TINY HOUSING: THE FUTURE OF LIVING? THE BOSSHOSS ARE BACK
– WITH A NEW SINGLE, A CLUB TOUR, AND A VERY SPECIAL GUEST PLUS TOP MUSIC FESTIVALS ARCHITECTS, INTERIOR DESIGNERS, AND CONSTRUCTION PROFESSIONALS EXPERTS IN AESTHETIC MEDICINE DESIGN, TRAVEL, BUSINESS & MORE
mit Europas größtem Escape Room mitten im Ruhrgebiet
Auf 6.000 m² vereint diese denkmalgeschützte Industriehalle mit 140 Jahren Bergbaugeschichte, den beeindruckenden Förderturm aus der Kaiserzeit mit Europas größten Escape Room. Tauchen Sie ein in eine Erlebniswelt und Eventlocation, die Geschichte und Innovation miteinander verbindet. Für Events mit bis zu 1.000 Personen.
The BossHoss are back – with a new single, a club tour, and a very special guest. We met up with the country duo to find out more about their latest projects, and how a joint goal brought German country music, rock music and the Terminator himself –Arnold Schwarzenegger – together.
Keeping up with the music theme, we further take a look at the top music festivals in Germany, Switzerland and Austria. Music festivals have the extraordinary power to unite people, transcending borders, languages, and genres, and the DACH region is renowned for the diverse offering of amazing music festivals, whether you are into classical symphonies, heavy rock music, or catchy electronic beats.
For the film enthusiasts, we travelled to the shores of Lake Maggiore, to the Swiss town of Locarno which transforms into a cinematic hotspot every August during its prestigious film festival. But beyond the glitz and glamour, there is a lot more worth discovering as our writer Wibke Carter finds out.
And, for the architecture fans out there, we have put together a special theme with the top architects, interior designers, and construction professionals, to find out more about their work. We further took a look at the tiny housing trend. Contributor Anna Engberg writes in her feature: “For a long time, tiny houses have been more than just a trend –they stand for minimalism, sustainability and new living concepts in times of rising rents and property prices. In Germany, Austria and Switzerland, tiny house settlements are now becoming increasingly common. Where are the opportunities, and where are the challenges?”
To round this summer issue off, we highlight some experts in aesthetic medicine, top restaurants and must-visit hotels, exciting exhibitions and much more.
Sit back, relax and thanks for reading!
Nane Steinhoff Editor
32 THE BOSSHOSS ARE BACK
“I’ll be back.” The German rock and country band The BossHoss have made these famous words of The Terminator the title of their newest single. And, for the band’s 20th anniversary, they have collaborated with the Terminator himself – Arnold Schwarzenegger.
11 TOP ARCHITECTS, INTERIOR DESIGNERS, AND CONSTRUCTION PROFESSIONAL
To find out more about some of the top architects, interior designers, engineers and construction professionals in the field today, read this special theme.
40 EXPERTS IN AESTHETIC MEDICINE – OUR RECOMMENDATIONS
The DACH region – Germany, Switzerland and Austria – is home to some of the world's leading aesthetic experts, renowned for their exceptional skills and innovative approaches in the field of aesthetic medicine and plastic surgery.
46 RESTAURANT OF THE MONTH
Culinary excellence meets minimalist precision – at restaurant Rutz in Berlin, every detail is reimagined to elevate flavour, form and experience.
52 TOP 12 MUSIC FESTIVALS IN GERMANY, AUSTRIA, AND SWITZERLAND
Germany, Switzerland, and Austria are renowned for the diverse offering of amazing music festivals, whether you are into classical symphonies, heavy rock music, or catchy electronic beats. Find your best fit here.
60 TINY HOUSING: THE FUTURE OF LIVING?
For a long time, tiny houses have been more than just a trend – they stand for minimalism, sustainability and new
living concepts in times of rising rents and property prices. In Germany, Austria and Switzerland, tiny house settlements are now becoming increasingly common. Where are the opportunities, and where are the challenges?
68 HOTEL OF THE MONTH
Nestled on the iconic Kurfürstendamm – one of Europe’s most renowned boulevards – HOTEL ZOO BERLIN stands as a beacon of luxury, elegance, and cosmopolitan charm.
70 SPOTLIGHT ON LOCARNO
Nestled along the shores of Lake Maggiore, the Swiss town Locarno transforms into a cinematic hotspot every August during its prestigious film festival. But beyond the glitz and glamour, there is a lot more worth discovering as our writer Wibke Carter finds out.
6 DEDICATED TO DESIGN & FASHION FINDS
Whether you are searching for trendy interior items, high-quality jewellery or unique fashion pieces, be sure to take a look at our Design section.
46 WINE & DINE
Wine cellars and restaurants – our Wine & Dine section.
50 CULTURE
Music festivals and a must-visit exhibition are in this month’s Culture section.
60 TRAVEL
Hotels, destinations, and wellness destinations – our Travel section gives you some much-needed travel tips.
74 BUSINESS
For innovative companies from Germany, Switzerland and Austria, take a look at our Business section.
76 CULTURE CALENDAR
Discover Germany, Austria & Switzerland’s Culture Calendar is your perfect guide to what not to miss in August.
81 SECRET BERLIN COLUMN
This month, long-term Berlin resident Cornelia Brelowski takes a deeper dive into the city’s distinctive sharing culture.
82 BARBARA GEIER COLUMN
Ever wondered which nation can be considered the world champions of travel? Well, the Germans can, according to our columnist Barbara Geier. Find out why in her column.
Looking for stylish yet functional activewear? Whether you’re planning a climb to the summit or want to go for a relaxing swim, the new FIRE+ICE collection by luxury brand Bogner, founded in 1932, stands for highly functional, dynamic styles with an urban edge.
EDITOR’S PICKS I PRESS IMAGES BY BOGNER
Going for a run in your local park or training for a triathlon? The Alma zip top with its graphic print design and reflective details will be your perfect partner on that journey. Team with the matching Cherien tights for a comfortable and stylish look. Zip top £120, tights £130. www.bogner.com
Your new favourite accessory – the Reign performance cap impresses with its extra-light and permanently water-repellent finish, made from technical four-way stretch in a perforated design. £80. www.bogner.com
A dry bag can cleverly hold and keep all of your valuables and belongings dry while you’re out on the water. This one comes in a bold neon green colour. £80. www.bogner.com
Whether worn for a run, a session at the gym or just with a casual everyday outfit, the Alina functional jacket features a colour-blocked design with reflective details, a stand-up collar, two-way zip and raglan sleeves, as well as durable water-repellent four-way stretch. £225. www.bogner.com
Absolutely on trend – flared tights. Made from stretchy jersey, the Lathi flared fit tights are a casual all-rounder with a functional twist – designed with a comfortable soft waistband and modern overlock seams. £140. www.bogner.com
Bogner’s Zora swimsuit combines bold performance with a modern shape and gorgeous design. It’s rounded off by a smooth fabric and a stylish silver sheen effect. £150. www.bogner.com
Calm, invigorating, and effortlessly versatile, sky blue is taking centre stage as one of the summer season's most lovable shades. This pale, almost powdery shade breathes new life into interiors, providing a calm, contemporary update that still feels timeless.
Brighten up your dining table or your evening drink with this gorgeous whisky glass from ARNSTADT KRISTALL. All glasses are mouth-blown and cut by master craftsmen. £77. www.arnstadtkristall-shop.de
The perfect safe haven for your four-legged pal. The FLUM dog cushion is made with a robust cover fabric in light blue, as well as a cuddly velvet interior for your dog’s comfort. £170. www.flum-manufaktur.de
EDITOR’S PICKS I PHOTOS: PRESS LOFT
The furniture brand Cubit was founded in Düsseldorf in 2006 by
with the goal of producing high-quality, custom furniture with a puristic design. Cubit's portfolio includes modular shelving, sofas, and coffee tables – as the one shown here. From £358. www.cubit-shop.com/de
Those who want to make their lives more flexible and sustainable can opt for homemade meals to go. For example, from the new Iso Food Mug from alfi. Prepare your favourite dishes, fill the food container, and just looking at this everyday accessory will whet your appetite. £26. www.alfi.de
These handmade lamp shades come in six beautiful blue and green shades, and are offered in various sizes and shapes to fit your individual style and interior. £27 per shade. www.friesenherz.online
The finest, robust yet incredibly lightweight birch plywood from Finland, the indestructible WERKHAUS plug-in system and the high-quality container print create an exceptionally durable piece of furniture that will instantly become a favourite. These decorative and versatile rolling boxes not only enhance the home, but also offer ample storage space for quickly organising things. £85. www.werkhaus.de/shop
In need of a cute outdoor rug to brighten up your patio? This charming design sports a repeating print of blooming daisies in a fresh and cheerful colour combination. £358. www.traumteppich.com/de
Architecture and construction work in Germany, Austria and Switzerland has a long and diverse history. Visitors to the countries can find every major European style – from Roman to Post Modern, Romanesque, Gothic, Baroque, Modern, and many more architectural styles. To find out more about some of the top architects, interior designers, engineers and construction professionals in the field today, read the following special theme for a great insight into their work.
PHOTOS: PIXABAY
bolle. bau. consulting. management. understands building as a strategic, cultural and human process, recognising the nuances.
“What makes us unique is not just what we do, but how we do it,” explains founder Joanna Bolle. “Building starts with listening. No two projects are the same because there are people with visions, needs and responsibilities at the heart of them. Our task is, therefore, to create orientation and structures for decisions that are both professionally and humanly sustainable.”
bolle. thinks in contexts, because what happens between the lines is important in every individual project planning – in communication, cooperation and the spaces in between.
“Our work means more than classic project management. It means conscious steering and support with attitude, experience and a view of the whole.” Practice-oriented and independent, bolle. forms the connecting element between idea and implementation, people and trades, aspiration and realisation.
Joanna Bolle founded bolle. bau. consulting. management. after many years of profes-
sional experience in the international construction industry. “I realised early on that I wanted to shape, decide and take responsibility.” Bolle completed her degree in civil engineering in Aachen, followed by professional positions in England, Dubai and Switzerland as well as an EMBA HSG degree at the University of St. Gallen. “Founding bolle. was the logical next step for me – out of the desire to accompany construction projects with more attitude, overview and humanity.”
Clients, contractors and designers working with bolle. primarily value someone by their side who thinks practically, looks ahead and is hones. “They are often people with high demands on quality and clarity in the pro-
cess – people who bear responsibility and know that good decisions need a good foundation.”
For 2025/26, Joanna Bolle is planning a new offer at the intersection between classic project management and strategic process support – where many projects are looking for orientation today. At the same time, she will make room for her second passion, photography. Because both areas are about one thing above all: taking a closer look.
bolle. builds and designs with strategic clarity and an eye for interpersonal relationships –for clients who say; “I want to be able to concentrate on the essential and meanwhile know that my project is in good hands!”
www.bolle-bcm.ch
Sauter, Bachmann AG: Production expansion, new building – north view.
bolle. bau. consulting. management. versteht Bauen als strategischen, kulturellen und menschlichen Prozess unter Wahrnehmung der Zwischentöne.
„Was uns einzigartig macht, ist nicht nur das, was wir tun, sondern wie wir es tun”, erläutert Gründerin Joanna Bolle. „Gutes Bauen beginnt mit Zuhören. Kein Projekt gleicht dem anderen, denn mittendrin stehen Menschen mit Visionen, Bedürfnissen und Verantwortung. Unsere Aufgabe ist es daher, Orientierung und Strukturen zu schaffen für Entscheidungen, die sowohl fachlich als auch menschlich tragfähig sind.”
bolle. denkt in Zusammenhängen, denn bei jeder individuellen Projektplanung ist wichtig, was zwischen den Zeilen passiert – in der Kommunikation, im Miteinander sowie in den Zwischenräumen: „Unsere Arbeit ist mehr als klassisches Projektmanagement. Es ist ein bewusstes Steuern und Begleiten mit Haltung, Erfahrung und Überblick.” Praxisorientiert und unabhängig bildet bolle. so das verbindende Element zwischen Idee und Umsetzung, zwischen Menschen und Gewerken, zwischen Anspruch und Realisation.
Joanna Bolle gründete bolle. bau. consulting. management. nach vielen Jahren Berufserfahrung im internationalen Bauumfeld. „Schon früh habe ich gemerkt, ich möchte gestalten, entscheiden, Verantwortung übernehmen.” Bolle absolvierte ihr Studium zur Bauingenieurin
in Aachen, wonach berufliche Stationen in England, Dubai und der Schweiz sowie der EMBA HSG-Abschluss an der Universität St. Gallen folgten: „Die Gründung war für mich der konse-
Zu bolle. kommen vor allem Bauherr*innen, Unternehmer:innen und Gestalter:innen, die sich jemanden an ihrer Seite wünschen, der praxisorientiert mitdenkt, vorausschaut und dabei ehrlich ist: „Oft sind es Personen mit hohen Ansprüchen an Qualität und Klarheit im Prozess – Menschen, die Verantwortung tragen und wissen, dass gute Entscheidungen ein gutes Fundament brauchen.”
Für 2025/26 denkt Joanna Bolle über ein neues Angebot am Schnittpunkt zwischen klassischem Projektmanagement und strategischer Prozessbegleitung nach – dort, wo viele Projekte heute Orientierung suchen. Parallel wird sie sich Raum für ihre zweite Leidenschaft nehmen, die Fotografie. Denn in beiden Bereichen geht es vor allem um eines: Das Hinschauen. bolle. baut und gestaltet mit strategischer Klarheit und einem Blick auf das Zwischenmenschliche – für Auftraggeber*innen, die sagen; „Ich will mich auf das Wesentliche konzentrieren und dabei wissen, dass mein Projekt in guten Händen ist!”
KMT
GmbH: Neue Produktionshalle, Ansichten.
www.bolle-bcm.ch
Jakob Rope Systems develops vertical façade greening and horizontal greening structures for open spaces in urban areas –scaled to suit any context.
Manufactured from stainless steel mesh, ropes and steel structures, the lightweight solutions enable the greatest possible flexibility in the greening of buildings, infrastructure, squares and open spaces in urban areas. Structures are offered on both large and small scales, including individual micro solutions. “Our projects combine design, technical planning, production and installation through to care and maintenance,” explains Fabian Graber, head of engineering at Jakob Rope Systems.
Jakob Rope Systems entwickelt vertikale Fassadenbegrünungen und horizontale Begrünungsstrukturen für Freiflächen im urbanen Raum – maßstäblich angepasst für jeden Kontext.
Hergestellt aus Edelstahlnetzen, Seilen und Stahlkonstruktionen ermöglichen die Leichtbaustrukturen eine größtmögliche Flexibilität bei der Begrünung von Gebäuden, Infrastrukturbauten sowie Plätzen und Freiräumen im Stadtraum. Angeboten werden Strukturen im großen und kleinen Maßstab, einschließlich punktueller Lösungen: „Unsere Projekte vereinen Entwurf, technische Planung, Herstellung und Montage bis hin zu Pflege und Wartung“, erklärt Fabian Graber, technischer Leiter bei Jakob Rope Systems.
OERLIKON: SCHATTENDACH MIT HISTORISCHEM BEZUG
So geschehen auch im Züricher Stadtteil Oerlikon: Ein Gebäudekomplex mit Schattendach wurde geplant von den Architekten G8A –einem internationalen Büro bekannt für seine innovativen Entwürfe und energieeffiziente Bauweisen. Das Team sucht neue Wege und integriert dabei kulturelle und kontextuelle Gegebenheiten. Vor diesem Hintergrund ist auch das von Jakob entworfene und konstruierte Schattendach zu betrachten: Seine Struktur bildet Straßenbahnkabel und Stromoberleitungen nach, die einst durch Oerlikon verliefen. Diese historischen Verkehrslinien werden hier stilistisch übersetzt in eine Tragstruktur aus Seilen und Edelstahlnetzen. Als filigrane Bauelemente überwinden die sich kreuzenden Linien der Tragseile die Spannweiten über dem Platz und verbinden so die drei umstehenden Gebäude.
