June 2012 Androcentric Issue No XXV G

transmitting distinctive culture

androcentric issue JUNE 2012

n o. X X V

photographer MIKE NGUYEN

theme MEN’S

m o d e l A NA S TA S S I JA M

C O N T E N T S

SEMPER FI story Photographed by MIKE NGUYEN with Model ROBBIE MANDAGIE

03 Forward 04 The Lightbodies ~ William Montalvo 06 Left Field ~ London Silver 08 Back Stage ~ Arkan Zakharov 12 Baxter Of California ~ London Silver 14 Ammo ~ Dru Downy 15 Three Wheels Spinning Part 2 ~ Gene Wisniewski 23 Prett Green Sunglasses ~ Addison De Witt

24 Pocket Square Clothing ~ Naomi West 28 Heat To Toe ~ Florence Leung 36 Pasadena ~ Mike Nguyen 50 Quinton Hershon ~ Alejandro Garcia 60 Tropics ~ Christele Jacquemin 82 Semper Fi ~ Mike Nguyen 86 Introduce - Marina P. ~ Red NYC 87 Stockists

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Wardrobe Stylist Kristen M Stuart Hairstylist Andrew at Sessions Salon Makeup Artist Sparkle Tafao Model Anastassija M at Elite Retoucher Mike Nguyen

Model Robbie Mandagie

Photography MIKE NGUYEN FotoMN.com

Photography MIKE NGUYEN FotoMN.com

M A S T H E A D

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Editor-In-Chief, Creative Director WILLIAM MONTALVO William@Satellite-Mag.com Managing Editor R. E. FISHER Richard@Satellite-Mag.com Art Director BOX808 MEDIA Box808@Satellite-Mag.com Photography Consultant RACER MEDIA INC. RacerMediaInc.com Special Correspondent ADDISON DE WITT Addison@Satellite-Mag.com Copy Editor ANNEMARIE MAES AnnemarieMaes@mac.com Public Relations FRAME PR Frame-PR.net Cofounder Jody Green Jody@Satellite-MagOnline.com Interns DRU DOWNEY, LONDON SILVER & NAOMI WEST Submissions We are always looking for new work. We accept submissions.

If you would like to be considered as a contributor please send writing samples or images to Info@Satellite-Mag.com Sponsorships & special projects Sponsorship@Satellite-Mag.com Headquarters 600 S Curson Avenue Suite 423 Los Angeles California 90036 USA Satellite-mag.com Est. MMX

C O N T R I B U T O R S

MIKE NUGYEN Mike Nguyen has always surrounded himself with talented artists and people. Mike Nguyen began to shoot whenever he could, as a hobby only four years ago. Working with the right people, publications, talented designers, stylists, hair/ make-up artists, editors and agency represented models has been a key roll in his success as a fashion photographer.

FotoMN.com

Christele Jacquemin

ALEJANDRO GARCIA

A photographer originally from France, but settled in Murcia, she just loves travelling. Thanks to that she has learnt - and I go on learning - to realize what differentiates each culture, the details of every landscape, the way creativity opens up your mind. As she journeys she analyze all the different components of advertising, how images are used, how brands and values can be projected. And that’ s why photography is to advertising what the eye of the beholder is to the mirror: inseparable.

Alejandro Garcia was born in Mexico in a small town of La Angostura, Michoacan. Raised in the Bay Area, in the city of Richmond, California.

Alejandro studied photography at the Academy of Art University where he received his BFA. He is now working in NYC as a freelance photographer and is represented by Aardvark Aartists Agency in NY and LA. At the age of 26 Alejandro maintains his hu$tle by staying focused and inspired. “ Keep shooting, It’s the only way you’re going to get better.” he says

RecreartPhotography.com

Alejandro-Garcia.com

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F O R W A R D

MEN S ’

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ur Men’s Issue is admittedly one of my favorites to produce. In it, we offer 4 fashion stories by some of toady up and coming photographers. Our Heat To Toe story, which lists the latest gadgets, gear and swag for him. It also gives a peek inside the latest eyewear collection by Pretty Green’s designer Lian Gallagher. I was immediately drawn to the design and packaging Baxter of California’s men’s grooming product. Get your whistle whet with the Maple Leaf Rag at the Los angeles hot spot to eat Ammo.

We also have second part of Three Wheels spinning, the series by Gene Wisniewski.

How you enjoy it as much as I enjoyed putting it together.

