Bauckholt TREIBSTOFF

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BAUCKHOLT

Treibstoff for Ensemble Full Score

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CAROLA BAUCKHOLT

Treibstoff

for Flute (doubling Bass Flute), Clarinet in B-, Violin, Viola, Violoncello, Double Bass, Percussion and Piano

Full Score

EDITION PETERS

LEIP ZI G · L ONDO N · NE W YOR K

ISSUU Version

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ISSUU Version

Treibstoff

forflute(doublingbassflute),clarinetinB-flat,violin,viola,cello,doublebass,percussionandpiano

1995

CommissionedbyDresdenerZentrumfürzeitgenössischeMusik DedicatedtotheThürmchenEnsemble(NormisaPereiradaSilva,DiegoMontes,ClemensMerkel,EllenRuthRose, CasparJohannesWalter,MiriamShalinsky,ThomasMeixner,DorotheaEppendorfandRolandKluttig)

Instrumentation

Flute(alsoBassFlute)

ClarinetinBb

Violin

Viola

Violoncello

DoubleBass

Percussion

Piano

ThescoreiswritteninC.

Legend

General

Quartertonelower

Quartertonehigher

Beginningofacrescendoorendingofadecrescendoinaudible(from/toniente)

Energyputintothegesture,nottheresultingdynamic

Winds

Airnoise

Airnoisewithfluttertongue

Slaptongue

Tongueram–quicklyclosetheembouchurebyrammingthetongueagainsttheaperturetherebyproducingapizzicatolikesound.

Fortheflutetheresultingpitchisaseventhlowerthanthenotefingered.

Multiphonicintheindicatedregister

Breatheinthroughtheflutekeepingthevocalchordsrelaxed,thusallowingthevocalchordstovibratealongwiththeinhalation.

“frog”Thegivenpitchesarefingered,althoughtheyhavelittleeffectonthesoundresult.Withthis,a“vocalfry”(alooseglottalclosurethatpermitsairto bubblethroughslowlywitharattlingsound)issunginthemouthpiece,whichiscoveredbythemouth,inadeeprelaxedregisterwithanupward glissandoattheend.AnAmericanRisformedfollowedbyagentletransitiontoan“eh”toimitatethesoundofafrog.

Keyclickwithtonguepizzicato,veryaccented.Thisnotationindicatesthefollowingfingerings: Clarinet–suckonacornerofthereed(kissnoise).

Thesoundswiththemoutharenotatedaccordingtothephoneticalphabet.

ISSUU Version

Strings

Forthebeginningofthepiecethefourinstrumentsarepreparedwithasmallpieceofcork.Thepieceofcorkshouldbeabout4mm(slightlylargerforthe doublebass).Thepieceofcorkshouldbeplacedbetweenthebridgeandfingerboard(nearertothefingerboard)betweenthefollowingstrings: Violin–III+II;Viola–III+II;Violoncello–III+II;DoubleBass–II+I

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Bártokpizzicato–stringshouldreboundagainstthefingerboard. Fingerpercussion–lefthandalone“hammeredon”. pizz.banjo–hardpizzicato;nearthefingerboardwithahugevibrato,perhapswithfingernail. Ashighaspossible.Stringshouldbestoppedrightnexttothebowhairsulponticello(brightandintensesound).

Withoutupordownbowmotion,movethebowverticallyalongthestringinthedirectionofthepegboxandback.

Withthebacksideofthefrog(Violoncello–bowheldvertically)pushthestringdownandthenletgo,thisshouldbeasaccentedaspossible. Violinscoulddoitwiththebowscreworcollegno.Doublebasswiththemetalofthefrog. “bouncing”–Placethebowonthepointonthestringwherethegivenpitchwouldbefingered.Thepitchdeterminesthecontactpointofthebow onthestring.Bowatthefrogwithalotofrosinandrelativelyextremebowpressure,usingaslittlebowaspossible.Mutethestringwiththefinger ca.1cmbehindthebowhairandliftitabovethebowtomakebowingeasier.Slowsingleattacks–averyresonate,sparklingimpulseshouldresult. Glissandotothefinaltoneinparenthesis,whichisn’tplayedbutonlyreached.

Quicklywipealongaflutedstringwithfingernailsofthumbandforefinger.

