9789151108872

Page 1

uno wivast

Viewpoints 1 är ett läromedel för Engelska 5 i de högskole­ förberedande programmen på gymnasiet och komvux.

linda gustafsson

VIEWPOINTS 1

linda gustafsson uno wivast

THIRD EDITION

VIEWPOINTS 1

Läromedlets tredje upplaga består av tre komponenter som tillsammans förser eleven och läraren med allt som behövs för att klara kursen: 5 1 1-0887-2

VIEWPOINTS 1

• Elevbok, tryckt • Elevwebb, individlicens, 12 mån • Lärarwebb, individlicens, 12 mån

40-67491-3 40-67492-0

Eller för dig som vill arbeta helt digitalt:

• Digitalt läromedel, elevlicens, 6 mån 40-68057-0 • Digitalt läromedel, elevlicens, 12 mån 40-68058-7 • Digitalt läromedel, lärarlicens, 12 mån 40-68059-4

Linda Gustafsson är lärare i engelska, svenska och italienska på Malmö latinskola.

Uno Wivast är lärare i engelska och svenska på Katedralskolan i Lund.

ISBN 9789151108872

9 789151 108872

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Förord Den tredje utgåvan av läromedlet Viewpoints 1 innehåller ett nytt urval av autentiska texter som är väl anpassade till dagens samhälle och elever. Variationen av textgenrer ger en ökad bredd i form, innehåll och perspektiv, vilket stimulerar till intressanta samtal och diskussioner i klassrummet på målspråket. Frågorna till texterna är uppdelade i understanding och discussion, vilket ger en tydlig distinktion mellan läsförståelse och personligt resonemang och tyckande. Det går lika bra att arbeta med bokens fem teman kronologiskt som att välja bland teman och texter efter behov och intresse. Till de flesta texter finns fetstilsmarkerade glosor som har valts ut med tanke på att de används frekvent i talad och skriven engelska. Till texterna finns även ordövningar som dels hjälper elever att träna in nya ord, dels låter eleverna fundera och resonera kring olika språkliga företeelser tillsammans med andra. Dessutom har varje tema flera speaking-övningar och skrivuppgifter, vilka hjälper eleverna att utöka och öva sitt ordförråd, sin språkliga korrekthet och sin kommunikativa förmåga. Vidare finns ett uppdaterat avsnitt med model texts som bland annat innehåller texttyper som discussion essay och argumentative essay, samt det nya avsnittet Additional resources med handfasta tips om till exempel språkliga strategier och källhantering. Nytt för boken är att all grundläggande grammatik nu finns samlad i en separat sektion så att läraren själv kan avgöra när ett grammatiskt moment ska behandlas. En annan nyhet är de två större projektuppgifterna i temana Fairy Tales with a Twist och Our Time som tränar eleverna i bland annat samarbete och källhantering. I Student’s Web finns kompletterande engelsk-engelska ordlistor och Live listening och/eller Live reading, d.v.s. autentiska texter och intervjuer eller föredrag med tillhörande frågor som eleverna kan arbeta med på egen hand. Detta innebär ett samspel mellan bokens material och aktuellt material bortom läromedlets ramar. Symboler som hänvisar till Student’s Web återfinns i elevboken för att markera när det är lämpligt att arbeta med dessa övningar. Naturligtvis finns även rena språk­övningar i Student’s Web. I lärarwebben finns ytterligare material för övning, och en nyhet i lärarhandledningen är att det i varje tema finns prov för att pröva förmågorna läsa, höra, skriva och tala. Dessa kan med fördel användas som bedömningsunderlag i alla fyra färdigheterna, men kan likväl användas som övningar. Vi hoppas att ni ska finna både nytta med och nöje i att arbeta med den tredje upplagan av Viewpoints 1! Författarna

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CONTENTS More details in the overviews at the start of each theme CROSSING BOUNDARIES OVERVIEW 7

Not Guilty 9

The Power of the Pen 19

Not What They Seem 28

Born a Crime 31

Reading

young adult fiction extract from Big Mouth and Ugly Girl by Joyce Carol Oates

non-fiction: autobiography extract from I Am Malala by Malala Yousafzai and Christina Lamb

poetry “Refugees” by Brian Bilston

non-fiction: autobiography extract from Born a Crime by Trevor Noah

live reading  student’s web

live reading  student’s web

live reading  student’s web

live listening  student’s web

live listening  student’s web

Listening

live listening  student’s web

live listening  student’s web

Speaking

prepare,compare and discuss

discuss and express opinions

discuss statements

Writing

news article

informal letter

argumentative essay

Language

• school vocabulary • words and phrases to do with law • adjectives and adverbs • translation