William Montalvo Editor-In-Chief

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THE

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he Lightbodies are life-sized human shapes. Their faces are surrounded by a shade and illuminated with vibrantly colored light. They invite a sense of humor, as they become active participants in its surrounding space. Especially after dawn, the emitted light creates a mesmerizing, color-filled atmosphere.

recent experiments employ materials such as laser, fog and lucite to interpret light’s properties by way of bold colors, shapes, and varying consistencies.

The artist Kilu’s artistic practice includes using light as both the source material and product of his work. He explores this intangible medium by transforming and combining casual objects into sculptures, which are then able to manipulate, capture and absorb the intrinsic values of light. His most 0 0 4

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Kilu lives and creates in New York, where he relocated from Switzerland in 2006 after winning The Chelsea International Fine Art Competition. His accomplishments also include winning The Healing Power of Art award in 2007, as well as being exhibited in several solo and group shows in New York.

TheLightbodies.com KiluArt.com

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LEFT

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PHOTOGRAPHY

Liz

LizBrinkleyPhotography.com

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t first sight, Left Field NYC founder Christian McCann is kind of an intimidating dude.

Tall, a boxer’s build, countless tattoos; basically exactly what you’d imagine – or hope – the man behind his brand would look like. However, once you get him talking, it doesn’t take long for the menace to fade. Beneath the tough exterior is one of the most genuine and thoughtful guys in the menswear business. It might seem funny to say, but he’s actually a lot like his clothes: earnest, pretense-free, and steadfast.

Formerly a sweater factory, the Left Field space is about as raw is it gets.

There’s no real decor to speak of, nothing flashy or meant to impress, just purely utilitarian. Ceiling-high industrial steel shelves, over-stuffed boxes of new and old stock, enormous reams of denim, chambray and canvas, samples of upcoming collection pieces. “Believe it or not, I know where everything is” he tells me while I poke through a box of sweatshirts. “There’s an order to it all.” Sprinkled throughout the clutter are random hold-overs from seasons past. Little relics from the brand’s decade-long existence, adding an almost museum-like quality to the space. From a box under where I’m sitting, I pull out a bag of old t-shirt decals. “Yeah,” he smirks, looking at the sack of helmeted skulls, “I’ve been doing this for a while.”

“It’s just me,” he says, “It’s a brand, and there are stockists, and lookbooks, and all that, so people think it’s a company, a group. But it’s just me.” How he’s 0 0 6

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able to complete half of what he does in a day, I’ll never know. Between sourcing materials, tracking down domestic manufacturers, designing the collections, dealing with local and international stockists, and the 101 other daily tasks of running his label (not to mention the dozens of responsibilities associated with his soon-to-be-launched undergarment brand Choctaw Ridge), McCann does not have much in the way of free time.

“I do whatever has to be done,” he tells me when I ask him about his day-today. “Pressing, washing, sewing labels – if I don’t do it, it won’t happen.”

McCann’s get-it-done-at-any-cost DIY approach has been paramount to the brand’s longevity. He shows me the first-ever Left Field lookbook filled with cut-outs from 70s biker mags and crudely drawn illustrations of the premier collection. “I started this in a kitchen, pressing t-shirts on the table. It’s always been this way. I’m just making more stuff now, so there’s more to do.”

We take a full look at the denim collection for 2012. Five styles of denim jeans are offered from various mills including Cone Mills (U.S.A.) and Japanese mills including Nisshinbo Mills and Kaihara Mills. The selections are yours to make. From the lookbook, these are more than built tough and ready to withstand all our riding and wearing habits.

LeftFieldNYC.com

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B AC K S TA G E Arkan Zakharov captures the candid backstage glamour of a fantasy fashion week, with pieces from Balmain, Givenchy and Lanvin. All clothing avalable at Ssense.

Ssense.com

Photography Arkan Zakharov arkanphoto.com Models Taras Koltun @ Elmer Olsen & Ryan @ Folio Hair & Makeup Nicolas Blanchet Location Le Windsor, Montreal.

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Baxter of California has a new look and feel with updated packaging, exciting new imagery, new cutting-edge men’s products that target very specific skincare needs, and improved formulations that combine the trusted traditions of science with fine ingredients with nature.

C A L I F O R N I A

Ideal for all skin types, the high-tech assortment works alone or in tandem, providing men with intelligent skincare solutions to anti-aging, shaving, cleansing and basic skincare.

