramatists, New York Fringe Festival, The Present Company, NY Musical Theatre Works, The Producer’s Club and The Duplex. Henry 6, Trouble in Mind, What You Are, Rain, Kiss Me, Kate, Othello, Henry V/ GFA, Twelfth Night/GFA (The Old Globe); Parlour Song (Backyard Renaissance, Critics Circle Award); A Behanding in Spokane (Critics Circle Award), Man from Nebraska (Cygnet Theatre); The Mystery of Love and Sex, Birds of a Feather (Diversionary Theatre); Tuesday’s with Morrie (North Coast Rep). TV: Law & Order: SVU. Training: William Esper Studio in New York City. www.mikesears.org, @Mike.Sears.5050
Kennedy Tolson she/her (Understudy: Maisey)
La Jolla Playhouse: Marble Rooftop, Emma Has Church (DNA New Work Series). Film/ TV: Pvalley (Starz). UC San Diego: Refuse It, Gone Missing, Vinegar Tom, Cancelina, X, Orlando. Education: M.F.A. Candidate at UC San Diego.
Clarissa Vickerie (Maisey)
La Jolla Playhouse: Debut. Off-Broadway: The Great Privation (How to Flip Ten Cents into a Dollar), Push Party. Education: M.F.A. from The Juilliard School (Group 54), B.F.A. from NYU Tisch School of the Arts.
Haley Wong (Samantha)
La Jolla Playhouse: Debut. Off-Broadway: The Welkin (Atlantic Theater Company); Mary Gets Hers (The Playwrights Realm/ MCC). Also in New York: Button Lake Band Camp (Clubbed Thumb); Events (The Hearth). Regional: John Proctor is the Villain (The Huntington). Education: B.A. from Brown University.
Eliana Theologides Rodriguez (Playwright) is a writer and dancer whose plays include Indian Princesses (2024 Terrence McNally Fellowship, 2023/2024 Playwrights Realm Writing Fellowship), Marble Rooftop (2024 DNA New Work Series), Poor Queenie (Subtext Studio 2025), and Juniperfect (2021 commission with Adventure Theatre MTC). She is currently under commission at South Coast Repertory and is a proud member of EST Youngblood and the Clubbed Thumb Early Career Writers Group 24/25. Eliana wants to thank the incredible staff at the Playhouse for making all of this possible. elianatheologidesrodriguez.com
Miranda Cornell (Director)
is a Jewpanese director with a passion for the dialectic, the sincere, and the strange. She has directed and developed work with Roundabout Theatre Company, New York Theatre Workshop, Clubbed Thumb, Cleveland Play House, Stages Houston, Playwrights Realm, Ma-Yi and the Asian American Arts Alliance, among others. Associate and assistant directing credits with directors such as Danya Taymor, Robert Icke, Chay Yew, Michael Greif and Rachel Chavkin. Miranda is a former Van Lier Fellow in Theater at A4, a member of the Roundabout Directors Group Cohort 2, a 2022/23 2050 Artistic Fellow at NYTW, and a 2023/24 Clubbed Thumb New Play Directing Fellow. She is thrilled to return to La Jolla Playhouse after serving as the associate director on Kristina Wong, Sweatshop Overlord and The Outsiders in the 2022/23 season, and is currently the Associate and Resident Director of The Outsiders on Broadway and upcoming North American tour. B.A.: Vassar College. mirandacornell.com
Emmie Finckel they/them (Scenic Designer)
La Jolla Playhouse: As You Like It. Off-Broadway: In the Amazon Warehouse Parking Lot (Playwrights Horizons), Comedy of Errors (Public Theater: Mobile Unit), Medea: Re-Versed (Red Bull), See What I Wanna See (Out of the Box), 53% Of (2nd Stage), The Watering Hole (Signature Theatre), In the Penal Colony (NYTW Next Door). Regional: Ragtime (Goodspeed); Becoming a Man (A.R.T.); Problems Between Sisters (Studio Theater); She Loves Me (Long Wharf); The Hot Wing King (Hartford Stage); Sanctuary City (TheaterWorks Hartford); the ripple, the wave that carried me home (Yale Repertory Theater). B.A.: Wesleyan University; M.F.A.: Yale School of Drama. www.efinckel.com
Samantha C. Jones she/her (Costume Designer)
La Jolla Playhouse: Debut! Previous design credits include Off-Broadway: The Lonely Few (MCC); King James (Manhattan Theatre Club). Regional theatre credits include work at Center Theatre Group, Geffen Playhouse, Pasadena Playhouse, Oregon Shakespeare Festival, Denver Center for the Performing Arts, Huntington Theatre Company, Goodman Theatre, Woolly Mammoth Theatre Company, McCarter Theatre, Steppenwolf Theatre, Lookingglass Theatre Company, Jackalope Theatre, Kansas City Repertory Theatre, Alley Theatre, Seattle Children's Theatre, First Stage Theatre, Indiana Repertory Theatre, Peninsula Players Theater and others. Upcoming productions: The Color Purple (Goodman Theatre); Play On! (Signature Theatre). Her work can be viewed at samanthacjones.com.
Mextly Couzin (Lighting Designer)
Credits include: Broadway: JOB. Off-Broadway: N/A, Fiasco Theatre’s Pericles, A Good Day to Me Not to You, Here We Are (ALD), Straight Line Crazy, peerless, Tambo & Bones. Regional: Mexodus (Berkeley Rep, Baltimore Center Stage/Mosaic), Henry VI (The Old Globe); Das Rheingold (Seattle Opera); Incendiary (Woolly Mammoth); West Side Story (Centro de Bellas Artes Puerto Rico); La Belle et la Bête (Opera Paralléle). International: Théâtre des Champs-Elysées, Nuits de Fourvière. 2023 recipient of The 1/52 Project grant. M.F.A.: University of California, San Diego ’20. mextlycouzin.com
Salvador Zamora he/him (Sound Designer)
La Jolla Playhouse: Debut. Off-Broadway: The Fires, Sumo (assoc.), Here There Are Blueberries (assoc.). Regional: Primary Trust (Barrington Stage Co.). Select designer credits: How to Put on a Sock (LJP WOW Festival); Bunny Bunny (Invisible Dog); Carrie: The Musical (Loyola Marymount University); The Grown Ups (Baby Teeth LA); Tick, Tick…Boom! (Cygnet Theatre); The Importance of Being Earnest, Everybody (Antaeus Theatre Co.). Select assistant credits: Derecho, Babbitt, The Untitled Unauthorized Hunter S. Thompson Musical, Love All (LJP); Destiny of Desire (The Old Globe). www.suavecito.design @suavecito_sounddesign
Sierra Rosetta (Cultural Consultant)
La Jolla Playhouse: Debut. Regional: Inherit the Wind (Goodman Theatre); The Matriarchs (Eugene O'Neill Theater Center); Literary Associate (Native Voices). Education: Pending Ph.D. in Theatre and Native American Studies from Northwestern University, B.A. in Theatre from Northwestern College.
For La Jolla Playhouse: Primary Trust, Velour: A Drag Spectacular, Derecho, Babbitt, to the yellow house, Here There Are Blueberries and The Coast Starlight, as well as many readings and workshops. Select credits, theater: Frankie and Johnny in the Clair de Lune (Broadway), Fairview (2019 Pulitzer Prize for Drama; Soho Rep, TFANA, Berkeley Rep), Here There Are Blueberries (Shakespeare Theatre Company, NYTW and the upcoming National Tour) and Public Obscenities (Soho Rep, Woolly Mammoth Theatre, TFANA). tbd casting co. cast the award-winning film In the Summers, written/directed by Alessandra Lacorazza, which won the Grand Jury Prize at Sundance Film Festival and was an official selection of Tribeca, Cartagena, LA Liff Film Festivals. It will be released in select cities this fall. @tbdcastingco
Alexa Burn she/her (Stage Manager)
La Jolla Playhouse: 3 Summers of Lincoln, Your Local Theater Presents..., Derecho, Primary Trust. Select credits include Clyde’s (ASM) at the Denver Center, The Royale (SM) at American Players Theatre; Bald Sisters (SM) at San Jose Stage; Intimate Apparel (ASM), The Three Musketeers (ASM), Chicken and Biscuits (ASM), The Great Leap (ASM), Grand Horizons (ASM), Hood (ASM) at the Asolo Repertory Theatre; and The Code (SM) at American Conservatory Theatre SF. Alexa was also a stage manager at the Disneyland Resort for many years, working with the Disneyland Band, Dapper Dans, and many more.
Jack Ganguly he/they (Assistant Stage Manager) La Jolla Playhouse: Debut! Broadway credits include: The Picture of Dorian Gray, Our Town, The Outsiders, MJ. Off-Broadway credits: Gatz, Baldwin and Buckley at Cambridge (The Public Theater & Elevator Repair Service); I’m Assuming You Know David Greenspan, I’m Revolting, The Far Country, Cornelia Street (Atlantic Theatre Company); Breaking the Story (Second Stage), The Connector (MCC); Monsoon Wedding (St. Ann’s Warehouse); Public Obscenities (Soho Rep). Regional: Ulysses (Elevator Repair Service & Bard Fisher Center), Fiddler on the Roof (Paper Mill Playhouse). Events: MisCast ‘25, Joe’s Pub, Broadway Backwards, Broadway Inspirational Voices. Education: B.F.A.: NYU Tisch. Love to Mom, Priya, and Lalo.
Members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. The theatre operates under an agreement between League of Resident Theatres and Actors’ Equity Association.
