Dove THE WALK FROM THE GARDEN

Page 1

Dove

The Walk from the Garden

An opera in 12 scenes Full Score

EP 72234 issuu version for perusal only

issuu version for perusal only

issuu version for perusal only

Jonathan Dove

The Walk from the Garden

a church opera in one act

Libretto by alasdair Middleton

Full Score

eIGent UM DeS veRL eGeRS · a LL e R eChte voRBeha Lten a LL RIGhtS R eSeRveD

a member of the Edition Peters Group FR anKFURt/M. · LeIPZIG · Lon Don · neW YoRK

eDItIon LtD
PeteRS

JONATHAN DOVE

issuu version for perusal only

The Walk from the Garden

A church opera in one act

Libretto by Alasdair Middleton

Characters

Eve soprano

Adam tenor

Chorus

Instrumentation

String quartet

Organ

Timpani

Duration c. 45 minutes

Commissioned by the Ageas Salisbury International Arts Festival

Cast of the first performance, 30th May 2012:

Eve Anna Dennis

Adam Nicholas Sharratt

Salisbury Festival Chorus

Salisbury Community Choir

Dante Quartet

David Halls, organ

Chris Brannick, timpani

Howard Moody, conductor

This score reflects the state of editorial work and correction as at February 2012

thysake; Cursed istheground forthysake; insorrow

Edition Peters No. 72234 © Copyright 2012 by Hinrichsen Edition, Peters Edition Ltd, London
SOPRANO ALTO TENOR BASS
Organ Pedals 4 5 4 5 4 5 4 5 4 5 4 5 4 “A ff dam!
Cursed
Driving SCENE ONE The Walk
the Garden
Timpani
Adam!
istheground for
from
Middleton In
of
q = 112 ff ff ff ff
Jonathan Dove Alasdair
memory
Veronica Stewart
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8 12 insorrow shaltthoueatofit shaltthoueatofit allthedaysofthy life; Adam! Adam! 1 3 3 3 3 3 3 issuu version for perusal only
15 18 Cursed istheground forthysake; Cursed istheground for 3 3 3 3 33 3 3 3 3 33 thysake; insorrow insorrow 3 3 3 3 3 3 3 3 3 3 3 3 issuu version for perusal only

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21 24 shaltthoueat ofit shaltthoueat ofit allthedaysofthy 3 3 3 3 3 3 3 3 3 3 3 3 life;
2 3 3 3 3 3 3 3 3
Thorns,

andthistles, andthistles shallitbringforth to

26 29 Thorns, Thornsalso Thornsalso
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Fordustthouart, and f unto dust,andunto dustthoushaltre f

32 36 thee;
mf dust, Fordust, Fordust, 3 mf p p p
For
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40 43 46 2 4 5 4 2 4 5 4 2 4 5 4 2 4 5 4 2 4 5 4 2 4 5 4 turn.” 4 ff ff ff “Mi ff chael! 5 ff fff fff fff
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50 53 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 4 4 5 4 2 4 5 4 4 4 5 4 2 4 5 4 4 4 5 4 2 4 5 4 4 4 5 4 2 4 5 4 4 4 5 4 2 4 5 4 4 4 5 4 2 4 5 4 Taketothee fromamong theChe ru bim fff fff Thychoiceofflam ing war ri ors; Haste thee, 6 fff issuu version for perusal only
56 59 5 4 3 2 3 4 2 4 5 4 3 2 3 4 2 4 5 4 3 2 3 4 2 4 5 4 3 2 3 4 2 4 5 4 3 2 3 4 2 4 5 4 3 2 3 4 2 4 2 4 5 4 2 4 5 4 2 4 5 4 2 4 5 4 2 4 5 4 2 4 5 4 and fromthePa ra dise ofGod With out re morse driveout thesinful pair And ff de ff
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62 65 nounce tothem andto theirproge ny 7 ff ff ff perpe tual banish ment, perpe tual issuu version
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andheplaced attheeast ofthegar den ofE den, andheplaced attheEast ofthegar den ofE den

