Feb. 22, 2018 Print Edition

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::NEWS&VIEWS

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FEATURES | POLLS | TAKING LIBERTIES | ISSUE OF THE WEEK

Is Wisconsin’s Prized Brook Trout in Danger?

HOW ENVIRONMENTALLY CONSCIOUS ANGLERS CAN SLOW THE PACE OF AN INVASIVE SPECIES ::BY MARY SUSSMAN he New Zealand mudsnail (Potamopyrgus antipodarum) has made its way, uninvited, into Wisconsin streams and is sharing an environment with the native brook trout, a prized sport fish. In the unglaciated driftless region—a 24,000 square-mile area in southwestern Wisconsin, southeastern Minnesota, northeastern Iowa and northwest Illinois—600 cold water spring-fed streams provide an ideal habitat for brook trout and a fishing paradise for anglers. A 2016 study estimated that the annual economic impact of trout fishing in the driftless region is $1.6 billion. The brook trout is the “canary in the coal mine as far as water quality goes,” says Matt Krueger, river restoration program director for River Alliance of Wisconsin. “If trout can exist in the stream, that’s a pretty good indicator that the land around it is being cared for pretty well. It’s a high value species.”

After environmentally punishing experiences with invasive species such as Zebra mussels and Eurasian water milfoil, scientists are not taking any chances with New Zealand mudsnails. Environmentalists are concerned about the potential impact of the mudsnail—a tiny creature that is born pregnant with an embryo inside of it, guaranteeing its perpetuation. In Wisconsin, only female mudsnails have been discovered so far. In addition, the snails have an operculum, an extra piece of shell that allows them to seal themselves off completely. They “can pull their head into their shell like a turtle and completely seal themselves off from the outside world,” Krueger says. “They can stay inside their shell for 28 days and then come out, and they can still stay alive because they stay moist” in their tightly sealed shells. This is another survival advantage for a species that Wisconsin environmentalists are watching closely. The Wisconsin Department of Natural Resources (DNR) and other environmental groups such as Trout Unlimited, the River Alliance of Wisconsin and the Sugar River Watershed Association are working together to educate trout anglers about “clean angling” so that they do not become vectors for the spread of New Zealand mudsnails. “Trout fishermen are environmentally minded,” says Maureen Ferry, statewide aquatic invasive species monitoring coordinator

4 | FEBRUARY 22, 2018

for the DNR. She says trout anglers are well-educated, understand stream dynamics, fish and what fish need. “They’re just really cognizant of natural resources.”

Scrub Those Boots! Matt Krueger says trout anglers often move several times a day and could potentially carry the tiny mudsnails on their muddy boots or equipment from stream to stream. Anglers are being asked to use a stiff brush and a water sprayer to clean off any mud on their boots and gear before entering another stream. “The baseline is everybody should be carrying water and a scrub brush,” Krueger says. “Every time someone leaves a stream, they should scrub down before they move. That’s the baseline clean angling practice to adopt.” A long-term study to evaluate if and how the mudsnails are impacting the fish in the stream (as well as the small insects in the stream) is underway. It is possible to take water samples and determine if DNA from mudsnails is in it, Ferry says. “They could be benign, but they might not be,” Ferry says. “Any time you have something eating and metabolizing, they are going to be excreting. It could alter the stream metabolism, and it could alter the nutrient dynamics of streams. We’re not quite sure what’s going to happen. That’s why we’re working to monitor the streams.” With two recent discoveries of the invasive New Zealand mudsnail in Wisconsin’s Rowan and Mount Vernon creeks, four trout streams in the region are now infested with the snails. Mudsnails were first discovered in Black Earth Creek in 2013 and in Badger Mill Creek in 2016. The DNR reports no other infestations of the snail in inland Wisconsin streams. Krueger says that mudsnails could pose a serious problem. “We’ve seen scenarios out west where there are parts of streams where the populations of these snails have just skyrocketed,” he says. “Anything that could potentially harm our unique streams and trout fishery is something that very much concerns me,” he continues. “Maybe down the road, we’ll find out, ‘well, maybe the mudsnails didn’t have the negative impact we thought they would,’ but at this point, that’s not a chance I’m willing to take. I’m not willing to tell other anglers that you shouldn’t be worried about this. I think they should be taking steps to make sure they are not part of the problem spreading these things around.” Signs warning of invasive species have been posted at access points to many streams, and wader-wash stations have been installed at many locations. “Trout fishing is really important to Wisconsin,” Ferry says. “What we’re telling fishermen and the general public is to clear their gear using a stiff bristle brush and to clean their gear with water to rinse off any sediment because those snails are so small.” While long-term research is underway, citizen monitors are assisting the DNR by taking samples and educating people about best practices to prevent further spread of the mudsnails. “There are a lot of volunteer activities with Trout Unlimited and UW-Extension out there monitoring and talking to other people,” Ferry says. Comment at shepherdexpress.com. n

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NEWS&VIEWS::FEATURE

Is a Last-Minute Bill to Help Developers that’s Being Jammed through the Legislature Going to Create Future Problems? ::BY DAN SHAW

A

t first glance, Wisconsin State Assembly Bill 770 (AB 770) looks to be a standard piece of Republican-sponsored legislation meant to clear away regulations on new housing projects. The legislation reads almost like a developer’s wish list. It would take away local governments’ authority to set storm water and dwelling regulations exceeding the state’s own rules, ban local prohibitions on weekend construction work, let tax-increment financing pay for “workforce housing” and set stricter limits on how governments can collect and spend “impact fees” used to pay for services for new developments. But not everything in AB 770 has to do with residential construction. In its many lines of text are a series of provisions that would fundamentally rewrite the state’s eminent domain laws—possibly at a great cost to state government, utilities and other entities that routinely buy land to make room for public projects. Matt Fleming, a lawyer representing the city of Middleton in Dane County, said he’s not even sure lawmakers are aware of every provision in AB 770. At a minimum, he said, they seem not to have grasped all the likely ramifications. Part of the trouble is that lawmakers are in a rush to have the current legislative session wrapped up by March. AB 770 is among the scores of bills that lawmakers are hoping to have passed in the next few weeks if they are to meet their self-imposed deadline. AB 770 has so far been on a rocketing trajectory through the statehouse. Introduced on Monday, Dec. 19, it was given a public hearing on Wednesday, Jan. 3, then heavily amended and voted out of committee on Tuesday, Jan. 9 and finally approved by the Wisconsin State Assembly on Tuesday, Feb. 13. Now all it needs to become law is approval from the Wisconsin State Senate and the governor’s signature.

Reasonable Project Costs?

Fleming said he has the greatest misgivings about a provision that would add to the types of compensation governments must pay when they take property using eminent domain. AB 770 would make governments in Wisconsin responsible for the first time for what are known as “reasonable project costs.” These could include everything up to the cost of starting a business over again at another site. Fleming said the provision opens the door to double 6 | FEBRUARY 22, 2018

payments. Governments in Wisconsin, he said, are already required to pay what are known as “relocation costs” to provide compensation for the fair-market value of a business. If they also had to pay reasonable project costs, they could well end up in situations where they are paying to rebuild the same business twice over. Fleming acknowledged that there are probably instances when property owners are not receiving fair compensation. But, he warned, it’s in no one’s interest—including developers’—to make public projects prohibitively expensive. “If we are going to be double paying or unreasonably increasing the cost of eminent domain, I think there will be a lot of projects that won’t happen,” he said. And his concerns with AB 770 don’t stop there. Another of the bill’s provisions would raise the maximum compensation amounts offered to both tenants and property owners. The limit for tenants would go from $30,000 to $80,000; that for property owners from $50,000 to $100,000. Fleming said the proposed increases are not objectionable in themselves. Reasonable people might argue about where the limits should be, he said, but most would agree that they should be raised from time to time. Far more concerning, Fleming said, is a part of AB 770 dealing with what sorts of entities come under the caps. Current law applies the limits to eminent domain payments made by all sorts of governments and agencies, both local and state. AB 770, if passed by the state senate and signed into law by Gov. Scott Walker, would upend that policy by keeping the caps in place only for cities, villages and towns. All others, most notably the Wisconsin Department of Transportation but also other state agencies and utilities, would theoretically be on the hook for an infinite amount of money when they acquire property for public purposes. Fleming said he has a hard time believing that’s the outcome supporters of AB 770 really want. “I’ve never really heard any explanation for that,” he said. “It just appeared, and it seems colossally short sighted.” Attempts to reach the author of AB 770 for comment, State Rep. Rob Brooks (R-Saukville), were unsuccessful. Tom Larson, a lobbyist for the Wisconsin Realtors Association, said the bill is far more benign than critics claim. He said that AB 770 would not get rid of all checks on eminent domain costs. Judges, for one, would still be presiding over condemnation proceedings and deciding what is reasonable compensation and what isn’t. “This doesn’t say the sky is the lim-

it,” Larson said. “They are just going to have to pay for what the property is actually worth.”

Cities and Counties Oppose the Bill

Fleming, though, is not the only one who has misgivings about AB 770 and its provisions concerning eminent domain. The Wisconsin Ethics Commission’s website lists the cities of Madison and Milwaukee, Dane County and the League of Wisconsin Municipalities as being among the officially registered opponents to the bill. Nick Zavos, a lobbyist representing Madison, noted that AB 770 would also mandate something known as the “income approach” for placing a value on properties up for condemnation. This approach tries to take into account the income a business is bringing in at the time it is acquired using eminent domain. Zavos said the trouble here is that that sort of information is not publicly available, like the comparable sales and cost-to-replace data that governments now rely on. Getting income figures will, at a minimum, entail higher legal expenses, he said. “Certainly, it will increase the cost of condemnations that state and local governments pay when you have to hire those kinds of experts,” Zavos said. Even a big backer of AB 770 said he is not certain where the parts concerning eminent domain came from. Terrence Wall, president and CEO of Madison-based T. Wall Enterprises, said his support for the bill has almost entirely to do with its provisions on impact fees, weekend construction work and local storm water regulations. Wall said he has particularly strong feelings about a provision that would require local governments to assemble lists of all the impact fees they charge and make that information public. He added that there have been countless times when he thought he paid all the impact fees owed on a particular project only to discover there were more. “This will not only give full disclosure but also create competition between communities, because one might be higher than the other,” he said. Fleming, for his part, doesn’t deny that there are ways the state might improve its regulations for residential development. He only wishes that some of the sensible proposals in AB 770 weren’t tied to what would amount to a sweeping overhaul of the state’s eminent domain laws. His best hope now seems to lie in the possibility that the state senate won’t get around to taking up the legislation before adjourning for

the year. Leaders in the senate have their own list of priorities they hope to have passed this year and could well run out of time for AB 770. “I really only wish it wasn’t under the gun, so to speak,” Fleming said, “and there wasn’t such a rush to get it passed by the end of this session.” Comment at shepherdexpress.com. n

What is Eminent Domain? E

minent domain is the power to take private property for public use by a state, municipality or private person or corporation authorized to exercise functions of public character— following the payment of just compensation to the owner of that property. Federal, state and local governments may take private property through their power of eminent domain, or they may regulate it by exercising their “police power.” The Ffifth Amendment to the U.S. Constitution requires the government to provide just compensation to the owner of the private property to be taken. A variety of property rights are subject to eminent domain, such as air, water and land rights. The government takes private property through condemnation proceedings; throughout these proceedings, the property owner has the right of due process. Eminent domain is a challenging area for the courts, which have struggled with the question of whether the regulation of property (rather than its acquisition) is a “taking” that requires just compensation. In addition, private property owners have begun to initiate actions against the government in a kind of proceeding called “inverse condemnation.” Definition courtesy legal-dictionary.thefreedictionary.com. SHEPHERD EXPRESS


NEWS&VIEWS

::SAVINGOURDEMOCRACY ( FEB. 22 - 28, 2018 )

T

he Shepherd Express serves as a clearinghouse for all activities in the greater Milwaukee area that peacefully push back against discriminatory, reactionary or authoritarian actions and policies of the Donald Trump administration, as well as other activities by all those who seek to thwart social justice. We will publicize and promote actions, demonstrations, planning meetings, teach-ins, party-building meetings, drinking-discussion get-togethers and any other actions that are directed toward fighting back to preserve our liberal democratic system.

Thursday, Feb. 22

DemTeam Scholarships Fundraiser @ Milwaukee Brat House (1013 N. Old World Third St.), 6-8 p.m.

The Democratic Party of Milwaukee County is looking to raise funds to build a network of well-trained activists, staff and candidates to run campaigns, plan events, recruit new members, stand for office and advance progressive values and causes. If you cannot make the event, you can still donate at the website secure.actblue.com.

The Hidden Impact of Segregation @ Progressive Baptist Church (8324 W. Keefe Ave.), 6:30-9 p.m.

As a part of their Black History Month programming, the Progressive Baptist Church will host Reggie Jackson, head griot of America’s Black Holocaust Museum, for a lecture on the hidden impacts of segregation. The event is free and open to the public.

Saturday, Feb. 24

Join Bernie Sanders and Randy Bryce in Racine @ Memorial Hall (72 Seventh St., Racine), 9:45-11:45 a.m.

2016 presidential candidate and U.S. Senator Bernie Sanders will come to Racine to support the campaign of Randy Bryce, who is running for a congressional seat in Wisconsin’s First District. The seat is currently held by U.S. Speaker of the House Paul Ryan (R-Janesville).

Voter and Civic Engagement Campaign @ Acción Ciudadana de Wisconsin (221 S. Second St.), 10 a.m.-1 p.m.

Acción Ciudadana de Wisconsin, Latino Voting Bloc of Wisconsin and Citizen Action of Wisconsin have organized a weekly Saturday campaign of knocking on doors and phone banking to get people thinking about the 2018 elections. Volunteers can go out and talk to voters about the issues that they care about and get them involved in different events happening in the community.

Peace Action Wisconsin: Stand for Peace @ The corner of 92nd Street and North Avenue, noon-1 p.m.

Every Saturday from noon-1 p.m., concerned citizens join with Peace Action Wisconsin to protest war and “Stand for Peace.” Signs will be provided for those who need them. Protesters are encouraged to stick around for conversation and coffee afterward.

Free Viewing of Milwaukee 53206 @ Parklawn Assembly of God (3725 N. Sherman Blvd.), 6-8:30 p.m.

Parklawn Assembly of God will open their doors to host a free viewing of Keith McQuirter’s documentary film, Milwaukee 53206, which chronicles the lives of those living in a ZIP code known for its massive incarceration rates.

Sunday, Feb. 25

Temporary Protected Status Presentation @ School Sisters of St. Francis (1501 S. 27th St.), 1011:30 a.m.

Barbara Graham, director of immigration legal services for Catholic Charities Milwaukee, will present “Temporary Protected Status: What Is It? What is Our Role Now?” The presentation gives context around what the Trump administration’s decision to terminate the Temporary Protected Status designation for El Salvador means and what we can do to help.

Monday, Feb. 26

How We Got Here with Reggie Jackson @ Milwaukee Public Library (3912 S. Howell Ave.), 5-7 p.m.

Reggie Jackson, head griot of America’s Black Holocaust Museum, will discuss the history of structural and institutional racism in America. His discussion will focus on its impact on the lives of Native Americans and African Americans.

Struggling with depression… Rogers Behavioral Health is currently recruiting individuals, ages 18 to 65, to participate in a clinical research study aimed at reducing the symptoms associated with Major Depressive Disorder. The study, delivered on a smart phone in a controlled setting, includes brief sessions twice per week for four weeks, and participants will receive compensation for time and travel. To learn more, call 414-865-2600 or visit rogersbh.org/depression-research. All inquiries are confidential. This study is funded through private donations to the Rogers Memorial Hospital Foundation.

Beyond Resistance: Stories of Resilience and Inspiration @ Turner Hall Ballroom (1040 N. Fourth St.), 6:30-9:30 p.m.

This evening of personal storytelling will cover topics ranging from immigration to civil liberties to LGBTQ issues. Emilio De Torre of the ACLU will emcee, and storytellers include author Pardeep Kaleka, immigration rights advocate Alejandra Gonzalez and others.

Tuesday, Feb. 27

Leading Change: Women, Politics, Advocacy and Social Justice @ UW-Milwaukee Student Union Ballroom (2200 E. Kenwood Blvd.), 5-9 p.m.

This social justice event hosted by UWM’s Helen Bader School of Social Welfare intends to “explore women’s role in politics and why women are needed now more than ever in the political arena.”

Redlining, Racism and Reflection Part Three: Where From Here? @ Jewish Museum Milwaukee (1360 N. Prospect Ave.), 7-8:30 p.m.

In the third and final installment of Redlining, Racism and Reflection, UWM economics professor Marc Levine will discuss the growth of segregation and racial inequality in Milwaukee since the 1970s; Margaret Rozga will discuss her involvement with Milwaukee’s NAACP Youth Council; and Bill Tisdale will discuss the Milwaukee Fair Housing Council’s role and advocacy work. To submit to this column, please send a brief description of your action, including date and time, to savingourdemocracy@shepex. com. Together, we can fight to minimize the damage that the administration of Donald Trump and others of his kind have planned for our great country. Comment at shepherdexpress.com. n

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FEBRUARY 22, 2018 | 7


NEWS&VIEWS::TAKINGLIBERTIES

wisconsin public radio presents

Making Waves live from turner hall 7:30 p.m. April 19 $25 tickets at wpr.org/presents

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PROPOSALS WILL BE RECEIVED UNTIL 10AM ON MARCH 5, 2018 RFP, Info and FQA: www.co.ozaukee.wi.us/bids.aspx Email Evan Hewes at ehewes@co.ozaukee.wi.us by 5pm March 1, if you have any other questions. 8 | FEBRUARY 22, 2018

The Un-Americans Among Us

S

pecial Counsel Robert Mueller’s indictment of 13 Russian agents and three Russian companies accused of an international conspiracy to sabotage the 2016 U.S. presidential election and elect Donald Trump lays out a sinister spy thriller plot against American democracy. The indictments provide detailed evidence of the hostile Russian plot against America despite Trump’s own relentless attempts to obstruct the investigation by intelligence and law enforcement agencies into an illegal foreign attack upon his own nation. Russian agents used false or stolen identities to visit 10 states pretending to be American political activists organizing pro-Trump, hateHillary rallies—one featuring an already lockedup Hillary Clinton look-alike in a cage wearing prison garb. Criminal activity included bank and wire fraud to create accounts under false names to fund dishonest, anti-Clinton attack ads, fake news stories and demonstrations by allegedly “unwitting” Trump supporters acting as Russian tools. The highly detailed description of real-life Russian sleeper cells modeled after TV’s “The Americans” included an internal email describing the crisis among Russians frantically trying to cover their tracks when the FBI began uncovering their U.S. network. It shatters once and for all the president’s repeated lies that Mueller’s investigation was a groundless “witch hunt” and “a hoax.”