In the summer of 2008, five young girls of color and their white fathers show up at a community center to participate in an adventurous – albeit misguided – father-daughter bonding program. While the girls begin to establish friendships and alliances, the adults struggle to engage with the sessions –and each other. As preparations begin for the program’s culmination event – performing in a talent competition at Camp Catori – fractures begin to appear in their relationships. As this patchwork group struggles to push through difficult conversations, they eventually discover the power, connection, and love that is gained when they do.
AUDIENCE ENGAGEMENT EVENTS
Enhance your Playhouse experience by attending these free events. Simply book your performance for one of the following dates.
TALKBACK TUESDAYS
Participate in a lively discussion with performers and Playhouse staff members immediately following these performances.
Tuesday, June 24 and July 1 after the 7:30pm show
DISCOVERY SUNDAY
Join special guest speakers post-performance as they engage audience members in a moderated discussion exploring the themes in the play.
Sunday, June 29 after the 1:00pm show
ACCESS PERFORMANCE
A select Saturday matinee of each show is designated as a relaxed performance, and live American Sign Language interpretation and closed captioning is available for those who are d/Deaf or hard of hearing. Audio description for those who are blind or have low vision is available upon request with prior notice. Find more info at lajollaplayhouse.org/access.
Saturday, June 28 at 2:00pm
PLAYHOUSE LEADERSHIP
Christopher Ashley, (he/him) The Rich Family Artistic Director of La Jolla Playhouse has served as La Jolla Playhouse’s Artistic Director since 2007. During his tenure, he directed the world premieres of Come From Away, The Untitled Unauthorized Hunter S. Thompson Musical, Babbitt, Diana: The Musical, Memphis, Escape to Margaritaville, The Squirrels, A Dram of Drummhicit, Restoration and Chasing the Song, as well As You Like It, His Girl Friday, Glengarry Glen Ross, A Midsummer Night’s Dream, Freaky Friday and Xanadu. He also spearheaded the Playhouse’s Without Walls (WOW) initiative, the DNA New Work Series and the Resident Theatre program. Mr. Ashley Come From Away for AppleTV+ and Diana: The for Netflix. Other screen credits include the feature films , and the American Playhouse production of Blown Sideways Through Life for PBS. Mr. Ashley’s Broadway credits include Come From Away (Tony and Outer Critics Circle Awards), Diana: The Musical, Escape to Margaritaville, Memphis (Tony Award nomination), Xanadu, Leap of Faith (Drama Desk Award nomination), All Shook Up and The Rocky Horror Show (Tony, Drama Desk, Outer Critics Circle Award nominations). He also helmed productions of Come From Away in London (Olivier Award nomination), Toronto, Australia and on national tour. Other national tours include Escape to Margaritaville, Memphis, Xanadu, All Shook Up and Seussical: The Musical. Additional New York stage credits include Blown Sideways Through Life, Jeffrey (Lucille Lortel and Obie Awards), The Most Fabulous Story Ever Told, Valhalla (Lucille Lortel Award nomination), Regrets Only, Wonder of the World, Communicating Doors, Bunny Bunny, The Night Hank Williams Died and Fires in the Mirror (Lucille Lortel Award), among others. Mr. Ashley is the recipient of the Princess Grace Award, the Drama League Director Fellowship and an NEA/TCG Director Fellowship.
Debby Buchholz, (she/her) Managing Director of La Jolla Playhouse joined the Playhouse in 2002, serving first as General Manager before becoming Managing Director. She is President of the League of Resident Theaters (LORT) and a member of its Executive Committee. She is a recipient of a San Diego Women Who Mean Business Award from The San Diego Business Journal. Prior to joining La Jolla Playhouse, she served as Counsel to The John F. Kennedy Center for the Performing Arts and the National Symphony Orchestra in Washington, D.C. She was a faculty member of the Smithsonian Institution’s program on Legal Problems of Museum Administration. Prior to The Kennedy Center, she served as a corporate attorney in New York City and Washington, D.C. She is a graduate of UC San Diego and Harvard Law School. Ms. Buchholz and her husband, noted author and White House economic policy advisor Todd Buchholz, live in Solana Beach.
Eric Keen-Louie, (he/him) Artistic Producing Director joined the Playhouse in 2018 as Producing Director, before becoming Executive Producer in 2021. He previously worked at The Old Globe (Associate Producer and Associate Artistic Director) and The Public Theater (Assistant to the Associate Producer and Director of Special Projects). He assisted Broadway producer Margo Lion on Hairspray and Caroline, or Change. He is a graduate of Columbia University where he received his M.F.A. in Theatre Management & Producing as a Dean’s Fellow and New York University where he earned a B.A. in Dramatic Literature. He serves as Vice President on the National Alliance of Musical Theatre’s Board of Directors. He is a proud third-generation Chinese-American and is married to Anthony Keen-Louie, a local mediator and Associate Ombuds at UC Santa Cruz.
Des McAnuff, (he/him) Director Emeritus is a two-time Tony Award-winning director and served as La Jolla Playhouse’s Artistic Director from 1983 through 1994, and from 2001 through April 2007 where he staged over 30 productions of classics, new plays and musicals. Under his leadership, the Playhouse garnered the Tony Award for Outstanding Regional Theatre. He is also the former Artistic Director of Canada’s Stratford Festival and co-founder of Broadway’s Dodgers. Broadway: Ain’t Too Proud, Summer, Doctor Zhivago, Jesus Christ Superstar, Guys and Dolls, Aaron Sorkin’s The Farnsworth Invention, Jersey Boys (Tony and Olivier Awards: Best Musical), Billy Crystal’s 700 Sundays (Tony Award: Best Special Theatrical Event), Dracula the Musical, How to Succeed in Business Without Really Trying, The Who’s Tommy (Tony and Olivier Awards: Best Director), A Walk in the Woods, Big River (Tony Awards: Best Director, Best Musical). Selected New York: Fetch Clay, Make Man (NYTW); multiple productions at The Public and BAM. Stratford highlights: A Word or Two, Caesar and Cleopatra, The Tempest (all with Christopher Plummer), Twelfth Night (with Brian Dennehy). Opera: Faust (The Met, ENO). TV: 700 Sundays (HBO). Film: Cousin Bette (director, with Jessica Lange), The Iron Giant (producer, BAFTA Award) and Quills (executive producer). He has an honorary doctorate from Toronto Metropolitan University (formerly Ryerson University), and in 2012, he was awarded Canada’s Governor Generals National Arts Center Award and the Order of Canada. His new version of The Who’s Tommy recently opened on Broadway in March, 2024.
La Jolla Playhouse is a place where artists and audiences come together to create what’s new and next in the American theatre, from Tony Award-winning productions, to imaginative programs for young audiences, to interactive experiences outside our theatre walls. Founded in 1947 by Gregory Peck, Dorothy McGuire and Mel Ferrer, the Playhouse is currently led by Tony Award winner Christopher Ashley, the Rich Family Artistic Director of La Jolla Playhouse, and Managing Director Debby Buchholz. The Playhouse is internationally renowned for the development of new works, including mounting 120 world premieres, commissioning more than 70 new works, and sending 36 productions to Broadway – among them the hit musical Come From Away – garnering a total of 42 Tony Awards, as well as the 1993 Tony Award for Outstanding Regional Theatre.
UNDERSTANDING THE MIDDLE SPACES
A conversation between Indian Princesses playwright
Eliana Theologides Rodriguez, director Miranda Cornell and Director of Artistic Development Gabriel Greene
GG: Eliana, what was your journey to becoming a playwright?
ETR: My interest in theater didn’t develop until college. I grew up a competitive dancer, so for most of my life that was my main exposure to live performance. I was also into writing, and in high school I self-published a book of short stories, which I re-read recently and it’s shockingly terrible. Oh my god, it’s awful. But I think it was through writing that collection that I realized my true interest was in writing dialogue, which is part of what led me to study Dramatic Writing at NYU.
I spent the first year or so of the program with crippling imposter syndrome – I didn’t know any plays other than the ones that had been performed at my high school, didn’t know the first thing about film or TV, and didn’t even know how to format a script. My peers already seemed like seasoned experts, with encyclopedic knowledge of plays and musicals and distinct artistic aesthetics that were beyond anything I recognized. But as time went on, I found my people in the program, and that helped me start to feel at home and find my voice.
GG: Can you talk a bit about your experience in the YMCA’s Indian Princesses program, and why you eventually decided to write a play about it?
ETR: My dad did the program with me and my sister in 2008, during the financial crisis. He was working
hard to provide for us for a lot of my childhood, so it was nice to be able to spend time together, even if it was in this weird, messed up container. I also bonded a lot with my sister, who’s become the inspiration for a lot of my plays, so that was special.
It wasn’t until I reflected on the program as an adult that I realized the irony of my participation in it. My mom’s side of the family is of Yaqui and Tewa descent, but her relatives were forced into assimilation school, which forever severed them and future family members from Native community and culture – and which is why I do not self-identify as Native. The never-ending American colonization project robbed my family of our heritage, then aestheticized, repackaged, and sold that heritage back to us generations later as a family-friendly after-school activity. To me, this is what the phrase “Indian Princesses” represents: an identity rooted in a real and beautiful history, but which has been manipulated, violated, and exploited to serve the construction of white American identity. I’m living on the other side of genocide, land dispossession, and forced assimilation, and I’m grappling with the ways those things have shaped my own racial identity.