WANDBEGRÜNUNG UEBERLANDPARK
Wie ein ‚grüner Reißverschluss‘ verbindet der neue Ueberlandpark die beiden Züricher Quartiere Saatlen und Schwamendingen, die 1980 durch den Verlauf der Autobahn getrennt wurden. Die in Abschnitten unterteilte Wandbegrünung verleiht den Mauern der Einhausung eine wechselnde
OERLIKON: SHADOW ROOF WITH HISTORICAL REFERENCE
This has recently been realised in Zurich's Oerlikon district: a building complex with a shaded roof was planned by architects G8A, an international firm known for its innovative designs and energy-efficient construction methods. The team seeks new paths and integrates cultural and contextual references. The shaded roof, designed and constructed by Jakob, should also be viewed against this background. Its structure replicates streetcar cables and overhead power lines that once ran through Oerlikon. These historic traffic lines are stylistically translated here into a supporting structure made of cables and stainless steel mesh. As filigree construction elements, the intersecting lines of the supporting cables span across the square and thus connect the three surrounding buildings.
WALL GREENING AT UEBERLANDPARK
Like a green zipper, a new overland park connects the two Zurich districts of Saatlen and Schwamendingen, formerly separated by a highway built in 1980. The wall greening, divided into sections, lends
Schattendach Oerlikon: The architects have dispensed with ground-based greenery. Instead, the greenery can sprout much quicker from the plant arches via the climbing structures.
the walls of the enclosure a changing vegetation. The wall gardens consist of both climbing plants and trailing plants. The plants on the roof and walls were chosen to promote biodiversity and attract small animals of all kinds.
“We see that the greening of facades and urban spaces takes on important functions nowadays,” explains Graber. “This is mainly thanks to climbing plants, which thrive in many latitudes in great diversity. As the seasons change, so do the beautiful colours, inflorescences and fragrances." However, he continues, the most important function for heatstricken cities is the cooling factor provided by green areas on walls, facades and under shady roofs. "We are seeing an increase in requests for greenery from Switzerland, Europe, the USA, Australia and South East Asia. Many of these inquiries relate to facades and open, urban spaces. Also, the retrofitting of existing buildings with greenery is becoming a more important topic today."
www.jakob.com
Vegetation. Die Mauergärten bestehen aus sich emporwindenden Kletterpflanzen sowie herabhängenden Schleppen-Gewächsen. Die Pflanzen an Dach und Wänden wurden so gewählt, dass sie Biodiversität fördern
und Kleintiere aller Art anziehen.
„Wir sehen heute, dass die Begrünung von Fassaden und urbanen Räumen wichtige Funktionen übernimmt“, erläutert Graber, „dies dank der Kletterpflanzen, die in vielen Breitengraden in einer großen Vielfalt gedeihen. Mit dem Gang der Jahreszeiten vollziehen sich auch schöne Wechsel von Farben, Blütenständen und Düften.“ Die wichtigste Funktion für hitzegeplagte Städte sei jedoch der Kühlungsfaktor durch grüne Flächen an Wänden, Fassaden und unter Schattendächern: „Wir spüren einen Anstieg von Anfragen nach Begrünung aus der Schweiz, Europa, den USA, sowie Australien und Südostasien. Viele dieser Nachfragen beziehen sich auf Fassaden und freie, urbane Räume. Auch Nachrüstungen durch die Begrünung bestehender Gebäude sind heute ein wichtiges Thema.“
www.jakob.com
The Zurich-based company TOWNSET offers project development, architecture and urban planning, as well as consulting in the areas of sustainability, smart city and architectural monuments.
“Small core, large network,” explains architect and urban planner Ihab Morgan when talking about his company TOWNSET GmbH. “We don't do everything ourselves, that just wouldn't be exciting enough.” And yet it is an entirely self-designed project that best reflects his attitude towards contemporary architecture and planning.
In the cantonal town of Schwyz in central Switzerland, TOWNSET realised an ensemble of multi-storey residential buildings on a parklike plot originally belonging to the renowned chocolate manufacturer Max Felchlin. A villa from 1927, of both architectural and historical value, had to be considered on the site.
Where Alpine peaks alternate with high plateaus and green meadows in central Switzerland, Swiss chocolate has been produced for centuries. The traditional Felchlin company, headquartered in Schwyz, is renowned for
its pralines and couvertures. In 1927, the manufacturing family built a villa and park in the style of the great industrialists of the early 20th century – initially functioning as private residency, then as the main business address. Following restructuring measures in 2018, the company moved to new headquarters in Ibach/Schwyz. What remained were the villa and park – with plenty of space for
a development. As the new owner of the site since 2017, Liebwylen Immobilien AG wanted to transform the site for residential purposes, taking into account both the historical traces and the requirements of modern living, in harmony with the natural surroundings and mountainous landscape.
“When planning a project with an old building stock, you have to recognise it as a contemporary witness and develop new perspectives for the future,” explains Morgan. Proactively approaching the authorities and involving the neighbours were therefore key to success. Solutions were developed with appreciation and empathy, and the villa was protected from demolition. In this way, potential conflicts were recognised and averted even before they arose, Morgan explains. He communicated the villa as absolutely worth protecting, thus supporting its preservation against initial plans – and then adapted the planning and architecture accordingly.
To this end, the architect designed an L shape, which mirrors the scale and layout of the his-
Die Züricher Firma TOWNSET bietet Projektentwicklung, Architektur und Städtebau sowie Beratung in den Bereichen Nachhaltigkeit, Smart City und Baudenkmäler.
„Kleiner Kern, großes Netzwerk“, erklärt Architekt und Stadtplaner Ihab Morgan, wenn es um seine Firma TOWNSET GmbH geht: „Wir machen nicht alles selbst, das wäre einfach auch nicht spannend genug.“ Und doch ist es ein durchweg selbst gestaltetes Projekt, welches seine Einstellung zu zeitgemäßer Architektur und Planung am besten widerspiegelt.
LIEBWYLEN – MODERNES WOHNEN MIT TRADITIONEN
In der innerschweizerischen Kantonsstadt Schwyz realisierte TOWNSET mehrgeschossige Wohnbauten auf einem parkähnlichen Grundstück des renommierten Schokoladenfabrikanten Max Felchlin. Zu berücksichtigen war auf dem Gelände eine Villa aus dem Jahr 1927, ein Bestandsgebäude von baukulturellem und historischem Wert.
Wo sich in der Zentralschweiz Alpengipfel mit Hochebenen und grünen Wiesen abwechseln, wird seit Jahrhunderten auch Schokolade hergestellt. Die traditionsreiche Firma Felchlin mit Hauptsitz in Schwyz ist bekannt für ihre Pralinen und Kuvertüren. Ganz im Stil der
Haupttreppenhaus aus sandgestrahltem Sichtbeton und perforiertem Stahlgeländer.
Foto: PREFA / Croce & Wir
Haupttreppenhaus: sandgestrahlte Wandoberfläche und Licht-Schattenspiel.
Foto: Tom Licht Photography
Großindustriellen des frühen 20. Jahrhunderts baute die Fabrikanten-Familie im Jahr 1927 eine Villa mit Park – zunächst als private, dann als geschäftliche Hauptadresse. Im Jahr 2018 ging es nach Umstrukturierungen in eine neue Firmenzentrale nach Ibach/Schwyz. Zurück blieben Villa und Parkanlage – mit viel Raum für eine Überbauung. Von der Liebwylen Immobilien AG als neue Arealeigentümerin
seit 2017 war eine Transformation des Areals zu Wohnzwecken gewünscht, die sowie die historischen Spuren der repräsentativen Großindustrie als auch die Anforderungen des modernen Wohnens im Einklang mit der natürlichen Umgebung und Berglandschaft berücksichtigt.
ERHALT UND WERTSCHÄTZUNG DES BESTANDES
„Man muss bei einer Planungsaufgabe mit altem Baubestand diesen als Zeitzeugen anerkennen und neue Perspektiven für die Zukunft erarbeiten“, erklärt Morgan. Ein proaktives Zugehen auf die Behörden sowie die Einbindung der Nachbarn waren für ihn daher ein Schlüssel zum Erfolg. Mit Wertschätzung und Empathie wurden Lösungen entwickelt und die Villa vor dem Abriss geschützt: Auf diese Weise wurden etwaige Konflikte bereits vor deren Auftreten erkannt und abgewendet. Ihab Morgan vermittelte die Villa als absolut schützenswert, unterstützte deren Erhalt gegen erste Pläne – und passte sodann Planung und Architektur den neuen Rahmenbedingungen an.
Der Architekt entwarf hierfür einen L-förmigen Grundtyp, der Maßstab und Grundriss der
toric villa with an extension – and rotated it depending on the placement of the respective buildings on the plot. In addition, the new structures were individually adapted to the slope, with a staggered number of storeys. Thus, five multi-storey residential buildings were arranged around the existing villa in the park. At 60 per cent, the possible building density was fully utilised without losing the impression of a loosely set ensemble. The 32 living units, comprising 18 maisonettes and 12 single-storey apartments ranging between 29 and 131 square metres, are fully let. Their orientation celebrates views of the mountains, the park and the old villa. Generous spaces connect the new buildings with the loosely scattered, villa-like building environment.
The two- to four-storey, L-shaped structures are each accessed via a central staircase, while rounded walls characterise the internal staircases of the maisonette apartments. The irregular overlapping and interweaving of the apartments creates unusual spatial structures on the inside as well as exciting views to the outside, explains Morgan. “I would have thought it a shame if buildings had been built next to the villa in such beautiful surroundings if not in harmony with nature.” The exceptional structures invite to consciously design the living space in a minimalistic way. “The space itself is perceived as an experience.”
The roof landscape features 12 different roof pitches and is based on the surrounding mountain silhouette of the Kleiner and Großer Mythen, while 45 porthole-shaped skylights act as definitive eye-catchers. Also particularly striking here is the visual continuity of the aluminium panels through a perforated sheet dyed in the roof colour, which completely conceals the eaves gutters. Only the ridge lines are perpendicular – other roof lines rise or fall, which supports the polygonal, playful overall impression of the design. For the balcony and stair railings, Morgan chose steel sheets that
matched the colour of the wooden façades, into which a textured pattern was milled, resembling the shadow of a treetop.
The result is a modern, harmonious ensemble for contemporary living in the most beautiful surroundings.
www.townset.com
Ihab Morgan is an architect and urban planner with two degrees and a doctorate from ETH Zurich. The TOWNSET founder gained international experience on major projects in Switzerland, Canada, the USA and Germany. Despite his work on large-scale projects, he opted for the comparatively modest Liebwylen project because he was fascinated by the location in the park, the proximity to the historic Felchlin Villa, and the idea of extraordinary living. The project won the 2021 ICONIC AWARD from the German Design Council in the Architecture and Urban Planning category. In July 2024, it was nominated as a finalist at the World Architecture Festival 2024 in Singapore, in recognition of its high environmental and sustainability standards. TOWNSET clients are primarily private family businesses, foundations and industrialists from the high-tech sector.
historischen Villa mit Anbau adaptiert – und drehte diesen je nach Platzierung der jeweiligen Baukörper auf dem Grundstück. Zudem wurden die einzelnen Bauten individuell an die Hanglage angepasst, mit gestaffelter Geschosszahl. Entstanden sind fünf mehrgeschossige Wohnbauten, die sich im Parkumschwung um die Bestandsvilla formieren. Mit 60 Prozent nutzte man die mögliche Baudichte voll aus, ohne den Eindruck eines locker gesetzten Ensembles zu verlieren. Die 32 Einheiten mit Wohnflächen aus 18 Maisonette- und 12 eingeschossigen Wohnflächen zwischen 29 und 131 Quadratmetern werden vollständig vermietet. Ihre Ausrichtung zelebriert jeweils Ausblicke in die Bergwelt, den Park und auf die alte Villa. Großzügige Zwischenräume verbinden die Neubauten mit der villenartig lockeren, umgebenden Bebauung.
POLYGONALE BAUKÖRPER
Zwei- bis viergeschossige L-förmige Baukörper werden durch je ein zentrales Treppenhaus erschlossen; abgerundete Wände prägen jeweils auch die Innentreppen der MaisonetteWohnungen. Die unregelmäßige Wohnungsüberlagerung und -verflechtung erzeugt ungewöhnliche Raumgefüge im Inneren sowie spannende Durchblicke nach Außen, erläutert
Beziehung der Mehrfamilienhäuser zueinander und zur umgebenden Landschaft. Foto: PREFA / Croce & Wir
Morgan: „Ich hätte es schade gefunden, wenn neben der Villa und in der großartigen Lage im Park und am Hang Gebäude gebaut worden wären, welche nicht mit der Natur in Einklang treten.“ Die ungewöhnlichen Raumgefüge laden dazu ein, den Wohnraum bewusst und reduziert zu gestalten: „Der Raum selbst wird als Erlebnis wahrgenommen.“
ALPINE DACHLANDSCHAFTEN UND ORGANISCHE DETAILS
Die Dachlandschaft mit je 12 unterschiedliche Dachneigungen orientiert sich an der umgebenden Bergsilhouette des Kleinen und Großen Mythen. Echte ‚Hingucker‘ bilden die 45 bullaugenförmig gestalteten Dachfenster. Besonders auffällig ist hier die optische Durchgängigkeit der Aluminium-Scharen durch ein in der Dachfarbe eingefärbtes Lochblech, welches die Traufrinnen vollständig verdeckt. Lediglich die Firstlinien sind lotrecht – andere Dachlinien steigen oder fallen, was den polygonal-verspielten Gesamteindruck des Entwurfs unterstützt.
Für Balkon- und Treppengeländer wählte Morgan farblich auf die Holzfassaden abgestimmte Stahlbleche, in die ein strukturiertes Muster gleich dem Schatten einer Baumkrone gefräst wurde. Entstanden ist ein modern-
harmonisches Ensemble, für zeitgemäßes Wohnen in schönster Umgebung.
www.townset.com
Ihab Morgan ist Architekt und Stadtplaner mit zwei Studienabschlüssen und Doktorat von der ETH Zürich. Internationale Erfahrung sammelte der TOWNSET-Gründer bei Großprojekten in der Schweiz, Kanada, den USA und Deutschland. Trotz seiner Arbeit an großen Projekten entschied er sich für das vergleichsweise bescheidene Vorhaben Liebwylen, da ihn die Lage im Park, die Nähe zur historischen Felchlin-Villa und die Idee des außergewöhnlichen Wohnens faszinierten. Das Projekt wurde 2021 mit dem ICONIC AWARD des Deutschen Design-Rats in der Kategorie „Architektur und Stadtplanung“ ausgezeichnet. Im Juli 2024 folgte die Nominierung zum Finalisten des „World Architecture Festival 2024“ in Singapur – als Anerkennung für hohe Umwelt- und Nachhaltigkeitsstandards. TOWNSET Kund*innen stammen primär aus privaten Familienunternehmen, Stiftungen, sowie Industriellen aus der High-Tech-Branche.
fuboma works individually, close to the customer and with a thorough examination of the location – for long-lasting projects with a reduced ecological footprint and high social value.
“For us, every client and every property is unique and requires an individual architectural approach,” explains architect Bogdan Funk. "We attach great importance to getting to know our clients well and understanding their way of life. We also take a close look at the respective location and incorporate the so-called genius loci into our designs.”
Right in the heart of the Alps lies Chur, Switzerland’s oldest city. After ten years of international professional experience and PhD studies, Funk founded the office here in 2022. “It's an inspiring environment, characterised by old building traditions. We are networking internationally and realise projects not only in Switzerland, but also in Liechtenstein, Germany, Hungary and Africa.”
fuboma customers are people who think longterm, says Funk. “We try to reduce the high ecological footprint of the construction indus-
try by designing buildings so that they can be used over long periods – even if the users, or their respective needs, change over time.” The architects, therefore, particularly like to realise conversion projects in which they try to preserve and reuse everything that is possible. One example is the conversion of a long-empty village school building into a family home. And in a completely different sector, fuboma is also working with a public transport company which aims to reduce its ecological footprint by optimising routes and switching to e-mobility.
In addition to sustainable construction, fuboma has another important concern. “Our heart projects concern people in need,” explains Funk. “In the sub-Saharan region, we have already planned and implemented several community centres, schools and women's centres in cooperation with two foundations.” The particular challenge here is to plan for a different climate and to learn how to use local building materials and construc-
tion methods. For example, fuboma recently created a shelter and learning centre for victims of sexual violence and women affected by genital mutilation in Mali: “The hope in the eyes of these women and the smiles of the children when they enter a new school building are the greatest reward for us!”
www.fuboma.com
fuboma arbeitet individuell, nah am Kunden und unter gründlicher Auseinandersetzung mit dem Ort – für langlebige Projekte mit einem reduzierten ökologischen Fußabdruck und hohem Sozialwert.