More Bull from Trump The obsessively self-centered Trump responded not with a plan to protect U.S. elections, but by spewing a stream of angry, derisive tweets (with Trump’s own grammar): “If it was the GOAL of Russia to create discord, disruption and chaos within the U.S. then, with all of the Committee Hearings, Investigations and Party hatred, they have succeeded beyond their wildest dreams. They are laughing their asses off in Moscow.” The anger may stem from the realization that the detailed evidence makes it nearly impossible for Trump to survive firing Mueller as the investigation closes in on his own actions and those of his family and campaign. Republican apologists found it harder to brush off Russia’s undercover attack on American democracy. Even House Speaker Paul Ryan—former Trump critic turned fawning Trump sycophant—was forced to take yet another wild spin to separate himself again from Trump. Just days ago, Ryan defended the release of an absurdly distorted House Republican memo trashing Mueller, the FBI and the Justice Department for seeking a court order for surveillance of a Trump campaign operative suspected of acting as a Russian agent. “There may have been malfeasance within the FBI,” Ryan said, and Republicans needed to politically “cleanse” the investigation.

::BY JOEL MCNALLY

Ryan Flip-Flops Again But the Russian indictments prompted Ryan to suddenly claim he’d supported Mueller’s investigation all along. “We have known that Russians meddled in the election, but these indictments detail the extent of the subterfuge,” Ryan said. “The Russians engaged in a sinister and systematic attack on our political system. It was a conspiracy to subvert the process and take aim at democracy itself. Today’s announcement underscores why we need to follow the facts and work to protect the integrity of future elections.” There’s one other little problem making it extremely difficult for Ryan and other prominent Republicans to take really strong measures against Russia’s “sinister and systematic attack” on American democracy. It turns out the tactics employed by those evil Russian enemies of democracy were exactly the same tactics Republicans themselves have employed for years to win elections. Get this: Russians impersonating Americans not only inflamed issues of race, immigration, same-sex marriage and free access to weapons of mass murder to divide and anger a polarized American electorate, but they also worked to suppress voting by African Americans and other groups likely to vote Democratic. Russian agents secretly plotting to destroy democracy simply adopted the platform of the modern Republican Party. So an interesting question arises: Who is more un-American? Is it Russian agents who impersonated Americans to support an ignorant, unqualified U.S. presidential candidate they believed they could manipulate to support Russia’s authoritarian government? Or is it home-grown American Republicans who supported the same ignorant, unqualified candidate in hopes of passing Republican legislation to destroy popular programs (such as Social Security, Medicare and Medicaid that benefit all Americans) to give ever more enormous tax cuts to the ultra-wealthy? The correct answer, of course, is who cares? Both are clearly un-American and dangerous threats to the future of American democracy. Obviously, though, the most insidious danger to America’s long-standing democratic traditions are our own un-American Republicans. We’re fortunate that under Trump’s corrupt administration, American institutions of law enforcement and domestic intelligence so far have remained healthy enough to expose a secret foreign criminal operation within our borders that helped elect a completely unfit, un-American president. The strongest safeguard we have to protect our own elections from hostile, foreign assault is democracy itself. In this election year, every decent American, regardless of past party affiliation, needs to be actively engaged in supporting candidates committed to preserving America’s fundamental principles of democracy, equal treatment and fairness under the law. Comment at shepherdexpress.com. n SHEPHERD EXPRESS


NEWS&VIEWS::ISSUEOFTHEWEEK

Abele’s Plan to Put Parking Meters in the Parks is Not Dead

W

hen the Milwaukee County Board of Supervisors listened to the 72% of the Milwaukee County residents surveyed who oppose raising the wheel tax and rejected County Executive Chris Abele’s plan to double the tax, Abele went into one of his hissy fits: So, if you are going to go against my wishes, take this, and he came up with the plan to put parking meters in our magnificent Milwaukee County parks. These parks are gifts that our parents, grandparents and great grandparents who worked hard and paid taxes built and bequeathed to their children and grandchildren. Enter the rich guy from Boston, who grew up with the country club set and doesn’t understand that the other 99% who can’t afford the country clubs use public parks as their country clubs. Fortunately, the public rallied to protect their world-class parks and their heritage and forced Abele to back down. Abele claimed he heard

their voices and backed down—at least for the moment. Unfortunately, it is far from over. Apparently, he plans to come back with some version of a parking-meters-in-parks plan, and this time, he won’t let the people of Milwaukee County or the Milwaukee County Board of Supervisors get in his way. Abele has made it clear over the years that he feels that he knows better about what is good for Milwaukee County than the lifelong residents of the county.

Voters Aren’t Stupid, Just Not Wealthy

However, the majority of us Milwaukee County residents have realized what we elected and tried to defeat Abele in the last election. After State Senator Chris Larson defeated Abele in the 2016 primary, Abele called in his dad’s money and outspent Larson well over 25 to one when you include the money Abele contributed to various nonprofit groups to either buy their support or keep them from endorsing Larson. Using high-paid consultants and several million dollars, Abele managed to use negative and dishonest ads to defeat Larson, whose supporters did not have the money to counter the deceptive and dishonest ads. When you look around the world, you may wonder how and why countries like Turkey, Russia and the Philippines, for example, elect antidemocratic, authoritarian leaders. In most cases, they didn’t start that way. They were elected as leaders who were there to carry out the will of

their constituents. Slowly, often using various crises (some of them manufactured) to create fear and division within their constituency—and with the aid of dark money—they intimidated elected legislators to change the laws to create a more authoritarian position for themselves. County Executive Chris Abele has been doing a similar thing, albeit on a much smaller scale and with some different tactics, but the goal is the same: slowly accumulate the tools of unchecked power. Vladimir Putin and Recep Tayyip Erdoğan use physical intimidation; Abele uses dark money to panic legislators into fearing a massive, negative campaign ad attack in their next election.

Abele’s Anti-Democratic Power Grabs

When Abele is unable to convince a majority of Milwaukee County citizens or Milwaukee County Supervisors of his positions, rather than negotiate a compromise, he consolidates power by running to the Republican-controlled state legislature. They will then override the wishes of the local voters and give his position of Milwaukee County Executive almost unchecked power. He also tries to get a couple of sleazy legislators from Milwaukee, apparently for sale to the highest bidders, to sign on to these anti-democratic bills. His first power grab was in 2013, when he had the GOP-controlled legislature change the law for a populous county (which, as defined, is only Milwaukee County) to weaken the checks

and balances of Milwaukee County government and consolidate power in the county executive’s hands. That increased, unchecked power wasn’t enough for him (think of Putin’s and Erdoğan’s slow rise to authoritarianism). In 2015, when he was again pushing things Milwaukee County voters did not want, he went back to those Republican legislators for more unchecked power. Many of these small-town politicians have expressed contempt for Milwaukee despite the fact that a disproportionate amount of state tax dollars coming from Milwaukee County keeps Wisconsin functioning. Remember former Governor Tommy Thompson’s famous rallying call against Milwaukee, cheered by many rural Republican legislators: “Stick it to ’em!” So in 2015, Abele again got the Republican controlled legislature to further dismantle Milwaukee County’s system of checks and balances to give the county executive even more unchecked power, thus opening it up to yet more corruption. For example, Abele has almost unilateral authority to sell off any of the county’s non-park lands and buildings. Abele, one must remember, takes good care of his friends, often at the county taxpayer’s expense.

He’s Back!

Now in 2018, Abele is once again going to the Republican legislative trough for more unchecked power and more opportunities to take Parking Meters continued on page 11>

NEWS&VIEWS::POLL

You Say Republican Tax Cuts Were Irresponsible Last week we asked if it was irresponsible for Republicans to dramatically cut taxes for the wealthy using borrowed money, leaving our grandchildren to pay off that debt. You said: n Yes: 80% n No: 20%

What Do You Say? The AR-15 assault rifle has been the gun of choice in recent mass shootings in San Bernardino, Las Vegas, Sutherland Springs and Parkland. Should Congress put restrictions on the AR-15 and similar weapons? n Yes n No Vote online at shepherdexpress.com. We’ll publish the results of this poll in next week’s issue. SHEPHERD EXPRESS

FEBRUARY 22, 2018 | 9


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SHEPHERD EXPRESS


> Parking Meters continued from page 9

care of his friends. To make his work easier, Abele has now set up a campaign fund. Some of the money he uses to influence votes comprises above-board, transparent contributions; some is what is called dark money. This dark money is legal but under the radar, which allows him to spend unlimited money to assist elected officials he believes he can “influence” or punish others and keep these contributions off the books. (Keep an eye on state legislators who are either currently running for higher office or have plans to do so.) His new piece of state legislation—according to a document from an attorney for the nonpartisan Wisconsin State Legislative Council— “gives the county executive sole authority to exercise the powers granted to the county board with regard to establishing parking areas.” Isn’t that interesting that he is trying to have this codified in state law? The bill also “gives the county executive of a populous county sole authority to determine the compensation, fringe benefits, human resources, hiring, creation and elimination of positions, pay ranges, expense reimbursements and classifications for county employees.” This obviously is designed to allow Abele to create more positions for his friends and pay them whatever he wants to pay them and give them expense accounts so they can eat and drink at the finest establishments in the country. There is much more to this proposed state senate legislation (SB 777) and its identical assembly bill (AB 923). Putin and Erdoğan must be proud of their little protégé. Comment at shepherdexpress.com. n

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::DININGOUT

For more Dining, log onto shepherdexpress.com

NEW in MILWAUKEE Global tacos, Nashville chicken and savory pastries ::BY LACEY MUSZYNSKI

Tacos, Nashville-style hot chicken and bourbon all make big showings in restaurant openings this month. Plus, a much-anticipated whimsical bakery from the folks at DanDan is ready for customers.

Rock Country

Rock Country

11400 W. Silver Spring Road • 414-758-5101 rockcountrymke.com • $$-$$$

1205 E. Brady St. • 414-578-7866 • kompali.com • $-$$

A bar, restaurant and live music venue has opened in the northwest corner of Milwaukee. Rock Country is located in the former Jokerz Comedy Club and shares an address with Silk, but it is located in a separate building. Owner Brian Ward of Ward’s House of Prime and Point Burger Bar books local Southern rock and country bands. The menu reflects the music, with various barbecue, chicken wing and fried chicken options. Kansas City-style pulled pork is available as a platter ($15) or sandwich ($10). That pulled pork also appears on nachos ($11.50) with the usual toppings. Nashville hot chicken comes in either a four-piece dinner ($16) with fries and slaw, or as chicken and waffles ($17.50). Frozen cocktails and a long list of whiskey and Scotch will keep concertgoers hydrated.

PHOTO COURTESY OF BATCHES

The owners of C-viche, Paco Villar and Karlos Soriano, have opened Kompali Taqueria, a Tex-Mex restaurant, in the former Cempazuchi space on Brady Street. The space has been remodeled and modernized, with bright indigo walls and a mural depicting the tequila-making process on the wall behind the bar. The menu’s focus is mainly tacos, with a section of traditional Mexican tacos served on homemade corn tortillas called Paco’s tacos, and Karlos’ tacos, which include international flavors. Al pastor ($3) is cooked on a vertical spit with pineapple, while the lomo saltado taco ($3) is filled with Peruvian stir-fried beef. Tortas, appetizers and desserts like fried ice cream ($6) are also available.

Oak Barrel Public House

Batches

Batches

The pastry chef of DanDan, Jaceleen Latin-Kasper, is opening a bakery just across the street from the restaurant. Batches, a classic American bakery and café, will serve cakes, pies, ice cream, sweet and savory pastries, breakfast and lunch items, and Anodyne coffee and espresso. The focus will be on vintage American recipes with whimsical twists, plus a number of special diet recipes. The banana chocolate loaf ($2.50) with peanut butter icing is gluten free, and vegan as well as dairy cheesecake will be available. Pizza babkas ($3.50) with pepperoni and tator tot casserole ($3.50) with sausage round out savory options. Homemade candy bars like their version of the O, Henry! with peanut, caramel and milk chocolate are also available.

PHOTO COURTESY OF OAK BARREL PUBLIC HOUSE

Kompali Taqueria

401 E. Erie St. • 414-488-8036 • batchesmke.com • $-$$

PHOTO COURTESY OF ROCK COUNTRY

FEATURE | SHORT ORDER | EAT/DRINK

Oak Barrel Public House

1033 N. Old World Third St. • 414-897-8320 oakbarrelmilwaukee.com • $$-$$$

A pub and restaurant has opened in the former Giovanni’s on Old World Third Street. Oak Barrel Public House is the third restaurant on that stretch of Third Street for owner Bobby Wiltgen, who also runs Who’s on Third and Cantina. The space has been remodeled with exposed brick and bourbon oak barrels as a design element. The menu includes starters, burgers and sandwiches, tacos and pizza. Burgers are quarter-pound smashed patties, including the Signature Burger ($12.95) with cheddar, Swiss, bourbon bacon, caramelized onions and garlic aioli. Tacos, which can also be ordered as bowls, are inventive, like the Nashville Hot Chicken ($8.95) and vegetarian jackfruit carnitas ($8.95). (Another nod to vegetarians is the Impossible Burger ($15.95), a brand name patty that has been all the rage lately.) Pizzas are made with a crispy cracker crust. True to its name, the whiskey list is long, as is the craft beer and cocktail menu. In other news this month, Von Trier has reopened after their renovation, staying with their German focus as opposed to going the cocktail bar route they had once planned. And in closings, we say farewell to Yokohama on the East Side.

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DININGOUT::SHORTORDER

Where They Eat A.J Dixon, chef and owner, Lazy Susan 2378 S. Howell • 414-988-7086

When it’s time to treat herself, A.J Dixon, chef and owner of Lazy Susan, heads to C. 1880. It’s her go-to “I need to feel fancy place” as well as her “I just want great, beautiful food to look at” place. Tartare in any form is generally my go-to; I always order it along with whatever fish or veggie dish is on the menu.” When it comes to family meals out, Koi is the usual stop with her husband and kids. “My children love Japanese food, and I love seeing them branch out and try new things,” she says. “I always get oshinko, fresh green rolls, sweet potato rolls and their avocado salad. They treat children well there, which is a bonus in my book.”

C. 1880

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Dream Lab Brings Creativity (and Coffee) to Walker’s Point ::BY DAVID LUHRSSEN

The inconspicuous new occupant on the block across from Bradley Tech, the Dream Lab (327 W. National Ave.), is a hybrid coffee shop/craft beer bar/gallery space. Opened last month by Shawn DeKay, the rehabbed former barbershop (the poll is still up) serves Counter Culture Coffee and East Side Ovens bakery along with brews by Third Space Brewing, Milwaukee Brewing Company and Eagle Park Brewing (plus that old Milwaukee fave, PBR). Currently, work by local artists Clayton Haggerty, Jeremy Kirk, Roseanna Lazcano and Katie Ryan is displayed along one wall. A splashy urban mural by Chacho Lopez of the Walker’s Point Creative Collective covers a second wall. “I wanted a comfortable space where you can pull out your paints,” DeKay says. “A safe place to create art”—and have an inspiring conversation along with a muffin, an espresso or a beer.

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DININGOUT::EAT/DRINK

AUTHOR SHARES HIS ‘NOODLE SOUP’ OBSESSION ::BY DAVID LUHRSSEN Noodle soup comes in cans, right? Maybe the off-road food adventurer will dump a packet of instant Ramen into a pot of boiling water? In Noodle Soup: Recipes, Techniques, Obsession, Ken Albala travels farther into the culinary unknown with handmade noodles in scratch-made soup. Albala, a professor of “food studies” at the University of the Pacific, admits to an “obsession with noodle soup” and even if his readers can’t be convinced to share his devotion, they will pick up some good ideas for relatively simple, warm and strangely comforting meals. The author also prepares some culinary philosophy, starting with defining terms: What’s a noodle, anyway? Most readers will turn to Noodle Soup for the recipes, involving numerous forms of noodles and a pan-global assortment ranging from Italian minestrone to Chinese hot and sour sweet potato soup.