I wrote the first few scenes of the play in 2020. I was home with my family because of the pandemic, and it was just a weird time: you're so under-stimulated and every day is the same. And that tribal chant that we were taught in the program – which I will never say out loud, ever, ever,
ever again – would play in my brain. That's when I started writing the play, because I realized this chant was still in me. I kept it set in 2008 because that was when I participated in the program in real life, but also because I was interested in the fragility of masculine identity during that time. I was also interested in the ways that conversations about race and racism were transforming in this country, so I wanted to explore that awkward transitional period.
It was Rattlestick Theater and The Playwrights Realm who saw what I was trying to do early on and believed in me and the play. They gave me the resources and guidance to keep working on it, and that’s why the play is where it is today. I wouldn’t be here without them!
GG: The play does such a great job of representing the tension that bubbles up between the good intentions of the program, and the ways its evolution strayed from them.
ETR: I really believe in places like the YMCA, places for people to gather and to rent a room to do the thing that they want to do and to take a free class. I think it's so special. And I don’t think Indian Princesses was one evil guy being like, “you know what will really be great for racism in America?” I’m interested in the ways normal people are miseducated and manipulated into becoming unknowing agents of American nation-building. That’s how we get things like this program.
(L-R) Miranda Cornell (director) and Eliana Theologides Rodriguez (playwright); photo by Samantha Laurent.
MC: There's a 1972 guidebook for Indian Princesses made by the YMCA, which has some eyebrowraising things in it, as it would. But we were just reading a page of it today in the rehearsal room, about why they chose to make it about the “American Indian,” as they call it, and what they could learn from them and how they can respect their culture. So there were obvious good intentions from the people who made it. Somewhere down the line it got convoluted and fetishized. But it did start from a place of valuing a community-based society, valuing a relationship to the outdoors, and they're like, “who has that? The Native American community.” And here we are.
GG: How did you two become collaborators on this play?
MC: During the pandemic I received the Van Lier Fellowship from the Asian American Arts Alliance, which really launched my New York career in a specific way. Which meant that for two years I only ever got offers to direct Asian plays – some of which were great and felt true to my identity, but I don't think that I can only make work about my identity.
When Indian Princesses came across my inbox, I opened it up and I saw immediately that Samantha – the first character listed – is mixed Asian and white, which is my mix. And I was like, “oh, here we go.” But then I went through and I was like, “oh, it's actually a lot more.” The idea of “mixedness” and the in-between spaces that all these characters live in, is really interesting to me. That is very much my lived experience: growing up in a mixed-race, mixed-
faith household. I understand middle spaces very well. I was also really excited about a play in which there was space for forgiveness, because I think that forgiveness on stage is probably the most interesting thing to see right now.
ETR: Miranda and I met during my fellowship at Playwrights Realm. We met up at a cafe in Greenwich Village to discuss the prospect of her directing my internal and external workshops, and the chemistry was instantaneous. Like me, she’s a woman of color with a white dad, so we were able to discuss Indian Princesses with a shared level of understanding. She made connections I hadn’t even realized were there. It was special because the play is partially about my personal struggle to feel understood, and then Miranda comes along and just gets it, which is funny because it sort of mirrors the friendships that make up the heart of the play. I’m very grateful to have been introduced to Miranda. She’s a genius and a visionary. And an amazing friend. And a double Gemini. And she is freakishly good at arcade games.
GG: Miranda’s earlier mention of “forgiveness” makes me think of what you said on the first day of rehearsal, Eliana; you called this a play about people simply “trying.”
ETR: I want our audience to walk away with the courage to try and to fail and to try again. For me, it's enough that people of color, especially those who inhabit very white spaces, feel seen. I hope that this spoke to you and you felt represented.
MC: I want people to feel okay with messing up, with making a mistake. For so many reasons, we live in a very risk-averse society, so either people don't engage or they over-engage, and we see that happen in the play [with the dads]. You’ve got Chris, who over-engages in a very strange way, and then you have Wayne, who is like, “I'm so terrified to talk about this.” This play is saying, “yeah, this might be uncomfortable and hard, but it's a worthy effort to get to this next thing. And not doing anything will cause just as much pain as doing the wrong thing.”
ETR: Miranda and I have shirts that say “I ♥ My White Dad.” Miranda has made me friendship bracelets with inside jokes from the play in beaded letters. An actress I’ve worked with made me an “I ♥ My White Dad” mug as well. Basically my end goal is for this to be a whole enterprise. Merch everywhere. Designer collabs. A skincare line. You know the deal.
Speaking of my white dad, he has been incredibly supportive throughout this whole process. I think people are curious about this but are too shy to ask, so I’ll make it very clear: my dad knows about the play. He’s read it, has traveled to New York for every reading, and plans to be by my side opening night. He also knows about the merch. And though he’s demanded an unreasonably high cut of the profits, we’ve come out the other side closer than ever, which has been pretty cool.
(L-R) Eliana Theologides Rodriguez (playwright), Miranda Cornell (director) and Olivia Espinosa (assistant director); photo by Samantha Laurent.
A NOTE FROM THE CULTURAL CONSULTANT
BY SIERRA ROSETTA
Why do Americans love “playing Indian”? Philip J. Deloria, a Yankton Dakota author and scholar, argues that from the moment white settlers dressed up as Indians during the Boston Tea Party to fool the British, Euro-Americans became obsessed with the idea of performing their version of Indigeneity to establish an American identity.
At first, this desire for “American” identity came from wanting to distinguish themselves from the British, but throughout history, playing Indian has become a way to revel in the nostalgia of the “past,” a way to try on another persona, and a seemingly harmless and fun way to appropriate a minority culture.
Indian Princesses is a play that could be a whole chapter of Deloria’s monumental book, Playing Indian. The characters literally “play Indian” and have a warped understanding of the way the YMCA program encourages tokenization and stereotyping of Native people. But these characters are not two-dimensional, and neither are we. Adoption, mixed-families, the legacy of miseducation in American school systems, and colonization play a part in how these families reckon with their own identities, either as well-meaning white dads or as their daughters of color, whom they try to nurture through this program.
This play mirrors my own story as a mixed-race Native girl (Lily and Hazel) growing up apart from my Native family in the Midwest because of adoption (Maisey). I had an overly religious grandpa (Samantha), a dad who struggled to talk about his feelings (Andi), and generally felt disconnected from my identity as not only a girl, but as a girl of color growing up in the early 2000s (Lily, Hazel, Andi, Samantha, Maisey).
While I did not participate in the YMCA program that playwright Eliana Theologides Rodriguez did, I was surrounded by well-meaning adults who tried to tell me how to feel and what I should know about my heritage. My approach to Indian Princesses was to analyze the history of this shockingly real program that still exists today under the title “Adventure Princesses,” and serve as a consultant on the use of satire as a way to tell a story about a real program based on the appropriation of Native culture. Perhaps like me, you also connect with some or all of the characters of this play. I hope that my research and knowledge can help everyone involved in this process tell the story that Eliana wants to tell; a story that is poignant, hilarious, devastating, and true.
SCAN QR CODE FOR INFORMATION ABOUT THE HISTORY OF THE YMCA INDIAN PRINCESSES PROGRAM.
MISSION STATEMENT
La Jolla Playhouse advances theatre as an art form, telling stories that inspire empathy and create a dialogue toward a more just future. With our intrepid spirit and eclectic, artist-driven approach we will continue to cultivate a local, national and global following with an insatiable appetite for audacious work.
We provide unfettered creative opportunities for a community of artists of all backgrounds and abilities. We are committed to being a permanent safe harbor for unsafe and surprising work, offering a glimpse of the new and the next in American theatre.
VALUES STATEMENT
Welcome to La Jolla Playhouse, where we believe that stories enhance the human experience, instill empathy and help us see the world in new ways. We respect all races, ethnicities, cultures, physical/cognitive abilities, ages, genders and identities, and endeavor to be an anti-racist and accessible organization that removes barriers to engagement. As a community of life-long learners who celebrate the spirit of play, we innovate and collaborate to bring theatre to life.
We practice empathy by listening, challenging our assumptions and staying open to all perspectives.
We respect and recognize the complexities of all lived experiences, identities and cultural backgrounds. We honor the Kumeyaay Nation, the original caretakers of the land on which our theaters sit. We will fight against anti-blackness, the many forms of racism directed at BIPOC (Black, Indigenous, People of Color) and all types of discrimination and harassment, to be a more inclusive space where everyone feels welcome onstage and off.
We work with our community to identify, understand and address ways to make our theatre more equitable and accessible.
We infuse the spirit of play into everything we do, sparking creativity, fun and life-long learning.
We innovate and take risks to propel theatre as an art form and as a pathway toward fostering belonging and enhancing human connection.
We collaborate by prioritizing inclusive practices from which diverse voices, talents and ideas can strengthen engagement and creative thinking.
We vow to grow and embrace these values. When we falter, we will hold ourselves accountable through transparent communication, measurable outcomes, self-reflection and humility. With great joy and a strong sense of responsibility, we commit to these values in every aspect of our work.
BEGINS AUG 19
One day, one heart, one breathtaking ride.
Over 24 suspenseful hours in San Diego, we follow one precious heart on its life-saving journey from donor to recipient and meet the people whose lives are impacted along the way. With a gripping book by Kait Kerrigan (The Great Gatsby), and directed by Tony Award-winner Christopher Ashley, this breathtaking new musical is an edge-of-your-seat ride.
BEGINS SEPTEMBER 16
A surprising and mysterious family story.