„Für uns ist jede Bauherrschaft und jedes Grundstück einzigartig und erfordert eine individuelle architektonische Herangehensweise”, erklärt Architekt Bogdan Funk. „Wir legen großen Wert darauf, unsere Kundinnen und Kunden gut kennenzulernen und ihre Lebensweise zu verstehen. Ebenso setzen wir uns intensiv mit dem jeweiligen Ort auseinander und lassen den sogenannten Genius Loci in unsere Entwürfe einfließen.”
Mitten in den Alpen liegt die älteste Stadt der Schweiz, Chur. Nach zehn Jahren internationaler Berufserfahrung und einem PhD-Studium gründete Funk hier im Jahr 2022 das Büro: „Es
ist eine inspirierende Umgebung, die von alten Bautraditionen geprägt ist. Wir sind international vernetzt und realisieren Projekte nicht nur in der Schweiz, sondern auch in Liechtenstein, Deutschland, Ungarn und Afrika.”
NACHHALTIGES BAUEN IM BESTAND fuboma-Kunden sind Menschen, die langfristig denken, so Funk: „Wir versuchen, den hohen ökologischen Fußabdruck der Bauindustrie zu reduzieren, indem wir Gebäude so konzipieren, dass sie möglichst lange genutzt werden können – selbst wenn sich die Benutzer oder deren Bedürfnisse im Laufe der Zeit ändern.” Besonders gerne realisieren
die Architekten deshalb Umbauprojekte, bei denen versucht wird, alles, was nur irgend möglich ist, zu erhalten und weiterzuverwenden. Ein Beispiel hierfür ist die Umnutzung eines lange leerstehenden Dorfschulhauses, das von einer Familie zu einem Einfamilienhaus umgebaut wird. Zudem arbeitet fuboma u. a. mit einem ÖV-Unternehmen zusammen, das durch Streckenoptimierung und Umstellung auf E-Mobilität seinen ökologischen Fußabdruck verringern möchte.
HILFSPROJEKTE IN AFRIKA
Doch fuboma hat noch ein weiteres, wichtiges Anliegen: „Unsere Herzensprojekte sind Hilfsprojekte – Architektur für Menschen in Not”, erläutert Funk. „In der SubsaharaRegion haben wir in ehrenamtlicher Zusammenarbeit mit zwei Stiftungen bereits mehrere Gemeindezentren, Schulen und Frauenzentren geplant und realisiert.” Hier besteht die besondere Herausforderung darin, für ein anderes Klima zu planen sowie den Umgang mit lokalen Baumaterialien und Bauweisen zu erlernen. So hat fuboma erst vor kurzem in Mali ein Schutzhaus und Lernzentrum für Opfer sexueller Gewalt und von weiblicher Genitalverstümmelung betroffene Frauen geschaffen: „Die Hoffnung in den Augen dieser Frauen und das Lächeln der Kinder beim Betreten eines neuen Schulgebäudes sind für uns die größte Anerkennung!”
www.fuboma.com
Studio Girsberger recognizes and develops the central theme of a project – for individual solutions that combine function and beauty.
“It's the continuous search for and development of an essence, a unique one for each project,” explains architect Stefanie Girsberger: “This can be an existing structure that inspires a new story, or an idea of living that leads to a holistic theme.” The appeal lies in creating a spatial and constructive common thread within the given complexity. Thus, solutions that combine beauty with construction and utility are created –sometimes in valued collaborations.
After completing her studies, Stefanie Girsberger was given the opportunity to design a small timber structure in the upper Rhône valley in 2018 – still a favorite project for the architect. The studio forms a private outdoor space with the residential building: “Although the volumetry is inspired by local farm buildings, it was exciting to develop our own language and typology – because such outbuildings hardly exist in the traditional village structure.”
In more recent projects, the focus is primarily on design and construction in existing contexts. An example is the conversion of a workers' house in Muri in collaboration with Lorenz Bachmann: The quiet, harmonious structure of a former factory was uncovered and transformed into contemporary apartments with a connection to the outside space. For a detached house in Winterthur's Gartenstadt, the calm, elegant character of a small villa was brought back to life through a few targeted interventions: “It is often private clients who value a central, consistent idea – a common thread that runs through the project in terms of space, construction and design”, explains Girsberger. However, this approach can also be favored by public clients or foundations –which is currently the case in a renovation project in Winterthur's old town, in collaboration with Eloise C. Baumann.
For the near future, Studio Girsberger will continue to focus on the potential of exist-
ing buildings and their adaptability for future uses. Furthermore, a project on densification in urban areas is being developed together with Fabienne Girsberger. The focus here is on new, intergenerational forms of housing and the conscious use of recycled building fabric and materials.
In parallel with architecture, object design also remains a central theme for Girsberger – with the aim of combining form, materiality and colour into a coherent whole.
www.stefaniegirsberger.ch
Studio Girsberger erkennt und erarbeitet den roten Faden eines jeden Projekts – für individuelle Lösungen, die Funktion und Schönheit miteinander verbinden.
„Es ist das kontinuierliche Suchen und Herausarbeiten einer Essenz: Für jedes Projekt eine eigene“, erklärt Architektin Stefanie Girsberger: „Das kann eine vorhandene Struktur sein, die zu einer neuen Geschichte inspiriert, oder eine Wohnvorstellung, die zu einer gesamtheitlichen Idee führt.“ Der Reiz läge darin, in der gegebenen Komplexität einen räumlichen und konstruktiven roten Faden zu kreieren, so die Architektin. Auch in geschätzten Kooperationen entstehen auf diese Weise Lösungen, die Konstruktion und Nützlichkeit mit Schönheit kombinieren.
Nach ihrem Studium ergab sich für Stefanie Girsberger bereits 2018 die Gelegenheit, einen kleinen Holzbau im oberen Rhônetal zu realisieren – für die Architektin nach wie vor ein Lieblingsprojekt. Das Ateliergebäude bildet mit dem Wohnhaus einen privaten Außenraum: „Obwohl die Volumetrie von lokalen Ökonomiegebäuden inspiriert ist, war es spannend, eine eigene Sprache und Typologie zu entwickeln – denn solche Nebengebäude existieren im traditionellen Dorfgefüge kaum.“
Bei neueren Projekten steht vor allem das Weiterbauen im Bestand im Fokus: Etwa beim Umbau eines Arbeiterhauses in Muri in Zusammenarbeit mit Lorenz Bachmann, wo die ruhige, harmonische Struktur einer ehemaligen Fabrik freigelegt und in zeitgemäße Wohnungen mit Bezug zum Außenraum überführt wurde. Für ein Einfamilienhaus in der Winter-
thurer Gartenstadt wurde indes durch wenige, gezielte Eingriffe der unaufgeregte, elegante Charakter einer Kleinvilla wieder erfahrbar: „Oft sind es private Bauherr*innen, die Wert auf eine zentrale, durchgängige Idee legen – einen roten Faden, der sich räumlich, konstruktiv und gestalterisch durch das Projekt zieht“, erläutert Girsberger. Doch auch öffentliche Auftraggeber oder Stiftungen gehören dazu – aktuell bei einem Umbauprojekt in der Winterthurer Altstadt in Zusammenarbeit mit Eloise C. Baumann.
In naher Zukunft widmet sich das Studio Girsberger weiterhin dem Potenzial bestehender Bausubstanz und ihrer Wandelbarkeit für zukünftige Nutzungen. Parallel dazu entsteht derzeit in Zusammenarbeit mit Fabienne Girsberger ein Projekt zur Verdichtung in der Agglomeration. Im Fokus stehen dabei neue, generationenübergreifende Wohnformen sowie der bewusste Einsatz von wiederverwendeter Bausubstanz und Baumaterialien.
Begleitend zur Architektur bleibt auch das Objektdesign ein zentrales Thema – auch hier mit dem Anspruch, Form, Materialität und Farbe zu einem stimmigen Ganzen zu vereinen.
www.stefaniegirsberger.ch
Let’s face it: Wilfried Schmidt’s profile as an architect defies simple categorisation. While all of us carry psychological complexity, his professional drive and intellectual pursuits are so multifaceted that he emerges as a strikingly protean figure, a free electron wriggling in all directions.
Though turning 60 this year, he still considers himself a young architect. This stems partly from his practice being just eight years young, but more fundamentally from his willingness to confront each new challenge with what he calls “beginner’s awareness”. For him, beyond formal design considerations, the processes of learning and discovery remain paramount.
In today’s architectural climate, where star architects command the spotlight and feed the public’s appetite for spectacle, his approach remains refreshingly atypical.
After studying under Luigi Snozzi at the Federal Institute of Technology in Lausanne and an initial collaboration with Livio Vacchini, he joined Snozzi’s office, first in Locarno, later in Lausanne. During this formative decade, he worked primarily on projects in Germany (Pforzheim) and the Netherlands (Groningen, Maastricht). Like many young architects
shaped by Snozzi’s teaching at the time, these early years left an indelible mark, instilling not just professional skills but also an ethical –even political – understanding of building.
Above all, he absorbed the principle that any architectural act, private or public, must prioritise its impact on the collective realm.
For the next ten years, as head of Burckhardt+Partner’s Geneva office, one of Switzerland’s largest firms, he expanded the team from seven to 28 employees before leaving to establish his own practice. This deliberate shift allowed him to work independently, a chosen solitude that does not preclude collaborations with colleagues and friends, particularly in Ticino, the land of his childhood, a territory in which he participated in the development of the Locarno and Biasca masterplans.
As a self-proclaimed work addict, he asserts: "It’s only by doing that you understand." And he wants to understand. He measures fulfilment not in hours but in the pursuit of his endless appeals. In his experience, generosity – even towards clients – often pays back. For this reason, and as a consequence of his relentless pursuit of quality, this ultimately disinterested stance continues to be one of the main strategies of his busy-ness.
He explores ceaselessly: making time for photography, teaching in Lausanne, Gene-
va, Fribourg, Mendrisio, and Monte Carasso, writing, crafting a mirror that refuses reflection with a cabinetmaker friend, or designing a book of endlessly expandable three-dimensional labyrinths for one of his sons. Simultaneously, for nearly 15 years, he has been deeply involved in Les Ailes (The Wings), a housing cooperative born from the former Swissair, where he is strongly committed to providing social housing. In fact, it was this first client, in 2017, that gave him the opportunity to really take off with his architectural firm in-deed.
His architecture is characterised by great simplicity and expressive sobriety. But do not be fooled: simplicity is a conquest, the result of hard work. As for so-called sustainable development? Do not ask. He dismisses the term as tautological and its approach as misguided, a fundamental issue co-opted by the interests that created it. To him, there is no magic formula, and no one in the western world is prepared to accept the sacrifices a real solution would demand.
Over the course of his career, he has had the good fortune to tackle a wide variety of programs: schools, hospitals, administrative buildings, theatres, and music halls, amongst others. His recent specialisation in social housing is more a matter of chance, linked to his current clientele.
Since Covid and thanks to the cloud, he maintains two offices in Geneva and Palma. Now, following Danish architect Jørn Utzon’s footsteps, he is building a house for his wife in Mallorca’s local marès sandstone, naturally in Petra.
When asked about his career’s greatest successes over 35 years, he answers without hesitation: "My ultimate success consists in having achieved doing exactly what I enjoy, according to my values and priorities! Of course, I had to fight and be patient, but I succeeded. This reality matters more to me than any prestigious project I might have participated in. Today, I find joy in undertakings I can handle alone. That tempered ambition
is itself a success. Perhaps my next achievement will be a gain in serenity, who knows?"
www.in-deed.ws
Timeless, contextual and meticulously designed: Zurich-based architecture firm Hull Inoue Radlinsky embodies an architectural practice that is globally informed, yet locally rooted.
From contemplative sacred spaces to urban school buildings, Hull Inoue Radlinsky (HIR) navigates a broad range of scales and typologies with ease. “Our portfolio is diverse and spans from residential buildings to public institutions, museums and sacred architecture. We also have extensive experience in working with existing structures, whether it’s listed heritage buildings or the transformation of more recent buildings,” explains Miyuki Inoue, who has been running the firm with partners Vanessa Hull and Silvia Radlinsky since 2010.
Their diversity of perspectives is precisely the strength of the partnership, as Miyuki emphasises. “Each partner brings specific expertise and interests, and we continuously exchange ideas across all projects. Our foundation is a
shared architectural understanding, rooted in dialogue with clients and a sensitive approach to buildings, places and their histories.” For HIR, architecture must transcend the moment.
Sustainability has been a central concern at HIR for over 15 years. “A respectful approach to existing structures is a key contribution to conserving resources. At the same time, we are driven by questions of sufficiency. How much space is truly needed? How can architecture adapt to seasonal rhythms?” Miyuki’s background, having grown up in a traditional, unheated wooden house in Japan, also informs the practice’s ethos. “Architecture should coexist with nature, not work against it.”
This international outlook shapes not only the partners’ biographies but their philosophy as well. “International perspectives often lead to unexpected, sometimes surprising solutions –for instance, when Japanese ways of thinking subtly unfold within the Swiss context.”
The result is architecture that is locally anchored, yet globally informed.
Recognition for their thoughtful approach has not been in short supply. The firm received the Gold Best Architects Award in 2022 for the Marzili school building in Bern – in cooperation with Wolfgang Rossbauer Architekt – while the Straw Museum in Wohlen was honoured with the Aargau Heritage Prize. Most recently, Miyuki was named International Female Architect of the Year at the AnotHERVIEWture Awards 2024 – a distinction that reflects the collective dedication of the entire firm.
www.hir-architekten.ch
Zeitlos, kontextbezogen und mit Sorgfalt entworfen: Das Zürcher Architektenbüro Hull Inoue Radlinsky steht für eine international informierte Architektur, die dennoch regional verwurzelt ist.
Von sakraler Stille bis zum städtischen Schulhaus: Hull Inoue Radlinsky (HIR) bewegt sich mit souveräner Leichtigkeit zwischen verschiedenen Maßstäben und Bautypologien. „Unser Spektrum ist breit und reicht vom Wohnhaus bis zu öffentlichen Gebäuden, Museen und sakralen Bauten. Wir haben zudem viel Erfahrung beim Weiterbauen im Bestand, sei es in denkmalgeschützten Gebäuden oder bei der Transformation jüngerer Bausubstanz“, erklärt Miyuki Inoue, die das Architekturbüro zusammen mit Vanessa Hull und Silvia Radlinsky seit 2010 führt.
In den unterschiedlichen Perspektiven der drei Partnerinnen liegt auch ihre Stärke wie Miyuki betont: „Jede Partnerin bringt spezifische Kompetenzen und Interessen ein, und wir tauschen uns über alle Projekte laufend aus. Unsere Grundlage ist das gemeinsame architektonische Verständnis, das sich im Dialog mit der Bauherrschaft und im sensiblen Umgang mit Gebäuden, dem Ort und seiner Geschichte zeigt.“ Architektur, so die Überzeugung, sollte nicht nur dem Moment entsprechen, sondern sich langfristig bewähren.
Dabei ist Nachhaltigkeit seit über 15 Jahren ein zentrales Thema bei HIR. „Der sorgfältige Umgang mit bestehenden Strukturen ist ein elementarer Beitrag zur Ressourcenschonung. Gleichzeitig beschäftigen uns Fragen der Suffizienz: Wie viel Raum braucht es wirk-
lich? Wie kann Architektur flexibel und im Rhythmus der Jahreszeiten genutzt werden?“ Miyukis persönliche Erfahrung – aufgewachsen in einem traditionellen, unbeheizten Holzhaus in Japan – prägt ebenfalls die Haltung: „Architektur soll mit der Natur koexistieren, nicht gegen sie arbeiten.“
Internationalität findet sich nicht nur in den Biografien, sondern auch in der Entwurfsphilosophie: „Internationale Perspektiven führen zu unerwarteten, oft überraschenden Lösungen. Etwa, wenn sich im schweizerischen Kontext japanische Denkweisen auf subtile Weise entfalten.“ Das Resultat ist eine lokal verankerte, aber international informierte Architektur.