67 70 banish ment.” Sohedroveouttheman; 8
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72 74 Cheru bim, andaflam ing
sword. issuu version for perusal only
77 83 93 98 Vln 1 Vln 2 Vla Vc. 5 4 5 4 3 4 4 4 3 4 4 4 4 4 4 4 3 2 3 2 3 2 3 2 3 2 3 2 Ne EVE (ff) ver, Never, Never, Never, Never, Ne (dim.) ver More expansive SCENE TWO q = 96 ADAM Ne (ff) ver, Never, Never Never, Never, Ne (dim.) ver, Never, Never Never again This. 9 Never, Never, Never, Never again This. Seraph, Sword, Sever Us Sever Our Seraph, Sword,Sever Sever bliss Fore ver. Fore ver. pp spectral 3 3 3 3 10 Very slow h = 36 pp spectral 3 3 3 3 pp spectral pp spectral issuu version for perusal only

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107 113 Fallen 3 Leaf, Man, Fallen 3 Falls, Fell, 3 3 3 3 3 3 3 3 3 3 3 3 Tree. 11 WhereFootfalls Fields Fouled –3 3 3 3 3 3 3 3 3 3 3 3 3 3

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Blighted. Brightness, Fallen, Fallen,

Brightness, Blighted. Fallen, Falls,

118 123 Flowers Fade – Brightness, 12 Hand Harms –3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
13
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
128 132 Fell. Leaf, Man, Tree, 3 3 3 3 3 3 3 3 3 3 3 3 Fallen Felled. 3 3 3 3 3 3 3 3 3 3 issuu
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E. A. Vln 1 Vln 2 Vla Vc. 10 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 Earth! Earth! Earth! Gently moving q = 88 (= Tempo 1) pp mf pp mf pp mf pp mf pp mf pp mf pp mf pp mf pp mf pp mf pp mf pp mf long More energetic (= Tempo 2) NotEarth, NotEarth, Ash. long fp fp long fp fp mp pp long fp fp mp pp long fp fp mp pp long issuu version for perusal only
15 22 3 4 4 4 3 4 3 4 4 4 3 4 3 4 4 4 3 4 3 4 4 4 3 4 3 4 4 4 3 4 3 4 4 4 3 4 3 4 4 4 3 4 3 4 4 4 3 4 3 4 4 4 3 4 3 4 4 4 3 4 3 4 4 4 3 4 3 4 4 4 3 4 Flo wer!Flo wer! long 4 4 Tempo Tempo NotFlower, NotFlower, Flame. long pp mf mf mf long pp mf mf mf long pp mf mf mf long pp mf mf mf long Tree! long 15 Tempo 1 Tempo 2 NotTree, NotTree, Trash. long pp mf long pp mf mfp mfp mfp long pp mf mfp mfp mfp long pp mf mf p mf p mfp long issuu version for perusal only

NotSpring.NotSpring. Shame.

29 37 3 4 4 4 3 4 3 4 4 4 3 4 3 4 4 4 3 4 3 4 4 4 3 4 3 4 4 4 3 4 3 4 4 4 3 4 3 4 4 4 3 4 3 4 4 4 3 4 3 4 4 4 3 4 3 4 4 4 3 4 3 4 4 4 3 4 3 4 4 4 3 4 Spring! Spring! long 3 3 16 Tempo Tempo
long pp mf mfp mfp long pp mf mfp mfp long pp mf mf p mf p long pp mf mf p mf p long Bliss. 3 Bliss. 3 long 17 Tempo 1 (same tempo) NotBliss.Blame. long pp mf p long pp mf p long pp mf p long pp mf p long issuu version for perusal only
44 48 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 Where wetread –18 p p p p Havetrodden – Whatisnotscorched, issodden. p p p p p p pp issuu version for perusal only
Vln 1 Vln 2 Vla Vc. 6 12 4 4 2 4 3 4 2 4 3 4 4 4 2 4 3 4 2 4 3 4 4 4 2 4 3 4 2 4 3 4 4 4 2 4 3 4 2 4 3 4 3 4 4 4 2 4 3 4 2 4 3 4 4 4 2 4 3 4 2 4 3 4 4 4 2 4 3 4 2 4 3 4 4 4 2 4 3 4 2 4 3 4 4 4 2 4 3 4 2 4 2 4 3 4 4 4 2 4 3 4 4 4 2 4 3 4 4 4 2 4 3 4 4 4 2 4 3 4 4 4 mp playful 3 6 With movement q = 96 p p ADAM TheLark – Exalt ing – Exalt ing – Pouring flu ent song –19 3 6 6 3 Pouring flu ent song – Pouring flu ent song – Bap 3 3 6 6 6 3 issuu version for perusal only