While young couple Ty and Nora are moving into Ty’s childhood home, three mysterious men from Ty’s past inexplicably begin appearing. Noah Diaz’s rich, magical drama is full of shrewd insights and humor. Expect the unexpected in this wildly surprising family story with a huge heart.
BOARD SPOTLIGHT
WHY I SUPPORT THE PLAYHOUSE
Welcome to the first worldpremiere production of the 2025-2026 Season, Indian Princesses by Eliana Theologides Rodriguez! I’ve had the privilege of supporting the Playhouse for many years, and I’ve been a member of the Board since 2022. I was first introduced to the Playhouse in 2011 shortly after relocating from New York City and joining the law firm, Cooley LLP. I’m especially grateful to Steve Strauss for his encouragement and for championing Cooley LLP’s continued support of the Playhouse over the years.
La Jolla Playhouse holds a unique and influential place in the theatre world, celebrated for its rich legacy of innovation and unwavering support for new work. It consistently demonstrates the power of live theatre to deepen our understanding of the human experience — offering immediate, compelling storytelling that connects audiences to a wide range of voices, emotions, and perspectives they might not otherwise encounter.
Over time, I’ve come to see that the Playhouse represents far more than the remarkable productions it stages. As members of the Board of Trustees, we have the privilege of seeing firsthand how deeply the Playhouse is woven into the fabric of the San Diego community. Through initiatives like the WOW Festival and the POP Tour, it continues to unite artists, audiences, and residents alike, enriching the city's vibrant cultural life. As a mom, it has been a personal joy to see my young son start to develop a shared love of the arts through this community.
Thank you for supporting La Jolla Playhouse, I hope you enjoy the show!
BOARD OF TRUSTEES
DENISE BEVERS
Board Chair
SCOTT STANTON, Mintz
First Vice-Chair
KAREN SILBERMAN
Second Vice-Chair
RALPH BRYAN*
Treasurer
ANNIE ELLIS
Secretary
TRUSTEES
Weston Anson
Christopher Ashley**
Laurielynn Bar nett**
Michael Bartell
David Brenner
Sanford Burnham Prebys
Janice Brown
Debby Buchholz**
Lisa Casey
Ann Cathcart Chaplin, Qualcomm
Randall Clark*, Sempra
Mary Coleman**
Stephan Coleman, PNC Bank
Doug Dawson
Edward A. Dennis, Ph.D.
Susan Dubé
Hal Dunning
Emily Einhorn
Ray Flores**
Judy Garrett
Robert Gleason
The Lodge at Torrey Pines
Justin Gleiberman
Lynn E. Gorguze
Rachel Greenwald
Luke Gulley, Show Imaging
Kay Gurtin
Clark Guy
Bank of America Private Bank
Dean Haas
Osborn Hurston
Debby Jacobs
Sheri L. Jamieson*
Pradeep K. Khosla, Ph.D.**
Chancellor, UC San Diego
Veronica Leff
Lynelle Lynch*
Margret McBride*
Steven Nagelberg
Lorne Polger
Byron Pollitt
David I. Reynoso**
Becky Robbins
Phil Rudolph
Robin Rusinko
Tim Scott
Shane Shelley, Morrison Foerster
Suzi Sterner**, UC San Diego
Greta Treadgold
Marjorie Mae Treger**
Erin Trenda, Cooley, LLP
Delicia Turner Sonnenberg**
Mary Walshok, Ph.D.
Hanaa Zahran, US Bank
Debbie Zeligson
Barbara ZoBell
HONORARY TRUSTEES
Robert Caplan
Peter Cowhey, Ph.D.
Ivan Gayler
Jeanne Jones
Julie Potiker
Steven M. Strauss*
Geri Ann Warnke*
Robert Wright, Esq.
EMERITUS TRUSTEES
Rita Bronowski (1917-2010)
David Copley (1952-2012)
Ted Cranston (1940-2012)
Milton Fredman (1920-2005)
Ewart W. Goodwin, Jr.* (1938- 2019)
Joel Holliday* (1939-2022)
Joan Jacobs (1933-2024)
Marian Jones Longstreth (1906-1997)
Hughes Potiker (1925-2005)
Sheila Potiker (1930-2011)
Jeffrey Ressler* (1943-2022)
Ellen Revelle (1910-2009)
Roger Revelle (1909-1991)
Willard P. VanderLaan, M.D.* (1917-2012)
Arthur Wagner, Ph.D. (1923-2015)
Mandell Weiss (1891-1993)
1947 FOUNDERS
Mel Ferrer
Dorothy McGuire
Gregory Peck
*Past Chair of the Board **Ex-Officio
List as of April 2025
Top row: La Jolla Playhouse board members at WOW Festival 2025; Keely Daximillion, Ebony Erickson, Scott Stanton, Carrie Clark, Bridget Cavaiola Stone; Bottom row: Lynn Gorguze, Amy Corton and Emily Einhorn; Christopher Ashley, Beth Accomando, Larry and Robin Rusinko, Peggy Wallace, Dean Haas, Denise Bevers, Patricia Honeycutt
PRODUCTION SPONSORS
Hal and Hilary Dunning
Deciding to sponsor Indian Princesses was really an easy decision for us. Not only do we love to support newer artists such as Eliana Theologides Rodriguez and the development of new works through the Playhouse's DNA Series, some of our favorite (and often hilarious) father/daughter stories of years past came from our family’s involvement with Indian Princesses. From returning from the communal campfire to find our tent literally blown away, to our daughter caught on camera “hiking” through a jagged cave in nothing but reef walkers and a bathing suit, to her getting “lost” on Catalina (can you really get “lost” on an island?), our family laughed, loved and learned together…much like the characters in Indian Princesses. We hope you love it as much as we do.
At Show Imaging we believe in the power of storytelling. We continue to strive towards our mission: to be a solutions-driven community of creators, who aim to authentically enrich people’s lives by producing world class experiences, inclusive of all. We are proud to support La Jolla Playhouse in its work to tell impactful and important stories, believing that artists and their stories have the power to change the world.
FOUNDATION & GOVERNMENT SUPPORT
LIST AS OF APRIL 2025
$100,000 +
$50,000 - $99,999
Laurents / Hatcher Foundation
Mandell Weiss Charitable Trust
$25,000 - $49,999
National Endowment for the Arts: Creative Forces
Parker Foundation
San Diego Foundation
$10,000 - $24,999
California Arts Council
David C. Copley Foundation
Peggy and Robert Matthews Foundation
Performing Arts Fund NL
Price Philanthropies Foundation
San Diego Scottish Rite Community Foundation
Ellen Browning Scripps Foundation
William Hall Tippett and Ruth Rathell Tippett Foundation
$5,000 - $9,999
Thomas C. Ackerman Foundation
Charles & Ruth Billingsley Foundation
City of Carlsbad’s Cultural Arts Office
Dutch Culture USA
Goodwin Family Memorial Trust
National Alliance for Musical Theatre
John and Marcia Price Family Foundation
Sutherland Foundation
$1,000 - $4,999
Creative West
Samuel I. & John Henry Fox Foundation
Kiwanis Club of La Jolla
Cynthia and George Mitchell Foundation
$250 - $999
Actors' Equity Foundation
CORPORATE CIRCLE
ANNUAL SUPPORT FROM INDIVIDUALS
THE ARTISTIC DIRECTOR'S
CIRCLE - $100,000 AND ABOVE
Denise and Lon Bevers
Theodor S. and Audrey S. Geisel Fund
Kay and Bill Gurtin
Jeanne L. Herberger, Ph.D.
Joan and Irwin Jacobs
Sheri L. Jamieson
La Atalaya Fund
Rebecca Moores Foundation
Paula and Brian Powers
Jordan Ressler Charitable Fund of the Jewish Community Foundation
SEASON SPONSORS -
$50,000+
Weston Anson
Melissa and Michael Bartell
Gail and Ralph Bryan
Gary and Marlene Cohen
Brian and Silvija Devine
Hal and Hilary Dunning
Greg and Marike Fitzgerald Charitable Fund
Estate of Pauline Foster
Hanna and Mark Gleiberman
Lynn Gorguze and Scott Peters
Debby and Hal Jacobs
Veronica and Miguel Leff, Esq.
Perlmeter Family Foundation
Maryanne and Irwin Pfister
Robin and Larry Rusinko
Karen and Jeff Silberman
The Stockdale Family
Molli Wagner
Peggy Ann Wallace
PLAYWRIGHTS CIRCLE -
$25,000+
Christopher Ashley and Ranjit Bahadur
Roberta C. Baade Charitable Fund
The Paula Marie Black Endowment for Women's Voices in the Art of Theatre
Debby and Todd Buchholz
Drs. Edward and Martha
Dennis
Susan E. Dubé
Gary and Jerri-Ann Jacobs
Jeff and Annie Jacobs
Paul E Jacobs
Stacy Brackon Jacobs
Joy and Eric Laws
Jeff and Carolyn Levin
Lynelle and William Lynch
Margret and Nevins McBride
Teresa and Byron Pollitt
Julie and Lowell Potiker Fund of the Jewish Community Foundation
Tricia and Mark Rothschild
Stern Leichter Foundation
Pamela J. Wagner and Hans Tegebo
Philip and Margarita Wilkinson
LEADERSHIP CIRCLE -
$15,000+
Anonymous
Tony and Margaret Acampora
Randy Camp and Susan Tousi
Lisa and David Casey
Big Blue Sky Foundation
Karen and Donald Cohn
Amy Corton and Carl Eibl
Doug Dawson
Daniel and Emily Einhorn
Annie and Charles Ellis
Sonali and Eric Fain
Michael and Susanna Flaster
Bill and Judy Garrett
Justin Gleiberman
David and Claire Guggenheim
Dean J. Haas
Dwight Hare and Stephanie Bergsma
Osborn and Dea Hurston
Jay Jeffcoat
Lorne Polger and Lori Weiner
Becky Lynne Robbins
Charitable Fund
Colette and Ivor Royston
Dawn and Phil Rudolph
Swanna and Alan Saltiel, Dan
Cameron Family Foundation
Stan Siegel
Margie and Bill Strauss
Iris and Matthew Strauss
Greta and Steve Treadgold
Mary Lindenstein Walshok,
Ph.D.