• word gap • synonyms

• word gap • prefixes

Produce and develop

interpret a protest song

present a poem

BEING YOUNG OVERVIEW 39

Family Matters 41

Striving for Perfection 51

Stressful Youth? 59

Dear Me 71

Reading

young adult fiction extract from The Smell of Other People’s Houses by Bonnie-Sue Hitchcock

article “Perfectionism can harm even the most talented student – but schools can make a difference” by Andrew P. Hill

non-fiction: self-help extract from The Teenage Guide to Stress by Nicola Morgan

non-fiction: letter extract from Letter To My Younger Self edited by Jane Graham

live reading  Student’s Web Listening

live listening  Student’s Web

Speaking

research and present

Writing

introduction

Language

• matching expressions • word gap

Produce and develop

live reading  Student’s Web live listening Student’s Web

live listening  Student’s Web give a short talk

plan and discuss

summary

formal e-mail

informal letter

• synonyms • word formation • verbs and nouns

• word gap • contractions • S times 4

• word gap • open cloze

practise giving a speech

4

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FAIRY TALES WITH A TWIST OVERVIEW

A Hidden Message

Little Miss Hood and the Wolf 89

Outdated Tales?

Fairy News

79

81

101

109

Reading

article “How 19th century fairy tales expressed anxieties about ecological devastation” by Victoria Tedeschi

poetry two poems from Revolting Rhymes by Roald Dahl

article “Five reasons to stop reading your children fairytales now” by Olivia Petter

project/group work skills in focus • writing • source collection • transformation into other genres

live reading  Student’s Web

live reading  Student’s Web

Listening

live listening  Student’s Web

live listening Student’s Web

live listening  Student’s Web

Speaking

discuss

discuss

dialogue

Writing

letter to the Editor

fairy tale

article

Language

• word gap • false friends

• synonyms • verbs for speaking • translation • rhymes and spelling (examplified with the poem “Our Strange Lingo” by Lord Cromer)

• translate and find synonyms • the prefix un-

THE WAY YOU LOVE OVERVIEW 113

Expressions of Love 114

Trapped in a Lie 119

Behind the Scenes 129

Digital Dating 137

Reading

poetry “How Do I Love Thee” by Elizabeth Barret Browning and “Love Like Salt” by Lisel Mueller

young adult fiction extract from The Henna Wars by Adiba Jaigirdar

young adult fiction extract from The Great Godden by Meg Rosoff

article “From ghosting to ‘backburner’ relationships: the reasons people behave so badly on dating apps” by Martin Graff

live reading  Student’s Web

live reading  Student’s Web

live reading  Student’s Web

Listening

live listening Student’s Web

live listening  Student’s Web

Speaking

reflect and discuss

express opinions and discuss

discuss

discuss

Writing

poem

informal e-mail

short story

article

• word gap • synonyms

• word gap

• formal and informal language • word gap

Language

5

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OUR TIME OVERVIEW 145

The Future of Eating 147

A Vision 157

The Power of Social Media 161

Challenges of Our Time 169

Reading

article “Plant-based patties, lab-grown meat and insects: how the protein industry is innovating to meet demand” by Katherine Wynn and Michelle Colgrave

poem “A Vision” by Simon Armitage

article “How social media affects children at different ages – and how to protect them” by Daria Kuss

project/group work skills in focus • oral presentation • source collection and source criticism