BaxterOfCalifornia.com

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1. POCKET COMB – 5.25” TORTOISE Handcrafted in Switzerland 2. VITAMIN E-D-A CLEANSING BAR: ITALIAN LIME 3. POMADE: CREAM 4. BRAVADO 2: This light and sophisticated scent 5. CLARIFYING CLAY MASK 6. BAXTER BLUE STEEL STRAIGHT RAZOR 0 1 3

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A M M O

Maple

AMMO Leaf

Phototography

Ray

II

t may not be reinventing the t’swheel, the beginning of the week, but the new Dror for Tumi and already you’re Collection comesdreading close to being office has in store for travel thewhat mostthe amazing innovation for you before the weekend pieces since collapsible handles on a comes around.

WantDror a weekday suitcase.

Designer is well-known reprieve that will make to 5 for his innovations tothe the9design grind a little easier to take?

Drop world and his collection for Tumi is by for their new Cocktail that noAmmo exception.

From a backpack Hour, featuring sumptuous sipselse,” transforms into “something and tastyadjustable treats! Your friends,bag, each to the carry-on your co-workers, or whomever piece retains Tumi’s signature refined you like canwhile bellybecoming up to Ammo’s elegance even more bar for some market-fresh functional. cocktails and gourmet bar eats to help wind down from a crazy When choosing a designer for work week. their first collaboration, Tumi CEO immediately gravitated to awardGet your whistle whet with the winning innovator Dror Benshetrit Maple Leaf Rag. It starts off with and gave him free reign. All Tumi burnt rosemary then we shake asked is that Dror maintain the Black Maple Hill bourbon, lemon brand’s high standards. The new juice, maple syrup & bitters to collection showcases great creativity, pour over one of their hand cut while still retaining the understated ice blocks. It’s the perfect mix of sophistication that Tumi travelers love. spirited refreshment.

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cumbersome and only give an extra inch or two of space. But the Dror for Tumi expandable suitcase has the capacity to incrementally double in size, making it perfect for travelers who like to pick up more than just a snow globe as a souvenir. While Dror admits that the backpack probably isn’t the most professional-looking piece in the Tumi collection, he amps up its appeal by hiding the straps and giving the user the ability to transform the suitcase into a briefcase or tote with just a few easy tweaks.

Even the travel kit in the collection manages to be a work of functional art with the ability to lie flat for storage, or stand up to be used at the sink.

The travel kit can also be draped over a chair or towel rack. Dror for Tumi takes luggage to new levels and makes even weary travelers excited about heading for new adventure, one security check at a time.

StudioDror.com.

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Three Wheels Spinning PART 2

by

Gene Wisniewski

GeneWisniewski.com

S A T E L L I T E

Three Wheels Spinning PART 2

by Gene Wisniewski GeneWisniewski.com He carefully peeled Ryan’s arm off his chest so as not to wake him.

“Lucky he didn’t wake up and see me,” he thought as he caught a glimpse of himself in the bathroom mirror. “He probably would have turned to stone.”

When he walked back into the living room, he saw that Ryan was now sprawled out over the entire bed. He decided it would be best to just steal out and leave him a note.

When he got home, he fixed himself a breakfast that was as lunch-like as possible. As he concocted a sandwich loosely based on the Egg McMuffin, he thought about the previous night. The benefit had done very well, earning more than $14,000. He was happy to have been a part of it, by lending a hand as well as by selling his piece (a short while after he got back, as it turns out).

Not only that, he’d shut down a club! With a twenty-six-year-old! Who’d asked him to stay over!

In any event, he wasn’t going to begin making a habit of it. His days of sailing past the velvet ropes and being given a handful of drink tickets were a distant memory. If it hadn’t been for Ryan, he probably wouldn’t have been so much as a blip on the doorman’s radar.

But meanwhile, being with Ryan made him think about how much more circumspect he had become, maybe more than he cared to. Used to be he was always up for some excitement, and would talk to just about anybody if they looked interesting enough. Now, it was like he always needed a pretext to meet new people—being at the same dinner party, being introduced by a friend, something. Part of it was that the novelty of living in the big city had worn off, which, he supposed, was inevitable. He’d also learned to be a trifle more prudent about associating with certain characters that it wasn’t necessarily prudent to associate with. And somewhere down the road he’d come to the

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conclusion that such behavior, while charming on a younger person, just seems weird on someone a bit older. Nevertheless, he felt like Ryan could prove to be a good influence.

Tuesday night he made himself go to bed closer to his regular time. Wednesday was a work night, and he wanted to tinker with his new painting before he went in, this one of Gertrude Stein dressed as Batgirl. When he arrived home at about one AM as per usual, there was a message on his machine from Ira, asking him if he’d like to have dinner over the weekend. Jack decided he needed to check his horoscope more often, so he could be prepared for weeks like this.

He returned Ira’s call from his job the next day during his dinner break to say he’d be delighted. He also put in a call to Ryan, but only got his voice mail.

