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ISSUE 97
SINCE 2002
Canada Celebrates National Indigenous Peoples Day
Cheyenne Kippenberger
2019 Miss Indian World Indulge in Indigenous Food this Summer Ideas on What to Do and Where to Go
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SUMMER 2019
THE LARGEST LIFESTYLE MAGAZINE FOR INDIGENOUS PEOPLE
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HAVE YOUR SAY 2 | SUMMER 2019
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SINCE 2002
CONTENTS
14
Cover Story: Gather Together for Indigenous Day Live 2019
ISSUE 97
SUMMER 2019
6
SAY MAGAZINE Volume 18, Issue 4 SAY Magazine publishes eight times a year: Winter, Spring, Summer and Fall, as well as Health and Fitness, Back2School, Economic Development and Education Guide issues. SAY Magazine is published by Spirit of Aboriginal Youth Inc. Mailing Address: Kildonan Place, RPO Box 43084 Winnipeg, MB Canada R2C 5G7 E: info@saymag.com www.saymag.com
SAY Magazine assumes no responsibility for statements made by advertisers or in submitted material. Graphics, photographs, editorial content and other printed material are the property of SAY Magazine and may not be used without the written permission of SAY Magazine. ISSN: 1707-3049 All copy copyright 2018 by SAY Magazine GST: 856627534RT0001
Publishers Dominick Blais and Kent Brown
Art Director Orli Gelfat - Orli G. Design
26 Indigenous Cuisine
with Award-Winning 28 ILDI – Building Leaders 10 Interview for Tomorrow, Today Actor Lorne Cardinal
30 Profile
Students
Subscriptions subscriptions@saymag.com
Website and Social Media Sphere Media Agency info@spheremediaagency.com
Tootoo on 7 Jordin Life after the NHL
18 Music Offers New Online 22 McGill Program for Indigenous
Editor-in-Chief/Sales Manager Danielle Vienneau editor@saymag.com
Printed in Canada
Vision Quest Inspires Indigenous Business in Canada
Printed on recycled paper using vegetable based inks.
Submissions are welcome. Articles, letters, queries etc. should be sent by email to the editor at editor@saymag.com. SAY Magazine assumes no responsibility for submitted material. Connect with us: www.facebook.com/saymagazine https://twitter.com/SAYMagazine www.pinterest.ca/SAYMagazine
12
Dragon Quest Finalist Emilie McKinney Takes First Place
24
Meet Newly Crowned Miss Indian World, Cheyenne Kippenberger SUMMER 2019 | 3
EDITOR’S MESSAGE
“All living creatures and all plants derive their life from the sun. If it were not for the sun, there would be darkness and nothing would grow – the earth would be without life.”
S
- Okute, Teton Sioux
ummer is upon us, bringing with it the promise of warmer weather, longer days and a season of abundance—a time of reflection, of gratitude and celebration.
of all good things to come, may this issue be an inspiration and a reminder to celebrate your uniqueness and strengths, and to appreciate the fullness of life and all that it has to offer.
Around this time eight years ago, the grandmothers and grandfathers helped reveal my traditional spirit name during a Sundance ceremony. As I laid my hands and head on the tree of life and an Elder placed her hand on my back, I prayed to the creator while my heart pounded to the beat of the drums. I was gifted the name Turtle Woman. On this same day, I watched as my husband dragged four buffalo skulls from his back in honour of our family. Only months after the birth of my first child, this proved to be a very emotional experience for me, and one that I will never forget. The name Turtle Woman is fitting given my life experiences thus far. The turtle is symbolic of Turtle Island, Mother Earth and represents one of the seven teachings, Truth. It is known that the turtle carries all our relations on her back and keeps the world in balance. I am honoured and grateful for this name and pleased to share it with SAY readers so that you may understand the image that now holds space on this page. It is said that the sun is our true source of light and life, and that the “Summer Solstice is a time to honour the manifestation of our dreams and wishes” (Molly Larkin, Podcaster). In the spirit
June is National Indigenous History Month, bringing the diverse cultures and strengths of First Nations, Métis and Inuit peoples to the forefront in Canada, and June 21st is recognized as National Indigenous Peoples Day (and the same day we welcome Summer Solstice for those of us in the Northern Hemisphere). In this issue we are happy to share the success of the 23rd annual Vision Quest Conference and one-on-one with interviews with various influential individuals, including Canadian actor Lorne Cardinal, former NHL superstar Jordin Tootoo and young entrepreneur Emilie McKinney of Swan Lake First Nation. Among various celebrations, including the incredible power of powwow across Canada and the USA this summer, you can also take in APTN’s Indigenous Day Live (IDL) celebrations on June 22, in Winnipeg, Manitoba; Calgary, Alberta; and Whitehorse, Yukon. Be sure to check out all the details in our cover story, starting on page 14. And if you like to travel and try new foods, we hope you appreciate the suggestions on page 26. Danielle Vienneau, Editor-in-Chief Next Issue: Back2School 2019
Issue Name
Issue Theme #
Space Material Reservation Deadline
Publication Dates
Back2School 2019
98
Back to School
July 12, 2019
July 26, 2019
Aug. 15, 2019
Fall 2019
99
Health & Fitness Aug. 15, 2019
Sept. 9, 2019
Sept. 30, 2019
Special Edition
100
Global Indigeneity
Aug. 23, 2019
Sept. 23, 2019
Nov. 1, 2019
Economic Development
101
Economic Empowerment
Oct. 28, 2019
Nov. 12, 2019
Dec. 6, 2019
Winter 2020
102
Leadership
Dec. 2, 2019
Dec. 16, 2019
Jan. 10, 2020
Education Guide 2020
103
Education
Jan. 10, 2020
Jan. 17, 2020
Feb. 14, 2020
Spring 2020
104
New Mexico
Feb. 7, 2020
Feb. 28, 2020
Mar. 27, 2020
Dates subject to change. Advertising inquiries contact: info@saymag.com 1.204.977.2805 Order your subscription from the webstore at: www.saymag.com CHECK OUT LINK AT: http://itunes.apple.com/ca/app/say-magazine/id455696031?mt=8 4 | SUMMER 2019
CALENDAR OF EVENTS 2019 JUN 20-23
AUG 1-4
JUN 21
AUG 2-4
Summer Solstice Indigenous Festival Ottawa, Ontario, Canada www.ottawasummersolstice.ca National Indigenous Peoples Day Canada
JUN 22
APTN Indigenous Day Live Winnipeg, Manitoba; Calgary, Alberta; Whitehorse, Yukon, Canada www.indigenousdaylive.ca
JUN 22
Na-Me-Res Annual Traditional Pow Wow Toronto, Ontario, Canada www.nameres.org
JUN 28-JUL 1
Alianait Arts Festival Iqaluit, Nunavut, Canada www.alianait.ca
JUN 28-JUL 4
The 2019 Adäka Cultural Festival Kwanlin Dün Cultural Centre Whitehorse, Yukon, Canada www.adakafestival.ca
JULY 5-14
Pow Wow Competition, Elbow River Camp Calgary Stampede Calgary, Alberta, Canada
JUL 12-21
Great Northern Arts Festival Inuvik, Northwest Territories, Canada www.gnaf.org
Innu Nikamu Festival Mani-Utenam, Québec, Canada www.innunikamu.ca 2019 Kamloopa Powwow Tk’emlups te Secwepemc Powwow Grounds Kamloops, British Columbia, Canada
SEPT 8-9
2019 Akwesasne Powwow A’Nowara’Ko Wa Arena Akwesasne, Ontario, Canada www.crazycrow.com
SEPT 9-13
National Gathering of Elders RBC Convention Centre Winnipeg, Manitoba, Canada www.ngekanata.com
SEPT 16-19
21st Annual American Indian Tourism Conference Hard Rock Hotel & Casino Tulsa Catoosa, Oklahoma, USA www.aianta.org/aitc
OCT 8-10
2019 World Indigenous Business Forum Vancouver Convention Centre Vancouver, British Columbia, Canada www.wibf.ca
OCT 10-12
Annual AISES National Conference Wisconsin Center Milwaukee, Wisconsin, USA www.conference.aises.org
SUMMER 2019 | 5
CAREER DEVELOPMENT
Vision Quest
2019 The RBC Convention Centre Winnipeg bustled with activity May 14-16, as more than 1,000 participants gathered for the 23rd annual Vision Quest Conference and Trade Show. Vision Quest, a truly positive and empowering event, promotes Indigenous business, community and economic development by creating opportunities for information sharing, partnership development and cultural awareness.
