Performances Magazine | Hollywood Bowl, September 2025

Page 1


SEPTEMBER 2O 25

LOOKING FOR INFORMATION ABOUT TONIGHT’S PERFORMANCE?

Download our free app to find the program details, notes, and artist biographies. hollywoodbowl.com/app

LAND ACKNOWLEDGMENT

We acknowledge the Gabrielino Tongva, Gabrielino Kizh, and Fernandeño Tataviam Nations as the traditional stewards of the land now called the Hollywood Bowl.

We honor and respect the many indigenous peoples connected to this land and express our admiration for their resilient and important cultural leaders in our region—past, present, and future.

ANNE AKIKO MEYERS
JONATHON HEYWARD
RAFAEL PAYARE
HIATUS KAIYOTE
ALISA WEILERSTEIN
CRAIG ROBINSON

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WELCOME!

Fireworks, picnics, enjoying a beautiful night of music with friends and family—for many of us, summer means an evening at the Hollywood Bowl. For more than 100 years, the Bowl has been a testament to music’s power to nurture connection, spanning its first sunrise service and community sing-alongs to our recent WE LA concert recognizing first responders and those a ected by the LA wildfires.

Our Music & Artistic Director Gustavo Dudamel says, “Music can build community. It can forge bridges between cultures as we share the things that connect us.” Nowhere does this sentiment ring truer than on a perfect summer night at the Hollywood Bowl. As a Los Angeles County Park operated by the LA Phil, the Bowl attracts the world’s most famous performers while o ering tickets for as little as $1—so that music and this magical summer experience can be available to everyone.

We are delighted to build on these traditions throughout the 2025 season, one that brings together an array of artists spanning all genres and diverse backgrounds. From Mozart to Marsalis, Anne Akiko Meyers to ASTROPICAL, and our fi rst musical theater production since 2022, Jesus Christ Superstar with Cynthia Erivo and Adam Lambert, there are so many spectacular evenings in store. We can’t wait to share them with you.

Warmly,

David

BOARD OF DIRECTORS

CHAIR

Jason Subotky*

PRESIDENT & CEO

David C. Bohnett Presidential Chair

Kim Noltemy

VICE CHAIRS

Thomas L. Beckmen*

Reveta Bowers*

Jane B. Eisner*

David Meline*

Diane Paul*

Jay Rasulo*

DIRECTORS

Nancy L. Abell

Gregory A. Adams

Julie Andrews

Winnie Kho

Joey Lee

Francois Mobasser

Camilo Esteban Becdach

Linda Brittan

Jennifer Broder

Kawanna Brown

Margaret Morgan

Leith O’Leary

Andy S. Park

Sandy Pressman

Geo Rich*

Laura Rosenwald

Richard Schirtzer

John Sinnema

G. Gabrielle Starr

Jay Stein*

Christian Stracke*

Ronald D. Sugar*

Vikki Sung

Jack Suzar

Sue Tsao

Jon Vein

Megan Watanabe

Regina Weingarten

Jenny Williams

Alyce de Roulet

Andrea Chao-Kharma*

R. Martin Chavez

Christian D. Chivaroli

Jonathan L. Congdon

Donald P. de Brier*

Louise D. Edgerton

Dotty Ewing

Lisa Field

David A. Ford

Alfred Fraijo Jr.

Hilary Garland

Jennifer Miller Go *

Tamara Golihew

David Greenbaum

Marian L. Hall

Williamson

Irwin Winkler

Debra Wong Yang

HONORARY

LIFE DIRECTORS

David C. Bohnett

Frank Gehry

Lenore S. Greenberg

Bowen H. “Buzz” McCoy

PAST CHAIRS**

Thomas L. Beckmen

Carol Colburn Grigor

Antonia Hernández*

Jonathan Kagan*

Darioush Khaledi

† In Memoriam

Jay Rasulo

Diane B. Paul

David C. Bohnett

Jerrold L. Eberhardt

John F. Hotchkis†

* Executive Committee Member as of February 2025

** From the opening of Walt Disney Concert Hall on October 24, 2003, to present

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PUBLICATIONS 2025

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WELCOME FROM SUPERVISOR BARGER

I’m excited to welcome you to the Hollywood Bowl, one of the most historic and beloved venues in Los Angeles County. Whether this iconic facility is hosting a performance by the exceptional Los Angeles Philharmonic or a concert by a visiting world-class musician, the Hollywood Bowl is known for its commitment to excellence both on the stage and behind the scenes.

It’s particularly special to me that the Hollywood Bowl finds its home in Los Angeles County’s Fifth District among the communities I have the privilege to represent. With such a rich and storied history, and as host to some of the biggest names in music today, the Bowl is one of the landmarks that make our district unique.

Whether you’re visiting from down the street, across the county, or around the world, I hope you enjoy your time at this remarkable venue. I still hold

near and dear the many fond and fun memories I’ve made at the Hollywood Bowl throughout my life. I know your experience here will be just as memorable, whether it’s your fi rst show or you’re a regular visitor.

Throughout the season, I encourage you to take advantage of all the incredible opportunities available to you. To hop on the convenient and a ordable Park & Ride buses and Bowl Shuttles accessible from all over the county, look at the delicious food options, get a sneak peek at your seats, and fi nd everything else you need to know, head to hollywoodbowl.com/visit so you can make the most of your evening.

You can stay in touch with me at kathrynbarger.lacounty.gov or on social media for the latest community updates and resources. I look forward to connecting with you and hope to see you at a Hollywood Bowl concert soon!

Best wishes,

COUNTY OF LOS ANGELES DEPARTMENT OF PARKS AND RECREATION

A MESSAGE FROM DIRECTOR NORMA

I am thrilled you are spending an evening visiting the Hollywood Bowl—one of the best outdoor venues in the US. The Hollywood Bowl is a legendary performance space, public park, and picnic ground, owned by the County of Los Angeles Department of Parks and Recreation (LA County Parks) and operated by the world-class LA Phil. The Bowl’s summer lineup of diverse music genres is a bucket list for Los Angeles County residents and visitors.

The County of Los Angeles Board of Supervisors, LA County Parks, and the LA Phil are committed to ensuring that all Angelenos can enjoy this remarkable venue through initiatives that expand access. We will:

• Continue the Hollywood Bowl Access Program, a partnership of LA County Parks and the LA Phil, to bring teens and seniors to enjoy summer concerts.

• Expand $1 ticket access for the public and expand the concerts o ered.

• Serve as a good steward of sustainability and our environment by continuing to grow public ridership for the Hollywood Bowl’s shuttle and the Park & Ride programs. We have exceeded our 30% transportation goal and are not stopping there.

We invite you to experience the Hollywood Bowl all year long. Visitors can take a leisurely picnic at Highland Camrose Park at the base of the Bowl, visit the on-site museum, take view-worthy strolls on the grounds, and exercise on the hundreds of hillside steps. I warmly welcome and invite you to enjoy your Hollywood Bowl!

Norma Edith García-Gonzalez
Kathryn Barger

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GUSTAVO DUDAMEL

Gustavo Dudamel is committed to creating a better world through music. Guided by an unwavering belief in the power of art to inspire and transform lives, he has worked tirelessly to expand education and access for underserved communities around the world and to broaden the impact of classical music to new and ever-larger audiences. His rise, from humble beginnings as a child in Venezuela to an unparalleled career of artistic and social achievements, o ers living proof that culture can bring meaning to the life of an individual and greater harmony to the world at large. He currently serves as the Music & Artistic Director of the Los Angeles Philharmonic and the Simón Bolívar Symphony Orchestra of Venezuela, and in 2026, he becomes the Music and Artistic Director of the New York Philharmonic, continuing a legacy that includes Gustav Mahler, Arturo Toscanini, and Leonard Bernstein. Throughout 2025, Dudamel will celebrate the 50th Anniversary of El Sistema, honoring the global impact of José Antonio Abreu’s visionary education program across five generations, and acknowledging the vital importance of arts education. Dudamel’s advocacy for the power of music to unite, heal, and inspire is global in scope. In appearances from the United Nations to the White House to the Nobel Peace Prize Concert, Dudamel has served as a passionate advocate for music education and social integration through art, sharing his own transformative experience in Venezuela’s El Sistema program as an example of how music can give a sense of purpose and meaning to young people and help them rise above challenging circumstances. In 2007, Dudamel, the LA Phil, and its community

partners founded YOLA (Youth Orchestra Los Angeles), which now provides more than 1,700 young people with free instruments, intensive music instruction, academic support, and leadership training. In 2012, Dudamel launched the Dudamel Foundation, which he co-chairs with his wife, actress and director María Valverde, with the goal of expanding access to music and the arts for young people by providing tools and opportunities to shape their creative futures.

As a conductor, Dudamel is one of the few classical musicians to become a bona fi de pop-culture phenomenon and has worked tirelessly to ensure that music reaches an ever-greater audience. He was the fi rst classical artist to participate in the Super Bowl halftime show and the youngest conductor ever to lead the Vienna Philharmonic’s New Year’s Concert. He has performed at global mainstream events from the Academy Awards to the Olympics, and has worked with musical icons like Billie Eilish, Christina Aguilera, LL Cool J, Ca7riel y Paco Amoroso, Laufey, Coldplay, and Nas. Dudamel conducted the score to Steven Spielberg’s new adaptation of West Side Story, and at John Williams’ personal request, he guest conducted the opening and closing credits of Star Wars: The Force Awakens. His fi lm and television appearances include Sesame Street, The Simpsons, Mozart in the Jungle, Trolls World Tour, and The Nutcracker and the Four Realms, and in 2019 Dudamel was honored with a star on the Hollywood Walk of Fame.

For more information about Gustavo Dudamel, visit his o cial website at gustavodudamel.com and the Dudamel Foundation at dudamelfoundation.org.

LOS ANGELES PHILHARMONIC

The Los Angeles Philharmonic, under the vibrant leadership of Music & Artistic Director Gustavo Dudamel, presents an inspiring array of music through a commitment to foundational works and adventurous explorations. Both at home and abroad, the LA Phil—recognized as one of the world’s outstanding orchestras—is leading the way in groundbreaking and diverse programming, onstage and in the community, that reflects the orchestra’s artistry and demonstrates its vision. The 2024/25 season is the orchestra’s 106th.

Nearly 300 concerts are either performed or presented by the LA Phil at its three iconic venues: the Frank Gehry-designed Walt Disney Concert Hall, the Hollywood Bowl, and The Ford. During its winter season at Walt Disney Concert Hall, with approximately 165 performances, the LA Phil creates festivals, artist residencies, and other thematic programs designed to enhance the audience’s experience of orchestral music. Since 1922, its summer home has been the world-famous Hollywood Bowl, host to the finest artists from all genres of music. The Ford, situated in a 32-acre park and under the stewardship of the LA Phil since December 2019, presents an eclectic summer season of music, dance, film, and family events that are reflective of the communities that comprise Los Angeles.

The orchestra’s involvement with Los Angeles extends far beyond its venues. Among its influential and multifaceted learning initiatives is YOLA (Youth Orchestra Los Angeles). Through YOLA, inspired by Gustavo Dudamel’s own training as a young musician, the LA Phil and its community partners provide free instruments,

intensive music training, and academic support to over 1,700 young musicians, empowering them to become vital citizens, leaders, and agents of change. In the fall of 2021, YOLA opened its own permanent, purposebuilt facility: the Judith and Thomas L. Beckmen YOLA Center at Inglewood, designed by Frank Gehry.

The orchestra also undertakes tours, both domestically and internationally, including regular visits to New York, London (where the orchestra is the Barbican Centre’s International Orchestral Partner), Paris, and Tokyo. As part of its global Centennial activities, the orchestra visited Seoul, Tokyo, Mexico City, London, Boston, and New York.

The LA Phil’s first tour was in 1921, and the orchestra has made annual tours since the 1969/70 season.

The LA Phil has released an array of critically acclaimed recordings, including world premieres of the music of John Adams and Louis Andriessen, along with Grammywinning recordings featuring the music of Brahms, Ives, Andrew Norman, Thomas Adès, and Gabriela Ortiz—whose Revolución diamantina received three Grammys in 2025.

The Los Angeles Philharmonic was founded in 1919 by William Andrews Clark, Jr., a wealthy amateur musician. Walter Henry Rothwell became its first Music Director, serving until 1927; since then, 10 renowned conductors have served in that capacity: Georg Schnéevoigt (1927-1929), Artur Rodziński (1929-1933), Otto Klemperer (1933-1939), Alfred Wallenstein (1943-1956), Eduard van Beinum (1956-1959), Zubin Mehta (1962-1978), Carlo Maria Giulini (1978-1984), André Previn (1985-1989), Esa-Pekka Salonen (1992-2009), and Gustavo Dudamel (2009-present).

THOMAS WILKINS

Thomas Wilkins is Principal Conductor of the Hollywood Bowl Orchestra. He has held a titled position at the Hollywood Bowl since 2008, when he was named Principal Guest Conductor; in the spring of 2014, he became Principal Conductor.

In addition, he is the Boston Symphony’s Artistic Partner for Education and Community Engagement and Germeshausen Youth and Family Concerts Conductor; Indiana University’s Henry A. Upper Chair of Orchestral Conducting, a position established by the late Barbara and David Jacobs; and Principal Guest Conductor of the Virginia Symphony. At the close of the 2020/21 season, he ended his long and successful tenure as Music Director of the Omaha Symphony. Other past positions include resident conductor of the Detroit Symphony and The Florida Orchestra (Tampa Bay) and associate conductor of the Richmond (VA) Symphony. He also has served on the music faculties of North Park University (Chicago), the University of Tennessee in Chattanooga, and Virginia Commonwealth University in Richmond.

Devoted to promoting a lifelong enthusiasm for music, Wilkins brings energy and commitment to audiences of all ages. He is hailed as a master at communicating and connecting with audiences. Following his highly successful

first season with the Boston Symphony, The Boston Globe named him among the “Best People and Ideas of 2011.” In 2014, Wilkins received the prestigious Outstanding Artist award at the Nebraska Governor’s Arts Awards for his significant contribution to music in the state, and in March 2018, the Longy School of Music at Bard College honored him with the Leonard Bernstein Lifetime Achievement Award for the Elevation of Music in Society. In 2019, the Virginia Symphony bestowed Wilkins with its annual Dreamer Award. In 2022, the Omaha Entertainment and Arts Awards presented him with its Lifetime Achievement Award for Music, the Boston Conservatory awarded him an honorary Doctorate of Arts, and he was the recipient of the League of American Orchestras’ Gold Baton Award. During his conducting career, Wilkins has led orchestras throughout the United States, including the New York and Los Angeles philharmonic orchestras; the Philadelphia and Cleveland orchestras; the symphony orchestras of Chicago, Boston, Cincinnati, and Detroit; and the National Symphony.

A native of Norfolk, VA, Thomas Wilkins is a graduate of the Shenandoah Conservatory and the New England Conservatory. He and his wife, Sheri-Lee, are the proud parents of twin daughters, Erica and Nicole.

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The Iconic Retreat

The Bowl’s food and wine team--James Beard chef Suzanne Goin and restaurateur Caroline Styne restaurants Lucques, a.o.c., Caldo Verde and Cara in their seventh year of providing exceptional to make your concert experiences even more spectacular. supper in your box seats to freshly-prepared picnic market-driven fare, there’s truly something for everyone.

The Bowl’s food and wine team--James Beard chef Suzanne Goin and restaurateur Caroline Styne restaurants Lucques, a.o.c., Caldo Verde and Cara in their seventh year of providing exceptional to make your concert experiences even more spectacular. supper in your box seats to freshly-prepared picnic market-driven fare, there’s truly something for everyone.

FOOD + WINE AT-A-GLANCE

FOOD + WINE AT-A-GLANCE

SUPPER IN YOUR SEATS

SUPPER IN YOUR SEATS

Enjoy a delicious pre-concert meal served to you in the comfort of your box seats. Menu selections include Suzanne Goin’s three course menus, family-style feasts, a la carte starters, main courses, desserts, and wine. Order by 4pm the day before your concert.

Enjoy a delicious pre-concert meal served to you in the comfort of your box seats. Menu selections include Suzanne Goin’s three course menus, family-style feasts, a la carte starters, main courses, desserts, and wine. Order by 4pm the day before your concert.

MARKETPLACES

MARKETPLACES

Specialty sandwiches, seasonal grab-and-go salads, cheese + charcuterie plates, snacks, beer, wide-ranging variety of approachable and delicious wines await you at all of three of our Marketplaces. You’ll find everything you need to build a picnic from scratch or supplement one you already have.

Specialty sandwiches, seasonal grab-and-go salads, cheese + charcuterie plates, snacks, beer, wide-ranging variety of approachable and delicious wines await you at all of three of our Marketplaces. You’ll find everything you need to build a picnic from scratch or supplement one you already have.

LUCQUES AT THE CIRCLE

LUCQUES AT THE CIRCLE

Fine dining for subscribers of the Pool Circle, with a seasonal made-to-order menu and an exceptional wine list styled from the award-winning restaurant Lucques.

Fine dining for subscribers of the Pool Circle, with a seasonal made-to-order menu and an exceptional wine list styled from the award-winning restaurant Lucques.

HOLLYWOOD BOWL ORCHESTRA

The Hollywood Bowl Orchestra is composed of approximately 65 regular players, an international mix of classically trained musicians who are among the best studio musicians in Los Angeles. Many spend their days on Hollywood’s scoring stages. It might be surprising to learn that there is no overlap between the musicians of the Los Angeles Philharmonic and those of the Hollywood Bowl Orchestra—another indicator that LA has a tremendous pool of musical talent.

Musicians have been performing at the Hollywood Bowl since its opening in 1922. “Bowl Orchestra” was used as early as 1925, and “Hollywood Bowl Orchestra” appeared on live recordings made in 1928. Leopold Stokowski was Music Director of the Hollywood Bowl Symphony Orchestra from 1945 to 1946. During that time, the orchestra recorded several classical works. In the 1950s and 1960s, Capitol Records issued an extensive series of recordings of the Hollywood Bowl Symphony Orchestra with a number of different conductors, including Carmen Dragon, Felix Slatkin, Alfred Newman, and Miklós

Rózsa, with album titles such as Rhapsody Under the Stars, Chopin by Starlight, Fiesta!, and Marche!

STREET FOOD & SNACKS

STREET FOOD & SNACKS

From the 1950s on, there was no o cial Hollywood Bowl Orchestra, until it reappeared in 1991, under the auspices of the Los Angeles Philharmonic Association, as a completely new ensemble under the direction of Principal Conductor John Mauceri. After retiring from the orchestra in 2006, Mauceri was awarded the lifelong title of Founding Director of the Hollywood Bowl Orchestra.

THE BACKYARD

ANN’S WINE

ANN’S WINE

CATERING

CATERING

Give your guests when you host Our selection of perfect for events gatherings to elaborate

Give your guests when you host Our selection of perfect for events gatherings to elaborate

A variety of delicious options are available throughout the Bowl, including street tacos, salads, specialty sandwiches, gourmet pizza, pulled pork, artisan baked goods, sweets, and popcorn.

In 2008, Thomas Wilkins began an appointment as Principal Guest Conductor of the Hollywood Bowl Orchestra. In June 2014, he became the orchestra’s Principal Conductor, in which position he continues to lead the ensemble each summer in a wide range of concerts at the fabled outdoor venue.

PICNIC BOXES

PICNIC BOXES

From Mozart to Motown, the repertoire of the Hollywood Bowl Orchestra is as diverse as Hollywood itself. In a single season, the orchestra may perform everything from Broadway favorites to film music, pop music to jazz, and classical music to world premieres by living composers. In essence, the Hollywood Bowl Orchestra does it all.

KITCHEN 22

Kitchen 22 is the fan favorites like chicken, specialty

A variety of delicious options are available throughout the Bowl, including street tacos, salads, specialty sandwiches, gourmet pizza, pulled pork, artisan baked goods, sweets, and popcorn. KITCHEN 22 Kitchen 22 is the fan favorites like chicken, specialty

MOBILE ORDERING: Download the Hollywood from the comfort of your seat and skip the line at pick up.

MOBILE ORDERING: Download the Hollywood from the comfort of your seat and skip the line at pick up.

THE BACKYARD
Inspired by the gorgeous of the Bowl, this of a chic backyard large wood-burning farmers’ market-driven grilled fish, chops, and raw bar items.
Inspired by the Ann’s Wine Bar Caroline’s favorite be explored by wine lovers, all signature small recommended.
Inspired by the gorgeous of the Bowl, this of a chic backyard large wood-burning farmers’ market-driven grilled fish, chops, and raw bar items.
Inspired by the Ann’s Wine Bar Caroline’s favorite be explored by wine lovers, all signature small recommended.

Beard

Winners Styne of celebrated Cara Cara - are now cuisine designed spectacular. From picnic baskets and everyone.

Beard Award Winners

Styne of celebrated Cara Cara - are now cuisine designed spectacular. From picnic baskets and everyone.

BACKYARD

BACKYARD

The Bowl’s food and wine team--James Beard Award Winners chef Suzanne Goin and restaurateur Caroline Styne of celebrated restaurants Lucques, a.o.c., Caldo Verde and Cara Cara - are now in their seventh year of providing exceptional cuisine designed to make your concert experiences even more spectacular. From supper in your box seats to freshly-prepared picnic baskets and market-driven fare, there’s truly something for everyone.

The Bowl’s food and wine team--James Beard Award Winners chef Suzanne Goin and restaurateur Caroline Styne of celebrated restaurants Lucques, a.o.c., Caldo Verde and Cara Cara - are now in their seventh year of providing exceptional cuisine designed to make your concert experiences even more spectacular. From supper in your box seats to freshly-prepared picnic baskets and market-driven fare, there’s truly something for everyone.

FOOD + WINE AT-A-GLANCE

FOOD + WINE AT-A-GLANCE

SUPPER IN YOUR SEATS

SUPPER IN YOUR SEATS

gorgeous natural surroundings al fresco space has the feel backyard in the Hollywood Hills. Two wood-burning grills are the focus of this market-driven restaurant serving chops, steaks, vegetables, salads, items.

gorgeous natural surroundings al fresco space has the feel backyard in the Hollywood Hills. Two wood-burning grills are the focus of this market-driven restaurant serving chops, steaks, vegetables, salads, items.

WINE BAR by a.o.c.

WINE BAR by a.o.c.

original a.o.c. on 3rd St., features a wide selection of favorite new and old world wines to both experienced and novice paired with Suzanne Goin’s plates menu. Reservations

original a.o.c. on 3rd St., features a wide selection of favorite new and old world wines to both experienced and novice paired with Suzanne Goin’s plates menu. Reservations

AT THE BOWL

AT THE BOWL

the experience of a lifetime your next event at the Bowl! of seven beautiful venues is events of all sizes, from intimate elaborate a airs.

the experience of a lifetime your next event at the Bowl! of seven beautiful venues is events of all sizes, from intimate elaborate a airs.

22

the best place to indulge in like burgers, French fries, fried specialty sandwiches, and salads.

the best place to indulge in like burgers, French fries, fried specialty sandwiches, and salads.

The Bowl’s food and wine team--James Beard chef Suzanne Goin and restaurateur Caroline Styne restaurants Lucques, a.o.c., Caldo Verde and Cara in their seventh year of providing exceptional to make your concert experiences even more supper in your box seats to freshly-prepared picnic market-driven fare, there’s truly something for

The Bowl’s food and wine team--James Beard chef Suzanne Goin and restaurateur Caroline Styne restaurants Lucques, a.o.c., Caldo Verde and Cara in their seventh year of providing exceptional to make your concert experiences even more supper in your box seats to freshly-prepared picnic market-driven fare, there’s truly something for

FOOD + WINE AT-A-GLANCE

PHOTOGRAPHY BY ROB STARK

FOOD + WINE AT-A-GLANCE

Enjoy a delicious pre-concert meal served to you in the comfort of your box seats. Menu selections include Suzanne Goin’s three course menus, family-style feasts, a la carte starters, main courses, desserts, and wine. Order by 4pm the day before your concert.

Enjoy a delicious pre-concert meal served to you in the comfort of your box seats. Menu selections include Suzanne Goin’s three course menus, family-style feasts, a la carte starters, main courses, desserts, and wine. Order by 4pm the day before your concert.

MARKETPLACES

MARKETPLACES

Specialty sandwiches, seasonal grab-and-go salads, cheese + charcuterie plates, snacks, beer, wide-ranging variety of approachable and delicious wines await you at all of three of our Marketplaces. You’ll find everything you need to build a picnic from scratch or supplement one you already have.

Specialty sandwiches, seasonal grab-and-go salads, cheese + charcuterie plates, snacks, beer, wide-ranging variety of approachable and delicious wines await you at all of three of our Marketplaces. You’ll find everything you need to build a picnic from scratch or supplement one you already have.

LUCQUES AT THE CIRCLE

LUCQUES AT THE CIRCLE

Fine dining for subscribers of the Pool Circle, with a seasonal made-to-order menu and an exceptional wine list styled from the award-winning restaurant Lucques.

Fine dining for subscribers of the Pool Circle, with a seasonal made-to-order menu and an exceptional wine list styled from the award-winning restaurant Lucques.

STREET FOOD & SNACKS

STREET FOOD & SNACKS

PHOTOGRAPHY BY ROB STARK

THE BACKYARD

SUPPER IN YOUR SEATS

THE BACKYARD

SUPPER IN YOUR SEATS

Inspired by the gorgeous natural surroundings of the Bowl, this al fresco space has the feel of a chic backyard in the Hollywood Hills. Two large wood-burning grills are the focus of this farmers’ market-driven restaurant serving grilled fish, chops, steaks, vegetables, salads, and raw bar items.

Inspired by the gorgeous natural surroundings of the Bowl, this al fresco space has the feel of a chic backyard in the Hollywood Hills. Two large wood-burning grills are the focus of this farmers’ market-driven restaurant serving grilled fish, chops, steaks, vegetables, salads, and raw bar items.

Enjoy a delicious pre-concert meal served to you in the comfort of your box seats. Menu selections include Suzanne Goin’s three course menus, family-style feasts, a la carte starters, main courses, desserts, and wine. Order by 4pm the day before your concert.

Enjoy a delicious pre-concert meal served to you in the comfort of your box seats. Menu selections include Suzanne Goin’s three course menus, family-style feasts, a la carte starters, main courses, desserts, and wine. Order by 4pm the day before your concert.

MARKETPLACES

ANN’S WINE BAR by a.o.c.

ANN’S WINE BAR by a.o.c.

MARKETPLACES

Inspired by the original a.o.c. on 3rd St., Ann’s Wine Bar features a wide selection of Caroline’s favorite new and old world wines to be explored by both experienced and novice wine lovers, all paired with Suzanne Goin’s signature small plates menu. Reservations recommended.

Inspired by the original a.o.c. on 3rd St., Ann’s Wine Bar features a wide selection of Caroline’s favorite new and old world wines to be explored by both experienced and novice wine lovers, all paired with Suzanne Goin’s signature small plates menu. Reservations recommended.

Specialty sandwiches, seasonal grab-and-go salads, cheese + charcuterie plates, snacks, beer, wide-ranging variety of approachable and delicious wines await you at all of three of our Marketplaces. You’ll find everything you need to build a picnic from scratch or supplement one you already have.

CATERING AT THE BOWL

Specialty sandwiches, seasonal grab-and-go salads, cheese + charcuterie plates, snacks, beer, wide-ranging variety of approachable and delicious wines await you at all of three of our Marketplaces. You’ll find everything you need to build a picnic from scratch or supplement one you already have.

THE BACKYARD Inspired by the of the Bowl, this of a chic backyard large wood-burning farmers’ market-driven grilled fish, chops, and raw bar items.