Sheryl and Harvey P. White
DIRECTORS CIRCLE - $10,000+
Alex and Zsuzsanna Balazs
Gary and Barbara Blake Family Fund of the Jewish Community Foundation
Janice Brown
Holly McGrath, Highland Partners Charitable Fund
Pamela B. Burkholz
Randall and Michael Clark
Robin and Leo Eisenberg Family
Dan and Phyllis Epstein
Gail Fliesbach
Jan and Helane Fronek
Wendy Gillespie
Alan and Marleigh Gleicher
Mrs. Ewart (Chip) Goodwin
Lamees Hamdan
Tammy and Larry Hershfield
Adam and Amy Jacobs
Sherry and Larry Kline, Arnold and Mabel Beckman Foundation
Andrew and Mackenzie
Linville, Linville Family Foundation
Christy and Alan Molasky
Jim and Susan Morris
Lee and Stuart Posnock
Karen Quiñones, The Quiñones Family Trust
Judy Robbins
Tammy and Cameron Rooke
Don and Stacy Rosenberg
Laleh Roudi
Lynn Schenk
Joseph Schuman
Linda J and Jeffrey M Shohet
Karen and Stuart Tanz
Steven Strauss and Lise Wilson
Leatrice Wolf
Barbara ZoBell
CELEBRATION CIRCLE$5,000+
Anonymous
Lisa and Steven Altman
Mrs. Valerie Ewell Armstrong and Mr. Sam Armstrong
Stephen Miller Baird,MD and Carol Davidson Baird
Mireille and Steven Barnard
Mary and Rolf Benirschke
Joan and Jeremy Berg
David Bialis and Diana Breister
Nancy and Matt Browar
Christa Burke
Robert Caplan and Carol
Randolph
Dr. Marilyn R Carlson
Pamela and Edward Carnot
Maureen and Lawrence Cavaiola
Michelle Crosby and Guity
Balow
Nancy Cunningham
Elaine S. Darwin
Jendy Dennis Endowment Fund
Marty and Shel Diller
Nina and Bob Doede
Doris and Peter Ellsworth, Legler Benbough Fund, San Diego Foundation
Dr. Margo Emami and Mr. Edward Lizano
Pam Farr and Buford
Alexander
Drs. Bessie and Ron Floyd
Maria Frase
Fuson Family Fund at Schwab Charitable
David Newman and Samantha Goldstein, The Jasada Foundation
Beth Goodman
Beverly Goodman
Carrie and Jim Greenstein
Starr and John Grundy
Ivy Hanson, Hanson Family
Charity Fund
Gerald and Ingrid Hoffmeister Fund, The San Diego Foundation
Rosanne and Joel* Holliday
George and Maryka Hoover
Gail and Doug Hutcheson
Marguerite Jackson Dill
Conner Jacobs
Lindsey Jacobs and Nolan Weinberg
JM Foundation
Gina and Kent Johnson
Kathy and Rob Jones
Kavanaugh Family Foundation
Lynda and Richard Kerr
Pradeep Khosla and Thespine Kavoulakis
Shirley King and Arthur Olson
Michael H Kossman
Tig Krekel
Dr. and Mrs. Kenneth Labowe, Labowe Family Foundation
Karen and Mark Liebowitz
Sheila and Jeffrey Lipinsky and Family
Barbara Loonin
Leslye and Scott Lyons
Tiffany Medina and Bruce Weisman
Daphne Muchnic
Steve and Jerri Nagelberg
Wendy Nash
Grant and Aradhna Oliphant, Prebys Foundation
Susan C. Parker
Bernard Paul and Maria Sardina
Dr. Julie Prazich and Dr. Sara Rosenthal
Jeannie and Gerry Ranglas
Clare Redlinger
Rick Sandstrom and
Sandy Timmons
Jay and Julie Sarno
Tim and Emily Scott
Alex Seaver
Gad and Suzan Shaanan
Leslie Simon
Dawn and Ira Smalberg
Elizabeth and Joseph Taft
Revocable Trust
David and Tina Thomas
Erin Trenda
Dean Ujihara Charitable Fund
Geri Ann Warnke and
Donald Frey
David and Sharon Wax
Linda Rankin and Rod Whitlow
Richard Winkler
Michael and Lisa Witz
Jill and Bruno Wolfenzon
Meryl and George Young
Debbie S. Zeligson
Diane and Robert Zeps
ACTORS CIRCLE - $2,500+
Anonymous
Dede and Mike Alpert
Dr. Kim E. Barrett
Joni and Miles Benickes
Liz Bernal and Suzanne LaTour
Steve L. Black and Kristen Richards-Black
Cindy and Steve Blumkin
Barbara L. Borden
Michele Braatz
Julie and George Bronstein, The ARJ Fund of The San Diego Foundation
Loyce R. Bruce
John and Jackie Bucksbaum
John and Nancy Jo Cappetta
Gary and Lynette Cederquist
Carol and Jeff Chang
Diane Clarke
Stanley Cohen and Mark Whitacre
Marilyn Colby and Evans Family Fund of the Jewish Community Foundation
Peter Cowhey and Margaret McKeown
Stacy Cromidas and Ruth Gilbert
Brian Danielson
Ana De Vedia
Karen B. Dow
Mark and Jenny Dowling
Dr. Robert and Mrs. Ann
Dynes
Jill and Jeffrey Essakow
Paula Fitzgerald and Chris Nielsen
Marjorie Fox
Dr. Benjamin and Sue Frishberg
In memory of Dennis L. Field
Joyce M Gattas, Ph.D.
Susan Gembrowski Baker and Rex Baker
Barbara and Joseph Giammona
Pat and Norm Gillespie
Jim Gilmore
Robert Gleason and Marc Matys
Kimberly and Jeffrey Goldman
Bernard and Judith Greenspan
Julie Hall, Oklahoma City Community Foundation
Koji and Angela Fukumura
Nishma and John Held
Richard Heyman and Anne Daigle
Jess Jacobs and Bryan Keller
Larry Katz
Dr. Warren and Karen Kessler
Amy and Bill Koman
Ms. Gale M. Krause, in memory of Jim Krause
Linda Lenhard and Mark Kritchevsky
Helen and Sig Kupka
Samara and Paul Larson
Dr. K.B Lim and Linda Lee Lim
Foundation
Lori and Joe Mahler
Edna and Daniel Maneval
Holley and Robert Martens, Sandstone Foundation
Valorie McClelland
Dennis A. McConnell
Valorie Miller, in memory of Lisa Uribe
Ilene Mittman, in memory of Dr. Charles Mittman
Kelly and Mike Moore
Judith B. Morgan
Gregg and Cindy Motsenbocker
Arlene and Louis Navias
Mark C. Niblack, MD
Mary Adams O'Connell, in honor of Louise and Brad Edgerton
Dr. Walter Olsen and Dr. Zdenka Fronek
Janet and Larry Pollack
Claudia Prescott
Dr. William and Marisa Rastetter
True Life Center
Dr. Joseph and Carol Sabatini
Scarano Family Foundation at The San Diego Foundation
Neil R. Senturia and Barbara Bry
Richard Shapiro and Marsha Janger
Maureen Elizabeth Sheehan
Alan and Esther Siman
Dr. Ed and Evelyn Singer
Dr. Robert Singer, in memory of Judith Harris
Susan and Gerald Slavet
Dr. Doris Trauner and Mr. Richard Stanford
Tom Templeton and Mary Ena Erlenborn
Jim and Kathy Waring
Hanaa Zahran and Dr. Richard Leung
Howard and Christy Zatkin
Helene and Allan Ziman Fund of the Jewish Community Foundation
Howard and Judy Ziment
Emma and Leo Zuckerman
INNER
CIRCLE - $1,000+
Anonymous
Hon. Louise De Carl Adler
Philip Anderson and Verónica
Valdés
Lynell Antrim
Sharon Ashley
Lisa Celia Balderston
Judith Bambace and Brian Trotier
Alisa and David Barba, Barba Charitable Fund
Lourdes and James Bass
Barbara Young Beebe
Col. Michael and Diana Hill
Claudia Baranowski and Tom Horvath
Chad Benefield, Marilyn and William Young Foundation
Jane and Michael Benton
Carolyn and Giovanni Bertussi
Anthony Bollotta, Bollotta
Entertainment
Nina and Tony Borwick
Paige Bosacki Santos
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Johanna Brody
Jeanne Burton
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Cathy and Michael Casteel
Kyle Chan and Cathy Swindlehurst
Kay Chandler
Katherine and Dane Chapin
Sue Lasbury, in memory of John C. Cochran
Liz Nederander Coden and Daniel J. Coden, MD
Wayne Saville and Laura Colban
Daniel E. Collins and Nancy Shimamoto
Christopher Cook
Coral Courts Donor Advised Fund, Corinna Cotsen and Lee Rosenbaum
Denis M. Crane, in memory of Rilla Crane
Maile and Brett D'Arcy
Gerral and Anne David
Denise and Gary David
Brett and Jennifer Dickinson
Wally and Linda Dieckmann
Bob Duffield
Gail Ebner and Tom Stockfisch
Toby Eisenberg
Rachel and Michael Esposito
Steven Q Evans
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Terry Fechter
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Dieter Fischer's Mercedes Service, Inc.