Auszeichnungen wie der Best Architects Award 2022 in Gold für das Schulhaus Marzili in Bern – in Zusammenarbeit mit Wolfgang Rossbauer Architekt – und der Heimatschutzpreis des Kantons Aargau für das Strohmuseum Wohlen sprechen für sich. Jüngst wurde Miyuki mit dem AnotHERVIEWture Award 2024 als ‚International Female Architect of the Year‘ geehrt – eine Auszeichnung, die stellvertretend für das kollektive Engagement des ganzen Büros steht.
www.hir-architekten.ch
project spotlight with:
-happy visitors
-happy clients
-happy investors
The mountain range ‘Gunung Machinchang’ on Langkawi Island in Malaysia, is a UNESCO protected heritage site. Our masterplan design makes the area accessible to the public, while uniting various features and strictly safeguarding the environment.
All platforms and walkways are built to float above the ground, to protect from damaging nature and picking local rare plant species.
•The special experience brings visitors across the forest and steep rock faces towards the top of the mountain.
•It enables visitors to experience otherwise inaccessible places.
•Visitors have spacious platforms at their disposal and most of them can hardly imagine how difficult it was to construct them on very steep and inaccessible slopes.
•It offers ever-changing views and experiences and has been bestowed with International awards:
‐ The Swiss Steel Design Award ‘Prix Acier 2005’
-The ‘International Footbridge Award 2005’
by Dr. Peter André Wyss Dipl.arch. ETH/SIA, Dr. sc. tec. ETH
This mountain project has various multiplier effects:
-Langkawi Island’s economy has felt a positive impact, including its broader employment-related services.
-In our design, the bottom station was moved from no man’s land to the Oriental Village which was almost bankrupt before the cable began operation in the first project phase.
It has since increased turnover of its shops and the village now is part of the mountain project’s wider success story.
-The project delivers big returns on investment. The number of visitors has increased steadily from 300,000 per annum at the beginning of 2003 to over 1.25 million in 2019 (running at full capacity).
This amounts to an increase of over 400% over 16 years, despite higher ticket prices – a number nobody dared dream about back in 2001 when the decision was made to build the project.
“I’ll be back.” Who has not heard the most famous words of The Terminator? The German rock and country band The BossHoss have made it the title of their newest single, and for the band’s 20th anniversary, they have collaborated with the Terminator himself – Arnold Schwarzenegger. The result of a long friendship and a joint goal: the revenues from the single will be donated to Schwarzenegger’s climate initiative.
TEXT: JESSICA HOLZHAUSEN | PHOTOS: TIM EICHEL
“I’ll be back” stands out in the song, spoken in the all too familiar voice of the Terminator. “You don’t want to force the man to sing,” jokes the band’s co-founder Sascha Vollmer. “But this is his killer line, the iconic words he most stands for.” For the interview, Sascha Vollmer and Alec Völkel have gathered in a garden in Berlin, chilled, relaxed and a bit rebellious, just like their music. The BossHoss have been one of the most successful German bands of the last 20 years, with over 2 million albums sold, and Alec Völkel and Sascha Vollmer have both been coaches on The Voice of Germany
A cooperation with Arnold Schwarzenegger still does not come out of the blue, even for a successful band like The BossHoss. He is far too busy to just jump on the opportunity to make a song, say the band members. For The
BossHoss, the cooperation – and friendship –has grown over many years and is based on a joint goal: the fight against climate change.
“To sit in Berlin and have the idea to work with Arnold Schwarzenegger and just call him, that wouldn’t work. We’ve known him for three years, which all started through his climate change work,” says Alec Völkel.
Every year, Arnold hosts his climate dinner and charity event during the legendary Weißwurst-Party at the ski races in Kitzbühel, Austria. The name is based on a white sausage typical for Austria and Southern Germany that has been served during the gala. It is a big event and often close-
ly monitored by the press, since it attracts a lot of famous names. Three years ago, Schwarzenegger asked The BossHoss to play as entertainment. “He liked what we did and invited us back,” says Alec Völkel.
But The BossHoss wanted to do more. They offered to auction off a living room concert at one of Schwarzenegger’s fundraising events to raise money for The Schwarzenegger Climate Initiative. The foundation builds awareness of the climate crisis and encourages small every day actions. The concert was auctioned off for €100,000. A trip to California and Schwarzenegger’s exclusive charity poker night with 150 selected guests followed. So, when The BossHoss suggested making a song together last year and presented a first song idea, the Terminator was all ears.
In the end, the first song draft was not entirely what The BossHoss guys were looking for and they wrote a second song, with a bit more drive. I’ll be back was born, as was a new album, which will come out on 19 September. The single is the band’s contribution to the fight against climate change, but while they want to bring the topic to people’s attention, they do not want to do so with a raised finger.
Even if it is to raise funds for climate awareness, fun and the joy of music should still be the centre point, music moves people after all. And this fits Arnold Schwarzenegger’s own approach and personality. “Arnie is a motivator and his core message is: when you need me, I will be there,” says Alec Völkel. And how to better say that than with his iconic line “I’ll be back.”
The video for the new single was filmed close to Schwarzenegger’s home in LA, California, and embodies the wildness and freedom of a road trip, but not without dangers. The BossHoss are being chased by a cowboy and discover snakes under the bonnet and on the backseat. Real-life snakes caused an extra thrill during filming. “You can see a lady in the video, pushing us away from the bonnet. She’s a professional snake wrangler, someone you would call if you suddenly found a rattlesnake in the garden,” says Alec Völkel. “We trusted her work.”
It is less scary to spot Arnold Schwarzenegger in the rear view mirror – cigar in the corner of his mouth – just for him to disappear on a second glance, right? That is exactly what happens in the music video.
From the very first idea, The BossHoss of course wanted to somehow include Arnold Schwarzenegger in the video, but keep the effort as low as possible. “We had the video planned before we actually knew if he would participate. The message was always: he doesn’t want to do the filming,” says Sascha
Vollmer. Still, they hoped he would come around, stand in front of the green screen and say “I’ll be back” three times. A slight risk, because on the day when the filming started, he still had not given in to the idea. “It was by a hair’s breadth. Sitting together at the breakfast table, he spontaneously said ‘let’s do it’.”
For The BossHoss, the new album is also a way back to the roots. 20 years ago, they published their first album, and with Back to the Boots they rediscover their original sound: country and rock n’ roll. It is a big album with 17 songs, ranging from the classic country waltz From Country to Country to rock beats in One More Time. The album
also features cover songs like the iconic Ring of Fire. “That cover was long overdue,” says Sascha Vollmer.
A highlight is another collaboration, this time with iconic singer Dionne Warwick, which will also be released as a single. With so many great choices, it is no surprise that Sascha Vollmer and Alec Völkel cannot pick a favourite.
A club tour will follow the album in September and early October, with stops in Hamburg, Berlin, Cologne, Münster, Hanover, Stuttgart, Frankfurt, Leipzig, Dresden and Munich. “It’s a very special tour for us,”
says Alec Völkel. “Into the small clubs where it started 20 years ago.” A daunting prospect: a small stage, no big show, nothing to distract from the music. Alec Völkel and Sascha Vollmer are both excited. “Fans often tell us that they used to be much closer to us,” says Sascha Vollmer. This is the feeling they want to recreate with the new tour. “It’s a trip to the past.”
In addition to brand new songs, fans can of course also look forward to a bunch of classics and all-time favourites. What a better way to celebrate the last 20 years of outstanding German music than with the people that matter the most: the fans! Look out because The BossHoss are back.
www.thebosshoss.com
The DACH region – Germany, Switzerland and Austria – is home to some of the world's leading aesthetic experts, renowned for their exceptional skills and innovative approaches in the field of aesthetic medicine and plastic surgery. Find out more about them on the following pages.
PHOTOS: UNSPLASH
Die ESG ist derzeit das wirksamste nicht-chirurgische Verfahren zur Gewichtsabnahme. Die endoskopische Magenverkleinerung (ESG) bewirkt nach einem Jahr einen durchschnittlichen Gewichtsverlust von 20% des Gesamtkörpergewichts.
TEXT: LISA STADLHUBER I FOTOS:
SAN
Die SAN Privatklinik bietet jahrzehntelange Erfahrung, umfangreiche Qualifikation und medizinische Kompetenz, gebündelt unter einem Dach. Sie wurde 2015 als tageschirurgisches Operations- und Endoskopiezentrum gegründet und wird als eingetragene Krankenanstalt geführt.
Die Endoskopische Magenverkleinerung ist eine nichtoperative Methode zur Behandlung von Übergewicht und Adipositas. Sie unterstützt Patientinnen und Patienten dabei, Ihre Nahrungsaufnahme zu reduzieren und langfristig Gewicht zu verlieren. Anders als bei traditionellen chirurgischen Eingriffen ist keine Bauchdeckenöffnung erforderlich. Stattdessen erfolgt die ESG durch den Einsatz eines Endoskops, einem schlauch-
förmigen Instrument mit Kamera und speziellen chirurgischen Instrumenten. „Unser hochqualifiziertes und erfahrenes medizinisches Team steht Ihnen bei jedem Schritt Ihrer ESG-Behandlung zur Seite”, sagt Dr. Stadlhuber, Facharzt für Chirurgie.
Dr. Stadlhuber und sein Team haben jahrzehntelange Erfahrung als Chirurgen
und Endoskopiker. Jährlich werden einige Hundert operative Eingriffe und über 1.000 Endoskopien in unterschiedlichen chirurgischen Disziplinen durchgeführt. Es gibt viele Optionen, die zur Gewichtsabnahme führen – von reversiblen Lösungen bis hin zu dauerhaften Therapien wie ESG , 6- bis 12-monatigen Magenballons und Botox für den Magen. Alle Programme werden ärztlich betreut und von einem Ernährungsberater begleitet. „In der SAN Privatklinik wird großer Wert auf Ihre Sicherheit, Ihr Wohlbefinden und eine individuell auf Sie abgestimmte Betreuung gelegt”, sagt Dr. Augschöll, Facharzt für Chirurgie.
Honest, empathetic, and consistently focused on patients: the medical team at Plastische Chirurgie Frankfurt | Hochtaunus demonstrates what modern aesthetic medicine looks like today.
In plastic surgery, trust is everything – and it is rare to find a team that embodies this principle as wholeheartedly as the four women behind the practice Plastische Chirurgie Frankfurt | Hochtaunus. In 2015, plastic surgeons Dr Zeynep Potente, Dr Bianca Baican, and Dr Christina Luther founded their own clinic together with anaesthetist Dr Livia Köhler, driven by a shared desire to work independently, beyond rigid hospital structures. What unites them: many years of joint experience as senior consultants, a deep understanding of one another, and a strong conviction that beauty should never be used as a sales tool.
Today, the clinic has two locations – in central Frankfurt and in Oberursel – where the team covers almost the full spectrum of plastic and aesthetic surgery, from complex body contouring procedures and breast operations to facelifts and eyelid corrections. The clinic also offers a range of minimally invasive treatments, such as platelet-rich plasma therapy, microneedling, and Botox. One aspect that builds trust: the doctors only offer treatments that they would consider for themselves.
For the team, honest and empathetic communication is a given, and remains a tangible part of the experience from the first consultation all the way through to final aftercare. As a result, many close relationships develop that go beyond the medical.
This is also reflected in one of the clinic’s more unusual projects: its own magazine. The idea stemmed from a wish to give patients a voice and a face beyond the usual before-and-after clichés. It was originally intended as a one-off, but after two intensive days with photographer Sime Eskinja and 24 courageous participants,
it became clear that the stories deserved more than a fleeting moment on social media.
The result is an aesthetically striking print format that is personal, honest, and unfiltered –and reflects what truly matters to the doctors: humanity, trust and aesthetic medicine with integrity. Under the title MyBodyMyStory, patients share their experiences openly and authentically. It does not aim for medical completeness. Instead, it offers a raw, personal glimpse into the values and aesthetic sensibilities of the doctors, and the real-life experiences of their patients.
Those seeking change here receive more than just a cosmetic result – they find a warm, principled team with heartfelt values.
www.plastische-frankfurt.de
Ehrlich, empathisch und konsequent patientenorientiert: Das Ärztinnen-Team der Praxis für Plastische Chirurgie Frankfurt | Hochtaunus zeigt, wie moderne Schönheitsmedizin heute funktioniert.
In der plastischen Chirurgie ist Vertrauen alles, und selten trifft man auf ein Ärzteteam, das dieses Prinzip so verkörpert wie die vier Frauen der Praxis Plastische Chirurgie Frankfurt | Hochtaunus. Die drei plastischen Chirurginnen Dr. med. Zeynep Potente, Dr. med. Bianca Baican und Dr. med. Christina Luther gründeten mit der Anästhesistin Dr. med. Livia Köhler 2015 gemeinsam ihre eigene Klinik, um jenseits der Krankenhausstrukturen selbstbestimmt arbeiten zu können. Was sie verbindet: langjährige Erfahrung und Zusammenarbeit als Oberärztinnen, ein tiefes Verständnis füreinander und die Überzeugung, dass Schönheit nie zum Verkaufsargument werden sollte.
In der Frankfurter Innenstadt und in Oberursel hat die Praxis heute zwei Standorte, an denen das Team nahezu das gesamte Spektrum der plastisch-ästhetischen Chirurgie abdeckt – von aufwendigen Körperstraffungen über Brustoperationen bis hin zu Facelifts oder Lidkorrekturen. Auch minimalinvasive Verfahren wie Eigenblut-Therapien, Needling oder Botox zählen zum Angebot.
Ein Aspekt, der Vertrauen schafft: Nur was die Ärztinnen an sich selbst auch durchführen würden, bieten sie ihren Patient:innen an.
Der ehrliche und empathische Austausch ist für das Praxis-Team selbstverständlich und bleibt, vom ersten Beratungsgespräch bis zur finalen Nachsorge, in jeder Phase der Behandlung spürbar. Dabei entstehen oft intensive Beziehungen, die weit über das Medizinische hinausreichen
Das zeigt auch ein eher ungewöhnliches Projekt der Praxis: ein eigenes Magazin. Es entstand aus dem Wunsch heraus, Patient:innen, jenseits von Vorher-Nachher-Klischees, eine Stimme und ein Gesicht zu geben – allerdings sollte es eine einmalige Sache bleiben. Nach zwei intensiven Tagen mit Fotograf Sime Eskinja und 24 mutigen Protagonist:innen war klar, dass die Geschichten mehr Raum als ein Social-Media Post verdienen.
Daraus ist ein ästhetisches Printformat entstanden, das nahbar, persönlich und unverstellt zeigt, worum es den Ärztinnen wirklich geht: um
Menschlichkeit, Vertrauen und eine Schönheitsmedizin mit Haltung. Unter dem Titel MyBodyMyStory erzählen Patient:innen ehrlich und ungefiltert von ihren Erfahrungen. Hierbei geht es nicht um medizinische Vollständigkeit, sondern darum, einen kleinen Einblick in die Arbeitsphilosophie, das Empfinden von Ästhetik und in die Persönlichkeiten der Ärztinnen zu geben.
Wer hier eine Veränderung sucht, bekommt mehr als ein ästhetisches Ergebnis – nämlich ein sympathisches Team, das Haltung zeigt.
www.plastische-frankfurt.de
Whether for little gourmets or robust connoisseurs, the diverse defu product range includes selected wet and dry food for dogs and cats – tailored to different life stages and special dietary needs.
defu offers a diverse range of organic pet food for everyone who only wants the best nutrition for their four-legged friends. Thanks to the finest raw materials from controlled organic farming, defu offers natural and tasty pet food, produced with care and responsibility from the very beginning – for a happy pet.
Many recipes are grain-free and offer only a single animal protein source. A large selection of different varieties ensures culinary diversity in your dog's and cat's bowl. High-quality organic meat, valuable organic offal, and finely tuned plant-based ingredients provide a species-appropriate diet.
In addition to the complete feed menus, defu’s PUR line offers the perfect basis for individually composed meals with six selected varieties. Each can contains only 100 per cent organic meat and organic offal as a single protein source – uncompromisingly pure. This makes
the premium feed an excellent choice for exclusion diets or animals with food source intolerances. In combination with other selected ingredients, tailor-made menus can be created. The PUR cans are also particularly valued as a practical BARF alternative when travelling or whenever something uncomplicated yet of high quality is desired.
To enhance the daily feed ration, the range also includes exclusive complementary feeds such as Vital Oils and Powder Mixes. The selected high-quality organic oils provide essential fatty acids and natural nutrients, which are valued for their positive effects on skin, coat, and immune system. They can also contribute to the increase of the pet’s overall well-being.