Photo credit: Colin Vandenberg
The event welcomed people of all levels of experience, from youth to community leaders, entrepreneurs and anyone interested in starting or expanding a business. With access to networking opportunities and a variety of interactive workshops, delegates were provided with ample opportunity to develop relationships, learn and build on their futures. The keynote speakers, performers, Grand Entry and Gala Banquet proved to be some of the most noteworthy highlights, and we are happy to share some photos with you, our readers.
6 | SUMMER 2019
SAY Magazine was honoured to be part of Vision Quest again this year as a media partner and trade show exhibitor. Thank you to all who attended the event and came to visit us at our booth. We were fortunate to meet many incredible people and had the pleasure of interviewing keynote presenters Lorne Cardinal and Jordin Tootoo, and Dragon Quest Business Plan winner and inspirational young entrepreneur, Emilie McKinney. Keep reading to find out more about these Indigenous leaders. Missed this year’s event? Mark your calendars for the 24th annual Vision Quest Conference and Trade Show, taking place May 12-15, 2020.
PROFILE
Jordin
Tootoo
F
or those of you who are relatively new to SAY Magazine, former NHL hockey player Jordin Tootoo was featured on the cover of the very first issue back in 2002, and a lot has changed since then. Admittedly, I was very nervous to meet such a high-profile hockey player while at the Vision Quest Conference, but as soon as I met Tootoo, a welcoming smile and jerky in hand, my anxiety lessened due to his outgoing personality, humour and willingness to answer my questions. He is human, just like you and me.
Photo credit: Colin Vandenberg
Of Inuk descent from Rankin Inlet, Nunavut, Canada, Tootoo experienced quite a few challenges early in his career—challenges he now speaks about openly in the hopes that his message will inspire others. “A lot of our people can relate to my story,” said Tootoo. “I have experienced family tragedy, substance abuse and mental health issues.” After the tragic loss of his brother Terrence, Tootoo explained that his initial shock quickly turned to anger and blame, leading him down a dark path and threatening both his new career and life. “In order for me to move on from the tragic things that happened in my life, I had to let those go—the anger and the blame,” said Tootoo. “It wasn’t until I checked myself into rehab that I really started to understand the real meaning of life.” Like many of us, Tootoo thought he could “fix” his problems on his own. It took some time for him to realize that accepting help from others was okay, and that’s what ultimately saved him. He also changed his mindset. “In order for you to have clarity and purpose, you need to understand what you bring to the table,” said Tootoo. “It was hard for me—it’s a process.” SUMMER 2019 | 7
PROFILE Today, Tootoo celebrates eight years of sobriety and dedicates all that he does to his brother in honour of his legacy. Through the Team Tootoo Foundation, Tootoo is able to give back by visiting communities all across Canada and sharing his story. When I asked him to tell me more about the message he shares, he said, “It’s about opening the doors to communication and to get our people to think outside the box.” Tootoo also hopes that his message inspires youth to make smarter choices. His advice to young people is this: “Part of growing up is experiencing life and knowing what is right and wrong. You may suffer consequences depending on the choices you make, and you’ll have to deal with them. That’s part of the learning curve.” “In order to become successful you may fail more often than not. Don’t be afraid of failure. If things don’t work out, find a different path,” said Tootoo. “I was cut from
Tootoo acknowledges that for many Indigenous peoples it is even more difficult because “we grow up hiding everything”. When I spoke with Tootoo at Vision Quest, he shared with me that he would be travelling home after the event. He was looking forward to seeing his family and participating in the annual Fishing Derby—something he had not been able to do for many years due to his busy hockey schedule. After being on the road for almost 20 years, Tootoo is enjoying his retirement from hockey. He is appreciating the slower pace and time with his family, and jokes that some of his aches and pains accumulated over the last two decades are slowly dwindling away. As for the future, Tootoo plans to enjoy his time being a dad to his two girls and hopes to have more children in the near future, a boy perhaps. Now that he can say he’s
I am never going to forget where I come from. I am proud of who I am. I am proud to say I am an Inuk. No one can ever take that away from me. many hockey teams, many sports teams, and I just found a different path to make it to the NHL.”
Photo credit: Colin Vandenberg
He also reminds us all to “stay humble, stay grounded and work your ass off. Hard work pays off. Have respect for your Elders and the veterans around you who will show you the way.”
8 | SUMMER 2019
Over the years Tootoo has made many public appearances and is always surprised by individuals who stand up and bravely share their stories or ask questions. “It’s very rewarding for me when people come up to me and tell me that they can relate to my story and that it has inspired them to change their lives.” This is something that is very difficult for most people to do, and
experienced life in the South, he is looking forward to going home to Rankin Inlet more often, connecting with the land and teaching his children about their culture. “I am never going to forget where I come from. I am proud of who I am. I am proud to say I am an Inuk. No one can ever take that away from me.” Tootoo is thankful for the career he had in the NHL and for all the support he has received over the years. “It’s been a great run playing in the NHL. I can honestly say that I walked away from the game on my own terms and have done everything, and more, than I ever could have expected to do.” By D. Vienneau
SEPTEMBER 9-12, 2019 RBC Convention Centre Winnipeg, MB INDIGENOUS CULTURAL SHOWCASE ELDERS FORUM GRAND ENTRY HOLISTIC WELLNESS ELDERS TALENT SHOW
ARTIST SHOWCASE ENTERTAINMENT GOLF TOURNAMENT
VENDORS & EXHIBITORS ELDERS SOCIAL DANCE Elders Forum Topics: Climate Change / Missing & Murdered Indigenous Women / Cultural Revitalization / Reconciliation
Contact Email: registration@ngekanata.com
WWW.NGEKANATA.COM SUMMER 2019 | 9
PROFILE
Up Close and Personal with Actor
Lorne Cardinal
I
f you’ve ever watched the Emmy-nominated comedy Corner Gas, you may recognize Lorne Cardinal who played Sgt. Davis Quinton, an overly-sensitive police officer who is one of only two police officers in the small town of Dog River. Like many Canadians of my generation, I am familiar with CTV’s Corner Gas and I was really looking forward to speaking directly with the multi-talented actor and director.