Dr. Laurie Forrest
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Robert and Mona Freels
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Catherine R. Friedman
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Anne and Mark Smith
Ira and Cheryl Gaines
Steven and Cheryl Garfin
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GlobalStar
Fred and Lisa Goldberg
Drs. Tom and Cindy Goodman, in honor of Whitney Goodman
The Lloyd Gorcey Charitable Foundation, Inc. in memory of Lloyd Gorcey
Judi Gottschalk
Carmel Gouveia
George C. Guerra
Luke Gulley
Kendall Hall, Fred Jones
Family Foundation
Cherie Halladay
Professor Marc and Mr James Harden
Jeff and Joel Harms
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William D. Smith
Thomas Harvey and Bonnie Drolet
Tom and Lynn Hawkins
Marcia Hazan and Mark Cammell
Jamie Henson and Robert Houskeeper
Ray and Kate Hong
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Operating Fund of the Jewish Community Foundation
Neil and Vivien Joebchen
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Family Fund of the Jewish Community Foundation
Adele Rabin
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Bill and Dorian Sailer
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Beverly Sanborn, in memory of Warren Sanborn
Scott Sandel and James Marich
Teresa Shaffer
Tom Shapiro and Madeleine Grynsztejn, in honor of Flossie Cohen
Mitchell and Elizabeth Siegler
Debbie and Dr. Darren Sigal
Leslie Branman-Smith
Rod and Dolores Smith
Marion So
Mark and Caroline Sornson
John and Lynn Spafford
Nancy and Alan Spector
Scott M. Stanton
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Judy Sweet
Al and Stephanie Tarkington
Marie Tartar and Steve Eilenberg
John and Gail Tauscher
Place D. Tegland
Janet Toon
Ray Lee and Teresa Trucchi
Alyce and Tom Vessey
Cynthia Walk
Denise Walsh
Bobbi Warren
Diana Weiss-Wisdom and Gabriel Wisdom
Sharon Weremiuk
Graydon and Dorothy Wetzler
Joyce H. Williams
Wayne Wilson
Jennifer Winward
Elaine Wolfe
Barry and Barb Zemel
Karen and Sidney Zisook
CENTER STAGE CLUB - $500 AND UP Anonymous • Barb and Jon Achenbaum • Jack Adcox • Sharon and Terry Allen • Robin Allgren, MD PhD • Sheila Amend • Barbara Arledge • Robert Baizer and Diane Jacobs Baizer • Gil and Annabelle Balaoing • Francis and Diane Bardsley • Gerlinde and Greg Beuerlein • Alice W. Brown • Tonya Carlos • Chris Cheever, in memory of Andy Thomas • Lorraine Chuman and Stephen Mikolajczyk • Bowers Jewelers • Bob Cunningham • Marcus and Ann De Barros • Don and Julie DeMent • Dannielle Dickinson • Kim and A.T. Ditty • Eric and Kristine Doan • Jodi and Tom Dobron • Rosalyn and Tim Dong • Anne and Chris Duhaime, in honor of Rebecca Duhaime • Diane L. Edge DDS • James and Marti Eisenberg • Barbara and Eric Emont • Mary and Jon Epsten • Debroah and J Faulkner • Annie Finch • Beth Fischer • Gregory and Monica Foerster • Judith and William Friedel • Shannon-Frink Family Gift Fund • Deanne Gage • Aruna and Sabodh Garg • Hortense Gerardo • Bonnie Gibbs • Russell H Ginns • Drs. Charles and Nancy Girvin • M J Gorman • Stephen and Karen Gray • Ed Greulich • Pat and Pepper Guevara • Terry Gulden and Renée Comeau • Elsa and Keith Hall • Cynthia Hamilton • Margo Hebald • Sarah Herr • Strait Hicklin • Bryan Hill • Dr. Peter and Mrs. Megan Hoagland • Robert and Carla Hoblit • Hughes Family Foundation, in honor of Robin and Larry Rusinko • Beth Hulsart and Stephen L'Heureux • Randy and Carrol Jackson • Michael and Linda Karin • Rick and Beth Kent • Laura Killmer • Jerry and Martha Krasne • Drs. Janice and Matt Kurth • Evelyn and Bill Lamden • Patti Lamm and Sheldon Newhouse • Richard Leib and Sharon Rosen Leib Family Fund of JCF • Bena Leslie • Marshall and Judy Lewis Fund, Jewish Community Foundation • Zita Liebermensch • Scott and Pamela Linton • Susan and Peter Mallory • Jeanne Maltese • Patsy and David Marino • Madonna Maxwell Omens • Maggi McKerrow, in memory of Judie McDonald • David and Patricia Meyers • Nathan Meyers • Norma and Scott Miller • Evelyn Mishuck • Robert and JoAnn Mogg • Laura Morkan • David Morris • Susan Muha • Esther R. Nahama • Sherry Nicholas • Barbara and Donald Niemann • Eric and Benedicte Otterson • Drs. Genevieve and Kelly Parsons • Pamela Partlow and Bruce Maigatter • Ms. Virginia S. Patch • Sheila and Ken Poggenburg • Marc Poland and Ellie Werner • Laura and Mike Ravine • Carla and Rudolph Rehm • Patrick Ritto • Mark and Lia Robinson • Jodyne Roseman • Bob and Beth Rosenfeld • Sharon Ruhnau • Ann Schall • Barbara and Guy Shaw • Emily and Lia Shen • Alan Shorr and Marcia Wagner • Marshall and Leslie Sigesmund • Beverly and Howard Silldorf • Elizabeth Simmons and Sekhar Chivukula • Drs. Ron and Marilyn Simon • Barbara Slater • Linda Small • Mark and Elaine Smith • Annie So • Norman and Judith Solomon • Gary and Susan Spoto • Bob Steck • Charles Stephens and Eric Meijer • Dr. Nancy Stewart, in memory of Dr. Charles Stewart • Jefferson Stone • Lisa Noelle Stone and Matthew A. Lab • Stephen and Patricia Sulivan • Jennifer E Tillman • William Tong and Marilyn Newhoff • Rick Van Noy • John Venekamp and Clifford Schireson • Joseph Viery and Steve Cusato • Ruth Passow Warburg • Dr. Ruth S. Waterman • Ted Scott and Joan Weber • Jean M Wilkinson • LeAnn and Sam Williams • Carey Winston • Philip and Claire Wise • Carolyn and Peter Woodbury • Susan and Jock Wright • Brendan and Kaye Wynne • Steven and Cindy Zisser
Reflects giving to Annual Fund, Gala Underwriting and Paddle Raises from January 2024 – April 2025. We apologize for any errors or accidental omissions. Please contact the Individual Giving Office at (858) 550-1070 x134 if you would like to change your listing.
IN LOVING MEMORY Jordan Ressler, 1981-2004
A Film and Theatre graduate from Cornell University, Jordan was an adventurer with a passion for the arts. Here at La Jolla Playhouse, he served as an assistant to Des McAnuff on Billy Crystal’s 700 Sundays and was the script supervisor for Jersey Boys
The Jordan Ressler Charitable Fund of the Jewish Community Foundation was established by his parents, Vivien and Jeffrey Ressler, to honor their son and his love of theatre and film.
A NEW CHAPTER IN SUSTAINING ARTISTIC INNOVATION
La Jolla Playhouse is proud to announce the evolution of our planned giving community: The Revelle Society is now the Playhouse Legacy Circle. While our name has changed, our mission remains steadfast — to ensure the future of visionary theatre through transformative philanthropy.
La Jolla Playhouse is proud to announce the evolution of our planned giving community: The Revelle Society is now the Playhouse Legacy Circle. While our name has changed, our mission remains steadfast – to ensure the future of visionary theatre through transformative philanthropy.
To learn more about the Playhouse Legacy Circle, please email legacycircle@ljp.org or call (858) 228-3083
Same Impact: Your legacy gift still supports world-premiere productions, youth learning programs, and immersive theatrical experiences.
WHAT’S NEW?
Artistic Vision: The Playhouse Legacy Circle reflects our deepened commitment to fostering creativity and accessibility for generations to come.
THANK Y OU
Enhanced Benefits: Members gain exclusive access to behind-the-scenes events, personalized stewardship, and recognition in Playhouse publications.
Our annual GALA, on March 29, 2025, was a truly remarkable event to support La Jolla Playhouse and celebrate Joan Jacobs.
STAY CONNECTED
Send a note to legacycircle@ljp.org or call (858) 228-3083 to learn how your existing Revelle Society membership transitions seamlessly into the Playhouse Legacy Circle — or to begin your legacy journey today!
We offer a heartfelt thank you to eveyone who attended, and to our amazing GALA Chair Debby Jacobs, whose extraordinary creativity and dedication produced a spectacular evening.
Theatre and Arts Foundation of San Diego County dba La Jolla Playhouse is a 501(c)(3) nonprofit. Tax ID #95-1941117.