If Monday night was a rare experience of one type, Saturday night was a rare experience of quite another. Spending two hundred dollars on dinner wasn’t anything Jack was at all in the habit of doing. Even if it wasn’t him doing the spending.

When Ira suggested “heading over to One If By Land”, an upscale eatery in Greenwich Village, Jack knew he was going to have to make it known right away that, at last inspection, his checking account contained roughly fortytwo dollars, slightly more than a dollar for every year he had resided on the planet thus far. This state of affairs, he informed Ira, could conceivably last in perpetuity.

“Don’t worry about it. I afford to can donate to a good cause every once in a while. I look at it as supporting the arts.”

“It’s not exactly the same as donating to the Whitney Museum so they can build a new wing. And I don’t know if I like being thought of as a charity anyway.”

“Relax! I didn’t mean anything by it. I just didn’t want you to fret over the money. And besides, indirectly I am giving it to the Whitney, since I have no doubt that someday you’ll wind up there.”

“I’ve already been there. Lots of times.”

“I’m hungry. Let’s eat. Tell you what—I’ll complain about my job and write it off as a business deduction instead.”

“Okay. Just so long as you know what you’re getting into.”

They had a wonderful evening, even if the restaurant was a mite on the stuffy side for Jack’s taste. The atmosphere, though charming, was so hushed that you could hear someone buttering their bread. He was actually relieved when they stepped outside, where they could speak above a murmur. His observations to that effect were lost on Ira, who declared it to be one of his favorite places.

Ira, it turned out, had also grown up in New Jersey, but in a ritzy town inland from the southeastern coast of the state. They compared notes about the cultural differences between the two regions, the one being New York-centric and the other revolving around Philly. Ira did make reference to how much G ene 0 1 5

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he hated being a lawyer, as promised, especially since this was be his last spell of relative freedom before he had to take part in a huge merger that threatened to eat up all of his weekdays and seep into his weekends for an indeterminable period. It made him shudder to think about it. He’d come from “good Republican stock” (which, he commented, contained mostly vegetables). He told Jack he’d always had a passionate interest in art, and had once planned on studying himself; that is, until his innate practicality and attachment to creature comforts had made him decide differently. He loved going to galleries, but didn’t usually frequent openings (“too much of a scene”). He was at this one only because his nephew had had a piece in it.

After dinner, Ira suggested taking in a movie. A lively discussion ensued, as they tried to decide between them which of the films on Ira’s short list they would see. “The two hours wasted on a bad movie is time of your life that can never be reclaimed,” he said. “And since I have so little that even vaguely resembles a life, I have to be very careful about these things.”

They found something to agree on, and Jack couldn’t help but wonder if Ira felt as strongly about the time spent arguing about which movie to see.

Nonetheless, they both were happy with their choice, and a second lively discussion ensued as they dissected the film over drinks afterward, which Jack insisted on paying for, over Ira’s protests. They parted company at about 1 AM, after making plans for the following Saturday.

Sometime in the middle of the week, Jack tried to reach Ryan, but once again got his voice mail. Well, two messages were enough. If he wanted to call back, he would. If it had been a fling, it had been a really good one.

For their next night out, Jack suggested going bowling, both to show Ira that he was fine with being a cheap date, and because he thought it would be fun. But Ira asked if maybe that could be put off till some future point, saying he would rather go to dinner and a play.

“Please indulge me,” he said, “I deserve it after my week. I had to review a brief today that was anything but and had more bullets in it than Bonnie and Clyde’s car. But that would be a topic for later discussion.”

His third Saturday rendezvous with Ira stretched into Sunday. They went to a museum, followed by brunch. If once again Ira chose a place he might not have, their day was as pleasant as the night before had been. Sadly, Jack’s having to work that night and Ira’s needing to be a lawyer on Monday precluded the possibility of extending the weekend any further.

It was beginning to look as though he wouldn’t be hearing from Ryan; close to three weeks had passed. And he wasn’t likely to bump into him at Twilo, since he probably wouldn’t be popping in there again even given another seventeen years.

But then, as if summoned, Ryan did call, the very next day.

“Sorry it took so long to get back to you. I was finishing some unfinished unpleasant business. What do you say we go out and do something interesting?

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Or if you want, we can do something dull and make it interesting.”

Jack wondered where what he seemed to have had been all these years.

“Which is your preferred option?” he asked.

“I say we do something dull. It’ll be more of a challenge.”

“Then let’s wait until tomorrow. You can accompany me to my unbearably tedious office job.”