Carly and Joseph Ledger of Aromatic Acres

Aromatic Acres Goes Beyond Everyday Edibles ::BY SHEILA JULSON

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wenty years ago, few people would have considered cooking with bachelor button (cornflower) flowers, and the mention of Mexican sour gherkin would have been met with raised eyebrows. But in the foodie world, everything old is new again, and micro farms like Wauwatosa’s Aromatic Acres are prepared to educate people in rediscovering culinary classics. Husband and wife Joseph and Carly Ledger of Aromatic Acres both had long-time passions for gardening and good food. Carly began gardening more than 10 years ago while completing an environmental studies minor in college; she honed her skills further traveling throughout the country working conservation jobs at parks. When she returned to Milwaukee, she started growing food. Joseph had also gardened and worked in restaurants. He likes to cook and was always interested in culinary herbs. When he met Carly, they started growing vegetables for their own use and considered farming on a slightly larger scale. The Ledgers rented land from UW-Extension and worked closely with Ryan Schone, food systems coordinator for the extension’s Agriculture and Food Systems. “He advised us to start slow and start small, and I’m pretty glad that we listened to that advice,” Carly said. They farm on approximately one-fifth of an acre at Firefly Ridge community gardens and operate Aromatic Acres around their full-time jobs. They grow common and unusual vegetables, flowers, edible flowers and culinary and medicinal herbs. Carly, who has a background in

studio art, likes to grow flowers such as phlox, poppies and ornamental kale for their artistic elements, and interest in edible flowers branched from that. Cut decorative flowers are a significant part of Aromatic Acres, but the popularity of edible flowers is growing. Customer favorites include bachelor buttons, with a mild, peppery cucumber taste. Good for people new to edible flowers, the blooms’ colorful white, purple or blue tones make them a popular chefs’ garnish. Chive flowers have also become hits at farmers markets. The gem series of marigolds in orange and red add another aspect to the color and flavor palette, and the Ledgers are eager to educate people on how to use them in recipes. They also grow heirloom tomatoes, lettuce, pea tendrils, beets, specialty cucumbers, radishes and radish seed pods, which are crisp and still have that radish bite, but without the heat. Another favorite is Mexican sour gherkin, which looks like a baby watermelon and is no larger than a grape. It has a cucumber flavor with lemony, tart hints. “Some people pickle them or skewer them for cocktail garnish. Kids just eat them as a snack,” Carly said. Aromatic Acres uses organic methods and no pesticides. Growing techniques include trap cropping, where a “sacrificial” plant is added to the garden to attract pests away from the main crops. “We really value the land and being good stewards. It’s important to impact the land in a good, sustainable way,” Joseph said. The Ledgers are avid home cooks and they grow things based on how they would use produce. “We like a farmers market atmosphere because we grow such unique items. It requires a lot of education and talking,” Carly said. “Sampling is a big part of our business.” This season, Aromatic Acres will implement a community supported agriculture program (CSA), with customizable options including herbs, flower bouquets and a D.I.Y flower bucket, all available through the website. They hope to return to the Wauwatosa Farmers Market this year, and people can stay in touch via social media to find out where Aromatic Acres will sell their fun edibles this summer. For more information, visit aromaticacres. com. SHEPHERD EXPRESS


::SPORTS Breaking Down the 2018 Milwaukee Brewers Schedule ::BY KYLE LOBNER

Monday

Day games: 3 Evening games: 13 Late games: 2 Off days: 8 The biggest thing to note in this group is the virtual extinction of the Monday day game to wrap up a four-game weekend series, once a staple of the baseball schedule. The Brewers’ three Monday day games in 2018 are all special occasions: the home opener against the Cardinals on April 2, Memorial Day against the Cardinals on May 28 and Labor Day against the Cubs on Sept. 3.

Friday

Day games: 1 Evening games: 24 Late games: 2 Off days: 0 Once you’ve taken care of your family obligations on Thursday, get back to your couch for baseball every Friday night for 26 out of 27 weeks. The lone exception to the “night games only” rule here is an April 27 matinee at Wrigley Field.

C

actus League games begin this week for the 2018 Milwaukee Brewers, and if you want to catch them all, your schedule is pretty simple: With the exception of a few off days, the Brewers play at 2:05 p.m. or 2:10 p.m. central time each afternoon through Saturday, March 10, then 3:05 p.m. or 3:10 p.m. each afternoon through the final weekend of camp. Even their lone Arizona night game this spring—an 8:40 p.m. start against the Seattle Mariners on Wednesday, March 21—comes on a day when there’s also an afternoon game. After that, however, planning your life around a six-month Brewers regular season becomes a bit more challenging. For one, you’re going to need more days off work than you’ve taken in the past. The 2018 Brewers play 58 day games, as compared to 49 a year ago. There are also signifi-

Tuesday

Day games: 2 Evening games: 21 Late games: 2 Off days: 1 As is typically the case, Tuesdays are a bad night for baseball fans to make other plans. With the exception of day games against the Twins and Cubs (in July and August, respectively), the Brewers play in the evening or late evening every week from April 3 to Sept. 25. The lone off day above, incidentally, is the night of the MLB All-Star Game.

Saturday

Day games: 10 Evening games: 16 Late games: 1 Off days: 0 Take this schedule with a grain of salt, as Saturday games can frequently see their start times changed to accommodate national TV broadcasts. With that said, the Brewers had just three Saturday day games on the schedule at the start of the 2017 season but have 10 of them planned for 2018. All of them come before the All-Star break, interestingly enough.

Y O U R FAV O R I T E B E E R , C H E E S E & S A U S A G E F E S T I VA L I S B A C K !

cantly more off days on the calendar, though. An early start to the season on Thursday, March 29, means the Brewers have 185 days to fit in 162 games, and they’ll have idle days significantly more often during the week as a result. If you find yourself looking for a day of the week when you can make other plans this season, Thursday is your best bet: The Brewers play evening games on just nine of the 2018 season’s 27 Thursdays and are off 13 times. What follows is a quick look at the Milwaukee Brewers’2018 schedule by day of the week to aid with your planning for the months ahead. For these purposes, day game start times range from 11:30 a.m. to 3:10 p.m. central time; evening games range from 6:05 p.m. to 7:45 p.m.; late games are any start after 8 p.m.

Wednesday

Day games: 13 Evening games: 11 Late games: 1 Off days: 1 The Brewers have nine more day games on the calendar in 2018 than they had in 2017, and the majority of them are seen here. Last year, they played just six Wednesday matinees; this year, the majority of games on that day will be played in the afternoon. Those 13 day games includes six consecutive Wednesday afternoon games between May 9 and June 13 before the schedule largely shifts to night games once kids are back in school in late August and September. Here again, the lone off day falls during the All-Star break.

Sunday

Day games: 26 Evening games: 0 Late games: 0 Off Days: 1 The rare Sunday off day listed here comes right away on April 1 following a ThursdaySaturday season-opening series in San Diego. The Sunday schedule is subject to change due to national TV broadcasts, but ESPN selected 2018’s first 10 Sunday Night Baseball broadcasts before the Brewers acquired Lorenzo Cain and Christian Yelich and left Milwaukee

Thursday

Day games: 3 Evening games: 9 Late games: 2 Off days: 13 If you need to pick a day of the week to give your fandom an off day and spend time with family or whatever in 2018, Thursday is your day. The Brewers narrowly avoided being off more often than not on Thursdays this season and have six more Thursday off days on the calendar than they did a year ago. The last Thursday night game of the season at Miller Park is before the All-Star break (July 5), and from Aug. 16 through the end of the season, the Brewers play on Thursday just one time in seven weeks (a day game in Cincinnati on Aug. 30).

off the calendar, opting instead to air three Cubs games, three Yankees games and two games each for the Giants, Dodgers, Nationals, Astros and Cardinals. If the Brewers are in contention as the season progresses, their June 24 home game against the Cardinals and Sept. 2 game in Washington could be among those ESPN looks to pick up.

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ANOTHER WORLD PREMIERE VIA THE REP’S NEW PLAY DEVELOPMENT PROGRAM ::BY JOHN SCHNEIDER

f you live in a modest, middle-class neighborhood, Joanne could be your neighbor. She’s 50-something, teaches violin and cares for her live-in father, Milos. He’s an ailing 89 year old who, as a young man, fled his native Prague alone when Adolph Hitler invaded Czechoslovakia. Through luck, courage and fortitude, he found his way to America and citizenship. Now his daughter, faced suddenly with health issues of her own, needs assistance. She’s hired Camila, an uncertified home health provider, to attend to Milos. As part of the deal, she’s given Camila and her husband, Rafa, living space in the basement and use of the back yard. Camila and Rafa are undocumented Mexican immigrants. An elderly next-door neighbor, Patty, suspects unlawful doings and is poised to call the neighborhood association. That’s the cast and opening situation of One House Over, a bittersweet comedy by Catherine Trieschmann that will have its world premiere Feb. 27 at the Milwaukee Repertory Theater under the direction of the company’s artistic director, Mark Clements. It’s drawn from first-hand accounts and the playwright’s own experience as a live-in nanny. The script grips a reader by the unexpected shifts of perception and action among the members of this awkward, vulnerable community of five; no good guys/bad guys here. “It’s not a play about immigration where that issue is always front and center,” Trieschmann told me. “I was interested in exploring issues of state in an intimate domestic psychological situation. So yes, we have border crossings, but One House Over it’s really a play about Quadracci Powerhouse, how people cross one The Milwaukee Rep another’s psychoFeb. 27-March 25 logical borders and that’s a metaphor for geographic crossing. That’s what I was looking for in any scene: Whose boundary is getting trespassed here?” One House Over is among the first beneficiaries of the Rep’s new John (Jack) D. Lewis New Play Development Program instituted last season to bring worthy plays to the world stage. The program’s director Brent Hazelton, an associate artistic director

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for the company, directed Trieschmann’s earlier play How The World Began for the Rep’s 2012-13 season. A success in London, New York and beyond, it’s “a play about how people are unable to talk about really polarizing subjects,” Hazelton said. “It felt very much like a conversation we’re having here in the community, by a writer firmly rooted in Midwestern themes and ideas. We spent a little time with Catherine around the opening, which helped us realize that this is a relationship worth nurturing. We didn’t have any real way to do that for a couple years, but once the new play program came on stream she was one of the first writers we commissioned.” That commission was for a play about Summerfest, now in development for a future Rep premiere. Meanwhile, Trieschmann explained, “I started this play as a passion project and sent it to Brent and said, actually, could we put the commission aside for a minute and do this one? I think honestly what happened is that Trump got elected and the world changed. It wasn’t the time for the Summerfest play.” “This play just felt a little bit more necessary,” Hazelton agreed. Last June, Trieschmann, Hazelton, Clements and three of the actors who’ll appear in the premiere took the first draft to a Door County arts festival for a workshop and public reading. “It was the first time I’d heard the play aloud in its entirety,” Trieschmann said. “And then we did another workshop in Milwaukee in October with four of the original cast. Because of those workshops, we started rehearsal

PHOTO COURTESY OF TEH MILWAUKEE REP

Milwaukee Rep Crosses Borders with ‘One House Over’

really knowing the play. In the first week, I’m sure I’ve rewritten 20 pages but it was about refining. If it hadn’t been for those workshops, we’d still be asking what this thing is.” “We know the destination now,” Hazelton said. “It’s just figuring out the best way to get there. For me, what makes this play so interesting is that it’s not easy and it doesn’t tell you what to think. It gives you some credit for being an intelligent human being with your own experience to bring to the table.” A native of Athens, Ga., Trieschmann now lives in a small town in western Kansas. She’s a dissertation away from a theater doctorate and has won many playwriting awards and commissions. Yet she maintains she isn’t sure how one becomes a playwright. “I’m working on it,” she said. “I still have questions.” She agrees that working with the same institution over time is invaluable. “The work just gets better when artists get to understand the audience they’re trying to have a conversation with,” Hazelton said. “And the audience gets invested, too. We’re Midwesterners. We like to know our neighbors a little more. The more plays by the same writers, the more people get invested in those individual journeys, too.” Feb. 27-March 25 at Quadracci Powerhouse, 108 E. Wells St. Call 414-224-9490 or visit milwaukeerep.com for tickets and for information on upcoming New Play Development reading workshops, most of which are free and open to the public.

CATHERINE TRIESCHMANN

SHEPHERD EXPRESS


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THE WIZ – TYA version Book by William F. Brown Music and Lyrics by Charlie Smalls

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::THISWEEKINMILWAUKEE SATURDAY, FEB. 24

Mama Tried Motorcycle Show @ The Rave/Eagles Club, 10 a.m.

Nobody will mistake them for paintings or sculptures, but to motorcycle enthusiasts, custombuilt bikes are truly a thing of art. The Mama Tried Motorcycle Show treats them as such, displaying more than 100 vintage bikes and unique custom choppers built by some of the country’s finest craftsmen. The show runs for two days, Saturday, Feb. 24, and Sunday, Feb. 25. As the event’s popularity has ballooned in recent years, so have the concerts and after parties around it. The Rave will host one Saturday night at 8 p.m., featuring the Metallica tribute band One, as well as Weedeater, Bleed, HappyNeverClear, Sex Scenes and Mom’s New Boyfriend, while the Cactus Club will host a trio of shows Thursday through Saturday night, featuring bands including Then Lizzy, Ratt Trap, Da Shit Show, Banditos and Dusk.

Tee Grizzley

THURSDAY, FEB. 22 Jeezy w/ Tee Grizzley @ The Rave, 8 p.m.

Rapping like he’s too damn busy hustling to pop a throat lozenge, Jeezy became one of the first true stars of trap music thanks to his outsized personality and ear for vicious beats. Though he’s sometimes stumbled in his efforts to stay with the times, the Atlanta rapper has been remarkably consistent in the studio, as his solid latest album, Pressure, attests, and his voice remains as thundering and imposing as ever. Yet it’s a safe bet that, at this tour, many audience members will turn out largely for the opener: Tee Grizzley, the fiery Detroit street rapper who laces his songs with wit, conviction and commentary. Recorded shortly after his release from prison, his breakthrough 2016 single, “First Day Out,” became an almost instant internet phenomenon, thanks to the sheer intensity of Grizzley’s raps. His most recent project was Bloodas, an excellent collaborative mixtape with Chicago drill veteran Lil Durk.

UW-Milwaukee LGBT Resource Center 2018 Annual Drag Show @ Miller High Life Theatre, 7 p.m.

You may have a sense of how popular drag is, but to truly understand, there are few better ways than attending the UW-Milwaukee LGBT Resource Center’s Annual Drag Show, sometimes known as the Drag Ball. It’s one of the largest drag shows in the Midwest—drawing a roaring crowd of 2,000 people last year while raising money for Project Q, the LGBT Community Center’s youth program, and Pathfinders Milwaukee. The event is open to the public, with a suggested $5 donation at the door.

Celebrating David Bowie w/ Mark Plati and Abby Jeanne @ The Pabst Theater, 8 p.m.

Founded by former bandmates of the rock legend, Celebrating David Bowie tries to imagine what one of the Bowie’s setlists might look like in 2018 if he were still alive and touring. Headed by Bowie’s keyboardist Mike Garson, one of his longest-running collaborators, the band’s lineup also features guitarist Earl Slick and bassist Carmine Rojas, who toured with Bowie during the Let’s Dance days, as well as several other musicians and guests.

Steve Winwood

Steve Winwood @ The Riverside Theater, 8 p.m.

FRIDAY, FEB. 23

The Zach Pietrini Band @ Twisted Path Distillery, 8 p.m.

Twisted Path Distillery celebrates the launch of its new music venue, The Tasting Room (2018 S. First St.) with this performance from Milwaukee folk-rockers The Zach Pietrini Band. In the future, the venue promises to host a variety of local and national musicians, as well as a songwriters’ night where “musicians can try new material, meet others in their genre and hopefully create some musical community,” according to Pietrini. There’s no admission for this show, which is open to patrons 21 and older.

John Nemeth @ Shank Hall, 8 p.m.

Following his critically acclaimed most recent album, Feelin’ Freaky, John Nemeth has hit the road hard, bringing his blend of blues, soul and R&B to audiences around the country. He draws particular inspiration from the sounds of Memphis, drawing from Hi Records singers like O.V. Wright, Al Green and Ann Peebles, but on Feelin’ Freaky, he modernized his sound—incorporating a mix of hip-hop and rock influences into his arrangements. His willingness to test genre boundaries has only helped cement his stature in blues circles; last year, he was nominated for yet another Blues Music Award in the category of B.B. King: Entertainer of the Year. 18 | F E B R U A R Y 2 2 , 2 0 1 8

Prolific rocker Steve Winwood was inducted into the Rock and Roll Hall of Fame in 2004 for his work with the prog-rock outfit Traffic, and it’s not inconceivable he could be inducted again, since he was also a founding member of The Spencer Davis Group. And should the Hall of Fame decide to honor Winwood’s ’60s blues-rock band with Eric Clapton, Blind Faith, or his short-lived ’70s super-group, Go, the musician could end up being a four-timer. Over the years, Winwood has sat in on key sessions with legends like Lou Reed, Toots and the Maytals and George Harrison, while recording a steady stream of records under his own name. Though he hasn’t released a new studio record since 2008’s Nine Lives, a full-band affair that drew more from Winwood’s blues-rock roots than from the pop mindset of his ’80s hits like “Higher Love,” last year he released a new album called Greatest Hits Live. He’ll be joined at this show by his daughter, Lilly, who is also a singer.

All Messed Up VIII @ Linneman’s Riverwest Inn, 7 p.m.

All musicians need a shakeup or challenge every now and then, and Milwaukee’s annual All Messed Up event provides them with a doozy: Dozens of local players are randomly paired together to create 16 new bands that have three months to create and rehearse about 20 minutes of material, including at least one cover. The resulting bands can be pretty jumbled—by luck of the draw, one could have three drummers and no guitar players, for instance—but many of them are able to make hay of what they’re given, and a few have even spun off into permanent projects. The Frankenstein bands created by the latest All Messed Up draw will perform at a two-night showcase at Linneman’s Riverwest Inn this weekend, Feb. 23 and 24. If history is any indication, each night will feature at least a few winners, and the $5 cover each night makes it a very low-risk gamble. SHEPHERD EXPRESS


Read our daily events guide, Today in Milwaukee, on shepherdexpress.com

6th annual

SUNDAY, FEB. 25

Ladysmith Black Mambazo @ The Pabst Theater, 7:30 p.m. Paul Simon’s Graceland is credited with popularizing world music in America, but in particular it popularized Ladysmith Black Mambazo, the long-running South African choral group showcased on that celebrated album and its tour. In the years since, the group has continued its collaborative streak, working with artists as diverse as Sarah McLaughlin, Melissa Etheridge, Stevie Wonder, George Clinton and even the teen-pop group B*Witched. In 2014, they released their latest album, Always With Us, which is only the second album in the group’s long discography to feature female singers among the group’s all-male roster.