Photo credit: Colin Vandenberg
I was pleasantly surprised when he walked in the room charismatically and immediately cracked a joke, putting everyone at ease. This was his first time at the Vision Quest Conference, and he was not only one of the keynote presenters but he also led the workshop Unleash Your Potential with his wife and writing partner, artist Monique Hurteau.
10 | SUMMER 2019
The high energy workshop involved interactive exercises to increase confidence, improve communication skills and develop realistic strategies to achieve goals. After putting the group through some fun icebreakers, they moved on to asset mapping—a group activity where each person writes down the things they are most proud of. According to Cardinal, it’s common for a lot of people to write down the degree they have or the job they do; however, Cardinal explains that while those things are significant achievements, it’s the things like “I quit smoking”, “I’m drug-free” or “I’m running and living a healthy life” that need to be celebrated and acknowledged because of the amount of work it takes to achieve those seemingly smaller goals. Today’s society dictates how we define success, and we sometimes lose sight of what success really
is. “We get blinded by bling and the doctor in the TV reality show and other nonsense that’s out there and we think that’s success, but that isn’t real,” he explained. “Planting a garden, running a marathon or quitting smoking is real—these things take dedication and focus, and those achievements need to be recognized. That is being successful.” “It’s the lens you look through that defines success, and unfortunately we get the glamourous one shoved down our throat everywhere we turn,” said Cardinal. During the workshop, Cardinal and Hurteau focused on getting people talking “because speaking to someone else can be cripplingly shy”. For many people, speaking in public or to strangers is scary, but just like riding a bike, it does get easier with practice. “If you’re too shy to speak, it makes it difficult to ask for help,” said Cardinal. “It can stop you from achieving your goals. The more you speak in public, the easier it gets. Those experiences add up, and soon you’ll be able to speak for others.” Now I wanted to know how Lorne Cardinal got into acting. Cardinal claims it was by accident. He never knew he wanted to be an actor. He had been a dark room technician, a photographer and he had played high level rugby in Alberta with the goal of playing for Team Canada. He developed a love of photography—capturing looks and faces. At the time he didn’t realize that what he was doing was storytelling. All of the things he has done in his past have informed his career as an actor and director. Cardinal explained that his experience on a rugby team has been entirely applicable to directing film and TV and in acting. “You need a
solid team to work,” he said. “I know my role in this story is to support this person and make them look good, as brilliantly shiny or as mean as they need to be. That’s my job as part of this team—to tell this story.” As he describes his experiences, I get a really good sense of the passion he has for his craft and for good storytelling. Celebrity status and awards are certainly by-products of the industry but you can tell that those things are not the driving force behind Cardinal’s work. He recalls a show he did in Toronto called Sixty Below by Leonard Linklater and Patti Flather (Playwrights Guild of Canada) where he got to play a hero named Johnnie, who happened to be a ghost. In the beginning of the play the audience believes Johnnie was killed in a hunting accident, but as the story unfolds you come to learn that he killed himself which was witnessed by his best friend, and the grief completely destroys his life. The play proved too dark for the press and the reviews were not what Cardinal expected, but he remembers a young Indigenous man visiting them backstage between shows. “He poked his head in the curtain of our change room and said he liked the show and thanked us,” said Cardinal. “He had been thinking about suicide, but after seeing the show, and in that moment, he changed his mind. That’s why I do what I do, why I do those stories.” Cardinal is very aware of others. He takes the time to meet his fans and say hi to people “because you never know what people are going through”. “It doesn’t take any time to shake a person’s hand and let them know ‘I see you’, ” he said. “As a celebrity you have responsibilities. To open the doors for others so that they don’t have to go through the same challenges that you went through.” We discussed some of the challenges he’s faced in the industry, and like many minority actors he’s had to deal with typecasting. Cardinal mentioned that the industry is slowly changing; however, he feels it’s also the responsibility of Indigenous actors to speak up when things are not right. “You are always educating, always enlightening. You are always the professional Indian on set. And if there are not many of you, then you are the one they go to,” said Cardinal. “If something is not right, then you need to offer a solution
to make it better—those are the change makers. If you don’t provide an alternative with reason, then nothing changes.” Cardinal wears many hats in this industry, from acting, writing and directing, but his favourite is acting. He adores the whole process of acting on stage—the rehearsal process, working with a team and telling a story from beginning to end. He tries to do theatre at least once a year because he enjoys it so much. One of the works he is most proud of is his most recent project called The Tempest, which he performed at the Citadel Theatre in Edmonton, Alberta, earlier this spring.
Photo credit: Colin Vandenberg
PROFILE
Directed by Josette Bushell-Mingo, The Tempest is the retelling of one of Shakespeare’s plays, featuring both deaf and hearing actors onstage together. “It was fascinating learning to work with each other, learning from each other and learning to respect each other. The deaf culture is quite unique. They have faced similar challenges to those of Indigenous peoples. They were institutionalized, they were taken away from their parents and they were abused,” said Cardinal. “Their history is so similar to that of Indigenous residential survivors. It made me feel closer to them.” The Tempest involved theatre practices that were physically and mentally challenging. Cardinal describes the set as a shipwreck, with a rain curtain that would rain down onto the stage. “We walked in water and through water, and up and down ramps and ladders. Edmonton had not seen a Shakespeare like that ever.” Cardinal described this theatre experience as a visceral masterpiece because the sound design was created for hearing impaired and deaf audiences, and included reverberations that were felt by all in the audience. He also described the production as “a visual feast” because of the incredible lighting and the simultaneous performances between speaking actors and signing actors. Simply amazing. A pioneer for Indigenous entertainers, Cardinal’s dedication to his craft and compassion for others is truly admirable. His advice to young people today is “anything is possible, even if you come from a small community like me. Heck, if I can make it, anything is possible. There are no shortcuts though—you have to work at it.” By D. Vienneau SUMMER 2019 | 11
PROFILE
Young Entrepreneur
Emilie McKinney Wins Dragon Quest Competition
The Indigenous Business Development Services (IBDS) in partnership with Vision Quest held the Dragon’s Quest Business Plan Competition Thursday morning where four finalists made a live pitch to a panel of business professionals. A voting process followed to determine the winner. Anishinaabe-kwe from Swan Lake First Nation, Manitoba, Canada, McKinney, 18, is the owner and founder of Anishinaabe Bimishimo Corporation—the first business to manufacture Jingle Dress Cones in Canada. As the winner of the competition, McKinney received a star blanket and a prize of $7,500 to put towards her business. Tori Cordell who came in second place was also awarded a star blanket and a prize of $2,500 for her business ToriJade Grooming, an Indigenous-owned and operated dog grooming salon in Thompson, Manitoba. After the announcement, I sat down with the very composed and professional McKinney who explained that the $7,500 prize will go towards the cost of raw materials—copper and brass—required to make jingle cones. She also revealed that the funds will aid in developing limited edition coloured jingles which will launch at every solstice. Only 555 boxes, each containing 365 jingles, will be available 12 | SUMMER 2019
with each launch. Each limited edition will have a connecting story and unique packaging. The idea to make her own jingle cones began when McKinney was only 16 years old. An artist, she wanted to make herself a new jingle dress, but when she contacted the local supplier she was informed he had retired. There were no other local businesses making or supplying jingle cones and hence Anishinaabe Bimishimo Corporation was born. With the help and support of McKinney’s mother, Natalie Foidart, the business launched only nine months after conception in March 2017, and on January 1, 2018 they officially opened to the public. The name Anishinaabe Bimishimo translates to “the people that dance” in Ojibway. The name is personal and represents who McKinney is. McKinney further explained that she chose this name because “when you dance you are surrounded by your loved ones in the physical world but you are also surrounded by those in the spirit world who dance beside you”.
