London International Antiquarian Book Fair . A catalogue of highlights

Fine prints

1. Satan in Council.

Mezzotint John Martin London Published Feb 1, 1831, by Jennings & Chaplin, 62 Cheapside Image 480 x 700 mm, Sheet 615 x 830 mm framed An early impression of a very rare Martin mezzotint.

Title and five lines of text in two columns below image.

Inscription reads: HIGH ON A THRONE OF ROYAL STATE WHICH FAR / OUTSHONE THE WEALTH OF ORMUS AND OF IND, / OR WHERE THE GORGEOUS EAST WITH RICHEST HAND / SHOW’RS ON HER KINGS BARBARIC PEARL AND GOLD / SATAN EXHALTED SAT, BY MERIT RAISED / TO THAT BAD EMINENCE; AND FROM DESPAIR / THUS HIGH UPLIFTED BEYOND HOPE, ASPIRES / BEYOND THUS HIGH, INSATIATE TO PURSUE / VAIN WAR WITH HEAVEN; AND BY SUCCESS UNTAUGHT / HIS PROUD IMAGINATIONS THUS DISPLAY’D. C.W.87.; Campbell, Visionary Printmaker, p.111.

Condition: Good dark impression, trimmed just outside the plate. Two small repaired scuff marks to top right of image and one to the top left of image. Staining to the margins and inscription space not affecting the image, lines of text to bottom left of sheet rubbed.

[33703] £4900

2. A Fish Market, The Game Market, A Herb Market, A Fruit Market Mezzotint Richard Earlom after George Farington and Frans Snyders John Boydell excudit 1775-83. / Publish’d 1775-99 by John Boydell Engraver in Cheapside London.

Image 355 x 575 mm, Plate 415 x 576 mm, Sheet 500 x 672 mm framed A fine set of proof impressions before letters and cleaning of inscription spaces.

From the ‘Houghton Gallery’ series (1774-88), 162 prints after paintings in Robert Walpole’s collection, sold in 1779 to Catherine the Great.

A Fish Market: Chaloner Smith unrecorded, Le Blanc unrecorded, Lennox-Boyd ii/ii, Wessely 112 Condition: Mark and small tear to right margin of sheet, not affecting image. Stain in lower right corner of sheet.

The Game Market: Chaloner Smith unrecorded, Le Blanc unrecorded, Lennox-Boyd iii/iv, Wessely 109 Condition: Small tears around edges of sheet. Larger tears in left, right and lower margins. Cross-shaped scratch in upper left corner of image.

A Herb Market: Chaloner Smith undescribed, Le Blanc undescribed, Lennox-Boyd ii/iii, Rubinstein 13, Wessely 111 Condition: Small tears to upper and left edges of sheet. Mark to left margin. Tears in right and lower margins. Small marks to centre of image.

A Fruit Market: Chaloner Smith undescribed, Lennox-Boyd i/ii, Rubinstein 12, Wessely 110 Condition: Small tears to edges of sheet. Larger tears in right and lower margins. Small mark in upper right corner.

[33696] £4,000

Plate 13. Frontispiece and Plates 1 - 4 bound together at top of sheets. Marks to lower half of frontispiece image. Marks to upper left corners of images in Plates 10 and 11. Slight foxing to image in Plate 12.

[33468] £500

3. A Booke Containing such Beasts as are most Usefull for such as practice Drawing, Graveing, Armes Painting, Chaseing, and for severall other occasions Copper engraving William Vaughan after Francis Barlow Sould by Hen: Overton at ye White Horse Without Newgate, where you may have Severall Bookes for ye Same uses Image & Plate 125 x 95 mm each unmounted A collection of prints from A Booke Containing such Beasts as are most Usefull for such as practice Drawing, Graveing, Armes Painting, Chaseing, and for severall other occasions (London: Henry Overton), first published by John Overton in 1664.

Containing: Frontispiece, Plate 1 [Bull and Bear], Plate 2 [Wild Boar and Horse], Plate 3 [Lion and Fox], Plate 4 [Stag and Dog], Plate 5 [Camel and Lion], Plate 7 [Griffin and Greyhound], Plate 8 [Hare, Rabbit and Squirrel], Plate 9 [Ram, Lion and Wolf heads], Plate 10 [Elephant, Horse, Donkey and Ox heads], Plate 11 [Goat, Stag, Unicorn and Boar heads], Plate 12 [Fox, Dog, Griffin and Eagle heads].

Condition: Missing Plate 6 [Goat and Elephant], and

4. [A Rayfin fish and two Whitefish] Copper engraving Nicolaas de Bruyn c.1600 Image 113 x 162 mm, Plate 126 x 166 mm, Sheet 173 x 210 mm unmounted Inscribed within image: Raia Roche/Apua Phalerica witvisch/Apua Phalerica witvisch Originally published by Frederick de Wit (1629/30 - 1706) in c.1594 as plate 5 for Libelius varia genera piscium complectens. This, presumably later, impression has had the plate number erased in bottom right corner.

Hollstein 247 Condition: Light crease to top margin and stain to bottom margin, not affecting image.

[33949] £90

5. [An Eel and a Perch] Copper engraving Nicolaas de Bruyn c.1600 Image 125 x 160 mm, Plate 130 x 167 mm, Sheet 175 x 210 mm unmounted Inscribed within image: Anguilla Ael/Perca Baers and based on images fro, Conrad Gessner’s 1558 Piscium & aquatilium animantium natura.

Originally published by Frederick de Wit (1629/30 - 1706) in c.1594 as plate 8 for Libelius varia genera piscium complectens. This, presumably later, impression has had the plate number erased in bottom right corner.

Hollstein 250 Condition: Diagonal crease to top right corner of sheet and image. Light staining to bottom margin, not affecting image.

[33948] £100

6. [Five mythical fish, including a mythical (stylised) dolphin, and two flying fish] Copper engraving Nicolaas de Bruyn c.1600 Image & Plate 126 x 166 mm, Sheet 173 x 209 mm unmounted Inscribed within image: Fictity Pisees/Delphinus fict/ Milvus/Hirundo zee swalm.

Originally published by Frederick de Wit (1629/30 1706) in c.1594 as plate 10 for Libelius varia genera piscium complectens. This, presumably later, impression has had the plate number erased in bottom right corner. The animals are all based on images in Olus Magnus’s Carta Marina.

Hollstein 252 Condition: Light dirt build up to top margin, not af-

fecting image.

[33950] £150

7. [Sea Monster] Etching Anonymous [c.1600] Image 157 x 255 mm, Sheet 165 x 263 mm unmounted A Dutch or German seventeenth-century print of a sea monster, with ships and a coastal town in the background. Based on imagry in Carta Marina and Munster’s Monsters. An image of a whale.

Condition: Trimmed and laid to album page. Vertical folds. Small marks to left area of image.

[33843] £220

8. Visio Danielis Propheta In Cap VII De Romano Et Aliorv Imperio [The Prophet Daniel’s Vision of the Roman and Other Empires (Daniel Chap. 7)] Copper engraving Giacomo Lauro [c.1641] Image 106 x 228 mm, Sheet 178 x 233 mm

unmounted From a volume of Giacomo Lauro’s Antiquae Urbis Splendor (published in parts from 1612).

Inscribed beneath image with twenty-one lines of Latin text.

LeBlanc 2, 1641 A print of four monsters seen in a vision by the prophet Daniel. In the ensuing interpretation Daniel is informed that each beast represents one of four kingdoms on the earth, and that after the passing of the fourth and most terrible, an everlasting kingdom of saints will be established. The Roman civilization was located in this millenarian scheme as the last of the four beasts.

Condition: Trimmed and tipped to album page.

[33792] £180

9. [Two bears, two wolves and two foxes] Etching Richard Gaywood after Francis Barlow [London, c.1660] Image & Plate 140 x 202 mm, Sheet 209 x 317 mm unmounted Plate 2 from Animals After Various Artists (c.1660), a collection of thirteen etchings made and published

by Richard Gaywood.

According to the British Museum the composition is based on Francis Barlow’s drawings and studies for his Aesop’s Fables series. The fox on the wall appears in Barlow’s design for Fable LX, The Goat in the Well; and the wolf in lower centre appears in Fable XV, The Wolf and Goat.

Hollstein 47-58 (after Pieter van Avont), New Hollstein 894 (Hollar; copy in reverse), Pennington 2046 (copy in reverse) Condition: Crease in lower centre of image and sheet, small tears to bottom margin of sheet.