Saturday, April 21, 2018 | WI State Fair Expo Center 1-2pm VIP, 2-6pm General Admission Early bird tickets: GA $40, VIP $70

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Ladysmith Black Mambazo

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A&E::THEATRE THEATRE | REVIEWS

THEATRE | PREVIEWS

The Wiz

“This exciting remount of The Wiz pays homage to Geoffrey Holder, the show’s original director and choreographer,” says co-director Sheri Williams-Pannell. An Afrocentric esthetic predominates our design and informs the choreography of my codirector, Ameenah Kaplan.” The latter, according to Williams-Pannell, is “a sought-after choreographer and percussionist with auspicious credits, including ‘Dancing with the Stars’ and Blue Man Group.” The Wiz: The Super Soul Musical (as it was officially known) debuted in October 1974 in Maryland, made its way to Broadway the following year and went on to win seven Tony Awards, including Best Musical. First Stage originally conceived its “Theatre for Young Audiences” take on The Wiz eight years ago; it is that version which Williams-Pannell and Kaplan co-direct in a production that stars Cynthia Cobb, Raven Dockery, DiMonte Henning, James Carrington and others. Two alternating casts of First Stage young performers also take to the stage. (John Jahn) Feb. 23-March 25 at the Marcus Center’s Todd Wehr Theater, 929 N. Water St. For tickets, call 414-273-7206 or visit firststage.org.

Stupid F**king Bird No, we have not suddenly become overly censorious; that is the name of play-

wright and theater director Aaron Posner’s 2013 adaptation (read: irreverent retelling) of Anton Chekhov’s 1895 play, The Seagull. The latter dramatizes the artistic and romantic conflicts that take place among an interesting assortment of characters. Or, as UW-Milwaukee’s Peck School of the Arts summarizes Posner’s humorous send-up: “An aspiring young director rampages against the archaic productions of the past, and a beautiful young actress wrestles an aging Hollywood star for the affections of a renowned novelist.” Madison-born Aaron Posner, co-founder of the Arden Theatre Company in Philadelphia, has directed more than 250 theatrical productions across the U.S. and has won numerous awards for his work. Stupid F**king Bird has been produced by theater companies and universities around the country. Its success has prompted Posner to also pen modern versions of Chekhov’s Uncle Vanya (as Life Sucks) and The Three Sisters (as No Sisters). (John Jahn) Feb. 28-March 4 at Kenilworth 508 Theatre, 1925 E. Kenilworth Place. For tickets, call 414229-4308 or visit uwm.edu/arts/box-office.

MORE-TO-DO

A Comedy of Tenors

The sequel to Lend Me a Tenor, Ken Ludwig’s A Comedy of Tenors involves supersized voices and concomitantly super-sized egos in full voice and on full display as a desperate concert coordinator struggles to bring them harmoniously together. “One hotel suite, four tenors, two wives, three girlfriends and a soccer stadium filled with screaming fans. What could possibly go wrong?” Racine Theatre Guild asks. Obviously, plenty. Feb. 23-March 11 at the Racine Theatre Guild, 2519 Northwestern Ave, Racine. For tickets, call 262-633-4218 or visit racinetheatre.org/production/a-comedy-of-tenors.

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In Windfall Theatre’s ‘Stones in His Pockets,’ Two Actors Play a Cast of Hundreds ::BY RUSS BICKERSTAFF

T

he tragicomedy Stones in His Pockets is a smart reflection on the struggles of the individual thrown against the immensity of a seemingly infinite world. Two actors slide through an entire cast of characters in a story of a large movie production coming to a small Irish community. Windfall Theatre stages a satisfying realization of the story in its cleverly compact space. Maureen Kilmurry directs Robert W.C. Kennedy and Joe Picchetti through the intricate challenges of portraying a diverse group of characters existing in the bewildering activity of a major film set in a tiny village. The story focuses on a couple of Irish movie extras lost in the production. Two men’s dreams of success are contrasted against the grim, soul-crushing realities of work on a major film set. In addition to the two extras, Kennedy and Picchetti play the film’s director, assistant director, female lead and more than a few others. There’s a large painted landscape in the background, a cabinet and a few props, but for the most part it’s up to Kennedy and Picchetti to deliver every aspect of the story. Kennedy and Picchetti do an admirable job of gliding through a microcosm of subtle fluctuations in personality, temperament and overall characterization without distracting from the rhythm and pacing of the story. A couple of actors on a small stage make the art and artifice of a big-budget Hollywood movie seem absurdly primitive. Two actors and almost no budget show the hopeless folly of big-budget mass-mediated art. There’s a casually earthbound brilliance in the contrast. Through Feb. 24 at Village Church Arts, 130 E. Juneau Ave. For tickets, call 414-332-3963 or visit windfalltheatre.com.

The Intensity of Marquette University’s ‘Student Body’ ::BY RUSS BICKERSTAFF

M

arquette University passionately examines the complexities of sexual assault in the one-hour stage drama Student Body. Frank Winters’ script echoes the style of 12 Angry Men as a group of students from a small town college deliberate with each other about whether or not they’re going to give police video footage of a rape that took place at a

student party. Director Leda Hoffmann fosters an engrossingly organic energy with a cast that ricochets around an intimate space. The play is entirely set in one hour of time in the place where it is staged, a college theater. Students play students. Traditional seating has been eschewed in favor of drawing everyone closer together. Cast and audience all occupy the same space onstage as revelations come to light about each of the characters and their relationships. So much can get lost in an ensemble of 10 with everyone onstage for a full hour. Student Body doesn’t allow anything to hide, though. Hoffman makes sure we see everything. The play is one long relentless scene. The script delivers the story as a single conversation from beginning to end. Ten characters have to work out what to do and we have to watch them do so. No one is leaving until we can work out the fate of a few characters who represent everyone who has ever been involved in a sexual assault as a victim, perpetrator or bystander. Complicit or not, we’re all a part of this problem as audience, actors and characters. Under these circumstances, even the smallest, seemingly simple details can become breathtakingly frustrating as depths of emotional reality explode across the stage. Through Feb. 25 at Helfaer Theatre, 1304 W. Clybourn St. For tickets, call 414-288-7504 or visit marquette.edu/theatre-tickets. SHEPHERD EXPRESS


A&E::CLASSICALMUSIC/DANCE

New Works Premiered by Prometheus Trio and MSO ::BY RICK WALTERS

L

ast week marked the Milwaukee performance of two new works. Though its first two movements had been performed elsewhere before, Prometheus Trio premiered the first complete performance of the four-movement Piano Trio No. 5 by Daron Hagen (b. 1961), who grew up in this area. On the weekend Milwaukee Symphony Orchestra presented American composer Pierre Jalbert’s Concerto for Violin and Orchestra. Both works are attractive and more than worthwhile. It was quite a week. The two-movement concerto by the 50-year-old Jalbert (pronounced JAL-bert) was co-commissioned by MSO, St. Paul Chamber Orchestra and Los Angeles Chamber Orchestra. The music is sophisticated and episodic, constantly exploring delicately layered textures. Mysterious, shimmering sounds were intricately orchestrated. Jalbert writes in a way that flatters the solo violin, with unusual tremolos and trills, building in a pleasing natural balance between soloist and orchestra. Andreas Delfs ably lead the concert, with Frank Almond as concerto soloist. This piece brought out new dimensions in Almond’s playing, with beguiling colors I can’t say I’ve ever heard from him. That’s exactly what one wants in a new piece. The frenetic second movement spilled into a furious cadenza, brilliantly rendered. The concert also featured a fleet, transparent performance of three movements from Felix Mendelssohn’s A Midsummer Night’s Dream. Soprano Wendy Bryn Harmer, baritone Edward Nelson, and the Milwaukee Symphony Chorus gave a fine account with the orchestra of Ralph Vaughan Williams’ hour-long, excessive A Sea Symphony, which I admit is not my cup of tea. Prometheus Trio was convincing in its performance of Hagen’s new piano trio at the Wisconsin Conservatory of Music. The composer states that his inspiration was the story of Icarus from Greek myth, who flew too close to the sun and fell to his death. Imaginative writing comes in the first movement, “Rupture: Intensive Care,” with the instruments imitating hospital monitoring machines. The second and third movements are built on the Irish tune “Red Is the Rose,” in a series of ear-tickling variations. Hagen’s music is warm and wonderfully expressive. I especially appreciate his conciseness as a composer, without the needless ramble of many new works I hear. SHEPHERD EXPRESS

MUSIC / DANCE | PREVIEWS

Give Chance a Piece Composers, by the very nature of their art of music-making, leave little to

nothing “to chance”—randomness and unpredictability. Their musical notations can be open to interpretation, of course, and conductors vary in their degrees of flexibility and openness to personal interpretation. Present Music explores the unknown and unpredictable nature of sound, however, in four concerts of seven pieces of music given in four distinct venues. Indeed, the nature of the venues, themselves, will create changes in the pieces performed. Compositions include Henry Cowell’s plucked-piano-strings piece, The Banshee; Shab o Meh (Night and Fog) by Sahba Aminikia—a narrative of waking from a violent, life-altering encounter; and Pauline Oliveros’ Sounds from Childhood, which asks the audience what sounds they made as children—the latter then becoming part of the performance piece, itself. (John Jahn) Thursday, Feb. 22, at Jazz Gallery Center for the Arts; Friday, Feb. 23, at both the Women’s Club of Wisconsin and John Shannon and Jan Serr’s historic East Side mansion; and Saturday, Feb. 24, at Tim and Sue Frautschi’s Third Ward loft. For tickets and more information about specific performances and venues, call 414271-0711 or visit presentmusic.org.

Hyperlocal #16: Volunteer

When life permits, a fairly ad hoc group of professional local musicians, dancers and some of their best and bravest students gather at different local sites and improvise for upwards of an hour without interruption. They’re cued by a word, which each performer interprets (in this case, “volunteer”), by the physical and social environment (in this case, the back room of Colectivo on Prospect Avenue), by their individual imaginations and, above all, by one another. The musicians often move among the dancers, not so much accompanying as responding. Artistic leader and co-founder Maria Gillespie explained why she chose “volunteer” for the 16th Hyperlocal performance: “I’m interested in exploring themes that concern art practices as community building. Hyperlocal is not a platform for commercial or capital gain. All the artists volunteer their time. We each think about, move and sound through what it means to give our self over to an idea and to offer a new idea into a system.” The musicians this time are Andy Miller, Pat Reinholz, Olivia Valenza, Barry Paul Clark, Tally Moss and David Collins. The dancers are Maria Gillespie, Joelle Worm, Maggie Seer, Andrea Burkholder, Amanda Laabs, Kelsey Lee, Annie Peterson and Katelyn Altmann. (John Schneider) Sunday, Feb. 25 at 4 p.m. in the Backroom at Colectivo, 2211 N. Prospect Ave. Suggested donation: $5 students, $10 adults. Visit hyperlocalmke.com.

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MUSIC / DANCE | REVIEW

MORE-TO-DO

Simone Dinnerstein, Classical Pianist

New York-based pianist Simone Dinnerstein will be appearing at Carthage College in a solo piano recital of classical piano works TBA. Carthage College’s Mike Moore describes her as being “a particularly good get” for the school. She appears as part of the college’s 2018 Lakeside Piano Festival which features highly regarded pianists from around the country. Thursday, Feb. 22 in the A.F. Siebert Chapel, 2001 Alford Park Drive, Kenosha. For tickets, call 262551-6661 or visit carthage.edu/tickets.

Dave Bayles Quartet

Dave Bayles launched his career as a professional musician—a jazz drummer—more than three decades ago, performing six nights a week in Downtown Milwaukee. Bayles’ musical style has been described as one “that blends the physicality of Art Blakey and the melodic sensibility of Max Roach,” and as someone who “moves easily from Big Band to more intimate ensembles.” Friday, Feb. 23, at the Sharon Lynne Wilson Center for the Arts, 19805 W. Capitol Drive, Brookfield. For tickets, call 262-781-9520 or visit wilson-center.com. F E B R U A R Y 2 2 , 2 0 1 8 | 21


A&E::FILM [FILM CLIPS] Film Stars Don’t Die in Liverpool R Annette Bening is strong as Gloria Grahame. Portraying the onetime Hollywood star from the 1940s-’50s in her last years (the ’70s-’80s), Bening endows her with pain, flirtatiousness, anger, wit, desperation and humor. She is the standout element in a dramatization of unpromising source material—the memoir of British thespian Peter Turner on his difficult December-May romance with the actress and her eventual death from cancer. Aside from a clever step-through between past and present that is the movie’s recurring visual signature, Film Stars is flat and a little dull—aside from Bening’s performance. (David Luhrssen)

‘Black Panther’

‘Black Panther’: Finally an African Superhero Film ::BY DAVID LUHRSSEN

I

n July of 1966 the first African su- the other characters speak in the regal dialogue perhero, Black Panther, debuted in a of a 19th-century novel. Chadwick Boseman is Marvel comic book. Three months later, solemn as the Sphinx as T’Challa. The burdens a pair of African American revolutionar- of office sit heavily on his shoulders. The monies founded the Black Panther Party. As arch must weigh the downsides and the ups of usual, Marvel’s masterminds, Stan Lee and Jack his social activist ex-girlfriend, Nakia (Lupita Kirby, channeled the spirit of their time at a time Nyong’o), her campaigns against human trafwhen comics were kid stuff. ficking and ivory poachers and her call to open Although comic book superheroes have long Wakanda’s sealed borders to refugees. He must been as mainstream as baseball and Pepsi, it’s fight the racist soldier of fortune Ulysses Klaue taken more than half a century for Black Panther (Andy Serkis) and his gang of plug uglies out to get his own movie. With race in the headlines to steal the vibranium. And—spoiler alert!— again, maybe the time is right for an African hero more dangerous still is the unanticipated chalwhose special powers are tempered by his own lenge from the lost African American branch doubts over the role he should play. of Wakanda’s royal family (fiery eyed Michael In Black Panther, the title character is the B. Jordan). persona of T’Challa, newly enthroned (and inLike a lost kingdom from Edgar Rice Bursecure) as King of Wakanda after his father was roughs, Wakanda is a place where spears and assassinated at the U.N. by a terrorist. To the bone necklaces emerge from flying machines and eyes of the world, Wakanda is an impoverished the ancient keeps company with the futuristic. land of cattle herders. But for those who can see, Black Panther is a fantasy drawing from pride in Wakanda is a place of marvels. African heritage. At the same It is the site of a miracle mintime, with its Amazon warriors eral, vibranium, which endows and the wise counsel of the the kingdom with a hidden royal family’s women, Black Black Panther dimension of high tech and Panther becomes a symphony high-rise architecture. T’Challa of female empowerment. The Chadwick Boseman sallies forth in a flying saucer. men are generally evil, wrongMichael B. Jordan However, his power has priheaded, hapless or lacking Directed by meval roots. An herbal potion discernment. The women save Ryan Coogler and shamanic ritual transform the day. Rated PG-13 Wakanda’s king into the Black Black Panther sounds sevPanther, instilling him with the eral political notes amid the agility of a jungle cat. And yes, poorly designed computerhe has a costume. In his Black graphic carnage. In the end, Panther mode, he wears a kinky form-fitting T’Challa must navigate between the conservablack leather body suit studded with steel. tive isolationism of his ancestors and the tempThe movie’s perkiest character is T’Challa’s tation of young radicals to set the world ablaze. rebelliously brilliant sister-inventor Shuri, played A message for our time? With few exceptions, by Letitia Wright with a sassy twinkle as she un- the 3D cinematography is more annoying veils gadgets James Bond would envy. Most of than engaging. 22 | F E B R U A R Y 2 2 , 2 0 1 8

[HOME MOVIES /OUT ON DIGITAL] Robert Plant and the Sensational Space Shifters: Live at David Lynch’s Festival of Disruption Unlike most rock stars of his era, Robert Plant remains creatively vital. The 2016 concert documented here is no dog-and-pony show of old hits but a musical journey in which Plant connects his blues roots to their syncopated African origins. That distinctive Led Zeppelin howl is heard occasionally but even Plant’s renditions of “Black Dog” and “Babe I’m Gonna Leave You” are significantly reimagined. West African string instruments are proment. And yes, it rocks.

Crossing the Bridge/Indian Summer Mort, the protagonist of Crossing the Bridge (1992), is brighter than the aimless high school graduates he hangs with in 1975 Detroit. While flawed, director Mike Binder’s debut captures the 8-tracks and six-packs of the era’s teenage wasteland. Will Mort break with his dead end friends and go to college? Will the boys get busted on a drug run across the Canadian border? Crossing the Bridge is paired with Binder’s second film, Indian Summer, on Blu-ray.

“The Guardian: The Complete Series” Simon Baker stars as Nicholas, hotshot corporate attorney sentenced to 1,500 hours of community service for his misdeeds. He’s assigned to a nonprofit children’s advocacy service representing abused and neglected kids. Nicholas’ smugness wears off soon enough as he juggles caring for child clients with his day job cutting sweet deals for high rollers. A well-paced social-courtroom drama, “The Guardian” touches on Big Pharma, mental health, the War on Drugs and other enduring issues.