ANN’S WINE

ANN’S WINE

Inspired by the Ann’s Wine Bar Caroline’s favorite be explored by wine lovers, all signature small recommended.

recommended.

LUCQUES AT THE CIRCLE

CATERING AT THE BOWL

LUCQUES AT THE CIRCLE

Give your guests the experience of a lifetime when you host your next event at the Bowl! Our selection of seven beautiful venues is perfect for events of all sizes, from intimate gatherings to elaborate a airs.

Give your guests the experience of a lifetime when you host your next event at the Bowl! Our selection of seven beautiful venues is perfect for events of all sizes, from intimate gatherings to elaborate a airs.

Fine dining for subscribers of the Pool Circle, with a seasonal made-to-order menu and an exceptional wine list styled from the award-winning restaurant Lucques.

Fine dining for subscribers of the Pool Circle, with a seasonal made-to-order menu and an exceptional wine list styled from the award-winning restaurant Lucques.

KITCHEN 22

KITCHEN 22

A variety of delicious options are available throughout the Bowl, including street tacos, salads, specialty sandwiches, gourmet pizza, pulled pork, artisan baked goods, sweets, and popcorn.

A variety of delicious options are available throughout the Bowl, including hearty homemade burritos, fried chicken, salads, specialty sandwiches, gourmet pizza, pulled pork, artisan baked goods, sweets, and popcorn.

A variety of delicious options are available throughout the Bowl, including street tacos, salads, specialty sandwiches, gourmet pizza, pulled pork, artisan baked goods, sweets, and popcorn.

Bowl app or scan one of the many QR codes to place an order Mobile ordering is available throughout the venue.

MOBILE ORDERING:

Bowl app or scan one of the many QR codes to place an order Mobile ordering is available throughout the venue.

PICNIC BOXES

PICNIC BOXES

STREET FOOD & SNACKS

STREET FOOD & SNACKS

Kitchen 22 is the best place to indulge in fan favorites like burgers, French fries, fried chicken, specialty sandwiches, and salads.

Kitchen 22 is the best place to indulge in fan favorites like burgers, French fries, fried chicken, specialty sandwiches, and salads.

A variety of delicious options are available throughout the Bowl, including street tacos, salads, specialty sandwiches, gourmet pizza, pulled pork, artisan baked goods, sweets, and popcorn.

A variety of delicious options are available throughout the Bowl, including street tacos, salads, specialty sandwiches, gourmet pizza, pulled pork, artisan baked goods, sweets, and popcorn.

CATERING

CATERING

Give your guests when you host Our selection perfect for events gatherings to elaborate

Give your guests when you host Our selection perfect for events gatherings to elaborate

KITCHEN

KITCHEN

Kitchen 22 is fan favorites like chicken, specialty

Kitchen 22 is fan favorites like chicken, specialty

Download the Hollywood Bowl app or scan one of the many QR codes to place an order from the comfort of your seat and skip the line at pick up. Mobile ordering is available throughout the venue.

MOBILE ORDERING: Download the Hollywood from the comfort of your seat and skip the line at pick up.

MOBILE ORDERING: Download the Hollywood Bowl app or scan one of the many QR codes to place an order from the comfort of your seat and skip the line at pick up. Mobile ordering is available throughout the venue.

MOBILE ORDERING: Download the Hollywood from the comfort of your seat and skip the line at pick up.

It’s easier than ever to enjoy a picnic supper before your concert with five options for delectable fresh-made picnic boxes from Food + Wine. Simply pre-order online by 4 pm the day before your concert, and your choice will be waiting for you when you arrive at the Bowl.

It’s easier than ever to enjoy a picnic supper before your concert with five options for delectable fresh-made picnic boxes from Food + Wine. Simply pre-order online by 4 pm the day before your concert, and your choice will be waiting for you when you arrive at the Bowl.

PICNIC BOXES

PICNIC BOXES

It’s easier than ever to enjoy a picnic supper before your concert with five options for delectable fresh-made picnic boxes from Food + Wine. Simply pre-order online by 4 pm the day before your concert, and your choice will be waiting for you when you arrive at the Bowl.

It’s easier than ever to enjoy a picnic supper before your concert with five options for delectable fresh-made picnic boxes from Food + Wine. Simply pre-order online by 4 pm the day before your concert, and your choice will be waiting for you when you arrive at the Bowl.

THE BACKYARD
Inspired by the of the Bowl, this of a chic backyard large wood-burning farmers’ market-driven grilled fish, chops, and raw bar items.
Inspired by the Ann’s Wine Bar Caroline’s favorite be explored by wine lovers, all signature small
PHOTOGRAPHY BY ROB STARK
PHOTOGRAPHY BY ROB STARK

YOLA

Through YOLA (Youth Orchestra Los Angeles), inspired by Gustavo Dudamel’s own training as a young musician, the LA Phil and its community partners provide free instruments, intensive music training, and academic support to over 1,700 young musicians—aged 6 to 18—locally and nationally, empowering them to become vital citizens, leaders, and agents of change. Eighteen years ago, the LA Phil and its community partners launched YOLA with 80 students at the EXPO Center in South LA. Today, in partnership with Heart of Los Angeles and Camino Nuevo Charter Academy, our program hubs serve students and families in the Rampart District, Westlake/MacArthur Park, East LA, and Inglewood. YOLA engages musicians from more than 200 schools in culturally vibrant and ethnically diverse communities across LA County. Music study is complemented by leadership development opportunities, workshops, and performances. YOLA’s young musicians have performed on great stages, from the LA Phil’s iconic venues—the Hollywood Bowl and Walt Disney Concert Hall—to national and international television broadcasts, and alongside the greatest artists. On October 15, 2021, the Los Angeles Philharmonic opened the Judith and Thomas

L. Beckmen YOLA Center at Inglewood, designed by Gehry Partners, LLC, the first permanent, purposebuilt facility for YOLA. For more information, please visit laphil.com/yola

The

current exhibition at the Hollywood Bowl Museum focuses on the founding figures of the iconic venue.

In 1919, a virtual who’s who of Los Angeles cultural and civic life galvanized around a project to build the first urban open-air performing arts venue in the nation. Aiming to put Los Angeles on the map, these impresarios, musicians, real estate moguls, Theosophists, “professional men” of various backgrounds, and others brought their own ideas and agendas for the venue and how it could serve Los Angeles’ vast and growing communities.

Currently on view at the Hollywood Bowl Museum, Building the Bowl: From Dream to Destination focuses on six of the central founding figures of the Hollywood Bowl— Christine Wetherill Stevenson, Dr. T. Perceval Gerson, Charles E. Toberman, Artie Mason Carter, Frederick W. Blanchard, and Florence M. Irish—each of whom played a distinctive role in its history.

BUILDING THE BOWL: FROM DREAM TO DESTINATION

Tue–Fri | 10am–showtime Sat–Mon | 4 hours before showtime

Part of the Museum’s permanent display

PHOTO : ELIF KARAKOC

An account with us is like a mezuzah on the door.

A DONOR ADVISED FUND with us tells your story. It’s a sign of all you believe in.

We’re the Jewish Community Foundation of Los Angeles. We’re a reliable partner, helping to guide you through strategic planning, charitable giving and complicated tax laws.

With over $1 billion of assets and 1400+ client families, we’ve helped people like you develop tax efficient charitable accounts for more than 70 years, like a Donor Advised Fund. You can use it to support numerous causes in the Jewish community and community at large – locally, nationally and in Israel.

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This year, come home to the Jewish Community Foundation.

On October 3, 2009, a packed Hollywood Bowl welcomed a 28-year-old Venezuelan conductor, Gustavo Dudamel, as the new Music Director of the Los Angeles Philharmonic. That storied ¡Bienvenido Gustavo! concert marked the beginning of an extraordinary partnership, one that transformed a conductor, an orchestra, and a city. This month, Dudamel begins the final season of his 17-year-long tenure, during which he and the orchestra will revisit cherished performances, encounter beloved staples for the first time, and breathe life into new works. Each of these moments builds on an extraordinary legacy and opens up new horizons, all adding up to one spectacular and meaningful season.

GUSTAVO DUDAMEL LEADS THE LA PHIL DURING THE 2024 GALA CONCERT.
PHOTO: FARAH SOSA

New Encounters with Old Friends

The season begins with a brand-new work by a familiar face: Ellen Reid. Dudamel led her work as part of 2022’s Power to the People! festival and also conducted the 2023 world premiere of her West Coast Sky Eternal at Walt Disney Concert Hall. Reid’s Earth Between Oceans for orchestra and chorus is ingeniously constructed so that it can be tailored to suit its presenters. Reid has dedicated it “to Gustavo Dudamel, a bridge-builder who forges meaningful connections across communities of people from different backgrounds, cultures, ages, classes, and abilities. His fierce positivity and tremendous talents inspire us to think bigger and do better.” This inspirational message is certain to set a tone for the season! (SEPT 25 & 27–28)

A Mark on a Signature Piece

First performed by the LA Phil in 1928 at the Hollywood Bowl, Stravinsky’s The Rite of Spring has become a signature piece for the orchestra and is always a tour de force. Dudamel unleashes its visceral energy in a program with the composer’s The Firebird Suite and the US premiere of John Adams’ aptly titled Frenzy: a short symphony (OCT 2 & 4–5)

No Mahler Left Behind

The work of Gustav Mahler has been a constant source of fascination for Dudamel. He began his tenure performing Mahler’s First Symphony and oversaw 2012’s The Mahler Project, which presented all 10 symphonies plus the grand song cycle Das Lied von der Erde in three weeks. But he had never performed the composer’s Second Symphony, “Resurrection,” with the LA Phil at Walt Disney Concert Hall—until now. (OCT 9–12)

For more information about the Los Angeles Philharmonic’s 2025/26 season at Walt Disney Concert Hall, visit laphil.com/graciasgustavo

Grammy Moments

The LA Phil’s most recent Grammy-winning performances—Thomas Adès’ Dante (2023) and Gabriela Ortiz’s Revolución diamantina (2024)—return in the winter in illuminating and vibrant concerts. Dance troupe Grupo Corpo joins the LA Phil for Ortiz’s ballet, which follows Beethoven’s Seventh Symphony in a dance-themed program. (FEB 26–28 & MAR 1) And the “Inferno” section of Dante is devilishly juxtaposed with Beethoven’s bucolic Sixth Symphony, “Pastoral.” (MAR 5–6 & 8)

A Love Letter to LA

Judy Baca’s mural The Great Wall of Los Angeles tells the story of the Angelenos who made this city, from prehistoric times through the present. Dudamel leads the LA Phil New Music Group in a work inspired by the mural, fusing the music of LA-based composers Juhi Bansal, Nicolás Lell Benavides, Viet Cuong, Xavier Muzik, Estevan Olmos, and Nina Shekhar, with a film component created by Oscar-winning director Alejandro G. Iñárritu. (MAR 7)

Getting the Band Back Together

In a highlight of 2024, Dudamel led a star-studded cast in Wagner’s opera Das Rheingold Renowned architect and set designer Frank Gehry, director Alberto Arvelo, and breakout bass-baritone Ryan Speedo Green reunite with Dudamel for the next installment in Wagner’s saga, Die Walküre (MAY 19–24)

Coming Full Circle

The last concert of the season, “Gracias Gustavo: Celebrating 17 Years,” features a pair of poignant Easter eggs for longtime LA Phil fans: John Adams’ Harmonium and Antonio Estévez’s Cantata Criolla. The first is a tribute to the composer for whom Dudamel established the position of Creative Chair even before he o cially began as Music Director and who then composed City Noir for Dudamel’s inaugural concert in LA. Cantata Criolla, a masterpiece of Venezuelan symphonic music, was also a highlight of Dudamel’s first season as Music Director and a pillar of the Americas and Americans festival—a theme that would become a hallmark of his tenure. It’s a heartfelt return to where it all started. (JUNE 5–7)

KEEPING IT GREEN AT THE BOWL

FOSTERING A FRIENDLY HABITAT FOR NATIVE FLORA AND FAUNA

The Hollywood Bowl is renowned for staging world-class live music under the stars. But while audiences are focused on the stage, another world is quietly active all around the grounds of the venue. Tucked into a canyon and backed by steep, brush-covered hillsides, the Bowl is also a functioning ecosystem—home to a wide range of plants and animals that have long inhabited this stretch of the Hollywood Hills.

Red-tailed hawks soar overhead. Squirrels scurry across the grass. Anna’s hummingbirds zip around the Bowl shell. Raccoons, brush rabbits, and even mountain lions pass through the area. (Did you know that the fi rst time the famous local puma P-22 was ever spotted was just across the 101 on The Ford property?) These creatures live alongside the musicians, sta , and thousands of visitors who pass through each week.

For over a century, the Bowl has been a public park managed by Los Angeles County and operated by the Hollywood Bowl Association (which later became part of the Los Angeles Philharmonic Association). As stewards of the land, we see it as our responsibility to

ensure that the many animal and native plant species that call the Bowl home are cared for in the best, most humane way possible.

Mark Ladd, Director of Operations at the Bowl and its county-appointed Superintendent, says he’s seen and handled a number of wild animals throughout his four decades working for the LA Phil and LA County.

“We get a couple different species of deer here pretty much every day,” Ladd says. “We see the big raptor birds, like hawks and great horned owls, and we get a lot of reptiles.”

Like snakes!

“People really freak out when they see a snake, including our own employees,” he says. Fortunately for staff, “you don’t have to touch a snake to catch a snake. We capture and release them to a more remote part of the park.”

The same goes for skunks sneaking into the theater, birds wandering into the Bowl Museum, and other creatures that find themselves beyond their immediate habitat. They’re all part of the ecosystem.

Throughout the venue, you’ll also find a multitude of plants—from shrubs and trees to berries and flowers— that fill the park with life, color, and sustenance.

plants—from shrubs and trees to berries and flowers—

The vast majority are native to the state or more specifically to the Hollywood Hills. Since these plants are from here, they’ve evolved over time to grow and survive in California’s chaparral ecosystem without excessive water and maintenance. That also means these plants keep the habitat healthy and resilient in the face of drought, wildfires, and other environmental threats.

The Hollywood Bowl sits on 88 acres of biodiverse land in the middle of a mountain fire zone, beside a freeway, and along the secondbusiest street in the city (Highland Avenue). With these immense environmental pressures, it is essential to continue our conservation efforts and green initiatives.

This summer, we’re commissioning a biotic survey to gain a better understanding of which plant and animal species share the space with us. By using cameras set up around the Bowl, we’ll be able to know who is stopping by, how they’re doing, and what we can do to be better neighbors and cohabitants. To learn more about what we’re doing to maintain the Bowl grounds (and support

WHO

WHO AND WHAT

AND WHAT LIVES AT THE BOWL? HERE ARE SOME, TO NAME A FEW!

MAMMALS

Brush rabbit

California ground squirrel

Coyote

Eastern fox squirrel

Mountain lion

Mule deer

Raccoon

Striped skunk

Virginia opossum

BIRDS

American crow

Anna’s hummingbird

Band-tailed pigeon

Black phoebe

California quail

Common raven

Cooper’s hawk

Great horned owl

Mourning dove

Northern mockingbird

Red-tailed hawk

Western scrub-jay

REPTILES

Gopher snake

Side-blotched lizard

Southern alligator lizard

Western fence lizard

NATIVE PLANTS

Barberry

Black sage

California lilac

California sycamore

Coast live oak

Co eeberry

Elderberry

Fuchsia-flowered gooseberry

Lemonade berry

Little purple monkey flower

Meadow rue

Phacelia

Poison oak

Sugar bush

Toyon

Scrub oak

White nightshade

White nightshade the flora and fauna that live here), visit hollywoodbowl.com/KeepingItGreen

Yucca

BLACK MOVIE SOUNDTRACK: SONGS THAT STAY WITH US

Comic, actor, and host of Black Movie Soundtrack, Craig Robinson calls the tribute concert “a hug for your soul.” For over a decade, the Hollywood Bowl has been the place where Black film and music can come together to comfort, uplift, honor, and excite. On September 10, the celebration returns for its fifth installment.

From the trailblazing performances of Dorothy Dandridge and Sidney Poitier to the revolutionary storytelling of fi lmmakers like Spike Lee, Ava DuVernay, and Ryan Coogler, Black fi lm has shaped how generations of people see identity, joy, resistance, and love on screen. And like the movies themselves, the accompanying soundtracks and scores have left an indelible mark on the Black arts canon, continuing to foster solidarity across generations of creatives and entertainers.

Black Movie Soundtrack was born from the belief that the music of Black film deserves a stage of its own. First held at the Hollywood Bowl in 2014, the concert series was created by a pair of visionary artists: Reginald Hudlin—a director, screenwriter, and Oscarnominated producer known for House Party (1990), Boomerang (1992), and Django Unchained (2012)—and Marcus Miller—the Grammy-winning bassist and composer acclaimed for his collaborations with Miles Davis, Luther Vandross, and countless others who have shaped the sounds of modern R&B and jazz.

Together, they produced a one-of-a-kind concert experience that honors the legacy of Black movie soundtracks through live performances and a selection

En Vogue Common Princess (Gretchen Lieberum and Maya Rudolph), Anthony Hamilton, Lalah Hathaway, and Bilal

SEPTEMBER 5-14, 2025

NOVEMBER 7-16, 2025

FEBRUARY 6-8, 2026

MARCH 14-22, 2026

MAY 16-17, 2026

of film clips. The very first installment of the series was a hit. It featured Stormy Weather (1943), Super Fly (1972), Purple Rain (1984), The Bodyguard (1992), Waiting to Exhale (1995), and other cultural touchstones. Chuck D and Flavor Flav of Public Enemy rocked the stage with “Fight the Power,” from Do the Right Thing (1989); members of En Vogue stole the show with their cover of “Something He Can Feel,” from Sparkle (1976); and many more joined in for the celebration.

“When you sit in the theater, and you see someone who looks like you, that’s a really big thing,” Hudlin says. “We remember that so much, because we didn’t see it. The most emails I ever got in my life after one show was after Black Movie Soundtrack. It wasn’t just about this music. It was about being proud of the history.”

With so much ground to cover, Hudlin says, the most challenging part of the event is selecting the songs. “When I first pitched the show, I made a list. I didn’t look [anything] up. Just off the top of the dome, [I decided] these are the songs that must be in the show. I stopped at 120.” After finding out they could fit only about 12 songs in the program, Hudlin and Miller knew Black Movie Soundtrack couldn’t just be a one-night-only event.

Eleven years and a few installments later, Black Movie Soundtrack has paid tribute to a multitude of movies and their music through outstanding performances by Earth, Wind & Fire, Charlie Wilson, Gladys Knight, Babyface, Common, El DeBarge, Chaka Khan—the list goes on!

After the most recent installment, the LA Sentinel said, “Just when you thought Black Movie Soundtrack could not get any better, it did.”

On September 10, Black Movie Soundtrack is taking over the Bowl a fifth time, hosted once again by beloved comic and actor Craig Robinson (The O ce Hot Tub Time Machine The Cleveland Show). Joined by Derrick Hodge and the Color of Noize Orchestra, Robinson and the creators are setting the bar higher than ever with actor Miles Caton (Sinners) and hip-hop legend Warren G among the guest artists.

More than a tribute, Black Movie Soundtrack is a living, breathing mixtape of cultural memory, reminding us that these films and the music that carries them aren’t just entertainment. They can reflect authentic hope, humor, and heartbreak, reminding us that the collective Black experience is worth celebrating on one of the world’s greatest stages.

Earth, Wind & Fire with Marcus Miller
Quentin Tarantino’s Pulp Fiction (1994)
Gladys Knight Ava DuVernay’s Selma (2014)
Babyface and Judith Hill Full Force
Photo credits: Top right: John McCoy for The Music Center. Left image: Esperanza Spalding; photo by Ray Otabe. Middle right image: Boston Ballet in Mikko Nissinen’s Swan Lake; photo by Rosalie O’Connor; courtesy of Boston Ballet. All other images by Will Yang for The Music Center.

Camille A. Brown & Dancers

Sep. 12–14, 2025

The Music Center’s Ahmanson Theatre

Complexions Contemporary Ballet

The Music Center’s Dorothy Chandler Pavilion Oct. 24–26, 2025

Alvin Ailey American Dance Theater

The Music Center’s Dorothy Chandler Pavilion

Mar. 25–29, 2026

New York City Ballet

The Music Center’s Dorothy Chandler Pavilion Jun. 24–28, 2026

The Music Center’s BalletNOW ® : Superstars of Paris featuring Hugo Marchand & Friends

The Music Center’s Walt Disney Concert Hall

Jul. 31–Aug. 2, 2026

New York City Ballet. Photo by Erin Baiano.

MÁRQUEZ’S FANDANGO & SHOSTAKOVICH’S FIFTH

TUESDAY SEPTEMBER 2, 2025 8PM

Los Angeles Philharmonic

Christian Vásquez, conductor

Anne Akiko Meyers, violin

Arturo MÁRQUEZ

Arturo MÁRQUEZ

SHOSTAKOVICH

Danzón No. 2 (c. 10 minutes)

Fandango (c. 30 minutes)

Folia Tropical Plegaria (Prayer) (Chaconne)

Fandanguito

Anne Akiko Meyers

INTERMISSION

Symphony No. 5 in D minor, Op. 47 (c. 44 minutes)

Moderato

Allegretto

Largo

Allegro non troppo

This concert will broadcast on Classical California KUSC (91.5 FM) October 12, 2025, at 7PM, and available to stream at kusc.org for seven days following its airing. Please visit hollywoodbowl.com/radio for the complete schedule.

This broadcast is made possible through the endowed LA Phil Broadcast Program Fund, generously supported by the Lenore S. and Bernard A. Greenberg Fund

This performance is generously supported in part by the Kohl Virtuoso Violin Fund.

Programs and artists subject to change.

DANZÓN NO. 2

Arturo Márquez (b. 1950)

Born in Mexico, Arturo Márquez spent his middle school and high school years in La Puente, CA, where he began his musical training. After he returned to Mexico, Márquez studied at the Conservatory of Music and the Institute of Fine Arts, followed by private study in Paris with Jacques Castérède and then at the California Institute of the Arts with Morton Subotnick, Stephen Mosko, Mel Powell, and James Newton.

At that time, Márquez was interested in avant-garde techniques and processes, although his time at CalArts gave him ideas about how jazz and world music elements could be added to the mix. His first Danzón, composed in 1992, shows his concepts in practice. It was an electronic piece for tape and optional saxophone, but including Minimalist aspects and references to the traditional danzón, an old salon dance from Cuba that became popular in Veracruz and then in Mexico City, where it still holds sway.

This initial elaboration on the danzón proved crucial for Márquez, renewing his own musical language in a turn away from Modernist impulses. His Danzón No. 2, one of the most popular pieces of orchestral music of the last quarter-century, confirmed this new direction.

“The idea of writing the Danzón No. 2 originated in 1993 during a trip to Malinalco with the painter

Andrés Fonseca and the dancer Irene Martínez, both of whom are experts in salon dances with a special passion for the danzón, which they were able to transmit to me from the beginning, and also during later trips to Veracruz and visits to the Colonia Salón in Mexico City,” the composer writes. “From these experiences onward, I started to learn the danzón’s rhythms, its form, its melodic outline, and to listen to the old recordings by Acerina and his Danzonera Orchestra. I was fascinated and I started to understand that the apparent lightness of the danzón is only like a visiting card for a type of music full of sensuality and qualitative seriousness, a genre which old Mexican people continue to dance with a touch of nostalgia and a jubilant escape towards their own emotional world; we can fortunately still see this in the embrace between music and dance that occurs in the state of Veracruz and in the dance parlors of Mexico City.” —John Henken

FANDANGO

Arturo Márquez

The fandango is known worldwide as a popular Spanish dance, and specifi cally as one of the fundamental styles (palos) of flamenco. Since its appearance in 18th-century Spain, the fandango moved to the Americas, where it acquired a personality according to the land that adopted and cultivated it. Today, we still find

it in countries such as Ecuador, Colombia, and Mexico. In the latter, specifi cally in the state of Veracruz and in the Huasteca area, the fandango acquired a di erent tinge from the Spanish genre. For centuries, it has been a special festivity for musicians, singers, poets, and dancers. Everyone gathers around a wooden platform to stamp their feet, sing, and improvise décimas (poetry of 10-line stanzas) for the occasion.

In 2018, I received an email from violinist Anne Akiko Meyers, in which she o ered me the possibility of writing a work for violin and orchestra that had to do with Mexican music. The proposal interested and fascinated me from that very moment. I had already tried, unsuccessfully, to compose a violin concerto some 20 years earlier with ideas that were based on the Mexican fandango. I had known this music since I was a child, listening to it in the cinema, on the radio, and played by my father (Arturo Márquez, Sr.), a mariachi violinist. Also, the violin was my first instrument when I was 14 years old (1965); I studied it in La Puente, CA, in Los Angeles County, where the work was [eventually] premiered.

Fandango for violin and orchestra is formally a concerto in three movements. The first movement, Folia Tropical, has the form of the sonata: introduction, exposition with its two themes, bridge, development, and recapitulation. The introduction and the two themes share the same motif in totally di erent ways. Emotionally, the introduction is a

call to the remote history of the fandango; the first theme and the bridge, this one totally rhythmic, are based on the Caribbean clave, and the second is almost like a romantic bolero. Folias are ancient dances that come from Portugal and Spain.

The second movement, Plegaria (Prayer), pays tribute to the mariachi huapango along with the Spanish fandango. It is also a freely treated chaconne. Perhaps few would know that the chaconne, as well as the zarabanda, were two dances forbidden by the Spanish Inquisition, long before they became part of European Baroque music.

The third movement, Fandanguito, is a tribute to the famous Fandanguito Huasteco. The music of this region features violin, jarana huasteca (a small rhythm guitar), and huapanguera (bass guitar with fi ve courses of strings), and, of course, it accompanies the singing of sones and sung or recited improvisation. The huasteco violin has certain features similar to Baroque style but with great rhythmic vitality and a rich variety of bow strokes. This third movement demands great virtuosity from the soloist, and it is the music that I have kept in my heart for decades.

I think that for every composer it is a real challenge to compose new works in old forms, especially when that repertoire is part of the fundamental structure of classical music. But I have preserved my seven capital principles: tonality, modality, melody, rhythm, imaginary folk tradition, harmony, and orchestral color. —Arturo Márquez

SYMPHONY NO. 5 IN D MINOR, OP. 47

(1906–75)

The Fifth Symphony was written at a critical juncture in Shostakovich’s career—for the fi rst time (and not the last), he confronted the peril of Stalin’s displeasure. In January 1936, the Soviet newspaper Pravda ran a ferocious column, rumored to have been written by Stalin, condemning Shostakovich’s opera Lady Macbeth of the Mtsensk District as “formalist,” “bourgeois,” and “vulgar,” among other insults. Such criticism was not merely career-threatening but also life-threatening. Shostakovich withheld the exploratory Fourth Symphony he was working on and began composing the Fifth. Even so, Shostakovich did not attempt to make amends through a patriotic cantata or a sycophantic ode, but with a symphony, that most formalist of forms, and one that would remain a mystery to Soviet policymakers, since a symphony without words cannot pledge support to the regime. The Fifth Symphony, first performed in November 1937, was received with huge enthusiasm and relief since it possessed all the qualities needed to rehabilitate the composer: simple and direct musical language, extended wellshaped melodies, and, above all, a positive fanfare at the end, erasing all shadows and doubts. At the same time, it contained

seriousness and complexity that lifted it well above the level of bland self-abasement that might have been his response.