[33466] £95

10. [Three leopards and two putti] Etching Richard Gaywood after Peter Paul Rubens [London, c.1660] Image & Plate 141 x 207 mm, Sheet 210 x 320 mm unmounted Plate 8 from Animals after Various Artists (c.1660), a collection of thirteen etchings made and published

by Richard Gaywood.

Condition: Crease in left half of image, small tears to bottom margin of sheet.

[33464] £95

11. [Dead Stag] Etching Richard Gaywood after Wencelus Hollar after Peeter van Avont [London, c. 1660] Image and plate 138 x 205 mm, Sheet 205 x 292 mm unmounted Plate 12 from Animals After Various Artists (c.1660), a collection of thirteen etchings made and published by Richard Gaywood. A dead stag lying in a wooded landscape with head to right and legs on a steep hillside; copy in reverse after Hollar after

Avont. A later state with 12 inscribed in the lower right of the plate.

Pennington 2051 (copy in reverse), New Hollstein 889 (Hollar; copy a) Condition: Several short repaired tears in margins well outside the image.

[33815] £60

12. Six Hounds Etching Richard Gaywood after Wenceslaus Hollar and Pieter van Avont [London, c.1660] Image & Plate 135 x 208 mm, Sheet 210 x 320 mm unmounted Plate 9 from Animals After Various Artists (c.1660), a collection of thirteen etchings made and published

by Richard Gaywood.

A close copy in reverse of Six Hounds (1647), etched by Wenceslaus Hollar after Pieter van Avont.

Hollstein 47-58 (after Pieter van Avont), New Hollstein 894 (Hollar; copy in reverse), Pennington 2046 (copy in reverse) Condition: Crease in lower centre of image and sheet, small tears to bottom margin of sheet.

[33465] £80 13. [Three Herons] Etching Wenceslaus Hollar after Francis Barlow [c.1660] Image 131 x 187 mm, Plate 140 x 193 mm, Sheet 195 x 257 mm unmounted From Hollar’s Diversae avium species Three herons; one, with its wings outstretched, with a frog in its bill, another takes off in the background, and a third stands in the water in front of some

bulrushes.

Barlow’s related drawing is at the Tate Gallery, London (T08087).

New Hollstein 1660 (Hollar), Pennington 2138.ii Condition: Old light creases to left hand side of sheet and image, repaired puncture to top left of image, between outstretched wings. Light dirt build up to margins, small tear to bottom margin not affecting image.

[33947] £120

14. [Three Peacocks] Etching Wenceslaus Hollar after Francis Barlow [c.1660] Image 125 x 189 mm, Plate 131 x 194 mm, Sheet 190 x 260 mm unmounted From Hollar’s Diversae avium species Two peacocks, one with its tail displayed, another standing on the pediment of a monument. With a peahen to the right of the frame and three chicks in the foreground.

Barlow’s related drawing is at the Tate Gallery, London (T08092).

New Hollstein 1658 (Hollar), Pennington 2132.ii Condition: Light dirt build up to margins, small tears to top margin not affecting image.

[33946] £190

15. St Paul Etching Wenceslaus Hollar W. Hollar fecit, 1653.

Image and Sheet 113 x 71 mm unmounted New Hollstein 1316 (Hollar), Pennington 171 Condition: Time toning in upper left corner.

Trimmed and laid to album page.

[33776] £45

16. [The Last Supper] Copper engraving Wenceslaus Hollar 1670 Image 130 x 80 mm, Sheet 134 x 83 mm.

unmounted Illustration to the English translation of ‘The Office of the Holy Week According to the Missall and Roman Breviary’ (1670; p.204); first state.

Text on verso.

New Hollstein 2116. I, Pennington 79.

Condition: Trimmed to plate mark [33907] £45

17. [Angel appears to Christ on the Mount of Olives] Copper engraving Wenceslaus Hollar after Palma Vecchio 1670 Image 124 x 79 mm, Sheet 132 x 82 mm. unmounted Illustration to the English translation of ‘The Office of the Holy Week According to the Missall and Roman Breviary’ (1670; p.96); first state.

Text on verso.

New Hollstein 2114, Pennington 80 Condition: Trimmed within plate mark.

[33910] £45

18. Five boys and a satyr Etching

Wenceslaus Hollar after Pieter van Avont [c.1646] Image 100 x 206 mm, Sheet 128 x 209 mm unmounted From a series of decorative panels of small boys, cherubs, the infant Jesus and St John the Baptist, after, and first published by, Van Avont in Paedopaegnion, or Childish Games (1646).

Second state of two, with ‘5’ added in lower right corner.

New Hollstein 853, Pennington 516.ii Condition: Two small marks to image. Trimmed to plate mark and laid to album page.

[33461] £200

19. Three cherubs and two boys on clouds Etching Wenceslaus Hollar after Pieter van Avont [c.1646] Image 95 x 201 mm, Sheet 130 x 205 mm unmounted From a series of decorative panels of small boys, cherubs, the infant Jesus and St John the Baptist, after, and first published by, Van Avont in Paedopaegnion, or Childish Games (1646).

Three cherubs and two boys sit on clouds with their arms raised.

Second state of two, with ‘8’ added in lower right corner.

New Hollstein 856.ii, Pennington 505.ii Condition: Trimmed to plate mark and laid to album page.

[33462] £200 20. Three cherubs and two boys on clouds Etching Wenceslaus Hollar after Pieter van Avont [c.1646] Image 98 x 203 mm, Sheet 129 x 208 mm

unmounted From a series of decorative panels of small boys, cherubs, the infant Jesus and St John the Baptist, after, and first published by, Van Avont in Paedopaegnion, or Childish Games (1646).

Two small boys with their backs turned sit between three cherubs, one on the right, one on the left, and one in the centre.

Second state of two, with ‘2’ added in lower right corner.

New Hollstein 850.ii, Pennington 504.ii Condition: Trimmed to plate mark and laid to album page.

[33463] £200

21. [The Flight into Egypt] Etching [Francesco Bartolozzi after Nicolas Poussin] Published as the Act directs, Jany 1, 1799 by F.

Vieira, London.

Image 292 x 383 mm, Sheet 339 x 447 mm. unmounted Proof before letters.

Calabi + De Vesme 89.I Condition: Artist and engravers names and ‘proof’ inscribed in pencil, presumably by later hand.

[33930] £200

John Baptist Malchair, ‘Godstow Abbey’, 1772, Image 200 x 255 mm, Plate 210 x 265 mm.

Condition: Some foxing to sheets. Creasing to lower left corners of sheets. Tears to upper right corner of first sheet.

[33867] £700 23. [Twelve months of the year] Etching with original hand colouring and gold highlights Joseph Friedrich Leopold In Augspurg verlegt und zu finden beij Jos Fried: Leopold, auf del obst Marchi. c.1710 Images 256 x 185 mm, Plates 293 x 190 mm, Sheet 330 x 223 mm framed A spectacular complete set of the twelve months of the year with titles in French and a German descriptive title of the image.

Inscribed in bottom of plate 1, January; In Augspurg verlegt und zu finden beij Jos Fried: Leopold, auf del obst Marchi Inscribed in bottom right corner of plate 12, December; Jos Frid Leopld excudit.

Numbered 1 -12 in bottom right corners

22. [Set of Six Landscape Views] Etching John Baptist Malchair & Elizabeth Malchair 1770-71 Sheet 290 x 440 each unmounted A rare set of six etchings by John and Elizabeth Malchair, with the original binding.

Plates include: Elizabeth Malchair, [Landscape with three trees in a field] 1771, Image 68 x 117 mm, Plate 77 x 125 mm.

John Baptist Malchair, [Landscape with river and classical architecture] 1770, Image 104 x 139 mm, Plate 113 x 148 mm.

John Baptist Malchair, [Landscape with horse] 1771, Image 105 x 146 mm, Plate 112 x 150 mm.

John Baptist Malchair, [Thatched cottage] c.1770, Image & Plate 156 x 187 mm.

John Baptist Malchair, [Landscape with thatched cottage] 1770, Image 157 x 220 mm, Plate 173 x 236 mm.

Joseph Friedrich Leopold (1668 - 1726) was a publisher, engraver, printseller and bookseller in Augsburg, where he worked “auf del obst Marchi” (1703) ‘in der Kohlergasse’ (according to Künast). He was father of Johann Christian Leopold who succeeded him.

Condition: Some light foxing marks to sheets and occasional stain to bottom corner of sheets. Plate 9, September, time toned. Framed in reproduction period frames.