Photo credit: Colin Vandenberg
O
n the evening of Thursday, May 16, in front of a large crowd of Vision Quest Gala attendees, Emilie McKinney was announced the winner of the Dragon’s Quest Business Plan Competition.
PROFILE
McKinney said that when she started her business she wanted something that represented all things Indigenous and she wanted a name and a logo that told a story. The logo she chose tells the story of Anishinaabe Bimishimo Corporation. For McKinney, the outer circle represents the environment, the world around us. The inner circle represents self, the full circle within us. The tipi represents home with an open door, welcoming new ideas, people and dance. The two feathers represent a sacred object which is part of the sacred dance. As McKinney continued to describe the logo, she reiterated the jingle cones she makes are for the people and that they symbolize empowerment and unity. Anishinaabe Bimishimo Corporation is certainly a family affair. McKinney, the oldest of eight children, credits much of her success to her mother who has supported her from the very beginning and helped her apply for every grant and bursary available, and who travels with her to countless trade shows, often with other children in tow. McKinney also recognizes Futurpreneur Canada and the Women’s Enterprise Centre of Manitoba for assisting with her business start-up costs.
French on her mother’s side and Ojibway on her father’s side, McKinney is very well connected to both sides of her heritage. In June 2018 she received her French high school diploma from École Régional Notre-Dame de Lourdes, and in September 2019 she will return to Maskwacis Cultural College in Alberta, Canada, to continue pursuing her Indigenous Business Diploma and eventually a degree in business. I asked McKinney to tell me about her future plans, and just as I suspected, she had no problem answering that question and in fact has a 10-year plan that she shared with me. “I want to move my business to my home reserve, to Swan Lake, and employ people from the community,” she said. Currently Anishinaabe Bimishimo Corporation operates out of a small shop in Somerset, Manitoba. “We also plan to expand into different communities and continue to provide a unique product with
limited edition cones and different embossments.” In 10 years McKinney hopes to create a fund for Indigenous women and youth in business. McKinney is certainly a young lady ready to take on the world. I found her thirst for knowledge, her confidence and enthusiasm very refreshing. An entrepreneur, a student, a daughter, and a big sister, she is an incredible Indigenous role model who had this advice for other young business enthusiasts: “When you find something you are really passionate about, dedicate yourself to it. In the business community many people think about the money first which may end in disappointment. It takes years to be successful, so if you do something, do it with passion.” By D. Vienneau
McKinney is not just an entrepreneur. She is an international Hoop Dancer and professional cultural dancer, who said she started dancing as soon as she could walk. When I asked her what her favourite dance is she said Fancy Shawl “because I’m a person who likes a challenge. It’s fast— the songs are fast and sometimes there are trick songs.” I asked why she dances and she said, “It warms my heart. The elders back home always told me to dance. I also dance for my siblings—to be a role model and to show them that if you have a passion for something you should go for it.” SUMMER 2019 | 13
By Janice Tober, APTN Communications Freelancer
O 14 | SUMMER 2019
n the afternoon of Saturday, June 22, the sound of drums first breaks the quiet anticipation of the crowd. Voices rise in traditional song as Indigenous dancers make their grand entrance. A cascade of colour, sound and movement invites everyone to join in. And they do.
Evening comes, and with it, the sound of instruments from the stage. A voice soars above the musical heartbeat, and the throngs of people – young and old – move to the music as if they were all one people.
Kids run around the grounds, check out a traditional Indigenous game and learn a few words of Ojibwe. They smile while choosing their favourite bannock. The older kids head over to the skateboard competition, as the young ones settle into the Children’s Corner to hear traditional stories.
Since 2007, IDL has brought together Indigenous Peoples to share their experiences with all Canadians through music, culture and art. It is a day and night of pure celebration that recognizes the unique heritage and diversity of Indigenous Peoples across the country.
The activities vary, but this is how Canada celebrates National Indigenous Peoples Day, with APTN Indigenous Day Live (IDL).
COVER STORY
Winnipeg arie inte-M a S y Buff
APTN Indigenous Day Live at The Forks Daytime Schedule: Sunrise to Sunset: Sunrise Ceremony and Sacred Fire 11 a.m.-6 p.m. CT: Traditional storytelling and games, IDL powwow, skateboard competition, language teachings, fiddle competition, artisans and food vendors, best bannock competition, APTN KIDS Zone and many more free activities! Pre-Show Entertainment: 5:45 p.m.-6:30 p.m. CT
an Bachm y d n a R
Performers: Sebastian Gaskin Ryan D’Aoust with Nathan Halcrow and Daniel Koulack APTN Indigenous Day Live Concert: 7 p.m.-10:30 p.m. CT
Starting Small
IDL started in 2007 as a small celebration outside APTN’s headquarters in downtown Winnipeg, Man. The hour-long concert featured fiddle master Donny Parenteau, traditional Métis dance group Asham Stompers, champion hoop dancer Lisa Odig, Juno Award-winner Leela Gilday and internationally renowned C-Weed Band. This year, IDL is in three host cities on June 22. Winnipeg, Man., Whitehorse, Yukon and, for the very first time, Calgary, Alta. Each city will feature its own daytime activities and live evening concerts, with some events taking place simultaneously
across all three cities. In Winnipeg, a Sunrise Ceremony and Sacred Fire will take place in honour of the summer solstice. The fire will remain lit throughout the day until an Elder extinguishes it at sunset. Whitehorse will host a community Blanket Exercise, which is sure to be a powerful symbol of the Indigenous experience. Meanwhile, a free pancake breakfast in Calgary will be a highlight for kids and adults alike.