The Premium Feed Supplements are unique mixtures of medicinal plants in organic quali-
ty and valuable additives. Mixed into the food in practical powder form, they can enrich the diet of every dog. The valuable ingredients are known to potentially promote gastrointestinal health, support a shiny and soft coat, and have positive effects on joint functions.
The defu range is rounded off by a fine selection of exquisite snacks for dogs and cats. Whether as a reward during training, a tasty snack, or simply as a sign of affection –defu's snacks combine enjoyment with species-appropriate recipes.
What unites defu products? The ingredients are selected and processed with the greatest care – without artificial preservatives and colourings or added sugar. Instead, defu relies on the power of nature and creates recipes that are reduced to the essentials yet full of flavour. After all, conscious, species-
appropriate pet food is the key to a healthy and happy life for our four-legged friends.
www.defu.de
Ob für empfindsame Feinschmecker oder robuste Genießer: Die vielfältige Produktpalette von defu umfasst ausgewähltes Nass- und Trockenfutter für Hunde und Katzen –abgestimmt auf verschiedene Lebensphasen und besondere Ernährungsbedürfnisse.
Für Tierhalterinnen und -halter, die auch an die Ernährung Ihrer Vierbeiner höchste Ansprüche stellen, bietet defu ein vielfältiges Sortiment an Bio-Tiernahrung. Durch den Einsatz feinster Rohstoffe aus kontrolliert ökologischer Landwirtschaft entsteht ein natürliches Tierfutter, das von Anfang an mit Sorgfalt und Verantwortung produziert wird – für ein glückliches und artgerechtes Tierleben.
BIOLOGISCHE VIELFALT FÜR DEN NAPF
Viele Rezepturen sind getreidefrei und bieten nur eine einzige tierische Proteinquelle. Eine große Auswahl unterschiedlicher Sorten sorgt für kulinarische Abwechslung im Napf von Hund und Katze. Hochwertiges Bio-Fleisch, wertvolle Bio-Innereien und fein abgestimmte pflanzliche Zutaten bilden dabei die Grundlage einer wesensgerechten Ernährung.
Zusätzlich zu den Alleinfuttermenüs bietet defu mit der PUR-Linie in sechs ausgesuchten Sorten die perfekte Grundlage für individuell zusammengestellte Mahlzeiten. Jede Dose enthält nur 100 % Bio-Fleisch und Bio-Innereien als Single-Proteinquelle – kompromisslos pur. Da-
mit eignet sich dieses Premium Ergänzungsfuttermittel hervorragend für Ausschlussdiäten oder Tiere mit Unverträglichkeiten. In Kombination mit weiteren ausgewählten Zutaten lassen sich so maßgeschneiderte Lieblingsmenüs kreieren. Besonders geschätzt sind die PURDosen auch als praktische BARF-Alternative auf Reisen oder immer dann, wenn es unkompliziert und dennoch hochwertig sein soll.
FUTTERZUSÄTZE KÖNNEN POSITIV AUF HAUT, FELL UND IMMUNSYSTEM WIRKEN
Zur Verfeinerung der täglichen Futterration umfasst das Angebot von defu mit Vitalölen und Pulvermischungen auch exklusive Ergänzungsfuttermittel. Die edlen Vitalöle überzeugen mit fein abgestimmten Kompositionen aus hochwertigen Bio-Ölen, welche essenzielle Fettsäuren und natürliche Nährstoffe liefern. Die ausgewählten Öle werden für ihre positive Wirkung auf Haut, Fell und Immunsystem geschätzt und können zur Steigerung des Wohlbefindens beitragen. Die Premium Futtersätze sind einzigartige Mischungen aus Heilpflanzen in Bio-Qualität und wertvollen Zusatzstoffen. In der praktischen Pulverform
ins Futter gemischt, können sie die gesunde Hundeernährung bereichern. Die wertvollen Inhaltsstoffe sind dafür bekannt, dass sie die Magen-Darm-Gesundheit fördern, glänzendes und weiches Fell unterstützen oder positive Effekte auf die Gelenkfunktion haben können.
Abgerundet wird das Sortiment durch eine feine Auswahl an erlesenen Snacks für Hunde und Katzen. Ob als Belohnung beim Training, als schmackhafte Zwischenmahlzeit oder einfach als Zeichen der Zuneigung – die Snacks von defu vereinen Genuss mit wesensgerechten Rezepturen.
Was die defu-Produkte eint: Die Zutaten werden mit größter Sorgfalt ausgewählt und verarbeitet – ohne künstliche Konservierungsund Farbstoffe oder zugesetzten Zucker. Stattdessen vertraut defu auf die Kraft der Natur und schafft Rezepturen, die auf das Wesentliche reduziert sind und dennoch voller Geschmack stecken. Denn eine bewusste,
wesensgerechte Fütterung ist der Schlüssel zu einem gesunden und glücklichen Tierleben.
www.defu.de
Culinary excellence meets minimalist precision – at restaurant Rutz, every detail is reimagined to elevate flavour, form and experience.
When Rutz first opened in 2001, it was an ambitious wine bar with a bold idea. Today, it stands as Berlin’s only restaurant to hold three Michelin stars, along with the prestigious Green Michelin Star for its sustainability efforts. Owners Anja and Carsten Schmidt run the establishment with heartfelt dedication, while executive chef Marco Müller and head chef Dennis Quetsch have impressed with a style defined by puristic finesse. “There’s always an idea at the heart of every dish – an inspiration that becomes something daring,” says Marco Müller. “Our menu is our identity.”
The Rutz also goes the extra mile when it comes to drinks. “Our origin as a wine bar comes with certain obligations,” Sebastian Höpfner, sommelier, says. “The kitchen team and our sommeliers are constantly experimenting to create the most harmonious wine pairings.” Equally well-thought-out are the alcohol-free options: juices, kombuchas, broths and extracts, all precisely tailored to each course. Throughout, host Falco Mühlichen strikes a refined balance between polished hospitality and relaxed urban charm.
Since its 2022 redesign by architect Prof. Gesine Weinmiller, the interiors now echo the restaurant’s ethos: clear, timeless, unpretentious. Or, as the Rutz team puts it; “Using the finest ingredients, we create food that nourishes the mind, touches the heart, and leaves the belly warmly content.”
Kulinarische Exzellenz trifft auf puristische Präzision – im Restaurant Rutz wird jeder Aspekt neu gedacht, um Geschmack, Form und Erlebnis auf ein neues Niveau zu heben.
Das Berliner Spitzenrestaurant Rutz begann 2001 als ambitionierte Weinbar. Heute ist es das einzige Drei-Sterne-Restaurant der Hauptstadt mit zusätzlichem Grünen Michelin-Stern für Nachhaltigkeit. Inhaber Anja und Carsten Schmidt führen das Haus mit persönlicher Hingabe, während Executive Küchenchef Marco Müller und Küchenchef Dennis Quetsch mit puristischer Finesse überzeugen. „Es steht immer ein erster Gedanke hinter jedem Gericht, eine Inspiration wird zu einer ausgefallenen Idee“, so Marco Müller. „Unser Menü ist unsere Identität.“
Auch bei den Getränken geht das Rutz die Extrameile. „Allein die Wurzeln des Rutz als Weinbar verpflichten“, betont Sebastian Höpfner, der Sommelier. „Das Küchenteam und unsere Sommeliers tüfteln in ständigen Proben an den stimmigsten Weinbegleitungen.“
Auch alkoholfreie Begleitungen wie Säfte, Kombuchas, Brühen oder Auszüge passen wie maßgeschneidert zu jedem Gang. Gastgeber Falco Mühlichen sorgt dabei für eine Atmosphäre zwischen feiner Gastlichkeit und urbaner Leichtigkeit.
Seit dem Re-Design 2022 unter der Führung von Architektin Prof. Gesine Weinmiller spiegelt auch das Interieur den klaren, zeitlosen Anspruch des Hauses wider. Oder, wie das Rutz-Team es selbst formuliert: „Aus besten Lebensmitteln schaffen wir Essen, das den Kopf füttert, das Herz berührt und den Bauch wärmend glücklich macht.“
www.rutz-restaurant.de
Ritter Sport Schokolade ohne Milch? Ja, das geht! Gewohnt lecker und prall gefüllt mit den besten Zutaten in 6 verschiedenen Varianten. YES, VEGAN!
Weitere Infos unter www.ritter-sport.de
At Weinkeller Schweiz, fine wine is granted what it needs most: time, stillness, and care. In these finely tuned cellars, each bottle matures in quiet dignity – never rushed, never prematurely aged.
Whether as an investment, a passion project or part of a trading portfolio, serious wine deserves more than a space on a shelf. Weinkeller Schweiz is dedicated to the discreet luxury of proper storage, and with new locations opening in Germany, Austria and the UK next year, its vision is expanding across Europe.
“Our site selection is anything but random,” managing director Philipp Uehlinger explains. “Each cellar is located underground, shielded from temperature fluctuations, vibrations and UV light. Every facility is independently climate-controlled and constantly monitored, with gentle ventilation, low light exposure and a steady temperature of around 12°C –maintained alongside a consistent humidity level of 70 per cent. In short, what you’d call a state-of-the-art wine storage.” The technol-
ogy remains invisible, its presence revealed only through the results.
Weinkeller Schweiz appeals to private collectors, ambitious young wine enthusiasts, restaurateurs, traders and investors alike. Clients can rent individual storage compartments or entrust entire collections to the cellar. “All our customers are ultimately looking for a secure and dignified place for their personal treasures – often with the option to enjoy a glass on site,” says Uehlinger. “Investors and professional traders, on the other hand, think in terms of vintages, volumes and transactions. For them, storage quality goes hand in hand with documentation, traceability and integration into our logistics network.”
Wine fridges? Uehlinger sees them as a stopgap. “Once collections grow in size or signifi-
cance, and when long-term value preservation matters, they quickly fall short,” he explains. “Professional storage becomes essential when wine represents more than a drink: it’s a collection, an investment, part of one’s personal story.” Whether sourcing rarities, appraising holdings or preparing for auction, Weinkeller Schweiz provides discreet, independent guidance – with a refined instinct for market, maturity and meaning. “We’re not classic merchants,” says Uehlinger. “We see ourselves as curators of a quiet passion.”
The heart of Weinkeller Schweiz is not the cellar or the bottles stored within them, as precious as they may be, it is the people behind it all as Uehlinger emphasises: “Our clients, with their individual needs, preferences and stories. What emerges is far more than just a storage space for wine: it’s a growing community that meets regularly, travels together, tastes, discusses –and shares unforgettable wine experiences.”
www.weinkellerschweiz.ch/en
Bei Weinkeller Schweiz dreht sich alles um die optimalen Lagerbedingungen für wertvolle Weine. Edle Tropfen können sich so über Jahre hinweg harmonisch entwickeln –ohne vorzeitig zu altern.
Ob als Kapitalanlage, Herzensangelegenheit oder Handel: Wer Wein ernst nimmt, stellt ihn nicht einfach irgendwo ins Regal. Weinkeller Schweiz hat sich dem diskreten Luxus der perfekten Lagerung verschrieben und nächstes Jahr kommen neue Standorte in Deutschland, Österreich und England dazu.
„Die Wahl unserer Standorte folgt keinem Zufall, sondern einem klaren Anforderungskatalog“, erklärt Geschäftsführer Philipp Uehlinger. „Unsere Keller liegen unter der Erde, geschützt vor Temperaturschwankungen, Erschütterungen und UV-Licht. Jeder Standort ist technisch unabhängig klimatisiert und konstant überwacht, wobei wir größten Wert auf sanfte Belüftung, geringe Lichtemissionen und eine stabile Temperatur um 12 Grad Celsius legen – bei kontrollierter Luftfeuchtigkeit von 70 Prozent. Also das, was man ein ‚state of the Art‘ Weinlager
nennt.“ Die Technik bleibt aber im Hintergrund und wird nur beim Resultat sichtbar.
Das Angebot richtet sich an private Sammler:innen, junge Wein-Enthusiasten mit Ambitionen, Gastronomen, Händler und Investoren. Es besteht die Möglichkeit Weinlagerabteile zu mieten, oder ganze Sammlungen einzulagern. „Alle unsere Kunden suchen in erster Linie einen sicheren und würdigen Ort für ihre persönlichen Schätze – gerne auch mit einem Glas vor Ort“, so Uehlinger „Investoren und Händler hingegen denken in Serien, Jahrgängen und Transaktionen. Für sie zählt neben der Lagerqualität auch die Dokumentation, Rückverfolgbarkeit und Anbindung an unsere logistische Infrastruktur.“
Weinklimaschränke? Für Uehlinger nur eine Übergangslösung. Denn, sobald es um größere Mengen, langfristige Reifung oder Werterhalt geht, endet ihr Nutzen. „Ein professionelles
Weinlager, mit stabilen Konditionen lohnt sich immer dann, wenn Wein mehr ist als nur Getränk: Sammlung, Investition, Teil der eigenen Biografie“, bringt es Uehlinger auf den Punkt. „Auch beim Erwerb von Raritäten, der Bewertung von Beständen oder der Vorbereitung für eine Auktion stehen wir diskret zur Seite –stets unabhängig, mit einem feinen Gespür für Markt, Reife und Relevanz. Dabei verstehen wir uns nicht als klassische Händler, sondern als Kuratoren einer stillen Leidenschaft.“
Das Herzstück von Weinkeller Schweiz sind weder die Kellerräume noch die darin verwahrten Flaschen, so kostbar sie auch sein mögen. Es sind die Menschen dahinter wie Uehlinger betont: „Unsere Kundinnen und Kunden, mit ihren individuellen Bedürfnissen, Vorlieben und Geschichten. Was daraus entsteht, ist weit mehr als ein Lagerplatz für Wein: eine gewachsene Gemeinschaft, die sich regelmässig begegnet, gemeinsam reist, verkostet, diskutiert - und unvergessliche Weinerlebnisse miteinander teilt.“
www.weinkellerschweiz.ch
Egal, ob fürs Oktoberfest, als Sommer- oder sogar als Hochzeitskleid: Das Dirndl ist auf der ganzen Welt ein Synonym für Bayerische Tradition. Das Staatliche Textil- und Industriemuseum Augsburg (tim) rückt es bei einer aktuellen Sonderausstellung, die noch bis zum 19. Oktober läuft, ins Rampenlicht.
Vom Bauerngewand zum Catwalk-Liebling:
Das Staatliche Textil- und Industriemuseum Augsburg widmet dem Dirndl gerade eine große Sonderausstellung, die Modegeschichte neu erzählt – und zudem jede Menge Stoff zum Nachdenken mitbringt.
Das Dirndl, das polarisiert, fasziniert und ständig neu erfunden wird, steht im Mittelpunkt der Ausstellung Tradition goes Fashion, die noch bis zum 19. Oktober 2025 im tim zu sehen ist. Auf über 1.000 Quadratmetern Ausstellungsfläche entfaltet sich die beeindruckende Geschichte eines Kleidungsstücks, das einst reine Arbeitskleidung war und heute international mit alpenländischer Mode assoziiert wird.
„Der Name der Ausstellung ist Programm“, sagt tim-Museumsdirektor Dr. Karl Borromäus Murr. „Die Besucherinnen und Besucher begeben sich in der opulenten Schau auf einen spannenden modischen Dirndl-Streifzug. Dieser reicht vom 19. Jahrhundert bis zur Gegenwart.“ Laut Murr gilt das Dirndl als ein weltweiter Markenbotschafter Bayerns: „Es steht
einerseits für bayerische Tradition, Geschichte und Handwerkskunst. Andererseits zeigen wir, wie junge Designerinnen und Designer von heute durch beeindruckende Dirndl-Designs und High-Fashion-Modelle völlig neue modische Statements setzen.“
Zu sehen sind über 100 Modelle und zahlreiche Accessoires – von historischen Originalen bis zu Kreationen von Lola Paltinger, Vivienne Westwood und der Deutschen Meisterschule für Mode – Designschule München, die Teile einer neuen Kollektion im ‚Dirndl Lab‘ präsentiert. Kultobjekte wie das Sissi-Dirndl, im Film getragen von Romy Schneider, oder ein Original der Film-Familie Trapp schlagen die Brücke zur Popkultur.