[33961] £3,950

Mezzotint Drolls

24. [Boy Blowing Bubbles] Mezzotint Anonymous n.d. c. 1770 Image 133 x 108 mm, Plate 148 x 108 mm, Sheet 152 x 110 mm unmounted Engraved outline of a boy in raggeded cloths blowing bubbles with a straw. A working proof.

[33890] £100

25. An Emblem of Africa Mezzotint

Anonymous Published by John Fairburn Published 4th. Sept.r, 1798. by John Fairburn, 146 Minories, London.

Image 310 x 250 mm, Sheet 340 x 250 mm unmounted Lennox-Boyd state i/i Condition: Trimmed within the plate. Had been folded but has been pressed and no creaes visible from the front.

[33888] £250

26. A Jolly Dog. Mezzotint Anonymous Printed for & Sold by Bowles & Carver, No.69, St. Paul’s Church Yard, London. [c.1790] Image 136 x 111 mm, Plate 150 x 111 mm, Sheet 162 x 123 mm unmounted BM Satires 7819, Chaloner Smith undescribed, Lennox-State i/i Ex. Col.: Hon. Christopher Lennox-Boyd Condition: Tipped to album page.

[33424] £185 27. Laugh and Grow Fat. Mezzotint Anonymous Printed for Carington Bowles, at No. 69 in St. Pauls Church yard, London. [1770] Image 132 x 110 mm, Sheet unmounted Second state of two, numbered ‘135’ in lower left corner.

Lennox-Boyd ii/ii

Road Pantheon as ‘The Nobility’s’, and the Spa Fields Pantheon as ‘The Mobility’s’.

BM Satires 5097, Chaloner Smith undescribed, Lennox-State i/i Ex. Col.: Hon. Christopher Lennox-Boyd Condition: Foxing to left margin of sheet, not affecting image.

[33428] £180

Ex. Col.: Hon. Christopher Lennox-Boyd Condition: Trimmed to platemark.

[33421] £150

28. The Pantheon Macaroni.

Mezzotint Anonymous London. Printed for Robt. Sayer No.53 Fleet Street. [c.1770] Image 137 x 113 mm, Plate 150 x 113 mm, Sheet 205 x 138 mm unmounted A scene inside the Pantheon in Spa Fields which opened in 1770, two years before the Pantheon in Oxford Street. It closed in 1774 due to the owner’s bankruptcy. In May 1772, a writer in the St. James’s Chronicle, professed to have been shocked at the request from more than one lady, ‘Pray, Sir, will you treat me with a dish of tea’. In 1773 the Macaroni and Theatrical Magazine referred to the Oxford

29. The Bubblers Mirrour: or Englands Folly.

Mezzotint and copper engraving after Egbert van Heemskerk Printed for Bowles & Carver 69, St. Paul’s Church Yd London. [1720] Image 175 x 137 mm, Sheet 352 x 252 mm unmounted Satire on the South Sea Bubble. In the centre, a mezzotint shows a mourner holding an empty money bag upside down. Above the mezzotint, an emblematic image shows a failed investor holding a torn paper reading, ‘Poverty is at ye end’. A man falls from the clouds, as a dove flies over, bearing the message ‘Nothing but Disappointments’. In the centre, two men unlock a box filled with bubbles. To the right another man falls from the clouds beneath a total eclipse. A man being pushed by the devil holds a

note reading, ‘Speed my feet to the Mint’. Below the mezzotint, a mock coat of arms shows asses holding cornucopias through which men and money fall.

On the top of the crest is a Janus head. The shield, divided into four quarters, shows castles in the air, a debtors’ prison, three empty money bags and a beggar. Beneath is the motto ‘Mar del Zud’ (South Sea).

On either side of the mezzotint are lists of financial enterprises, actual and speculative, including the Pennsylvania Company, insurance, mining, fisheries, textile and other manufactories, import schemes, and ‘making China in England’, ‘making Iron with Pit Coal’, ‘Engine to remove ye S. Sea House to Moorfields’ (i.e., Bedlam), ‘Insurance against ye Venereal Disease’, ‘Insurance of Maidenheads’, Westley’s ‘Actions’, and Welby’s ‘Golden Mines’.

BM Satires 1621, Lennox-Boyd iii/iii, previously issued by Thomas Bowles and later by Bowles & Carver.

Condition: Trimmed to plate mark, repaired tear to bottom left of sheet and laid to album page.

[33886] £250

and: From the Original Picture by John Collet in the Possession of Carington Bowles.

BM Satires 5817, Carington Bowles Catalogue 1784 117/427, Carington Bowles Catalogue 1790 107/444, Lennox-State i/i Ex. Col.: Hon. Christopher Lennox-Boyd Condition: Tipped to album page.

[33433] £160

31. Narcissus and the Nymph Echo Mezzotint Carington Bowles London: Printed for & Sold by Carington Bowles, No. 69 in St. Pauls Church Yard. Published as the Act directs. c. 1782.

Image 137 x 113 mm, Plate 151 x 115 mm, Sheet 163 x 124 mm. unmounted Inscription reads: ‘Ye Fates whatmade me chance to stroll that way;_ Where Yung Narcissus self admiring lay.’ Publication date scratched off.

BM Satires 6157 Ex. Col.: Hon. Christopher Lennox-Boyd [33592] £165 30. The Ladies Shooting Poney.

Mezzotint after John Collet Printed for Carington Bowles, No.69 in St.Pauls Ch.Yard, London. Publish’d as the Act directs. [10 May 1782] Image 140 x 112 mm, Plate 150 x 113 mm, Sheet 162 x 123 mm unmounted Inscribed beneath image with title, publication line

32. Lofty Riding, or Miss Folly’s Head Exalted Mezzotint Carington Bowles after John Collet From the Original Picture by John Collet, in the possesion of Carington Bowles. Printed for Carington Bowles, No. 69 in St Oauls Church Yard, London.

Published as the Act directs. 27 Feby. 1781 Image 137 x 112 mm, Plate 152 x 114 mm, Sheet 165 x 129 mm. unmounted

sell undescribed Ex. Col.: Hon. Christopher Lennox-Boyd [33434] £180

BM Satires 3787, Lennox-Boyd state ii/ii with the plate reworked and publication date scratched off.

Ex. Col.: Hon. Christopher Lennox-Boyd [33597] £150

33. Miss and her Kitten.

Mezzotint with etching Charles Corbutt after Philippe Mercier Printed for Robt. Sayer, No.53 in Fleet Street. [c.1750] Image 131 x 110 mm, Plate 150 x 111 mm, Sheet 223 x 142 mm unmounted Charles Corbutt was a pseudonym used by the Irish engraver Richard Purcell when plagarising the work of others, usually for the publisher Robert Sayer.

Chaloner Smith undescribed, Lennox-State i/i, Rus-

34. Plenty.

Mezzotint Charles Spooner after Robert Pyle Printed for Robt. Sayer near Serjeants Inn Fleet Street, London. [1735-1767] Image 133 x 110 mm, Plate 150 x 111 mm, Sheet 210 x 135 mm unmounted First state of two, with the inscription space not fully cleaned. Note in manuscript in ink in upper margin “Plate Missing.”

Chaloner Smith undescribed, Lennox-State i/ii, Russell undescribed Ex. Col.: Hon. Christopher Lennox-Boyd Condition: ‘Plate missing’ handwritten in ink in upper margin. Small mark near right edge of sheet, not affecting image.

[33423] £150 Caricatures & Satires 35. Exoticks [Tail piece to the catalogue] Copper engraving Charles Grignion after William Hogarth Published according to Act of Parliament May 7, 1761 Image 113 x 127 mm, Sheet 141 x 139 mm unmounted A dressed and wigged monkey watering three dead potted ‘exoticks’ plants labelled ‘Obit 1502,

a comb in his right. A cat pulls his tail from below.

Inscription reads: Your Painted face drawn up so prim / Holds every heart secure, / And should you chance but once to grin / Tis death beyond all cure, / Your Mopstick arms from flesh quite free / I view with sweet delight, / Your waist as thin as thin can be / Enchants my wondering sight, / Then say my fair that your mine / On this the Morn of Valentine.

Condition: Creasing to image and sheet. Small tears to bottom of sheet. Small hole in upper left area of sheet.

[33689] £50 Obit 1600, Obit1604’.

First version of the tailpiece to the catalogue of pictures exhibited by the Society of Artists, at their first exhibition in Spring Gardens. Hogarth also designed an accompanying frontispiece to the catalogue (Paulson 236, BM Satires 3808) Paulson 237 i/ii, BM Satires 3809 Condition: Light staining to sheet and image..