Shostakovich publicly described the new work as “a Soviet artist’s reply to just criticism.” Privately, he said (or is said to have said) that the fi nale was a satirical picture of the dictator, deliberately hollow but dressed up as exuberant adulation. It was well within Shostakovich’s power to present a double message in this way, and it is well beyond our means to establish whether the messages are true or false. The listener must read into this music whatever meaning may be found here; its strength and depth allow us to revise our impressions at every hearing.

The shadows of both Beethoven and Mahler hang over the first two movements: the fi rst one displaying great ingenuity in the control of tempo from slow to fast and back, and the second couched in a folksy idiom, with traces of the jocular spirit of all scherzos. The third movement is notable for the fi ne quality of the string writing (the brass are not involved) and its intensity of expression. In contrast, the fi nale gives the brass and percussion a chance to flex their muscles and hammer home the message of...what? Triumph in the major key, perhaps; pride in a populist regime, perhaps; the mask of jollity concealing the tears beneath, perhaps. The language of music remains forever inscrutable. —Hugh Macdonald

CHRISTIAN VÁSQUEZ

Christian Vásquez was Principal Conductor of the Stavanger Symphony Orchestra from 2013 to 2019 and Principal Guest Conductor of the Gävle Symphony Orchestra from 2010 to 2013 and of the Het Gelders Orkest from 2015 to 2020. He is currently Associate Conductor of the Simón Bolívar Symphony Orchestra and Music Director of the Juan José Landaeta Orchestra, part of the El Sistema Nacional de Orquestas y Coros Juveniles e Infantiles de Venezuela.

Vásquez has worked with orchestras such as the Philharmonia Orchestra, Residentie Orkest, Orchestre de la Suisse Romande, Vienna Radio Symphony, Camerata Salzburg, Russian State Symphony, Orchestre national du Capitole de Toulouse, Sinfónica de Galicia, Konzerthausorchester Berlin, Prague Radio Symphony, Warsaw Beethoven Festival, the Poznań, Rotterdam, Helsinki, Turku, and Munich philharmonic orchestras, the Basel Symphony, Estonian National Symphony Orchestra, Royal Danish Orchestra, Norwegian Radio Orchestra, RTÉ National Symphony Orchestra of Ireland, Tokyo

Philharmonic, and Singapore Symphony. In North America he has conducted the National Symphony Orchestra of Mexico, the National Arts Centre Orchestra (Ottawa), and the Los Angeles Philharmonic, the latter as a Dudamel Fellow.

Vásquez has worked with world-class musicians such

as Simon Rattle, Frank Peter Zimmermann, Pacho Flores, Truls Mørk, Sol Gabetta, Sergio Tiempo, Ray Chen, Kolja Blacher, Veronika Eberle, James Ehnes, Martin Grubinger, Kari Kriikku, Juan Ferrer, Jonathan Biss, Kirill Gerstein, Bertrand Chamayou, Igor Levit, and Stefan Schulz.

CHRISTIAN VÁSQUEZ

Grammy Award winner Anne Akiko Meyers is one of the world’s most esteemed and celebrated violinists. Renowned as a muse and champion of today’s leading composers, she has commissioned, premiered, and recorded a signifi cant body of contemporary violin repertoire. The Strad hails her as “the Wonder Woman of commissioning,” a title earned through her close collaborations with visionary composers such as Arvo Pärt, Einojuhani Rautavaara, John Corigliano, Arturo Márquez,

Philip Glass, Michael Daugherty, Mason Bates, Adam Schoenberg, Billy Childs, Jakub Ciupinski, Ola Gjeilo, Morten Lauridsen, Wynton Marsalis, Somei Satoh, and Eric Whitacre. Since her teens, Meyers has performed around the world as soloist with leading orchestras and in recital and recorded more than 40 releases.

In the 2025/26 season Meyers premieres Eric Whitacre’s The Pacific Has No Memory with the Orpheus Chamber Orchestra, Colorado Music Festival Orchestra, and Los Angeles Chamber Orchestra; releases four world premiere recordings; and performs

in recital and with leading orchestras. The new recordings are Blue Electra, a violin concerto by Michael Daugherty with David Alan Miller and the Albany Symphony; Beloved, including Billy Childs’ requiem In the Arms of the Beloved and selections by Ola Gjeilo and Eric Whitacre with Grant Gershon and the Los Angeles Master Chorale; Philip Glass’ New Chaconne and Violin Concerto No. 1 with Gustavo Dudamel and the Los Angeles Philharmonic; and Adam Schoenberg’s Orchard in Fog with Gemma New and the New Zealand Symphony Orchestra. Meyers has appeared twice on The Tonight Show and on Tiny Desk Evening at Pops, and Great Performances. In 2024, her recording of Arturo Márquez’s Fandango, with Dudamel and the LA Phil, received two Latin Grammy Awards: Best Classical Album and Best Contemporary Composition. Fandango premiered in 2021 at the Hollywood Bowl and has been performed more than 40 times with 16 orchestras around the world.

Meyers performs on Larsen Strings with the Ex-Vieuxtemps Guarneri del Gesù, dated 1741, considered by many to be the fi nest-sounding violin in existence.

Anne Akiko Meyers is represented by Colbert Artists Management, Inc., 212 757 0782, colbertartists.com

ANNE AKIKO MEYERS

HIATUS KAIYOTE • SNARKY PUPPY

GEORGIA ANNE MULDROW

WEDNESDAY SEPTEMBER 3, 2025 8PM

Hiatus Kaiyote

Naomi “Nai Palm” Saalfield, vocals/guitar

Paul Bender, bass

Simon Mavin, keyboard

Perrin Moss, drums

Snarky Puppy

Michael League, bass

Nate Werth, percussion

Bob Lanzetti, guitar

Jamison Ross, drums

Justin Stanton, keyboard and trumpet

Bobby Sparks II, keyboard

Mike “Maz” Maher, trumpet

Chris Bullock, saxophone and flute

Jay Jennings, trumpet

Zach Brock, violin

Programs and artists subject to change.

HIATUS KAIYOTE

A great band is a group of musicians who share one nervous system. It’s an alchemy that goes beyond hours of practice and years spent together. It’s about sensing as much it is playing, anticipating without being warned, knowing without being told. To hear and see a great band at work is to witness a miracle.

Hiatus Kaiyote would never make such a claim about themselves. So let us make it: On their fourth album, Love Heart Cheat Code (Brainfeeder Records/Ninja Tune), you get to hear one of the greatest bands in the world, working one miracle after another.

The chemistry has been strong since their first jam session in 2011, in the living room of a “share house” in Melbourne, Australia. Guitaristvocalist Naomi “Nai Palm” Saalfield, bassist Paul Bender, keyboardist Simon Mavin, and drummer Perrin Moss released their first album, Tawk Tomahawk, the following year, garnering a Grammy nomination. Their second LP, 2015’s Choose Your Weapon, showcased skillful songwriting and daring harmony and rhythm. Several world tours and a second Grammy nomination followed. Then came 2021’s Mood Valiant, a reflective beauty created and issued

in the midst of the pandemic, and cause for a third Grammy nomination. In that time, Hiatus Kaiyote has graced stages from Coachella, Fuji Rock, and the Sydney Opera House to the Hollywood Bowl and Red Rocks; been sampled by hip-hop and R&B icons from Kendrick Lamar and Anderson .Paak to Jay-Z and Beyoncé; and been lauded in The New York Times and Rolling Stone. But what the years have really wrought for these four artists is a kind of precious interconnection. Love Heart Cheat Code is a snapshot of four musicians dancing together on the edge—11 playful, exuberant tracks that feel light and shine light. Not just a band. A band band. Four is the magic number. Très bien ensemble —Dan Charnas

SNARKY PUPPY

“Maybe you didn’t notice, but this is Snarky Puppy’s world, and the rest of us only live in it.” —The New York Times Snarky Puppy, the five-time Grammy-winning collective, “has always been a band that prioritizes the sound of the music,” says bandleader and bassist Michael League. Displaying a wide array of influences including funk, R&B, hard rock, classic soul, modern gospel, new tech, fusion, and jazz, Snarky Puppy

isn’t exactly a jazz band, it’s not a fusion band, and it’s definitely not a jam band. It’s probably best to take Nate Chinen of The New York Times’ advice, to “take them for what they are, rather than judge them for what they’re not.”

Their latest Grammy-winning album, Empire Central, was released in September 2022. With a big, bold, chill, and laid-back sound, the album was a love letter to Texas, with the group looking fondly at where it came from.

“Our soundscape has expanded dramatically over the years,” says League. “When the band started, we were jazzier, brainy, and musicoriented. Moving into the Dallas scene we became groovier, more emotional, deeper in a sense. We focused more on communicating a clear message, understandable to a listener without dumbing things down.”

Each new record brings a new vision and progressive direction. “Our rule is that it can’t sound like it sounded before,” says League. “The music has to feel like it’s moving somewhere.” The band has just released a 10thanniversary deluxe edition of its groundbreaking album We Like it Here. It kicked o 2025 recording an album with the Metropole Orkest in the Netherlands in January and with a new vision for the GroundUP Festival in Miami in February.

SNARKY PUPPY
HIATUS KAIYOTE

GEORGIA ANNE MULDROW

Georgia Anne Muldrow is an Instrument of the Ancestors, electronic musician, mother, mentor, cultural technologist, vocalist/songwriter, and producer.

She’s collaborated on recorded work with Brittany Howard, Anderson .Paak (for Flying Lotus), Erykah Badu, Yasiin Bey (formerly known as Mos Def), Lakecia Benjamin, Meshell Ndegeocello, Adrian Younge and Ali Shaheed Muhammad’s The Midnight Hour Denzel Curry, Dudley Perkins, Tank and the Bangas, Bahamadia, MachHommy, Henry Threadgill, Dev Hynes, Mike & Keys, Keyon Harrold, Robert Glasper, Jason Moran, Brian Jackson, Wildchild, DJ Romes, Oh No, Big Daddy Kane, Posdnuos, Steve Arrington, Madlib, Bilal, Sa-Ra Creative Partners, Dwight Trible, and many more.

You guessed it—that IS a whole lot of talented Black folks. She’s from LA, raised and steeped in the Afrocentric art technologies of Leimert Park. She wrote “Stay Woke” with a kiddie marker on an old white tee, and it turned into a worldwide phenomenon soon after. She also thinks The Blues are too good to throw away but loves that her computer listens to her better than humans can.

Her Overload album was nominated for a Grammy, but she

likes her 2020 album Mama, You Can Bet! more.

She’s recorded 21 records to date and been in the morning paper quite a few times, including in the Los Angeles Times and The New York Times. Georgia wants you to

know that music is her spaceship— she’s a one-woman band that translates cosmic waves of music above her head...so they can touch your heart.

Landed in 1983, debuted in 2004, and still alive.

GEORGIA ANNE MULDROW

MOZART’S REQUIEM

THURSDAY

SEPTEMBER 4, 2025 8PM

Los Angeles Philharmonic

James Gaffigan, conductor

Elena Villalón, soprano

Isabel Signoret, mezzo-soprano

Joshua Blue, tenor

Christian Van Horn, bass-baritone

Los Angeles Master Chorale

Grant Gershon, Artistic Director

Jenny Wong, Associate Artistic Director

Ellen REID

BRAHMS

MOZART

Body Cosmic (c. 15 minutes) (LA Phil commission)

Awe | she forms herself

Dissonance | her light and its shadow

Schicksalslied (Song of Destiny) in E-flat major, Op. 54 (c. 15 minutes)

Langsam und sehnsuchtsvoll

Allegro

Adagio

Los Angeles Master Chorale

INTERMISSION

Requiem in D minor, K. 626, completed by Süssmayr (c. 47 minutes)

Introit—Requiem

Kyrie

Sequence

Dies irae

Tuba mirum

Rex tremendae

Recordare

Confutatis

Lacrimosa

O ertory

Domine Jesu

Hostias

Sanctus

Benedictus

Agnus Dei

Communion

Elena Villalón, Isabel Signoret, Joshua Blue, Christian Van Horn, Los Angeles Master Chorale

This concert will broadcast on Classical California KUSC (91.5 FM) October 19, 2025, at 7PM, and available to stream at kusc.org for seven days following its airing. Please visit hollywoodbowl.com/radio for the complete schedule.

This broadcast is made possible through the endowed LA Phil Broadcast Program Fund, generously supported by the Lenore S. and Bernard A. Greenberg Fund

Programs and artists subject to change.

BODY COSMIC

Ellen Reid (b. 1983)

Body Cosmic is a meditation on the human body as it creates life and gives birth.

The first movement, Awe | she forms herself, unspools a melody against the pulse of an ostinato, reflecting the surreality of creating new life, so common and yet so astonishing. Dissonance | her light and its shadow explores the conundrum of bringing new life into the simultaneously beautiful and crumbling world, moving between big splashes of smearing brass and tumultuous percussion and moments of warmth and blazing beauty.

This piece was written in response to my own experience with pregnancy and childbirth, a period of time that coincided with my dual residency at the Concertgebouw concert hall and with the Concertgebouw Orchestra. Spending time in Amsterdam, working in the Concertgebouw’s storied halls, activated over 140 years of music-making, is a looming presence in this work. Thank you to the incredible musicians of the Concertgebouw Orchestra, whose generous artistic contributions rang loudly in my mind’s ear as I wrote this piece. —Ellen Reid, 2024

SCHICKSALSLIED (SONG OF DESTINY) IN E-FLAT MAJOR, OP. 54

Johannes Brahms (1833–97)

Late in the summer of 1868, having taken his father to Switzerland for a mountain holiday, Brahms visited his friends the Dietrichs in Oldenburg. While there, he specifically asked if they could visit the great shipbuilding works at Wilhelmshaven (curiously, though he could rarely be induced to board a ship, Brahms was fascinated with them). On the morning scheduled for the visit, rising before the rest of the family, Brahms started reading the poems of Friedrich Hölderlin (1770–1843), which he found amid the Dietrich family’s books. He told his hosts that he had been deeply moved by a poem titled “Hyperion’s Song of Fate.” Years later, in a memoir recalling his friendship with Brahms, Albert Dietrich wrote:

When, later in the day, after having wandered about and seen everything of interest, we sat down by the sea to rest, we discovered Brahms at a great distance, sitting alone on the beach and writing. These were the first sketches for the Schicksalslied.

The text, reenacting the Classical fatalism of the Greeks, spoke to some central element in the composer’s own soul; yet despite the immediate reaction to the poem and the instant musical sketch, he was unable to bring the work to completion until May 1871. The problem may have lain in the structure of Hölderlin’s grim text: The poem is in two parts, the first depicting the tranquil, eternal bliss of the gods in their abode of light, the second contrasting it with the torments of humanity, driven by a blind destiny. Brahms did not want to end the music in such a negative mood. He considered simply repeating the opening words at the end but was dissuaded from that course by the conductor Hermann Levi. Instead, he concluded the piece with a tranquil orchestral statement of the opening music, thus rounding it o musically with a hint of consolation while retaining the text’s original form. The music of the gods is luminous, sharply contrasted to the hard-driven torments of mankind, especially the dramatic depiction of “water thrown from crag to crag,” followed by a sudden silence. The chorus ends on a note of resignation, but again—as in the Alto Rhapsody—a shift from C minor to C major brings reconciliation.

—Steven Ledbetter

REQUIEM IN D MINOR, K. 626, COMPLETED BY SÜSSMAYR

Wolfgang Amadeus Mozart (1756–91)

Mozart’s Requiem o ers music history one of its most convoluted mysteries, the twisted threads of which are the subject of further investigation to this day. The tale begins as one of fiction: A messenger arrives on Mozart’s doorstep in summer 1791 with a commission for a Requiem Mass. Mozart accepts, and a fee is agreed upon, as well as a condition that he not know the identity of the commissioner. Although ill, Mozart began the work, but as he did, he became progressively more fatalistic, even believing that he was being poisoned slowly. He said to a friend, “I am writing my own funeral music. I must not leave it unfinished.”

Tragically correct, Mozart could not fulfill the commission. He might have, had he not also composed La clemenza di Tito for the coronation of Emperor Leopold in Prague on September 6; written a Masonic Ode, completed on November 15; and (thank heaven) finished Die

Zauberflöte, which premiered on September 30. By November 1791, with his days numbered and anguished, he was working on the Requiem from his deathbed, with his pupil Franz Xaver Süssmayr (1766–1803) in attendance. When Mozart died on December 5, only the first two sections, the Requiem and the Kyrie, were completely finished; the second to the ninth movements—the Dies irae to the Hostias—were left in draft form. How, then, do we have a complete Mozart Requiem? Anxious not to lose the fee for the work, Mozart’s widow, Constanze, entrusted the completion of the score to Süssmayr and two of her husband’s other students, Joseph Eybler and Franz Freystädtler. When the Requiem was completed, the identity of the commissioner became known: Count Franz von Walsegg, who frequently paid composers for pieces that he passed o as his own. He had intended for the Requiem to be performed in memory of his wife, who had died the previous February. According to scholarly

conclusions, Freystädtler’s role was small—he and Süssmayr assisted with the completion of the fugue of the Kyrie. Eybler and Süssmayr reconstructed and/or filled in the sketches—according to Mozart’s instructions or verbal intentions—of a large portion of the torso, and Süssmayr composed the Sanctus, Benedictus, and Agnus Dei. Many have been the arguments against the sections composed entirely by Süssmayr and even of those parts reconstructed by him. One is left with the sense, however, that Süssmayr deserves more thanks for saving the work from oblivion than censure. As an entity, the Requiem is a grandiose work: powerful in the fearsomeness of its visions of the Last Judgment and sublime in the gentleness of its evocation of salvation and eternal rest. Appropriately, the scoring is dark in color. Lighter-hued flutes and oboes are omitted, and the strings are often used in their lower registers. Yet, for all its solemnity, Mozart’s Requiem is a luminous and wondrous thing, more than merely beautiful. —Orrin Howard

JAMES GAFFIGAN

Recognized worldwide for his natural ease and extraordinary collaborative spirit, American conductor James Ga gan has attracted international attention for his prowess as a conductor of both symphony orchestras and opera.

Ga gan is the General Music Director of Komische Oper Berlin, where he began his second season

in 2024/25, and Music Director of the Palau de les Arts Reina Sofía in Valencia, where he led widely acclaimed productions of Wozzeck, La bohème, and Tristan und Isolde

In his 2024/25 season with Komische Oper Berlin, Gaffigan led productions of Sweeney Todd, The Magic Flute, and Don Giovanni. At Palau de les Arts Reina Sofía, he conducted a varied season of programming, including a staging of Der fliegende

Holländer. Guest engagements included his debut with the NDR Elbphilharmonie Orchester and returns to the Symphonieorchester des Bayerischen Rundfunks and Luzerner Sinfonieorchester.

In the United States, he made return engagements with the Chicago Symphony Orchestra, National Symphony Orchestra, San Francisco Symphony, and Houston Grand Opera.

Ga gan was first-prize winner of the 2004 Sir Georg Solti International Conducting Competition, which opened Europe’s doors to him as a young American. In 2009, he completed a three-year tenure as Associate Conductor of the San Francisco Symphony, a position created for him by Michael Tilson Thomas. Prior to that, he was Assistant Conductor of The Cleveland Orchestra, where he worked with Music Director Franz Welser-Möst. Ga gan is an alumnus of the Aspen Music Festival and School Aspen Conducting Academy and the Tanglewood Music Center.

Ga gan grew up in New York City and studied at the LaGuardia High School of Music and Art before pursuing his conducting studies. He believes that access to music education is the method by which America’s concert halls will finally begin to reflect our community and shrink the racial and gender gaps that exist in the performing arts today.

JAMES GAFFIGAN

ELENA VILLALÓN

Winner of the Metropolitan Opera National Council Auditions, several prizes at the Belvedere Singing Competition, and Third Prize and the Audience Prize at the Operalia competition 2023, Cuban American soprano Elena Villalón is already attracting major industry attention. An alumna of the Houston Grand Opera Studio, Villalón made two major appearances in New York in the 2024/25 season: as Nuria in the highly anticipated Metropolitan Opera premiere of Osvaldo Golijov’s Ainadamar and her solo recital debut at Carnegie Hall with pianist Craig Terry. She also returned to Santa Fe Opera as Gilda in Rigoletto, made her debuts as Almirena in Rinaldo at Detroit Opera and in the title role in Rodelinda at Oper Frankfurt, where she also portrayed Susanna (Le nozze di Figaro) and Sophie (Der Rosenkavalier). Future engagements include company debuts with the Royal Ballet & Opera, Opéra national de Paris, Staatsoper Berlin, and Glyndebourne Festival.

During the 2023/24 season, Villalón made debuts at the Metropolitan Opera as Amore in Gluck’s Orfeo ed Euridice and Sheila in the world premiere of Gregory Spears’ The Righteous at Santa Fe. As an ensemble member at Oper Frankfurt, Villalón made her role debuts as Pamina in Die Zauberflöte and Frasquita in Carmen. In concert, she sang Mahler’s Symphony No. 4 under James Ga gan with the Boston Symphony Orchestra at the Tanglewood Music Festival, Handel’s Messiah and Brahms’ Ein deutsches Requiem with the Pittsburgh Symphony, Bach’s Christmas Oratorio at the Tiroler Festspiele Erl, and Mahler’s Symphony No. 2 with the Lubbock Symphony in her native Texas.

ISABEL SIGNORET

Puerto Rican mezzo-soprano Isa Signoret is an ensemble member of the Wiener Staatsoper, having completed a two-year studio residency. In the 2024/25 season at the Wiener Staatsoper, Signoret

sang Dorabella in Così fan tutte Cherubino in Le nozze di Figaro, Zerlina in Don Giovanni, and Minerva in Il ritorno d’Ulisse in patria. She made her Paris Opera debut as Wellgunde in a new production of Das Rheingold conducted by Pablo Heras-Casado and conceived by Calixto Bieito.

Signoret’s recent seasons in Vienna have also included Suzuki in Madama Butterfly, Muriel in Animal Farm, Rosina in a new production of Der Barbier für Kinder, Mercédès in Carmen, Meg Page in Falsta , Amando in a new production of Le Grand Macabre, Lola in Cavalleria rusticana, Amore/Valletto in L’incoronazione di Poppea, Tisbe in La Cenerentola, Bersi in Andrea Chénier, Blumenmädchen in Parsifal, and the Page in Salome. In concert she has performed Handel’s Messiah with the North Carolina Symphony.

Signoret, a graduate of Rice University, has performed with Wolf Trap Opera and the Aspen and Miami music festivals. In concert, she has presented recitals of Spanish, Cuban, and Argentinian art song with guitar and piano.

ELENA VILLALÓN
ISABEL SIGNORET

JOSHUA BLUE

British American tenor Joshua Blue made several company debuts in the 2024/25 season, including reviving the role of Rodolfo in La bohème for the English National Opera alongside conductor Clelia Cafiero and with the San Diego Opera under conductor Lidiya Yankovskaya and director Keturah Stickann. Other season highlights included Handel’s Messiah with The Phoenix Symphony and conductor Patrick Dupré Quigley; his first portrayal of Ferrando in Così fan tutte in a new production by director Yuval Sharon and conductor Corinna Niemeyer with the Detroit Opera; Paul Moravec’s Sanctuary Road led by Andrew Grams with the Charleston Symphony; a concert of Puccini arias and duets led by Don Liuzzi; a return to Opera Philadelphia to debut the role of Colin in Bologne’s L’amant anonyme under the baton of Kalena Bovell; Handel’s Messiah at Carnegie Hall with the Oratorio Society of New York and conductor Kent Tritle; tenor arias from Bach’s St. Matthew Passion at St. John the Divine in New York;

Beethoven’s Symphony No. 9 with Joe Illick and the New Year’s Eve Orchestra at the Lensic Theatre in Santa Fe; his first time as Alfred in Die Fledermaus with conductor George Manahan, director Shawna Lucey, and the Opera Theatre of Saint Louis; My Brother’s Keeper, a newly conceived evening celebrating Black men in America through art song, soul, gospel, and opera with pianist Steven Blier at the New York Festival of Song; and Alfredo in La Traviata at the Berkshire Opera Festival, jointly produced by cofounders conductor Brian Garman and director Jonathan Loy.

CHRISTIAN VAN HORN

With a voice that can “shake the heavens” (Opera Today), bassbaritone Christian Van Horn has established himself as a favorite of audiences and critics alike. With his powerful instrument and commanding stage presence, Van Horn has been hailed by The New York Times as “a bass-baritone of uncommon agility and power,” with a versatility that allows him to embody a variety

of compelling roles, ranging from Méphistophélès to Don Giovanni.

In the 2024/25 season, he starred as the Four Villains in O enbach’s Les contes d’Ho mann at the Metropolitan Opera. Other engagements included the title role in Bartók’s Bluebeard’s Castle with the Chicago Symphony Orchestra and Esa-Pekka Salonen, his greatly anticipated debut as Philippe II in Verdi’s Don Carlos at the Opéra national de Paris, Escamillo in Bizet’s Carmen for both San Francisco Opera and Royal Ballet and Opera, and his title role debut in Verdi’s Attila, presented in concert at the Teatro Real.

In the 2023/24 season, Van Horn brought his “vocally resplendent and dramatically compelling” (San Francisco Chronicle) voice to the title role in Bluebeard’s Castle at Carnegie Hall and on tour throughout Asia with Elīna Garanča, the Metropolitan Opera Orchestra, and Music Director Yannick Nézet-Séguin. He made his Wiener Staatsoper debut in the title role of Mozart’s Don Giovanni and later sang the role in concert at the Théâtre des Champs-Élysées.

JOSHUA BLUE
CHRISTIAN VAN HORN

LOS ANGELES MASTER CHORALE

The Grammy-winning Los Angeles Master Chorale is the “the fi nestby-far major chorus in America” ( Los Angeles Times) and a vibrant cultural treasure. Hailed for its powerful performances, technical precision, and artistic daring, the Chorale is led by Grant Gershon, Kiki & David Gindler Artistic Director; Associate Artistic Director Jenny Wong; and President & CEO Scott Altman. Its Swan Family Artistin-Residence is Reena Esmail.

Created by legendary conductor Roger Wagner in 1964, the Chorale is a founding resident company of

The Music Center and choir-inresidence at Walt Disney Concert Hall. The Chorale reaches over 175,000 people a year through performances at Walt Disney Concert Hall, its international touring of innovative works, and its collaborations with the Los Angeles Philharmonic and others.

The Chorale’s discography includes the LA Phil’s Deutsche Grammophon recording of Mahler’s Symphony No. 8, for which the Chorale won a Best Choral Performance Grammy with the National Children’s Chorus, Los Angeles Children’s Chorus, and Pacifi c Chorale. The Chorale released The Sacred

Veil by Eric Whitacre in 2020. Under Gershon’s direction, the Chorale has released eight commercial recordings and is featured on the soundtracks of many major motion pictures, including Star Wars: The Last Jedi and The Rise of Skywalker

The Chorale toured its productions of Lagrime di San Pietro and Heinrich Schütz’s Music to Accompany a Departure, both directed by Peter Sellars, earning rave reviews across the globe that cited the Chorale’s performances as “painfully beautiful” (Süddeutsche Zeitung) and “transcendent” and “incomparably moving” ( Los Angeles Times).