Aber auch die dunklen Seiten der Geschichte werden mit einbezogen, denn die Nationalsozialisten versuchten das Dirndl ideologisch für ihre ‚Blut-und-Boden‘-Ideologie zu instrumentalisieren. Heute sei das Kleid weitgehend von dieser Bedeutung gelöst, so der Museumsdirektor, auch wenn rechte Gruppen es mitunter erneut politisieren wollten. „Zum Glück ist der öffentliche Diskurs wachsam genug, um solche Versuche einzuordnen und zu relativieren“, sagt Murr.
Wer noch tiefer in die Materie eintauchen möchte, kann öffentliche Führungen, Gruppentermine oder Schulklassenformate buchen. An ausgewählten Tagen stehen auch die Kuratorinnen selbst für Rundgänge bereit.
Infos und Anmeldungen unter www.timbayern.de
Music festivals have the extraordinary power to unite people, transcending borders, languages, and genres. Germany, Switzerland, and Austria are renowned for the diverse offering of amazing music festivals, whether you are into classical symphonies, heavy rock music, or catchy electronic beats.
Summer is all about music festivals. What better way to spend balmy evenings and hot days with your best friends and amazing tunes? To find out more about the top music festivals in Germany, Austria and Switzerland, we have put together a curated list for you.
GERMANY – WHERE MUSIC MEETS MAGIC
Rock am Ring is one of Germany’s oldest and most iconic rock festivals and has counted towards the top music festivals in Germany for a while. Situated at the Nürburgring racetrack, this festival has been the cradle
of legendary performances by bands such as Metallica, Red Hot Chili Peppers, and Foo Fighters. With its sister festival, Rock im Park, the event attracts tens of thousands of attendees every year. Its mix of rock, metal, and alternative music appeals to hardcore fans looking for high-energy performances in an unparalleled venue.
Tomorrowland’s European sibling, Parookaville in Germany, is a melting pot of elec-
tronic music lovers. Held annually in Weeze, the festival combines immersive production design with a star-studded line-up. Parookaville transforms into a utopian city of music with themed stages, pyrotechnics, and surreal light shows that create an unparalleled atmosphere. Leading international DJs like Armin van Buuren, Martin Garrix, and Dimitri Vegas & Like Mike have graced its stages, making it a must-visit for fans of EDM.
Melt Festival, on the other hand, is a celebration of underground electronic music and alternative genres. Held at Ferropolis, a museum of industrial machines, the festival’s location is nothing short of surreal. Ferropolis, known as the City of Iron, provides a dramatic backdrop with its towering cranes and excavators. Featuring acts such as Bonobo, Fever Ray, and FKA twigs, Melt Festival has earned
the reputation as one of the top music festivals in Germany as well as a hub for artistic innovation and genre-defying performances.
For heavy metal fans, Wacken Open Air, held annually in Wacken, is one of the world’s largest heavy metal festivals. Featuring iconic acts like Iron Maiden and Metallica, it draws fans from across the globe. With its immersive atmosphere, vibrant community, and legendary performances, Wacken represents the ultimate pilgrimage for metal enthusiasts.
Another festival up north is Hurricane Festival, which is renowned for its stellar line-ups featuring international rock, indie, and electronic acts. Located in Scheeßel – and its sister festival Southside in Neuhausen ob Eck – these festivals draw thousands of fans with performances by bands like Arctic Monkeys and Foo Fighters, amidst a vibrant atmosphere.
For those not wanting to camp at a festival, Hamburg’s annual Reeperbahn Festival might
be their best bet. Held annually in autumn, in the vibrant St. Pauli district, it features over 600 events spanning concerts, film screenings, and workshops in different venues such as clubs, cafes and art centres. Known for showcasing emerging talent alongside established artists, it is a must-visit for industry professionals and music enthusiasts alike.
Donauinselfest, held annually in Vienna since 1984, is among Europe’s largest – and free to attend – open-air festivals, attracting over 3 million visitors every year. Set on the Danube Island, the festival offers free entry and features a diverse line-up of international and local artists, creating an unparalleled atmosphere of music, community, and celebration for all attendees at a picturesque island in Vienna.
For those who prefer classical music, opera, and drama, Salzburg Festival boasts world-
class performances, historic venues, and a legacy spanning over a century in Salzburg, the birthplace of Wolfgang Amadeus Mozart. Established in 1920, the festival's fusion of artistic excellence and breathtaking Alpine scenery creates an enchanting experience for culture enthusiasts worldwide.
Furthermore, Electric Love Festival stands out as one of Europe’s leading electronic music gatherings. Held at Salzburgring, a motorsport circuit, the festival attracts fans from across the globe. With top-tier DJs like Calvin Harris and Tiësto gracing its line-up, Electric Love Festival creates an electrifying atmosphere that is both intimate and grand. Its vibrant stages, coupled with jaw-dropping visuals, make it a standout event on the annual music calendar.
In the heart of Switzerland, Montreux Jazz Festival is a beacon for jazz music lovers. Nestled along Lake Geneva, Montreux is synonymous with sophistication and musical diversity. While jazz remains its cornerstone, the festival has evolved to include blues, soul, rock, and pop acts. Past performers include Nina Simone, David Bowie, and Quincy Jones, ensuring its place as one of Europe’s most
respected music festivals. The picturesque backdrop of the Swiss Alps only heightens the experience.
Switzerland’s Zermatt Unplugged, usually held in spring, stands out for its focus on acoustic performances. Held in the picturesque town of Zermatt, famous for its view of the Matterhorn, the festival celebrates stripped-down, intimate musical experiences. From chart-topping artists to emerging talent, Zermatt Unplugged provides a refreshing alternative to large-scale productions in magnificent surroundings.
Last but not least, Paléo Festival de Nyon is a sprawling celebration of music and culture. Located in the charming town of Nyon, this festival is one of Switzerland’s largest and most diverse. With over 250 concerts and performances spanning six days, Paléo covers genres ranging from rock to reggae and classical to hip-hop. The festival prides itself on creating a welcoming atmosphere, with food stalls, art installations, and family-friendly zones adding to its appeal.
Whether you are drawn to the pulsating beats of EDM, the timeless charm of jazz, or the energy of rock, these music festivals in Germany, Austria and Switzerland promise something special for every musical soul. The shared love of music, set against breathtaking landscapes and innovative stages, makes these festivals destinations worth planning for. Book your tickets, gather your friends, and let the music transport you to unforgettable realms.
300 years of curiosity mark the baroque Cabinet of Artefacts and Natural Curiosities of the Francke Foundations in Halle.
On the top floor of the Halle Historic Orphanage, one of the few fully preserved baroque cabinets of curiosities offers a unique journey through time. The Francke Foundations' Wunderkammer displays the original museum concept of the 18th century in its authentic location and with fully preserved historical furnishings.
Here, all areas of life and fields of knowledge are considered in one context. The exhibit was initially established in 1698 as a collection for the pioneering schools of Lutheran theologian and leader of Halle Pietism, August Hermann Francke (1663-1727). Promoting an outstanding concept at the time, the school town at the gates of Halle taught girls and boys from all social classes.
The method of visual teaching was successfully established in the permeable school system consisting of German schools, a
Latin school and the Royal Pädagogium. At the same time, the collection was also a showcase for the global network of the educational institution and successfully promoted support for its work. The exhibited objects from all over the world were sent to Halle by former students, who worked as teachers, pastors, missionaries, scientists or doctors from Russia through South India to the Americas.Today, these provenances
are regularly researched by scholars from around the world in the Francke Foundations’ cultural history archive.
Artist and naturalist Gottfried August Gründler created the auratic room between 1736 and 1741, which can still be experienced today in its original shape. Gründler re-systematised the collection, divided it into naturalia and artefacts, and arranged the objects in specially made collection furniture adorned with a magnificent, thematic crowning motif. None of the paintings and individual objects in this room are individually explained. Instead, each element forms part of the interplay in a microcosm that reflects the order of the whole world in all its diversity.
During the tour, all kinds of curiosities become visible: a mouse embryo, a mysterious fish, a fossilised Hungarian cheese, or the astonishing collection of wooden models for education purposes. Meanwhile, a mighty
stuffed Nile crocodile hangs from the ceiling. The pioneering presentation of the natural history collection follows the approaches of naturalist Carl von Linné (1707-1778), who paved the way for modern biology with his systematisation. The natural objects are juxtaposed with the extensive collection of artefacts, including pieces from India and America, reflect the impressive cosmopolitanism of the Francke Foundations.
One of the mysteries of the collection is now being solved in an international research project. 110 objects from Borneo reached the Wunderkammer in Halle in the 1840s and are still on display here today. The German Lost Art Foundation is supporting a research project in collaboration with the museum in Sarawak. It aims to analyse the provenance of the objects and determine their original purpose.
A current exhibition offers an exciting journey into the past: seven exhibition rooms span the range from the unique classification system and collection furniture to the then ultra-modern systematisation of the natural objects. Visitors embark on a search for lost and enigmatic objects, approach the Indian cabinet from a post-colonial perspective and experience a guided tour from the 18th century. “The collection has enormous potential to fascinate, inspire and enlighten,” say curators Holger Zaunstöck, Tom Gärtig and Philipp Wille. “The learning stimulus triggered by a cabinet of curiosities in the early modern period – through the complex interplay of space, furniture, exhibits, patterns of order and narratives – worked then, as it does today.”
A visit to the Francke Foundations in historic Halle allows you to experience an 18th century educational cosmos as a modern educational location. On a tour through the alleyways of the baroque school town, past and present intertwine. The Historic Orphanage, the Library Hall – one of Germany’s oldest purpose-built libraries – and the Lindenhof courtyard, which features Europe’s longest half-timbered residential building, stand out as architectural landmarks of the expansive site.
www.francke-halle.de
For a long time, tiny houses have been more than just a trend – they stand for minimalism, sustainability and new living concepts in times of rising rents and property prices. In Germany, Austria and Switzerland, tiny house settlements are now becoming increasingly common. Where are the opportunities, and where are the challenges?
TEXT: ANNA ENGBERG
Tiny houses are currently springing up like mushrooms. At least that is what you can conclude when looking at current developments in Germany, Austria and Switzerland. The tiny house village Mehlmeisel in the German Fichtelgebirge region is of course a prime example. Here, residents have now grouped over 25 tiny houses together – and with 37 spaces in total, the area has even more potential.
“Tiny house settlements are becoming more frequent, especially around urban centres,” states Fabian Müller, who exhibited with his
company VILCOMO at NEW HOUSING 2025 in Karlsruhe in southern Germany at the end of June. The tiny house property developer tracks interest in the construction of tiny houses in German-speaking countries via the heat map of his digital Flächenbörse (www. die-flaechenboerse.de). Here, prospective homeowners and landowners can register free of charge for their city or region and express interest in building a tiny house or making their land available. "Anyone can place a dot on our map of Germany. We check whether the sites are suitable for building and connect the parties."
“Alongside real villages like Mehlmeisel, there are also many small mini districts with just two to four tiny houses in German-speaking countries,” reports Müller, who is currently developing a tiny housing park in the German university city of Heidelberg with a project partner. "The demographic challenge here is that we have to satisfy students and researchers as well as best agers, groups with very different ideas of living," he says. Tiny housing is an attractive form of housing for best agers in particular. Their demand is extremely high – not least because it is affordable living space: “This group also appreciates ageing together, with communal gardens and time with neighbours.” The city of Heidelberg is now considering which proposals to implement – based on its own structure.
The tiny house park in Heidelberg is not the first project of this kind that Fabian Müller has been working on. In Singen, on the Swiss border towards Lake Constance, he is also developing a much smaller housing project in which a total of four tiny houses will be erected: “Just like in Heidelberg, there is an extreme need for living space and someone who can solve it,” he explains. The urban area is being leased so that tiny houses can be set up and rented
out. The waiting lists for such tiny house parks in cities with a tight housing demand such as Heidelberg and Singen are equally long.
“I specialise in cities with an increased need for living space,” explains the tiny house property developer. Essentially, this involves temporarily activating areas that are not
suitable for conventional development. “Of the 100,000 undeveloped plots of land in Germany that are being held back as an investment, almost all of them could be leased and used temporarily for tiny housing,” he says. Landowners could, thus, generate passive income and create living space in cooperation with the municipalities.
This involves a rethink in the activation of building land and among decision-makers: "With Tiny Housing, we no longer plan for infinity, but only for certain periods of ten to thirty years, for example. This allows us to activate green spaces temporarily and benefit from the acceleration factor of serial construction," says Müller, summarising the advantages and opportunities of tiny housing. For him, the aim is to utilise areas which are not suitable for high-rise buildings or apartment blocks instead of leaving them empty, in the interests of space efficiency.
Based on his diverse project experience, Müller knows that planning sovereignty ultimately lies with the municipalities. “Building law is the same all over Germany. In the end, the decision is municipal, meaning that the approval is the responsibility of the city.”
Another major problem with tiny houses, in Müller's view, is the way they are portrayed in the media. "Buying and building them is often simplified in the media. Unfortunately, it's not enough just to buy a tiny house and put it on a plot of land,” he clarifies. “As with conventional house construction, you need a building permit, technical installations, electricity, water, sewage, a foundation, and much more. This is often concealed.”
In order to simplify this process for all parties, the developer and consultant has specialised in tiny housing in German-speaking countries for three years, and carries out feasibility studies and profitability checks. This way, he helps to develop land up to the final tiny house plot. “I support cities and municipalities, as well as landowners and investors, by conceptualising the entire process. I help with the concept, pricing for possible leasing, check the technical implementation, clarify financing with the banks, obtain planning permission, and market the entire project based on interests.”
Interior and product designer Anika Falke was also present at NEW HOUSING this year. She and her partner have been living in their self-designed, built and patented tiny house for almost five years. Together with two other experts, she founded Tiny University in 2024, which provides an online learning platform for people interested in tiny houses, among other things.
Here, the three women pass on their combined practical knowledge to others and cover the entire tiny house journey step by step. “From the personal mindset and minimalism in everyday life to the search for a plot of land, planning and approval processes, financing and choice of manufacturer through to questions about renting, potential returns, risks and possible tax benefits,” lists Falke, who held a total of six workshops at the trade fair on three main topics relating to tiny houses, from planning to their usage as investment.
As a consultant, it is important to her to create spaces that not only meet the needs of their users, but can also be flexibly adapted to changing living circumstances. “Very few of my customers live in specially designated tiny house developments,” she says: “The majority opt for an individual solution, usually on their own or leased land.” She sees the reasons for this in the fact that individual locations can often be realised more quickly and flexibly than complete housing estate projects.
“The modular construction allows for you to react flexibly to changes in life and extend, move or dismantle the tiny house as necessary,” says Falke, emphasising the advantages of living in a tiny house. The possibility of utilising small plots of land that are difficult to build on, such as gaps between buildings or slopes, is also particularly attractive. Overall, the expert sees numerous opportunities for the future of living in tiny houses.
According to Falke, the biggest challenge on the way to your own tiny house is often confusion caused by contradictory information, such as unclear or incorrectly formulated enquiries to landowners or local authorities, the rejection of building applications, a lack of knowledge about building regulations, materials or energy requirements, or the choice of an unsuitable or dubious manufacturer.
According to the expert, an estimated 80 per cent of failed projects in German-speaking countries do not fail because of the idea, but due to inadequate planning and a lack of legal understanding.
Given the complexity of the topic and the regional differences in regulations, she advises early planning combined with expert advice. Participants can acquire the required knowledge at Tiny University, for example. “For many people, it's first about defining their basic needs and goals in life and developing the right mindset. This starts with clearing out your household goods, where you end up only owning what you need and what makes you happy,” says Falke.
In a basic course, the expert at Tiny University (www.tinyuniversity.de) then provides all the information relevant to making decisions about tiny house living in Germany. With thor-
ough planning, the actual implementation of the construction takes up comparatively little space, explains Falke. “Applying for planning permission, commissioning the manufacturer, civil engineering work and organising the delivery and connections on the property are ultimately much less time-consuming than the necessary preparation.”
Tiny house settlements in the DACH region are not only being used as permanent housing solutions to create necessary living space, but also increasingly as holiday accommodation. Julian Trautwein, co-founder and CEO of the hospitality start-up Raus from Berlin, has based his business model on this. His young company has already set up over 80 cabins in idyllic natural regions in Germany and Austria – and rents them out to holiday guests.