#artoffline The limitlessness of the digital has its assets, but in this beautifully composed documentary, the artists, curators and gallery owners interviewed insist on the importance of physical encounters with artwork. A digital image is no substitute for the “total body experience” of facing art in a threedimensional space. A picture of the Mona Lisa, to use an obvious example, looks considerably different than the real object. #artoffline is a smart rebuke to mindless digital futurists. —David Luhrssen SHEPHERD EXPRESS


A&E::OFFTHECUFF

A Career on the Air Joanne Williams on local news, ‘Black Nouveau’ and the power of theater ::BY EVAN RYTLEWSKI

F

ew journalists are more familiar to Milwaukee viewers than Joanne Williams. The veteran reporter has spent most of her decades-long career on local airwaves, first as an anchor at WTMJ Channel 4 and then as a fixture of the Channel 6 newsroom, where she spent nearly 29 years. Since retiring from Fox 6 in 2008, Williams has settled into a new role as the host and segment producer of Milwaukee Public Television’s long-running “Black Nouveau,” a monthly spotlight on the city’s black community. A former president of the Milwaukee Press Club and founding member of the Wisconsin Black Media Association, she spoke with the Shepherd Express about her TV news career and her first foray into independent filmmaking, a documentary about a fateful 1960s theater production. You hosted one of Milwaukee’s first morning news shows, right? Yes. It was called “The Morning Scene,” on Channel 4, and we started in 1973, Pete Wilson and I.

stories that happen in and around Milwaukee all year round, about people and events, issues, arts and culture. And we hope that people watch all year round because they learn something new with every show.

What was local morning news like back then? Was the template similar to how it is now? It wasn’t! We created it. We went on 30 minutes before “The Today Show” started, from 6:30-7 a.m. We were an experiment, actually. We were told by the news director we were going to try this morning show and see if anyone would watch, and so we did. And people did watch it. They watched a lot. So we stayed there for a while. It was sort of seat of our pants, just Pete and me. I wrote copy for the show and I did the weather, and Pete wrote news and sports, and we set up the interviews. We produced the whole show. Sometimes I would direct the show, depending on how things went. I’d direct from the set when the director wasn’t there, because that was 6:30 a.m., which was early back then.

It’s interesting you come from a commercial TV news background, because one of the common complaints about local news is you almost never see the local black community depicted in a positive light. You’ll see three minutes of crime coverage, but there’s never a deeper look into the community. That’s what “Black Nouveau” does. That’s where people can turn to see it, the wide variety of people and activities and issues. But to give credit to commercial TV, which I worked in for some 40 years, in a newscast you only get so much time. You have to get in a lot more stories, and you have much less time to do things, so you can’t go into the depths that you can in public television. That’s one of the luxuries we have—being able to do a story that runs for six or seven minutes, where in a newscast it might run a minute and a half. So we can give it the time to breathe and go into some depth.

You’ve been in many roles over the years. Which one did you enjoy the most? I really love live TV. Probably that has something to do with my theater background. But I love live TV and I love anchoring, and I like talking to people and I like doing interviews. Of course, my first love in television news, I discovered after I started working at Channel 4, is editing—video editing. At the time it was film editing. And I love editing. I was an editor when I was chosen to go on the air, so gradually I got away from editing as much, but now I’m getting to do that more again. How did you get involved with “Black Nouveau”? Well, that was kind of fortuitous. I had left Fox 6. I had retired from Fox 6, and I was looking for something else. One of the producers, who I’d known for a long time, asked me if I could come and substitute host, because one of their hosts was sick and couldn’t come. This was two days before they were taping. So I came in and did a guest host. Then they decided they wanted to go with just a host, so they decided to choose me. You’ve been hosting “Black Nouveau” for six years now, but the show has been running since the ’80s. Do you feel you’ve been able to put your stamp on the show? I hope so! I try and present myself and the show as something not only the black community should watch and be interested in and learn from, but that anybody can watch and be interested in and learn from. Like we said in our February edition, this is Black History Month, but Black history is what we do all the time at “Black Nouveau.” We want to tell you the

SHEPHERD EXPRESS

What are your favorite stories to tell on the show? I like stories with very interesting individuals. I like to talk to people who have really interesting stories to tell, about themselves or their families or about what they do. And I like stories about the arts, because that’s something I’ve always been very interested in. When I was at Northwestern, before I got my radio/television/ film degree, I was a theater major, so I did a lot of theater. So I like the arts. But if I can tell a story about a really interesting person, whether they’re famous or not famous, it doesn’t matter. That’s what we try to do, interesting stories about interesting people.

Have you ever considered returning to the stage? Oh yes, absolutely! Maybe one of these days I will try auditioning for something. Of course I wasn’t very good, and that’s why I changed to radio/television/film as my major [laughs]. But I enjoy it. And my sons got into theater, so I was happy when they did that. Now with the documentary I’m producing, that relates to theater. So I’ve never gone too far astray from reading a script. You’d be surprised at how many theater skills I’ve had to use over the years for television. Can you tell me about the documentary you’ve been working on? The title is Kaukauna & King: 50 Years Later, and it’s about a student exchange at Kaukauna High School, up in the Fox River Valley. A social studies teacher at Kaukauna wanted to give his students a broader view of the world, and to let them know there was more to the world than just their small community. So he wanted them to be in a play. The play was In White America, but he couldn’t cast the play because it’s the history of African Americans from slavery to Civil Rights, and there were no black people in Kaukauna. So he had to strike an exchange with Rufus King High School in Milwaukee. Kids from there went up to live with families in Kaukauna for a month, and kids from Kaukauna came down to Milwaukee and lived with families here. And this was all done in 1966. This was 52 years ago, right in the midst of the civil rights movement. So I wanted to find those original students and see what that experience was like for them, both for the kids from Kaukauna and the kids from King. In the course of doing research, there was this theater teacher at King who had never heard of the exchange, but she heard about the play and decided she wanted her kids to do that play, so in November 2016, a multiethnic cast at Rufus King did In White America again 50 years later … And coming up in April we are going to be taking the cast from Rufus King High School up to Kaukauna to perform the play. They’ve been invited by Kaukauna High School to perform the play so they can see what students were involved in 50 years ago. It’s on April 25 and it will be open to the public. Hopefully some of the people who saw it 50 years ago can come to the play and we can talk about what their impressions were then, and what they are now, and what they’ve learned from it. You know, I’ve learned through this process that you can do a lot of things and say a lot of things through theater that you may not be able to say in other venues. It’s a safe place for people to watch a story with which they’re unfamiliar, and then have a conversation about it after the show, and to ask questions and make comments that they may not have had any other opportunities to make any other place except the theater. It really is a way for people to develop understanding.

Joanne Williams PHOTO BY DAVE ZYLSTRA

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A&E::VISUALART

VISUALART|REVIEW

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Transmuting Trash into Treasure with Radical Jewelry Makeover ::BY TYLER FRIEDMAN

A

J

::BY KAT KNEEVERS

ewish Museum Milwaukee is currently hosting important and informative exhibitions that take multicultural perspectives on the civil rights struggle and the open housing protest marches in Milwaukee. “Allied in the Fight: Jews, Blacks and the Struggle for Civil Rights” is a traveling exhibition that is comprised of some artifacts, but mostly ample text panels and images describing how leaders of diverse backgrounds offered support for the African American community during the tumultuous years of the 1960s. Materials discuss events like the Freedom Seder held in 1969. This Passover ritual became a gathering of 800 people of different racial and religious backgrounds in a ceremony of unity. The common experience of Jews and African Americans in facing housing discrimination is another topic. Housing discrimination was pervasive in America, even to the extent that a 1937 edition of Good Housekeeping highlighted with approval communities that had restrictions against the “wrong kind of people.” While “Allied in the Fight” offers a broad historical view, the information that focuses on local events is especially compelling. In Milwaukee, the practice of housing discrimination has had lasting effects to this day. The struggle for change is explored in a complementary exhi24 | F E B R U A R Y 2 2 , 2 0 1 8

bition titled “Crossing the Line: The Milwaukee Fair Housing Marches of 1967-1968,” which details the fight for open housing and against discrimination in other public institutions. The Open Housing marches took place over the course of 200 nights, including the march across the 16th street viaduct lead by Father James Groppi. The work of Alderperson Vel Phillips, who was both the first female and first African American on the Milwaukee Common Council, is also strongly highlighted. Along with fair housing, the need for equality in education is also addressed. Although the Supreme Court’s 1954 ruling of Brown v. Board of Education made school segregation illegal, this was essentially ignored by the Milwaukee school officials for 25 years. This is a significant exhibition that describes how discrimination still has a lasting impact. As the commemoration of these marches continues, it is important to understand the history that underlies the continuing divide in our city. Through March 25 at Jewish Museum Milwaukee, 1360 N. Prospect Ave. Black demonstrator holding American Jewish Congress sign in front of State Capitol, Montgomery, Alabama, at climax of Selmato-Montgomery march, March, 1965. PHOTO COURTESY OF THE AMERICAN JEWISH HISTORICAL SOCIETY, NEW YORK, NY AND BOSTON, MA AND THE JEWISH MUSEUM MILWAUKEE, WI.

PHOTO BY: RADICAL JEWELRY MAKEOVER

‘ALLIED IN THE FIGHT’ OFFERS POWERFUL PERSPECTIVES ON THE CIVIL RIGHTS MOVEMENT

lchemists of yesteryear were obsessed with transmuting base metals into gold. While less mystical in method, Radical Jewelry Makeover achieves this alchemical goal of creating value where none had been. The “traveling community mining and recycling project” solicits broken, discarded and otherwise unwanted jewelry and then teaches makers various methods (e.g. cold connecting, melting down, stone setting and casting) for creating new pieces from the old. This radical act of recycling is part of the larger mission of Ethical Metalsmiths, an organization founded in 2004 with the goal of educating the public about the toxic environmental consequences of mining for metals used in jewelry. Radical Jewelry Makeover is currently in residence in Wisconsin and is holding a kickoff symposium, Feb. 24-25, on the third floor of the Kenilworth Square East Building. The kickoff features lectures, student presentations, an open studio and a pin swap. For a detailed schedule and participation information, visit facebook.com/radicaljewelrymakeover.

Artist Reception for Andy Fletcher and Katie Musolff “All I Can Get” Tory Folliard Gallery | 233 N. Milwaukee St.

Andy Fletcher and Katie Musolff both paint the splendor of Wisconsin’s nature. Fletcher’s plein air canvasses capture the atmospheric majesty of the state’s sparsely inhabited rural environs. Bruised twilight skies and undulating horizon lines are put into perspective by lonely farmhouses, instilling the viewer with a contemplative calm. Musolff takes an almost scientific approach to Wisconsin’s flora and fauna, collecting specimens from around her home by the Mississippi River and creating smartly arranged watercolors, poignant in their simplicity and handling of death. An artist reception takes place at the Tory Folliard Gallery on Saturday, Feb. 24 from 1-4 p.m.

“Katheryn Corbin: Migrant”

Lynden Sculpture Garden | 2145 W. Brown Deer Road Ceramic art can be divided into two main categories: functional and aesthetic. While adept at crafting cups, plates and other functional pieces (which are also quite beautiful—the categories are not mutually exclusive), Corbin specializes in large ceramic sculptures of human figures that resemble Henri de Toulouse-Lautrec’s dandies of La Belle Époque. “Katheryn Corbin: Migrant” exhibits the sculptures and sawdust-fired vessels created during Corbin’s tenure as the Lynden Sculpture Garden’s artist-in-residence. The nearly life-sized figurative ceramic sculptures of migrants find the artist reckoning with the contemporary political climate. The exhibition opens with a reception on Sunday, Feb. 25, from 3-5 p.m. SHEPHERD EXPRESS


A&E::BOOKS

BOOK|REVIEWS

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A magical realist before the term gained currency, Cuban author Alejo Carpentier brought surrealism to the telling of Haiti’s terrible

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history in his 1949 novella. The new translation by Cuban-born poet Pablo Medina is a beautifully wrought tale of the revolt by Haiti’s slaves against their morally degraded masters, which began a cycle of slavery under whatever name by new sets of masters. The Kingdom of This World is strikingly sensual—the words come alive with touch and sight, smell and sound. (David Luhrssen)

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Everybody is Awful (Except You!) (DA CAPO), BY JIM FLORENTINE If comedian Jim Florentine had a band, he might call it Rage Against Stupid. In Everybody is Awful (Except You!), he directs much of that outrage against the stupidity that festers online. Facebook is an easy target that he demolishes with heavy blows. “It fucking stinks!” he shouts; “99 percent of what you read will be meaningless junk news or annoying status updates.” And he takes no pity on anyone dumb enough to imagine that they enjoy meaningful relations with their “friends.” In between his assault on Mark Zuckerberg’s empire of fools (“I call these shitty posts feel-sorry-for-me updates”), Florentine dishes some autobiography—his Catholic school days, his early open mics in Jersey, his transition from strip club regular to strip club employee. (David Luhrssen) SHEPHERD EXPRESS

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LOVE LIFE ENTERTAINMENT ADVICE

::HEARMEOUT ASK RUTHIE | UPCOMING EVENTS | PAUL MASTERSON

Dear Ruthie says, “Hear Me Out! ”

AND FOR EVEN MORE FUN VISIT RUTHIE AND CYNTHIA AT RUTHIE’S BITCHIN KITCHEN.COM

::RUTHIE’S

SOCIALCALENDAR Feb. 22: Bianca Del Rio at Turner Hall Ballroom (1040 N. Fourth St.): One of RuPaul’s greatest funny ladies brings her sharp-tongued hilarity and quick wit to Cream City with the “Blame It on Bianca” one-woman show. Tickets to the 8 p.m. comedy concert are $42.50 and can be found at pabsttheater.org. Feb. 22: Funny Ladies Take Over at D.I.X. (739 S. First St.): As if Bianca Del Rio isn’t offering up enough laughs, the kooky girls at D.I.X. promise to yank your funny bone a bit more. Take in a drag show of funny songs, parodies and the like right after Bianca Del Rio’s concert (see above).

Should I Stay, or Should I Go? Dear Ruthie,

You are invited to our Milwaukee Women’s Leadership Luncheon

featuring Ashley Brundage, Inclusion Consultant and VP at PNC Financial Services Group

Wednesday, March 28 11:30 a.m. to 1:00 p.m. Saz’s South Second 838 S 2nd St Milwaukee, WI $30 for Chamber members $40 for non-Chamber members Register online at www.WisLGBTChamber.com 26 | F E B R U A R Y 2 2 , 2 0 1 8

My husband and I have been married for 23 years. It hasn’t always been easy financially, and I’ve held as many as three jobs at once to help us make ends meet, raise our children, make monthly payments to his ex-wife, pay off his student loans and launch our family business. I’ve never really complained, and to be honest, I’ve reaped the benefits of our hard work. He did promise that when I turned 51 I could retire. I turn 51 this year, but now he’s changing his mind and says I need to keep my full-time job. Why? Our home is paid off, we have no debt, our kids are out of the house and he makes enough to support us both. He says I’m not being reasonable when I tell him that I want to quit working. If I don’t quit, I’m not sure I’ll be able to take my job much longer. Any ideas? There have been many arguments about this I want them to stop.

Help! Hard-Working Rose Dear Rosie, Congrats for being a great wife, a hard worker and a woman who understands what it means to provide for her family. You and your hubby made a plan and you stuck to it. Now it’s time to see that plan out. Remind your husband that you both created this plan and it worked. This doesn’t mean it’s time to change the plan. Nope. No way, Jose. You’re quitting your job and that’s that. If he’s hung up on finances, I’d suggest you both see a financial advisor to be sure you won’t be in in the red. You should also ask about retiring early versus simply taking a break from work or taking a small part-time job. That said, tell you hubby that a deal’s a deal and move on to the next chapter of your life, honey pie. After all, happy wife, happy life!

Feb. 23: Eddie’s Birthday Bash at Harbor Room (177 E. Greenfield Ave.): Celebrate Friday with a happy hour, honoring one of the city’s favorite bar owners. Wish Eddie Carver a happy B-day during this 3-7 p.m. bash that includes free beer (while it lasts), munchies, cake and more. Feb. 23: ‘Sing Out’ at the Milwaukee LGBT Community Center (1110 N. Market St.): Would it kill ya to get a little culture? Heck, no! So, head over to the Community Center for a 7-9 p.m. night of opera. Presented by the Florentine Opera Baumgartner Studio Artists, the concert is open to all with donations appreciated. For additional information call 414-271-2656. Feb. 24: UW-Milwaukee Annual Drag Show at Miller High Life Theatre (500 W. Kilbourn Ave.): Back for it’s 19th year, this incredibly popular show features the city’s top performers as well new yet fierce faces sure to become the talk of the town. Open to the public, the 7 p.m. show involved a $5 suggested donation at the door. Feb. 24: Ladytastic Dance Party at Art*Bar (722 E. Burleigh St.): Get your groove on with a 9 p.m. dance party featuring nothing but songs by female vocalists. Grab your girlfriends, your dance pants and $5 for the door charge and get ready for a wild night. Guys are welcome, too, but they better be ready to boogie and keep up with the gals. Feb. 25: The Squeezettes at Walker’s Pint (818 S. Second St.): Get your keester shaking during this afternoon delight with one of Milwaukee’s favorite polka bands. The Squeezettes bring the kooky brand of toe-taping fun to the popular Walker’s Point bar from 2-5 p.m. Feb. 26: Beyond Resistance: Stories of Resilience and Inspiration at Turner Hall Ballroom (1040 N. Fourth St.): From women’s rights to LGBTQ issues, this evening of storytelling highlights the tenacity of the human spirit. Doors open at 6:30 p.m. with the program beginning at 7:15. The night is open to all and includes a $10 donation. Email beyondresistancemke@gmail.com with questions. Want to share an event with Ruthie? Need her advice? Email DearRuthie@Shepex.com. SHEPHERD EXPRESS


::MYLGBTQPoint of View

A PArtnersHIP OF

Register or find more information:

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Milwaukee’s Black LGBTQ Art ::BY PAUL MASTERSON

K

ehinde Wiley’s portrait of President Barack Obama created history on various levels. Unveiled at the National Portrait Gallery in the midst of Black History Month, the likeness of the first African American president was painted not only by a black artist but a queer one at that. Through art, in a much-needed positive moment, it advanced the American experiment. Of course, in their inevitable “I don’t know much about art, but I know I hate black people” critiques, Republican pundits spewed vile vitriol in response. Still, save for some, art ennobles. Black LGBTQ art in Milwaukee is also making history. Despite, or perhaps in part because of the city’s racial divide, our out and proud African American LGBTQ artists represent all genres of the arts. By any metric, they are accomplished masters of their craft and contributors to the common cause of raising the community through art. Here are just a few: Richard Brasfield: dancer, choreographer and artistic director of ReVamped Dance Company The company, formerly known as Remix, was founded in 2006. I met Brasfield in 2014 when I invited him to dance at PrideFest. He appeared with ReVamped that year on the PrideFest Milwaukee Gay Arts Center Stage. His crew is now an annual attraction there and has moved to the larger PrideFest Dance Pavilion. A typical artist, he works multiple jobs while dedicating his remaining time to dance.