SOPRANO

April Amante

Tamara Bevard

Christina Bristow

Harriet Fraser

Graycen Gardner

Ayana Haviv

Karen Hogle Brown

Elissa Johnston

Juhye Kim

Holly Sedillos

Sunmi Shin

Kathryn Shuman

Addy Sterrett

Suzanne Waters

Andrea Zomorodian

ALTO

Anna Caplan

Carmen Edano

Michele Hemmings

Shabnam Kalbasi

Sharon Chohi Kim

Hannah Little

Sarah Lynch

Adriana Manfredi

Cynthia Marty

Julia Metzler

Alice Kirwan Murray

Lindsay Patterson Abdou

Jessie Shulman

Nike St. Clair

Nancy Sulahian

Elyse Willis

TENOR

Casey Breves

Matthew Brown

Bradley Chapman

Adam Faruqi

Michael Jones

Dermot Kiernan

Joey Krumbein

Charles Lane

Kyuyoung Lee

Michael Lichtenauer

JJ Lopez

David Morales

Evan Roberts

Todd Strange

Matt Thomas

BASS

Michael Bannett

Mark Beasom

John Bu ett

Kevin Dalbey

Dylan Gentile

Will Goldman

Abdiel Gonzalez

Scott Gra

James Hayden

Jared Jones

Luc Kleiner

Ben Han-Wei Lin

Brett McDermid

Steve Pence

Mark Edward Smith

Shuo Zhai

The Artists of the Los Angeles Master Chorale are represented by the American Guild of Musical Artists, AFL-CIO, James Hayden, AGMA Delegate.

DVOŘÁK & MARSALIS

TUESDAY SEPTEMBER 9, 2025 8PM

Los Angeles Philharmonic Rafael Payare, conductor

Alisa Weilerstein, cello

DVOŘÁK

Wynton MARSALIS

Cello Concerto in B minor, Op. 104 (c. 40 minutes)  Allegro Adagio ma non troppo Finale: Allegro moderato

Alisa Weilerstein

INTERMISSION

Concerto for Orchestra (c. 38 minutes) (US premiere, LA Phil commission) Who Struck John? Group Speak Testimonials It Comes in Waves A Love Feeling Say What?

This concert will broadcast on Classical California KUSC (91.5 FM) October 26, 2025, at 7PM, and available to stream at kusc.org for seven days following its airing. Please visit hollywoodbowl.com/radio for the complete schedule.

This broadcast is made possible through the endowed LA Phil Broadcast Program Fund generously supported by the Lenore S. and Bernard A. Greenberg Fund

Programs and artists subject to change.

CELLO CONCERTO IN B MINOR, OP. 104

In September 1892, Dvořák, accompanied by some of his family, arrived in America to take up the post of director of the National Conservatory of Music. The invitation came from the conservatory’s wealthy founder, Jeannette Thurber, and o ered Dvořák a substantial salary as well as the chance to perform his own compositions. Dvořák accepted and spent the next two-and-a-half years teaching and performing in the United States.

The Cello Concerto was one of only two works Dvořák composed during his last year in New York. Cellist and composer Victor Herbert was Dvořák’s unwitting muse after Dvořák attended a performance of Herbert’s Second Cello Concerto. After the performance, Dvořák reportedly went backstage, threw his arms around Herbert, and exclaimed, “Splendid! Splendid!” Dvořák especially liked Herbert’s brilliant use of the cello’s upper registers, which until then Dvořák had regarded as weak and limited. He also observed the three trombones used to accompany the soloist in the slow movement. Dvořák strayed from conventional instrumentation in his own concerto by adding three trombones, as well as tuba, piccolo, and triangle.

Dvořák’s abandonment of Classical concerto scoring for a more symphonic orchestra with an augmented brass section could have presented a twofold problem for any soloist: Not only are the brass instruments louder than the cello, but they also play in the same low register. Dvořák skillfully avoids obscuring the cello’s sound by allowing a reversal of roles as the cello at times accompanies the orchestra. There are also a number of lush and prominent solos given to various instruments as well as long passages where the cello is silent. Dvořák desired his concerto to be more a

dialogue and less a virtuoso showcase. The first movement’s opening section is constructed like a symphonic exposition and begins with a theme reminiscent of a funeral march. This dark and brooding motif is soon taken up by the full orchestra, builds to a climax, then gently quiets and gives way to the movement’s second theme, a wonderfully tender melody played by a single horn. The cello’s entrance, marked quasi improvisando, develops in the remote key of A-flat minor over violin and viola tremolando. The Adagio ma non troppo begins peacefully in G major. The expansive and lyrical development of the first subject leads to a gentle climax and denouement. We are not given time to reflect before the orchestra explodes with a jarring G-minor chord. Shortly after, Dvořák quotes “Leave Me Alone,” the first of his Four Songs, Op. 82, and a favorite of his sister-in-law, Josefina Kaunitzová, with whom a younger Dvořák had fallen in love long before deciding to marry her sister. Kaunitzová, who became gravely ill while the composer was in America, died soon after his return to Bohemia. The solo cello sings this quote with passionate intensity over anxious arpeggios in the violins. The cello then takes up arpeggios, with woodwinds playing the theme. After passing through several ambiguous tonalities, the opening section repeats and draws the movement to a reluctant close.

The finale is a lively, dance-like movement partly shaped by Dvořák’s warm thoughts of his impending return home. The melancholy and longing of the first two movements is cast o and replaced with an exuberant hopefulness. Once in the bright key of B major, the soloist joins solo violin in a duet of tenderness and brilliance. The movement includes one last reference to “Leave Me Alone,” this time in a major key, as well as subtle echoes of the first movement’s theme. A brilliant crescendo for the full orchestra takes us to the thunderous final chords. —J. Anthony McAlister

CONCERTO FOR ORCHESTRA Wynton Marsalis

(b. 1961)

For more than four decades, Wynton Marsalis has seamlessly navigated the worlds of classical and jazz as a composer, bandleader, and trumpeter. In addition to touring and performing— often with the Jazz at Lincoln Center Orchestra where he is the Managing and Artistic Director—Marsalis has maintained a prolific compositional career since the 1980s. He writes music that often lies at the intersection between genres, coloring in traditional symphonic forms with bluesy hues and jazzy rhythms. Among his works are the jazz oratorio Blood on the Fields (winner of the 1997 Pulitzer Prize for Music), four symphonies, and concertos for violin, tuba, and trumpet, among others.

With his Concerto for Orchestra, Marsalis puts himself into conversation with the concerto grosso, which was popularized during the Baroque era as a way of highlighting several musicians of a chamber orchestra. In the first half of the 20th century, Modernist composers like Paul Hindemith and most famously Béla Bartók adapted the idea to a much larger symphonic orchestra as a means of showcasing the parts within a whole.

Otto Hagedorn of the WDR Sinfonieorchester, which premiered the work, writes, “The idea for the Concerto for Orchestra arose from the many years of collaboration and the many conversations I have had with Wynton Marsalis. The language he uses in all his compositions is the idiom of jazz, but the way he builds the structure has classical origins. Forms that go back to the fugue or passacaglia are present in all his compositions. But he reinvents them to fit his own musical language.”

Marsalis’ concerto is written in six movements, each with a playful title that hints at the lively dialogue between the various sections.

Please scan the QR code for more information on the concerto.

RAFAEL PAYARE

Rafael Payare’s innate musicianship, technical brilliance, and charismatic energy have elevated him as one of the most sought-after conductors. The 2024/25 season marked Payare’s third season as Music Director of Orchestre symphonique de Montréal and his fifth as Music Director of the San Diego Symphony, with which his relationship has been recognized as one of the most dynamic in North America.

Payare was previously Principal Conductor and Music Director of the Ulster Orchestra from 2014 to 2019, appearing twice with the orchestra at the BBC Proms, in 2016 and 2019, and now holds the title of Conductor Laureate.

With his gift for communication and irresistibly joyous spirit, Payare works with the world’s leading orchestras, including the Wiener Philharmoniker, Chicago Symphony, Munchner Philharmoniker, Orchestra dell’Accademia Nazionale di Santa Cecilia, Berlin Staatskapelle,

Tonhalle-Orchester Zürich, London Symphony Orchestra, Chamber Orchestra of Europe, and The Cleveland Orchestra. Soloists with whom he has enjoyed collaborations include Daniil Trifonov, Frank Peter Zimmerman, Vilde Frang, Hilary Hahn, Maria João Pires, Gil Shaham, Jean-Yves Thibaudet, Alisa Weilerstein, Piotr Anderszewski, Sergey Khachatryan, Emanuel Ax, Yefim Bronfman, and Dorothea Röschmann. Highlights of the 2024/25 season included a major European tour with Orchestre symphonique de Montréal and return visits to The Philadelphia Orchestra, New York Philharmonic, and Royal Opera House, Covent Garden, to conduct Turandot

Born in 1980 and a graduate of the celebrated El Sistema in Venezuela, Payare began his formal conducting studies in 2004 with José Antonio Abreu. He has conducted all the major orchestras, including the Simón Bolívar Symphony Orchestra. Having also served as Principal Horn of the Simón Bolívar Symphony Orchestra, he took part in many prestigious tours and recordings with conductors including Giuseppe Sinopoli, Claudio Abbado, Simon Rattle, and Lorin Maazel.

In May 2012, Payare was awarded first prize at the Malko international conducting competition.

RAFAEL PAYARE

Alisa Weilerstein is one of the foremost cellists of our time. Known for her consummate artistry, emotional investment, and rare interpretive depth, she was recognized with a MacArthur “genius grant” Fellowship in 2011. Today her career is truly global in scope, taking her to the most prestigious international venues for solo recitals, chamber concerts, and concerto collaborations.

With her multi-season solo cello project, FRAGMENTS, Weilerstein aims to reimagine the concert experience. Comprising six programs, each an hour long, the series sees her weave together the 36 movements of Bach’s solo cello suites with 27 new commissions in a multisensory production by Elkhanah Pulitzer. In the 2024/25 season, she premiered FRAGMENTS 3 at San Diego’s Jacobs Music Center, gave the New York premieres of FRAGMENTS 2 and 3 at New York’s Carnegie Hall, and performed the complete cycle at Charleston’s Spoleto Festival USA.

Weilerstein regularly appears alongside preeminent conductors with the world’s major orchestras. Versatile across the cello repertoire’s full breadth, she is a leading exponent of its greatest classics and an ardent proponent

of contemporary music who has premiered important new concertos by Pascal Dusapin, Matthias Pintscher, and Joan Tower. In 2024/25, she brought to life three more concertos, premiering Thomas Larcher’s with the New York Philharmonic and Bavarian Radio Symphony; Richard Blackford’s with the Czech Philharmonic; and Gabriela Ortiz’s with Gustavo Dudamel and the Los Angeles Philharmonic at Walt Disney Concert Hall, Bogotá’s Teatro Mayor, and Carnegie Hall. Her other

2024/25 highlights included seasonopening concerts with the San Diego and Kansas City symphonies; returns to the Berlin Philharmonic, Leipzig Gewandhaus, and Royal Concertgebouw orchestras; and duo recitals with Inon Barnatan at Stanford University and in Boston’s Celebrity Series.

Diagnosed with type 1 diabetes at 9 years old, Weilerstein is a staunch advocate for the T1D community. She lives with her husband, Venezuelan conductor Rafael Payare, and their two young children.

ALISA WEILERSTEIN

BLACK MOVIE SOUNDTRACK V

WEDNESDAY SEPTEMBER 10, 2025 8PM

Marcus Miller, musical director

Craig Robinson, host

Color of Noize Orchestra

Derrick Hodge, conductor

Bun B, special guest

Miles Caton, special guest

Morris Day, special guest

D-Nice, special guest

Full Force, special guest

Warren G, special guest

Jennifer Holliday, special guest

Jimmy Jam and Terry Lewis, special guests

Alice Smith, special guest

Programs and artists subject to change.

MARCUS MILLER

Marcus Miller’s musical legacy spans decades of groundbreaking contributions as a Grammy Award–winning artist, producer, and composer. His soulful, funky bass lines have graced over 500 recordings and have enriched tracks by legends like Miles Davis, Luther Vandross, Aretha Franklin, Bill Withers, Herbie Hancock, and David Sanborn. Miller’s accolades reflect his impact on the music world. Besides having produced five Grammy-winning albums, Miller has received the Netherlands’ esteemed Edison Award, the Montreal Jazz Festival’s Miles Davis Award, 10 DownBeat magazine “Electric Bassist of the Year”

awards, and France’s revered Les Victoires du Jazz award. Miller’s appointment as a UNESCO Artist for Peace reflects his unwavering commitment to music as a catalyst for change. He received a cultural medal of distinction from both Monaco and France, a testament to his lifelong dedication and contributions to the world of music.

Beginning as a stand-up comedian, Craig Robinson fi rst made his mark in the comedy circuit at the 1998 Montreal Just For Laughs festival. Now headlining venues and festivals across the US, he does both solo acts and full sets with his band The Nasty Delicious. Before deciding to

pursue his comedy career full-time, Robinson was a K–8 teacher in the Chicago public school system. He earned his undergraduate degree from Illinois State University and his Master of Education from Saint Xavier University. While Robinson was studying education in Chicago, he discovered his love of acting and comedy when he joined the famed Second City theater. Robinson is best known for his portrayal of Daryl Philbin in NBC’s The O ce but has also starred in such movies as Knocked Up, This Is the End, Hot Tub Time Machine, Hot Tub Time Machine 2, Morris from America, Tragedy Girls, Dolemite Is My Name, and Timmy Failure: Mistakes Were Made. Robinson also starred in his very own sitcom, Mr. Robinson, on NBC, as well as Ghosted on Fox.

CRAIG ROBINSON
CRAIG ROBINSON
MARCUS MILLER

DERRICK HODGE

Derrick Hodge is a distinguished bassist and composer, celebrated for his rich and multifaceted solo projects—Live Today (2013), The Second (2016), and Color of Noize (2020). His music reflects his church roots, passion for hiphop, and deep appreciation for melody and classical composition.

Growing up near Philadelphia, Hodge became immersed in the city’s neo-soul scene and later served as the musical director for artists like Jill Scott and Nas while performing in orchestras and jazz circles with legends like Terence Blanchard and Donald Byrd. Hodge has achieved numerous historic milestones, including directing music for the Academy Awards and arranging for Nas at the Grammys. He conducted the fi rst all-Black orchestra at the Hollywood Bowl during CNN’s Juneteenth celebration and became the fi rst Black composer

to arrange hip-hop for the National Symphony Orchestra.

Hodge has contributed to projects like the Smithsonian’s National Museum of African American History and Culture and scored influential films such as The Black Candle and The Photograph. His signature series, Color of Noize, premiered in 2019 at the Monterey Jazz Festival, showcasing diverse musical styles and fostering community.

BUN B

It’s been well over 30 years since Bernard Freeman—known better to the world as Bun B—changed the hip-hop landscape as one-half of the legendary UGK alongside the late Pimp C. While the Grammynominated duo collectively delivered six classic albums and two EPs, Bun solidified his solo warrior status with five projects that embodied his Port Arthur, TX, mantra to “keep it trill.”

From UGK’s 1992 debut Too Hard to Swallow and their

groundbreaking “Int’l Players Anthem (I Choose You)” with Outkast 15 years later to their cameo on Jay-Z’s “Big Pimpin,” Southern hip-hop was made better thanks to the Underground Kingz. And despite Pimp C’s passing in 2007, his legacy lives on thanks to his partner in rhyme. As for Bun, his solo work speaks for itself.

In 2006 Bun B won an ASCAP Award for Top R&B/Hip-Hop Song for his writing and performance on the single “Give Me That,” and he also holds an MTV Music Award for Best R&B Video for Beyoncé’s “Check on It,” featuring himself and Slim Thug. His third solo album, 2010’s Trill O.G., garnered 5 mics from The Source and an XL rating from XXL Magazine. By 2013, he released his last project before his musical break, The Epilogue, boasting collaborations with Rick Ross, 2 Chainz, and Big K.R.I.T.

On January 1, 2021, Bun welcomed the new year with the release of the collaborative EP Distant with fellow Houston rapper LE$.

DERRICK HODGE
BUN B

MILES CATON

Miles Caton is a rising actor and musician who gained global recognition for his breakout role in Ryan Coogler’s box-o ce hit Sinners for Warner Bros. In his acting debut, Caton starred opposite an all-star cast and received rave reviews for his role as Sammie.

The 20-year-old Brooklyn native first garnered national attention in 2017 after a video of him singing “Feeling Good” (made popular by Nina Simone) went viral, leading to appearances on NBC’s Little Big Shots, The View, and a part in the Jay-Z short film “4:44.” In 2022, he toured with Grammy-winning artist H.E.R. as a background vocalist, during which H.E.R. encouraged him to audition for Sinners. Despite having no prior acting experience, he landed the role and learned how to play guitar for the role in two months.

Caton released his debut single “This Ain’t It” in 2023 and cowrote the original song “Last Time (I Seen the Sun)” for Sinners alongside singer-songwriter Alice Smith and Academy Award–winning composer Ludwig Göransson. With his blend of artistic versatility, Miles Caton has emerged as one of the most exciting and promising new voices in entertainment.

MORRIS DAY

With his dynamic dancing and smooth, gutsy vocals, Morris Day played an essential role in the development of the Twin City dance/club sound of the 1980s. A founding member of Prince’s band The Time, he remained with the group until 1984, when he launched his solo career. Returning for the first time in 1988, he performed and recorded with The Time from 1990 until 1991 and from 1995 on. Day’s involvement with Prince traces back to 1980, when his composition “Partyup,” originally recorded when he was a member of the Enterprise, was covered on Prince’s Dirty Mind. After the release of his debut solo album, Color of Success, in 1985, Day reached his apex with his second solo album, Daydreaming, two years later. Produced by ex–Time members Terry Lewis and Jimmy Jam, the album included the chart-topping R&B tune “Fishnet.” Day released his third solo album, Guaranteed, in 1992. Day returned to recordstore racks in 2004 with It’s About Time, a mostly live album with a few new studio cuts, including a guest appearance by rapper E-40. Day has appeared in such films as Purple Rain and the sitcom New Attitude

D-NICE

With his journey taking him from the streets of Harlem to the White House, Derrick “D-Nice” Jones is not only a pillar of hip-hop but is continuing to steer pop culture. The legendary artist, DJ, and photographer has moved millions on wax, onstage, and now online with his revolutionary virtual Club Quarantine, which raised millions for first responders, HBCUs, and more. D-Nice’s global influence has been acknowledged time and again, with the NAACP Image Awards naming him Entertainer of the Year, Time magazine nominating him as 2020 Person of the Year, and Ebony magazine including him on its 2021 Power 100 list. After spreading hope online, D-Nice got viewers around the world moving with his performances at the NBA All-Star Game and the 94th Academy Awards. D-Nice and his company, BrandNice, coproduced a special soldout presentation of Club Quarantine Live at the legendary Carnegie Hall and a history-making engagement at the Opera House at the Kennedy Center. He rounded out 2022 with appearances on the Soul Train Awards and American Music Awards and returned to the stage on Dick Clark’s New Year’s Rockin’ Eve D-Nice consistently innovates and inspires, leaving an indelible mark on the entertainment industry.

D-NICE
MORRIS DAY
MILES CATON

FULL FORCE

As a struggling young local band straight outta Brooklyn and fresh out of high school, trying to get a record deal in the early 1980s was tough. Fortunately, this young, persistent band finally gained recognition for its multifaceted roles as music producers and performers. The talented sixman collective (Bowlegged Lou, Paul Anthony, B-Fine, Baby Gerry, JR, and Curttt) better known as Full Force has been consistently and successfully creating great music as far back as the mid-’80s! Full Force first gained recognition as music producers by creating the classic hip-hop hit “Roxanne, Roxanne” by UTFO. This phenomenon of a song spawned 84 answer records and birthed the careers of several female rappers, like the Real Roxanne and Roxanne Shante (“Roxanne’s Revenge”).

Showing its versatility, Full Force went on to create the group Lisa Lisa & Cult Jam, for whom it wrote and produced several No. 1 hits, such as “I Wonder If I Take You Home,” “All Cried Out,” “Can You Feel the Beat,” “Lost in Emotion,” and “Head to Toe.” Full Force went on to produce and write for many artists, including Patti LaBelle, Lil’ Kim, *NSYNC, Rihanna,

James Brown, Michael Jordan, Ex Girlfriend, Backstreet Boys, Allure, Howard Hewett, Whodini, Force M.D.’s, Cheryl “Pepsii” Riley, Selena, and 3LW.

As musicians, Full Force was known for combining hip-hop and R&B with powerful vocals and catchy melodies. The band created the hits “Ain’t My Type of Hype” (from the movie House Party), “Alice, I Want You Just for Me!,” “Temporary Love Thing,” and “All in My Mind” from the album Guess Who’s Comin’ To The Crib

WARREN G

The cultural influence of groundbreaking American rapper, record producer, media personality, philanthropist, and entrepreneur Warren G (born Warren Gri n III) remains as urgent today as his 1994 multiplatinum smash “Regulate.”

Recorded with childhood friend and iconic superstar Nate Dogg, the track would define the rap genre and a generation. For three decades, Gri n has sold 8 million to 10 million records worldwide. Today, he is crafting a new narrative by extending his reach into the culinary arts, inspired by his family history.

As the artist reaches 50, his achievements in crafting music to

reflect the sound and poetry of a generation are without comparison. Now, Gri n has emerged as the “hip-hop pit master,” eager to share a lifestyle that personifies joy, family, and celebration.

JENNIFER HOLLIDAY

Jennifer Holliday catapulted to stardom 43 years ago in the smash Broadway musical Dreamgirls with her show-stopping performance as E e “Melody” White, the iconic role that garnered her a Tony Award for Best Actress in a Musical. She was discovered at age 17 while singing in her church choir in Houston by dancer Jamie Patterson, who persuaded her to move to New York City. She made her Broadway debut in Vinnette Carroll’s Your Arms Too Short to Box with God as a featured soloist. Beyond Broadway, Holliday appeared as Lisa Knowles on the Fox TV dramedy Ally McBeal. She has also enjoyed a successful recording career, winning Grammy Awards for her mesmerizing performances of “And I Am Telling You I’m Not Going” (1982) and Duke Ellington’s “Come Sunday” (1985). Holliday has also received rave reviews for her 2014 album The Song Is You

WARREN G
FULL FORCE
JENNIFER HOLLIDAY

JIMMY JAM AND TERRY LEWIS

Five-time Grammy Award winners Jimmy Jam and Terry Lewis are world-renowned songwriters, record producers, musicians, and entrepreneurs. For over 40 years, Jam and Lewis’ accomplishments have elevated them to iconic status within the music industry.

Jam and Lewis have collaborated on over 100 Gold, Platinum, and Diamond certified recordings for a diverse array of artists including Prince, Michael Jackson, Boyz II Men, Sting, Elton John, Mary J. Blige, Usher, Beyoncé, Luther Vandross, Rihanna, Rod Stewart, Mariah Carey, Gwen Stefani, Willie Nelson, New Edition, Sounds of Blackness, Morris Day, The Time, Janet Jackson, and Earth, Wind & Fire.

Jam and Lewis have amassed 26 No. 1 R&B singles and 16 No. 1 Hot 100 hits, giving the duo more Billboard No. 1s than any other songwriting/ production team in chart history.

Jam and Lewis won their first Grammy Award for Producer of the Year (Non-Classical) in 1987 and

have received 10 more Producer of the Year nominations since, the most nominations in that category in Grammy history.

As songwriters, Jam and Lewis have garnered over 100 ASCAP Awards and have won a record-breaking nine ASCAP Songwriter of the Year awards. The duo was honored with Oscar and Golden Globe nominations, was immortalized with a star on the Hollywood Walk of Fame, and was inducted into the 2017 class of the Songwriters Hall of Fame and 2023 Rock & Roll Hall of Fame.

ALICE SMITH

Grammy-nominated singersongwriter Alice Smith is known and celebrated for her soulful, fouroctave vocal range and formidable stage presence. She began her music journey in the earliest days of the New York Afropunk scene. Her critically acclaimed 2006 debut album For Lovers, Dreamers and Me earned Smith a Grammy nomination with its lead single,

“Dream.” Since then, her artful blend of soulful vocals and mid-tempo grooves has garnered a passionate following that has packed venues like New York City’s Apollo Theater, Bowery Ballroom, and Irving Plaza. Her subsequent album, She, took Smith a step further into her own power and highlights stirring combinations of fiercely honed pop, drenched in notes of soul.

Her latest collection of songs, Mystery, features intuitively crafted originals that pair a “trip-hop-like grit” with the exquisite sultriness of Smith’s state-altering voice. She will put a spell on you; Smith has created timeless compositions that have transcended and redefined the boundaries found in popular music.

Alice Smith’s artistry is as intoxicating as it is mesmerizing, always feeding audiences music they can truly feel. She is a muse to and has collaborated with artists such as Khalil Joseph, Glenn Kaino, and Isaac Julien. Most recently, Smith cowrote and recorded “Last Time (I Seen the Sun)” for the 2025 film Sinners, directed by Ryan Coogler and scored by Ludwig Göransson.

ALICE SMITH
JIMMY JAM AND TERRY LEWIS

ROMEO, JULIET & DANCE THEATRE OF HARLEM

THURSDAY SEPTEMBER 11, 2025 8PM

Los Angeles Philharmonic

Jonathon Heyward, conductor

Dance Theatre of Harlem

Robert Garland, Artistic Director and choreographer

Katy A. Freeman, costumes

TCHAIKOVSKY

Adolphus HAILSTORK

PROKOFIEV

Romeo and Juliet Fantasy Overture (c. 23 minutes)

Symphony No. 1 (c. 21 minutes)

Allegro

Adagio: Lento ma non troppo

Scherzo: Allegretto

Rondo: Vivace

Derek Brockington, Micah Bullard, Alexandra Hutchinson, Ingrid Silva, Delaney Washington

INTERMISSION

Romeo and Juliet, Suite No. 2, Op. 64 (c. 35 minutes)

The Montagues and the Capulets

Juliet the Maiden

Friar Laurence

Dance

The Parting of Romeo and Juliet

Dance of the Antillean Maidens

Derek Brockington, Ariana Dickerson, Carly Greene, Alexandra Rene Jones

Romeo at the Tomb of Juliet

Kamala Saara, Kouadio Davis, Delaney Washington, Derek Brockington, Kira Robinson, Ethan Wilson, Michaela Martin-Mason, Sean Miller, Ingrid Silva, Renan Cerdeiro, Lindsey Donnell, Jhaelin Mcquay

This performance is generously supported by Maria Seferian

Programs and artists subject to change.

ROMEO AND JULIET FANTASY OVERTURE

Pyotr Ilyich Tchaikovsky (1840–93)

Stories of doomed love resonated deeply with Tchaikovsky; Shakespeare’s tragedy Romeo and Juliet was no exception. In 1869, when Tchaikovsky took up the play as a musical subject at the suggestion of fellow composer Mily Balakirev, he was deeply in love with Eduard Zak, a 15-year-old cousin of one of his students. Zak committed suicide four years later, and when Tchaikovsky pondered the incident in his diary in 1887, his recollection of Zak reveals how strong his feelings for the boy were: “How amazingly clearly I remember him: the sound of his voice, his movements, but especially the extraordinarily wonderful expression on his face at times. I cannot conceive that he is no more. The death of this boy, the fact that he no longer exists, is beyond my understanding. It seems to me that I have never loved anyone so strongly as him.”