live reading  Student’s Web

live reading  Student’s Web

Listening

live listening  Student’s Web

Speaking

discuss

Writing

discussion essay

Language

• word gap • correct and explain

live listening  Student’s Web

live listening  Student’s Web discuss

poem

argumentative essay • word gap • formal and informal

GRAMMAR

171

§1 NOUNS

172

§7

NUMERALS

220

§2 ARTICLES

181

§8

CONJUNCTIONS

222

§3 PRONOUNS

183

§9

WORD ORDER

228

§4 VERBS

197

§10

QUESTION TAGS

230

§5 ADJECTIVES

214

§6 ADVERBS

217

§11

WORD FORMATION

232

§12

LINKING WORDS

234

COMMON IRREGULAR VERBS 236

MODEL TEXTS

239

INFORMAL E-MAIL/LETTER

241

NEWS ARTICLE

248

FORMAL E-MAIL/LETTER

242

ARTICLE

249

LETTER TO THE EDITOR

243

FEATURE STORY

250

ARGUMENTATIVE ESSAY

244

CREATIVE WRITING

252

DISCUSSION ESSAY

246

SUMMARY

254

ADDITIONAL RESOURCES Analysing and interpreting Language register

256 258

255 Strategies Working with sources

259 264

6

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VIEWPOINTS FAIRY TALES WITH A TWIST OVERVIEW A HIDDEN MESSAGE Reading: “How 19th century fairy tales expressed anxieties about ecological devastation” by Victoria Tedeschi (article); Live reading g Student’s Web Listening: Live listening g Student’s Web Speaking: Discuss the role of fiction Writing: Letter to the Editor about messages in H.C. Andersen’s stories Language: Word gap; False friends LITTLE MISS HOOD AND THE WOLF Reading: Two poems from Revolting Rhymes by Roald Dahl (fiction/poetry); Live reading g Student’s Web Listening: Live listening g Student’s Web Speaking: Discuss each other’s fairy tales (from the writing assignment) Writing: Fairy tale Language: Synonyms; Verbs for speaking; Translation; Rhymes and spelling (examplified with the poem “Our Strange Lingo” by Lord Cromer) OUTDATED TALES? Reading: “Five reasons to stop reading your children fairytales now” by Olivia Petter (article) Listening: Live listening g Student’s Web Speaking: Fairy tale dialogue Writing: Article about screen adaptations of fairy tales, legends and myths Language: Translate and find synonyms; The prefix unFAIRY NEWS Method: Project/group work Focus: Writing skills Academic skills: Source collection and transformation into other genres 79

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Before reading Most people have heard about the famous fairy tales by the Danish writer Hans Christian Andersen. Below are the English titles of a few of his most famous stories.

• Which of the stories do you recognise, and what are they called in your native language? • The Little Matchgirl • The Ugly Duckling • The Princess and the Pea • Thumbelina • The Steadfast Tin Soldier • The Tinderbox • The Emperor’s New Clothes

A Hidden Message

Note: Key words in bold

In the following article, Victoria Tedeschi from the University of Melbourne, reveals that there may be another way of reading and interpreting messages that some of H.C. Andersen’s fairy tales convey. Some of his fairy tales might even have been used to spread awareness about climate issues as early as in the Victorian era.

convey meddela, uttrycka agonised förtvivlad disabled funktionshindrad tin tenn disenfranchised berövad sina medborgerliga rättigheter celebrate här prisa, lovsjunga raise lyfta

Danish writer Hans Christian Andersen was one of the most popular European fairy tale authors in 19th century England. While today Andersen is known for his agonised mermaids, disabled tin soldiers and disenfranchised match sellers, his Victorian readers celebrated tales that raised environmental concerns during an age of rapid industrialisation. According to a recent international research project, human activity has been the leading cause of global warming since the early stages of the Industrial Revolution – decades before scientists had previously estimated. Global warming is not a 20thcentury phenomenon; rather, humans have been impacting the environment for over 180 years. From 1760 to 1914 in England, vast numbers of people moved from the country to the city for financial security. London’s population swelled, prompting a century-long struggle with filth. An outdated sewage system released all human waste into the capital’s water supply, smoke poured from both factory and domestic chimneys and streets were caked with coal, mud, vegetable matter and animal waste. As urban life became increasingly distanced from nature, Andersen’s fairy tales thrived. While Victorian fantasy literature

concern oro rapid snabb, rask stage stadium, skede estimate beräkna, uppskatta phenomenon företeelse rather rättare sagt impact påverka, inverka på vast omfattande population folkmängd swell öka, växa, stiga prompt framtvinga filth smuts, lort outdated föråldrad sewage avlopp, kloak water supply vattenförsörjning pour här välla, strömma ut caked with täckta av ett lager av matter materia, substans urban stadsdistanced from distanserad från thrive ha framgång, blomstra

FAIRY TALES WITH A TWIST A Hidden Message

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encroaching påträngande, inkräktande degradation förfall, nedbrytning fir gran, furu daisy tusensköna flax lin feature här framhäva abused misshandlad despite trots provider (familje) försörjare compromise äventyra, utsätta för fara sympathetic välvillig depiction skildring devastation ödeläggelse serpent orm detail här redogöra för emerging nyblivna, som är under utveckling run the length of löpa längs school of fish fiskstim agitated upprörda, upphetsade cod torsk flounder flundra rally samla ihop, samla sig impaled spetsad rush at rusa mot, storma fram emot attend to one’s sköta sina affairs angelägenheter voracious glupsk, omättlig hostile fientlig sorcerer trollkarl extract extrakt, utdrag ur ditch dike peck picka, hacka på unruly ostyrig, besvärlig conduct uppförande contaminated förorenad well founded här berättigad antiquated föråldrad cesspool kloakbrunn waterborne vattenburen