In addition to directing ReVamped, he teaches at Danceworks and produces dance shows throughout the city that engage a broad range of dance organizations. He also participates with local contestants in the national drag pageant scene. ReVamped Dance Company’s mission, as Brasfield explains, is “to build a strong and serious hip-hop community as an outlet for Milwaukee area people to devote their otherwise idle time to developing a dance style, learning how to hone their natural talents and foster their dance creativity.” His goal is to showcase Milwaukee’s “Raw hip-hop” and integrate alternative dance styles into that genre. His first PrideFest appearance was proof of that—and proof of his broader mission, bringing not only a multi-disciplinary show but a multigender and multi-generational one. He’s also determined to bring urban art more to the fore, “little by little.” Lex Allen: singer, artist, photographer and Milwaukee Symphony Orchestra board member Appointed to the MSO board in January, he serves as a millennial voice, engaged in education and community outreach. Musically, his sound is a mellow yet motivating amalgam. He calls it “Soul Pop” and says his inspiration can be traced to his growing up in a mixed household (with 11 brothers and sisters) and his exposure to all musical genres. Allen’s current project is Colors in Bloom, a self-acceptance campaign for LGBTQ youth. He’s also about to release his latest album, Sinners and Saints, performing at the UW-Milwaukee Drag Show and working on a movie. Elizabeth Brown (1937-2011): visual artist Her insightful Afro-centric sensitivities found expression in a full multi-discipline and multi-media spectrum. Brown was a silversmith and painter who certainly influenced and inspired a following, including myself. A character on so many levels, she is missed as an artist and friend.

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Circulation Drivers NEEDED The Shepherd Express, Milwaukee’s best news, arts and entertainment publication, has a need for Circulation Drivers (Milwaukee Route). The qualified candidate must have a good driving record, an appropriate vehicle with insurance, be reasonably physically fit, and available every Wednesday beginning in the morning. The Shepherd Express is a great place to work and has been recognized by The Business Journal as one of Milwaukee’s Top Workplaces. To apply for the position, contact Josef at 414-264-2537

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::MUSIC

For more MUSIC, log onto shepherdexpress.com

LARRY DIMARZIOG

FEATURE | ALBUM REVIEWS | CONCERT REVIEWS | LOCAL MUSIC

Joe Satriani Reconciles His Many Personas ::BY ALAN SCULLEY Satriani has created. At the same time, tunes like “Smooth Soul,”“Righteous” and “Forever and Ever” dial back on the voltage and showcase a more fluid and vate personality traits over the past few years. highly melodic feel that draws strongly from soul and Living near an elementary school in San Francisco at the time, Satriani and his wife were in their ga- rock and brings a nice balance to the album. Now Satriani is embarking on upwards of two years rage one morning. “We hear what sounds like an absolute crazy person walking up the street. It really of touring. The first round of touring behind What sounded like a crazy, deranged person, right?” the guitar great recounted in a recent phone interview. Happens Next will find him joined by Dream Theater guitarist John Petrucci and Def Leppard guitarist Phil “So, we kind of froze and looked, and we were waiting for this person to come into view. Collen for the latest edition of his G3 tour. Each guitarist will play a set running 45 minutes to an hour, and “All of a sudden, who comes walking by but alter ego when his son, ZZ, joined the tour to film a then the trio will perform together to finish the night. Robin Williams walking his son to school. Of documentary, finding his father at a place where he Satriani said he plans to showcase several songs course, he’s entertaining his son like you’ve seen was trying to reconcile his onstage persona with his from What Happens Next in his set, along with fan fahim in music and television shows,” the guitarist natural traits and personality. vorites from his back catalogue. Given the changes he said. “It reminds me that he was such a wonderful In the end, Satriani found a way forward. “I think has gone through in reconciling his Shockwave Superperson and a great performer, but I suppose there one of the things he (ZZ Satriani) discovered is it nova persona and his real personality, will audiences wasn’t a line there. If he was doing that at 7:30 in the wasn’t so much a discarding of an alter ego as it was see a different kind of performer when Satriani hits morning with his son just to put a smile on his son’s me accepting that it was really part of me all along,” the stage for his G3 sets? Even Satriani wasn’t sure. face, that’s pretty remarkable. So it comes to mind he said. Satriani put his decision to express a truer “I’m curious to see what happens,” he said. “But when I think about that whole thing about performversion of himself into practice in writing for his new, my guess is I’ll probably hit the stage with renewed ers having two lives—one for home and one for the 16th studio album, What Happens Next. excitement, and maybe I’ll go even further with the stage.” Recruiting Red Hot Chili Peppers performance. I know that period of For many years, Satriani saw a marked difference drummer Chad Smith (who also plays laying myself open, allowing myself to in who he was in private and how he tried to come with Satriani in the side band, Chickbe sort of dissected during the filmacross on stage. Like many musicians, he was quite enfoot) and bassist Glenn Hughes (of ing of [the ZZ Satriani documentary] Joe Satriani shy when he first started touring. To help him come Deep Purple fame) to form his studio Beyond The Supernova, really was a RiversideTheater out of his shell, Satriani over the years developed a band, Satriani dispensed almost enhealthy thing. It helped unlock the series of on-stage personas—the latest he named tirely with the progressive rock influSunday, Feb. 25 emotions to create a new album, finish “Shockwave Supernova”—that allowed him to be a ences and science fiction motifs that 7:30 p.m. it and then feel comfortable to prepare flashier performer who embraced stunts like playing had flavored his past several albums to bring it out on tour. All the things the guitar with his teeth in order to entertain audiand pursued a sound rooted in rock that seemed to be part of the pathos ences. and soul. This pushed him to look more behind the Shockwave Supernova But especially in making his 2015 album, Shockinward and use his songs, which remain all instrumen- character were somehow excised during that whole wave Supernova, and then touring to promote that tal, to express more basic human emotions. The result process. So I’m looking forward to it, like it’s the final release, Satriani began to question whether his persois a potent album with songs that are more concise step. It should be very interesting.” na was overtaking him. The concluding song on that and direct in their emotions. Joe Satriani’s G3 tour with John Petrucci of Dream Thealbum, “Goodbye Supernova,” hinted at the emerging Several songs, including “Energy,”“Catbot” and ater and Phil Collen of Def Leppard stops at the Riverside conflict. And then Satriani got to further examine his “Headrush,” are among the hardest rocking songs Theater Sunday, Feb. 25 at 7:30 p.m. oe Satriani remembers a random encounter he had with the late actor-comedian Robin Williams

that illustrates, at least to an extent, a process he’s gone through in evaluating his public and pri-

28 | F E B R U A R Y 2 2 , 2 0 1 8

SHEPHERD EXPRESS


MUSIC::CONCERTREVIEW

MUSIC::LOCAL

Caley Conway Makes Herself at Home

Bon Iver Preserved the Intimacy at the ‘For Emma, Forever Ago’ Anniversary Concert

I

::BY KEVIN MUELLER

O

DANIEL OJEDA

ver the past 10 years, Bon Iver frontman Justin Vernon has embodied the improbable underdog for the entire state of Wisconsin. Back in 2008, it seemed impossible that a musician could capture an indie-rock audience outside the big hubs of Los Angeles or Brooklyn, N.Y. It was in January of that year that he played Mad Planet to about 100 people with some Milwaukee buddies. But Vernon eventually proved that it didn’t matter where you were located as long as the material had merit. For Emma, Forever Ago, Bon Iver’s 2008 landmark debut, seeped with pain and loss behind Vernon’s soon-to-be trademark falsetto. It was an album that felt magnanimous but at the same time stark and intimate. The rural mystique surrounding the writing—that Vernon holed up in a Wisconsin hunting cabin during a winter to record the album—added an insatiable hook to the Bon Iver narrative. As the story goes, Vernon would go on to collaborate with Kanye West and win a Grammy Award for Best New Artist. Despite all the national attention, he embraced his Wisconsin roots, building a record studio, April Base, and starting a music festival in his hometown of Eau Claire. That’s why it’s fitting that Vernon chose a Wisconsin locale, the BMO Harris Bradley Center, to hold a special 10-year anniversary of For Emma, Forever Ago on Saturday night. And he asked those same Milwaukee buddies from that Mad Planet show, Collections of Colonies of Bees and Field Report (then known as Conrad Plymouth) to open the night. “I don’t want to make too big a deal of the evening, but it does feel like our birthday party,” Vernon said, as he stood in what resembled a frozen ice cavern that was illuminated by candles. For the beginning of the night, Vernon acted stoic and reserved, perhaps taking in the enormity of the evening. The audience echoed that temperament—somehow, someway, a sold-out arena showed reverence and grace as Vernon strummed through For Emma’s most poignant and heartbreaking moments. But that disposition started to change after a few songs. The band barreled through the conclusion, “Creature Fear,” which built into a thundering arena-rock crescendo, buoyed by the two drummers pounding on their sets. The band came alive and displayed the sonic dynamism that would carry the show. The audience went along for the ride. This one-off performance not only looked back at the album, but its greatest flashes were when Bon Iver paid tribute to the songs that were written around the same time. Vernon stood alone on stage, looping vocals to the ethereal Blood Bank song “Woods” as just his voice bounced around the arena’s vast expanse. He also shared an unreleased track, “Hayward, WI.” “Play some songs you know how to play; then play the one you don’t know about,” he admitted, before diving into the somber folk tune. The performance was also highlighted by covers that the band played on its first tour, including Graham Nash’s “Simple Man” sung by bandmate Mike Noyce and “Loving’s for Fools,” a cover of Sarah Siskind, who joined him onstage to sing along. In the end, Bon Iver playing the Bradley Center was just a concert, but it couldn’t help but feel so much bigger than that. It felt like a big hug to the state of Wisconsin—and a proclamation that you, too, can make an imprint on the world from here.

n this world, nothing is certain but death, taxes and band breakups. It can sometimes feel like a meeting with the Grim Reaper when a great band calls it quits, but occasionally there’s a Beyoncé-shaped light at the end of a Destiny’s Child tunnel. Milwaukee audiences were first intrigued by Caley Conway’s ethereally distinct voice when the singer-songwriter fronted folk-rock outfit The Lucy Cukes back in 2014. The band met their demise two years later, but Conway has continued to maintain a strong presence in the city’s music community with her solo sets and various side projects. Even though her road has been long, it’s easy to feel like her journey is just beginning. With her sweet soprano voice and melodic acoustic guitar, Conway is often compared to folk singers like Joni Mitchell. Though she cites the legendary Blue songstress as one of her strongest musical influences, her primary songwriting inspirations are generally within arm’s reach. “I can’t help but be creatively invigorated after witnessing a friend or community member perform an inspired, original song,” she says. “It’s so important to see first-hand barriers being broken and other artists’ experimentation.” Conway knows firsthand just how much other Milwaukee musicians have to offer; despite her Sheboygan County residency, she’s still one of the city’s more involved music scene participants. Caley Conway When she’s not spearheading one of her countless solo shows, Conway can be found singing backup for R&B crooner D’Amato and playing bass in Milwaukee supergroup Cairns. Conway appreciates the chance to take the creative backseat every once in a while, especially when it involves observing her peers’ creative processes. “I love Cairns because I naturally thrive at being in the role of assistant,” she says. “I don’t have to call shots or pitch song ideas or do all the leadership stuff that makes me so vulnerable in my own project. It’s kind of a luxury.” Milwaukee’s hustle and bustle can undoubtedly become overwhelming—especially for an artist with a heaping handful of creative projects. When Conway and her partner-bandmate, John Larkin, aren’t actively engaged with the Milwaukee music community, the duo retreats to a cabin in rural Oostburg, Wis. Their move north was coupled with a bit of culture shock, including a 45-minute commute to the big city. “The increased distance from Milwaukee also gives me a surge of appreciation for this music community and my place within it,” says Conway. “We definitely haven’t transferred communities just because we moved away, so the sense of belonging in Milwaukee—musically—has become, like, 150% more potent.” Oostburg’s seclusion gives Conway some much-needed privacy, and the ability to work freely boosts her musical work ethic immensely. In December, she released a Christmas-themed EP titled Heart Be Light shortly after releasing a two-song single, Barrels, in October. Two releases in three months is admirable, and Conway isn’t planning on slowing down any time soon. She’s currently finishing up her next full-length album and anticipates a 2018 release date. Conway excitedly humble-brags that her forthcoming release is primarily a product of her own creativity. “One thing I’m proud of is that there’s less of other people offering the melodious and textural ideas,” she says. “Say what you want about that attitude, but it’s where I’m at presently.” Caley Conway will perform with Marielle Allschwang and D’Amato at Anodyne Coffee in Walker’s Point on Friday, February 23.

DANIELLE BURREN-CHARLES

::BY LAUREN KEENE

Bon Iver SHEPHERD EXPRESS

F E B R U A R Y 2 2 , 2 0 1 8 | 29


MUSIC::LISTINGS THURSDAY, FEBRUARY 22

Amelia’s, Jackson Dordel Jazz Quintet (4pm) Angelo’s Piano Lounge, Acoustic Guitar Night Cactus Club, Mama Tried After -Party #1 w/Then Lizzy, Ratt Trap & Tuff Pups Cafe Carpe (Fort Atkinson), Bill Miller Camp Bar Tosa, Jude and The Dude Caroline’s Jazz Club, The Group w/Eddie Butts Clarke Hotel (Waukesha), Jeff Stoll & JoAnna Marie (6pm) County Clare Irish Inn & Pub, Acoustic Irish Folk w/Barry Dodd Gibraltar Mke, Alex Wilson Blues Guitar Jazz Estate, Tim Ipsen Quartet Linneman’s Riverwest Inn, Portage record release Mason Street Grill, Mark Thierfelder Jazz Trio (5:30pm) Mezcalero Restaurant, Open Jam O’Donoghues Irish Pub (Elm Grove), The All-Star SUPERband (6pm) Pabst Theater, Celebrating David Bowie Potawatomi Hotel & Casino, In Bar 360: Marcell Rave / Eagles Club, Jeezy w/Tee Grizzley (all-ages, 8pm) Rounding Third Bar and Grill, Comedy College Standup Showcase Shank Hall, Haunted Summer The Bay Restaurant, Bruce Troeller The Packing House Restaurant, Barbara Stephan & Peter Mac (6pm) Transfer Pizzeria Cafe, Martini Jazz Lounge: Eric Schoor Trio w/ Manty Ellis Turner Hall Ballroom, Bianca Del Rio Up & Under Pub, A No Vacancy Comedy Open Mic

FRIDAY, FEBRUARY 23

Alley Cat Lounge (Five O’Clock Steakhouse), Milwaukee’s Finest Angelo’s Piano Lounge, Julie’s Piano Karaoke Anodyne Coffee (Walker’s Point), Caley Conway Band w/Marielle Allschwang Best Place @ the Historic Pabst Brewery, The Best Fest: Pay the Devil, Chris Haise, Paladino, and host Tangled Lines Cactus Club, Mama Tried After -Party #2: Da Shit Show Cafe Carpe (Fort Atkinson), Radio Wranglers Circle-A Cafe, Alive at Eight: Sultry Sounds of the Underground w/ No Recess (8pm); DJ: Fazio (10pm) Club Garibaldi, Half A Mind Colectivo Coffee (On Prospect), The Moth StorySLAM: Love Hurts ComedySportz Milwaukee, ComedySportz Milwaukee! Company Brewing, Urbanempress & the UrbanItes County Clare Irish Inn & Pub, Traditional Irish Ceilidh Session Frank’s Power Plant, Brave You w/Man Random & Death & Memphis Golden Mast Inn, Joe Kadlec (6pm) Hops & Leisure (Oconomowoc), Saddlebrook Trio Iron Mike’s (Franklin), Jam Session w/Steve Nitros & Friends Jazz Estate, Nineteen Thirteen (8pm), Late Night Session: Brett Westfahl Quartet (11:30pm) Kam’s Thistle & Shamrock, Erich Von Klassen of Black Frog Kim’s Lakeside (Pewaukee), One Shot Wally Lakefront Brewery, Brewhaus Polka Kings (5:30pm) Linneman’s Riverwest Inn, All Messed Up VIII Defenestration - The Showcase: Centaurettes (8pm), Dildo Launcher (8:40pm), Michael T. Grace and The Cucks (9:20pm), Star Pilots of the Great Wheel: Arcturus V (10pm), Wife Material (10:40pm), Herbitat for Her Manatee (11:20pm), Surfing Assholes (12am), Let Charlie Name Us (12:40am) Lucky Chance, Craig Omick & Friends All-Star Band & Open Jam Party w/Jeff Arnold & Ricky Orta Jr.