Shakespeare’s tragedy and Tchaikovsky’s tortured personal life collided to produce the first true expression of his genius as a composer, a tautly constructed masterpiece that boils Shakespeare’s narrative down to its essentials in 20 minutes of music that is, by turns, thunderingly dramatic and achingly beautiful. The fantasy overture opens with a lengthy introduction before presenting its two main theme groups: oppressively brutal music representing the conflict between the Capulets and the Montagues, and a rapturous love

theme for Romeo and Juliet. The second statement of this theme is interrupted by the music for the warring families as Romeo and Juliet’s love is crushed by the two families’ seething hatred for one another. After a somber reworked version of the love theme in the minor mode, it is transfigured into music that is serene and chorale-like, ending the piece on a triumphant and otherworldly note. —John Mangum

SYMPHONY NO. 1

Adolphus Hailstork (b. 1941)

Born in Rochester, NY, Adolphus Hailstork grew up in Albany, where he fell in love with music as a boy chorister in his Episcopal church. He began composing music seriously as a student at Howard University and later studied under the prominent 20th-century teacher Nadia Boulanger and American composer David Diamond. Despite the Modernist zeitgeist, Hailstork resisted the allure of atonality. In a 2020 interview with San Francisco Classical Voice, he described his path: “I survived the gun-to-thehead modernism, back when I was a student—you know if you weren’t crunching elbows on the keys and counting up to 12 all the time, you weren’t being much of a composer. I decided I didn’t want to go that way. I came up as a singer and singers don’t often sing in 12-tone technique and things like that. I’ve used it, but it wasn’t a natural fit and so I’ve spent most of my career trying to be honest with myself. I call it ‘authenticism’—that’s my ‘ism.’”

Describing the genesis of Symphony No. 1, Hailstork

recounted, “In 1987 I was asked to write a piece for a summer music festival in Ocean Grove, NJ. Since the piece was to be 20 minutes long and for a Haydn-sized orchestra, I decided that a simple first symphony would fit the bill. It is written in the standard four movements: Allegro, Adagio, Scherzo and Rondo. The final rondo brings back themes from the previous three movements.”

Composed the following year, Hailstork’s First Symphony shows the composer’s early inclinations toward wide-open Copland-esque melodies, lush soundscapes of Samuel Barber, and Bernsteinlike dissonances as well as African American and African sounds, placing himself in the lineage of fellow African American composers such as William Grant Still and William Dawson. Commenting on the breadth of his influences, Hailstork said: “I’m pretty eclectic; I’m multistylistic; all the names you want to use, they all fit.”

The fanfare-like Allegro paints a lively scene with jaunty rhythms and is followed by a searching second movement where solo clarinet and flute float above swelling strings. A quicksilver Scherzo skitters about in the high strings and winds with periodic brass and timpani bursts. A jazz-infused Rondo weaves together motifs in an uplifting and satisfying finale. Together, the symphony provides a rich and varied inspiration for Dance Theatre of Harlem’s choreography. —Tess Carges

Symphony No. 1 © 1988 MMB Music, Inc. (ASCAP)

Used with permission of Lauren Keiser Music Publishing

ROMEO AND JULIET, SUITE NO. 2, OP. 64

Sergei Prokofiev (1891–1953)

One of the works featured in tonight’s Dance Theatre of Harlem program at the Hollywood Bowl is titled Romeo and Juliet, a name that understandably evokes images of a dramatic, narrative ballet—the timeless tale of star-crossed lovers brought to life through dance.

But what you’ll encounter this evening o ers something quite di erent. Rather than retelling Shakespeare’s story in traditional form, this work delves into the emotional and thematic layers of Romeo and Juliet—love, tension, fate—without tracing a linear plot. It embraces abstraction and musical interpretation, allowing movement and sound to stir the imagination and invite reflection, rather than follow a scripted narrative.

Our hope is that you’ll approach the piece with openness and curiosity, letting it speak to you in unexpected ways. It’s a fresh perspective on familiar terrain, where meaning emerges through the interplay of choreography and score—intimate, evocative, and uniquely yours.

Enjoy the performance.

—Robert Garland, Artistic Director, Dance Theatre of Harlem

The urgent appeal of Shakespeare’s Romeo and Juliet seems to have no limits. Acted, sung, conceived instrumentally, danced; in the flesh, on the screen, in print; played traditionally, interpreted broadly; in authentic costume, in contemporary dress; scholarly and archaic, relevantly mod—no amount of repetition in seemingly endless guise threatens to dim its luster or weaken its impact. Among these interpretations, Sergei Prokofi ev’s ballet score stands alone. Nothing is lost in the translation. Prokofiev captured the essence of the tale in music in a way that is not only nonintimidating but eminently accessible, and many choreographers have been stirred to extraordinary achievement by it. Prokofiev composed the score in 1935 for the Leningrad Theater of Opera and Ballet, but the music became known through concert performances well before the fi rst staging in Russia by the Kirov Ballet, which, with choreography by Leonid Lavrovsky, occurred in 1940. In 1946, the Bolshoi Ballet introduced its dramatically enriched Lavrovsky production,

and then there followed, among others, the Frederick Ashton version for the Royal Danish Ballet in 1955, John Cranko’s for the Stuttgart Ballet in 1962, and Kenneth MacMillan’s for Britain’s Royal Ballet in 1965. Indeed, the score is little short of miraculous. With impressive economy of means, without ever resorting to inflated emotionalism, Prokofi ev conjured in sound every circumstance, character, and mood. The musical pictorialism is endlessly intriguing; the musical footprints are clearly recognizable. The simplest melody is quickened and colored by sudden, fresh twists of harmony; large melodic leaps invest the themes with unblushing piquancy or virile strength; driving rhythms and harmonic clashes provide satire and/or exhilarating vigor; the orchestration is lucid, always masterful, and never given to overstatement. Prokofiev served the spirit of Shakespeare in an entirely honest, original way. Because of its superb quality, the music for Romeo and Juliet is as trenchant and valid in concert performance as it is in the theater. —Excerpted from a note by Orrin Howard

JONATHON HEYWARD

Jonathon Heyward is forging a career as one of the most exciting conductors on the international scene. He currently serves as Music Director of the Baltimore Symphony Orchestra, having made his debut with the BSO in March 2022 in three performances that included their first-ever performance of Shostakovich’s Symphony No. 15. In summer 2024, Heyward became the Renée and Robert Belfer Music Director of the Festival Orchestra of Lincoln Center. This appointment followed a highly acclaimed Lincoln Center debut with the Mostly Mozart Festival Orchestra in summer 2022, as part of the Summer for the City festival. In 2025, it was announced that Heyward would continue as the Renée and Robert Belfer Music Director of the Festival Orchestra of Lincoln Center through 2029, now with the added title and role of Artistic Director.

In 2024, Heyward completed his four-year tenure as Chief Conductor of the Nordwestdeutsche Philharmonie. In summer 2021, he took part in an intense two-week residency with the National Youth Orchestra of Great Britain, which led to a highly acclaimed BBC Proms debut. According to The Guardian,

Heyward delivered “a fast and fearless performance of Beethoven’s Eroica Symphony, in which loud chords exploded, repeating like fireworks in the hall’s dome, and the quietest passages barely registered. It was exuberant, exhilarating stu .” Heyward currently lives in the United Kingdom, where his recent and future guest conducting highlights include engagements with the London Philharmonic, London Symphony, BBC Symphony, Royal Scottish National Orchestra, National Symphony Orchestra Ireland, City of Birmingham Symphony Orchestra, Royal Academy of Music, and Scottish Chamber Orchestra. In continental Europe, Heyward recently made distinguished debuts with the NDR Elbphilharmonie Orchester and Danish National Symphony. Successful European highlights of recent seasons included collaborations with the Castilla y León Symphony, Galicia Symphony, Brussels Philharmonic, Orchestre National Bordeaux Aquitaine, and MDR-Leipzig Symphony.

DANCE THEATRE OF HARLEM

“What does dance give you? The freedom to be who you are and do what you want to do.”

—Arthur Mitchell, Cofounder, Dance Theatre of Harlem

Dance Theatre of Harlem stands as a dynamic force in the ballet world, captivating audiences both nationally and internationally. Our repertoire is a thrilling blend of treasured classics, neoclassical masterpieces by George Balanchine and artistic director Robert Garland, and cutting-edge contemporary works that embody cofounder Arthur Mitchell’s belief that ballet is for everyone. Through electrifying performances, community engagement, and arts education programs, Dance Theatre of Harlem champions the power of the arts to inspire and empower.

Since our founding in 1969 by Arthur Mitchell and Karel Shook, Dance Theatre of Harlem has been hailed as “one of ballet’s most exciting undertakings” (The New York Times). Inspired by the work of the Reverend Dr. Martin Luther King, Jr., Mitchell established a school to provide Harlem’s youth with the opportunity to explore dance and the allied arts. Now celebrating over 55 years of excellence, DTH has evolved into a globally renowned ballet company, setting new standards in the performing arts and leaving an indelible mark on the world stage. Our extraordinary legacy continues to open doors for creative expression and artistic brilliance.

Please scan for more information about the Dance Theatre of Harlem.

JONATHON HEYWARD
DANCE THEATRE OF HARLEM

PERFECT ANGEL : THE DEFINITIVE MINNIE RIPERTON TRIBUTE

WEDNESDAY SEPTEMBER 24, 2025 8PM

Please scan for updated program information.

This performance is generously supported by Tylie Jones and Family Programs and artists subject to change.

Aloe Blacc
Alex Isley
Chanté Moore säje

2025 marks the 50th anniversary of Perfect Angel, an album featuring one of the most iconic voices in music history. Minnie Riperton was an extraordinary vocalist whose impressive five-and-a-half-octave range and expressive delivery transcended genre, generation, and expectation. Born in Chicago, Riperton grew up singing in the Sixth Grace Presbyterian Church choir and trained in opera, drama, and dance at the Abraham Lincoln Center. With these talents, she took to the city’s thriving music scene, joining The Gems at Chess Records and later singing backup for artists like Etta James, Chuck Berry, and Muddy Waters all while a teenager. These sessions even produced backing vocals for singers outside of the Chess Records catalog like Ray Charles.

In 1966, Riperton released “Lonely Girl” under the name Andrea Davis. Produced by Charles Stepney (producer for Earth, Wind & Fire and others), it was a ballad that showed o not only her range but also her lyrical prowess. By the time she joined Cadet Concept’s psychedelic soul group, Rotary Connection, she had attained both local success and a range of cross-genre experience. The group was a youthful exaltation spearheaded by Leonard Chess’ son, Marshall. Under the guidance of Stepney, the group accomplished a blended sound that influenced Riperton’s debut solo album, Come to My Garden. With Stepney and Richard Rudolph contributing as cowriters, the album revolutionized music with its blend of orchestral pop and jazz-infused soul.

On the experience of writing, Rudolph recalled, “I remember having a dream, waking up and writing this song, ‘Come to My Garden.’ Minnie was right there with me. I don’t know if it was about the place where we ended up getting married—which was a garden. I think it was just about our being together….” Her relationship with Richard led to both personal fulfillment and profound musical collaboration. Together, they crafted a unique and elegant

sound that characterized the album Perfect Angel—a work coproduced by Stevie Wonder that featured the chart-topping hit “Lovin’ You.” The album became a masterpiece of dulcet melodies, soulful anthems, and emotionally tender lyricism. Riperton’s career soared as she explored increasingly sophisticated themes in albums like Adventures in Paradise and Stay in Love. Joined by coproducer Stewart Levine and collaborators such as Leon Ware and members of The Crusaders, she was able to merge spiritual depth with erotic expression, exemplified by daring tracks like “Inside My Love.” Rudolph maintained that the song was “a much more spiritual trip. There is a duality, but we always believed that to truly have love and to express that love physically, you have to have the other side of it—the emotional side. ‘While we’re here / The whole world is turning ….’” Ware spoke of the spiritual dichotomy of the lyrics being integral to the project. Recounting his upbringing in the church, he says, “Whenever a sermon was almost over, there would be this point where the organ would play real soft, you could hear a pin drop and the vibe would be completely hypnotic. The pastor would say, ‘Won’t you come inside the Lord,’ and people would stand up—eyes closed and arms outstretched—as if they were being guided to the pulpit.”

These principles remained the foundation of Riperton’s artistry: love, family, and personal truth. It’s why she earned the admiration of industry giants and devoted fans alike. Moreover, Riperton’s experimentation with her sound is an artifact of the way she lived her life. On August 24, 1976, Riperton revealed on The Tonight Show that she had undergone a mastectomy due to breast cancer. Even when faced with a terminal illness, she continued creating, performing, and using her platform to raise awareness, becoming one of the first celebrities to speak publicly about breast cancer. She received the Courage Award from the American Cancer Society in 1978 and

became a national spokeswoman for the society’s Awareness Program. Her 1977 album, Stay in Love: A Romantic Fantasy Set to Music, coproduced by Motown legend Freddie Perren, was a conceptual musical chronicling a woman’s epic romance. A thematically sophisticated tale, its blend of R&B and disco allowed Minnie to mull over the complex feelings of love across her life.

With her health taking a toll, the last album released in her lifetime would be Minnie (1979). Coproduced by Henry Lewy, the album is a paragon of the bittersweet. Singles like “Memory Lane” evoke a retrospective on Richard and Minnie’s life together, laid over her trademark angelic tones. She dedicated the album to her grandmother Minnie Matthews, who had passed away nearly a year before Riperton. In the dedication, she wrote, “I hope she can hear it up there.”

Minnie Riperton died in 1979 at just 31 years old. She is remembered not only fondly, but with a legacy that has only grown. Her posthumous releases, particularly Love Lives Forever, showcase the enduring power of her voice with contributions from major artists like Michael Jackson and George Benson. Contemporary musicians—from Mariah Carey to Q-Tip—have cited her as a major influence, and her music continues to be sampled, covered, and celebrated across genres. Riperton’s genius lay not only in her vocal acrobatics but in her ability to channel vulnerability, sensuality, and grace into timeless music. Her son, Marc, remembers throwing her flowers when she was onstage. We can only give her more as we continue to enjoy her music. Her daughter, Maya, remarks: “The house just felt alive when Mom was around.” We can assure her memory is alive with her testaments to love, artistry, and an uncompromising devotion to emotional truth.

Thank you, Minnie.

Robin Burgess, Executive Producer

Danny Kapilian, Producer

ALOE BLACC

Grammy-nominated Aloe Blacc has long been a voice for the people—a globally recognized singer, songwriter, and change maker whose music uplifts, empowers, and unites. Best known for genre-defying anthems like the international smash “Wake Me Up” with Avicii, the anthemic “The Man,” and the timeless “I Need a Dollar,” Blacc continues to inspire through sound and purpose.

In 2024, he was honored as one of Worth magazine’s Worthy 100, recognizing his influential work at the intersection of music and social impact.

Now, in 2025, Aloe Blacc returns with his most mission-driven work to date: a new full-length album titled Stand Together. Featuring unforgettable singles “Don’t Go Alone” and “One Good Thing,” the album draws deep inspiration from real-life stories—those of nonprofit founders, humanitarians, and everyday heroes dedicated to making lasting change in their communities. Stand Together is both a celebration and a call to action, with Blacc’s signature soul and sincerity woven into every note.

Following the album’s release, Blacc embarks on a sweeping tour across the US and Europe. The run kicked o with a sold-out residency at New York’s legendary Blue Note and continues through October 2025.

This October also marks a milestone in Blacc’s career: the 15year anniversary of his breakthrough album, Good Things, and its indelible single “I Need a Dollar”—a song that remains a rallying cry for working people everywhere.

ALEX ISLEY

Alex Isley is a natural artist destined to shine in the music industry. Born in New Jersey and raised in Los Angeles, she started performing at the age of 6. Although her sonic lineage is traceable— her father, Ernie, and his brothers form the R&B/funk group The Isley Brothers— her ethereal vocals are unique. Isley’s musical influences mirror her upbringing, not in the sense of where she lived, but of what she consumed. Her grandmother was an opera singer who began classically training Alex at age 12. Aside from her musically rich family, Isley loved listening to timeless artists like Michael Jackson and Mariah Carey. In 2005, she enrolled in UCLA’s ethnomusicology (jazz studies) program and exposed herself to all kinds of music from around the world. After graduating from college, Isley purchased her first MacBook and launched her career as an independent artist.

In 2012, Isley released her debut EP, The Love/Art Memoirs. Isley’s determination propelled her to become a rising star. She went on to release projects consistently over the years, including Dreams in Analog (2013); L U X U R Y (2015); The Beauty of Everything, Pt. 1 (2018); The Beauty of Everything, Pt. 2 (2019); and her collaborative EP with Jack Dine, Wilton (2019). During the pandemic, Isley participated in NPR Music’s Tiny Desk (home) concert series, and that same year, she joined forces with Masego and Dine to release the dreamy single “Good & Plenty.”

Isley earned two coproducer credits on Lucky Daye’s sophomore album, Candydrip, which was nominated for Best R&B Performance; Best R&B Album; and Producer of the Year, Non-

IN LOVING MEMORY

HERBERT “SONNY” AUSMAN

1946–2025

Classical, at the 65th Grammy Awards (2023). Most recently, as a featured artist, Isley was nominated for Best R&B Performance and Best R&B Song at the 66th Grammy Awards (2024) after she collaborated with Robert Glasper and SiR on “Back To Love.”

CHANTÉ MOORE

Chanté Moore is a Grammy-nominated artist whose mesmerizing voice and chart-topping hits have made her a staple in R&B and jazz, with over 10 million albums sold. Moore’s soulful sound and electrifying stage presence promise a show-stopping performance to honor Minnie Riperton. Always busy and artistically multitasking, the full-throttle chanteuse belongs to that exclusive club of songbirds (Deniece Williams and Mariah Carey as well as Riperton) possessing spectacularly soaring vocal range.

SÄJE

Grammy-winning vocal group säje (rhymes with “beige”) was born out of the close friendship and mutual admiration among vocalist/composers Sara Gazarek (2024 DownBeat Critics Poll, Rising Star Female Vocalist), Amanda Taylor, Johnaye Kendrick, and Erin Bentlage. Their self-titled debut album featuring special guests Terri Lyne Carrington, Jacob Collier, Ambrose Akinmusire, and Regina Carter won a 2024 Grammy (Best Arrangement, Instruments and Vocals). Their single “Alma” won a 2025 Grammy in the same category. “säje is blazing a new trail for female composers and performers in the jazz world.” —Forbes

From 1971 to 2016, Herbert Ausman was a member of the Los Angeles Philharmonic’s trombone section. He was born in Alabama and graduated from the Eastman School of Music. In addition to holding the second trombone chair for 45 years, he was a highly regarded recording engineer, videographer, and arranger. Over the course of his career, he collaborated with many of his colleagues on solo and ensemble recordings, winning critical praise for his technical achievements. Ausman is survived by his wife, Erica, and his daughters, Amanda and Emma.

13 – SEP7

LOS ANGELES PHILHARMONIC

Gustavo Dudamel

Music & Artistic

Director

Walt and Lilly

Disney Chair

Zubin Mehta

Conductor Emeritus

Esa-Pekka Salonen

Conductor Laureate

Rodolfo Barráez

Assistant Conductor

Ann Ronus Chair

John Adams

John and Samantha

Williams Creative Chair

Herbie Hancock

Creative Chair for Jazz

FIRST VIOLINS

Martin Chalifour

Principal

Concertmaster

Marjorie Connell

Wilson Chair

[Position vacant]

First Associate Concertmaster

Ernest Fleischmann Chair

Bing Wang

Associate Concertmaster

Barbara and Jay Rasulo Chair

[Position vacant]

Assistant Concertmaster

Philharmonic

A liates Chair

Rebecca Reale

Deanie and Jay

Stein Chair

Justin Woo

Rochelle Abramson

Minyoung Chang

I.H. Albert

Sutnick Chair

Tianyun Jia

Jordan Koransky

Ashley Park

Katherine Woo

Weilu Zhang

SECOND VIOLINS

Melody Ye Yuan

Principal

Mark Kashper

Associate Principal

Isabella Brown

Assistant Principal

Kristine Whitson

Johnny Lee

[Position vacant]

Mark Houston Dalzell and James DaoDalzell Chair for Artistic Service to the Community

Ingrid Chun

Jin-Shan Dai

Miika Gregg

Chao-Hua Jin

Jung Eun Kang

Vivian Kukiel

Nickolai Kurganov

Varty Manouelian

Emily Shehi

Michelle Tseng

VIOLAS

[Position vacant]

Principal

John Connell Chair

Ben Ullery

Associate Principal

Jenni Seo

Assistant Principal

Dana Lawson

Richard Elegino

Ingrid Hutman

Michael Larco

Hui Liu

Meredith Snow

Leticia Oaks Strong

Minor L. Wetzel

Bradley Parrimore*

Pasadena Showcase

House for the Arts

LA Phil Resident Fellow Chair

* Judith and Thomas L. Beckmen LA Phil Resident Fellow

CELLOS

Robert deMaine

Principal

Bram and Elaine Goldsmith Chair

Ben Hong

Associate Principal

Sadie and Norman

Lee Chair

Dahae Kim

Assistant Principal

Jonathan Karoly

David Garrett

Barry Gold

Jason Lippmann

Gloria Lum

Linda and Maynard

Brittan Chair

Zachary Mowitz

Serge Oskotsky

Brent Samuel

Ismael Guerrero*

Alicia Miñana and Rob Lovelace LA Phil

Resident Fellow Chair

BASSES

Christopher Hanulik

Principal

Diane Disney Miller and Ron Miller Chair

Kaelan Decman

Associate Principal

Oscar M. Meza

Assistant Principal

David Allen Moore

Ted Botsford

Jory Herman

Brian Johnson

Peter Rofé

Nicholas Arredondo*

Alicia Miñana and Rob Lovelace LA Phil

Resident Fellow Chair

FLUTES

Denis Bouriakov

Principal

Virginia and Henry Mancini Chair

Catherine Ransom Karoly

Associate Principal

Mr. and Mrs. H.

Russell Smith Chair

Elise Shope Henry

Mari L. Danihel Chair

Sarah Jackson

Piccolo

Sarah Jackson

OBOES

[Position vacant]

Principal

Carol Colburn

Grigor Chair

Marion Arthur Kuszyk

Associate Principal

Anne Marie Gabriele

English Horn

[Position vacant]

CLARINETS

Boris Allakhverdyan

Principal

Michele and Dudley Rauch Chair

[Position vacant]

Associate Principal

Andrew Lowy

Taylor Ei ert

E-Flat Clarinet

Andrew Lowy

Bass Clarinet

Taylor Ei ert

BASSOONS

Whitney Crockett

Principal

Shawn Mouser

Associate Principal

Ann Ronus Chair

Michele Grego

Evan Kuhlmann

Contrabassoon

Evan Kuhlmann

HORNS

Andrew Bain

Principal

John Cecil

Bessell Chair

David Cooper

Associate Principal

Gregory Roosa

Alan Scott Klee Chair

Amy Jo Rhine

Loring Charitable Trust Chair

Elyse Lauzon

Ethan Bearman

Assistant

Bud and Barbara Hellman Chair

Elizabeth Linares Montero*

Nancy and Leslie

Abell LA Phil Resident

Fellow Chair

TRUMPETS

Thomas Hooten

Principal

M. David and Diane

Paul Chair

James Wilt

Associate Principal

Nancy and Donald de Brier Chair

Christopher Still

Ronald and Valerie

Sugar Chair

Je rey Strong

TROMBONES

David Rejano

Cantero

Principal Koni and Geo

Rich Chair

James Miller

Associate Principal

Judith and Thomas L. Beckmen Chair

Paul Radke

Bass Trombone

John Lofton

Miller and Go Family Chair

TUBA

Mason Soria

TIMPANI

Joseph Pereira

Principal

Cecilia and Dudley Rauch Chair

David Riccobono

Assistant Principal

PERCUSSION

Matthew Howard

Principal

James Babor

David Riccobono

KEYBOARDS

Joanne Pearce

Martin

Katharine Bixby Hotchkis Chair

HARP

Emmanuel Ceysson

Principal

Ann Ronus Chair

LIBRARIANS

Stephen Biagini

Benjamin Picard

KT Somero

CONDUCTING FELLOWS

Luis Castillo-Briceño

Holly Hyun Choe

Dayner Tafur-Díaz

Molly Turner

The Los Angeles Philharmonic string section utilizes revolving seating on a systematic basis. Players listed alphabetically change seats periodically.

The musicians of the Los Angeles Philharmonic are represented by Professional Musicians Local 47, AFM.

HOLLYWOOD BOWL ORCHESTRA

Thomas Wilkins Principal Conductor

John Mauceri Founding Director

FIRST VIOLINS

Kathryn Eberle Concertmaster

Marisa Sorajja Principal

Grace Oh Associate Principal

Chloe Szu-Yun Chiu

Christine Frank

Radu Pieptea

Adrianne Pope

Yutong Sharp

Shelly Shi

Mari Tsumura

SECOND VIOLINS

Kathleen Sloan Principal

Cheryl Norman Brick Associate Principal

Pam Gates

Natalie Leggett

Carolyn Osborn

Robert Schumitzky

Olivia Tsui

Vivian Wolf

VIOLAS

Erik Rynearson Principal

Jonah Sirota Associate Principal

Carrie Holzman-Little

Carole Kleister-Castillo

Stefan L. Smith

Phillip Triggs

Hyeree Yu

CELLOS

Dennis Karmazyn Principal

Armen Ksajikian Associate Principal

Giovanna Moraga Clayton

Trevor Handy

Julie Jung

Erin Breene Schumitzky

BASSES

Andrew Chilcote Principal

Denise Briesé Associate Principal

Paul Macres

Barry Newton

FLUTES

Heather Clark Principal

Lawrence Kaplan

Piccolo [position vacant]

OBOES

Lelie Resnick Principal

Noah Breneman

English Horn

Catherine Del Russo

CLARINETS

[position vacant] Principal

Bass Clarinet [position vacant]

BASSOONS

Elliott Moreau Principal

Contrabassoon

Allen Savedo

HORNS

Dylan Hart Principal

Allen Fogle Associate Principal

TRUMPETS

Robert Schaer Principal

Robert Frear

TROMBONES

William Booth Principal

Alexander Iles

Bass Trombone

Todd Eames

TUBA

Jim Self Principal

TIMPANI

Tyler Stell Principal

DRUMS

Brian Miller Principal

PERCUSSION

Wade Culbreath Principal

Gregory Goodall

HARP

Cristina Montes Mateo Principal

KEYBOARDS

Alan Steinberger Principal

SAXOPHONE [position vacant]

ASSOCIATE CONDUCTOR

Scott Dunn

LIBRARIAN

Stephen Biagini

The Hollywood Bowl Orchestra string section utilizes revolving seating on a systematic basis. Players listed alphabetically change seats periodically.

HOLLYWOOD BOWL ON CLASSICAL KUSC

Classical California KUSC’s SoCal Sunday Night series to air Los Angeles Philharmonic concerts from the 2025 Hollywood Bowl Season

For the 18th year in a row, Classical California KUSC (91.5 FM, kusc.org) is airing Los Angeles Philharmonic concerts, taped live at the Hollywood Bowl, on its SoCal Sunday Night program. KUSC’s weekly spotlight on local concerts allows hundreds of thousands of listeners across Southern California—and the world—to experience performances from the Bowl each week.

Hosted by KUSC’s Brian Lauritzen, the programs air weekly at 7PM on Sundays from August 24 to October 26, and they are also available to stream on the KUSC website for one week following the broadcast.