[33901] £100

36. [Valentine Character] Copper engraving with hand colouring Anonymous [c.1750] Image 136 x 128 mm, Sheet 211 x 156 mm unmounted Caricature of a thin, bald woman applying heavy make-up in front of a mirror. A monkey sits on her dressing table, holding out a wig in his left hand, and

37. [Valentine Character] Copper engraving with hand colouring Anonymous [c.1750] Image 135 x 126 mm, Sheet 197 x 136 mm unmounted Caricature of a man in fashionable dress holding up a quizzing glass to his eye.

Inscription reads: When you strut with quizzing glass / And Wink at every pretty lass / It really puts me in a passion / To view you modern men of Fashion. / Your dress, your air, your very shape / Seems all design’d to mock the Ape / To laught at you I do Incline / So farewell Monkey Valentine.

Condition: Laid to paper. Small tear to lower right corner.

[33690] £50

39. Descriptions of Battles by Sea & Land, in Two Volumes, From the Kings Library’s at Greenwich & Chelsea Etching with original handcolour Richard Dighton Drawn & Etch’d & Pubd. by Dighton. 12 Charing Cross March. 1801 Image 177 x 172 mm, Plate 223 x 170 mm unmounted BM Satires 9746 [33889] £80

38. The Spirit is Willing but the Flesh is Weak.

Copper engraving with contemporary hand colour John Goldar after John Collet London, Printed for Robt. Sayer No. 53, Fleet Street, & Jno. Smith No. 35, Cheapside, as the Act directs Jan. 1, 1773.

Image 323 x 236 mm, Sheet 361 x 250 mm unmounted A priest stands between two women. On his right a prostitute is pulling on his sleave, a pub called The Old Goat Revived behind her. On his left a woman with Whitefields Hyms held aloft in her right hand and church in the background.

BM Satires 4609 [33821] £270

40. Marks’s New Botanical Fortune Telling Twelfth Night Characters.

Copper engraving with hand colouring John Lewis Marks [c.1800] Image 145 x 197 mm, Sheet 168 x 220 mm mounted Inscription beneath image reads: Inspir’d the Sibys, Fates decrees unroll’d, / By Stars, the Magi, future Acts foretold. / But we of Fate, foretell the sov’reign powers, / Divining Fortunes, from Dame Natures Flowers.

During the nineteenth-century, it was the custom to cook a Twelfth Night cake on the 5th January. The cake was often accompanied by a set of humorous Twelfth Night Characters, which were printed onto individual cards, or on a sheet, ready to be cut out.

Party guests would draw a character out of a hat, read out the verse printed beneath, and then stay in character until midnight. Although the accompanying verses were meant to be amusing, prints from the period, such as Isaac Cruikshank’s ‘Twelfth Night’ (1807), often show guests taking offence. In ‘Hone’s Everyday Book’ (1830), William Hone described the printed Twelfth Night Characters as “either commonplace or gross - when genteel they are inane.

When humorous, they are vulgar.”

Condition: Small tears to left and right edges of sheet, not affecting image.

[33543] £150 Pre-Raphaelite, Victorian Etchings & 20th Century

41. Doom Fulfilled Photogravure after Sir Edward Coley Burne-Jones Published by the Berlin Photographic Company Berlin. - London W.133 New Bond Street. - New York 14 East 23rd Street. [c.1900] Image 453 x 407 mm, Plate 530 x 465 mm, Sheet 575 x 500 mm mounted Plate 72 from ‘A Series of Ninety-One Photo-Gravures by the Berlin Photographic Company’ (London, c.1900).

From Burne-Jones’ ‘Perseus’ series. In ‘Doom Fulfilled’, Andromeda looks on as Perseus kills Cetus, the sea monster.

Condition: Light foxing and a small mark in left margin.

[33693] £650

42. The Rock of Doom Photogravure after Sir Edward Coley Burne-Jones Published by the Berlin Photographic Company Berlin. - London W.133 New Bond Street. - New York 14 East 23rd Street. [c.1900] Image 466 x 388 mm, Plate 537 x 444 mm, Sheet 587 x 501 mm mounted Plate 71 from ‘A Series of Ninety-One Photo-Gravures by the Berlin Photographic Company’ (London, c.1900).

From Burne-Jones’ ‘Perseus’ series. In ‘The Rock of Doom’, Perseus is shown encountering the naked and chained Andromeda.

Condition: Light foxing in left margin.

[33692] £650 43. On board the “Victoria” Augt. 11th 1862 9:30 PM Long W 5° 55” , Lat. N 56° 50” Etching attributed to Henry Tanworth Wells n.d. c. 1862 Image 105 x 154 mm, Plate 123 x 178 mm, Sheet 242 x 285 mm unmounted Henry Tanworth Wells (1828 - 1893) British painter and draughtsman. He was a part of the pre-Raphaelite circle and a memeber of the Royal Academy.

Ex. Col.: Hon. Christopher Lennox-Boyd.s [33921] £180

44. St. Gothard (Pass id Faido) Etching John Ruskin c. 1856 Image 123 x 180 mm, Plate 208 x 285 mm, Sheet 298 x 437 mm unmounted Proof of Plate 20 to the 1888 edition of Ruskin’s ‘Modern Painters’ (Volume V); etched state. No. 570 on a pasted lable lower left margin.

Condition: Light foxing in margins and plate not affecting the image.

[33805] £120 45. The Lake of Zug Etching John Ruskin after J.M.W. Turner c. 1856 Image 126 x 198 mm, Plate 208 x 285 mm, Sheet 298 x 437 mm unmounted

Proof of Plate 87 to the 1888 edition of Ruskin’s ‘Modern Painters’ (Volume V); etched state. No. 527 on a pasted lable lower left margin.

[33802] £130

46. St. Alban’s Abbey Church, South East View; 1885 Lithograph Emery Walker after Frederick Landseer Griggs 1901 Image 172 x 210 mm, Plate 208 x 231 mm, Sheet 357 x 406 mm unmounted Handwritten inscription beneath plate reads: To Walter Millard from F. L. Griggs, Aug: 1911.

Condition: RIBA stamp in lower centre of sheet.

Discolouration and tearing to edges of sheet, not affecting image.

[33472] £200

Portraits

47. Francesco Di Quesnoy, called il Fiammingo a Sculptor.....

Mezzotint Peter Van Bleeck after Sir Anthony van Dyck Published by [Peter van Bleeck] 1751 Image 316 x 242 mm, Plate 354 x 243 mm unmounted A masked proof. Lacking all lettering Without inscription: Born at Brussels in the Year 1594, and Died at Leghorn the 12. July 1643, by a Slow Poison given him by his Brother, who Confessed the Fact before he Suffered... Bellori.

Chaloner Smith 3, Lennox-Boyd state i/iii Condition: Superb impression. Repaired upper right corner.

[33887] £450 48. William Wilberforce, Esqr.

Mezzotint Charles Howard Hodges after John Rising [c.1791] Image 442 x 350 mm, Sheet 500 x 350 mm unmounted A portrait of the English politician and abolitionist William Wilberforce (1759-1833), holding a paper in his left hand lettered ‘Abolition of the Slave Trade’, and with his right elbow resting near another paper on ‘Africa’. Uncleaned inscription space.

Inscription beneath image reads: This Portrait of William Wilberforce Esqr. M.P. for the County of York / Engraved from a Picture painted by J:Rising for the Right Honb,,e Lord Muncaster, / is with all RESPECT dedicated to the CHAIRMAN and COMMITTEE of London; / and to all the Societies of the abolition of the Slave Trade throughout Great Britain, / by their obedient humble Servant / John Rising.

Chaloner Smith 34, Lennox-Boyd state i/ii, O’Donoghue 13, van der Feltz 726 Condition: Trimmed within the plate. Publication line trimmed off at bottom. Creases in sheet.

[33837] £650 49. [Robert Preston Esqr MP Deputy Master of the Corporation of Trinity House] Mezzotint William Dickinson after Gainsborough Dupont [William Dickinson, c.1797] Image 423 x 351 mm, Plate 480 x 355 mm, Sheet 533 x 387 mm unmounted Unfinished proof before all letters. The inscription space uncleaned.

A portrait of the M.P. Robert Preston (1740-1834), looking to the left, with his right hand resting on a table with an inkwell, papers and a globe. Through

lent.

[33803] £450

the window a lighthouse and a turbulent sea are visible. According to the British Museum, the lighthouse may be a reference to Preston’s involvement with the Corporation of Trinity House, an institution that provided navigational aids to the Royal Navy and the East India Company.

