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Musgrave, Thea Wood, Metal and Skin

Score for sale (North America): http://www.halleonard.com/product/viewproduct.do?itemid=14041544&lid=1&li Score for sale (UK, Europe and other territories): http://www.musicroom.com/se/ID_No/0410394/details.html Information about work and materials for hire: http://www.musicsalesclassical.com/composer/work/14607

Novello & Co Limited Part of the Music Sales Group


Thea Musgrave

WOOD, METAL AND SKIN A Concerto for Percussion and Orchestra

(2004) Full Score

NOVELLO


Commissioned by the National Youth Orchestra of Scotland First performance: Tuesday 4 January 2005, Usher Hall, Edinburgh by Colin Currie (solo percussion) and The National Youth Orchestra of Scotland conducted by Garry Walker Instrumentation Solo percussion: Marimba, metal wind chimes [mark tree], Chinese Bell tree, Vibraphone, Tubular bells, 4 conga drums, 4 tom toms, 4 bongos 2 Flutes 2 Oboes 2 Clarinets in Bb 2 Bassoons 4 Horns in F 3 Trumpets in C Trombones Tuba Percussion (4 Players): PERC A 1o: Tubular bells, cymbal [medium], wood blocks, crotales PERC A 2o: Metal wind chimes [mark tree], Side drum, temple blocks, Tam-tam PERC B 1o: xylophone, glockenspiel, side drum, cymbal [high], tomtoms PERC B 2o: Chinese bell tree, Bass drum, maracas, triangle, sleigh bells Strings

Duration: circa 17 min.


WOOD, METAL & SKIN For percussion and orchestra Commissioned by the National Youth Orchestra of Scotland This work is intended to feature the extraordinary variety of percussion instruments in a dramatic way. The interplay of the solo percussion player with his colleagues in the orchestra plays a vital role. This can be seen in the layout. The solo percussion player is set downstage RIGHT: the timpani player upstage RIGHT: two orchestral percussion players ‘A’ upstage LEFT, and two others ‘B’ downstage LEFT. The timpani and percussion are therefore set at the 4 comers of the platform. PROLOGUE: dramatic A dramatic opening, as the timpani player ‘summons’ first the orchestral percussion players (upstage ‘A’ players on metal, downstage ‘B’ players on skin) and finally the soloist (on wood – marimba). The main musical elements are four ‘anchor’ chords (D flat minor, A major, E flat major and C major triads) followed by a series of rising triads. These are the harmonic foundation for the section, and they reappear in the interludes. WOOD: lyrical Soloist on marimba is accompanied by percussion A (xylophone and maracas), and percussion B (temple blocks and wood blocks). Here the mood is light-hearted and lyrical. A violin melody appears and also a short motive for muted trumpets. Soon the timpani player gets restive, effecting a change of colour and mood. INTERLUDE: mysterious The ‘anchor’ chords now reappear very softly, alternating on three solo violins and three solo celli. The soloist sets the colour of the movement on tubular bells and vibraphone, the orchestral percussion play cymbals and tam-tam with wire brushes, and also introduce two more unusual instruments: metal wind chimes and Chinese bell tree. The timpani player has a cymbal placed upside down on the drum and thus is also playing on metal. METAL: capricious The capricious mood is set by the soloist on vibraphone accompanied by the instruments from the interlude, later adding glockenspiel and crotales. The mood eventually clouds over and, incited by the timpani player, all is ready for the stormy movement to come. INTERLUDE: excitedly The anchor chords reappear now on muted brass, but the interlude is mostly carrie4 by the percussion. The soloist plays congas, tom toms and bongos, the other percussion a variety of drums. SKIN: stormy Now that the percussion is all on loud drums, the orchestra lets loose in a very fast stormy movement which leads to a ‘wild’ climax. Eventually the mood calms down and leads to … EPILOGUE: peaceful ... a peaceful ending. The soloist plays vibraphone and tubular bells, and later marimba: the other percussion play a variety of instruments so that the colours of wood, metal and skin are all present at the same time! T.M.


to Colin Currie

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[rev.Jan.2005] © 2004 by Novello & Co. Ltd., London


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66

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67

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68

509

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Musgrave WOOD, METAL AND SKIN  

Soloist and Orchestra; Novello; musicsalesclassical.com; 14607