“There are some challenges even I’m not up for.”

“Look, it’s actually a nice night out. Why don’t we go for a walk? It doesn’t get much more commonplace than that. We’ll even go to a colorless neighborhood.

I vote for the East 30’s.”

“Let’s reconsider this. The irony of my suggestion seems to have escaped you. I say we venture down to the East Village. It presents a much greater likelihood of being amusing, and you can revel in the feelings of envy you arouse in me with tales of how much more so it was twenty years ago.”

“Deal. We’ll try to recreate Ye Olde East Village as much as possible. I’ll see if we can arrange to have some junkies strewn about on the sidewalk.”

“And then we’ll hit Twilo.”

“When should we meet? Ten?” “Cool. I’ll meet you outside the Astor Place subway stop.”

Jack, uncharacteristically, was whistling as he got ready. He was finally escaping that middling sort of muddle he’d allowed himself to get mired in over the past few years. He felt as if he was climbing off a treadmill and onto a merrygo-round. What a difference a day makes (great song title, he thought—until he remembered it already was one)! If he hadn’t gone to the art show—more specifically, if he hadn’t been doing what he was doing at the art show—none of this would have happened. Ah, the vagaries of fate.

Jack came out of the station at a few minutes before ten. Ryan showed up in a taxi half an hour late but profusely apologetic. He was having insurmountable hair problems as it was, he said, and then his friend Pillz (“he spells it with a ‘z’; I suppose he should”) called and he was very upset because his girlfriend had just left him for his boyfriend and Ryan couldn’t get him off the phone for forever and next the jacket he wanted to wear that was the only conceivable option for the outfit he had on was nowhere to be found and the subway was running local, which meant it stopped between stations too, so he finally wound up taking a cab the rest of the way that got caught in traffic.

“If not for that I would have been here lifetimes ago. With rare exception, I am the very definition of punctuality. I hope you haven’t been waiting long.”

“You have a friend named Pillz?”

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“His real name is Dennis, but I’m not even sure his mother knows that. He considers ‘Pillz’ to be more provocative, which, it can be argued, does have some basis in fact. So, tell me I’m forgiven, give me my three Hail Marys, and I’ll let you forge a path.”

“Don’t worry about it. As long as you had a good reason.”

The East Village, which consisted of mostly small, shabby 19th-century tenement buildings, while still a magnet for young people, was, during the 1980’s, the world epicenter of bohemia. There were violent demonstrations, protesting the gradual influx of neophyte stockbrokers attracted by its relatively low rents and arty atmosphere. Then, it had been home to hundreds of small galleries, all now long gone.

As they meandered down the sidewalks all leopard-spotted with blackened chewing gum, Jack reeled off a steady stream of anecdotes about his days hanging out there. Like at Florent, Ryan absorbed them all in wide-eyed wonder.

“I am so jealous.”

“Don’t be. If you had been twenty then you’d be hovering dangerously close to forty now.”

“I’m going to have to be almost forty someday anyhow. I’d rather be almost forty now than in 2019, when, should trends continue, the boundaries of dreariness will be pushed far beyond those we now know.”

Jack enjoyed his role of tour guide. It added a whole layer of legitimacy to what had essentially been mindless hedonism, transforming it into an Era of Significance. Some vestiges of the old days remained, like Veselka, the homey Ukrainian restaurant where they ate dinner, and Trash and Vaudeville, the punk clothing store. Jack had had memorable moments at each.

At the same time, he was in awe of Ryan’s gift for turning any activity into a party. They talked to more people in the course of this one walk than Jack customarily did in a month, just by virtue of Ryan’s enormously ebullient personality.

Shortly after midnight, they set out for Twilo. Around four, they went back to Jack’s place, since it was more convenient for getting to his job the next day than Ryan’s was.

Jack continued to see both Ryan and Ira, with greater if not great frequency.

When was largely dictated by their completely dissimilar work schedules. Ryan was weekdays, whichever ones Jack had free; Ira, weekends, or at least those that weren’t eaten up by the merger.

He found himself developing a certain fondness for each of them, and for what they as individuals added to his life. Their wholly opposite natures complemented one another perfectly. It was just like getting to hang out with 0 2 0

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the two identical cousins from the Patty Duke Show.

Obviously, there was a possibility that things might get knotty down the road.

Jack started wondering if, when, and how he should make Ryan and Ira’s existence known to each other. Did it even really concern them, at this stage of the game? Or did putting it off for too long carry the risk of unnecessary complications and hurt feelings? Here, of course, he was thinking of Ira. Based on his knowledge of Ryan’s lifestyle, Jack imagined it wouldn’t faze him in the least.