Robert or ‘Floating Bob’ Preston (1740-1834) was the son of Sir George Preston, 4th Bt., of Valleyfield.

In 1781, he was Elder Brother of the Trinity House.

He was also M.P. for Dover (1784-90), and Cirencester (1792-1806). He is best known for rescuing his family’s finances by making a fortune in the naval service of the East India Company. In later life he was a successful London insurance broker and ship owner. He worked at Frederick’s Place, Old Jewry, and Old South Sea House, London.

Lord Stowell described Preston to Lord Sidmouth in 1821, as ‘a plain, unaffected man, very friendly,’ who ‘lives in a style of great hospitality’. His house in Downing Street was sold during his lifetime to government, and used to accommodate the Colonial Office. He died in 1834 at Valleyfield, Perth, Scotland. He reputedly left around one million pounds.

Chaloner Smith 63, O’Donoghue 512/1, Russell 63.i/ ii, Lennox-Boyd state i/iii Ex. Col.: Hon. Christopher Lennox-Boyd Condition: Surface dirt to margins, otherwise excel-

50. [King James III and VIII James Francis Edward] Copper engraving after Alexis Simeon Belle Paris, c. 1700 Image 188 x 229 mm, Plate 188 x 230 mm, Sheet 194 x 237 mm unmounted Rare portrait of King James III and VIIIl, after Belle, in oval 125 x 102 mm; supported at right by an angel, which bears a ribbon with the legend ‘Thou shalt do no Murther’. With the engraved inscription: Alexis Simeon Belle pinx grave a paris / St. Mark Chap. 12. V. 7. / This is the Heir; come let us Kill him and the Inheritance shall be ours.

Richard Sharpe notes in his catalogue that the texts of Scripture in the print liken the Hanoverian occupants of the British throne to the wicked husbandmen of the parable of St. Mark xii (Sharp pg. 49).

Sharp 144 Ex. Col.: Hon. Christopher Lennox-Boyd Condition: the word “Pretender” had been written in manuscript in pencil in the oval frame around James and then erased.

[33772] £120 51. K. James the 2d.

Copper engraving and stipple George Vertue after Godfrey Kneller [c.1736] Image 285 x 180 mm, Plate 305 x 197 mm, Sheet 340 x 230 mm mounted A portrait of King James II (1633-1701) with inscription beneath reading: Drawn & Engrav’d by

52. Sr. Watkin Williams Wynn Bart.

Mezzotint John Faber the Younger after Thomas Hudson Price 2 Shillg. Sold by Faber at the Golden Head Bloomsbury Square. [c.1730] Image 307 x 252 mm, Plate 355 x 255 mm, Sheet 366 x 268 mm unmounted Sir Watkin Williams-Wynn, 3rd Baronet (1692-1749) was a Welsh politician and prominent Jacobite.

Ex. Col.: Hon. Christopher Lennox-Boyd Chaloner Smith 399.i/ii, O’Donoghue 3, Sharpe 669 , Lennox-Boyd state i/ii State before Faber’s address altered to Ryall’s Condition: Small creases to upper and lower left corners of sheet. Creases to centre left and right of image.

[33819] £300

Geo: Vertue from an Original Painting done for Secretary Pepys, and painted / from the Life by Sr. Godfrey Kneller Ano. Dni. 1688.

From Paul de Rapin-Thoyras’ ‘The History of England’ (1736).

Alexander undescribed, O’Donoghue 48 Condition: Marks in upper left corner and left margin. Small mark in upper centre of image.

[32889] £100

53. Lovat’s Ghost on Pilgrimage.

Mezzotint Samuel Ireland Publish’d according to Act of Parliament, June 15th, 1747.

Image 192 x 325 mm, Sheet 260 x 350 mm unmounted Inscription beneath title reads: Disguis’d thro’ Life, a Layman at ye Block, / My headless Trunk resumes ye Monkish Frock. / Doom’d for my Crimes in Pilgrimage to roam, / With weary Steps I seek my Native Home. / Where Vanity inscribes my Father’s Tomb, / But Justice now denies my Carcase Room.

Simon Fraser, 11th Lord Lovat (c.1667-1747), was a Scottish Jacobite and Chief of Clan Fraser. He was famous for his violent feuding and his changes of allegiance. In 1715, he had been a supporter of the House of Hanover, but in 1745 he changed sides and supported the Stuart claim to the crown of the United Kingdom. Lovat was among the Highlanders de-

feated at the Battle of Culloden. He was convicted of treason, and was the last man in Britain to be publicly beheaded, at Tower Hill, London.

BM Satires 2847 Condition: Trimmed to plate mark on left and right sides. Small tears and creases to edges of sheet, not affecting image.

[33570] £220

54. Major Gen.l James Wolfe, Commander in Chielf of his Majesty’s Forces in the Expedition against Quebec.

Mezzotint Rihcrad Houston after J.S.C. Schaak Printed for E. Bakewell & H. Parker,opposite Birchin Lane in Cornhil, T. Bowles in St. Pauls Church Yard, Jno,. Bowles & Son, in Cornhill, & Robt.

Sayer, at the Golden Buck, Fleet Street.

Image 300 x 248 mm, Plate 350 x 248 mm framed Chaloner Smith 128, Lennox-Boyd i/i Condition: some surface dirt and a repaired worm hole in left margin. Framed in original 18th century frame.

[33764] £650

55. [Lady] Mezzotint Anonymous c. 1750 Image and sheet 226 x 175 mm unmounted A whole length picture of a woman standing near the entrace to a grotto or temple, in a dress with her hair down and a turban with feathers on her head standing left foot pointed and right hand pulling her top back to reveal her breast, her left hand tucked behind her. In the background three figures surround a statue.

Ex. Col.: Hon Christopher Lennox-Boyd [33892] £200

56. Le Chevalier Michel Descazeaux Du Halley Etching Nicolas Beauvais after C. Banks 1747 Image 245 x 150 mm, Plate 320 x 230 mm, Sheet 381 x 278 mm unmounted Inscription to left of image reads: Le Chevalier Michel Descazeaux / Du Halley né, a Paris, le 10th. d’Aoust / 1710, et tiré, d’après nature, a la / Prison de la Fleet, a Londres, / par Mr. Banks Suedois, en 1746.

Inscribed beneath image with six lines of French verse.

Michel Descazeaux du Hally (1710-1775) was a French adventurer, who supposedly served in the Prussian army, but fled to England after duelling with a fellow officer. He was a prisoner in the Fleet, and wrote quantities of poetry, very little of which was published.

BM Satires 2852 Condition: Horizontal and vertical folds to sheet.

Small tear to lower edge of sheet, not affecting image, hinged to album page [33839] £200

57. George Frederick Handel Mezzotint after Thomas Hudson [c.1760] Image 256 x 218 mm, Plate 282 x 220 mm, Sheet 372 x 258 mm

unmounted First of two states. Before letters with cleaned inscription space.

Chaloner Smith not recorded, Lennox-Boyd state i/ii, O’Donoghue 433/14i/i, Russell ENA III 186 Ex. Col.: Hon. Christopher Lennox-Boyd Condition: Horizontal crease in sheet. Foxing and small tears to margins of sheet.

[33830] £300

58. George Frederick Handel Mezzotint after Thomas Hudson [c.1760] Image 256 x 218 mm, Plate 282 x 220 mm, Sheet 386 x 280 mm unmounted Second of two states. Completely reworked plate, with background curtain and tassel removed, and with no highlights on wig etc. Before letters.

Chaloner Smith not recorded, Lennox-Boyd state ii/ii, O’Donoghue 433/14, Russell ENA III 186 Ex. Col.: Hon. Christopher Lennox-Boyd Condition: Diagonal and horizontal creases in sheet.

Overall foxing and small tears to left, right and lower edges of sheet.

[33826] £300

second earl of Macclesfield. He began his career as a shepherd.

Chaloner Smith 6, Goodwin - James Watson 112. ii/iii, Lennox-Boyd state ii/iii, O’Donoghue 1, Russell 6.i/ii Ex. Col.: Hon. Christopher Lennox-Boyd Condition: Trimmed within the plate. Horizontal and vertical creases in image. Tear to left side of image.

Tipped to album page.

[33838] £500

59. Thomas Phelps and John Bartlett Mezzotint James Watson [c.1778] Image 346 x 275 mm, Sheet 350 x 279 mm unmounted An extremely rare double portrait of Thomas Phelps and John Bartlett. Phelps, seen whole-length in profile to the right, looks through the five-foot transit telescope in the observatory of Shirburn Castle, near Thame, Oxfordshire. Bartlett, on the right, notes down his observations.