UPCOMING BROADCASTS

AUGUST 31

SoCal Sunday Nights at 7PM on Classical California KUSC

OCTOBER 5

Leonard Slatkin, conductor; Martin Chalifour, violin Pacific Chorale

Daniel SLATKIN Voyager 130

VAUGHAN WILLIAMS The Lark Ascending HOLST The Planets

SEPTEMBER 7

Gustavo Dudamel, conductor; Seong-Jin Cho, piano

ELLINGTON Harlem

RAVEL Piano Concerto for the Left Hand

RAVEL Piano Concerto in G

ELLINGTON Black, Brown and Beige

SEPTEMBER 14

Gustavo Dudamel, conductor; Vilde Frang, violin

KORNGOLD Violin Concerto

MAHLER Symphony No. 1, “Titan”

SEPTEMBER 21

Gemma New, conductor; Pacho Flores, trumpet

RIMSKY-KORSAKOV Capriccio espagnol

ARUTIUNIAN Trumpet Concerto

TCHAIKOVSKY Symphony No. 4

SEPTEMBER 28

Daniel Harding, conductor; Daniil Trifonov, piano

RACHMANINOFF Piano Concerto No. 2 or No. 3*

RACHMANINOFF Symphony No. 2

*BROADCASTSELECTIONTBD

Giedrė Šlekytė, conductor; Nobuyuki Tsujii, piano

BEETHOVEN Egmont Overture

BEETHOVEN Piano Concerto No. 4

BEETHOVEN Symphony No. 3, “Eroica”

OCTOBER 12

Christian Vásquez, conductor; Anne Akiko Meyers, violin

Arturo MÁRQUEZ Danzón No. 2

Arturo MÁRQUEZ Fandango

SHOSTAKOVICH

OCTOBER 19

Symphony No. 5

James Ga gan, conductor; Elena Villalón, soprano; Isabel Signoret, mezzo-soprano; Joshua Blue, tenor; Christian Van Horn, bass-baritone; Los Angeles Master Chorale

Ellen REID Body Cosmic

BRAHMS Schicksalslied

MOZART Requiem

OCTOBER 26

Rafael Payare, conductor; Alisa Weilerstein, cello DVOŘÁK Cello Concerto

Wynton MARSALIS Concerto for orchestra

Programs and artists subject to change.

Beethoven. Verdi. Two powerhouse composers who wrote glorious music for all of humanity! Both the Mass in C and Four Sacred Pieces are filled with radiance and empathy—a comforting balm in uncertain times.

GRANT GERSHON CONDUCTOR 92 singers, 4 soloists, orchestra

OCTOBER 5, 2025 | 7PM

DON’T MISS LACO’S ENCHANTING 2025/26 SEASON!

Our wondrous musical journey begins this Fall…

A MUSICAL GENESIS MARTÍN + ALTSTAEDT + SCHUMANN

Sep 13 | 7:30

Sep 14 | 4

Jaime Martín Music Director | Nicolas Altstaedt Cello

PROGRAM:

J. Haydn, Symphony No. 83 in G minor, “La poule”

R. Schumann, Cello Concerto in A minor

L. Beethoven, Symphony No. 5 in C minor

ROMANTIC RESONANCE MARTÍN + HAMELIN + BRAHMS

Oct 25 | 7:30 

HALL

Oct 26 | 4

CURRENT: REFLECTIONS IN SONG

John Holiday Countertenor | Lara

PROGRAM:

Familiar narratives and timeless elegance from the 20th century, featuring works by Ellington to Korngold. Come dressed and ready to enjoy a 1920s big-band inspired night!

Jaime Martín Music Director | Marc-André Hamelin Piano

PROGRAM:

L. Farrenc, Symphony No. 2 in D major

J. Brahms, Piano Concerto No. 1 in D minor

Oct 4 | 7:30  CICADA RESTAURANT AND LOUNGE A BRAHMSIAN AFFAIR

Nov 22 | 7:30

Nov 23 | 4

Margaret Batjer Director of Chamber Music

PROGRAM: J. Brahms, Sextet No. 2 in G major J. Brahms, Sextet No. 1 in B-flat major

Downes Piano

HOLLYWOOD BOWL SUMMER ESSENTIALS

For the third straight year, designer and artist Justina Blakeney collaborated with the Hollywood Bowl Store on an exclusive collection. Titled With the Folks, this line represents her “love letter to LA.”

“The Hollywood Bowl has always felt like one of LA’s happiest places—music in the air, sunshine or stars overhead, and that electric sense of togetherness. For this season’s design, called ‘With the Folks,’ I wanted to capture that spirit of community, freedom, and fun. I started with the Bowl’s iconic shell shape, letting it bloom into flowers, petals, suns, and stars—symbols of resilience, beauty, and renewal. Flowers, to me, represent the way nature keeps finding a way to bloom, even after fire. This folksy, retro, and funky design is my love letter to LA—a celebration of music, nature, and the simple magic of gathering with the folks you love.”

—Justina Blakeney, Artist & Jungalow founder

Find the With the Folks collection and more exclusive merchandise for you or the music lover in your life at the Bowl Stores, the LA Phil Store, and at laphilstore.com

PHOTO: TIMOTHY NORRIS Designer Justina Blakeney’s With the Folks collection for the 2025 Bowl season is now available at the Bowl Store.
Hollywood Bowl With the Folks Woven Throw Blanket

losangelesballet.org

We’re celebrating twenty years of ballet artistry, passion and joy in Los Angeles! Thank you to our community that has given us so much in return. 2025/2026 Season

Scan to sign up for season updates

LEAVE THE DRIVING TO US!

Take the stress out of your next concert trip. Since 1953, audiences have been taking buses to the Hollywood Bowl, helping grow the program into the largest and most comprehensive transportation system of any concert venue west of the Mississippi. The Hollywood Bowl has added a transportation hub to help streamline access for Park & Ride, Bowl Shuttle, Metro, and rideshares. These efforts help reduce the number of cars coming to the Bowl by more than 2,000 vehicles each evening, making your night run more smoothly. Plan your next trip at hollywoodbowl.com/gettinghere

DID YOU KNOW?

• When you show your same-day Park & Ride or Shuttle ticket at the Plaza Marketplace, you get 20% off your purchase.

• Buses drop you o at the top of Lot B.

• Bowl Shuttle rides are FREE with a valid TAP card used within the previous two hours, a GoMetro Round-Trip Pass, or a Burbank Metrolink ticket.

LOS ANGELES COUNTY BOARD OF SUPERVISORS

The mission of the Los Angeles County Department of Arts and Culture is to advance arts, culture, and creativity throughout LA County. We provide leadership, services, and support in areas including grants and technical assistance for nonprofit organizations, countywide arts education initiatives, commissioning and care for civic art collections, research and evaluation, access to creative pathways, professional development, free community programs, and cross-sector creative strategies that address civic issues. All of this work is framed by our long-standing commitment to fostering access to the arts and by the County’s Cultural Equity and Inclusion Initiative.

The Los Angeles County Arts Commission supports and advocates for the mission, vision, and values of the Los Angeles County Department of Arts and Culture. The Commission is an advisory group to the Board of Supervisors, with three appointees for each District.

The Los Angeles Philharmonic Association’s programs are made possible, in part, by generous grants from the Los Angeles County Board of Supervisors through the Los Angeles County Department of Arts and Culture and from the City of Los Angeles Department of Cultural A airs.

BOARD OF SUPERVISORS

Hilda L. Solis

Holly J. Mitchell

Lindsey P. Horvath

Janice K. Hahn

Kathryn Barger Chair

DEPARTMENT OF ARTS AND CULTURE

Kristin Sakoda Director

COUNTY ARTS COMMISSION

Randi Tahara President

Rogerio V. Carvalheiro Vice President

Sandra P. Hahn Secretary

Jennifer Price-Letscher Executive Committee Member

Leticia Buckley Immediate Past President

Pamela Bright-Moon

Patrice Cullors

Diana Diaz

Eric R. Eisenberg

Brad Gluckstein

Helen Hernandez

Constance Jolcuvar

Alis Clausen Odenthal

Anita Ortiz

Liane Weintraub

Kathryn Barger
Lindsey P. Horvath
Holly J. Mitchell
Hilda L. Solis FIRST DISTRICT
Janice K. Hahn FOURTH DISTRICT

SYMPHONIE FANTASTIQUE!

NOVEMBER 8, 2025

ORION WEISS, piano

JIM SELF Tour de Force

RAVEL Piano Concerto in G Major

BERLIOZ Symphonie Fantastique

MENDELSSOHN & MEYER

JANUARY 24, 2026

TESSA LARK,violin

MENDELSSOHN The Hebrides Overture

EDGAR MEYER Violin Concerto

MENDELSSOHN Symphony No. 3, “Scottish”

TCHAIKOVSKY PATHÉTIQUE

FEBRUARY 21, 2026

MICHELLE CANN, piano

JEFFREY NYTCH Beacon

MOZART Piano Concerto No. 23

TCHAIKOVSKY Symphony No. 6 “Pathétique”

FROM THE NEW WORLD

MARCH 21, 2026

JUAN PABLO CONTRERAS, composer & special guest

BERNSTEIN Three Variations from Fancy Free CONTRERAS Symphony No. 1*

DVO R ˇ ÁK Symphony No. 9, “From the New World”

BEETHOVEN EROICA

APRIL 25, 2026

JULIAN SCHWARZ, cello

QUINN MASON Heroic Overture (Overtura Eroica)

JENNIFER HIGDON Cello Concerto † BEETHOVEN Symphony No. 3, “Eroica”

BRETT MITCHELL Music Director

AMERICA @ 250

MAY 30, 2026

JOHN WILLIAMS Selections from American Journey

JONATHAN LESHNOFF Rhapsody on “America” * † COPLAND Appalachian Spring Suite

JOYCE YANG, piano * co-commission † west coast premiere

COPLAND Lincoln Portrait

Courtney
Lindberg
Photography

CORPORATE PARTNERS

The Los Angeles Philharmonic Association is honored to recognize our corporate partners, whose generosity supports the LA Phil’s mission of bringing music in its varied forms to audiences at Walt Disney Concert Hall, the Hollywood Bowl, and The Ford. To learn more about becoming a partner, email aradden@laphil.org.

ANNUAL GIVING

From the concerts that take place onstage at Walt Disney Concert Hall, the Hollywood Bowl, and The Ford to the learning programs that fill our community with music, it is the consistent support of Annual Donors that sustains and propels our work. We hope you, too, will consider making a gift today. Your contribution will enable the LA Phil to build on a long history of artistic excellence and civic engagement. Through your patronage, you become a part of the music— sharing in its power to uplift, unite, and transform the lives of its listeners. Your participation at any level is critical to our success.

FRIENDS OF THE LA PHIL

Friends and Patrons of the LA Phil share a deep love of music and are committed to ensuring that great musical performance thrives in Los Angeles. As a Friend or Patron, you will be supporting the LA Phil’s critically acclaimed artistic programs at Walt Disney Concert Hall, the Hollywood Bowl, and The Ford, as well as groundbreaking learning initiatives such as YOLA, which provides free after-school music instruction to children in culturally vibrant and ethnically diverse communities across LA County. Let your passion be your guide, and join us as a member of the Friends and Patrons of the LA Phil. For more information, or to learn about membership benefits, please call 213 972 7557 or email friends@laphil.org.

PHILHARMONIC COUNCIL

Winnie Kho and Chris Testa, Co-Chairs Christian and Ti any Chivaroli, Co-Chairs

The Philharmonic Council is a vital leadership group whose members provide critical resources in support of the LA Phil’s general operations. Their vision and generosity enable the LA Phil to recruit the best musicians, invest in groundbreaking learning initiatives, and stage innovative artistic programs, heralded worldwide for the quality of their artistry and imagination. We invite you to consider joining the Philharmonic Council as a major donor. For more information, please call 213 972 7209 or email patrons@laphil.org.

ENDOWMENT DONORS

We are honored to recognize our endowment donors, whose generosity ensures the long-term health of our organization. The following list represents cumulative contributions to the Los Angeles Philharmonic Endowment Fund as of April 15, 2025.

$25,000,000 AND ABOVE

Walt and Lilly

Disney Foundation

Cecilia and Dudley Rauch

$20,000,000 TO $24,999,999

David Bohnett Foundation

$10,000,000 TO $19,999,999

The Annenberg Foundation

Colburn Foundation

Lenore S. and Bernard

A. Greenberg Fund

$5,000,000 TO $9,999,999

Anonymous Dunard Fund USA

Carol Colburn Grigor

Terri and Jerry M. Kohl

Los Angeles Philharmonic A liates

Diane and Ron Miller

Charitable Fund

M. David and Diane Paul

Ann and Robert Ronus

Ronus Foundation

John and Samantha Williams

$2,500,000 TO $4,999,999

Peggy Bergmann

YOLA Endowment Fund in Memory of Lenore Bergmann and John Elmer Bergmann

Lynn Booth/The Otis

Booth Foundation

Elaine and Bram Goldsmith

Norman and Sadie Lee Foundation

Karl H. Loring

Alfred E. Mann

Elise Mudd Marvin Trust

Barbara and Jay Rasulo

Flora L. Thornton

$1,000,000 TO $2,499,999

Linda and Robert Attiyeh

Judith and Thomas Beckmen

Gordon Binder and Adele Haggarty

Helen and Peter Bing

William H. Brady, III

Linda and Maynard Brittan

Richard and Norma Camp

Mr. and Mrs.

Michael J. Connell

Mark Houston Dalzell and James Dao-Dalzell

Mari L. Danihel

Nancy and Donald de Brier

The Rafael & Luisa de Marchena-Huyke Foundation

The Walt Disney Company

Fairchild-Martindale Foundation

Eris and Larry Field

Max H. Gluck Foundation

Reese and Doris Gothie

Joan and John Hotchkis

Janeway Foundation

Bernice and Wendell Je rey

Carrie and Stuart Ketchum

Kenneth N. and Doreen R. Klee

B. Allen and Dorothy Lay

Los Angeles

Philharmonic Committee

Estate of Judith Lynne

Maddocks-Brown Foundation

Ginny Mancini

Raulee Marcus

Barbara and Buzz McCoy

Merle and Peter Mullin

William Powers and Carolyn Powers

Koni and Geo Rich H. Russell Smith Foundation

Jay and Deanie Stein Foundation Trust

Ronald and Valerie Sugar

I.H. Sutnick

$500,000 TO $999,999

Ann and Martin Albert

Abbott Brown

Mr. George L. Cassat

Kathleen and Jerrold L. Eberhardt

Valerie Franklin

Yvonne and Gordon Hessler

Barbara Leidenfrost

Ernest Mauk and Doyce Nunis

Mr. and Mrs.

David Meline

Sandy and

Barry D. Pressman

Earl and Victoria Pushee

William and Sally Rutter

Nancy and Barry Sanders

Kenneth D. Sanson

Richard and Bradley Seeley

Christian Stracke

Donna Swayze

Judy Ungar and Adrienne Fritz

Lee and Hope Landis

Warner YOLA Student Fund

Edna Weiss

$250,000 TO $499,999

Nancy and Leslie Abell

Mr. Gregory A. Adams

Baker Family Trust

Kawanna and Jay Brown

Leah Danberg

Veronica and Robert Egelston

Gordon Family Foundation

Ms. Kay Harland

Joan Green Harris Trust

Bud and Barbara Hellman

Gerald L. Katell

Norma Kayser

Joyce and Kent Kresa

Raymond Lieberman

Mr. Kevin MacCarthy and Ms. Lauren Lexton

Alfred E. Mann Charities

Glenn Miya and Steven Llanusa

Jane and Marc B. Nathanson

Miguel A. Navarro

Y & S Nazarian

Family Foundation

Nancy and Sidney Petersen

Rice Family Foundation

Robert Robinson

Katharine and Thomas Stoever

Sue Tsao

Alyce and Warren Williamson

$100,000 TO $249,999

Mr. Robert J. Abernethy

William A. Allison

Rachel and Lee Ault

W. Lee Bailey, M.D.

Angela Bardowell

Deborah Borda

The Eli and Edythe

Broad Foundation

Jane Carruthers

Pei-yuan Chia and Katherine Shen

James and Paula Coburn Foundation

The Geraldine P. Coombs

Trust in memory of Gerie P. Coombs

Mr. and Mrs. Terry Cox

Silvia and Kevin Dretzka

Allan and Diane Eisenman

Christine and Daniel Ewell

Diane Futterman

Arnold Gilberg, M.D.,

Ph.D.

David and Paige Glickman

Nicholas T. Goldsborough

Gonda Family Foundation

Margaret Grauman

Kathryn Kert Green and Mark Green

Freya and Mark Ivener

Ruth Jacobson

Estate of Mary Calfas Janos

Stephen A. Kanter, M.D.

Jo Ann and Charles Kaplan

Yates Keir

Susanne and Paul Kester

Vicki King

Sylvia Kunin

Ann and Edward Leibon

Ellen and Mark Lipson

Ms. Gloria Lothrop

Vicki and Kerry McCluggage

Heidi and Steve McLean in memory of Katharine Lamb

David and Margaret Mgrublian

Diane and Leon Morton

Mary Pickford Foundation

Sally and Frank Raab

Mr. David Sanders

Malcolm Schneer and Cathy Liu

David and Linda Shaheen Foundation

William E.B. and Laura K. Siart

Tom and Janet Unterman

Magda and Frederick R. Waingrow

Wasserman Foundation

Robert Wood

Syham Yohanna and James W. Manns

$25,000 TO $99,999

Mr. and Mrs. Karl J. Abert

Marie Baier Foundation

Dr. Richard Bardowell, M.D.

Jacqueline Briskin

Dona Burrell

Ying Cai & Wann

S. Lee Foundation

Ann and Tony Cannon

Dee and Robert E. Cody

The Colburn Fund

Margaret Sheehy Collins

Mr. Allen Don Cornelsen

Ginny and John Cushman

Marilyn J. Dale

Mrs. Barbara A. Davis

Dr. and Mrs.

Roger DeBard

Jennifer and Royce Diener

Jane B. and Michael D. Eisner

The Englekirk Family

Claudia and Mark Foster

Lillian and Stephen Frank

Margaret E. Gascoigne

Dr. Suzanne Gemmell

Paul and Florence Glaser

Good Works Foundation

Anne Heineman

Ann and Jean Horton

Drs. Judith and Herbert Hyman

Albert E. and Nancy C. Jenkins

Robert Jesberg and Michael J. Carmody

William Johnson and Daniel Meeks

Ms. Ann L. Kligman

Sandra Krause and William Fitzgerald

Michael and Emily Laskin

B. and Lonis Liverman

Sarah and Ira R. Manson

Carole McCormac

Meitus Marital Trust

Sharyl and Rafael Mendez, M.D.

John Millard

National Endowment for the Arts

Alfred and Arlene Noreen

Occidental Petroleum Corporation

Dr. M. Lee Pearce

Lois Rosen

Anne and James Rothenberg

Donald Tracy Rumford

Family Trust

The SahanDaywi Foundation

Mrs. Nancie Schneider

William and Luiginia Sheridan

Virginia Skinner

Living Trust

Nancy and Richard Spelke

Mary H. Statham

Ms. Fran H. Tuchman

Rhio H. Weir

Mrs. Joseph F. Westheimer

Jean Willingham

Winnick Family Foundation

Cheryl and Peter Ziegler

Lynn and Roger Zino

CURRENT AND FORMER LA PHIL MUSICIANS

Anonymous

Kenneth Bonebrake

Nancy and Martin Chalifour

Brian Drake

Perry Dreiman

Barry Gold

Christopher Hanulik

John Hayhurst

Jory and Selina Herman

Ingrid Hutman

Andrew Lowy

Gloria Lum

Joanne Pearce Martin

Kazue Asawa McGregor

Oscar and Diane Meza

Mitchell Newman

Peter Rofé

Meredith Snow and Mark Zimoski

Barry Socher

Paul Stein

Leticia Oaks Strong

Lyndon and Beth Johnston Taylor

Dennis Trembly

Allison and Jim Wilt

Suli Xue

We extend our heartfelt appreciation to the many donors who have contributed to the LA Phil Endowment with contributions below $25,000, whose names are too numerous to list due to space considerations. If your name has been misspelled or omitted from this list in error, please contact the Philanthropy Department at contributions@laphil.org. Thank you.

National Yiddish Theatre Folksbiene’s Fiddler on the Roof in Yiddish

A Soraya Concert Production With English Supertitles

Mariachi Herencia de México With Special Guest Leonardo Aguilar Graham100

The Martha Graham Dance Company’s 100th Season Featuring Wild Up

Disney and Pixar’s

Toy Story 30th Anniversary Live-to-Film Concert

Fly Me to the Moon

A Tribute to Quincy Jones Featuring Pacific Jazz Orchestra With Special Guests

Ms. Lisa Fischer and José James Chris Walden, conductor

Lila Downs

Día de Muertos

Colburn Orchestra

Carlos Miguel Prieto, conductor Zi Yang Low, violin

Ray Chen, violin

Julio Elizalde, piano

Onstage Classical

Mariza Ballet BC BOLERO X

MOMIX

Alice

Explore the full 2025-26 Season

SingleTickets & Membership Discounts Available Now

ANNUAL DONORS

The LA Phil is pleased to recognize and thank our generous donors. The following list includes donors who have contributed $2,000 or more to the LA Phil, including special event fundraisers (LA Phil Gala and Opening Night at the Hollywood Bowl) between April 16, 2024, and April 15, 2025.

$1,000,000 AND ABOVE

Anonymous (3)

$500,000 TO $999,999

Ballmer GroupMax H. Gluck Foundation

$200,000 TO $499,999

Anonymous (2)

Judith and Thomas L. Beckmen

Canon Insurance Service

Colburn Foundation

Jane B. and Michael D. Eisner

Lisa Field

Robyn Field and Anthony O’Carroll

Ms. Erika J. Glazer

$100,000 TO $199,999

Anonymous (4)

Nancy and Leslie Abell

Mr. Gregory

A. Adams

The Blue Ribbon

R. Martin Chavez

Becca and Jonathan Congdon

Michael J. Connell Foundation

Dunard Fund USA

Louise and Brad Edgerton/Edgerton Foundation

The Eisner Foundation

Estate of Joseph Garcia

$50,000 TO $99,999

Anonymous (2)

Ms. Kate Angelo and Mr. Francois Mobasser

Antonieta Arango, In memory of Javier Arango

Mr. Joe Berchtold

David Bohnett

Foundation

Linda and Maynard Brittan

Kawanna and Jay Brown

Dan Clivner

Nancy and Donald de Brier

De Marchena-Huyke Foundation

The Rafael and Luisa De MarchenaHuyke Foundation

The Walt Disney Company

Mr. James Gleason

Faye Greenberg and David Lawrence

Yvonne Hessler

Alexa Hong and Derek Reeves

David Z. & Young

O. Hong Family Foundation

Cindy and Alan Horn

Jennifer Miller GoffTerri and Jerry M. Kohl

Music Center Foundation

Alexandra S. Glickman and Gayle Whittemore

The Hearthland Foundation

Tylie Jones

Pasadena Showcase House for the Arts

M. David and Diane Paul Barbara and Jay Rasulo

The Rauch Family Foundation

James D. Rigler/ Lloyd E. Rigler - Lawrence E. Deutsch Foundation

Tamara Golihew

GRoW @ Annenberg

The Hillenburg Family

The José Iturbi Foundation

Kaiser Permanente

Winnie Kho and Chris Testa

Los Angeles County Department of Arts and Culture County of Los Angeles

Ms. Irene Mecchi

John Mohme Foundation

Maureen and Stanley Moore

The Music Man Foundation

Peninsula Committee

Sandy and Barry D. Pressman

Koni and Geoff Rich

Rosenthal Family Foundation

Rolex Watch USA, Inc.

Linda and David Shaheen

Jay and Deanie Stein Foundation Trust

Margo and Irwin Winkler

Barbara and Amos Hostetter

Frank Hu and Vikki Sung

Robin and Gary Jacobs

Monique and Jonathan Kagan

Mr. and Mrs.

Joshua R. Kaplan

Linda and

Donald Kaplan

W.M. Keck

Foundation

Paul Kester

Darioush and Shahpar Khaledi

Dr. Ralph A. Korpman

Mr. and Mrs. Keith Landenberger

The Norman and Sadie Lee Foundation

Live Nation-Hewitt

Silva Concerts, LLC

Roger Lustberg and Cheryl Petersen

Linda May and Jack Suzar

Barbara and Buzz McCoy

Heidi and Steve McLean

Mr. and Mrs. David Meline

Michael and Lori Milken Family Foundation

Ms. Linda L. Pierce

Richard and Diane Schirtzer

Smidt Family Foundation Trust

Audre Slater Foundation

Sony Pictures

Entertainment, Inc.

Marilyn and Eugene Stein

James and Laura Rosenwald/ Orinoco Foundation

Maria Seferian

Jenny Williams

Alyce de Roulet

Williamson

Ellen and Arnold Zetcher

Ronald and Valerie Sugar

Cecilia Terasaki

David William

Upham Foundation

Mr. Alex Weingarten

John and Marilyn

Wells Family Foundation

Estate of Ronald Wilkniss

Debra Wong

Yang and John W. Spiegel

$25,000 TO $49,999

Anonymous (11)

The Herb Alpert Foundation

Dr. William Benbassat

Susan and Adam Berger

Samuel and Erin Biggs

Mr. and Mrs.

Norris J. Bishton, Jr.

Jill Black Zalben

Robert and Joan Blackman Family Foundation

Mr. and Mrs.

Steven Bristing

Michele Brustin

Gail Buchalter and Warren Breslow

Thy Bui

Steven and Lori Bush

Ying Cai & Wann S. Lee Foundation

Andrea ChaoKharma and Kenneth Kharma

Chevron Products Company

Mr. Richard W. Colburn

Mr. and Mrs.

Robert Cook

Donelle Dadigan

Orna and David Delrahim

Mr. Lawrence Doyle and Dr. LuAnn

Wilkerson

Mike Dreyer

Joseph Drown Foundation

East West Bank

Kathleen and Jerry L. Eberhardt

Edison International

Dr. Paul and Patti Eisenberg

Marianna J. Fisher and David Fisher

Austin and Lauren Fite Foundation

Alfred Fraijo Jr. and Arturo Becerra

Debra Frank

Drs. Jessie and Steven Galson

The Rosalinde and Arthur Gilbert Foundation

Francis Goelet

Charitable

Lead Trusts

Mr. Gregg Goldman and Mr. Anthony DeFrancesco

Kate Good

Lori Greene Gordon and Neil Gordon

The Gorfaine/ Schwartz Agency

$15,000 TO $24,999

Anonymous (3)

Mr. Robert J.

Abernethy

Mrs. Lisette Ackerberg

Drew and Susan Adams

Honorable and Mrs. Richard Adler

The Aversano Family Trust

Mrs. Stella Balesh

Ms. Elizabeth Barbatelli

Karen Barragan

Camilo Esteban

Becdach

Miles and Joni Benickes

Mr. and Mrs.

Geoff C. Bland

Mr. Ronald H. Bloom

Tracey BoldemannTatkin and Stan Tatkin

The Otis Booth Foundation

Mr. and Mrs.

Hal Borthwick

Mr. and Mrs.

Wade Bourne

Liz and Peter Goulds

The Green Foundation

Marnie and Dan Gruen

Renée and Paul Haas

Harman Family Foundation

Lynette Maria

Carlucci Hayde

Madeleine Heil and Sean Petersen

Walter and Donna Helm

Stephen D. Henry and Rudy M. Oclaray

Mr. Philip Hettema

Marion and Tod Hindin

Fritz Hoelscher

Mr. Tyler Holcomb

Thomas Dubois

Hormel Foundation

David and Michelle Horowitz

Mr. and Mrs. Daniel

Paul Horwitz

Ms. Teena Hostovich and Mr. Doug Martinet

Mr. and Mrs.

James L. Hunter

Rif and Bridget Hutton

Estate of Mary Calfas Janos

Julia Kalmus

Terri and Michael Kaplan

Elizabeth Kolawa

Delores M. Komar and Susan M. Wolford

David Lee

Mr. and Mrs.

Simon K.C. Li

Charlene and Vinny Lingham

Ms. Judith W. Locke

Los Angeles

Philharmonic Affiliates

The Seth MacFarlane Foundation

Alfred E. Mann Charities

Mrs. Beverly C. Marksbury

Ms. Kim McCarthy and Mr. Ben Cheng

Coco Miller

Ms. Christine Muller and Mr. John Swanson

Molly Munger and Stephen English

Deena and Edward Nahmias

Anthony and Olivia Neece

Mr. and Mrs.