Performers: Buffy Sainte-Marie with Randy Bachman The Jerry Cans The Dakhká Khwáan Dancers with DJ Dash Andrina Turenne Co-hosts: Grace Dove Daniel Roy
Family activities will be free throughout the day and include cultural elements like throat singing, hoop dancing and a fiddle competition. Local artisans will also be SUMMER 2019 | 15
COVER STORY
Calgary APTN Indigenous Day Live at Fort Calgary (Moh’kins’tsis) Calgary’s celebration takes place during Aboriginal Awareness Week Calgary, beginning June 17 and ending with APTN Indigenous Day Live on June 22. Daytime Schedule: 9 a.m.-9 p.m. MT: Free pancake breakfast, Children’s Corner, powwow, craft vendors, food trucks and other free and fun activities for the whole family! Pre-Show Entertainment: 4:45 p.m.-6 p.m. MT Performers: Armond Duck Chief Carolina East Bebe Buckskin APTN Indigenous Day Live Concert: 6:30 p.m.-9:30 p.m. MT Performers: Blue Rodeo with Armond Duck Chief Crystal Shawanda Diyet & The Love Soldiers Ghostkeeper Jacobus with dancers Angela Gladue, Cory Beaver and Skye Demas
selling their unique pieces. Be sure to check out the many delicious food trucks that will line the paths to the stages. Anticipation will start to build around 5 p.m. as the evening concerts get closer and closer. The three shows will light up the night sky across Canada. For those unable to make it to the big show, you’re in luck. APTN will be broadcasting live on location from each city. National hosts Andrea Brazeau and Charles Bender will make sure you feel the excitement by bringing over 20 star-studded acts your way, ranging from up-andcoming artists to household names.
Bringing People Together
While the evening concerts are key to IDL, the on-stage collaborations reveal the true spirit of the event.
Co-hosts: Ashley Callingbull Natasha Kanapé Fontaine
Armond Duck Chief is one of the musicians who will be taking centre
Blue Rodeo Armond Du ck Chie
f
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stage in Calgary on June 22. Along with his performance in the pre-show concert starting at 4:45 p.m. MT, Duck Chief will be sharing the stage with Canadian music legend, Blue Rodeo, during the main concert. His excitement leading up to the event is palpable. “It’s an absolute honour to share the stage with such a great band,” says Duck Chief. “It will be an experience I will never forget, and it’s pretty cool to be a part of this collaboration.” Legendary music icons Buffy Sainte-Marie and Randy Bachman will also be joining forces in Winnipeg. This powerhouse duo will surely bring the house down. But not all IDL collaborations are musical ones. The music industry has always experimented with high fashion, and IDL is no different. APTN has invited Indigenous fashion designers to create the show-stopping looks that the hosts will be wearing at the 2019 event. Each of the eight hosts will be clothed in something remarkable, created exclusively by Indigenous designers.
Whitehorse APTN Indigenous Day Live at Shipyards Park Onsite daytime activities provided by Kwanlin Dün Cultural Centre.
ay Leela Gild
Angela DeMontigny is an internationally renowned, Indigenous Canadian designer whose work is sold in specialty boutiques and galleries throughout North America and Europe. Her original clothing collections showcase the most elegant examples of her heritage, made in luscious leather and suede with exciting finishes like unique metallics and details such as fringe, cutwork and hand beading. Winnipeg host Grace Dove will be showing off this designer’s custom look on June 22. On the men’s side, we have LUXX Readyto-Wear, an Edmonton fashion company headed up by Indigenous designer, Derek Jagodzinsky. LUXX specializes in creating modern, sleek and sophisticated styles for those who want to challenge perceptions of Indigenous culture. His designs have been featured in the Native Fashion Now exhibit that toured throughout the U.S. and even
stopped at the Smithsonian’s National Museum of the American Indian. Whitehorse host Dave Jenniss will be donning LUXX creations at IDL 2019. National Indigenous Peoples Day is a day of celebration, a day of pride and one to share with all of Canada. APTN invites you to be a part of it. Come down to one of the city venues, watch the livestream at indigenousdaylive.ca on APTN starting at 8 p.m. ET or listen on Indigenous radio waves. Join the conversation on Twitter or Instagram by tagging your posts with #IDL2019. Visit indigenousdaylive.ca to learn more about IDL 2019.
Daytime Schedule 3 p.m.-7 p.m. PT: Free outdoor activities for the whole family including an artist market, cultural demonstrations, Blanket Exercise, a community market, food trucks and more! Pre-Show Entertainment: 5:15 p.m.-6 p.m. PT Performers: Jeremy Parkin Dena Zagi APTN Indigenous Day Live Concert: 6:30 p.m.-9:30 p.m. PT Performers: Terri Clark Julian Taylor Band Leela Gilday Daghaalhaan K’e & The Selkirk Spirit Dancers Shauit Co-hosts: Chantal Rondeau Dave Jenniss
Terri Clark
lor Band Julian Tay
SUMMER 2019 | 17
MUSIC
STOiK Canadian band STOiK’s debut album Pareidolia was released worldwide in April 2019. The band’s first full-length album is a mix of electronic dance music with a hint of Pow Wow techno and features guest appearances by Drezus, Jah’kota, Plex and Aleah Belle. STOiK (as described in their biography) lives in the future, in 2042, at a time when the earth is no longer inhabitable and humans are forced to vacate the planet. Those who refuse to leave, most of who are Indigenous, move underground. Anchored by ancient Indigenous knowledge and practices, their descendants survive well into the future. STOiK is a group of Indigenous artists and warriors who live amongst the survivors and is led by Gidochige, which translates in Anishinaabemowin to “he plays music”. Much like their sound, STOiK’s persona incorporates a look that is futuristic mixed with traditional elements. Their story and music informs historic events and an imminent future—a warning that Mother Earth is deteriorating and that the consequences will be grave if significant change is not achieved. A recent review on www.g-pop.net by Melissa Minners describes the new album best: “The album contains a mix of instrumental and lyrical tracks that span the scope on topics from love to destruction to the need for awareness in a world that is slowly dying. The track, ‘Behold a Pale Horse’ is an anthem for the descendants, telling them to wake up, stop letting the government hold you down, learn from the elders and become someone who can make a difference for your people and your world. This song is empowering. It’s not exactly a call for rebellion, but it is a call to awareness and a need to find a greater path.” 18 | SUMMER 2019
MUSIC
Buggin Malone Best Rap/Hip Hop Album, 2019 Indigenous Music Awards “Buggin” Malone is CEO of Ancestor Records, Kolor Blind Muzik Group and is an award winning artist of the Potawatomi, Ho Chunk, Mohican and Oneida Nations. Malone recently travelled to Winnipeg, Manitoba, Canada, to the 2019 Indigenous Music Awards where he won Best Rap/Hip Hop Album for his release of Humanity Vol. 1—an award he dedicated to missing and murdered Indigenous peoples and to the next generation. It was the first award Malone has won for an album in 13 years, and after a 7-year recording hiatus. Born in Milwaukee, Wisconsin, USA, Wayne Malone’s music career began with writing autobiographical lyrics at the age of 15 at a time when he was incarcerated. After his release, and after spending some time in a group home, he decided to dedicate his life to helping others. He later moved to the Twin Cities (Minnesota) to pursue his education, leaving his rough past behind him. Malone was soon able to put together a band and conquered the underground music scene, rallies and various concert venues with his unique sound that incorporated two DJs, a bass player, a Spanish style acoustic guitar, percussions, traditional tribal songs and fancy dancer Leon Thompson. Malone is respected as an early rap artist and activist who pioneered socio-political rap music as an American Indian music genre. He kicked down doors with his revolutionary lyrics during his early career, speaking out about social and political injustices burdening Indigenous peoples. He is a wordsmith who crafts lyrics from his soul about women and children