Unfinished proof before all letters. Before the figures on the globe and dial.

Thomas Phelps (1694-1776) was an English astronomer. Born in Chalgrove, Oxfordshire, he began his career as a stableman in the service of Lord-chancellor Thomas Parker. In 1742 he was allowed access to the observatory of George Parker, second earl of Macclesfield. It was here that Phelps became the first in England to detect the great comet of 1743.

His observations of the comet on 23 December, were published anonymously in ‘Philosophical Transactions’.

John Bartlett (1721-c.1776) was assistant observer in the observatory at Shirburn Castle, to George Parker,

60. The Right Honourable Cadwallader Lord Blayney (Grand master of freemasons.)

Mezzotint Anonymous [c.1780] Image 346 x 276 mm, Sheet 386 x 281 mm unmounted Retouched impression, particularly around the eyes.

Inscription beneath image reads: The Right Honourable Cadwallader Lord Blayney, / Baron Blayney of Monaghan, Lord Lieutenant and Custos Rotulorum of the said County, / Major General of His Majesty’s forces, and Colonel of the 38th Regiment. / Grand Master of Free and Accepted Masons.

Cadwallader, 9th Baron of Blayney (1720-1775), Grand master of freemasons.

Chaloner Smith 25.ii/ii, Lennox-Boyd state ii/ii,

O’Donoghue 202/1 Ex. Col.: Hon. Christopher Lennox-Boyd Condition: Excellent impression. Trimmed to plate mark. Small tear to lower edge of sheet just into plate mark not affecting inscription.

[33822] £600

61. His Royal Highness the Duke of York Field Marshall, &c. &c. &c.

Mezzotint Simon de Coster after Johann Heinrich Schröder London, Published May 4. 1795, at J. Brydon’s Charing Cross.

Image 425 x 351 mm, Plate 480 x 355 mm, Sheet 492 x 367 mm mounted Inscription beneath title reads: Dedicated by Permission to Her Royal Highness, The Duchess of York.

Chaloner Smith 1.ii/ii, Lennox-Boyd state ii/ii, O’Donoghue 255/40 Condition: Some overall foxing to sheet. Small surface nicks possibly from broken glass.

[33840] £350

62. Carolus I.mus D.G. Ang. Sco. Fra. et Hib. Rex. [Charles I] Mezzotint John Smith after Anthony van Dyck Sold by I. Smith at ye Lion & Crown in Russell Street Covent Garden [c.1700] Image 297 x 250 mm, Sheet 343 x 252 mm unmounted Chaloner Smith 42.II, New Hollstein (Dutch & Flemish) 399.II (Van Dyck) Condition: Trimmed to plate mark. Foxing, small crease, and glue mark in inscription space.

[33816] £230 63. King James VI and I Copper engraving Simon van de Passe Ioh: Bill excudit. [c.1619] Image 245 x 168 mm, Sheet 280 x 171 mm unmounted Frontispiece to ‘A Collection of His Majesties Works’ (1619).

Inscription beneath image reads: Crounes have their compasse, length of dayes their date, / Triumphes their tombes, felicitie Sez fate: / Of more then earth, can earth make none paztaker, / But knowledge makes the King most like his maker.

Franken 682, Hind II.259.31, Hollstein 67, O’Donoghue 58

known for his engraved trade cards, portraits, and calligraphy.

[33757] £150

Ex. Col.: Hon. Christopher Lennox-Boyd Condition: Trimmed to image margins and laid to album page. Part of image missing near throne.

[33832] £200 Ephemera and Broadsides

65. Popery in Power! Or, Protestantism and Romanism Contrasted.

Woodcut and letterpress Anonymous London:-Printed and Published by H. Elliot, 475, New Oxford Street; Vickers, Holywell Street; Collins, Fleet Street; and Sold by all Booksellers in Town and Country .-Price One Penny. [c.1850] Image 345 x 545 mm, Sheet 450 x 583 mm unmounted An anti-papal satirical broadside, following the revival of Catholic bishoprics in England. On the left Martin Luther opens a curtain, revealing an attentive congregation in church. In contrast, on the right, the Pope opens a curtain, revealing Catholics burning Protestants during the Massacre of Saint Bartholomew in 1572.

Inscriptions and verses from G. M. Viner’s ‘Rochester Castle’ in three and five columns beneath image.

Condition: Tears to all edges of sheet, affecting publication line.

[33834] £200

64. Longmate, Engraver, No. 11, Noel Street, Soho Copper engraving Barak Longmate Longmate, London, n.d. c.1774-97 Image 53 x 78 mm, Sheet 68 x 97 mm unmounted An engraved trade card for either of the two Barak Longmate Snr. Barak Longmate 1 (1738-1793) was a engraver and genealogical writer. He was also

66. Three Pillars of Popery!!! May They Never Have Power in England!

Woodcut and letterpress Anonymous London:-Printed and Published by H. Elliot, 475, New Oxford Street; Vickers, Holywell Street; Collins, Fleet Street; and Sold by all Booksellers in Town and Country .-Price One Penny. [c.1850] Image 315 x 565 mm, Sheet 455 x 572 mm

London: Printed by P. White, 25, New-street, Bishopgate; and sold by F. Collins, No. 14 Newgatestreet; J. Nisbet, 15, Castle-street, Oxford-street; and J. Evans & Son. 42 Long-lane, West Smithfield. [n.d.

1820] Sheet 425 x 285 mm unmounted Condition: Horizontal and verticle creases and two ink stains in right. Repaired tear upper right.

[33936] £180 unmounted An anti-papal satirical broadside, following the revival of Catholic bishoprics in England. The Pope stands between Cardinal Wiseman and Dr Pusey, behind them are two scenes, one of the massacre of St Bartholomew, the other of the Torture Chamber of the Inquisition.

Verses from G. M. Viner’s ‘Rochester Castle’ in five columns beneath image.

Condition: Tears to all edges of sheet, affecting publication line.

[33835] £200

67. On the Death of His Late Majesty. George the Third.

Woodcut and letterpress Anonymous

General interest...

From Fireworks to Freemasonry

68. Afbeelding van het Theater en Vuurwek, opperigt inde Vyver van S’Gravenhage, aangestoken den zyn Alderkristelykste Majt. Louis de XIV door ordere vande Hoog: Mog: Heeren Staten General, 14,. Juny 1713, wegens’t fluyten der Vreede met Koning van Vrankryk, etc., etc.

Copper engraving Daniel Marot 1713 Image 152 x 257 mm, Plate 158 x 265 mm, Sheet 207 x 325 mm unmounted A Dutch print depicting the firework display put on in celebration of the Treaty of Utrecht in the Hague on June 14, 1713. The display occurs around a temple surmounted by figure of Peace with cornucopia, on island on the Vyver. Title and key inscribed in Dutch around the image.

Condition: Horizontal and vertical creases and light creasing throughout.

[33810] £60

69. A Free Mason, Formed out of the Materials of his Lodge Copper engraving with hand colouring Alexander Slade Publish’d according to Act of Parliam.t August 15th: 1754. By Tringham, No.36, Hosier Lane...

Image 300 x 192 mm, Sheet 315 x 200 mm framed Inscription below title reads: Behold a Master Mason rare Whose mystic portrait does declare The secrets of Free Masonry Fair for all to read and see But few there are to whom they’re known Tho’ they so plainly here are shown.

A caricature of a Freemason with the sun as a face, the legs are formed of two columns of the Jerusalem temple to represent stability. On them rests the English Bible, which is at the centre of freemasonry. Builder’s squares form the arms, to suggest square conduct. On them rests a builders level to support the head to illustrate that freemasons are level headed. A Lewis forms each hand; one supports compasses, form the other hangs a plumb line, which indicates that freemasons are upright. The lambskin apron is seen as the badge of innocence and the bond of friendship. The floor is made up of black and white square tiles, upon this is placed the rough ashlar on which is a gavel and chisel, a perfect ashlar in which is inserted a lewis, and a drawing of the 47th Proposition of Euclid.Text courtesy, Masonic Vibes.

Condition: Old pressed horizontal fold to bottom third of sheet. Framed in original 18th Century frame.

[33945] £695

70. The Battle of Edge-hill, 1642.

Etching Michael van der Gucht [c.1717] Image 216 x 305 mm, Plate 230 x 317 mm, Sheet 253 x 390 mm unmounted View of the battle of Edge Hill in 1642, probably from Edward Earl of Clarendon’s ‘The History of the Rebellion and Civil Wars in England’ (first published in 1717).