“This form of tourism is on the pulse of the times,” he says. Holidaymakers nowadays want to focus on the essentials and experience more nature, freedom and self-determination. “Many of our guests leave our cabins after their stay thinking: why not always travel like this?” he reports. This is why tiny housing has the potential to become a real alternative for future forms of living. “Especially in the context of a shortage of space, rising construction costs and the desire of many people for a reduced lifestyle,” he adds.
However, the deeply rooted notion of sedentariness and traditional living in Germany still stands in the way: “Temporary, flexible living, as made possible by tiny houses, does not yet fit into the municipal or political ideas of living space or tourism development in many places,” he says, wishing to see more openness and new approaches – also in terms of sustainability. “Tiny houses are not automatically green. The crucial factor is how they are built, operated and embedded in the environment.” This starts with the location concept and goes on to resource-saving design.
There is no doubt, as tiny houses do not require full-surface soil sealing and solid concrete foundations, that they are more environmentally friendly to build. The small size and flexibility also make it more practical to lease land – an important aspect in times of
housing shortages and rising property prices. Even though much is still under construction and there is a wide variety of concepts, tiny housing as a flexible and sustainable form of housing is actually a real alternative for the future in German-speaking countries today –given the preparation is thorough and they are legally implemented.
According to a recent Statista* survey, one in three people in Germany over the age of 60 now lives alone. This trend is set to continue in the coming years, particularly in large cities where there is a lack of affordable single-person flats. Tiny house parks can create a social balance here – and they are also an inspiring and realistic option for people who want to live consciously and resource-efficiently without having to compromise on living quality.
Müller, entrepreneur at VILCOMO since 2022. The developer and consultant originally comes from municipal consulting and building land development and works for landowners, investors and municipalities in the DACH region. With VILCOMO, he has specialised in tiny housing in order to increase the potential of living space and building land activation for municipalities. With Flächenbörse, he created an overview that shows where the interest in tiny house living is greatest. This way, he wants to give landowners the opportunity to take the first step.
(www.vilcomo.de)
Sources: *Federal Statistical Office (Destatis) 2025, according to Mieterzeitung 03/2025.
Weniger Inszenierung, mehr Substanz: Bun Praya bringt in Wiesbaden, Hanau, Ingelheim, Rödermark und Gau-Algesheim ein Stück Thailand auf die Massageliege –authentisch, entspannend und spürbar anders.
Was die traditionelle Thai-Massage so besonders macht, ist ihre präzise Kombination aus Wissen, Technik und kulturellem Erbe. Das wissen auch die beiden Gründer und Geschäftsführer von Bun Praya, Lüdmila Grötz und Hendrik Grötz, die selbst tief mit Thailand verwurzelt sind, was sich in jedem Aspekt des familiengeführten Unternehmens widerspiegelt. „Im Zentrum der Philosophie stehen zwei Grundsätze: die Fürsorge für die Mitarbeiter und das Ziel, Gästen nicht nur körperliche Erholung, sondern auch ein echtes Stück thailändischer Lebensart zu vermitteln – eine Lebensweise, die Ruhe, Achtsamkeit und tiefe Entspannung verkörpert“, erzählt Lüdmila.
Die Thai-Massage ist besonders wirkungsvoll, weil sie gezielt Reflexzonen und Energiebahnen (Sen-Linien) im Körper stimuliert. Durch eine Kombination aus Drucktechniken, Dehnungen und rhythmischen Bewegungen werden Blockaden gelöst, die Durchblutung
gefördert und die Selbstheilungskräfte aktiviert. Besonders eindrucksvoll ist dabei die Wirkung über die Reflexzonen an Fußsohlen, Händen und Rücken – hier wird also nicht nur punktuell gearbeitet, sondern ganze Körpersysteme harmonisiert.
Dass diese Methode nicht nur körperlich, sondern auch mental zur Ruhe führt, ist kein Zufall. Lüdmila erklärt: „Unsere Behandlungen wirken ganzheitlich, denn sie sprechen sowohl den Körper als auch den Geist an. Gleichzeitig schafft die ruhige, achtsame Atmosphäre Raum für Entschleunigung und innere Balance.“
Sanfte Musik, dezente Düfte und stimmungsvolles Licht unterstützen diesen Prozess. Es ist ein bewusst gestaltetes Setting, das die Sinne nicht überflutet, sondern wieder in Einklang bringt. Nicht selten berichten Gäste davon, wie sich langanhaltende Verspannungen lösen – und eine wohltuende Ruhe einkehrt, die Körper und Geist gleichermaßen erreicht.
ECHTE VERBINDUNG, KEINE INSZENIERUNG
Hinter dem Konzept von Bun Praya steht ein Familienunternehmen mit persönlicher Bindung zu Thailand – und genau diese Nähe macht den Unterschied. „Statt auf standardisierte Luxuskonzepte zu setzen, steht bei Bun Praya echte, gelebte Thai-Tradition im Vordergrund“, so Lüdmila.
Hendrik ergänzt: „Durch regelmäßige Reisen nach Thailand schöpfen wir immer wieder neue Inspiration, Ideen und authentische Impulse. Nach jeder Rückkehr prüfen wir unsere Filialen erneut mit frischem Blick: Ist die Authentizität noch spürbar? Gibt es Details, die wir verbessern oder anpassen können? So stellen wir sicher, dass unsere Qualität nicht nur erhalten bleibt, sondern sich stetig weiterentwickelt.“
Ein zentrales Anliegen ist dabei die Fürsorge, für Gäste ebenso wie für Mitarbeiterinnen. Alle Therapeutinnen stammen aus Thailand und wurden dort professionell ausgebildet. Doch Fachkompetenz allein reicht nicht, wie Lüdmila betont: „Neben hoher fachlicher Kompetenz ist ein zentrales Kriterium bei der Auswahl unseres Teams die innere Ruhe und Ausstrahlung unserer Mitarbeiterinnen, um eine Atmosphäre der Gelassenheit und Achtsamkeit zu vermitteln.“
Besonders geschätzt wird auch die Sensibilität im Umgang mit Gästen. „Da wir unsere Kundschaft in Deutschland sehr gut kennen, legen wir besonderen Wert auf kulturelle Sensibilität“, so Hendrik. „Unsere Mitarbeiterinnen werden darin geschult, traditionelle Techniken authentisch umzusetzen, dabei aber stets auf die individuellen Bedürfnisse unserer Gäste einzugehen. In der Praxis bedeutet das unter anderem: regelmäßig den Druck abzufragen, zuzuhören, präsent zu bleiben. Was klein wirkt, macht oft den größten Unterschied.“
QUALITÄT, WÄRME UND VERTRAUEN
Qualität bei Bun Praya bedeutet nicht nur die entsprechenden Zertifikate zu haben, sondern auch ein Stück gelebte Verantwortung. Die Geschäftsführer besuchen regelmäßig alle
Standorte persönlich, führen Gespräche mit dem Team und nehmen sich Zeit für den Austausch mit Gästen. „In regelmäßigen Teammeetings entsteht ein Raum, in dem offen gesprochen, gemeinsam gedacht und mit Zusammenhalt gestaltet wird. Dieses familiäre
Gefühl ist spürbar und trägt maßgeblich dazu bei, dass Qualität, Wärme und Vertrauen überall gelebt werden“, sagt Lüdmila.
Termine können telefonisch, per Mail oder via Instagram gebucht werden. In Kürze wird zudem ein innovatives Online-Buchungssystem gelauncht. Für ein erstes Erlebnis reichen 30 Minuten völlig aus, um die wohltuende Wirkung einer Rücken-Nacken-Schulter-Massage kennenzulernen und Lust auf mehr zu bekommen.“ sagt Lüdmila. Für ‚Wellpass‘-Nutzer beträgt die Zuzahlung hierfür je nach Filiale nur zwischen 10 und 14 Euro.
Eine 60-minütige Massage kostet zwischen 50 und 60 Euro – ein Preis, der angenehm auf dem Boden bleibt, während Körper und Geist längst auf Wolke sieben angekommen sind.
www.bunpraya.de
Nestled on the iconic Kurfürstendamm – one of Europe’s most renowned boulevards –HOTEL ZOO BERLIN stands as a beacon of luxury, elegance, and cosmopolitan charm.
Originally opening its doors as an exclusive private hotel in the 1920s, HOTEL ZOO BERLIN quickly became the official VIP hotel of Berlin Film Festival in the ‘50s and ‘60s, hosting film stars like Grace Kelly and Romy Schneider. In 2014, this historic gem underwent an extensive renovation, transforming into a stunning boutique hotel that seamlessly blends timeless sophistication and glamour with modern design.
Today, those who seek a central location with peace, elegance and character in Berlin, can look forward to an exceptional experience that engages all the senses at HOTEL ZOO BERLIN. “Highlights include exclusive suites, a rooftop bar offering panoramic views of Berlin, a sunlit winter garden, and a glamorous Restaurant called GRACE,” reveals Karolin Brückner, general manager.
While the hotel's architecture blends modern elegance with timeless sophistication, its lively interiors are meticulously curated, fea-
turing high ceilings, original stucco elements, custom-designed furniture, and exquisite lighting. “Interior designer Dayna Lee was hired to preserve the historic interior spaces and develop a new design language. To ensure the project's greatest possible authenticity, Lee delved deeply into HOTEL ZOO BERLIN’s history to create an ambiance that celebrates artistic storytelling,” adds Brückner. The outcome is a refuge for individualists as all 127 rooms and 14 suites are unique in their designs and combine elegant jewel tones, dark walnut wood, fine fabrics, and individual accessories.
Culinary experiences at HOTEL ZOO BERLIN are equally impressive. The in-house restaurant, GRACE, serves a modern, internationally inspired menu with creative Asian-Californian influences, under the direction of chef Martin Brunn.
Adjacent to the restaurant, the legendary GRACE Bar offers expertly crafted cocktails,
a vibrant DJ scene, and an unmistakable air of sophistication that revives the spirit of the roaring twenties. For those preferring a drink in the sunshine, ROOFTOP has quickly become Berlin’s best rooftop terrace. Tasteful, chic, summery, casual and elegant – here too the design follows the unmistakable signature of American interior designer Dayna Lee.
Situated amidst high-end fashion houses, galleries, cafes, and theatres, HOTEL ZOO BERLIN with its unique combination of opulent glamour and modern design choices serves as the perfect base for exploring Germany’s capital.
www.hotelzoo.de
Am legendären Kurfürstendamm gelegen – einem der berühmtesten Boulevards Europas –ist das HOTEL ZOO BERLIN ein Inbegriff von Luxus, Eleganz und kosmopolitischem Charme.
HOTEL ZOO BERLIN, das in den 1920er Jahren als exklusives Privathotel eröffnet wurde, entwickelte sich in den 50er und 60er Jahren schnell zum offiziellen VIP-Hotel der Berliner Filmfestspiele und beherbergte so Filmstars wie Grace Kelly und Romy Schneider. 2014 wurde dieses historische Juwel umfassend renoviert und in ein atemberaubendes Boutique-Hotel verwandelt, das heute zeitlose Eleganz und Glamour mit modernem Design verbindet.
Wer also eine zentrale Lage mit Ruhe, Eleganz und Charakter in Berlin sucht, kann sich im HOTEL ZOO BERLIN auf ein außergewöhnliches Erlebnis freuen, das alle Sinne anspricht. „Zu den Highlights gehören exklusive Suiten, eine Rooftop-Bar mit Panoramablick über Berlin, ein sonnendurchfluteter Wintergarten sowie das glamouröse Restaurant GRACE", verrät Karolin Brückner, General Managerin.
Während die Architektur des Hotels moderne Eleganz mit zeitlosen Elementen verbindet, sind die lebendigen Innenräume mit hohen Decken, originalen Stuckelementen, maßgefertigten Möbeln und exquisiter Be-
leuchtung sorgfältig gestaltet. „Die Innenarchitektin Dayna Lee wurde beauftragt, die historischen Innenräume zu erhalten und eine neue Designsprache zu entwickeln. Um die größtmögliche Authentizität des Projekts zu gewährleisten, tauchte Lee tief in die Geschichte des HOTEL ZOO BERLIN ein und schuf ein Ambiente, das künstlerisches Geschichtenerzählen zelebriert“, ergänzt Brückner. Das Ergebnis ist ein Refugium für Individualisten, denn alle 127 Zimmer und 14 Suiten sind einzigartig gestaltet und vereinen elegante Juwelentöne, dunkles Walnussholz, feinste Stoffe und individuelle Accessoires.
DIE GOLDENEN ZWANZIGER ERLEBEN
Auch die kulinarischen Erlebnisse im HOTEL ZOO BERLIN sind beeindruckend. Das hauseigene Restaurant GRACE serviert unter der Leitung von Küchenchef Martin Brunn eine moderne, international inspirierte Speisekarte mit kreativen asiatisch-kalifornischen Einflüssen.
Angrenzend an das Restaurant bietet die legendäre GRACE Bar meisterhaft gemixte Cocktails, eine lebendige DJ-Szene und ein unverwechselbares Flair, das den Geist der Goldenen Zwanziger wieder aufleben lässt. Für alle, die lieber einen Drink in der Sonne genießen, hat sich die ROOFTOP-Bar schnell zu Berlins bester Dachterrasse entwickelt. Geschmackvoll, schick, sommerlich, lässig und elegant – auch hier folgt das Design der unverwechselbaren Handschrift der amerikanischen Innenarchitektin Dayna Lee.
Inmitten mondäner Modehäuser, Galerien, Cafés und Theater gelegen, ist HOTEL ZOO BERLIN mit seiner einzigartigen Kombination aus opulentem Glamour und modernem Design der perfekte Ausgangspunkt für die Erkundung der deutschen Hauptstadt.
www.hotelzoo.de
Nestled along the shores of Lake Maggiore, the Swiss town Locarno transforms into a cinematic hotspot every August during its prestigious film festival. But beyond the glitz and glamour, there is a lot more worth discovering as our writer Wibke Carter found out.
TEXT & PHOTOS: WIBKE CARTER
Locarno’s origins trace back to Roman times, when it served as a strategic settlement along ancient trade routes. Later on, it came under the control of Milan's powerful Visconti family, who captured the castle (open to the public and home to two museums) in 1342 and expanded it as a fortress and administrative centre. Italian influence prevailed for centuries until 1803, when the modern canton of Ticino joined the Swiss confederation. Today, Locarno is a pleasant hybrid between the southern dolce vita and the northern efficiency. Citrus fruits and pastel-coloured houses replace the expected cheese fondue and wooden chalets, while trains, of course, run perfectly on time like everywhere else nationwide.
The waterfront forms the town's beating heart, where palm-lined promenades stretch endlessly between cafés, restaurants and hotels. Here, with the majestic Alps as a backdrop, the rich and famous take centre stage, while steps away the Piazza Grande hosts open-air screenings and concerts during warm summer evenings. “A few years ago, we had Elton John play here,” tour guide Brunella Posca recalls proudly. Locarno also hosts the Moon & Stars music festival, bringing international pop and rock stars in July. Every Thursday, a popular farmers’ market is held in the piazza, where producers from the neighbouring villages sell their wares.
It is an easy journey from the lakeshore to mountain tops, thanks to the funicular railway, which climbs from the town centre to the sacred Madonna del Sasso sanctuary, perched dramatically above Lake Maggiore since 1487. This pilgrimage church, with its baroque architecture and panoramic terraces, offers sweeping views across the lake. For higher altitude thrills, the gondola lifts from Orselina, only a few steps away, and ascends through pristine forests to Cardada's alpine meadows at 1,340 metres where Casa Colmanicchio is a favoured stop for hikers. The journey continues via chairlift to the Cimetta peak at 1,670 metres, where 360-degree vistas encompass the entire Ticino region, Lake Maggiore, and the snowcapped Swiss and Italian Alps.
The Maggia river separates glamorous Locarno from serene Ascona. “This used to be a fishing village,” says Posca. “Life here was hard, and many people from Ticino migrated to the US and South America in search of a better life. Later, in the early 20th century, Monte Verità above the town became a legendary colony for artists, philosophers, and free thinkers, including Hermann Hesse, Carl Jung, and Isodora Duncan.” In contrast to more modern-looking Locarno, Ascona’s waterfront charms with colourful old buildings and the Chiesa dei Santi Pietro e Paolo's high campanile as an iconic landmark.