whom are abused, elders who are neglected and tribal peoples who are survivors of ethnic cleansing and resistors of federal policies of cultural-religious-linguistic genocide. He honours Indigenous traditions and has maintained a direct tone that his fans and the industry have come to trust in his award-winning music. Malone’s music career has become successful; however, he didn’t choose this lifestyle to “cash in”. He lives this life to share the power he found in music because it saved his life. Malone writes music that motivates change and lets his listeners know someone hears them. Malone’s music career has been influenced by his culture, the Creator, his mother and Motown Legends Marvin Gaye and Smokey Robinson. He also draws inspiration from Rakim, one of the most talented MCs in the history of the music business, as well as other musical greats such as Bob Marley, KRS-One, Chuck D, Tupac, Biggie Smalls, Big L and Nas. Today he continues to write original music and collaborate with other activists in the music and film industries while bringing awareness to American Indian and Indigenous experiences globally. SUMMER 2019 | 19
MUSIC
Mimi O’Bonsawin Best Pop Album, 2019 Indigenous Music Awards
Through her music, Canadian singer-songwriter Mimi O’Bonsawin celebrates her rich and warm French Canadian and Abenakis heritages. Her sound embodies the grace and power of the beautiful lands and waters of Northern Ontario where she lives. O’Bonsawin released her self-titled debut album in 2014, followed by Connected in 2017 which recently won Best Pop Album at the 2019 Indigenous Music Awards. Her newest release, TRILLIUM, is a beautiful collection of acoustic songs that complement her two previous albums. Even at the young age of 24, she has already performed on prestigious stages, such as Midem in Cannes, France, and Yonge-Dundas Square in Toronto, Ontario. This young singer has shared the stage with the likes of Buffy Sainte-Marie, Crystal Shawanda, Francesco Yates, Tom Wilson and many other talented artists. On stage, she strives to form an intimacy with her audience, sharing laughter and tears, and teaching listeners about themselves and the world around them. Her supporters are spread across the world, and she is rapidly gaining recognition in Canada and India. Songs from her three albums air regularly on CBC
and LCBO radio. They are also streamed through Stingray and Galaxy, and on other stations across Canada. O’Bonsawin’s music has also been selected as part of TV series soundtracks. “Stone Gaze”, a song off her debut album, played in Showtime’s Ray Donavon and other tracks from her records have been featured on APTN’s Mohawk Girls. This musician’s presence is not limited to the stage or radio. She often can be found leading inspirational workshops at schools and conferences throughout Canada, where she shares her passion for songwriting and music. Participants get to discover how music can be easily created, even without an instrument, and the connections it has to the world around them.
June 24 | Buggin Malone July 1
| STOiK
July 8
| Mimi O’Bonsawin
July 15 | Shauit 20 | SUMMER 2019
Visit us at IndigenousinMusic.com
2019 Indigenous Music Awards Nominee for Best Radio Station Program
MUSIC
Shauit
Originally from Maliotenam, an Innu First Nations reserve in northeastern Quebec, Canada, the singer-songwriter Shauit sings honest and committed songs that ingeniously combine his native language and traditional rhythms with other popular trends, such as folk and reggae. In 2018 Shauit won Best Inuit, Indigenous Language or Francophone Album at the 2018 Indigenous Music Awards for his first full-length album Apu peikussiakᵘ (released in November 2017), and was recognized as the Indigenous Songwriter of the Year at the 2018 Canadian Folk Music Awards.
of reggae and dancehall influences. His music has been used for feature films and television series, and he has travelled the globe sharing his innovative style mixed with his Indigenous culture.
Whether as a solo, trio or full band, Shauit presents a dynamic show that keeps his audience on their feet, prompting them to live a journey Song can be a pathway to filled with emosurvival for threatened lan- tions and personal guages. Over the past gen- experiences.
eration the 10,000 speakers of Innu in Québec and Labrador have seen a creative surge in new music.
2018 was a breakthrough year for Shauit, catapult– atigay, Host/Reviewer, World Listening Post ing his career and allowing him to share his music with the world. The son of an Innu mother and Acadi- In February 2019 Shauit released his new an-French father, this unique francophone single and video for “Eshku Inniu Innu”—a Indigenous artist is known for his mix tribute to the Innu Nation and dedicated
to the late Réginald Vollant, founder of the Innu Nikamu festival, one of the largest music and arts festivals in North America. If you’ll be in Whitehorse, Yukon on National Indigenous Peoples Day this year, June 22, make sure to check out Shauit, who will be performing at APTN Indigenous Day Live at Shipyards Park. Otherwise, fans can look forward to the release of a new album in 2020-2021.
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EDUCATION
New Online Program from McGill Opens
New Possibilities for Indigenous Students
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ver the next seven years, more than half a million Indigenous young workers are expected to enter the Canadian labour market. This growth in the youth population is more than three times greater than their non-Indigenous counterparts. This shift opens exciting new possibilities for the next generation to access positions of leadership in the health sector, education, social services and government. Even with this positive change, Indigenous students continue to face obstacles in accessing higher education, due to location, restricted transportation, the high cost of living and tuition fees. McGill University’s School of Continuing Studies is working to address this through technology by offering an entirely new online Certificate in Public Administration and Governance.
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Indigenous students from all over Canada will login and connect with each other to learn from experienced professionals about cross-cultural management, public sector administration, organizational behaviour, finance and lean operational practices. Most importantly, this certificate is designed with flexibility and accessibility in mind: With courses offered online in the events, students will be able to attend McGill University while working and without leaving their communities. This new program is both practical and fast. Students take two courses per semester allowing them to complete the program within two years. Students do not require a high school diploma to be admitted.
“This innovative program is made to prepare students for management roles in education, health, social services, government and military, and helps those working in the public sector to advance their existing careers with a minimum of disruption to their day-to-day lives,” explains Carmen Sicilia, Associate Dean of McGill’s School of Continuing Studies. “In response to this growing need, we have designed a program that shapes students with strong transferable skills, such as leadership, project management, employee supervision, working and building teams, and understanding ethical responsibilities and financial reports within organizations.” Students enrolled in the program will also have access to a dedicated advisor to help with all aspects of their education. The full program details can be found at www.mcgill.pro.
