Santa Clara Review, Vol. 98, Issue 2

Page 102

Only Living Boy ȱ ¢ȱ ȱ ¢ȱ ȱ ȱ ȱ ȱ ǯȱȱ ȱ ¢ȱ Ȃ ȱ ȱ ǰȱ ȱ ȱ ě ȱ ȱ ȱ ȱ ȱ ¡ ȱ ȱ ȱ -­‐‑ ȱ ȱ ǯȱȱ ȱ Ȃ ȱ ȱ ¢ ȱ ȱ ȱ ȱ ȱŝŖ ȱ ¢ ȱ -­‐‑ ited from their parents and the alternative rock of their own MTV adolescence, ȱ ȱ ȱ ȱ ȱ ǰȱ ǰȱ ȱ ȱ ǯȱȱ ȱ ȱ ȱ Ȃ ȱ ȱ ȱ ¢ ȱ ȱ ȱ ȱ ȱ ¢ȱ ǰȱ ¢ȱ -­‐‑ ȱ ¢Ȃ ȱ ȱ ȱ ¢ȱ ȱ ȱ ę ȱ ȱ ȱ ȱ Ĵ ȯ ȱ ȱ ȱ ǯȱȱ In 2008 the band -­‐‑ seemingly as a right of passage – found that not ev-­‐‑ ¢ ȱ ȱ ȱ ȱ ¢ȱ ȱ ȱ ȱ ȱ ȱ ǯȱ Ğ ȱ ȱ -­‐‑ ache, disbelief and lawyer’s bills the band surged forward to reinvent itself as ¢ȱ ȱ ¢ǰȱ ȱ Ğ ȱ ȱ Ȃ ȱȃ ¢ȱ ȱ ¢ȱ ȱ ȱ ǯȄȱȱ ȱ ȱ ȱ ȱ ę ȱ Ğȱ ȱ Ĵ ǰȱ ȱ ȱ ǯȱȱ ȱ ȱ ȱ ȱ ȱ ȱ ǰȱ ¢ȱ ȱ ¢ȱ ¢ȱ recorded its insightful and provocative self-­‐‑titled debut, which was released on ȱ ȱ ȱ ȱŘŖŖŞǯȱ ȱ ȱ ȱ ȱ Ĵ ȱ ȱ ǰȱ ȱ ȱ ¢ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ǯ ȱ ȱ ȱ¢ ȱ ȱ ȱ ȱ ȱǻŘŖŖȱ Ȧ¢ Ǽȱ ȱ band has developed a ravenous, grass roots fan-­‐‑base that continues to grow with ȱ ȱ ¢ȱ ǯȱȱ ȱ ȱ ȱ ȱ ȱ ȱȃ ȱ ȱ ȱ ȱ -­‐‑ ȱȮȱ Ȧ Ȅǰȱ ȱ ȱȃ Ȅȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ¢ȱ ȱ ȱ ȱ ¡ ǰȱŘŖŗŗȱ ȱ ȱ ȱ ȱ ȱ¢ ȱ ȱȃ Ȅǯ The band will be releasing a 7” vinyl single in late march and embarking ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱȃ ȱ -­‐‑ Ȅǯȱȃ ȱ Ȅȱ ȱ ȱ ȱ ȱ ¢ȱ ȱ ǰȱ Ȧ ȱ ȱ ȱ ¢ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱǻ ȱ ȱ Ǽǯ

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