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often romanticised nature as an escape from the encroaching industrial landscape, Andersen showed human characters as the source of environmental degradation. For example, Andersen’s stories The Fir Tree, The Daisy and The Flax, feature plants that are tortured and abused by human characters. In these stories, talking plants suffer the dangers of industry. Despite the pain they experience, these plants are selfless providers willing to compromise their personal happiness for human interest. These sympathetic depictions of nature, during a century of environmental devastation, encouraged children to reflect on their impact on the landscape. Other tales, such as The Great Sea Serpent, detail the emerging conflict between animals and technology. The story describes fish reacting to the installation of the transatlantic telegraph cable, which ran the length of the Atlantic Ocean between Europe and America. With the chaos of the installation, schools of fish become separated, sea-anemones “were so agitated that they threw up their stomachs” and the cod and flounders who once “lived peacefully” began to eat their neighbours. When the fish rally together to destroy the cable, a shark is impaled by a sword-fish and “great fishes and small, sea-anemones and snails rushed at one another, ate each other, mashed and squeezed in” while “the cable lay quietly and attended to its affairs”. The telegraph cable is not a positive technological breakthrough, but a threat to the environment. A microscopic (yet equally voracious) ecosystem and its parallels with increasingly hostile cities is the subject of Andersen’s Drop of Water. A sorcerer named Creep-and-Crawl examines an extract of ditch water using a microscopic lens. He notices organisms that “hopped and jumped about, pulled one another and pecked one another”. Seeing the organism’s violent, unruly conduct, his colleague assumes that the creatures must be living in a capital city. The Victorian public was equally horrified by the organisms that were hidden in its drinking water. The fear of contaminated water was well founded: an antiquated sewage system directed London’s cesspools to the Thames, which was the capital’s water reserve. Chemicals from factories were also released into the river, spreading waterborne diseases such as typhoid, cholera, and dysentery.

BEING YOUNG A Hidden Message

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Andersen’s contemporaries also exaggerated microscopic images of organisms (otherwise known as “monster soup”) in contemporary journals. In these illustrations, samples of water from the Thames were filled with a host of aggressive, potentially deadly beasts. For example, an anonymous illustration published in Punch magazine in 1850 shows hybrid and humanoid creatures wearing tuxedos in a petri dish. Amidst the chaos, small worm-like creatures spell out the word “pestilence”. William Heath’s coloured engraving from 1828 features winged creatures, hybrid animals and crustaceans with protruding fangs; the woman viewing the contaminated water is so disgusted that she drops her cup and saucer. By exploring the repercussions of an industrialised landscape, Andersen’s fairy tales provided commentary on a very real, looming threat to the English landscape and its population. Today, with the steady rise of dystopian literature, ecofiction and climate change fiction (otherwise known as “cli fi”), we see similar artistic responses to environmental change which steer readers away from complacency. As authors seek to express the gravity and severity of ecological crises, their literature holds the potential to inspire radical change. “How 19th century fairy tales expressed anxieties about ecological devastation” by Victoria Tedeschi (PhD candidate, The University of Melbourne)

contemporary samtidig, samtida exaggerated överdriven, extremt uppförstorad sample prov a host of en massa/mängd av potential eventuell hybrid korsning, blandning humanoid människoliknande tuxedo smoking petri dish petriskål, anv. för bakterieodling amidst mitt i, mitt ibland pestilence pest, farsot engraving gravyr, stick crustacean kräftdjur, skaldjur protruding framskjutande fang huggtand, bete saucer tefat repercussion återverkan provide här komma med, ge commentary referat, redogörelse loom hotfullt dyka fram steer styra, lotsa complacency självbelåtenhet gravity allvar severity skärpa, allvar

FAIRY TALES WITH A TWIST A Hidden Message

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Discuss and understand Understanding the text Choose ALL correct answers 1. New studies have shown that global warming… a) occurred later than we previously thought. b) started during the 1900s. c) occurred earlier than we previously thought. 2. What is true about literature during the Victorian era? a) It was frequently set in cities. b) It often romanticised life in the countryside. c) It showed how industrialisation destroyed nature. 3. What message did tales such as The Great Sea Serpent convey? a) It showed that human activity interfered with nature. b) It showed how dangerous certain animals can be. c) It showed that the telegraph was a dangerous invention. 4. What is said in the text about Victorian living conditions? a) Victorians were afraid of all new inventions. b) London had a newly installed water system. c) The new way of life in cities spread diseases. 5. What is said about the use of pictures in journals and literature? a) They vividly portrayed the micro-organisms living in water. b) They made people more scared than necessary. c) They were only in black-and-white.