It wasn’t required of him to broach the issue in either instance, however, since the issue was broached for him, exactly two days short of two months after Amy’s benefit.

Jack and Ryan were on their tenth outing together. Discovering that neither of them had ever done so, they decided to take a ride on the Staten Island ferry, in defiance of the crisp weather that was hanging on into March. It was one of those activities that New Yorkers usually never did unless they were entertaining friends or family from back home, or if they in fact did happen to live on Staten Island.

They contemplated the skyline of Manhattan, its dramatic and imperial presence increasing even as it became smaller and smaller in the distance. If only for the sake of not doing that which was expected, or maybe as a basis for comparison, they decided to face Staten Island on the way back.

The were taking a stroll around South Street Seaport, a once-shadowy precinct of cobblestone streets and maritime lore whose history had been sanitized into a tourist-friendly “historic district”, complete with mall, when Ryan brought up that his much-anticipated opening was going to take place that coming Saturday. This, of course, was usually Jack’s night with Ira. “Uh, can I let you know? I may have a conflict for Saturday night.”

“But you have to come. It’s my first-ever solo show. What could possibly be more important than my first-ever solo show?”

Jack could see this wasn’t going to be anywhere near as simple as he hoped.

“I’m going to be honest with you. I may have a date.”

“I know you were speaking English, because I recognized the words, and yet somehow I failed to comprehend what it was that you just said.”

“I’ve been seeing someone—someone else—well, for exactly as long as I’ve been seeing you. We met on the night of the benefit. We’ve been getting together most Saturdays ever since.”

“I can’t believe you never told me this. Do you have any bastard children you’d like to clue me in about? A secret life as the high priest of some bizarre religious cult perhaps?”

(CONTINUE IN SATELLITE”S JULY 2012 ISSUE) G ene

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Three Wheels Spinning PART 2 by Gene Wisniewski

P R E T T Y

G R E E N

PRETTY

GREEN

BLACK PG2442 SUNGLASSES

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he Pretty Green eyewear collection is an exclusive range of eyewear that is inspired on the retrospective shades of iconic front men throughout the decades. The well executed range is recognisable by the refined Pretty Green branding and comprises of four vintage inspired styles, each with an alternative finish. above pair are the BLACK PG 2442 SUNGLASSE. Black square frames with dark gradient lenses. The outside left temple features an embossed Pretty Green logo.

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POCKET A

GENTLEMEN’S

CLOTHING

COMPANY

SQUARE Models Tyree Fifer & Rome Castille

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ocket Square Clothing, a men’s lifestyle apparel brand based in Los Angeles, California.

They design and manufacture men’s accessories. To date they’ve launched their debut Bow Tie Collection, and most recently Ties and Pocket Square Collection. The brand focuses on designing standalone, timeless pieces that compliment the “urban gentleman’s” taste and add a higher level of complexity to his wardrobe.

They like to say that the urban gentleman is a “sophisticated type of cool.”

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Pocket Square during 2010 as a lifestyle project. Of diverse Mexican and Chinese ethnic origins, their backgrounds in architecture and design, business and entertainment (which they formally explored at the University of Southern California), created a synergistic partnership and friendship that compelled them to together pursue their passion for men’s apparel. They are inspired by the idea that everyone can move forward in life through style and etiquette, and the belief that clothing is a language that communicates one’s individualistic qualities. It was inevitable for them to join together to build a new brand from the ground up and embark on a journey to deliver J U N E

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their mission. This is their effort to tell a story, to inspire and be inspired, and to create a powerful connection with you through timeless pieces.

Everything is handmade in Los Angeles. They hand-sew all of the bow ties themselves. they also design and handcraft our own packaging including the boxes and sleeves the bow ties come in. Each bow tie is named after a persona or profession, and have a story to tell. Interesting note; each bowtie comes along with a unique concocted narrative of the gentleman that is meant to wear each piece. Pocket Square Clothing is exploring the idea of whether or not it’s sustainable to run a clothing company with products made only in America. Manufacturing products in U.S.A is a lot more expensive, but they are committed to running a premium brand with affordable price points.

They are budget conscious designers, so the idea is if they wouldn’t pay for it, why should anyone else? So far it’s working.