TheWren'sbobbedblessing,

16 24 29 tised inhar mo ny, ThenOnthatfirst morning WhenIa woke – Arose – I –20 p p Was.Andall about me – Were. 3 3 3 21 f p f p 3 3 6 f p f p 3 3 6 f pp fp
f f p f p 6 3 3 3 6 6 3 3 3 f f p p 6 3 3 3 6 6 3 3 3 f issuu
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33 36 38 Theshrieking Ea gle's shout ofwelcome, 3 6 6 3 6 6 p Re sound ing 22 f 33 33 3 3 3 3 3 3 3 f 33 33 3 3 3 3 3 3 3 f 6666 f 6666 roundme, Re sound ing 33 3 3 3 3 3 3 3 33 3 33 3 3 3 3 3 3 3 33 3 66 6666 66 66666666 issuu version for perusal only
40 42 44 roundme. Iknewandnamed them –3 3 3 3 3 3 33 3 3 3 3 3 3 3 3 3 3 33 3 3 3 3 66 666 666 66666666 KnewandnamedMy self. We were –3 3 3 33 3 3 3 3 3 3 3 3 33 3 3 3 3 3 6 666 6666 6 666 6666 One 3 3 33 3 3 3 3 33 3 3 6666 6666 issuu version for perusal only

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45 47 52 song. 3 3 3 3 3 3 6 666 6666 Oshattered Har mo ny – OSongfore ver lost, Forgot ten. Theydonot 23 Broader q = 72 ff sost. p ff p ff sost. p ff p ff pff p ff pff p knowmenow. Now Idonotknow myself. Idonotknow myself.

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WeheardthevoiceofGod walking inthe

WeheardthevoiceofGod walking inthe

A. Vln 1 Vln 2 Vla Vc. 6 3 2 3 2 3 2 3 2 3 2 3 2 EVE
E.
Spacious h = 54 ADAM
p 3 p 3 p 3 p 3 p 3 p 3 p 3 p 3 p 3 p 3 p 3 p 3 p 3 p 3 p 3 p 3 gar den inthecool oftheday. gar den inthecool oftheday. p 3 p 3 p 3 p 3 p 3 p 3 p 3 p 3 p 3 p 3 p 3 p 3 p 3 p 3 p 3 p 3 p 3 p 3
Gradually moving forward 11 16 2 2 2 2 2 2 2 2 2 2 2 2 3 4 3 4 3 4 3 4 3 4 3 4 WelaydownwiththeLi on. 24 Werose withthe p 3 p 3 mp p 3 p 3 mp p p
Weswam intheEuphra tes.
mp mp issuu
Lark.
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20 26 3 4 3 4 3 4 3 4 3 4 3 4 EVE Wepickedup 3 25
ADAM
mp mp mf mp mf mp pretty pebbles onthebanks ofGihon. 3 3 26 ADAM Wetickled 3 mp mp p p
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We
mademudpiesonthebanks ofPison.
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30 34 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 fishes, 3 wetickled fish es 3 inthewa ters ofHi de kel. 3 3 3 3 EVE Weworethewhite snow. 27 We pp p energetic pp p energetic pp legato pp legato issuu version for perusal only

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Wejumped Wejumped.