Only 15 minutes by boat lies Isola di Brissago, Switzerland’s only insular botanical gar-
den, where around 2,000 subtropical and Mediterranean plants thrive. “This island was bare rock when purchased by Baroness Antoinette Saint Léger, a Russian aristocrat and passionate botanist,” explains guide Simone Schmid. “Over time, she brought in soil and exotic plants to create a cultivated paradise.” The botanical garden, celebrating its 75th an-
niversary this year, features rare specimen like a Sicilian fir, thought extinct until the 1950s, or a jade vine, endemic to the Philippines.
If time allows, a daytrip to Vallemaggia, a rugged valley just outside Ascona and Locarno, is worth undertaking. This can easily be done by public transport or for those not afraid to tackle windy mountain roads by car. Spread throughout the valley are century-old villages with grottos, rustic stone-built taverns unique to Ticino. “Traditionally, these structures were carved into hillsides or erected under boulders as food storage cellars. The temperature remains 8-9 degrees all year round,” explains guide Anna Bezzola. “Now they serve homemade meals, cold platters and local wine for example from the Bondola grape. Authentic grottos can be identified by their granite tables.” But local stone is not just found in grottos, barns and houses, but also in the Church of San Giovanni Battista in the small village of Mogno. Designed by Ticino architect Mario Botti, the bold cylindrical form alternates Peccia marble and Maggia granite, featuring an inclined glass roof that floods its minimal
interior with natural light. Built on the site of its 17th century predecessor, destroyed by a 1986 avalanche, the church symbolises human resilience – its thick stone walls rising defiantly toward the sky.
Information: www.ticino.ch
Stay: www.giardinohotels.ch
Eat: www.antico-borromeo.ch
Do: www.isoledibrissago.ti.ch
Employees coming to Germany often already know the most important terms for their industry, either because they are internationally standardised or because they have already prepared for the job. “But they often miss the knowledge of how to integrate these technical terms into regular sentences,” says Kai Gehann.
Kai Gehann tailors his German lessons to each student’s individual needs. “The course content arises through conversation,” he says, often starting by asking new students how their profession works. “Thus, my students provide the content, and in return, I can give them the language they need to express it authentically.” Analysing language needs and assessing existing knowledge run in parallel. “After each lesson, I do a language analysis to find repetitive errors and define needs,” says Kai Gehann. He mentions grammatical errors or that a student can somehow describe what they mean but do not know the appropriate term. Kai Gehann gives the example of “Der
Like many countries, Germany is experiencing a shortage of skilled professionals, therefore companies are increasingly recruiting suitable personnel from abroad. This often leads to language barriers. Kai Gehann, an expert for German language, has specialised in teaching German to professionals – from language basics to the correct use of technical terms in everyday situations.
Termin für den Bericht fertig machen ist bald” (“The time the report needs done by is soon”), instead of speaking of a deadline. Grammar, spelling, and vocabulary are as much part of his classes as active speaking.
GERMAN COURSES FOR MEDICAL
PROFESSIONALS: PREPARATION FOR LANGUAGE EXAM AND CLINICAL PRACTICE
Kai Gehann works for various industries: human and veterinary medicine, landscape gardeners, lawyers, welders, steel constructors, nursing staff, and data protection. He offers
intensive short-term language packages or long-term support. This always depends on time pressure – for example, when a language exam is approaching.
This is the case in the medical field. Doctors from abroad must pass a specialised language exam before they can practice in Germany. They first need to present a B2 German certificate, but in addition must prove that they can correctly use medical terms and express themselves in a patient-friendly manner.
“There are many endlessly long courses where students learn a lot of theoretical content. But what's missing is simulation and roleplay," explains Kai Gehann. And that is exactly what he offers. He simulates the three exam components of a doctor-patient conversation, written documentation, and a doctor-to-doctor handover discussion. This way, students not only learn the vocabulary but also its practical use. This is not only efficient but also fun, and those who have fun learn better after all.
www.1zu1deutsch.de
In Deutschland mangelt es an Fachkräften und so rekrutieren viele Unternehmen geeignetes Personal im Ausland. Das bedeutet häufig sprachliche Barrieren. Kai Gehann ist als Sprachexperte darauf spezialisiert, Deutsch für Fachpersonal zu unterrichten –von den Grundlagen bis hin zur richtigen Anwendung von Fachbegriffen im Alltag.
Wer als Arbeitnehmer nach Deutschland kommt, der kennt häufig bereits die für die Branche wichtigen Begriff, sei es, weil diese international standardisiert sind oder weil sie sich bereits auf den Job vorbereitet haben. „Was oft fehlt ist die Kenntnis, wie ich aus den Fachbegriffen Sätze bauen kann”, sagt Kai Gehann.
DER SCHÜLER IM MITTELPUNKT:
KURSINHALTE ENTSTEHEN IM GESPRÄCH
Kai Gehann schneidet seine Deutschstunden individuell auf die Bedürfnisse einzelner Schüler zu. „Der Inhalt entsteht durch das Gespräch”, sagt er. Oft fragt er seine Schüler im ersten Schritt, wie genau ihr Beruf funktioniert. „Meine Schüler liefern die Inhalte und ich kann Ihnen im Gegenzug die Sprache geben, die sie brauchen, um diese authentisch auszudrücken.”
Sprachliche Bedarfsanalyse sowie Diagnose bestehender Kenntnisse laufen so parallel.
„Nach jeder Stunde mache ich dann eine Sprachanalyse, um zu sehen, wo sich Fehler wiederholen und wo Lernbedarf ist“, sagt Kai Gehann. Treten beispielsweise wiederholt Grammatikfehler wie „ich lerne Deutsch für
arbeiten in Deutschland” auf? Oder kann der Schüler zwar beschreiben, was er meint, kennt aber nicht die zutreffende Vokabel? Als Beispiel nennt Kai Gehann hier „Der Termin für den Bericht fertig machen ist bald“, statt von einer Abgabefrist zu sprechen. Grammatik, Rechtschreibung und Vokabeln stehen somit ebenso auf dem Lehrplan, wie aktives Sprechen.
DEUTSCHKURSE FÜR MEDIZINER:
VORBEREITUNG AUF DIE FACHSPRACHPRÜFUNG UND DEN KLINIKALLTAG
Kai Gehann arbeitet dabei für unterschiedliche Branchen: Human- und Tiermedizin, Landschaftsgärtner, Anwälte, Schweißer, Stahlbauer, Pflegepersonal oder Datenschutz. Er bietet intensive Kurzzeit-Sprachpakete oder eine Langzeitbegleitung. Das hängt auch immer vom Zeitdruck ab – beispielsweise, wenn eine Sprachprüfung ansteht.
Das ist unter anderem im Medizin-Bereich der Fall. Ärzte aus dem Ausland müssen eine Fachsprachprüfung ablegen, bevor sie in Deutschland praktizieren können. Dafür müssen sie zunächst ein B2-Zertifikat für
Deutsch vorlegen, anschließend aber beweisen, dass sie medizinische Fachbegriffe korrekt verwenden und sich patientengerecht ausdrücken können.
„Es gibt viele ewig lange Vorbereitungskurse, bei denen Schüler sehr viel von Lehrern dozierte theoretische Inhalte lernen. Was aber fehlt ist die Simulation und das Rollenspiel“, erklärt Kai Gehann. Und genau das bietet er seinen Schülern und simuliert mit ihnen die drei Prüfungsbestandteile: ein Arzt-PatientenGespräch, die schriftliche Dokumentation und ein Arzt-Arzt-Übergabegespräch. So lernen sie nicht nur theoretisch das Vokabular, sondern auch den praktischen Gebrauch. Das ist nicht nur effizient, sondern macht auch Spaß. Und wer Spaß hat, lernt besser.
www.1zu1deutsch.de
From street performances in Bern’s Old Town to fine mixology in Vienna, August is packed with festivals that cater to every taste. Whether you’re into dance, design, vintage cars or gourmet food, this month’s highlights across Germany, Switzerland and Austria promise unforgettable experiences under the summer skies.
TEXT: MARILENA STRACKE
Every August, Buskers Bern brings the lower Old Town to life, as around 150 artists from across the globe transform its streets into a massive stage. From music and dance to circus acts and storytelling, the festival offers a dazzling range of performances, all set against the magical backdrop of Bern’s historic centre. With a laid-back yet electric atmosphere, around 60,000 visitors gather each year to experience this one-of-a-kind celebration. www.buskersbern.ch
ONARIS, BERN (10 – 12 AUGUST)
ONARIS returns to Bern, spotlighting the latest innovations in lifestyle, decor and accessories. With around 250 exhibitors, the
fair brings together emerging design talents, established industry leaders and a professional audience. Visitors can discover fresh ideas, inspiring designs and curated culinary experiences, all in one vibrant showcase of creativity and craftsmanship. www.ornaris.ch
– 16 AUGUST)
Set against the backdrop of Hamburg’s harbour, MS Dockville blends music, art and urban flair into one unforgettable weekend. Over 50,000 visitors and 10,000 campers come each year when the festival transforms the
city’s river island into a vibrant playground of sound and creativity. This year’s line-up includes standout performances by UK acts Lola Young, Raye, The Last Dinner Party and Peter Doherty, alongside a diverse mix of international bands.
www.msdockville.de
IM
BERLIN (15 – 31 AUGUST)
Now in its 37th edition, Tanz im August presents 20 dance productions across nine venues, including HAU Hebbel am Ufer, Radialsystem and Haus der Berliner Festspiele. Audiences can look forward to world premieres, German debuts and international co-productions that explore movement, connection and the pressing questions of our time. The festival also features artist talks, workshops, podcasts and parties, for an engaging, communal experience.
www.tanzimaugust.de
(21 AUGUST – 21 SEPTEMBER)
This contemporary art festival transforms the former industrial sites of the Ruhr area into vibrant cultural spaces. Featuring a wonderful
mix of music, dance, theatre, installations and visual arts, it brings together diverse artistic disciplines in a striking post-industrial setting. The result is a bold fusion of art and architecture – creating a festival experience with a truly unique atmosphere. www.ruhrtriennale.de
DÜSSELDORF (22 – 24 AUGUST)
Since its modest debut in 2010, Gourmet Festival Düsseldorf has evolved into one of Germany’s largest culinary open-air events. It draws over 200 exhibitors and more than 100,000 visitors each year to the iconic Königsallee. You can look forward to a wide range of upscale gastronomy, artisan producers and international delicacies, alongside an impressive selection of wines, Champagnes, gins, and more.
www.gourmetfestivals.de
(23 – 24 AUGUST)
Classic car enthusiasts are in for a treat at this charmingly nostalgic Oldtimer Festival. The highlight is the Oldtimer Parade, where vintage vehicles of all makes, models and eras take a scenic tour around the Ring. Whether you are a passionate collector or a curious onlooker, the sight of lovingly maintained classics (many brought from afar by dedicated owners) makes this event well worth a visit. www.viennaclassicdays.com
NA (28 – 30 AUGUST)
The Liquid Market celebrates its 10th edition this year, bringing together over 150 bars and brands for three days dedicated to drinks and contemporary bar culture. As one of Austria’s largest festivals of its kind, it features a wide selection of cocktails, craft beers, wine, coffee
and more – with all drinks included in the ticket price. Whether alcoholic or alcohol-free, the focus is on quality and the evolving art of mixology, making it a key event for professionals and cocktail enthusiasts alike.
www.liquidmarket.bar
I have written about Berlin’s sharing culture concerning books before, but lately the city resembles one big beach on which washed up household items mix with designer clothes, children’s toys, and furniture in a happy merry-go-round.
Basically, it is first come first serve on the residential streets of Berlin. Just the other day, I was watering my plants when I saw a man coming out of the building across the street, nonchalantly carrying a gigantic, pink plastic rocker looking like a mixture between a child’s bobsleigh and a toy raft – to put it down in front of the building for a future owner. It literally took one second to be spotted by a passing mother and child – the boy visibly urging her to stop only a few steps on, begging to go back. She seemed doubtful, so the boy grabbed the gigantic plastic contraption and sat himself on it, proving that it was just the right size for him (actually I thought him too big, but I could understand the attraction, if only for the blazing colours). While I was watching the scene like a silent movie, the mother seemed to relent on the condition that the boy would haul the pink plastic monster back home himself.
Two days before, I had been sitting with an afternoon coffee in the sun, when a nice looking, handcrafted bookshelf caught my attention standing on the sidewalk two houses down the street. While I was lazily pondering if it would fit on my bike, someone approached rapidly with a two-wheel cart, so
determined and fast that I thought he would run into the shelf. But no, he quickly secured it by virtually embracing and dragging it onto the cart, whereupon he fastened it with two elastic bands he had brought especially. As he passed me on his way back, eyes straight ahead, I silently congratulated him on his successful mission. He must have spotted the shelf, run home, fetched the cart and run back to secure his find as quickly as possible.
It has become a normal sight to see Berliners stopping in the street to hold up a piece of clothing for size or start reading a discarded book. The time is over when people bothered to put out a sign saying “for free” or “to a good home” together with the things they no longer need – everyone assumes that anything you put out in the street is free for the taking. In case of moving house, Berliners are therefore well advised to have a friend stand guard while temporarily storing things in the passageway – otherwise, they may well end up with only half their furniture at the new place of residence.
Berlin’s accommodating streets have so far afforded me books, stamped bone China, a working art nouveau lamp (worth a few hun -
dred Euros), as well as an under-sink cabinet – all of which in excellent condition. It’s offline ebay in Berlin every day – and the self-declared ‘thing finder’ Pippi Longstocking would have a ball.
With her
field of interest being art and design, she enjoys observing her history-laden home town in all its quirky detail and ever-changing shape and culture. Apart from writing, the author also engages in English language theatre, the art of which she learned in London.
Summertime, holiday time, best of times for the Germans who are known as Reiseweltmeister, or world champions of travel. This year looks to be another one in which the nation is living up to its reputation, based on data gathered and released by Stiftung für Zukunftsfragen (Foundation for Future Studies) in its 41st German Tourism Analysis earlier this year.
While there might be a certain general doom and gloom – which some say is another discipline that Germans excel in –there’s nothing dampening people’s travel spirit, according to the Foundation, which has surveyed 2024 travel behaviour as well as travel intentions for this year. Forget global crises and talk about economic uncertainties, nothing is going to stop Germans from going on holiday. At the start of 2025, two thirds of the population had already been planning to go on at least one trip this year, which corresponds to an increase of 20 per cent compared to 20 years ago. Germans are as determined as ever to not let anything get in the way of their holiday and prioritise travel, so the Foundation’s interpretation of its survey of 3,000 German citizens aged 18 and over.
Discover Germany Issue 132, August 2025
Published 08.2025
ISSN 2051-7718
Published by Scan Magazine Ltd.
Print Stibo Complete
Executive Editor Thomas Winther
Creative Director
Mads E. Petersen
Germans also spend more on their holiday, with the average (main) holiday costing EUR 1,544 per person in 2024, more than ever before. In 2014, that figure stood at EUR 1,071. For anyone spending their break at home, i.e. in Germany, holidays were on average EUR 500 cheaper than trips to other European countries. Which brings me to the Germans’ most favourite holiday destinations, which is, yes, Germany. 36 per cent of holidays taken in 2024 were of the staycation nature, with Bavaria, Mecklenburg-Vorpommern and Baden-Wurttemberg as the top three regions. And based on the 41st German Tourism Analysis, this shouldn’t change because when asked about their travel intentions, 29 per cent indicated that Germany would be the destination for their main holiday in 2025. In case you’re curious of which countries are most successful in luring Germans away from their home shores, it’s Spain (8,1 per cent), Italy (5,9 per cent) and Turkey (4,5 per cent). Altogether, some 39 per cent of those surveyed planned a trip to a European country while 17 per cent had a long-haul journey in sight.
So, should you still deliberate holiday destinations for this year, well, you’re most likely not
German then because, according to the survey, the nation likes to plan ahead (surprise, surprise) with 36 per cent saying that they book as early as possible. Having established that, and in case you’re wondering whether Germany is worth a little trip later this year, why not take the cue from the locals who certainly seem to think so…
www.germanyiswunderbar.com,
Editor Nane Steinhoff
Copy-Editor
Malin Norman
Graphic Designer
Mercedes Moulia
Contributors
Anna Engberg
Barbara Geier
Cornelia Brelowski
Jessica Holzhausen
Marilena Stracke
Wibke Carter
Cover Photo © Tim Eichel
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Julia Freisinger
Lawinia Toth
Sophie Blecha
Esther Nainggolan
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