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DIEMME MAROSTICA MID TRAINER MASTER-PIECE EQUIPMENT SERIES IPHONE 4 HOLDER YMC MEN’S STRIPED BOBBLE HAT NONNATIVE MEN’S DWELLER SOCKS NDIGOFERA PRIMA LOGO BLANKET 0 2 8

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GARETH PUGH MEN’S HIGH STRAPPED BOOT PORTE MONNAIE CLASSIC HANDMADE WALLET BJØRG CAGED FEATHER 925 SILVER NECKLACE ILLESTEVA FRIEDA SUNGLASSES PARABELLUM BISON LEATHER IPAD PORTFOLIO 0 3 0

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MAISON MARTIN MARGIELA 11 CARD HOLDER BUNNEY LAPIS PYRAMID STUD TSOVET FW 111010 WATCH MAISON MARTIN MARGIELA 11 LEATHER LAPTOP SLEEVE 0 3 2

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NIKE MEN’S ZOOM MERIWETHER HIKING BOOT MIANSAI VOYAGER ROPE KEYCHAIN OAKLEY CHIP FOOSE JUPITER SUNGLASSES MASTER-PIECE X CASIO EXILIM G1 LIMITED EDITION DIGITAL CAMERA MASTER-PIECE EQUIPMENT SERIES FOLD UP CHAIR

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PA S ADENA

Photography MIKE NGUYEN Fotomn.com

Wardrobe Stylist Kristen M Stuart Hairstylist Andrew at Sessions Salon in Pasadena Makeup Artist Sparkle Tafao Model Anastassija M at Elite Retoucher Mike Nguyen Photographer assistants Jenifer Janniere & Juan Octavio

F A S H I O N

Top & purse by Vivienne Westwood of Los Angeles viviennewestwood.co.uk, Denim Pencil Skirt by Vera Wang verawang.com, Tights by Yelete yelete.com

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P A S A D E N A

Top by Vivienne Westwood of Los Angeles viviennewestwood.co.uk,

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Dress FREE PEOPLE freepeople.com Scarf OSCAR DE LA RENTA oscardelarenta.com Earrings ROCAILLE DESIGN rocaille-design.com Necklace HOUSE OF BUN houseofbun.com Belt MINTAGE mintagevintage.com Shoes MINTAGE mintagevintage.com Blazer by Vivienne Westwood of Los Angeles viviennewestwood.co.uk,, Leggings by Yelete yelete.com,

P A S A D E N A

Shoes from My Hot Shoes myhotshoes.com

Dress ZARA zara.com Stole ROXANNE NIKKI roxannenikki.com Turban MINTAGE mintagevintage.com Jewelry ROCAILLE DESIGN rocaille-design.com

S A T E L L I T E

Top and purse by Vivienne Westwood of Los Angeles viviennewestwood.co.uk

P A S A D E N A

S A T E L L I T E

Blouse ZARA zara.com Panties VINCENT LEE Belt MINTAGE mintagevintage.com Top

by Vivienne Westwood of Los Angeles viviennewestwood.co.uk, Sunglasses TOPSHOP topshop.com Leggings Yelete yelete.com, Earrings by ROCAILLE DESIGN rocaille-design.com Shoes My HotBY Shoes myhotshoes.com Shoesfrom MICHAEL MICHAEL KORS michaelkors.com

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Coat ROXANNE NIKKI roxannenikki.com Bodysuit ASOS asos.com Belt URBAN OUTFITTERS urbanoutfitters.com Earrings ROCAILLE DESIGN rocaille-design.com Top by Vivienne Westwood of Los Angeles viviennewestwood.co.uk, Leggings by Yelete yelete.com

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Sweater top and skirt by Vivienne Westwood of Los Angeles viviennewestwood.co.uk, Tights by Yelete yelete.com, Shoes from My Hot Shoes myhotshoes.com

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Vintage Sequined top stylist own, Leggings by Yelete yelete.com, Shoes from My Hot Shoes myhotshoes.com

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Jacket by Bebe bebe.com, Leggings by Yelete yelete.com

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F A S H I O N

n to n n i o u h Q rs He photography AND styling by alejandro garcia alejandro-garcia.com

model grooming

Quinton By

Raincoat by LIZ CLAIBORNE lizclaiborne.com Underwear by ARMANI armani.com

Coco

Hershon Bennet

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Q U I N T O N

Green Coat by GAP gap.com Shirt by JEAN LOUIS DE PARIS

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Shirt by ROLLING STONE Jacket by H&M hm.com Belt models own Jeans by LEVIS levis.com Boots by BED/STU bedstu.com

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H E R S H O W

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Green Coat by GAP gap.com Shirt by JEAN LOUIS DE PARIS Diramond earing models own

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Shirt by RICHMOND johnrichmond.com Vintage motorcycle jacket Jeans by LEVIS 511 SKINNY levis.com Shoes models own Belt by CALVIN KLEIN calvinklein.com