Wejumped Wejumped.

39 42 Weranandweran Weranandweran andweran andweran. 3 3 3 3 ranandweran Weranandweran andweran andweran. 3 3 3 3
mp mp

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45 , Spacious 48 3 2 3 2 3 2 3 2 3 2 3 2
mf mf mf f mf f Wewerealone toge ther. Wewere 28 Wewerealone toge ther. Wewere f pp 3 3 3 f pp 3 3 3 pp 3 3 3 pp 3 3 3
Wejumped. Wejumped.
52 57 2 2 2 2 2 2 2 2 2 2 2 2 na ked andnot ashamed. Westarted to 3 sayex 3 29 na ked andnot ashamed. Westarted to 3 sayex 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 actly the 3 samething atex 3 act ly the 3 sametime Weknew whatthe 3 other was 3 30 actly the 3 samething atex 3 act ly the 3 sametime Weknew whatthe 3 other was 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
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64 72 thinking. Weknew whattosay. Wedidnot 3 knowany 3 better. thinking. Weknew whattosay. Wedidnot 3 knowany 3 better. 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 Wedidnot 3 knowany 3 better. Weswamandwe 3 swungandwe 3 swungandwe 3 swam. We 31 Wedidnot 3 knowany 3 better. We 3 sang inthe 3 sunlight. 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
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78 83 3 2 3 2 3 2 3 2 3 2 3 2 sang inthe 3 sunlight. Wesang. Weputour 3 handinthe 3 32 Wesang. 3 3 3 3 3 3 3 3 mf 3 3 3 3 3 3 3 3 mf 3 3 3 3 3 3 3 3 mf 3 3 3 3 3 3 3 3 3 3 mf 3 3
tri ce's den. Weputour 3 handinthe 3 cocka tri ce's den. Weputour 3 handinthe 3 cocka tri ce's den. 3 3 3 3 3 3 3 3 3 3 3 3
cocka

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86 91 3 2 3 2 3 2 3 2 3 2 3 2
thestars. Welostcount and 33
Welostcount and f 3 3 3 3 3 f 3 3 3 3 3 f 3 3 3 3 3 f 3 3 3 3 3 started again. Wedidit 3 nightafter 3 night. Wenever got started again. Wedidit 3 nightafter 3 night. Wenever got 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
Wecounted
Wecounted thestars.
96 100 2 2 2 2 2 2 2 2 2 2 2 2 2 2 3 2 2 2 3 2 2 2 3 2 2 2 3 2 2 2 3 2 2 2 3 2 bored. Wefella 3 sleep ineach 3 other's arms 34 bored. Wenever gotuncom forta ble. 3 p 3 3 3 3 p 3 3 3 3 p 3 3 3 3 p 3 3 3 Wepickedtheflowers. Wewalkedonthe 3 grass. 3 3 3 3 3 3 3 3 3 3 3 3 3 33 33 33 3 3 33 33 33 33 33 33 33 3 3 33 33 33 33 33 33 33 3 issuu version for perusal only

Welayonourbacks Wecouldstaylikethisforhours.

Welayonourbacks

Wecouldstaylikethisforhours.

104 109 3 2 3 2 3 2 3 2 3 2 3 2 3 4 3 4 3 4 3 4 3 4 3 4
mf 3 3 3 3 3 mf 3 3 3 3 3 mf 3 3 3 3 3 mf 3 3 3 3 3 Wewereintheright placeattheright time. Wewereintheright placeattheright time. 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
for
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Werodeontheback of

Gradually moving forward 114 120 3 4 3 4 3 4 3 4 3 4 3 4 h. = 54 (= h prec.) Werodeonthebackof mf 3 3 3 3 mf 3 3 3 3 mp mp
dol phins. 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 mf mf

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126 131 hor ses. 37 Werodeonthebacks of mf 3 3 3 3 mf 3 3 3 3 mp mp
38
We f
f
Wedancedwiththewolves
ea gles.
f f pizz. pizz.