Mamie’s, Marvelous Mack Mason Street Grill, Phil Seed Trio (6pm) Mezcalero Restaurant, Do-Wa-Wa Miramar Theatre, Mija (all-ages, 9pm) Old German Beer Hall, Fred Usinger Day (11am) Pam’s Fine Wines (Mukwonago), Rebecca and the Grey Notes (6:30pm) Potawatomi Hotel & Casino, In Bar 360: Andrea & The Mods (9pm), In the Fire Pit: Crank the Radio (9pm) Rave / Eagles Club, Architects w/Stick To Your Guns & Counterparts (all-ages, 7:30pm), MISSIO w/Welshly Arms (all-ages, 8:30pm), Chris Lane w/Saddlebrook (all-ages, 8pm) Riverside Theater, Kelsea Ballerini w/Walker Hayes Shank Hall, John Nemeth Smith Bros. Coffee House (Port Washington), Paul & Andy Smitty’s On The Edge (Mequon), Matt MF Tyner Tally’s Tap & Eatery (Waukesha), Tomm Lehnigk The Bay Restaurant, J. Ryan Trio The Packing House Restaurant, Dave Miller Jazz & Blues Quartet (6:30pm) Turner Hall Ballroom, The Atomic Punks w/Oozing Wound & DJ Dripswea (ages 18-plus only) Twisted Path Distillery, The Zach Pietrini Band Up & Under Pub, Big Dill and the Boys

SATURDAY, FEBRUARY 24

7 Mile Fair (Caledonia), Billy Flynn (12pm) American Legion Post #449 (Brookfield), Nostalgia Angelo’s Piano Lounge, Piano Night Anodyne Coffee (Walker’s Point), SistaStrings w/Bill Camplin Brewtown Eatery, One Lane Bridge Cactus Club, Mama Tried After -Party #3: Banditos w/Dusk Cafe Carpe (Fort Atkinson), Chris Kasper Cedarburg Cultural Center, Rebels & Renegades: Altered Five Blues Band Circle-A Cafe, Alive at Eight: Dick Satan Trio (8pm); DJ: Lars (10pm) Club Garibaldi, Fuzee w/Ten Penny Picassos & Bruce Dean ComedySportz Milwaukee, ComedySportz Milwaukee! Conway’s Smokin’ Bar & Grill, Joe Wortell & The Loose Diamonds Cue Club of Wisconsin (Waukesha), Grooveline Fire On Water, Cactii Five O’Clock Steakhouse, Rafael Mendez Fox Den Tavern & Grill (Mequon), Maple Road Blues Band Frank’s Power Plant, Line of Outcasts w/Arcade Mode & Social Que George’s Tavern (Racine), The Blues Disciples Hilton Milwaukee City Center, Vocals & Keys Hops & Leisure (Oconomowoc), Uncle Fester Jazz Estate, Frank Catalano (8pm), Late Night Session: Obsidian Spearhead Trio (11:30pm) Just J’s, The Carpetbaggers Kam’s Thistle & Shamrock, Suicide Kings Reunion Show Kochanski’s Concertina Beer Hall, Love Lies Bleeding Linneman’s Riverwest Inn, All Messed Up VIII Defenestration - The Showcase: The Sheets (8pm), Pickle Cat (8:40pm), Lindsay Lohan & Tonya Harding (9:20pm), You, Me, Dad, & Boba Fett (10pm), Wheat Thiccs (10:40pm), Discharge Instructions (11:20pm), Sofa King What (12am), Aztec Nickel (12:40am) Mason Street Grill, Jonathan Wade Trio (6pm) McAuliffe’s Pub (Racine), Rock For Vets Fundraiser w/The Krispy Brothers & BRB Mezcalero Restaurant, Suave Miramar Theatre, RCKT PWR w/Tyro, Dogma, Drop Dead Fred & Tok3n (all-ages, 9pm) MugZ’s Pub and Grill (Muskego), Open Jam w/host Willow Creek

Pabst Theater, Hairball w/Arena Potawatomi Hotel & Casino, In Bar 360: Bockenplautz (9pm), In the Fire Pit: Jake Williams (9pm) Rave / Eagles Club, Mama Tried After Party: Weedeater, One (Metallica Tribute), Bleed, HappyNeverClear, Sex Scenes & Moms New Boyfriend (all-ages, 8pm) Riverside Theater, Steve Winwood Rosco’s Restaurant & Sports Bar, The Falcons Shank Hall, Well-Known Strangers w/Listening Party Silver Spring House, Rick Holmes Saturdays Smith Bros. Coffee House (Port Washington), Jonny T-Bird & Big Dad The Bay Restaurant, Karen Cameron Trio The Cheel (Thiensville), Leroy Airmaster The Coffee House, Talent Contest, Part 2 The Lakeside Supper Club & Lounge (Oconomowoc), Rebecca and the Grey Notes The Packing House Restaurant, Joe Jordan & His Soul Trio (6:30pm) Up & Under Pub, Hot by Ziggy

SUNDAY, FEBRUARY 25

7 Mile Fair (Caledonia), Billy Flynn (12pm) Angelo’s Piano Lounge, Live Karaoke w/ Julie Brandenburg Circle-A Cafe, Alive at Eight: Derek Pritzl and Friends (8pm); DJ: Sextor (10pm) Dugout 54, Dugout 54 Sunday Open Jam Hops & Leisure (Oconomowoc), Memorial Full Band Open Jam (4pm) Iron Mike’s (Franklin), Jammin’ Jimmy Open Jam (3pm) Kochanski’s Concertina Beer Hall, Bluegrass All Stars (2pm) Orson’s Saloon (Cudahy), Call Me Denny Pabst Theater, Ladysmith Black Mambazo Riverside Theater, G3 2018: Joe Satriani, John Petrucci of Dream Theater, Phil Collen of Def Leppard Rounding Third Bar and Grill, The Dangerously Strong Comedy Open Mic Shank Hall, Kitchen Dwellers The Coffee House, Open Stage The Packing House Restaurant, Jazz Unlimited Jazz Jam: Sherwood Alper Quartet w/Jeff Stoll, Joe Zarcone & Kaye Berigan (1pm) Turner Hall Ballroom, Iced Earth w/Sanctuary (Farewell and Tribute to Warrel Dane) & Kill Ritual

MONDAY, FEBRUARY 26

Company Brewing, Abby Jeanne’s “Fire in February” w/Rose of the West (6:30pm) Jazz Estate, Poetry Night w/Bryon Cherry & Isaiah Joshua Linneman’s Riverwest Inn, Poet’s Monday w/host Timothy Kloss & featured reader Linetta Davis (sign-up 7:30pm, 8-10:30pm) Mason Street Grill, Joel Burt Duo (5:30pm) McAuliffe’s Pub (Racine), Jim Yorgan Sextet Paulie’s Pub and Eatery, Open Jam w/Christopher John Turner Hall Ballroom, Beyond Resistance Storytelling Event Up & Under Pub, Open Mic w/Marshall McGhee and the Wanderers

TUESDAY, FEBRUARY 27

C Notes Upscale Sports Lounge, Another Night-Another Mic Open Mic w/host The Original Darryl Hill Frank’s Power Plant, Duck and Cover Comedy Open Mic Mamie’s, Open Blues Jam w/Stokes Mason Street Grill, Jamie Breiwick Group (5:30pm) Miramar Theatre, Tuesday Open Mic w/host Sandy Weisto (sign-up 7:30pm) Miramar Theatre, SonReal (all-ages, 9pm) Rave / Eagles Club, PVRIS w/Flint Eastwood & Cherry Pools (allages, 7:30pm) Silver Spring House, Rick Holmes Jam Tuesdays The Jazz Gallery Center for the Arts, Jazz Jam Session Transfer Pizzeria Cafe, Transfer House Band w/Jason Goldsmith

WEDNESDAY, FEBRUARY 28

2/22 Well Known Strangers 3/1 Greg Koch 30 | F E B R U A R Y 2 2 , 2 0 1 8

Cactus Club, WMSE 91.7 Presents: Iron Chic w/Dusk & Telethon Conway’s Smokin’ Bar & Grill, Open Jam w/Big Wisconsin Johnson Ion Sports Pub (West Bend), Andrew Gelles Kelly’s Bleachers II (Wind Lake), Matt MF Tyner Kochanski’s Concertina Beer Hall, Polka Open Jam Linneman’s Riverwest Inn, Acoustic Open Stage w/feature Rich Travis (sign-up 8:30pm, start 9pm) Mason Street Grill, Jamie Breiwick Group (5:30pm) Nomad World Pub, 88.9 Presents “Locals Only” w/Keith and Peter, and Layers & Layers Pabst Theater, The Irish Rovers Paulie’s Field Trip, Humpday Jam w/Dave Wacker & Mitch Cooper Rave / Eagles Club, Motionless In White w/Every Time I Die, Chelsea Grin & Ice Nine Kills (all-ages, 7pm) Route 20 Outhouse (Sturtevant), Wednesday Night Acoustic (5:30pm) Shank Hall, Stu Hamm Tally’s Tap & Eatery (Waukesha), Tomm Lehnigk The Cheel (Thiensville), Tracy Hannemann & Theo Merriweather (6:30pm) The Packing House Restaurant, Carmen Nickerson & Kostia Efimov (6pm)

::ALBUMS Various Artists

HG Studio 25th Anniversary: 18 Polkas and Waltzes That Were Almost Never Released (HG STUDIO) The music from this album comes from Don Hunjadi’s Franksville, Wis., recording facility. Much of it hews toward the Cleveland Slovenian style polka, with accordion and brass instruments often taking melodic lead together while banjo strums provide rhythmic accompaniment to a drum kit and electric bass bottom. Even with occasionally melancholy lyrics (on a set comprised overwhelmingly of instrumentals), the music’s insistent pep belies blue moods, and may encourage the most stubborn wallflower to reconsider cutting a rug. Prominent local acts past and present headed by bandleaders including Kenny Brandt, Don Gralak and Joey Klass have graced HG’s microphones, but Hunjadi and Steve Meisner may provide the most potent blast of nostalgia on the collection—their music for WTKM’s polka dance announcements. As an added bonus, the album ends with a demo of radio commercials for nearby businesses recorded at HG. The studio is no longer a full-time operation for Hunjadi, but he can still be heard Saturday afternoons hosting WJYI’s “Polka Parade.” This anthology highlights some of his own contributions to the ongoing cavalcade. —Jamie Lee Rake

Spanglemaker Deadlines Spanglemaker, a popular East Side Milwaukee band in the ’90s, regrouped last year to record a CD. Deadlines features variety within an identifiable sound framed by Terrence Sippel’s earnest vocals and the band’s songwriting sensibility. Several songs, especially “Losing You, Losing Me” and “Hope You Stay” are piano-based epics that can’t help but echo, if only for moments, ’70s Elton John. But that’s only one facet of Spanglemaker. The snappy new wave of “Playing Our Song” is a classic narrative of riding down the highway, windows down and the radio turned up. The crackling, popping “Music is the Drug” is simply a good rock tune. —David Luhrssen SHEPHERD EXPRESS


::ONTHECOUCH

Something bugging you? Find out what the Shrink thinks

Fear of Being Fired Dear Shrink,

Yikes! I feel like I’m being set up to get fired at work. I’ve been with my company for 16 years, have always gotten stellar performances reviews and have been promoted several times. But nine months ago, our team got a new manager, and she gave me my first “needs improvement” of my career—and no raise. I can’t figure it out, but I’m pretty worried and have been waking up in the middle of the night thinking about it. Is there anything I can do?

The Shrink Replies,

Fear of losing one’s job is right up there with money anxiety, and the two often go hand in hand. Of course you’re worried. It sounds as though you were blindsided by the sudden critical feedback. It’s a horrible, powerless feeling when someone else seems to be in control of your destiny. Given the power imbalance, it sure seems like you’re a sitting duck for whatever the new manager’s motives are, which at the moment don’t feel as though they’re in your best interests. But here are some things you do have some control over. Survey your co-workers. Have any of them reported similar treatment by the new manager? What are their impressions of her and do they match yours? Are there some people who report having no trouble at all dealing with her? If so, see if you can figure out what the difference is between them and you. Could it be the new boss feels threatened by you since you’ve been around awhile and maybe know a little more than she does? If you can decipher whether this might be a personality issue, a management style issue or a true problem with your performance, it may help you with your next steps. Many people are promoted into management who aren’t suited for it. For some it’s simply the next rung on their ladder, an accomplishment to be checked off on the way to something greater. These people don’t always last long in middlemanagement roles, so if this is the case with your boss, she may be on to the next position before your next review is due. (Wishful thinking, perhaps.) Other managers have a gap in their knowledge base with the people they are sent to supervise. You may, indeed, have a better working knowledge of your department than she does. This is where the part about her feeling threatened comes in. Still others may have a mastery of the skills and tasks of your work but are not that great with the people part of the job. This is the stuff that keeps you awake at night. Since she surprised you once, you’re paranoid about what might be coming your way tomorrow. Fair enough. Then, there’s the psychological wild card—you remind her of her mother, father, ex-husband, annoying sister, whomever. There’s no way for you to know what that’s about, so file this one under “things I definitely can’t control.” SHEPHERD EXPRESS

It’s been said that there’s a “kernel of truth” in everything. Meaning, there might be 2% or 20% of her impressions of you that are actually valid. Maybe there are some holes in your performance that she honed in on with different eyes than your prior managers. I know you don’t want to hear this, but bear with me. Since you said that you can’t figure out what happened, my guess is she didn’t explain it to you in a way that you could take in. Typically when performance is an issue, skilled managers provide concrete, specific, behavioral feedback about what the problem is and then collaborate with you about the concrete, specific, behavioral steps you can take to improve. If you aren’t crystal clear about this, go back to her and ask for more details. If she’s looking for something different from you, she needs to tell you exactly what it is. Making assumptions about what she wants sets you up for another ambush. Ask for regularly scheduled one-on-one meetings with her to check in and, frankly, to cover your butt. Take the initiative on this one if she doesn’t already have a policy in place. Remember to document these meetings in a follow-up e-mail copied to both of you. Like it or not, she’s your manager, so you have to give her the opportunity to “manage” you. It’s a win-win situation for you to take a proactive stance rather than waiting for her to give you something to react to and then getting defensive and resentful. The goal is to make both of you satisfied with your work. If you look good, she looks good to her boss. If you think her knowledge gap is a problem, asking lots of clarifying questions can help you protect yourself and might also be a subtle way to teach her some things about your work that she may be unaware of. Or, you could try to engage her in problem solving with you as you would with a peer. If you think it’s a personality issue, and your co-workers have the same take on her, there’s safely in numbers. Misery loves company, but don’t spend too much time at the water cooler complaining about her. It brings down the collective energy, which isn’t good for anybody. But, if you think it’s really something personal with her and just you, first clarify the performance issues and then try to keep your head down and do your best work. Take a good look in the mirror, and ask yourself if there’s anything you could do differently to get along better with her. If you’ve never gotten this feedback before, and you are truly OK with you, then just take lots of deep breaths and don’t stop being yourself. A little humor can go a long way in bridging gaps we don’t understand. Lean on your colleagues, focus on having fun in the rest of your life, work on relaxation, try to improve your sleep habits, talk it over with an outside professional—a therapist or Employee Assistance Program counselor—and know that you have done all you can on your end to influence the situation. On the Couch is written by a licensed mental health professional. Her advice is not meant as a substitute for mental health care. Send your questions to onthecouch@shepex.com. Comment at shepherdexpress.com.n

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F E B R U A R Y 2 2 , 2 0 1 8 | 31


BLABBERMOUTHS By James Barrick

THEME CROSSWORD

PSYCHO SUDOKU! “Kaidoku”

Each of the 26 letters of the alphabet is represented in this grid by a number between 1 and 26. Using letter frequency, word-pattern recognition, and the numbers as your guides, fill in the grid with well-known English words (HINT: since a Q is always followed by a U, try hunting down the Q first). Only lowercase, unhyphenated words are allowed in kaidoku, so you won’t see anything like STOCKHOLM or LONG-LOST in here (but you might see AFGHAN, since it has an uncapitalized meaning, too). Now stop wasting my precious time and SOLVE! psychosudoku@gmail.com 16 4 1 23

26

ACROSS 1. Word 5. Stringed instrument of India 10. Antiquity 15. Stage play object 19. Bewildered 20. Plugged-in 21. Playing field 22. Craze 23. Afrikaans (with “the”) 24. Showy bird 25. Start of a quip by anonymous: 2 wds. 27. Forthright 29. Tablets 30. Make more firm 31. Throw with great effort 32. Clearing 34. Amounts 35. “— to a Nightingale” 37. Part 2 of quip: 5 wds. 43. Dark beer 45. Tabula — 46. Son of Zeus and Hera 47. Born: Fr. 48. Genus of geese 49. Stem joint 50. Uncovers 52. Diagnostic aid 53. Nonsense poet 54. “— kleine Nachtmusik” 55. Big house 56. Supercharge 57. Adige river city 59. Thai rice wine 60. Sixpence 61. Service 63. Tattletales 67. Put to test 68. Skeletal structure 70. — Carlo Menotti 71. Rampaging one 73. Bundles 74. Sounds a whistle 76. Pie

77. Old garment 80. Ohio’s lake 81. Allotted amount 82. Effusive praise 83. Fluctuate 84. Mere show 85. Gets with difficulty (with “out”) 86. Noble 87. Sorrowful 88. Part 3 of quip: 5 wds. 93. In medias — 94. Function 95. Poker variant 96. Stop!, at sea 98. Much-used food 101. Stepped on 102. Latent 106. End of the quip: 3 wds. 108. Kitchen worker 109. Dugout shelter 110. — breve 111. — Semple McPherson 112. Sovereign’s decree 113. Run-down place 114. Buckwheat pancake 115. Endures 116. Getz and Kenton 117. Plant fiber DOWN 1. Defense acronym 2. OT twin 3. Orbiting body: 2 wds. 4. Mud volcano 5. Urn 6. Rouse 7. Olympics event 8. Fruity beverage 9. Condensation 10. Roofed porch 11. Undermines 12. Minus 13. Loan charge: Abbr. 14. Nabs

15. French novelist 16. Wholly absorbed 17. Eye 18. Hammer part 26. Noted chair designer 28. Horse in a race 29. Daddy 33. — majesty 34. Mass of rocky debris 35. Hyalite 36. Been there, — that 38. God dethroned by Zeus: Var. 39. Pinnae 40. Certain 41. Puzzling problem 42. Watchman 44. Zone: Abbr. 49. Insect eggs 50. Item for a majorette 51. Soon 52. Favorite — 54. “Dukes of Hazzard” spin-off 55. Mothers 56. Phloem 58. Armor breastplate: Var. 59. Malice 60. Horse’s gait 61. Optimistic 62. Kind of engine

64. Prince in opera 65. Material for driveways 66. Hibernia 69. A letter 72. Abbr. in a citation 74. A pronoun 75. Kiln 76. Dismantle: 2 wds. 78. Factor in heredity 79. Beaux — 81. Extremely thin 82. Babe or Baby 83. Supreme Teutonic god 85. — Gay 86. Pair 87. Strived anagram 89. Little — Annie 90. Wasp 91. Overacts 92. Triangular sail 97. Put out of sight 98. Attempt 99. Travel expense 100. “Volsunga Saga” king 101. Caps 103. Gumbo 104. Cuckoopint 105. Go unsteadily 107. Spy org. 108. — -relief

I N F C O K L S E

O F L K C N I E S

S C K F E I O L N

N E I O S L C K F

K O E L I F S N C

F L S E N C K I O

C I N S K O E F L

16

24

12

16 23

15

4

11

3

3

21

14

2 11

23

24 5

5 5

20

16

9

17

23

23

7

4

8

7

8

3

25

22

23

7

19

13

3

7 17

24

11 3

17

23

8 24

25

24

17

17

7

8

25 14

16

9

7

20

17

4

21

16

23

17 20

21

8 18

23 4

23

3

20 11

7

23 10

6

7

25

23

5

13

17 8

4 23

23 3

20 17

7

16

24 5

7

7

2/15 Solution

WORD FIND This is a theme puzzle with the subject stated below. Find the listed words in the grid. (They may run in any direction but always in a straight line. Some letters are used more than once.) Ring each word as you find it and when you have completed the puzzle, there will be 24 letters left over. They spell out the alternative theme of the puzzle.