Condition: Discolouration to centre of image. Small tear in upper centre of plate mark.

[33545] £70

71. Combustion of a Steel Wire in Oxygen Gas.

Mezzotint Anonymous London, Published by Dr. Thornton, July.1.1809.

Image 287 x 250 mm, Plate 305 x 250 mm, Sheet 460 x 316 mm mounted Print of a covered glass jar set in a shallow dish, with a length of spiralling wire suspended from the lid. The wire burns at the end, in a circle of light with rays containing small bright particles.

Lennox-Boyd i/i Condition: Time toning to edges of sheet, not affecting image. Small tear to right edge of sheet. Crease in upper right corner.

[33702] £250

72. A Geographical Clock Shewing the Hour of the Day in any part of the World.

Copper engraving Anonymous [London: Printed for J. Johnson, G and J. Robinson, F and C. Rivington, G. Wilkie, J. Scatcherd, Longman and Rees, C. Law and J. Mawman. 1805.]

Image 97 x 73 mm, Sheet 137 x 86 mm unmounted A geographical clock with an attached movable dial in centre. Locations inscribed around the outer dial are as follows: Gr. Britain, Spain, Canary Isles, Azore Isles, Brasil, Caribbes, Virginia, Florida, Canada, Mexico, California, Gr. South Sea, Otaheite, Gr. South Sea, New Zealand, Gr. South Sea, Botany Bay, Japan, Phillipine Is., China, Bengal, Bombay, Persia, Russia, Turkey, Italy, Germany, France.

From Atlas minimus, or, A new set of pocket maps of the several empires, kingdoms and states of the known world [microform] : with historical extracts

relative to each / drawn and engrav’d by J. Gibson from the best authorities ; revis’d, corrected and improv’d, by Eman. Bowen Condition: Marks to lower left area of sheet. Stain to lower edge of sheet.

[33859] £120

73. An Exact Perspective View of Dunmow, late the Priory, in the County of Essex. With a Representation of the Ceremony, & Procession in that Mannor, on Thursday the 20 of June 1751.

Etching and copper engraving Charles Mosley after David Ogborne Publish’d according to act of Parliament Jan.ry 1752.

Image 300 x 525 mm, Plate 372 x 540 mm, Sheet 463 x 645 mm mounted Inscription beneath title reads: When Thomas Shakeshaft of the Parish of Weathersfield, in the County aforesaid / Weaver, & Ann his Wife came to Demand, & did Actually receive a Gammon of Bacon, / Having first kneelt down upon two bare stones, within the Church door, & taken the said / Oath, pursuant to the Antient Custom, in Manner & form prescribed as aforesaid.

With a description of the history of the custom in the left column, and’The Oath’ in two columns on the right.

Condition: Time toning to edges of sheet, not affecting image. Tears to left margin and corner of sheet, not affecting image [33842] £350 74. [Monumental Brass of Robert Long] Copper engraving Image 280 x 237 mm, Sheet 295 x 253 mm unmounted Engraving of the monumental brass of Robert Long (c.1574-1620), in the Church of St. Mary, Broughton

Gifford, Wiltshire.

A herald in the royal livery, holding a mace and a number of shields, looks toward Death, as he picks out a shield bearing the Long family coat of arms.

The inscription above the figures reads: Qui prodest (Mortue) Longo sanguine ceseri? Ut vivat post funera Virtus. [What profit is it to you, dead man, to be delayed with long life? When virtue may live after death].

The inscription beneath reads: Robert Longe Second Sone of Hen: Longe of Whad: / don in the County of Wilts Esq: Married Millesaint / Daughtr of Tho: Whitsey Preacher of Gods Word; By / Whom He Had III. Sones: Robert, Edward, Henry, Post / humus. He Died Ano. Dni. MDCXX. Noveber XIII. Aeta: Suae / XLVI. In Piouse Memory of Whome, His Mornefull Wife E / rected This More Loving, Then Costly Representation. / The Life of Mann is a trewe Lottarie, / Where venterouse Death draws forth lotts short & Longe, / Yet free from fraude, and partiall flatterie, / Hee shufl’d Shields of severall size amonge, / Drewe Longe: and soe drewe longer his short daies, / Th’auncient of daies beyonde all time to praise.

Condition: Horizontal and vertical creasing to sheet.

Overall foxing and staining.

[33559] £75

75. An Exact Copy of an Ancient Painting as large as the Life, in Hungerfords Chapel at the East end of Salisbury Cathedral.

Copper engraving with hand colouring Thomas Langley after J. Lyons Published according to Act of Parliament June 24.1748. Sold by J. Lyons in Sarum. Price One Shilling.

Image 253 x 177 mm, Sheet 270 x 192 mm unmounted A print of the medieval wall painting ‘Death and the Gallant’, from the Hungerford Chapel, Salisbury Cathedral. The chapel was established by Lady Margaret de Hungerford for her husband Robert Lord de Hungerford in around 1470. Other wall paintings included ‘St Christopher’ and ‘The Annunciation’.

The chapel, which was positioned on the north side of the Lady Chapel, was demolished during restoration work in 1789-90.

Condition: Time-toning to edges of sheet.

[33574] £45 British Topography 76. A Perspective View of the Execution of Lord Ferrers at Tyburn may 5th, 1760, fir the Murder of his Steward Etching with hand colour Anonymous Printed for Robt. Wilkinson, 58 Cornhill. [n.d. c.1760] Image 200 x 330 mm, Sheet 255 x 355 mm mounted

Laurence Shirley, 4th Earl Ferrers (18 August 1720 – 5 May 1760) was the last member of the House of Lords hanged in England.

Condition: laid to an old album page.

[33766] £150

77. A Perspective View of the Building for the Fireworks in the Green Park, taken from the Reservoir.

Copper engraving and etching with later hand colouring Paul Angier after P. Brookes Printed according to Act of Parliament, & Sold by P. Brookes facing Southampton Street in the Strand, & R. Sayer opposite Fetter Lane Fleet Street. [c.1749] Image 226 x 431 mm, Plate 270 x 443 mm, Sheet 320 x 486 mm unmounted View in St James’s Park of the music gallery and pavillions erected for the firework display that celebrated the Treaty of Aix-la-Chapelle in 1748. The fireworks are in action, with a spiked fence surrounding the area. In the foreground, fashionably dressed figures promenade and stand watching the display.

Condition: Two small marks in upper area of image.

[33811] £200

margin of sheet.

[33857] £120 Foreign Topography

78. A View of the Avon near Bristol Hott Wells 1763 Etching John Baptist Malchair 1763 Image 106 x 160 mm, Plate 121 x 175 mm, Sheet 148 x 201 mm unmounted A scarce view of the river Avon with two rowing boats on the left and a sailing ship.

From ‘XII Views consisting chiefly of the Environs of Oxford.’

Condition: Small mark to cloud in upper right corner of image.

[33858] £120

79. A View of y Avon near Bristol Etching John Baptist Malchair [c.1763] Image 99 x 152 mm, Plate 105 x 160 mm, Sheet 146 x 201 mm unmounted A scarce view of the river Avon winding between steep cliffs, with two men carrying fishing rods in the left foreground.

From ‘XII Views consisting chiefly of the Environs of Oxford.’

Condition: Some foxing to image and sheet. Small mark in upper margin of sheet. Small crease in left

80. The West Prospect of the Giant’s Causway in the County of Antrim in the Kingdom of Ireland Copper engraving Francis Vivares after Susannah Drury Published May 1st. 1777, by John Boydell Engraver, in Cheapside London.

Image 335 x 675 mm, Plate 415 x 693 mm, Sheet 475 x 750 mm mounted Inscribed beneath image with crest, twenty lines of descriptive text and: To the Right Honourable Alexander Mc.Donnell Earl of Antrim This Plate is humbly inscrib’d by S. Drury.

Republished state, first published in 1743.

Condition: Vertical crease as issued. Sheet trimmed to plate mark in upper right corner and new section of margin added.

[33795] £800

81. Hot Springs, Lake Hope, Auckland Watercolour Philip Henderson c. 1890 Image 117 x 192 mm, Sheet 123 x 200 mm

unmounted Signed ‘Henderson’ bottom right and signed and inscribed on verso in ink.

A watercolour sketch of the Hot Springs surrounding Lake Hope in Auckland, New Zealand.

Condition: Small loss to top right margin and bottom right corner.