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SUMMER 2019 | 23
GATHERING OF NATIONS
2019-2020 Miss Indian World
Cheyenne
Kippenberger “On the evening of Saturday, April 27, 2019, before a sold-out crowd of 10,000+ attendees, including a record 3,600+ registered dancers, Cheyenne Kippenberger, 23, was crowned the 36th Miss Indian World.” – Gathering of Nations
A
member of the Seminole Tribe of Florida, Cheyenne Kippenberger was one of 17 contestants competing for the prestigious title. She impressed the judge’s panel throughout the four-day competition, and as a result she is the first Seminole woman to hold the prestigious title of Miss Indian World in the program’s 36-year history. Kippenberger’s family is of the Panther Clan and her Indian name “Eete” was bestowed upon her by her Grandma Lawanna. The former Miss Florida Seminole currently resides in Hollywood, Florida, and is constantly looking for ways to support her community as well as sustain Seminole culture. Kippenberger is also the Chairwoman of Healing the Circle in Our Tribal Communities Symposium of the Native Learning Center organization. She maintains balance by staying mentally and physically healthy through yoga practice, running and reading; and whenever possible she sews traditional patchwork and participates in language classes with an elder from her reservation. Kippenberger earned an Associate Degree in Accounting from Keiser University and plans to continue her education by pursuing an additional degree in Political Science. She draws inspiration from Congresswomen Sharice Davids and Deb Halaand. As the 2019-2020 Miss Indian World, Kippenberger’s goals are to bring awareness to the strength and resilience of Native American and Indigenous peoples, help to
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destigmatize mental health and put forth efforts in gaining quality representation in the media for Indigenous people globally. The Miss Indian World Pageant – Over Three Decades of Excellence The Miss Indian World Pageant takes place annually in April at the world’s largest Native American powwow, Gathering of Nations, in Albuquerque, New Mexico, USA. The very first Miss Indian World Pageant was held in 1984, and since its inception, young Native American women ages 18-25 travel from all across North America to represent their tribes and compete for the esteemed title of Miss Indian World. The Miss Indian World program is much more than a competition. Throughout the exciting five-day experience contestants share a journey of sisterhood as they represent their family, communities and tribes, and form lasting friendships. Through this process they achieve many personal triumphs and create lifelong memories. This program is about Native American culture and positive imaging for the young ladies who compete for the title. The Miss Indian World Pageant has a reputation for crowning winners who display a profound knowledge of her tribe’s traditions, history, ancestors and culture. Throughout the four-day competition, contestants accumulate points based on strong showings in the areas of public speaking, traditional talent, personal interview, essay writing and dance.
Qualifying contestants must be of native or Indigenous American descent, single, with no kids and have never been married. In addition to the title, contestants are able to win individual awards based on their scores. To ensure a fair evaluation, there are five different judges for each category. All contestants also participate in a beautiful theatre production featuring the MIW contestants’ Traditional Talent Presentations, which is held on Thursday before the Gathering of Nations Powwow. The competitions culminate in the crowning of the new Miss Indian World in front of a sold out audience on Saturday night at the Gathering of Nations Powwow. The following women were also recognized during the crowning ceremony. l 1st Runner Up – Cordelia Falls Down, Crow and United Keetowah Band Tribes, Crow Agency, Montana l 2nd Runner Up - Shelby Mata, Comanche Nation of Oklahoma, Walters, Oklahoma l Public Speaking Award - Cordelia Falls Down, Crow and United Keetowah Band Tribes, Crow Agency, Montana l Best Interview Award - Cheyenne Kippenberger, Seminole Tribe of Florida, Hollywood, Florida l Traditional Talent Award - Cheyenne Kippenberger, Seminole Tribe of Florida, Hollywood, Florida l Best Dancer Award - Aysha Catron Tsosie, Navajo Nation, Window Rock, Arizona l Best Essay Award - Cordelia Falls Down, Crow and United Keetowah Band Tribes, Crow Agency, Montana l Miss Congeniality - Kyleigh Farmer, Mohawk Iroquois of the Six Nations Reserve, Ohsweken, Ontario, Canada
“The title of Miss Indian World is iconic and shall always be distinctly a part of the Gathering of Nations, Ltd. We are proud of all 17 contestants and look forward to working with Cheyenne Kippenberger this year as she travels Indian Country representing all Native women and the Gathering of Nations organization.” - The Gathering of Nations Directors SUMMER 2019 | 25
FOOD
Seek Out Indigenous Tastes
Throughout North America, multiculturalism has swept the nation, bringing with it a bounty of food from around the globe. However, a resurgence has occurred, and restaurants are raising awareness and bringing to the table Indigenous offerings we have to offer. Here are some of the staple Indigenous ingredients to be on the lookout for as you road trip this summer, and a couple suggestions on where to find them:
Bison,
the majestic animal that once roamed the wild plains with our ancestors, is making more and more appearances on regionally-curated menus. In Winnipeg, Canada’s first Indigenous restaurant Feast Café Bistro, opts for bison in many of its dishes. It’s used in burgers, sandwiches and made into house-made chili for the eatery’s popular Tipi Tacos.
Bannock
is found in many Indigenous homes across North America, and Vancouver’s first Indigenous food truck Mr. Bannock, has played a role in popularizing this decadent dough in the area. It offers a variety of stone and clay baked, and fried bread menu options, pairing bannock with meats like bison, venison and elk in burgers. Or, find sweet renditions, like bear paws at The Bannock House in Regina, Saskatchewan, where fry bread is dusted with cinnamon and drizzled with sticky caramel.
Squash, corn and beans,
also known as the “Three Sisters”, not only grow well together, but make for great dishes together too. At Tea-NBannock in Toronto, Ontario, these garden veggies are combined to produce a delicious steamy bowl of soup.
Saskatoon berries
can be found adding sweet pops to both meat dishes and desserts. In Saskatoon, Saskatchewan, Wanuskewin Heritage Park’s restaurant takes this dark purple berry and turns it into a barbeque sauce, layering just the right amount of sweetness onto its savoury bison burger. At Kekuli Café in Merritt and Westbank, British Columbia, Saskatoon Berry Tea Lemonade is a perfect summertime refreshment. 26 | SUMMER 2019
FOOD
Blackfoot Crossing Historical Park Serves Up
Modern Indigenous Cuisine
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cross Canada, museums and art galleries are using their restaurants’ menus to provide guests with an immersive educational experience that goes beyond historic displays and gallery spaces. At Blackfoot Crossing Historical Park in Alberta, Canada, visitors discover the rich cultural heritage of the Siksika (Blackfoot) Nation and its people at this eco-friendly museum through immersive experiences, such as tipi sleepovers, and through its dining room. Chef Sandra Broad Scalplock draws from the region’s Indigenous culture, giving visitors a chance to experience cuisine inspired by traditional foods in a contemporary setting. The menu features dishes such as smoked bison poutine with juniper gravy and hand-cut fries, charcuterie
boards filled with wild salmon, venison carpaccio, thinly sliced bannock crisps and house-made berry jams. “Saskatoon berries, choke cherries and silver buffalo berries grow right along the Bow River at the foot of the hill,” says Broad Scalplock. “We go out back and gather them ourselves.” This industrious chef also boils wild berries down into syrups to make refreshing and naturally flavoured chilled drinks. Broad Scalplock draws on traditional food preparation techniques she learnt during childhood to craft her regional dishes. “My grandparents picked berries in the summer and dried them to use through the winter,” she says. “And my mother taught me how to cut meat and dry it for pemmican, which is made with pounded dried meat and berries.”