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H E R S H O W

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T R O P IC S

Photography Christele Jacquemin RecreartPhotography.com

Makeup María Dolores Mayor [Centro de belleza Mayor] for Paris Berlin Hair Javier Más Wardrobe stylism Aroa Sansano Model Helen Eller [Traffic Models agency] Post-production Mónica Chamorro Special thanks to the Hotel Huerto del Cura as well as the Botanical Garden Huerto del Cura in Elche (Alicante), Spain

Body suit AMAYA ARZUAGA amayaarzuaga.com Short and glasses ASOS asos.com Orange belt, bag, small stone ring and bracelets BIMBA & LOLA bimbaylola.com Big stone ring VINTAGE Blue necklace as belt SANDRA FELTES sandrafeltes.com Suede sandals BUFFALO

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Knit cardigan AMISU Trousers, stones bracelet, pompom necklace and ring BIMBA & LOLA bimbaylola.com Glasses y shoes ASOS asos.com Pink stones necklace de piedras SANDRA FELTES sandrafeltes.com Bag Candy Bag FURLA furla.com Belt MALIPARMI maliparmi.it Fluorescent bracelet VINTAGE

T R O P I C S

Shirt and metallic necklace ZARA zara.com Short AMISU Belt, clutch and rings BIMBA & LOLA bimbaylola.com Glasses D&G VINTAGE dolcegabbana.com

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Body AMAYA ARZUAGA amayaarzuaga.com Skirt ASOS asos.com Belt and ring BIMBA & LOLA bimbaylola.com Red leather bag BRACCIALINI braccialini.it Leather clutch HEILIGE & SĂœNDER Necklace SANDRA FELTES sandrafeltes.com

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Jersey de punto, collar de pompones a modo de pulsera, anillo y borla BIMBA & LOLA bimbaylola.com Shorts ASOS asos.com Cintur贸n FRIIS & COMPANY friis-co.dk Collar SANDRA FELTES sandrafeltes.com Bracelet VINTAGE

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Cropped top y falda ASOS asos.com Scarf, rings and bracelet with stones BIMBA & LOLA bimbaylola.com Belt MALIPARMI maliparmi.it Clutch TOSCA BLU toscablu.com Peep toes MARY PAZ marypaz.com Necklace SANDRA FELTES sandrafeltes.com

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S E M PER Photography

Mike

Nguyen

fotomn.com Model all

Robbie Clothing

Mandagie by

GGRP

PER

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all Clothing by GGRP

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all Clothing by GGRP

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all Clothing by GGRP

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SWEATER - JUNYA WATANABE JEANS - BALMAIN SHOES - CONVERSE BY JOHN VARVATOS

all Clothing by GGRP

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all Clothing by GGRP

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NEXT FACE

Marina P.

is the model at Red Model Management to watch.

Height - 5 8.5” Bust – 34” Waist – 23” Hips – 34” Shoes - 7.5 Hair - Brown Eyes – Blue RedNYC.com 0 8 6

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alejandro garcia amaya arzuaga ammo arkan zakharov armani asos baxter of california bebe bed/stu bimba & lola braccialini calvin klein christele jacquemin d&g

alejandro-garcia.com amayaazuaga.com ammocafe.com arkanphoto.com armani.com asos.com baxterofcalifornia.com bebe.com bedstu.com bimbalola.com braccialinii.it calvinklein.com recreartpotography.com dolcegabbana.com

friis & company

friis-co.dk

furla

furla.com

gap gene wisniewski

gap.com genewisniewski.com

h&m

hm.com

kilu

kiluart.com

left field levis Light bodies

leftfieldnyc.com levis.com thelightbodies.com

liz brinkley

lizbrinkleyphotography.com

liz caiborne

lizclaiborne.com

maliparmi mary paz mike nguyen my hot shoes oki-ni pocket square clothing pretty green richmond sandra feltes ssense

maliparmi.it marypaz.com fotomn.com myhotshoes.com oki-ni.com pocketsquareclothing.com prettygreen.com johnrichmond.com sandrafeltes.com ssense.com

tosca blu

toscablu.com

vira wang

virawang.com

vivienne westwood yelete zara.

viviennewestwood.co.uk yelete.com zara.com

FEATURING THE LIGHT BODIES LEFT FIELD BACK STAGE BAXTER OF CALIFORNIA MAPLE LEAF RAG THREE WHEELS SPINNING PRETTY GREEN POCKET SQUARE CLOTHING HEAD TO TOE PASADENA QUINTON HERSHON TROPICS SEMPER FI