Randy Newman

Mr. Robert W. Olsen

Tye Ouzounian

Mr. Ralph Page and Patty Lesh

Ellen Pansky

Bruce and Aulana Peters

Dennis C. Poulsen and Cindy Costello

Madeline and Bruce Ramer

Mr. Bennett

Rosenthal Ross Endowment Fund

Bill and Amy Roth

Wendy and Ken Ruby

Katy and Michael S. Saei

Mr. Lee C. Samson

San Marino-Pasadena Philharmonic Committee

Ellen and Richard Sandler

Miguel Santana

Elizabeth and Justus Schlichting

Howard and Stephanie Sherwood

John Sinnema and Laura Sinnema

Melanie and Harold Snedcof

Randy and Susan Snyder

Jeremy and Luanne Stark

Lisa and

Wayne Stelmar

Eva and Marc Stern

Dwight Stuart

Youth Fund

Dr. James Thompson and Dr.

Diane Birnbaumer

Michael Frazier

Thompson

Michael Tyler

Jennifer and Dr. Ken Waltzer

Walter and Shirley Wang

Debra and John Warfel

Warner Bros. Discovery

Stasia and Michael Washington

Megan Watanabe and Hideya Terashima

Mindy and David Weiner

Lynn and Roger Zino

Zolla Family Foundation

Business and Professional Committee

Campagna Family Trust

Dominic Chan

Marlene Schall

Chavez, Ph.D

Chivaroli and Associates, Tiffany and Christian Chivaroli

Sarah and Roger Chrisman

Larison Clark

Mr. and Mrs. V.

Shannon Clyne

Faith and Jonathan Cookler

Cary Davidson and Andrew Ogilvie

Victoria Seaver Dean, Patrick Seaver, Carlton Seaver

Jennifer Diener and Eric Small

Malsi and Johnny Doyle

James and Andrea Drollinger

Van and Francine Durrer

Dr. and Mrs.

William M. Duxler

Michael Edelstein and Dr. Robin Hilder

Ms. Robin Eisenman and Mr. Maurice

LaMarche

Geoff Emery

Max Factor Family Foundation

Bonnie and Ronald Fein

Evelyn and Norman Feintech Family Foundation

E. Mark Fishman and Carrie N. Feldman

Foothill Philharmonic Committee

Tony and Elisabeth Freinberg

Joan Friedman, Ph.D. and Robert N. Braun, M.D.

Mr. and Mrs.

Josh Friedman

Gary and Cindy Frischling

Jane Fujishige

Beth Gertmenian

Mr. and Mrs.

Ronald Gertz

Carrie and Rob Glicksteen

Greg and Etty Goetzman

Goldman Sachs Co.

LLC

Mr. and Mrs.

Louis L. Gonda

Goodman Family Foundation

Robert and Lori Goodman

Rob and Jan Graner

Mr. Bill Grubman

Vicken and Susan J. Haleblian

Laurie and Chris Harbert and Family

Lyndsay Harding

Mr. Sam Harris

Erin W. Hearst

Diane Henderson M.D.

Jackson N. Henry

Stephen F. Hinchliffe

Elizabeth HofertDailey Trust

K. Hohman Family International Committee of the LA Philharmonic Association

Mr. Gregory Jackson and Mrs. Lenora

Jackson

Meredith Jackson and Jan Voboril

Meg and Bahram Jalali

Sharon and Alan Jones

Robin and Craig Justice

Mr. Eugene Kapaloski

Tobe and Greg Karns

Mr. and Mrs.

Robert A. Kasirer

Rizwan and Hollee Kassim

Sandi and Kevin Kayse

Diann Kim

Vicki King

Larry and Lisa Kohorn

Naomi and Fred Kurata

Arthur E. Levine and Lauren B. Leichtman

Allyn and Jeffrey L. Levine

Dr. Stuart Levine and Dr. Donna Richey

Ms. Agnes Lew

Marie and

Edward Lewis

Karen and Clark Linstone

Anita Lorber

Los Angeles

Philharmonic Committee

Bethany Lukitsch and Bart Nelson

The Mailman Foundation

Raulee Marcus

Incredible Events:

SEPTEMBER 18

Let’s Groove: Salsa Dancing

SEPTEMBER 20

Oktoberfest

SEPTEMBER 26

Friday Movie Night: Selena

NEFT Vodka Lounge in Orange Court

Every Friday & Saturday Night

Incredible Dining:

La Popular | Opening September 2025

The Win~dow Bopomofo Café

Oakberry Acai

Café de Leche Co ee Roasters

Incredible Experiences:

Dave & Buster’s

Lucky Strike

The Kookaburra Lounge

TCL Chinese 6-Plex Theatres

Mr. and Mrs.

Andrew W. Marlowe

Matt Construction Corporation

Jonathan and Delia Matz

Dwayne and Eileen McKenzie

David and Margaret Mgrublian

Marcy Miller

Cynthia Miscikowski

Mrs. Judith S. Mishkin

Marc and Jessica Mitchell

Mr. John Monahan

Ms. Susan Morad at Worldwide Integrated Resources, Inc.

Mr. Brian R. Morrow

John Nagler

Ms. Kari Nakama

Mr. and Mrs.

Dan Napier

Mr. Jose Luis Nazar

NBC Universal

Shelby Notkin and Teresita Tinajero

Christine M. Ofiesh

Laura Owens

Melissa Papp-Green and Jeff Green

Gregory Pickert and Beth Price

Nancy and Glenn Pittson

Cathleen and Scott Richland

Ms. Anne Rimer

$10,000 TO $14,999

Anonymous (4)

B. Allen and Dorothy Lay

Debra and Benjamin Ansell

Tichina Arnold

Ms. Lisette Arsuaga and Mr. Gilbert Davila

Judy and Leigh Bardugo

Mr. Joseph A. Bartush

Catherine and Joseph Battaglia

Susan Baumgarten

Sondra Behrens

Phyllis and Sandy Beim

Mr. and Mrs.

Philip Bellomy

Mr. and Mrs.

Bill Benenson

Mark and Pat Benjamin

Ms. Gail K. Bernstein

Helen and

Peter S. Bing

Ken Blakeley and Quentin O’Brien

The Hon. Bob

Bowers and Mrs. Reveta Bowers

Oleg and Tatiana Butenko

Garrett Camp

Ms. Nancy Carson and Mr. Chris Tobin

Ms. Jessica Chen

Chien Family

Dr. and Mrs.

Lawrence J. Cohen

Jay and Nadege Conger

$5,500 TO $9,999

Anonymous (7)

Mechelle and Joe Adams

John Peter Robinson and Denise Hudson

Mimi Rotter

Linda and Tony Rubin

Thomas Safran

The SahanDaywi

Foundation

Ron and

Melissa Sanders

Santa MonicaWestside

Philharmonic Committee

Alexander and Mariette Sawchuk

Dena and Irv

Schechter/The Hyman Levine

Family Foundation: L’DOR V’DOR

Hillary and Weston Cookler

Alison Moore Cotter

Katie Danois

Dr. and Mrs.

Nazareth E. Darakjian

Lynette and Michael C. Davis

Rosette Delug

Nancy and Patrick Dennis

The Randee and Ken Devlin Foundation

Sean Dugan and Joe Custer

Victoria Dummer and Brion Allen

Emil Ellis Farrar and Bill Ramackers

Mr. Tommy Finkelstein and Mr. Dan Chang

Ella Fitzgerald

Charitable Foundation

Daniel and Maryann Fong

Mr. Michael Fox

Ms. Kimberly Friedman

Roberta and Conrad Furlong

Dr. and Mrs.

Bruce Gainsley

Mr. Peter A. Gelles and Mrs. Eve Steele Gelles

Kiki Ramos Gindler and David Gindler

Paige and David Glickman

Harriett and Richard E. Gold

Manuela Cerri Goren

Bobken and Hasmik Amirian

Art and Pat Antin

Evy and Fred Scholder Family

Howard and Linda Schwimmer

Samantha and Marc Sedaka

Mr. Murat Sehidoglu

Joan and Arnold Seidel

Neil Selman and Cynthia Chapman

Marc Seltzer and Christina Snyder

Mr. James J. Sepe

Julie and

Bradley Shames

Mr. Steven Shapiro

Nina Shaw and Wallace Little

Jill and Neil Sheffield

Mr. and Mrs.

Daniel M. Gottlieb

Mr. and Mrs. Ken Gouw

Tricia and Richard Grey

Beverly and Felix Grossman

Roberta L. Haft and Howard L. Rosoff

Mr. William Hair

Ms. Marian L. Hall

Beth Fishbein Hansen

Mr. and Mrs. Irwin

Helford and Family

Betsydiane and Larry Hendrickson

Carol Henry

Liz Levitt Hirsch

Jessica and Elliot Hirsch

Elizabeth Hirsh

Mr. Raymond W.

Holdsworth

Joyce and Fredric Horowitz

Terry Huang

Mr. Frank J. Intiso

James Jackoway

Kristi Jackson and William Newby

Elizabeth Bixby

Janeway Foundation

Doug and Minda Johnstone

Mr. and Mrs. Steaven

K. Jones, Jr.

Dr. William B. Jones

Marilee and Fred Karlsen

Marty and Cari Kavinoky

Javi Arango

Dr. Mehrdad Ariani

Sandra Aronberg, M.D.

Lauren Shuler Donner

Grady and Shelley Smith

Mr. and Mrs. Richard Sondheimer

Angelina and Mark Speare

Terry and Karey Spidell

Stein Family FundJudie Stein

Zenia Stept and Lee Hutcherson

Tom Strickler

Akio Tagawa

Sue Tsao

Elinor and Rubin Turner

Charles Edward Uhlmann

Mr. and Mrs.

Stephen Keller

Jay T. Kinn and Jules B. Vogel

Mr. and Mrs.

Kenneth N. Klee

Mr. and Mrs.

Scott Krivis

Nickie and Marc Kubasak

Hon. Ruth A. Kwan

Craig Kwiatkowski and Oren Rosenthal

Ellie and Mark Lainer

Mr. and Mrs.

Norman A. Levin

Randi Levine

Maria and Matthew Lichtenberg

Lynn Loeb

Kyle Lott

Mona and Frank Mapel

Milli M. Martinez and Don Wilson

Vilma S. Martinez, Esq.

Leslie and Ray Mathiasen

Cathy McMullen

Mr. Robert Merz

Lisa and Willem Mesdag

Ms. Marlane Meyer

Marc and Jessica Mitchell

Wendy Stark Morrissey

Carrie Nery

Dick and Chris Newman

/ C & R Newman

Family Foundation

Kenneth T. & Eileen L.

Norris Foundation

Ms. Judith A. Avery

Mr. Mustapha Baha

Mr. and Mrs.

Leonard Unger

Tom and Janet Unterman

Arnold Urquidez and Martha Shen-Urquidez

Nancy Valentine

Noralisa Villarreal and John Matthew Trott

Frank Wagner and Lynn O’Hearn Wagner

Mr. and Mrs.

Steven White

Libby Wilson, M.D.

Alana L. Wray

Karl and Dian Zeile

Kevork and Elizabeth Zoryan

Mr. John Nuckols

Irene and Edward Ojdana

Steve and Gail Orens

Ana Paludi and Michael Lebovitz

Loren Pannier

Mr. and Mrs.

Carl Pearlston

Ms. Debra Pelton and Mr.

Jon Johannessen

Julie and Marc Platt

Mark Proksch and Amelie Gillette

Lee Ramer

Susan Erburu

Reardon and George D. Reardon

Eduardo Repetto and Carla Figueroa

Risk Placement Services

Ernesto Rocco

Murphy and Ed Romano and Family

Mr. Steven F. Roth

Ms. Rita Rothman

Mr. and Mrs.

Stanford Rubin

Mr. David Rudy

Jesse Russo and Alicia Hirsch

Mr. and Mrs.

Paul Rutter

Dr. and Mrs.

Bernard Salick

Dr. and Mrs.

Heinrich Schelbert

Dr. Richard Bardowell, M.D.

Mrs. Linda E. Barnes

Dr. Donald Seligman and Dr. Jon Zimmermann

Jane Semel

Ruth and Mitchell Shapiro

Gloria Sherwood

The Sikand Foundation

Smart & Final

Charitable Foundation

Jennifer Speers

Joseph and Suzanne Sposato

Mr. and Mrs. Mark Stern

James C. Stewart

Charitable Foundation

Tammy E. Strome

Rose and Mark Sturza

Marcie Polier Swartz and David Swartz

Fran Sweeney

Priscilla and Curtis S. Tamkin

Christine Upton

Kathy Valentino

Bob and Dorothy Webb

Sheila and Wally Weisman

Abby and Ray Weiss

Bryan D. Weissman and Jennifer Resnik

Doris Weitz and Alexander Williams

Renae Williams Niles

Susan Winfield and Stephen Grynberg

Karen and Rick Wolfen

Bobbi and Walter Zifkin

Reed Baumgarten

Ms. Nettie Becker

Logan Beitler

CITY OF LOS ANGELES

Karen Bass Mayor

Hydee Feldstein Soto

City Attorney

Kenneth Mejia Controller

CITY COUNCIL

Bob Blumenfield

Marqueece Harris-Dawson President

Eunisses Hernandez

Heather Hutt

Ysabel J. Jurado

John S. Lee

Tim McOsker

Adrin Nazarian

Imelda Padilla

Traci Park

Curren D. Price, Jr.

Nithya Raman

Monica Rodriguez

Hugo Soto-Martínez

Katy Young Yaroslavsky

DEPARTMENT OF CULTURAL AFFAIRS

Daniel Tarica

General Manager

CULTURAL AFFAIRS COMMISSION

Robert Vinson President

Natasha Case Vice President

Thien Ho

Ray Jimenez

Asantewa Olatunji

Christina Tung

Tria Blu Wakpa

WALT DISNEY CONCERT HALL HOUSE STAFF

Marcus Conroy

Master Electrician, Steward

Charles Miledi

Master Props

Sergio Quintanar

Master Carpenter

Kevin F. Wapner

Master Audio/Video

Los Angeles Jewish Health...

Maria and Bill Bell

Carlo Bernardino

Mr. Alan N. Berro

Richard Birnholz

Mitchell Bloom

Thomas J. Blumenthal

Joan N. Borinstein

Greg Borrud

Mr. Ray Boucher

Dr. and Mrs.

Hans Bozler

Faith Branvold

Ms. Marie Brazil

Anita Brenner

Lynne Brickner and Gerald Gallard

Drs. Maryam and Iman Brivanlou

Jennifer Broder and Soham Patel

Ronald Brot

Mrs. Linda L. Brown

Lupe Burson

Mary Lou Byrne and Gary W. Kearney

Lisa Calderon

California Community Foundation

Mara and Joseph Carieri

CBS Entertainment

Dr. Kirk Y. Chang

Arthur and Katheryn Chinski

Dr. Stephanie Cho and Jacob Green

Mr. and Mrs.

Ronald Clements

Committee of Professional Women

Mr. and Mrs.

Richard W. Cook

Mr. and Mrs.

Bruce Corwin

Lloyd Eric Cotsen

Jessica and James Dabney

Mr. James Davidson and Mr. Michael Nunez

Julie and Stan Dorobek

Steven Duffy

$3,500 TO $5,499

Anonymous (5)

Mr. Robert A. Ahdoot

Ty Ahmad-Taylor

Ms. Rose Ahrens

Cary Albertsone

Adrienne S. Alpert

Mr. James P. Alstad

Edna R.S. Alvarez

Mr. Peter Anderson

and Ms. Valerie Goo

Mr. Robert C. Anderson

Mr. and Mrs.

Brack W. Duker

Anna Sanders Eigler

Alex Elias

John B. Emerson and Kimberly Marteau

Emerson

Janice Feldman, JANUS et cie

Mr. Gregg Field and Ms. Monica Mancini

Laura Fox, M.D., and John Hofbauer, M.D.

The Franke Family

Trust

Dr. and Mrs. Robert Freilich

Linda and James Freund

Ruchika Garga

Gibson, Dunn & Crutcher

Jon M. Gibson

Leslie and Cliff Gilbert-Lurie

Stephen and Renee Gingold

Tina Gittelson

Mr. and Mrs. Herbert Glaser Glendale

Philharmonic Committee

Dr. and Mrs.

Steven Goldberg

Jory Goldman

Carol Goldsmith

Mr. and Mrs.

Russell Goldsmith

Juan Carlos Gonzalez

Edith Gould

Lee Graff Foundation

Diane and Peter H. Gray

Mr. and Mrs.

Paul E. Griffin III

Rita and William Griffin

Mr. Frank Gruber and Ms. Janet Levin

Mr. and Mrs.

Paul Guerin

Dr. Philip Anthony

Victor and Iris Antola

Betsy and Harold E. Applebaum

Carlo and Amy Baghoomian

Tawney Bains and Zachary Roberts

Terence Balagia

Pamela and Jeffrey Balton

Howard Banchik

Rod Hagenbuch

Judith and Robert D. Hall

Dwight Hare and Stephanie Bergsma

Drs. Susan Hammar

and Rick Harrison

Myrna and Uri Herscher Family

Foundation

William Hewes

Tina and Ivan Hindshaw

Arlene Hirschkowitz

David and Martha Ho

Janice and Laurence Hoffmann

Eugene and Katinka Holt

Douglas Honig

Jill Hopper

Dr. and Mrs.

Mel Hoshiko

Deedie and Tom Hudnut

Michael Insalago

Mrs. Leonard Jaffe

Randi and Richard B. Jones

Mr. William Jordan

Meredith Jury

Hun and Jee Kang

Judith and Russell Kantor

Leigha Kemmett and Jacob Goldstein

Sharon Kerson

Daisietta Kim

Mr. Mark Kim and Ms.

Jeehyun Lee

Remembering Lynn

Wheeler Kinikin

Phyllis H. Klein, M.D.

Michael and Patricia Klowden

Alan S. Koenigsberg and John A. Dotto

Lee Kolodny

Lori Kunkel

Dr. and Mrs. Kihong Kwon

Carole and Norm La Caze

Lena and Mark Labowe

Mr. Richard

W. Labowe

Katherine Lance

Mr. and Mrs.

Jack D. Lantz

Joan and Chris Larkin

Mrs. Grace E. Latt

Ms. Jeanne Lawson

Mr. George Lee

Mr. Randall Lee and Ms. Stella M. Jeong

Mr. Stephen Leidner

Lennox Foundation

Lydia and Charles Levy

David and Meghan Licata

David and Rebecca Lindberg

Mr. Greg Lipstone

Ms. Diana Longarzo

Mr. Joseph Lund and Mr. James Kelley

Theresa Macellaro / The Macellaro

Law Firm

Kevin MacLellan and Brian Curran

Stephen Martinez

Pam and Ron Mass

Mr. and Mrs. Thomas E. McCarthy

Mr. and Mrs. William F. McDonald

Courtney McKeown

Lawry Meister

Carlos Melich

Mr. and Mrs.

Dana Messina

Mr. Weston F. Milliken

Linda and Kenneth Millman

Mrs. Lillian Mueller

Sheila Muller

Loretta Munoz

Craig and Lisa Murray

Ms. Yvonne

Nam and Mr. David Sands

Rachel Nass

Mrs. Cynthia Nelson

John W. Newbold

Ms. Kimberly Nicholas

Ms. Mary D. Nichols

Mr. Michael B. Nissman

Amelia and Joe Norris

Kim and P.F. James Overton

Alicyn Packard and Jason Friedman

Cynthia Patton

Alyssa Phaneuf

Peggy Phillips

Lyle and Lisi Poncher

Robert J. Posek, M.D.

James S. Pratty, M.D.

William “Mito” Rafert

Hon. Ernest M. Robles

Maria Rodriguez and Victoria Bullock

Mr. and Mrs.

William C. Roen

Peter and Marla Rosen

Bill Rowland

Andrew E. Rubin, and Roberta and Stanley Bogen

Dr. Michael Rudolph

Thomas C. Sadler and Dr. Eila C. Skinner

Dr. Marlene M. Schultz and Philip M. Walent

Sue and Don Schuster

Dr. and Mrs.

Ronald Schwartz

Michael Sedrak

Dr. and Mrs. Hervey Segall

Laurie Selik

Mr. Chris Sheridan

Pamela and Russ Shimizu

Mr. Adam Sidy

Scott Silver

Loraine Sinskey

Mr. and Mrs.

Peter R. Skinner

Cynthia and John Smet

Mr. Douglas

H. Smith

Pamela J. Smith

Mr. and Mrs.

Michael G. Smooke

Adam Snyder

Shondell and Ed Spiegel

Lael Stabler and Jerone English

Sugimoto Family

Jennifer Taguchi

Mr. and Mrs.

Randall Tamura

Andrew Tapper and Mary Ann Weyman

Mr. Stephen S. Taylor

Mrs. Elayne Techentin

Ms. Evangeline

M. Thomson

Warren B. and Nancy L. Tucker

Jack VanAken and Kathy Marsailes

Kathleen and Louis Victorino

Terry and Ann Marie Volk

Mr. Nate Walker

Lisa and Tim Wallender

Mr. Darryl Wash

Robert Weingarten

Kenneth J. Weiss and Cathy Siegel-Weiss

Jeffrey Westheimer

Ms. Jill Wickert

Mr. Robert E. Willett

David and

Michele Wilson

Mr. Steve Winfield

Bill Wishner

Ms. Eileen Wong

Mr. and Mrs.

Richard Wynne

Kevin Yoder and Jeffrey Hall

Mr. Nabih Youssef

Clare Baren and David Dwiggins

Ken and Lisa Baronsky

Mr. Richard Bayer

George and Karen Bayz

Newton and Rochelle

Becker Charitable

Trust

Ellis N. Beesley, Jr. M.D.

Garrett Bell and Catherine Simms

Ms. Karen S. Bell and Mr. Robert Cox

Benjamin Family

Foundation

Dr. and Mrs.

Gerald Berke

Mr. and Mrs. Gregg and Dara Bernstein

Mr. and Mrs. Dan Biles

Dr. Andrew C. Blaine and Dr. Leigh Lindsey

Michael Blake

Mr. Larry Blivas and Ms. Julie Blivas

Ms. Judith Blumenthal

Leni I. Boorstin

Ms. Leslie Botnick

Michael Boucher and Ashley Coats

Jemelia Bowie

Anita and Joel Boxer

Mr. Donald M. Briggs and Mrs. Deborah J. Briggs

Kevin Brockman and Dan Berendsen

Ryan and Michelle Brown

Dwight Buchanan

Diana Buckhantz

Ken Bunt

Cardinal Industrial

Michael Chait

Mr. Jon C. Chambers

Nolan and Marlene Charbonnet

Adam Chase

Dr. Hai S. Chen

Mr. Louis Chertkow

Carla Christofferson

Ms. Barbara Cohn

Susan and David Cole

In Honor of Judge John L. Cole and Mrs. Peggy S. Cole

Ms. Ina Coleman

Mr. Michael Corben and Ms. Linda Covette

Dr. Carey Cullinane

Ms. Laurie Dahlerbruch

Mr. and Mrs. Leo David

Mrs. Judi Davidson

Mr. Howard M. Davine

Andrew Z. Davis

Gloria De Olarte

Ms. Mary Denove

Wanda Denson-Low and Ronald Low

Tim and Neda Disney

Mr. Anthony Dominici and Ms. Georgia Archer

Mr. Gregory C. Drapac

Ray Duncan and Lauren Crosby

Miguel Duran

Dr. David Eisenberg

Susan Entin

Bob Estrin

Lyn and Bruce Ferber

Dr. Walter Fierson and Dr. Carolyn Fierson

Michael Firestein and Deborah Krakow

A.B. Fischer

Steven Fishman

Mr. and Mrs. Michael M. Flynn

Mrs. Diane Forester

Bruce Fortune and Elodie Keene

Lynn Franklin

Mr. and Mrs. Michael Freeland

Ms. Alisa J. Freundlich

Ian and Meredith Fried

Steven Friednam

Mrs. Diane Futterman

Mr. and Mrs. Alan M. Gasmer

Dr. Tim A. Gault, Sr.

Susan and David Gersh

Susan and Jaime Gesundheit

Mr. and Mrs. Harlan Gibbs

Jason Gilbert

Mr. and Mrs. David A. Gill

Tina Warsaw Gittelson

William and Phyllis Glantz

Madelyn and Bruce S. Glickfeld

Sheila Golden

Dr. Patricia Goldring

The Honorable and Mrs. Allan J. Goodman

Elliot Gordon and Carol Schwartz

Mr. James Granger

Dr. Stuart and Adrienne Green

Mr. and Mrs. Carl C. Gregory

Barrie Grobstein

Mr. Gary M. Gugelchuk

Dr. and Mrs. Charles Gustafson

Eric Gutshall and Felicia Davis

Fred Hameetman

Mr. Robert T. Harkins

Mr. and Mrs. Brian L. Harvey

Ann Noble, Mildred Marie Langford, Frederick Stuart, Christian Henley and Trisha Miller in Skin of Our Teeth by Craig Schwartz.

Mr. and Mrs.

Lewis K. Hashimoto

Kaitlin and Jonathan Hawk

Byron and DeAnne Hayes

Mr. Donald V. Hayes

Peter and Nicolette Hebert

Mr. Rex Heinke and Judge Margaret

Nagle

Gail and Murray E. Heltzer

Ms. Gail Herring

Jim Herzfeld

Mr. Bruce Heymont

The Hill Family

Dr. and Mrs.

Hank Hilty

Matthew Hinks

Glenn Hogan

In Hong

Douglas and Carolyn Honig

Jonathan Howard

Dr. Timothy Howard and Jerry Beale

Hung Foundation

Mrs. Carole Innes

Harry and Judy Isaacs

Jackie and Warren Jackson

Mr. Channing

Johnson

Gordon M. Johnson and Barbara A. Schnell

Mr. Sean Johnson

Mireya Asturias

Jones and Lawrence Jones

Mr. Ken Kahan

Lawrence Kalantari

Karen and Don Karl

Mr. and Mrs.

David S. Karton

Aleksey Katmissky

Jonathan Kaunitz

Dr. and Mrs.

David Kawanishi

Kayne, Anderson & Rudnick

Mary and Stephen Kayne

John Keith

Mr. and Mrs.

Michael C. Kelley

Richard Kelton

Jason King

Lauren King

Mr. and Mrs.

Jon Kirchner

Molly Kirk

Mr. and Mrs.

Lyn Konheim

Sandra Krause and William Fitzgerald

Sharon and Joel Krischer

Brett Kroha and Ryan Bean

Mr. and Mrs.

Howard A. Kroll

Tom Lallas and Sandy Milo

Thomas and

Gloria Lang

James Laur and

Peter Kongkasem

Craig Lawson and Terry Peters

Rick Lax

Mr. Les Lazar

Ms. Leerae Leaver

Mr. Robert Leevan

Dr. Bob Leibowitz

Mr. and Mrs.

Russ Lesser

Mr. Donald S. Levin

Mr. and Mrs.

Edward B. Levine

Dr. and Mrs.

Mark Lipian

Ms. Elisabeth Lipsman

Mr. and Mrs.

Lewis Lipstone

Ms. Bonnie Lockrem and Mr.

Steven Ravaglioli

Robert and Susan Long

Jasmine Lord

Susan Disney Lord and Scott Lord

Mr. and Mrs.

Boutie Lucas

Crystal and Elwood Lui

Dr. Jamshid Maddahi

Mr. and Mrs.