Percussion

Smallsuperballonbongo

Bongo

Shallowwatercontainer,withasmalllid(e.g.asmallmilkcan).Splashonthesurfaceofthewater. 2differentinstrumentswithanimalskindrumheads(fingertipssounds,scratchingnoises)

Woodblock,tunedto

2Crotales–Lion’sroar

Scrapcymbal–anoldbrokencymbalwithashrillbrokensound,butsecco 4tincanswithvariouspitches

Styrofoam–twodistinguishableswishingsoundsofdifferentbrightness(nosqueaks)madebymovingthestyrofoamalongonalargeround woodenpanel(lotsof“bow”).

Woodenpanel–lotsof“bow”.

Flowingwater–waterfromacontainerwithafinespout(e.g.ascrewtopglasswithaholeinthecap),pouredfromalargedistanceintoabowl (asmuchaspossibleinplainview).

Superballonawoodenresonancecase

Guero

Deepwoodsounde.g.africanwoodeninstrumentwithlotsofresonance

SmallbrightTempleblock

Nylon–Thetypeofnylonthatbagsofsleeping-bagsorbackpacksaremadefrom.Oryoutakethe nylon,putitonflatcardboard(forresonance)andmakearolloutofit.Drawaplectrumquickly andlightlyacrossthesurfacegivingaclearbrightsound.Thegestureisasifwipingsomethingaway. Plop–dropapotatointoabucketofwater

ISSUU Version

–stickfoamrubberpiecesca.1cmbeforetheendofthestringgivingwoodblock-likesound. MoreeasytohandleisPatafix®gluepad(orsimilaradhesive,usedtomountphotos).

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Preparationof–sticktworivetsbetweenthestringsgivingagong-likesoundwithbeats

ca.8bowhairs(usedhairsofabow)tiedtogetherandthreadedunderthestring

knotseveralrosinedbowhairsaroundthetwostrings.Holdingthefreeendofthebowhairsveryloosely,rubthehairswitharosined spongecloth.WithPedal!Theresultshouldbeveryloudsoundinglikealion’sroar.

heavypercussionmallet withplectrum

Withasmallpieceofstyrofoam(dippedinwater),wipeverylightlyoverthepianolid;theresultshouldbeafleeting brightnoise,andlesssqueak-like.

ISSUU Version

(splashingshouldbe distinctlyaudible)

playnotexactlytogether,asiflaggingbehind,withoutpedal

ISSUU Version

afteralongrest,repeatwithirregularlyinserted variationsof16thnotesandquintuplets

ISSUU Version

ISSUU Version

ISSUU Version

gliss.over2mm,i.eduringtherepetitioncontinueshigher

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wipewithfingernailalongthestring, lightly,brightovertones

ISSUU Version

ISSUU Version

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ISSUU Version

For perusal only

ISSUU Version

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Edition Peters

For more than 200 years, Edition Peters has been synonymous with excellence in classical music publishing. Established in 1800 with the keyboard works of J. S. Bach, by 1802 the company had acquired Beethoven’s First Symphony. In the years following, an active publishing policy enabled the company to expand its catalogue with new works by composers such as Brahms, Grieg and Liszt, followed in the 20th century by Richard Strauss, Arnold Schoenberg and John Cage.

Today, with its offices in Leipzig, London and New York publishing the work of living composers from around the world, Edition Peters maintains its role as a champion of new music. At the same time, the company’s historic and educational catalogues continue to be developed with awardwinning critical and pedagogical editions.

Seit über 200 Jahren steht die Edition Peters für höchste Qualität im Bereich klassischer Notenausgaben. Gegründet im Jahr 1800, begann der Verlag seine Tätigkeit mit der Herausgabe von Bachs Musik für Tasteninstrumente. Schon 1802 kamen die Rechte an Beethovens erster Sinfonie hinzu. In der Folgezeit wuchs der Katalog um neue Werke von Komponisten wie Brahms, Grieg und Liszt sowie – im 20. Jahrhundert – Richard Strauss, Arnold Schönberg und John Cage.

Als Verleger zahlreicher zeitgenössischer Komponisten aus aller Welt ist die Edition Peters mit ihren Standorten Leipzig, London und New York auch weiterhin Anwalt neuer Musik. Zugleich wird das Verlagsprogramm im klassischen wie im pädagogischen Bereich kontinuierlich durch vielfach preisgekrönte Ausgaben erweitert.

The offices of Edition Peters in Talstraße, Leipzig Geschäftssitz der Edition Peters in der Leipziger Talstraße
Photo © Irène Zandel

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