Election Time Again Solution: 24 Letters

© 2018 Australian Word Games Dist. by Creators Syndicate Inc.

© 2018 United Feature Syndicate, Dist. by Andrews McMeel Syndication

L S C I F E N O K

17 8

24

E K O N L S F C I

23 5

11

7 19

24

Solution to last week’s puzzle

Adjourn Agenda Aims Appeal Bylaws Change Compulsory Control Cost Data Democrat Drive Dues Elect

Force Head of state Ideas Labor Lists Made Majority Members Minutes News Past Plan Policy

Queen Rules Runs Seats Sign Skill Talks Two-party Urge Venue Veto Vote Yarralumla

32 | F E B R U A R Y 2 2 , 2 0 1 8

2/15 Solution: I think you need to be a little mad SHEPHERD EXPRESS

Solution: It's in the national interest

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Date: 2/22/18


::FREEWILLASTROLOGY ::BY ROB BREZSNY PISCES (Feb. 19-March 20): In her novel The Round House, writer Louise Erdrich reminisces about how hard it was, earlier in her life, to yank out the trees whose roots had grown into the foundation of her family’s house. “How funny, strange, that a thing can grow so powerful even when planted in the wrong place,” she says. Then she adds, “ideas, too.” Your first assignment in the coming weeks, my dear Pisces, is to make sure that nothing gets planted in the wrong place. Your second assignment is to focus all your intelligence and love on locating the right places for new seeds to be planted. ARIES (March 21-April 19): When you’re playing poker, a wild card refers to a card that can be used as any card the cardholder wants it to be. If the two of hearts is deemed wild before the game begins, it can be used as an ace of diamonds, jack of clubs, queen of spades or anything else. That’s always a good thing! In the game of life, a wild card is the arrival of an unforeseen element that affects the flow of events unpredictably. It might derail your plans, or alter them in ways that are at first inconvenient but ultimately beneficial. It may even cause them to succeed in an even more interesting fashion than you imagined they could. I bring this up, Aries, because I suspect that you’ll be in the Wild Card Season during the next four weeks. Any and all of the above definitions may apply. Be alert for unusual luck. TAURUS (April 20-May 20): If you gorge on 10 pounds of chocolate in the next 24 hours, you will get sick. Please don’t do that. Limit your intake to no more than a pound. Follow a similar policy with any other pleasurable activity. Feel emboldened to surpass your normal dosage, yes, but avoid ridiculous overindulgence. Now is one of the rare times when visionary artist William Blake’s maxim is applicable: “The road of excess leads to the palace of wisdom.” So is his corollary, “You never know what is enough unless you know what is more than enough.” But keep in mind that Blake didn’t say, “The road of foolish, reckless exorbitance leads to the palace of wisdom.” GEMINI (May 21-June 20): Have you ever had a rousing insight about an action that would improve your life, but then you failed to summon the willpower to actually take that action? Have you resolved to embark on some new behavior that would be good for you, but then found yourself unable to carry it out? Most of us have experienced these frustrations. The ancient Greeks had a word for it: akrasia. I bring it up, Gemini, because I suspect you may be less susceptible to akrasia in the next four weeks than you have ever been. I bet you will consistently have the courage and command to actually follow through on what your intuition tells you is in your best interests. CANCER (June 21-July 22): “There is no such thing as a failed experiment,” said inventor R. Buckminster Fuller, “only experiments with unexpected outcomes.” That’s an excellent guideline for you to keep in mind during the coming weeks. You’re entering a phase of your astrological cycle when questions are more important than answers, when explorations are more essential than discoveries, and when curiosity is more useful than knowledge. There will be minimal value in formulating a definitive concept of success and then trying to achieve it. You will have more fun and you will learn more by continually redefining success as you wander and ramble. LEO (July 23-Aug. 22): During World War II, British code-breakers regularly intercepted and deciphered top-secret radio messages that high-ranking German soldiers sent to each other. Historians have concluded that these heroes shortened the war by at least two years. I bring this to your attention, Leo, in the hope that it will inspire you. I believe your own metaphorical code-breaking skills will be acute in the coming weeks. You’ll be able to decrypt messages that have different meanings from what they appear to mean. You won’t get fooled by deception and misdirection. This knack will enable you to home in on the elusive truths that are circulating—thus saving you from unnecessary and irrelevant turmoil.

VIRGO (Aug. 23-Sept. 22): In April 1972, three American astronauts climbed into a spacecraft and took a trip to the moon and back. On the second day of the 11-day jaunt, pilot Ken Mattingly removed and misplaced his wedding ring. In the zero-gravity conditions, it drifted off and disappeared somewhere in the cabin. A week later, on the way home, Mattingly and Charlie Duke did a space walk. When they opened the hatch and slipped outside, they found the wedding ring floating in the blackness of space. Duke was able to grab it and bring it in. I suspect that in the coming weeks, you will recover a lost or missing item in an equally unlikely location, Virgo. Or perhaps your retrieval will be of a more metaphorical kind: a dream, a friendship, an opportunity. LIBRA (Sept. 23-Oct. 22): According to British philosopher Alain de Botton, “Maturity begins with the capacity to sense and, in good time and without defensiveness, admit to our own craziness.” He says that our humble willingness to be embarrassed by our confusion and mistakes and doubts is key to understanding ourselves. I believe these meditations will be especially useful for you in the coming weeks, Libra. They could lead you to learn and make use of robust new secrets of self-mastery. SCORPIO (Oct. 23-Nov. 21): During the next four weeks, there are three activities I suspect you should indulge in at an elevated rate: laughter, dancing and sex. The astrological omens suggest that these pursuits will bring you even more health benefits than usual. They will not only give your body, mind and soul the precise exercise they need most; they will also make you smarter and kinder and wilder. Fortunately, the astrological omens also suggest that laughter, dancing and sex will be even more easily available to you than they normally are. SAGITTARIUS (Nov. 22-Dec. 21): The little voices in your head may have laryngitis, but they’re still spouting their cracked advice. Here’s another curiosity: You are extra-attuned to the feelings and thoughts of other people. I’m tempted to speculate that you’re at least temporarily telepathic. There’s a third factor contributing to the riot in your head: People you were close to earlier in your life are showing up to kibitz you in your nightly dreams. In response, I bid you to bark “Enough!” at all these meddlers. You have astrological permission to tell them to pipe down so you can hear yourself think. CAPRICORN (Dec. 22-Jan. 19): Paleontologist Jack Horner says that developmental biologists are halfway toward being able to create a chickenosaurus—a creature that is genetically a blend of a chicken and a dinosaur. This project is conceivable because there’s an evolutionary link between the ancient reptile and the modern bird. Now is a favorable time for you to contemplate metaphorically similar juxtapositions and combinations, Capricorn. For the foreseeable future, you’ll have extra skill and savvy in the art of amalgamation. AQUARIUS (Jan. 20-Feb. 18): “Be stubborn about your goals but flexible about your methods.” That’s the message I saw on a woman’s T-shirt today. It’s the best possible advice for you to hear right now. To further drive home the point, I’ll add a quote from productivity consultant David Allen: “Patience is the calm acceptance that things can happen in a different order than the one you have in mind.” Are you willing to be loyal and true to your high standards, Aquarius, even as you improvise to uphold and fulfill them? Homework: Is it possible there’s something you really need but you don’t know what it is? Can you guess what it might be? Go to freewillastrology.com and click on “Email Rob.” Go to RealAstrology.com to check out Rob Brezsny’s Expanded Weekly Audio Horoscopes and Daily Text Message Horoscopes. The audio horoscopes are also available by phone at 1-877-873-4888 or 1-900-950-7700.

SHEPHERD EXPRESS

::NEWS OF THE WEIRD ::BY THE EDITORS OF ANDREWS MCMEEL SYNDICATION

Accent on Weird

M

ichelle Myers of Buckeye, Ariz., suffers from blinding headaches, but it’s what happens afterward that until recently had doctors stumped. Myers, who has never been out of the U.S., has awakened from her headaches three times in the last seven years with a different foreign accent. The first time it was Irish, the second time it was Australian, and both lasted only about a week. But Myers’ most recent event, which was two years ago, left her with a British accent that she still has. Doctors have diagnosed her with Foreign Accent Syndrome, a rare condition that usually accompanies a neurological event such as a stroke. Myers told ABC-15 that the loss of her normal accent makes her sad: “I feel like a different person. Everybody only sees or hears Mary Poppins.”

Get Your Goat A new golf course at The Retreat & Links at Silvies Valley Ranch in Seneca, Ore., will take “the golf experience to a new level” in 2018, owner Scott Campbell announced in early February to the website Golf WRX. This summer, golfers will be offered goat caddies to carry clubs, drinks, balls and tees on the resort’s short seven-hole challenge course, McVeigh’s Gauntlet. “We’ve been developing an unprecedented caddie training program with our head caddie, Bruce LeGoat,” Campbell went on, adding that the professionally trained American Range goats will “work for peanuts.”

Fatberg, Dead Ahead! News of the Weird reported last September on the giant “fatberg” lodged in the sewer system beneath the streets of London. The huge glob of oil, fat, diapers and baby wipes was finally blasted out after nine weeks of work. On Feb. 8, the Museum of London put on display a shoebox-sized chunk of the fatberg, the consistency of which is described by curator Vyki Sparkes as being something like “Parmesan cheese crossed with moon rock. It’s disgusting and fascinating.” The mini-fatberg is enclosed within three nested transparent boxes to protect visitors from potentially deadly bacteria, the terrible smell

and the tiny flies that swarm around it. The museum is also selling fatberg fudge and Tshirts in conjunction with the exhibit, which continues until July 1.

Least Competent Criminals ¢ Kenneth R. Shutes Jr. of New Richmond, Wis., bolted from a midnight traffic stop on Feb. 6, but he didn’t make it far before having to call 911 for help. The Twin Cities Pioneer Press reported that Shutes got stuck in a frozen swamp in rural Star Prairie and, after about an hour, became unable to walk as temperatures dipped to 8 below zero. Fire and rescue workers removed Shutes from the wooded area, and he was later charged in St. Croix County Circuit Court for failing to obey an officer, marijuana possession and obstructing an officer. ¢ Marion County, Fla., sheriff ’s officials were surprised to get a text from David W. Romig, 52, on Jan. 30 about a murder scene at his home in Dunnellon. The Ocala Star Banner reported that detectives were called to the home after Romig reported an intruder had killed his girlfriend, 64-year-old Sally Kaufmann-Ruff. Some of the evidence they found didn’t match Romig’s story, and their suspicions were confirmed later in the day when Romig texted a detective, saying, “I think they are going to arrest me”—a text he had intended for his wife. On Feb. 12, Romig admitted he may have killed Kaufmann-Ruff. He was charged with homicide, making a false report and tampering with evidence.

Evolution in Action Frank Lyko is a biologist at the German Cancer Research Center in Heidelberg with a narrow field of study: the marbled crayfish. But as Dr. Lyko and his colleagues reported in a study published Feb. 5, there’s more to the six-inch crustacean than meets the eye. Until about 25 years ago, this species didn’t exist, The New York Times explains. One single, drastic mutation created a whole new species of crayfish—one that can clone itself. Since then, it has spread across Europe and other continents, threatening native varieties. The eggs of the crayfish all produce females, which do not need to mate to produce more eggs. Dr. Lyko’s DNA research offers new insights into why most animals have sex, because there are so few examples of sex-free species (they don’t last long). He admits that the marbled crayfish “may last only 100,000 years. That would be a long time for me personally, but in evolution it would just be a blip on the radar.” © 2018 ANDREWS MCMEEL SYNDICATION

F E B R U A R Y 2 2 , 2 0 1 8 | 33


THEBACK::ARTFORART’SSAKE

Half-Looped Compulsory ::BY ART KUMBALEK

I

’m Art Kumbalek and man oh manischewitz what a world, ain’a? So listen, no essay this week. For me right now it’s Tuesday, Feb. 20 and I’m meeting up with my gang up over by the Uptowner tavern/charm school situated at the corner by Center & Humboldt there, like we always do after a hard day’s voting the day after Presidents’ Day. Come along if you like, but you cover the first round. Let’s get going. Emil: I always wondered what did Ebenezer Scrooge think about Valentine’s Day. I don’t think it’s ever mentioned in any of his books. But I suppose a good “bah, humbug” can get a guy through any kind of focking holiday. Julius: The hell with Valentine’s Day. It’s Lent now, and I still can’t decide what to give up for the damn season yet. One thing I know, I sure don’t have the personal constitution to ape the Lord and do something like fast for 40 days out in the wilderness. Cripes, how ’bout that, ain’a? No way could I pull that off; although, to be fair and balanced to myself, that was probably a little easier for him to do than it would be me, after all, from the pictures I’ve seen of the Lord, he really didn’t look like a very big eater to begin with, what the fock. Little Jimmy Iodine: Anybody been watching Olympics? Emil: I know I won’t watch Olympics ’til they have goddamn ice fishing in it. Fock ’em. Herbie: If they don’t add competitive ice fishing for the next Winter Games, forget about it. They could stand to add an extra event or two ’cause, jeez louise, it seems every time I think to tune in it’s the goddamn curling they show, what the fock. Could watching an Olympian angler pull up a nice 13-ounce crappie through the ice be any less interesting? I think not.

Ernie: I didn’t see any Olympics last Sunday. I was watching the NASCAR at Daytona. Danica Patrick’s final race—our quarterback’s new girlfriend. Julius: Didn’t I hear Richard Petty once say the only way the Danica Patrick would win a NASCAR race was “if everybody else stayed home”? Little Jimmy Iodine: Hey, Artie! Over here. Put a load on your keister. Art: Hey gents. What do you hear, what do you know. Ernie: I hear the Olympics are still going on. Art: I don’t watch much of the snowy Olympics. What the heck do I know from winter sports? If they had events like Hot Toddy Mixing and the Thermostat Crank I’d tune in, ’cause those are two events I participate in on a daily basis during the wintertime so I’d have some interest, I kid you not. The best thing about them is that every four years I get to ask: What the fock, Dick Button? You got to be jerking my beefaroni. Is that the name of an announcer or a name for some kind of protective genitalia device that hockey players gird their nut cups with, ain’a? Julius: And I hope some of those skaters who don’t win a medal are prepared to spend their Sunday afternoons for the next 10 years wearing a 20-pound Snoopy head for the kids at the ice show. Ray: How some of those halfpipers and skeletoneers don’t die pulling off their stunts, I’ll never know. Little Jimmy: I always wondered about who the first guy was, like back in the days of the early, early cavemen ’round about the time they first discovered they could notice something; the first guy who discovered death to the point of actually being able to think like something wasn’t exactly kosher going down around him. You always hear about the guy who invented fire or discovered the wheel, but what about the guy who discovered croaking? Herbie: What the fock are you talking about? Little Jimmy: Just wondering what went through the mind of the first guy,

when one of the other guys croaked, and he went over and nudged him and thought, “Hey, this dude’s not moving and even if I come back tomorrow, I’ll bet you a buck two-eighty he still won’t be.” To actually realize something wasn’t regular, you know? Ray: And then what about the guy who had the advanced intelligence to rifle the dead guy’s pockets, or pouch, or whatever the fock they had back then. Laws about that didn’t come in ’til at least the ancient Greeks I seem to recall. Herbie: Correct. Laws were not bandied about until government was discovered. Ernie: Cavemen didn’t have crime, then. They must’ve called it survival. (It’s getting late and I know you got to go, but thanks for letting us bend your ear, ’cause I’m Art Kumbalek and I told you so.)

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