Wedancedwiththewolves. We

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dancedwiththewolves, wedancedwiththewolves. Wedancedwiththe p

dancedwiththestars,wedancedwiththestars,withthestars

stars,wedancedwiththestars,wedancedwiththestars

(Still pushing forward) 136 142
39
p p p
40
mf mf mf arco 3 3 3 3 mf arco 3 3 3 3

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148 Animated 155 Wedancedwiththestars Wedancedwith Wedancedwiththestars Wedancedwith 3 3 3 3 3 3 3 3 thestars Wedancedwiththestars 41 thestars Wedancedwiththestars f f f f
162 168 Weheardthestarssing Weheardthestars Weheardthestarssing Weheardthestars sing Weheardthe sing Weheardthe issuu version for perusal only
174 182 4 2 4 2 4 2 4 2 4 2 4 2 4 2 2 2 4 2 2 2 4 2 2 2 4 2 2 2 4 2 2 2 4 2 2 2 pla nets chime, thepla nets chime. pla nets chime,thepla nets chime. ff ff ff ff Weheardthemoon riseandthesun set. Weknew 3 43 Spacious h = 54 Weheardthemoon riseandthesun set. pp 3 3 3 3 3 pp 3 3 3 3 3 pp 3 3 3 pp 3 3 3
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187 193 3 2 3 2 3 2 3 2 3 2 3 2 tender ness 3 inthe 3 earofthe 3 fieldmouse 44 Weknew 3 trustinthe 3 eyeofthe 3 deer. 3 3 3 3 3 3 3 3 666 6 666 6 Weknew 3 joy inthe 3 bounceofthe 3 hare. 45 Weknewsplendour inthe pp 6 66 66 pp 6 6 6 6 6 p pp pizz. p 3 3 3 arco pp issuu version for perusal only
198 202 3 2 2 2 3 2 3 2 2 2 3 2 3 2 2 2 3 2 3 2 2 2 3 2 3 2 2 2 3 2 3 2 2 2 3 2 2 2 4 2 2 2 4 2 2 2 4 2 2 2 4 2 2 2 4 2 2 2 4 2 Weknewextra va gance intheflight ofstarlings. neckofthe 3 stallion. mp mp mp
tained angels. 46 Weknew 3 thriftinthe 3 tongueofthe 3 cat. mp pp mp pp pp 3 mp pp pp 3 pp issuu
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Weenter
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208 212 4 2 4 2 4 2 4 2 4 2 4 2 WeheardthevoiceofGod walking inthegar den inthe WeheardthevoiceofGod walking inthegar den inthe pp 3 3 3 3 pp 3 3 3 3 pp 3 3 3 3 pp 3 3 3 3 cool oftheday. WewerethevoiceofGod 48 cool oftheday. WewerethevoiceofGod 3 3 ppp 3 3 3 3 ppp 3 3 3 3 ppp 3 3 3 3 ppp 3 3
only
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Wemesseditup.

Wemesseditall 3 up.

