Iannotta DEAD WASPS IN THE JAM-JAR (iii)

Page 1


IANNOTTA

dead wasps in the jam-jar (iii)

for prepared string quartet and sine waves

Score and Parts

CLARA IANNOTTA

dead wasps in the jam-jar (iii) for prepared string quartet and sine waves

(2017-18)

Commissioned by Festival d’Automne à Paris, with the support of the Ernst von Siemens Foundation, and the Proquartet Association.

World première: 9 October 2017, Festival d’Automne à Paris (France), Arditti Quartett.

World première of the new version: 9 November 2018, soundsofmusic, Groningen (The Netherlands), Quatuor Diotima.

Instrumentation

Violin 1

ordinary (rubber) mute metal mute

wooden mute preparation with 4 circular paperclips

Violin 2

ordinary (rubber) mute metal mute

wooden mute preparation with 4 circular paperclips

Viola

wooden mute preparation with 4 circular paperclips

Cello (IV string detuned one octave lower)

wooden mute preparation with 2 circular paperclips

Laptop

Performance Notes

- Accidentals apply only to those notes before which they are placed, with the exception of repeated notes.

- Phrases should aways be played legatissimo, unless marked otherwise.

Preparation:

Strings are prepared with up to 4 circular, metal paperclips, that should be positioned close to the fingerboard (AST) or to the bridge (MSP), or both, as shown in the picture below.

The bow has to pass always between the paperclips (not beyond!). Although the space between AST (very close to the paperclip), and MSP is reduced, please play where asked, since the sounds AST and MSP are very different.

The only moment in which it is asked to play beyond the paperclips (close to the left hand) is at measures 135–141, and again at 193–202 for the violin 1.

Left hand pressure: = ordinary pressure = half pressure = lightly touching, as you would when playing harmonics

Right hand pressure (bow):

Bow positions and techniques:

AST = alto sul tasto

T = al tasto

PO = posizione ordinaria

SP = sul ponticello

MSP = molto sul ponticello

c.l.t. = col legno tratto

Measures 135–141, and again at 193–202 for the violin 1. The two lines represent the bow movements (AST and T). The bow is close to the left hand (beyond the paperclips)

Laptop performer/Cello:

The laptop performer (cello) should have a laptop running a patch for Cycling 74’s Max software that produces sine waves (provided by the composer). Although a Macbook Pro’s internal speakers are powerful enough to allow the electronic sounds to blend with the string quartet, if possible, it is recommended to connect the laptop to a stereo pair of loudspeakers and to amplify the instruments.

Instructions on how to download and use the patch will be found in the package provided by the composer/publisher alongside the parts for the musicians, and explanatory audio files and videos.

www.claraiannotta.com clara.iannotta@gmail.com

Duration: 12 minutes

Clara Iannotta (2017–18)

[Wooden Mute]

[Wooden Mute] (III)

[bow changes ad libitum, trying to maintain a continuous sound] (I) (ppp)

[bow changes ad libitum, trying to maintain a continuous sound]

[Wooden Mute]

[bow changes ad libitum, trying to maintain a continuous sound] (I) (ppp)

[bow changes ad libitum, trying to maintain a continuous sound] (II) [Wooden Mute]

(II) [Wooden Mute] [Wooden Mute]

(pp) [Metal Mute] (ppp)

Edition Peters

For more than 200 years, Edition Peters has been synonymous with excellence in classical music publishing. Established in 1800 with the keyboard works of J. S. Bach, by 1802 the company had acquired Beethoven’s First Symphony. In the years following, an active publishing policy enabled the company to expand its catalogue with new works by composers such as Brahms, Grieg and Liszt, followed in the twentieth century by Richard Strauss, Arnold Schoenberg and John Cage.

Today, with its offices in Leipzig, London and New York publishing the work of living composers from around the world, Edition Peters maintains its role as a champion of new music. At the same time, the company’s historic and educational catalogues continue to be developed with award-winning critical and pedagogical editions.

Seit über 200 Jahren steht die Edition Peters für höchste Qualität im Bereich klassischer Notenausgaben. Gegründet im Jahr 1800, begann der Verlag seine Tätigkeit mit der Herausgabe von Bachs Musik für Tasteninstrumente. Schon 1802 kamen die Rechte an Beethovens erster Sinfonie hinzu. In der Folgezeit wuchs der Katalog um neue Werke von Komponisten wie Brahms, Grieg und Liszt sowie – im 20. Jahrhundert – Richard Strauss, Arnold Schönberg und John Cage.

Als Verleger zahlreicher zeitgenössischer Komponisten aus aller Welt ist die Edition Peters mit ihren Standorten Leipzig, London und New York auch weiterhin Anwalt neuer Musik. Zugleich wird das Verlagsprogramm im klassischen wie im pädagogischen Bereich kontinuierlich durch vielfach preisgekrönte Ausgaben erweitert.

The Peters Contemporary Chamber Series offers the opportunity to discover new works to programme, study and play. Representing the full breadth of our library of modern chamber music, this curated series of performance materials ranges from established repertoire to pieces recently premiered.

Mit einer sorgfältigen Auswahl aus unserem breitgefächerten Katalog moderner Kammermusik lädt die Peters Contemporary Chamber Series dazu ein, neues Repertoire zu entdecken, zu erkunden und zu Gehör zu bringen. In Form von Aufführungsmaterialien umfasst sie etablierte Werke ebenso wie erst kürzlich uraufgeführte Kompositionen.

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Photo © Irène Zandel

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