[33898] £150

82. Singapore Steel engraving A.H. Payne after C. Graham c. 1858 Image 108 x 164 mm, Sheet 190 x 264 mm mounted From The Chinese Empire [33771] £120

83. Vûe de Siam et Divers Balons Copper engraving Anonymous A Paris Chez Diderot, Libraire, Quai de Augustines, a la Bible d’or. 1751.

Image 120 x 69 mm, Sheet 154 x 94 mm

unmounted From Diderot’s Histoire General Des Voyages ou Novelle Collection de Voyages par mer et par terre.....

[33799] £25 84. IV. Critical Position of H.M.S. Investigator on the North-Coast of Baring Island. August 20th 1851.

Chromolithograph William Simpson after Lieut. Samuel Gurney Creswell Printed in Colours by Day & Son, Lithrs. to the Queen. / London. Published 15th May 1854, by Day & Son, Gate St. Linc. Inn Fds.& Ackermann & Co. Strand.

Image 307 x 420 mm, Sheet 433 x 577 mm mounted Plate IV from a series published by Day & Son entitled: ‘A Series of Eight Sketches in Colour: together with a Coloured Map of the Route; By Lieut. S. G. Cresswell, of the Voyages of H. M. S. Investigator, Capt. M’Clure, during the Discovery of the NorthWest Passage’ (1854).

Condition: Excellent clean impression. No tears or repairs.

[33695] £2,000 IMAGE ON NEXT PAGE. 85. VIII. Sledging over Hummocky Ice, April, 1853.

Chromolithograph William Simpson after Lieut. Samuel Gurney Creswell Printed in Colours by Day & Son, Lithrs. to the Queen. / London. Published 15th May 1854, by Day & Son, Gate St. Linc. Inn Fds. R. Ackermann & Co., Strand.

Image 320 x 408 mm, Sheet 434 x 576 mm mounted Plate VIII from a series published by Day & Son entitled: ‘A Series of Eight Sketches in Colour: together with a Coloured Map of the Route; By Lieut.

S. G. Cresswell, of the Voyages of H. M. S. Investigator, Capt. M’Clure, during the Discovery of the North-West Passage’ (1854).

Condition: Excellent clean impression. No tears or repairs.

[33694] £2,000 IMAGE ON NEXT PAGE.

84. IV. Critical Position of H.M.S. Investigator on the North-Coast of Baring Island. August 20th 1851.

William Simpson after Lieut. Samuel Gurney Creswell Plate IV from a series published by Day & Son entitled: ‘A Series of Eight Sketches in Colour: together with a Coloured Map of the Route; By Lieut. S. G. Cresswell, of the Voyages of H. M. S. Investigator, Capt.

M’Clure, during the Discovery of the North-West Passage’ (1854). £2,000

William Simpson (1823-1899) was a British draughtsman, early lithographer, watercolour painter, journalist and antiquarian. He covered the Crimean war on behalf of Colnaghi’s but later joined the ‘Illustrated London News’. He covered the Abyssinian campaign (1868), Franco-Prussian war (1870-71), Modoc war (1873) and Second Anglo-Afghan war (1878-1880).

Captain Samuel Gurney Cresswell (1827-1867), was a Royal Navy officer. He was technically the first naval officer to cross the entire Northwest Passage. Robert McClure was in charge of the expedition but Cresswell reached England first.

85. VIII. Sledging over Hummocky Ice, April, 1853.

William Simpson after Lieut. Samuel Gurney Creswell Plate VIII from a series published by Day & Son entitled: ‘A Series of Eight Sketches in Colour: together with a Coloured Map of the Route; By Lieut. S. G. Cresswell, of the Voyages of H. M. S. Investigator, Capt.

M’Clure, during the Discovery of the North-West Passage’ (1854). £2,000

Japanese

87. [Binjin-ga] Nishiki-e woodblock Eizan, Kikugawa (1787 - 1867) c.1810 Ôban tate-e single [15.5 x 10.5 inches] framed Signature: Kikugawa Eizan Seal: Kiwame date seal A stunning early 19th Century woodblock print by Eizan with detailed gauffrage and elaborate kimono design.

[32322] £1,200

86. Kusatsu, Meibutsu tateba: Kusatsu, Famous Post House Woodblock Andô Hiroshige (1797-1858) c. 1831-34 (Tenpô 4–5) Oban yokoye Horizontal ôban; 22.1 x 34.2 cm (8 11/16 x 13 7/16 in.) framed Series: Tokaido Gojusan no Uchi : Fifty-Three Stations of the Tokaido Publisher: Takenouchi Magohachi (Hoeido) Signature: Hiroshige ga Station 53 on the Tokaido road. Condition: Remargined across the top and several repaired worm holes throughout.

[32687] £550

88. Kato Kiyomasa Toragari no Zu: Sato Masakiyo hunting tigers Woodblock Toyohara Chikanobu (1838-1912) 1877 Ôban tate-e triptych [Each sheet 9.5 x 14 inches] framed Signature: Chikanobu Hasimoto Sato Masakiyo known as Kato Kiyomasa (15621611), was one of the three senior commanders during the Seven-Year War (1592–1598) against the Korean dynasty of Joseon.

[32676] £865

an interesting and decorative chart with four hemispheres, two of the Western Hemisphere and two of the Eastern Hemisphere, depicting the the changes in the angle of the sun with the different seasons. The four elements Fire, Air, Water, and Earth are illustrated by allegorical representations in decorative cartouches in the four corners.

[33825] £100

89. Go-shita-yashiki haru no asobi: Spring Amusements at the Honorable Lower Palace Woodblock Utagawa Kuniyoshi (1797-1861) c. 1850 Ôban tate-e triptych [Each sheet 9.5 x 14 inches] framed Series: Shiki no uchi: The Four Seasons Signature: Ichiyusai Kuniyoshi ga Publisher: Hamada-ya Tokubei Censor Seals: Magome, Hama Condition: Excellent [32678] £1,050 Maps 90. A demonstrative View of the nature and manner of the 4 Seasons, and the variety of Day and Night.

Copper engraving Hinton, John Publish’d according to Act of Parliamt. for J. Hinton at the Kings Arms in St. pauls Church Yard 1750.

107 x 187 mm unmounted

92. Western Australia Fremantle Harbour Works Plan Showing Extent of Works Constructed and Provided For. Chromolithograph O’Connor, C.Y. [c.1901] 512 x 725 mm unmounted Text beneath image reads: H. J. Pether, Government Photolithographer, Perth W.A. / PROGRESS PLAN Revised to 31.12.1904.

Condition: Horizontal and vertical tears as issued.

Professionally repaired tear to centre of lower margin.

[33796] £300

91. A New Mapp of All the Earth Copper engraved Lea, Philip Sold by Philip Lea at ye Atlas & Hercules, London, [n.d.c. 1700] 91 x 159 mm unmounted From William Alingham’s A short account, of the nature and use of maps : as also some short discourses of the properties of the earth, and of the several inhabitants thereof : to which is subjoin’d, A catalogue of the factories and places now in possession of the English, French, Dutch, Spaniards, Portegueze and Danes, both in the East and West-Indies London : Printed, and are to be sold by Mr. Mount ..., Mr. Lea ..., Mr. Worgan ..., and William Alingham ..., 1698.

Condition: Some ink stains, printers crease, center fold crease [33758] £375

[33767] £100

93. Map of the Michigan Central abd Great Western Railways Great Central Route via Niagra Falls to all Points East.

Lithograph Mendel, Edward J.S. Thompson & Co. Printers 25 South Canal Street, Chicago. May 1st, 1878 287 x 406 mm unmounted Doublesided foling map detailing the Michigan and Great Western Railway.

Condition: Some time toning and lined with Japanese tissue.

[33768] £100

94. Chicago, Milwaukee St. Paul Railway and its Connections Lithograph National Railway Publication Company Matthews & Warren Com. Adv. printing House, Buffalo, N.Y. n.d. c. 1873 260 x 323 mm unmounted Condition: Verso of map lined in Japanese tissue.

Centerfold split.

95. Mexico.& Cusco regni Peru in novo orbe caput Copper engraved with hand colour Braun, George and Franz Hogenberg Antwerp, c. 1600 269 x 471 mm unmounted From part one of Civitates Orbis Terrarum and is the only view of the New World to be illustrated in the series. Tenochtitlan (Mexico City) and Cusco are shown at the time of the their conquest by the Spanish. Native figures are shown in the foreground, possibly including Atahualpha, the Inca king being held aloft on a covered throne in the view of Cusco.

[33105] £1,500

Sanders of Oxford

Rare Prints & Maps 104 High Street, Oxford. OX1 4bw www.sandersofoxford.com info@sandersofoxford.com 01865 242590