216 220
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
walking inthegarden inthecool oftheday. walking inthegarden inthecool oftheday.
49
sfz sfz sfz sfz sfz sfz sfz sfz sfz sffz pizz. sffz sffz sffz sffz sffz
Vln 1 Vln 2 Vla Vc. 5 13 3 2 5 4 3 2 5 4 3 2 5 4 3 2 5 4 5 4 3 4 5 4 3 4 5 4 3 4 5 4 3 4 5 4 3 4 3 2 3 2 3 2 3 2 3 2 ff quasi accel. 3 ff 3 3 3 6 Heavily q = 112 ff quasi accel. 3 ff 3 3 6 ff quasi accel. 3 ff 3 ff arco quasi accel. 3 ff 3
It'slike –50 mf p f p mf p f p mf p f p mf p f p Itactslike – Nature hates us 51 f p f ff 3 f p f ff 3 f p f ff 3 f p f ff 3 issuu version for perusal only
ADAM
21 27 5 4 5 4 5 4 5 4 5 4 3 4 3 2 3 4 3 2 3 4 3 2 3 4 3 2 3 4 3 2 now. Sun sulks. p mf 3 3 p mf 3 p mf p mf
Sky scowls.
52 ff 3 ff 3 ff 3 ff 3
Ani mals snarlorscatter. Birds shriek.
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34 41 54 2 2 3 4 2 2 3 4 2 2 3 4 2 2 3 4 2 2 3 4 3 2 3 2 3 2 3 2 3 2 Flowers shrink.Thornsthreaten Rivers re 53 p mp mfpp legatiss. 6 p mp mfpp legatiss. 6 p mp mf pp legatiss. p pp legatiss. treat. Only thethistle advan ces. 54 numb 4 numb 4 numb numb EVE Ifit'slike – Ifitacts – IfNature
64 68 3 2 2 2 3 2 2 2 3 2 2 2 3 2 2 2 3 2 2 2 3 2 3 2 3 2 3 2 3 2 hates us now. Thenit'slike –55 ff 3 p 3 3 3 3 3 3 ff 3 p 3 3 3 3 3 ff 3 p 5 5 ff 3 p 5 5 Weactlike – Wehate Nature. 3 3 3 3 ff 3 6 3 3 3 3 ff 3 6 5 5 ff 3 5 5 ff 3
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Vln 1 Vln 2 Vla Vc. 5 9 3 4 3 4 3 4 3 4 Fast q = 170 p con sord. f p p con sord. f p p p con sord. 56 p con sord. f p f p f p f p p f p p f p f p f f p f p f p p f p p
13 17 22 f f f f f f ff p f p f p ff p f p p f p p f p p f p f f mf 57 f f mf ff p ff p ff f p p f p f p f p f f p f p f p f p f p f p f p f p f p issuu version
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27 31 36 f sf p f sf p 58 mf mf mf mf mf mf mf mf mf mf
ADAM
59 f sf p mp mf mf mp mf mf mf mp mf mf mf pizz. p
Thebees
41 46 51 dance – onourlips –mf p mf p f sf mf p mf p mf mf mf p mf arco mf Thebees 60 p f sf p mp mf mf mp mf mf mp mf mf mf pizz. p dance mf p mf p mf mf p mf p mf mf p mf issuu
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56 61 66 mf 61 mf f p f p f p f p f arco f p f p f p f p Thebees dance onourlips Their 62 mp mf p mf mp mf p mf p f p mp mf mf p pizz. p sweetness pour. ff ff ff arco ff

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–Thedanceforgot – Thesweetness is –Nomore.

