NORDIN
Wave
Concerto for Conductor and Orchestra
Score
ISSUU Version
For perusal only
Version
JESPER NORDIN
Wave
Concerto for Conductor and Orchestra
(2020)
LEIP ZI G L ONDO N NE W YOR K
ISSUU Version
For perusal only
INSTRUMENTS
2 Flutes
2 Oboes
2 Clarinets in B - (2nd doubling Bass Clarinet)
2 Bassoons
2 Horns in F
2 Trumpets in C
2 Trombones
Tuba
Timpani
Percussion (2 Players)
Harp
Piano
Strings
Duration: c. 17 min.
First performance on 14 March 2021 at Stadtcasino Basel by the Basel Sinfonietta, conducted by Lin Liao
GestrumentPresetRH1: RighthandusesafullorchestraandaDminorscale.
GestrumentPresetLH1: Lefthandusesafullorchestrawithaquartertonescale.
ISSUU Version
For perusal only
Thethicknessofthelineisanindicationof therelativedynamicsofthephrase.
smallglissadlibonIVandIII
smallglissadlibonIVandIII
legatopossibile, non-rhythmic IVIIIIIIII Lefthandpizzadlib (softandnottooactive)
Lefthandpizzadlib (softandnottooactive)
GestrumentPresetRH2: Righthandusesafullorchestrawithmultipleplaying techniquesthatchangeaccordingtointensity. ThetonalityisbasedonatraditionalSwedishfolktune.
For perusal only
GestrumentPresetRH3: Righthandusesthesameorchestraasbefore,butwithdifferentpulse patternsthatareclearlyheardwhenkeepingthehandstillinoneposition.
GestrumentPresetLH2: Lefthandusesafullorchestrawithlegatoplaying. ThetonalityisbasedonatraditionalSwedishfolktune.
GestrumentPresetLH3: Lefthandusesthesameorchestraasbefore,butwithdifferentpulse patternsthatareclearlyheardwhenkeepingthehandstillinoneposition.
GestrumentPresetRH2: Righthandusesafullorchestrawithmultipleplaying techniquesthatchangeaccordingtointensity. ThetonalityisbasedonatraditionalSwedishfolktune.
Lefthandusesafullorchestrawithlegatoplaying. ThetonalityisbasedonatraditionalSwedishfolktune.
GestrumentPresetLH4: Righthandusesasettingwithjustfourinstruments;Fl,Cl,Vl,Vlc, andusesthesamefolkmusicbasedscaleasinpresetsLH2&3
GestrumentPresetRH2: Righthandusesafullorchestrawithmultipleplaying techniquesthatchangeaccordingtointensity. ThetonalityisbasedonatraditionalSwedishfolktune.
GestrumentPresetLH2: Lefthandusesafullorchestrawithlegatoplaying. ThetonalityisbasedonatraditionalSwedishfolktune.
(keepasteadypulsethatisdifferentfromthemusiciansclosesttoyou)
Individualtempo (keepasteadypulsethatisdifferentfromthemusiciansclosesttoyou)
Individualtempo (keepasteadypulsethatisdifferentfromthemusiciansclosesttoyou)
Individualtempo (keepasteadypulsethatisdifferentfromthemusiciansclosesttoyou)
blockallstringswiththeentirelefthandtoachivescratchnoise
For perusal only
legatopossibile, non-rhythmic IVIIIIIIII
legatopossibile, non-rhythmic IVIIIIIIII
legatopossibile, non-rhythmic IVIIIIIIII
legatopossibile, non-rhythmic IVIIIIIIII
legatopossibile, non-rhythmic IIIIIIII
legatopossibile, non-rhythmic IIIIIIII senzamisura
IVIIIIIIII smallglissadlibonIVandIII
IVIIIIIIII smallglissadlibonIVandIII
IVIIIIIIII smallglissadlibonIVandIII
IVIIIIIIII smallglissadlibonIVandIII
IIIIIIII smallglissadlibonIVandIII
IIIIIIII smallglissadlibonIVandIII
ISSUU Version
For perusal only
ISSUU Version
For perusal only
ISSUU Version
Jesper Nordin
Jesper Nordin (b. 1971) studied at the Royal College in Stockholm, at IRCAM in Paris with Philippe Leroux and later with Brian Ferneyhough at Stanford University, where he carried out research at the CCRMA Studio. Electronic elements, folk, rock and improvisation inform his music. Conductors Daniel Harding, Kent Nagano, François Xavier Roth, have collaborated with Nordin; the BBC Scottish Symphony Orchestra, Basel Symphony Orchestra, Finnish and Swedish Radio Symphony Orchestras, and Ensemble Orchestral Contemporain have performed his music. Nordin was composer in residence at P2 (classical channel of Swedish Radio), who released the CD Residues (2006). He has also released an iOS app - Gestrument - based on his own composition technique, and used worldwide to create music in genres including Electronica, Techno and Jazz.
Jesper Nordin (*1971) studierte an der Königlichen Musikhochschule in Stockholm, bei Philippe Leroux am IRCAM-Institut in Paris und später bei Brian Ferneyhough an der Stanford University. Dort forschte er auch am CCRMA-Studio für Elektronische Musik. Die Verwendung elektronischer Mittel hat seine musikalische Sprache entscheidend geprägt; weitere Einflüsse kommen aus den Bereichen Volksmusik, Rockmusik und Improvisation. Seine Werke wurden von Klangkörpern wie dem BBC Scottish Symphony Orchestra, dem Finnischen und Schwedischen Radio-Sinfonieorchester, dem Asko-Ensemble und dem finnischen ZagrosEnsemble aufgeführt. Er war Composer-in-Residence bei P2, dem Klassiksender des Schwedischen Rundfunks, der 2006 auch sein Album Residues mit Orchester- und Chorwerken veröffentlichte. Im Jahr 2005 war er für die Komponistentribüne der UNESCO nominiert.
Photo © Freddie Sandström