Join us at La Jolla Playhouse’s signature event! Innovation Night is San Diego’s premier networking event for the arts and sciences industries. An elegant cocktail reception for 500+ C-level executives, innovators, and guests with delicious cuisine and an open bar. Plus, an Innovation Night gallery featuring interactive exhibits from leading San Diego companies and delightful Without Walls-inspired theatre to enjoy.
The 2025 Innovation Night co-chairs will be Adam Jacobs (Co-founder, The Jacobs Scheriff Group) and Tim Scott ( CEO and President, Biocom California). lajollaplayhouse.org/innovation
Photo by Tim Hardy Photography
TECH THEATRE TRAINING IN PARTNERSHIP WITH JUVENILE COURT
AND
COMMUNITY SCHOOLS
Since the summer of 2015, the Playhouse has partnered with Momentum Learning — a division of the San Diego County Office of Education — to offer a dynamic week-long class introducing young people to the world of technical theatre. The program covers key disciplines such as Costumes, Lighting, Props, and Scenic Building and Painting.
Designed to be both educational and empowering, this initiative reaches a wide range of youth, including those who are incarcerated, transient, or part of the public school system. By providing hands-on experience and creative engagement, the training helps participants build confidence, teamwork skills, and a deeper appreciation for the arts.
LEARNING & ENGAGEMENT PROGRAMS
Community Programs
The Playhouse partners with members of local affinity groups to create productions for, by, with and in the communities we serve. In addition, we provide creative opportunities for artistic development and growth for various community groups.
In-School Programs
The Playhouse partners with school districts across San Diego County to place professional teaching artists in schools for intensive artist residencies aimed at providing young people with meaningful opportunities to learn about theatre. Through the Kennedy Center’s Partner in Education program, the San Diego County Office of Education and LJP team up to provide professional development for educators on how to enhance their existing lessons with theatre strategies.
JumpStart Theatre
This three-year program provides curriculum and mentorship for a team of middle school teachers to produce musicals in their schools for the first time. After three years, the school receives continued support to maintain a viable theatre program. Supported by the Peggy and Roberts Matthews Foundation and the Sutherland Foundation.
Performance Outreach Program (POP) Tour
Each year, the Playhouse commissions a new play that addresses real concerns of today’s youth and brings a professional production to schools and community centers across San Diego County. Supported by US Bank.
Spotlight On Playhouse teaching artists lead classes for adults on Improv, Musical Theatre, Acting and Technical Theatre.
Student Matinees Special student matinees of selected mainstage productions are offered throughout the school year. An online engagement guide, pre- or post-show workshops, and a post-show talkback provides a deeper understanding on how a new play is uniquely developed with Playhouse staff. Supported by California Arts Council.
Tech Theatre Training Each summer, the Playhouse hosts technical theatre training to provide exposure to career pathways in theatre production to students who are part of the SD County Juvenile Court and Community Schools and members of the military community. We also provide professional learning opportunities in technical theatre to educators.
Young Performers’ Conservatory and Junior Conservatory (YPC) Summer intensive programs that guide young artists in the process of creating theatre and that prepares performers college theatre programs; and Tech Theatre, which introduces young people to the various aspects of technical theatre. Supported by the Jordan Ressler Endowment Fund, and the Roberto Quiñones, Jr. Scholarship Fund.
For more information on La Jolla Playhouse’s Learning & Engagement Programs, please email learningandengagement@ljp.org and view our free resources for educators and families on our website.
Lead Supporters: California Arts Council | National Endowment for the Arts | Prebys Foundation | San Diego Foundation
PATRON SERVICES
ACCESSIBILITY
Designated wheelchair-accessible seating is available and accessible parking is provided by UC San Diego in the Theatre District Parking Structure. Wheelchair seat locations are available for wheelchair users and a companion. Additionally, a golf cart is available to assist patrons with accessibility needs to and from the drop-off location. You may pull into the Passenger/Ride Share Drop-Off area and a greeter will assist you. The Playhouse offers assisted listening devices free of charge at the Patron Information Booth for any patron who would like amplified sound (subject to availability). Please provide a credit card or ID for temporary deposit.
Listening Devices Provided in Part by
CHILDREN under the age of 6 are not permitted in the theatre during performances unless otherwise posted. Unaccompanied minors ages 12 and under are not permitted in the theatre. Out of respect for fellow audience members and the performers, babes in arms are not permitted in the theatre during performances.
CONCESSIONS AND DINING
Start your night off right with bar and concessions service from James' Place: serving beer, wine, sodas and individuallywrapped snacks. Additionally, James’ Place provides dining service starting at 5:00pm before evening performances.
HEALTH AND SAFETY
Please visit lajollaplayhouse.org/ healthandsafety for our latest policy updates.
LATE SEATING
Should you arrive late for any performance or need to leave your seat during the performance, you may be asked to wait in the lobby until an appropriate moment. To minimize any disturbance to actors or other patrons, you may stand or be seated in the first available location by House Management even if not your assigned location. Please be advised that some performances may not allow for late seating or return to your assigned seat.
THE PLAYHOUSE LEADERSHIP COUNCIL
PARKING
For the latest parking information, please go to lajollaplayhouse.org/parking
PATRON SERVICES is located in the lobby or courtyard of each theatre. A volunteer is available to distribute assisted listening devices and answer questions.
PHOTOGRAPHY/RECORDING DEVICES
Photography and video or audio recording of performances is strictly prohibited.
PLEASE SILENCE or turn off all electronic devices, including cell phones and watches, before the performance.
SAFETY IN THE THEATRE
DISTRICT
La Jolla Playhouse is constantly working with UC San Diego Police Department and Transportation and Parking Services to maintain a safe and secure environment in the parking lots. Patrons are welcome to use the UC San Diego escort service by contacting UC San Diego Community Service Officers (CSOs) at (858) 534-9255 (WALK). Further questions regarding security, please contact UC San Diego Police at (858) 5344357 (HELP).
The Playhouse Leadership Council (PLC) is a passionate and engaged group of civic leaders, advocates and professionals whose mission is to create a welcoming environment for new audiences. PLC members work throughout San Diego to introduce new audiences to every production and ensure that their first experience at the Playhouse is a memorable one. PLC connects a more diverse group of people the to the Playhouse and aspires to enrich and enhance the lives of all San Diegians through theatre.
GET INVOLVED! If you live, work or interact with a community you think should experience the Playhouse, contact Leadership Council at learningandengagement@ljp.org.
PLAYHOUSE STAFF
ARTISTIC
Artistic Producing Director Eric Keen-Louie
Director of Artistic Development Gabriel Greene*
Director of Experiences and Activations
Mia Fiorella*
Associate Producer Amy Ashton
Executive Assistant to Christopher Ashley
Rick VanNoy*
Producing Associate/Local Casting Director Hannah Reinert
Director Emeritus Des McAnuff
Directing Fellow Jacole Kitchen
Artistic Interns Haley Love Dunning, Lucy Whitehead
Commissioned Artists Todd Almond, Jeff Augustin, Sam Chanse, Fernanda Coppel, Kenneth Lin, Mona Mansour, Jess McLeod, MILCK, Lisa Peterson, Theresa Rebeck, Harrison David Rivers, Claudia Shear, Christopher Shinn, Octavio Solis, Jonathan Spector, Benjamin Velez, Keith Wallace, Kristina Wong, Lauren Yee
Carpenters Justin Allen, Jeffrey Becker, Christopher Bridges, Michael Brodsky, Keegan Graham, David Johnson, Mark Murphy, Heather Rawolle, Elias Solis, Joseph Valencia Welders Ava Roethe, Diego Sierra, Wally Wallace
Riggers Marcus Laskey, Jesse Setterberg, Antonio Valenzuela
Charge Artist Jennifer Imbler*
Lead Scenic Artist Melissa Nalbach*
Scenic Artists Alyssa Armstrong, Mary Jhun, Kally Mihova
Electricians Michelle Aguilar, Hannah Beerfas, Jasmyne Birdsong, Alex Cluff, Michelle Luongo, Sandra Navarro, Jenner Price, Nicholas Shelton
SOUND/VIDEO
Production Sound & Video Dan Barsky
Head Audio Daniel Silva
Assistant Head Audio Mae Le
Sound/Video Technicians Camille Houze, Alanna Idano-Panos, Nathan Kunce, Sarah Rad, David Silva
* Ten years or more with La Jolla Playhouse
Moving Light Programmer B Yamashita
Deck Electrician Sandra Navarro
Electrics Swing Jasmyne Birdsong
Sound Engineer Mae Le
A2 Camille Houze
DINING GEMS IN JUNE
From an Iconic Outpost’s Big Birthday to a New Natural Wine Bar in Carlsbad by SARAH DAOUST
TWELVE FLOORS UP at the Manchester Financial building in Bankers Hill sits a very special place—an idyllic spot for date nights, marriage proposals, birthdays and anniversaries (and just a fun excuse to get dressed up a little for an elegant dinner on an otherwise
mundane Tuesday). Mister A’s has served as that very special place for six decades, celebrating its 60th anniversary this summer. Famous for its French-inspired American cuisine and unparalleled bird’s-eye views of the city, airport, bay, Balboa Park and beyond, the fine-dining
institution first opened in 1965 (named after founding owner John Alessio). It’s undergone just two ownership changes over the years; the torch was passed to Bertrand Hug in 1999; then to longtime operations manager Ryan Thorsen in 2022. Mister A’s underwent a
The private dining room at Mister A’s.