70 76 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4
63 Slow q = 48 pp pp pp pp pp pp pp pp
Now
E. Vln 1 Vln 2 Vla Vc. 5 10 4 4 4 4 4 4 4 4 4 4 EVE Then –Expansive q = 48 senza sord. p simply senza sord. p simply 3 3 senza sord. p senza sord. p Careless – Careless, Wewerealone toge ther, When –Careless –64 3 3 3 3 careless, Myfleshwasyourflesh Nothing camebetween. 3 3 3
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14 18 Wewerealone. Toge ther. Careless –65 mf 3 mf 3 3 mf mf care less – care less – care less – But –3 3 issuu version for perusal only
22 25 2 4 5 4 2 4 5 4 2 4 5 4 2 4 5 4 2 4 5 4 Theserpent – Theserpent – Now –Always between us –3 A little faster q = 60 pp sul pont. sul pont. pp 3 3 3 3 3 3 3 3 3 pp sul pont. sul pont. pp 3 3 3 Always between us Thehissofsuspec ted deceit. Now, 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 issuu version for perusal only
29 33 5 4 5 4 5 4 5 4 5 4 Never Alone Toge ther For Gently moving q = 72 pp nat. pp nat. nat. pp nat. p ever. Careless
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A. Vln 1 Vln 2 Vla Vc. 8 15 3 4 3 4 3 4 3 4 3 4 ADAM IwillwritePhoenix
With movement q = 132 p nat. p nat. nat. p nat. p ash. Phoenix intheash. Tore mem ber. 68 ForPhoenix willbethefirst forgot.
Inthe
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22 31 4 4 4 4 4 4 4 4 4 4 EVE IwillcutUni corn Inmyflesh.Uni corn inmy 69 sf p sf psf p sf p sf p sf p pizz. sfz arco p sfz arco p sfz arco p sfz pizz. p arco sfz p arco sfz p arco flesh. Tore mem ber. ForUni corn willbethesecond for 70 pp pp pp pp
39 48 3 4 3 4 3 4 3 4 3 4 3 4 got. 71 IwillwriteSi
p p p p ash.
72
murgh Inthe
Si murgh Intheash. Tore mem ber.
For
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IwillcutBasi lisk Inmyflesh. Basi lisk inmyflesh.

55 62 Simurgh willbethethirdforgot. 73 sf p sf p sfz pizz. arco p sfz pizz. p arco
sf psf p sf p sf p sfz pizz. arco p sfz pizz. arco p sfz pizz. arco p sfz pizz. p arco

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70 78 4 4 4 4 4 4 4 4 4 4 3 4 3 4 3 4 3 4 3 4 3 4 Tore mem ber. ForBasi lisk willbethefourth for 74 pp pp pp pp got. 75 Andwhenthefifthisforgot? The p p p p

sixth? Theseventh? Howmany willweremem

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ber?Howmany willweforget?

86 93 4 4 4 4 4 4 4 4 4 4 4 4
The

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99 112 4 4 4 4 4 4 4 4 4 4 3 4 3 4 3 4 3 4 3 4 3 4 swan, Thedeer, Thewren. 76 pp pp pp pp 77 All. p p p p

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Write. Whenwillwestop?

Whenwillwe

121 128 All. Write. 78 Cut. sf pp sf p p sfz pizz. arco p sfz pizz. arco p
Cut. sf p sf p sfz arco p sfz p arco

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Whentheworld isallash.

isallscar.

sf p sf p sfz pizz. sfz pizz.

136 143 stop? Andmyflesh 79
Vln 1 Vln 2 Vla Vc. 7 14 3 2 2 2 3 2 2 2 3 2 3 2 2 2 3 2 2 2 3 2 3 2 2 2 3 2 2 2 3 2 3 2 2 2 3 2 2 2 3 2 3 2 3 4 4 4 3 4 4 4 3 2 3 4 4 4 3 4 4 4 3 2 3 4 4 4 3 4 4 4 3 2 3 4 4 4 3 4 4 4 4 4 3 2 2 2 3 2 4 4 3 2 2 2 3 2 4 4 3 2 2 2 3 2 4 4 3 2 2 2 3 2 4 4 3 2 2 2 3 2 4 4 3 2 2 2 3 2 p p p sim. p p p Slow h = 36 p p p sim. p p p arco p p p sim. p p p arco p p sim. p p p p p p pp 80 p p pp p p pp p p pp EVE What? What? 81 ADAM Listen. IthoughtIheard p p sim. p p p p sim. p p p p sim. p p p p sim. p p
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20 26 2 2 3 2 2 2 2 2 3 2 2 2 2 2 3 2 2 2 2 2 3 2 2 2 2 2 3 2 2 2 2 2 3 2 2 2 3 4 4 4 3 4 4 4 3 2 3 4 3 4 4 4 3 4 4 4 3 2 3 4 3 4 4 4 3 4 4 4 3 2 3 4 3 4 4 4 3 4 4 4 3 2 3 4 3 4 4 4 3 4 4 4 3 2 3 4 3 4 4 4 3 4 4 4 3 2 3 4 82 ThevoiceofGod walking inthegarden p p f f mf p p p f f mf p p p f f mf p p p f f mf p
like? 3 83 What? pp pp pp pp
ThevoiceofGod walking inthegarden. Whatdiditsound

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34 45 ThevoiceofGod.
84
Theleaves pp pp pp pp
4 85
pp pp pp pp
Likethewindthroughtheleaves?
I'veforgot.
Liketheri ver onthestones?
areblack. Therivers arechoked.