Discussing the text Use examples from the text to support your ideas. 1. Many fairy tales contain a moral message. Think of three fairy tales that you know well and discuss what their morals might be. 2. The article illustrates how writers like H.C. Andersen use their stories to convey messages about the environment. In your opinion, is this an effective way to spread awareness? What pros and cons might there be compared to writing news articles or scientific reports? 3. The article mentions the recent genres eco fiction and cli-fi. Give examples of how literature, films or series today spread messages about the environment.

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FAIRY TALES WITH A TWIST A Hidden Message

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Live reading

Working with language Word gap Complete the sentences with one of the words from the box and change the form of the words if needed. You can find all the words in the wordlist of the text. concern vast

estimate encroaching

rally exaggerated

rapid depiction

unruly repercussion

1. She tied her ____________________________ hair into a tight ponytail. 2. To not get wet, we had to move back quickly from the ____________________________ tide. 3. The amount of work ahead of us raised a few ____________________________ . 4. It is easy to get lost in the ____________________________forest. 5. Since the team had played badly in the first half, the coach tried to ____________________________ the players before the second half. 6. The ____________________________ of world events can be seen in the stock market. 7. The fire spread ____________________________ throughout the forest. 8. It is ____________________________ that the temperature will rise quickly in the next few days. 9. The event was grossly ____________________________ by the media. 10. Atwood’s novel is a good ____________________________ of womanhood.

FAIRY TALES WITH A TWIST A Hidden Message

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False friends False friends are two words in two different languages that are spelled the same, or similarly, but have different meanings. An example is the English word fabric, which does not mean the same as the Swedish word fabrik. The four sentences in this exercise have been badly translated from Swedish (each sentence contains at least one false friend). Work in pairs or in small groups with the following tasks: a) First look at the false friends in the example above. What do the words mean? Translate fabric into Swedish and fabrik into English. b) Now read the four sentences below and pay special attention to the false friends in bold. Which Swedish words do you think the translator originally meant to translate? c) Discuss what the correct English word/s/ should be in each sentence. 1. One can motivate calling Andersen a prolific writer since he has written many shorter pieces of fiction, such as fairy tales, plays, poems and novels. 2. Andersen’s fairy tales are well known, but it is a little-known fact that a history could also contain actual topics like the climate. 3. In some of his fairy tales different arts of fish and plants react against changes made by persons. 4. Tales like these can eventually have an impact on the reader, but it is not likely.

Speaking Some might argue that literature, films and series that contain messages or morals enhance the role of fiction, while others view fiction as something that is only meant to entertain. Discuss the following questions in small groups.

• Why do you read books and/or watch films or series? Try to give at least three reasons.

• What different roles do you think fiction has? • What is your opinion on fiction that has a purpose other than entertainment? You can vary your language by using different phrases for stating an opinion, for instance: In my opinion, … In my view, …

86

I think that … I believe that …

I am of the opinion that …

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Live listening

Writing Text type: Letter to the Editor Number of words: 200 Before writing: Look at the example of a ‘Letter to the Editor’ on page 243 Write a ‘Letter to the Editor’ in which you state your opinion on whether H.C. Andersen’s stories can still teach us something today or if the messages that his stories convey are outdated. Choose one of the stories mentioned in the text or in ‘Before reading’ on page 81. State which story you have chosen and briefly explain the message of the story. Then argue whether the message is outdated or still works in today’s society. You can look up the message of Andersen’s stories online if you need to.

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uno wivast

Viewpoints 1 är ett läromedel för Engelska 5 i de högskole­ förberedande programmen på gymnasiet och komvux.

linda gustafsson

VIEWPOINTS 1

linda gustafsson uno wivast

THIRD EDITION

VIEWPOINTS 1

Läromedlets tredje upplaga består av tre komponenter som tillsammans förser eleven och läraren med allt som behövs för att klara kursen: 5 1 1-0887-2

VIEWPOINTS 1

• Elevbok, tryckt • Elevwebb, individlicens, 12 mån • Lärarwebb, individlicens, 12 mån

40-67491-3 40-67492-0

Eller för dig som vill arbeta helt digitalt:

• Digitalt läromedel, elevlicens, 6 mån 40-68057-0 • Digitalt läromedel, elevlicens, 12 mån 40-68058-7 • Digitalt läromedel, lärarlicens, 12 mån 40-68059-4

Linda Gustafsson är lärare i engelska, svenska och italienska på Malmö latinskola.

Uno Wivast är lärare i engelska och svenska på Katedralskolan i Lund.

ISBN 9789151108872

9 789151 108872

51108872.3.1_VP1_Omslag.indd Alla sidor

2023-03-08 11:16


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