remodel in 2022 as well— updated with sparkling crystal chandeliers; seating wrapped in rich, blue jewel tones; a renovated patio and dining rooms that channel an upscale brasserie; an opulent private dining room; an allnew, 90-seat rooftop bar and lounge; and revamped dinner and cocktail menus. Book a table now for summer dining and indulge in beautifully plated, Frenchinfused dishes by longtime executive chef Stéphane Voitzwinkler. June is “Jerry’s Month” honoring Jerry Capozzelli—Mister
A’s beloved maître d’ of nearly 40 years who sadly passed away in
2023—complete with vintage menus and charity activations. “60 Years of Community” benefit dinners are scheduled for June 24-26, featuring 1965 menus (reimagined by chef Voitzwinkler) offered at 1965 prices. 2550 Fifth Ave., 12th floor, Bankers Hill, 619.239.1377, asrestaurant.com
Celebrate life’s little victories at Little Victory Wine Bar, by husbandand-wife team Jeremy Simpson and Kirsten Potenza (the same duo behind Encinitas’ popular Little Victory Wine Market). The Europeaninspired natural wine bar offers quaint indoor/
ning wineries from Santa Cruz to Sicily to Austria to Australia. Sniff, swirl, snack and stay awhile. 505 Oak Ave., Suite B, Carlsbad Village, 442.333.9134, littlevictorywine.com
outdoor seating; a curated wine list (Simpson is a sommelier) representing vintners from California and around the world; and global plates infused with seasonal SoCal ingredients—dreamt up by chefs Kelly and Elliott Townsend. Indulge in seasonal salads, cured meats and cheeses; as well as dishes such as local crudo with passionfruit, cucumber and celery; Thompson Heritage Ranch pork chops with spring peas; and risotto with artichokes alla Romana, mint and green garlic. Wines are sourced from grapes farmed using biodynamic, organic techniques—span-
Serving Latin American and Japanese fusion cuisine, Brisa Restaurant & Bar is now open in Little Italy. Translating to “breeze” in Spanish, the casually elegant outpost (under the leadership of partner and GM Jennifer Reinhart) boasts a gleaming low-lit bar and subtle, Tulum-inspired tropical decor. On the menu: bacon-wrapped scallops with purple smashed potatoes and chimichurri; smoked pork chuleta with cilantro-lime rice and veggies; and a lump crab nopal tostada with avocado-jalapeño cream, street corn and salsa macha; plus a raw bar, sushi rolls
The quaint interior of Little Victory Wine Bar; scallops at Little Frenchie.
and a wok-fried local fish served whole; and exotic cocktails like the Guava Lava with jalapeño-infused tequila. Come for weekend brunch and feast on green-matcha pancakes with jalapeño-infused syrup and crispy bacon; and a Brisa favorite: the Japanese-inspired Taiyaki Sandwich made with a waffle-style panini stuffed with bacon, American cheese and scrambled eggs. 2101 Kettner Blvd., Little Italy, 619.303.0415, brisasd.com
RMD Group’s new Solana Beach hot spot, Rustic Root, is now open seven days a week (beginning at 4 p.m.)—featuring rotating specials such as Meatloaf Monday, Prime Rib Thursday with live music, a daily happy hour and more. Serving modern American comfort food, the always-bustling indoor/outdoor restaurant and bar emanates a contemporary coastal
For more information: 37th San Diego International
Organ Festival
Every Monday Night July 7 - Sept 1 | 7:30 PM
The Spreckels Organ Society presents the largest organ festival in the United States, featuring the Spreckels Organ, the largest open-air musical instrument in the world.
• Acclaimed International Organists and Competition Winners
• An organ & orchestra celebration with concertos by Poulenc, Parker, Bach and Prieto Ramírez
• Silent Movie Night, featuring Laurel & Hardy films
• An all-Beatles Labor Day Classic Rock Concert commemorating the 60th anniversary of the Beatles concert in San Diego
Raúl Prieto Ramírez, Artistic Director & San Diego Civic Organist
Spring Artichoke Barigoule with French bean ragout, carrot and almond puree; Parisian gnocchi with spring vegetable fricassée, English pea soubise and toasted cashews; diver scallops with sunchoke velouté, asparagus and oyster mushrooms; and more. Little Frenchie also debuts three new curated picnic baskets to-go: a wine and cheese selection, a brunch assortment, and a dinner package. 1166 Orange Ave., Coronado, 619.675.0041, littlefrenchiesd.com
Alisa Weilerstein
Inon Barnatan SummerFest Music Director
Osmo Vänskä
Renée Fleming
Cécile McLorin Salvant
Jessie Montgomery
Alan Gilbert
Food offerings (above) and cocktails (below) at Brisa Restaurant & Bar.
FEATURE / CONTINUED FROM PAGE 11
held at two venues in La Jolla: The Conrad Prebys Performing Arts Center and the UC San Diego Epstein Family Amphitheater. Philadelphia Orchestra Concertmaster David Kim serves as Concertmaster of the All-Star Orchestra for the first half of the Festival; while Los Angeles Philharmonic Concertmaster Martin Chalifour serves as Concertmaster for the second half.
“The Epstein and The Conrad have become our two core venues,” Laturno says. “One is very different from the other, and it makes for a diverse festival experience. At the Epstein, ticket buyers can choose between lawn seating, Adirondack chairs, bleacher-style seats, or a table for four;
In concert at The Conrad
and we’ll be allowing people to bring food and nonalcoholic beverages for the first time to have their own picnics starting at 5:30 p.m. Also new this year, ensembles from our Mainly Mozart Youth Orchestra will be stationed around the venue for picnickers’ enjoyment.” Laturno points out there will still be food for sale at the event, and picnic basket opportunities. “People loved picnicking when we were performing at Del Mar Surf Park during the [pandemic] years, so we wanted to bring it back.”
The festival starts on June 18 at The Conrad with a program featuring a newly discovered Serenade in C Major by Mozart; alongside Vivaldi’s “The Four Seasons” and Piazzolla’s “The Four Seasons of Buenos Aires.” This
FEATURE
Opening Night sets the tone for a festival that juxtaposes familiar masterpieces with less-known gems. “The Conrad has a spectacular acoustic; it’s a fabulous place to perform and experience a concert,” Laturno says. “The opening concert is something very special. Michael Francis has programmed the ‘Four Seasons’ of Vivaldi and Piazzolla in such a way so that it goes back and forth between the seasons. Each of the eight seasons will be performed by a different concertmaster, so you will hear eight different incredible violin soloists in one single evening.”
The programming continues on June 20, also at The Conrad, with Mozart’s “Serenata notturna,” Strauss’ Duet Concertino for Clarinet and Bassoon, Mozart’s Sinfonia concertante in A Major, and Beethoven’s Symphony No. 2. This concert highlights the interplay between solo instruments and the orchestra, showcasing the virtuosity of the principal players. Soloists for the Strauss Duet Concertino will be Boris Allakhverdyan (clarinet) and Whitney Crockett (bassoon).
Francis, who conducts all the Festival’s concerts, has become known for his introductions and explanations of the musical
pieces. “Mozart was [not only] a very prolific composer but also a multidimensional man and musician,” says Laturno. “The festival allows us to showcase not only his music but have conversations around the idea of prodigies, genius, and musical entrepreneurship—we delve into all of that. And Mozart composed for a chamber-sized orchestra; ours is a 44-piece, the size of the orchestra when he composed.”
Moving to the UC San Diego Epstein Family Amphitheater on June 21, the orchestra will present Elgar’s Introduction and Allegro; Mozart’s Symphony No. 40; and Saint-Saëns’ Piano Concerto No. 2, featuring Joyce Yang as the soloist. This outdoor setting offers a different ambiance for experiencing these works.
Returning to The Conrad on June 24, the festival will feature Stravinsky’s Concerto in E-flat, Bach’s Brandenburg Concertos Nos. 2 and 5, and Mozart’s “Haffner Symphony.” This program emphasizes the Baroque and early Classical periods, demonstrating the versatility of the assembled musicians.
The penultimate concert on June 26 at The Conrad includes Mozart’s Overture to Die Entführung aus dem Serail; BendixBalgley’s “A Klezmer Concerto,” featuring Noah Bendix-Balgley on
Mozart’s Grande Fantaisie in F Minor;
Mendelssohn’s Symphony
Aria Gala Sunday, June 29 | 6:00pm La Jolla Woman’s Club
A French Salon: Reynaldo Hahn and Friends Friday, July 11 | 7:00pm Sunday, July 13 | 6:00pm La Jolla Woman’s Club Exclusive Soirée | Private Residence
Armida | J. Haydn
Co-produced with the Hungarian State Opera July 18 & 19 | 8:00pm UC San Diego Park & Market
The Elixir of Love | G. Donizetti
July 25 & 26 | 8:00pm Spanish Village Art Center | Balboa Park
there, you’ll get fireworks.”
The All-Star Orchestra Festival runs June 18-28. For more info and tickets, visit mainlymozart.org
A magical evening at Epstein Family Amphitheater
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NO RUSTLING PAGES, no killing trees . . . the digital Performances program platform has proved to be one of the more enduring recent theater innovations.
The touchless platform provides the programs for 20 Southern California performing-arts organizations, from the Los Angeles Philharmonic and Ahmanson Theatre to San Diego Opera, where the app made its debut.
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“What happens here is that you find yourself. You’re actually opening. You’re walking through many, many doors inside of you. I take with me a quietness that I’m able to share and instill in people. Because I’m back as Diane. I’m back whole.”