Ronald Manzani

Mr. Allan Marks and Dr. Mara Cohen

Mr. and Mrs.

Stanley Maron

Samantha

Grant Marsh

Areva Martin

Paul Martin

Phillip and Stephanie Martineau

Mr. Gary J. Matus

Dr. and Mrs.

Gene Matzkin

Ms. Paula Meichtry

Michael and Jan Meisel

Robert L. Mendow

Marcia Bonner

Meudell and Mike Merrigan

Linda and David Michaelson

MA Mielke

Dr. Gary Milan

Mr. and Mrs.

Simon Mills

Janet Minami

Mr. and Mrs.

William Mingst

Mr. Lawrence A. Mirisch

Maria and Marzi Mistry

Robert and Claudia Modlin

Katherine Molloy

Linda and John Moore

Alexander Moradi

Lon Morse and Toni

Hollander-Morse

William Morton

Gretl and Arnold Mulder

Munger, Tolles & Olson

Mr. James A. Nadal and Amelia Nadal

Mr. and Mrs.

Jeff Nathan

Bruce Needleman

Robert and Sally Neely

Mr. Liron Nelik

Mumsey and Allan Nemiroff

Ms. Beatrice

H. Nemlaha

Mr. Jerold B. Neuman

Sabraj Nijjar

Ms. Jeri L. Nowlen

Deborah Nucatola

Mr. and Mrs. Oberfeld

Mr. and Mrs.

Arthur J. Ochoa

Ms. Margo Leonetti

O’Connell

Ms. Margaret

R. O’Donnell

Mr. John O’Keefe

Mr. Dale Okuno

Sarah and Steven Olsen

David Olson and

Ruth Stevens

Michael Olson

Mr. and Mrs. Richard Orkand

John C. Orr

Adriana Ortiz

Sharon Osbourne

Q-Mark

Manufacturing, Inc.

January Parkos-Arnall

Mr. and Mrs.

Robert D. Paster

Mrs. Ethel Phipps

Mr. Jeff Polak

and Mrs. Lauren

Reisman Polak

Ms. Virginia Pollack

Mrs. Ruth S. Popkin

Ms. Eleanor Pott

Joseph Powe

Mr. Albert Praw

Joyce and David Primes

John R. Privitelli

Ms. Marci Proietto

Ms. Miriam Rain

Bradley Ramberg

Marcia and Roger Rashman

Mr. and Mrs.

Wayne Ratkovich

Mr. and Mrs.

Harold Ray

Gay and Ronald Redcay

David and Mary Beth Redding

Diana Reid and Marc Chazaud

Susan F and Donald B Rice

Mrs. Barrie Richter and Mr.

Charles Richter

Mr. Ronald Ridgeway

Mr. and Mrs.

Kenneth Riley

Mr. and Mrs.

Norman L. Roberts

Natalie Roberts

Mr. Jed Robinson

Rock River

Mrs. Laura H. Rockwell

Ms. Kristina Rodgers

In memory of RJ and JK Roe

Mr. Lee N.

Rosenbaum and Mrs. Corinna Cotsen

Michelle and Mark Rosenblatt

Mr. Richard

Rosenthal and Ms. Katherine Spillar

Mr. Bradley Ross and Ms. Linda McDonough

Joshua Roth and Amy Klimek

Nancy and Michael Rouse

Mr. and Mrs.

Matthew Rowland

Jessica Saintfort

Valerie Salkin

Ms. Allison Sampson

Curtis Sanchez

Mr. and Mrs.

Michael Sanders

Mr. and Mrs.

Charles M. Sarff

Ms. Maryanne Sawoski

Claudia and John Schauerman

Mr. Alan Scolamieri

John L. Segal

Mr. and Mrs.

Peter Segal

Cyrus Semnani

Dr. and Mrs. Hooshang Semnani

Mr. Majid M. Seyedi-Rezvani

Mr. and Mrs. Jeffrey

Alan Seymour

Ms. Amy J. Shadur-Stein

Ms. Avantika Shahi

Shamban Family

Dr. Ava Shamban

Emmanuel Sharef

Hope and Richard N. Shaw

Dr. Alexis M. Sheehy

Walter H. Shepard and Arthur A. Scangas

Muriel and Neil Sherman

Dr. Stephen and Mrs.

Janet Sherman

Mr. and Mrs. Elliot Shoenman

Mr. and Mrs.

Michael S. Shore

Mr. Murray Siegel

June Simmons

Leah R. Sklar

Donna Slavik

Professor Judy and Dr. William Sloan

Mr. Steven Smith

Michael Soloman and Steven Good

Michael and Mildred Sondermann

Mr. Hamid Soroudi

SouthWest Heights Philharmonic Committee

James and Tammy Spertus

Ian and Pamela Spiszman

Ms. Angelika Stauffer

Mr. and Mrs.

Joseph Stein

Jeff and Peg Stephens

Hilde

Stephens-Levonian

Mr. Adrian B. Stern

Ms. Margaret Stevens and Mr. Robin Meadow

Deborah May and Ted Suzuki

Mr. and Mrs.

Larry W. Swanson

Mr. Marc A. Tamaroff

Judith Taylor

Mr. Nick Teeter

Lauren Tempest

Dr. and Mrs.

Nicholas Thanos

Suzanne Thomas

Mr. and Mrs. Harlan

H. Thompson

Tichenor & Thorp

Architects, Inc.

John Tootle

Bonnie K. Trapp

Ingrid Urich-Sass

Mr. and Mrs.

Peter J. Van Haften

Valerie Vanaman

Vargo Physical Therapy

Dorrit Vered and Jerome Vered

Jenny Vogel

Elliott and Felise Wachtel

Mr. and Mrs. Carl R. Waldman

Christopher V. Walker

Mr. Robert Waters and Ms.

Catherine Waters

Ms. Diane C. Weil and Mr.

Leslie R. Horowitz

Mr. and Mrs.

Doug M. Weitman

Robert and

Penny White

Ms. Iris Whiting

Mr. Kirk Wickstrom and Mrs. Shannon

Hearst Wickstrom

Mr. and Mrs.

Kenneth Williams

Mr. and Mrs.

Irwin Wong

Scott Lee and Karen Wong

Linda and John Woodall

Dan Woods

Paul and Betty Woolls

Robert Wyman

Mahvash and Farrok Yazdi

Ms. Stacie Yee

Susan Young

Yust Family Trust

Mrs. Lillian Zacky

Edward and Terrilyn Zaelke

Mr. William Zak

Zamora & Hoffmeier, A Professional Corporation

Rudolf H. Ziesenhenne

Mr. Sanford Zisman and Ms. Janis Frame

David Zuckerman and Ellie Kanner

Rachel and Michael Zugsmith

$2,000 TO $3,499

Anonymous (5)

Mr. Alan Abramson

Achievement Trust

Grant Ackerman

Lena and David Adishian

Dr. and Mrs. David Aizuss

Edgar Aleman

Rus Allen

Lynne Alschuler

Lawrence Andrews

Barbara Aran

Carol L. Archie

Linda and Robert Attiyeh

Danilo and Margaret Bach

Ms. Deborah G. Baine

Mr. Barry Baker

Mr. and Mrs. Ken and Renee Ballard

Mr. and Mrs. David J. Barton

Ms. Barbara Beezy

Mr. Stephen Bergens

Ms. Marjorie A. Berkel

Dr. and Mrs. Dean Berkus

Malcolm Bersohn and Shelley Shapiro

Ms. Marjorie Blatt

Ms. Louisa S. Bonnie

Debra Bonseigneur

Sarah and David Bottjer

Mr. and Mrs. Jonathan M. Brandler

Ms. Sheila Brittain

Philippe Browning

Mr. and Mrs. Edward Busch

Dan and Catherine Campbell

Jeffrey Campbell

Dexter Cannon and Lee Hendrix

Grace Ford Salvatori Foundation and Wanda Cannon

Tanille Carter

Buffy Andrade Castillo

Charities Aid Foundation of America

Mr. Raymond Y. Chinn

David Conney, M.D.

Kevin and Katie Cordano

Ginny and John Cushman

Susan Dashe

Ms. Cynthia Davis

Ms. Diana deNoyelles

Mr. Kevin Dill

Ms. Kathleen E. Dinshaw

Mr. and Mrs. John A. Donaldson

Ms. Linda Dozier

Mr. Andre Dudzak

Mr. Kevin Dunbar

Mr. and Mrs. Karl Durow

Monique and Larry Earl

Sheila and David Eaton

Encore

Mr. Michael A. Enomoto, FAIA

Douglas D. Erenberg

Charlotte Eubanks

Joyce and David Evans

Sara and Richard Evans

Joycelyn Fawaz

Joshua Feffer and Jessica Nadel

Fei

Mr. and Mrs. Donald Feinstein

Max Fenstermacher

Neal Fenzi

Mr. and Mrs. Irwin S. Field

Ronald Fishbach and Constance Fishbach

Mr. and Mrs. Robert T. Flesh

Burt and Nanette Forester

Deborah Fort

Mr. Gerald M. Friedman

Jay and Donna Gallagher

Mr. and Mrs. George Garvey

Ms. Jane Gavens

Mr. Jerome J. Glaser

The Jacqueline Glass Family

Rockland Glenn

Stephanie and Josh Goldstine

Mr. Matthew Golombek and Ms. Connie Morgan

Nestor Gonzalez and Richard Rivera

Anna Graves and Hugh Mac Dhubhain

Kathryn Green

Marcy Gross

Rhonda Gunner and Greg McMurry

Dr. and Mrs. Thomas Hall

Cynthia D. Hallett, MPH

Ms. Susan F. Hannan

Dave and Tracy Hansen

Nancy and Michael Harahan

Ronald Harris

Trish Harrison and John Runnette

Elliot Harvey Schatmeier

Mr. Vahe Hayrikian

Mr. and Mrs. Robert Heenan

Dr. and Mrs. Michael Hernandez

Mr. and Mrs. Ed Hirsch

Ms. Florence Hoffman

Arlene and Gene Honbo

Dr. and Mrs. David A. Horwitz

Ellen Horwitz

Ms. Christine Houser

Jerry Hussong

Illig Construction Company

Mr. and Mrs. Jeremy Ireland

Arturo C. Irizarry

Mr. Timothy M. Ison

Dr. and Mrs. Robert Itami

Mr. and Mrs. Richard Jacobs

Irwin and Meredith Jacobson

Ms. Marcia Jones and Mr. George Arias

Kristofer Jorstad

Mr. Raymond Joubran

Gary Kading

Ms. Martha Kadue

Catherine and Harry Kane

Robert Kane

Lewis and Sandra Kanengiser

Ms. Nina Kaplan

Mr. Stephen Keck

Mrs. Judith G. Kelly

Ms. Karin Kemenes

Nona Khodai

Michael and Deborah Klein

Jennifer and Cary Kleinman

Dr. Colin Koransky and Joan Binder Koransky

Carla and Archy Kotoyantz

KTN Enterprises, Inc.

Charles and Barbara Lawrence

Cynthia Lee, M.D.

Ms. Marie-Laure Leglise

Ronald and Elizabeth Lesser

Alan J. Levi and Sondra Currie-Levi

Dr. and Mrs. Phillip M. Levin

Mr. and Mrs. Ethan Lipsig

Mr. Steven Llanusa and Dr. Glenn Miya

Sept27

CO C NCERTS CONCERTS

Chopin PianoConcertoNo.2 Tchaikovsky RomeoandJuliet Bernstein WestSideStory

Nov1

Martinů ConcertoforTwoPianos Beethoven SymphonyNo.6 “Pastorale”

Jan31

Tchaikovsky ViolinConcerto Strauss DonQuixote

Feb28 PepeRomeroReturns! Gabriela LenaFrank Elegía Andina JoaquínRodrigo ConciertodeAranjuez Handel WaterMusicSuites1&2

June6

Mozart EinekleineNachtmusik Mahler SymphonyNo.5

Est. 1967 by Yvonne Mounsey & Rosemary Valaire

Cathy and Mark Loucheim

Mr. and Mrs. Mark Lucas

Gene Lucero and Marcia Williams

Ruth and Roger MacFarlane

Mrs. Masako Maki

David and Cherry Mana

Dorrie and Paul Markovits

Barbara Marshall

Mrs. Suzanne Marx

Kathleen McCarthy and Frank Kostlan

Mark and Nancy McDonald

Mr. David McGowan

Margaret Meehan and Joaquin Nunez

Professors Anne and Ronald Mellor

Dr. Reinhard Menzel

Wendy and Barry Meyer

Ms. Janet G. Michaels

Linda J. Moore

Mr. Antonio Morawski

The Mraz Family

Mr. Paul Mueller

James Muhammad

Karen Mullen

Dr. and Mrs. Michael Mulvihill

Bengt Muthen

Mr. Ron Myrick

Robert Nankin

Bonnie Nash and Don Wing

Y & S Nazarian Family Foundation

Lorraine Nelson

Mr. Carl Neu

Grace Nixon Foundation

Mr. and Mrs. Charles R. Norman

Doerthe Obert

Ronald and Pat Oguss

Andy S. Park

Carol Parry

Nicholas Pepper

Mr. Jaime Perez Sodi

Jessica Peterson

Mr. Christopher K. Poole

Ifigenia Protopappas

Patricia L. Raymond

Norman and Maureen Reeder

Mark Riggs

Yolanda M. Robinson

Mr. Gary Rogers and Ms. Jeri L. Lane

Kristin Rupert

Christine Russell-Douglas

Charles and Kim Ruys De Perez

James and Marla Ryan

Mrs. Ferrel Salen

Mr. Brian Sandquist and Mr. James R. Kisel

Mr. and Mrs. Martin Sarafa

Mr. and Mrs. Melvin Sattler

Ms. Linda Savitt

Ms. Maxine Savitz

Cliff And Linda Schaffer

Mr. Alf Schonbach

Mr. and Mrs. Conrad Schweitzer

Dr. and Mrs. Richard P. Seligman

Nune Sepetjian

Ara Shabanian

Ms. Julie Shaperman

Hon. Anita Rae Shapiro

Leonard Sharzer

Ms. Sally Sheinberg

Mr. Ross Shideler and Ms. Kathleen Komar

Andrew Silver

Mrs. Elise Sinay Spilker

Lynn F. Sipe

Brian Sixt

Christopher Smith

Gail and Jeffrey Smith

Barbara and Hugh Smith

Ms. Roberta Smith

Judith Spector

Mr. and Mrs. Richard Spelke

Ms. Elizabeth B. Spelman

David and Michelle Spiegel

Gabrielle Starr and John Harpole

Herbert Stein

Richard Stein

Ms. Diane R. Stewart

Mr. Max Stolz, Jr.

Ms. Randi Tahara

David Jan Takata

Mr. Glenn Tan

Dr. Agne Taraseviciute

Mr. Todd H. Temanson

Mr. and Mrs. Elwood Tescher

Ms. Marjorie Thomson

Sheila Tishler and Paul Ashkenaz

Ken Titley and John Schunhoff

Mr. and Mrs. Robert Tokashiki

Mr. Albert and Virginia A. Tovar

Mrs. Dana D. Traversi

Kyle and Jenna Triplett

Caroline Tsaw

Catherine and Jeffrey Turkell

Sarah Rosenwald Varet and Jesse Coleman

Mr. and Mrs. David Walker

Ryan Eng and Nara Walker

James R. and Robin J. Walther

Kathy S. Walton

Marilene Wang

John Ward

Mr. Martin Washton

J. Leslie Waxman

James Weaver and Pam Platz

Craig R. Webb and Melinda Taylor

Dr. Arthur Weinstein

Brian and Maxine Weinstock

Mr. Kenneth B. Wells

Mr. and Mrs. Richard Wetzel

Mr. William A. White

Mr. Steve Whitsitt

Tom and Lisa Williams

Lynn Williams Croft

Mr. and Mrs. Henry Winkler

Susan Wolf

Marcia S. Yaross

Albert and Marilouise Zager

Carl Zaptiff

Marshall S. Zolla

Mary Zoryan

Friends of the LA Phil at the $500 level and above are recognized on our website. Please visit laphil.com.

If your name has been misspelled or omitted from the list in error, please contact the Philanthropy Department at contributions@laphil.org. Thank you.

designed or ready made garments, restyling, alternations, cleaning, glazing and storage.

POOL CIRCLE

The LA Phil is pleased to recognize and thank the following Pool Circle supporters. We are deeply grateful for the generosity received for the 2025 Hollywood Bowl season.

Anonymous (7)

ABC Entertainment

Mr. Robert J. Abernethy

Mrs. Lisette Ackerberg

Mr. Gregory A.

Adams

Ms. Barbara Adams-Mitchell

Arnon and Camille Adar

Dr. and Mrs.

Frank Agrama

Nancy Furse Alder

Edgar Aleman

Missy and Dennis Alfieri

Mr. and Mrs.

Stephen L. Allen

Mr. Ronald Altoon

Dariush Arfaania

Mr. Elgart Aster and Mr. Paul A. Swerdlove

Avery Dennison

Corporation

Bank of America

Ms. Elizabeth Barbatelli

Dr. Richard Bardowell, M.D.

Gia Battocchio and Carrie Battocchio

Menachem

Mr. Robert Bellevue

Dr. William Benbassat

Mr. and Mrs. Gregg & Dara Bernstein

Barbara Bernstein and Stephen R. Bernstein

Beverly Hills Plastic Surgery, Inc.

Samuel and Erin Biggs

Mr. and Mrs. Norris

J. Bishton, Jr.

Mr. and Mrs.

John Blasius

Mr. Michael Blea

Mr. Jay Borzi

Ms. Bonnie Brae

John and Annette Brende

Gabriel and Deborah Brener

Abbott Brown

Mrs. Linda L. Brown

Patricia Bulkeley

Mr. Ronald W. Burkle

James and Debbie Burrows

Oleg and Tatiana Butenko

Canon Insurance Service

Mara and Joseph Carieri

Mr. Ernie Carswell and Mr.

Donald Kreindler

Chicago Title Company

Helen and Morgan Chu

Esther S.M. Chui

Chao & Andrea

Chao-Kharma

The Cloobeck Family

Bruce M. Cohen, Esq.

Mr. Garrett Collins and Mr. Matthew McIntyre

Arthur and Laura Corona

Ms. Lydia D. Corona

Arline and Michael Covell

Faye and Bob Davidson

Kelvin and Hana Davis, in honor of Mary Davis

Nancy and Donald de Brier

Orna and David Delrahim

Rosette Delug

Mr. John Devoe

Mr. Kevin Dill

Martin and Geraldine Dirks

Malsi and Johnny Doyle

Kathleen and Jerry L. Eberhardt

Anna Sanders Eigler

Dr. David Eisenberg

Dr. Paul and Patti Eisenberg

Geo Emery

Dr. Annette Ermshar and Dan Monahan

Dr. James Eshom

Marc Ezralow

Mr. Brad Fauvre

Lisa Field

Mr. C. Randolph Fishburn and Mr. Andrew Sands

Pauline and Gordon Freshman

Joan Friedman, Ph.D. and Robert N. Braun, M.D.

Mr. and Mrs.

Josh Friedman

Lisa Fung

Mrs. Brenda L. Galloway

Rachel Gerstein

The Rosalinde and Arthur Gilbert

Foundation

Leslie and Cli Gilbert-Lurie

Kiki Ramos Gindler and David Gindler

Mr. and Mrs.

Gregg J. Gittler

Paige and David Glickman

Greg and Etty Goetzman

Mr. and Mrs.

Ronald Goldberg

Paul Golden

Henry J. Gonzalez, M.D.

Daniel Gore

Mr. and Mrs.

Ken Gouw

Mr. Je Green

Leonard I. Green & Partners LP

Tricia and Richard Grey

Mr. Alan Grosbard and Ms. Karen

Bobo

Renée and Paul Haas

Mr. and Mrs.

David Haddad

Rod Hagenbuch

Ms. Timi Hallem

Fred Hameetman

Hancock Park

Associates

Mr. and Mrs.

John Hancock

Dwight Hare and Stephanie Bergsma

Mr. Les Harrison

Kaitlin and Jonathan Hawk

Lynette Maria

Carlucci Hayde

Mr. and Mrs.

Kenneth Hearn

Mr. and Mrs. Irwin

Helford and Family

Stephen D.

Henry and Rudy M. Oclaray

Mr. and Mrs.

Kenneth Hertz

Dr. and Mrs.

Warren F. Ho man

Janice and Laurence

Ho mann

K. Hohman Family

Heather and Chris Holme

Mr. and Mrs. Philip J. Holthouse

Mr. Benjamin Hops

Mr. and Mrs. Daniel

Paul Horwitz

Ms. Julia Huang

Mrs. Bonnie

Hutchins

Dr. and Mrs.

Mark H. Hyman

Jackie and

Warren Jackson

Mr. Richard Jacobs

Ms. Lorri L. Jean and Ms.

Gina M. Calvelli

Mrs. Michelle

Joanou

Jones Day

Jones Marketing

Services

Gary Kading

Monique and Jonathan Kagan

Jo Ann and Charles Kaplan

Mr. and Mrs. Joshua

R. Kaplan

Linda and Donald Kaplan

Dr. and Mrs.

Robert M. Karns

Tobe and Greg Karns

Rizwan and Hollee Kassim

Jerry Katell

Richard Kendall and Lisa See

Ms. Sarah H.

Ketterer

Darioush and Shahpar Khaledi

Diann Kim

Vicki King

Mr. Gary Kirkpatrick and Mrs. Rebeccah

Bush Kirkpatrick

Ms. Madeleine

A. Kleiner

Michael and Patricia Klowden

Dr. and Mrs.

Robert Koblin

Carla and Archy Kotoyantz

KPMG LLP

Mr. and Mrs.

Stanley Kramer

Sandra Krause and William Fitzgerald

Eric Kunze

Tom Lallas and Sandy Milo

Norman and Sadie

Lee Foundation

Mr. and Mrs.

Russ Lesser

Mr. and Mrs.

Steven Levine

Lydia and Charles Levy

Allison and Thomas S. Levyn

Ms. Agnes Lew

Marie and Edward Lewis

Mr. Stuart Liner

Mr. and Mrs.

Steve Loeb

Mr. and Mrs.

Robert Lopata

Shelly and Dennis Lowe

Ms. Marion Lowry

Dr. and Mrs.

Franklin W. Lusby

Theresa Macellaro

/ The Macellaro Law Firm

Alfonso Madrigal

Barbara Marshall

Mr. Gary J. Matus

Dr. Walter P. and Lillian B. Maynard

Mr. and Mrs.

Brad McCroskey

Dwayne and Eileen McKenzie

Carlos Melich

Sharyl and Rafael

Mendez, M.D.

Mr. and Mrs.

Bruce A. Meyer

Ms. Marlane Meyer

David and Margaret Mgrublian

Ms. Julie Milligan

Ms. Cynthia Mitchell

Montessori School

Mr. David S. Moromisato

Michael J. Morris and Julie A. Dopheide

Susan Morse

Christy Mozilo Larsen

Ms. Christine Muller and Mr.

John Swanson

Thomas Myers

Mr. Jose Luis Nazar

Mumsey and Allan Nemiro

Mr. Jerold B. Neuman

Dr. and Mrs. Jay Orringer

Ana Paludi and Michael Lebovitz

Ellen Pansky

M. David and Diane Paul

Mr. and Mrs. Joseph P. Perna

Nancy and Glenn Pittson

Lorena and R.

Joseph Plascencia

Mr. Mark E. Pollack

Lyle and Lisi Poncher

Mr. Michael Poole

Barbara and Jay Rasulo

Resource Direct

Mr. Max Rifkind-Barron

Betsey and Neil Roberts

Ms. Iva C. Roberts

Maria Rodriguez and Victoria Bullock

Ari Rosenblatt, D.D.S.

James and Laura Rosenwald/ Orinoco

Foundation

Joyce and Deane Ross

Robyn and Steven Ross

Linda and Tony Rubin

Mr. Larry Ruderman

Katy and

Michael S. Saei

The Saitman Family

Mr. Lee C. Samson

Ellen and Richard Sandler

David N. Sayah, M.D.

Mr. and Mrs.

Alfred G. Scheid

Mr. and Mrs.

Gerry Schwartz

Michael Sedrak

Maria Seferian

Dr. Donald Seligman and Dr. Jon Zimmermann

Neil Selman and Cynthia Chapman

Dr. and Mrs.

Hrayr K. Shahinian

Dr. Hanna Shammas

Mrs. S. Shinbane

Dr. and Mrs.

Lee B. Silver

June Simmons

Grady and Shelley Smith

Marilyn and Eugene Stein

Hilde StephensLevonian

Eva and Marc Stern

Tammy Strome

Ed and Peggy Summers

Mr. David Suruki and Mr. Bob Shahnazarian

Linda May and Jack Suzar

Mr. Stephen A. Talesnick

Mr. and Mrs. Randall Tamura

Mr. Andrew Tennenbaum and Dr. Ali Strocker

Ms. Jennifer

Cannon Terry

Suzanne Thomas Thomson

Technicolor

Jeremy Thurswell

Judith and Dr. John Uphold

Ellen GoldsmithVein and Jon Vein

Joan Velazquez and Joel Kozberg

Noralisa Villarreal and John Matthew Trott

Christopher V. Walker

Robert and Nancy Wallan

Lisa and Tim Wallender

Walter and Shirley Wang

Mr. Darryl Wash

Fredda and Bruce Wasserman

Megan Watanabe and Hideya Terashima

Mr. and Mrs.

Bradley Wayne

Mr. and Mrs.

Stephen Weber

Mr. Beryl Weiner

Mindy and David Weiner

Mr. Joel Weiner

Mr. Alex Weingarten

Gelena and Seth

Weissman

Western Health Insurance

Services, Inc.

Alyce de Roulet

Williamson

Willkie Farr & Gallagher LLP

Mr. Dylan Yolles

Mrs. Lillian Zacky

Edward and Terrilyn Zaelke

Ms. Seeta Zieger

CONCERT CONDUCT

If the behavior of a patron or patrons near you becomes disruptive, the incident should be reported to the nearest usher or security person. To report an incident discreetly during an event, a text can be placed to the Customer Courtesy Line using the keyword BOWL sent to 69050 For the full Code of Conduct, visit hollywoodbowl.com/houserules.

SMOKING POLICY

By law (LACC 17.04.645), smoking is not permitted on the Hollywood Bowl grounds, except in designated areas. Violators are subject to removal. Smoking in any other areas could lead to arrest and would be considered a misdemeanor.

FIRST AID

In case of illness or injury, please see an usher, who will escort you to the First Aid Station.

LOST AND FOUND

Any lost articles found on concert nights may be claimed at the Operations O ce the next morning. Unclaimed articles are kept for 30 days from the date they are found. For information, call 323 850 2060

PHOTOGRAPHS

Your use of a ticket constitutes acknowledgment of willingness to appear in photographs taken in public areas of the Hollywood Bowl and releases the Los Angeles Philharmonic Association, its lessees, and all others from liability resulting from the use of such photographs.

PATRONS WITH DISABILITIES

For information detailing accessible seating, restrooms, dining, onsite transportation, assistive listening devices, or any further information, visit hollywoodbowl.com/access For additional information, call Accessibility Services at 323 850 2125

Zev Yaroslavsky Main Gate / Lawrence N. Field Gate / Monique & Jonathan Kagan Patio Norman & Sadie Lee Foundation Pool Circle / Margo & Irwin Winkler Promenade

More than 75 years ago...

Hollywood Bowl - Summer 1948

José Iturbi conducting with his sister Amparo at the piano in rehearsal - Rachmaninoff Piano Concerto #2

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Performances Magazine | Hollywood Bowl, September 2025 by California Media Group - Issuu