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Birdsong. Thebirdstonguesaredry.

56 66 3 2 3 2 3 2 3 2 3 2 3 2 3 2 2 2 3 2 3 2 2 2 3 2 3 2 2 2 3 2 3 2 2 2 3 2 3 2 2 2 3 2 3 2 2 2 3 2 Likebirdsong? Like..? 86
pp pp pp pp What? 87 Listen! IthoughtIheard –p p p p p p p p p p p p
71 78
85
cresc. poco a poco cresc. poco a poco cresc. poco a poco
3 4 4 4 3 4 4 4 3 2 5 4 3 4 4 4 3 4 4 4 3 2 5 4 3 4 4 4 3 4 4 4 3 2 5 4 3 4 4 4 3 4 4 4 3 2 5 4 3 4 4 4 3 4 4 4 3 2 5 4 3 4 4 4 3 4 4 4 3 2 5 4 5 4 5 4 5 4 5 4 What? 88 Nothing. pp pp pp pp 89 pp pp pp pp 90 issuu version for perusal only
cresc. poco a poco
92 98 104 mp 91 mp mp mp mf mp ff ff ff ff ff ff ff ff ff ff ff ff
only
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OnedayPerhaps, Inmyscorchedfootprint, Acrack, And

pizz. sffz arco pp pp pizz. sffz pizz.

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Edition Peters

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For more than 200 years, Edition Peters has been synonymous with excellence in classical music publishing. Established in 1800 with the keyboard works of J. S. Bach, Edition Peters had by 1802 acquired Beethoven’s First Symphony as well as several solo piano and chamber works. In the second half of the nineteenth century, an active publishing policy enabled the company to develop the catalogue through the promotion of contemporary composers such as Brahms, Grieg and Liszt. This policy continues today: as the publishers of composers such as John Cage, James Dillon, Jonathan Dove, Brian Ferneyhough, Bernd Franke, Anders Hillborg, Mauricio Kagel, Rebecca Saunders, Richard Strauss and Erkki-Sven Tüür, Peters continues its historical role as a champion of new music. This is accomplished in conjunction with the continuing development of the traditional catalogue.

Seit über 200 Jahren steht die Edition Peters für höchste Qualität im Bereich klassischer Notenausgaben. Gegründet im Jahr 1800, begann der Verlag seine Tätigkeit mit der Herausgabe von Bachs Klavierwerken. Schon zwei Jahre später waren die Rechte an Beethovens erster Sinfonie sowie an diversen Klavier- und Kammermusikwerken hinzugekommen. Durch enge Zusammenarbeit mit zeitgenössischen Komponisten wie Brahms, Grieg und Liszt gelang es in der zweiten Hälfte des 19. Jahrhunderts, den Katalog beständig zu erweitern.

Dieser Tradition ist das Unternehmen bis heute verpflichtet: Als Verleger von Komponisten wie John Cage, James Dillon, Jonathan Dove, Brian Ferneyhough, Bernd Franke, Anders Hillborg, Mauricio Kagel, Rebecca Saunders, Richard Strauss und Erkki-Sven Tüür ist die Edition Peters weiterhin Anwalt neuer Musik, während zugleich das angestammte Verlagsprogramm kontinuierlich ausgebaut wird.

www.editionpeters.com

The offices of Edition Peters in Talstraße, Leipzig Geschäftssitz der Edition Peters in der Leipziger Talstraße
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