Image courtesy of WestJet Magazine. Photo credit: Jared Sych.
This chef loves sharing her knowledge, especially with younger generations, to help keep culinary culture alive. “Our traditional ways of eating are way healthier than fast food,” she explains. “For example, bison is lean meat, and our bannock doesn’t have preservatives in it because we make it fresh each day.” As visitors tuck into chef Broad Scalplock’s dishes, they get to enjoy spectacular scenery from the Blackfoot Crossing Historical Park restaurant patio.
This article was written by Valerie Howes and adapted for SAY Magazine. The original article was featured in the May 2019 issue of WestJet Magazine. To view the entire article visit: https://www.westjetmagazine.com/story/article/blackfoot-crossing-food
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CAREER DEVELOPMENT
Building Leaders for Tomorrow, Today
Indigenous Leadership Development Institute Inc. (ILDI), a non-profit corporation in Winnipeg, Manitoba, Canada, has been promoting and supporting good self-governance and capacity-building within the Indigenous community since its unification in 2000. ILDI employs an all-Indigenous staff and works with over fifty Indigenous facilitators who bring their knowledge and expertise to Indigenous communities across Canada. From strategic planning to negotiation, education and conflict resolution to governance, and accountability to inter-governmental relations, ILDI provides leadership development to help advance self-governance and bring important economic development opportunities to communities. They do this through unique, cutting-edge training and workshops for a range of important projects using research, mentorship, policy development and leadership advancement tools.
Santiago, Chile (2017); Rotorua, New Zealand (2018); and Vancouver, British Columbia, Canada (2019). SAY Magazine sat down with Melanie Dean, Director of Executive Training with ILDI, to find out more about the success of ILDI over almost two decades of empowering our Indigenous communities and youth.
In 2009 ILDI attended the World Business Forum in New York City, New York, USA, and built on that experience to develop a similar gathering for Indigenous peoples around the world. In 2010 they launched the first-ever World Indigenous Business Forum. Forums have been held in New York City, New York, USA (2011); Sydney, Australia (2012); Windhoek, Namibia, (2013); City of Guatemala, Guatemala (2014); Oahu, Hawaii, USA (2015); Saskatoon, Saskatchewan, Canada (2016); Melanie Dean, Director, Executive Training, ILDI, Inc.
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CAREER DEVELOPMENT SAY Magazine: Tell us more about what ILDI is all about? Dean: We started ILDI 19 years ago to work with Indigenous communities across Canada and to build their capacity in the areas where they felt they needed assistance. We work with chiefs, council members, executives, directors, management and boards of directors to improve their capacity to govern. We also work with Indigenous youth and support their professional development through Empowering Indigenous Youth in Governance and Leadership (EIYGL). EIYGL provides mentorship and meaningful skill development to Indigenous youth through ILDI’s Executive Training, which provides them the opportunity to be mentored by our senior facilitators to acquire valuable skills and lead training in communities. Our facilitators are First Nation, Métis and Inuit—the majority are retired chiefs, council members, executives, lawyers, public servants and entrepreneurs who carry extensive and valuable knowledge that they want to carry forward and share with our communities. SAY: How did ILDI become the “go-to” organization? Dean: Our senior staff was often asked by community members for assistance in areas like negotiations, nation building, governance and proposal development. We realized that there was a gap and work needed to be done in these areas to meet the needs of the community.
need to take control of our current situation and our future. Whether its economic development, education or social services, we need a voice and the capacity to provide strong leadership so that our issues are a priority. We can make the changes for a better life, or at least the life that we choose for ourselves, and not one that is directed by others. SAY: What makes ILDI different from other companies doing similar work? Dean: As a not-for-profit we deliver training to communities in a manner that is relevant and cost-efficient. We strive to do what is in the best interest of our communities rather than make a profit from their challenges. Our goal is to build capacity in areas like strategic planning, governance, policy development, leadership and economic policy. SAY: How has ILDI evolved since it first started? Dean: We haven’t changed much over the past 19 years, but our focus has intensified on delivering leadership training. It seems that our issues in Canada parallel those of Indigenous peoples all around the world, yet we rarely communicate with one another. It’s imperative to our future that we unite to share resources, information, experience and, above all, a collective dedication to make a difference in the lives of our people. That’s why the World Indigenous Business Forum was created and why it has been so well received.
SAY: What successes have you experienced over the years with ILDI? Dean: It’s been an amazing experience to work with our communities directly and to witness the positive outcomes over the past few years. I have seen women and young adults run successfully for chief and council and become executives as a result of being involved in our leadership programs. It’s been very inspiring. It has made me want to do more to make our lives better and create a more supportive environment for our people. I think in our community we don’t support each other enough. We need to encourage one another to succeed and celebrate our successes, especially our youth. SAY: What message do you have for our Indigenous youth? Dean: I hope that young people will take advantage of any opportunities provided to them. Sometimes they will have to take the risk and learn as they go. It might be a struggle but the journey includes not just failure but success as well. It is clear that ILDI is operating at the forefront of national and international training and development for Indigenous leaders. They are well-positioned to bring learning and advancement to Indigenous communities and groups around the globe. For more information on this organization, visit www.ildii.ca.
Also, back in 2000 there were a lot of Indigenous consultants and mainstream institutions doing some of this type of work but nothing that was fully directed, facilitated and run by Indigenous peoples. ILDI is entirely directed and run by Indigenous peoples, First Nation, Métis and Inuit. We are very proud that we’re doing it for ourselves and delivering a product that is professional and first rate. SAY: Why is a company like ILDI so important? Dean: I think that we as Indigenous people Members of ILDI’s Empowering Indigenous Youth in Governance and Leadership Program.
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PROFILE
Vivian Korthuis
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n our career and skill development issue we introduced the Association of Village Council Presidents AVCP, recognizing them for creating a successful workforce development pipeline and helping their communities thrive. Now we would like to introduce you to the one of the driving forces behind the organization. Vivian Johnson Korthuis is the first woman to become CEO of AVCP, a nonprofit tribal consortium made up of 56 tribes.
AVCP’s tribal membership makes up 10% of all tribes in the United States. Tribal members live in 48 communities, spread across 6.5 million acres in Western Alaska, making AVCP the largest tribal consortium in America. Korthuis focuses on developing innovative and culturally relevant solutions that come from within her region to address Western Alaska’s unique 30 | SUMMER 2019
needs. The mission of AVCP is to provide community development, education, social services, culturally relevant programming and advocacy for the people and tribes of Western Alaska; and to promote self-determination, protection and enhancement of cultural and traditional values. Before becoming CEO Korthuis worked in several capacities at AVCP for fourteen years, most recently as President of Programs. Born and raised within the AVCP region, in the Native Village of Emmonak, Korthuis attended Dartmouth College and is currently a PhD Candidate in the Rural Development Program at the University of Alaska Fairbanks. Outside of her role within AVCP, Korthuis sits on Boards for several organizations, including the Alaska Federation of Natives, Inuit Circumpolar Council, Nuvista, and Yuut Elitnaurviat.
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