Architectural Portfolio

Page 1

PORTFOLIO R
Architectural Design Portfolio | Selected Work | 2016-2021
PORTFOLIO
u t v a T r i v e d i

B O U T A B O U T

EDUCATION

• Bachelor of Architecture (2021)

• Institute of Architecture and Planning, Nirma University Ahmedabad, Gujarat

• HSC Board (2016)

• Shree Swaminarayan Gurukul

• Bhavnagar, Gujarat

• SSC Board (2014)

• Shree Swaminarayan Gurukul

WORKSHOPS AND COMPETITIONS

Reschool(Volume Zero) Container Studio (Archdais,2021)

Stage and Set Design Furniture Design Pottery Film Appreciation

STUDY TRIPS

+91 9429094284

Indian rutvabtrivedi@gmail.com 1563/B-1, Siddhant Tenament, B/h Locmilap, Sardarnagar, Bhavnagar, Gujarat, India PIN: 364001

An ambitious, passionate and dedicated architect. Ready to engage in challenging design project and curious to explore the innovations and restoration of the spaces. Like to work with different design challenges and good at team work. The objective behind is to delve into new design dimension and learn from the experience to upgrade my knowledge and skills in architecture and design at a professional level.

SOFTWARE SKILLS

• Bhavanagar, Gujarat Autocad Sketchup

Adobe Photoshop

Adobe Indesign Revit MS Office EnScape

Documentation-Measure Drawing Luni,Jaisalmer(Dec’16) Pondicherry(Dec’17) Pol Houses ,Ahmedabad(Dec’18)

Documentation-Sketching/Photography/ Exploration Delhi, Chandigrah, Agra(July’17) Pune(Oct’18) Mumbai(Aug’19)

Intership Program

HAND SKILLS

Lumion Sketching Charcoal work Paintings

Hand drafting Model making

INTERESTS

Mansaram Architects, Bangalore (Dec’19-Ma y’20) Classical Dance(kathak) Music Sketching

Water Colour Paintings Travel Food

2 3
R U T V A T R I V E D I
17-11-1998
A

This portfolio is a compilation of different design projectsduring ten semesters of the study

As a designer, satisfaction is described as the capability to understand and create spaces while preserving its true identity and value, as well as the capacity to encourage people to understand the worth of places, and its own culture, identity, and aesthetic value rather than just the beautification of the place.

4 5
Contents Resume
An Elementry Journey Kala Sangam Urban Insert Material Studio Proffesional Practice Miscellaneous Work 02 06 10 16 20 24 32 00 01 02 03 04 05 06

An Elementry Journey from art to mind..... from work to play.....

Pune, India

Designers work studio whichcan break the conventional model for small office space, and create a space that fosters innovation, collaboration and productivity .

7
01

The concept here is to achieve interconnectivity, both physical and visual. Here, flexibility of spaces and volume is given by taking inspiration from lego blocks.

Different modules of containers are placed and positioned with respect to each other in such a manner that generates a playful elevation, while enabling the creation of unique spaces which helps in catering collaborative events and keep the dialogue between designers and people alive by providing flexibility to the function of the spaces. This flexibility also helps creating inviting atmosphere for the user.

Porosity is an aspect which was tried to be explores in the design through the arrangement of the container modules, so as to achieve the concept of visual connection. While physical connectivity was achieved by indirectly meandering movement through the very same arrangement.

Thus, by making a physical and visual connetion between spaces of different scale, and creating a permeable environment by developing a functional relation between different type and nature of spaces, an attempt has been made by creating an exciting line of movement and a meaningful journey fro the user through the design.

The studio have been envisioned in a distinctive material character and texture from used shipping containers as the key building material.

8 9

KALA SANGAM

An Indian Classical Art Institute

Bhavnagar, Gujarat India

The idea here is to create a classical center which is not only used as an institute but also as a city level public gathering spaces. Showcasing history and culture of a state and reviving of classical art in Indian history.

10 11 02 02

Bhavnagar is a coastal city on the eastern coast of Saurashtra Bhavnagar is renowned from its rich

religious and cultural heritage, thriving industries, and vibrant wildlife. The general slope dips towards the northeast at the apex of Gulf of Khambhat. They have a proclivity for art and culture which is also evident from the several artists and scribes that the city has nurtured

he typical standard bay of the building reveal both Hindu and Saracenic motifs. The balusters, the weather shade, the plinth and the bracket are of an Indian origin while the arch is Saracenic. The moldings of the cornice, the parapet and the ceiling have an European origin.

Art is rely on freedom and organization. But in order to not distort the vision due to freedom, line of discipline is must to introduce.

So, the formation of space are adjust according to the activities. The transition of spaces is unorganized to organized as the change in user which is students to community.

creating a thoughtful experience through dance and music, this canvas is the storyteller of modern India expanding the frontiers of tradition and art

A C B
A - Natyamandapa B - Arena Theatre C - View from the lake

MEANDERING TO ORGANIZE:

Here, the concept of meandering and organize inspired from the form of dance and music. Continuous flow of Nritya or Sangeet is meandering concept of classical art where as Pose is organized concept of the same. Art is rely on freedom and organization. But in order to not distort the vision due to freedom, line of discipline is must to introduce. So, the formation of space are adjust according to the activities. The transition of spaces is unorganized to organized as the change in user which is students to community.

The journey of different experiences through different volumes, landscape elements and modulation in spaces.

Modules are supported by 2mx0.5m concrete fins on the edges covered with layer of stone, so that from the out side one can onle sees the concrete sloping roof supported by stone wall. This structural system gives opportunities to have the large openings. Which can here generates visual connection towords the lake. Bellow wall section show the activities inside the kathak classroom and attached courtyard.

Project should serve civic imagination and cultural authority

Project is to create a classical centre which is institution for classical art as well it can contribute to public activities.

14 15
Wall Section Sectionsl Perspective of Classroom Area
FOCAL POINT: The rad bubble shows the focal point on the site, which is: 1. The Lake 2. The Hill 3. Entrt from secondary road The diagramme shows the visibility an acsess from different focal point Physical Conncection Water Chanel Separate two parts of site Visual Connection Courtyard Terraces Separate two parts of site Visual Connection PUBLIC-PRIVATE COURTYARD: SITE LOCATION NETWORK: Vehicular Road Water Chanel Pedestrian

URBAN INSERT

Enhancing public spaces

Bapunagar, Ahmedabad India

Developing the lake front and mosques as a community gathering green space and providing smaller breathing spaces amongst the dense fabric.

Providing a pedestrian connect to the area and retaining street character that belongs to Bapunagar.

Minimal road intervention and easy traffic movement.

Plot divisions and functional division to be done such that it adds value to the area and retains an essence of the existing character.

03

16 17

Neighborhood roads: Character of streets and roads in the residential zone.

Industrial roads: The character of roads, the vehicular movement and interaction with pedestrian footpaths.

Commercial roads: The character of pedestrian streets in the commercial zone.

18 19
C O M M E R C I A L I N D U S T R I A L P U B L I C
SPACS AND APPROACHES PART B
Pedestrian Green Axis Vehicular Access Road Cycle track and Pedestrian Access Plot No. Land Use & FSI Area (m2 ) Ground Cover Ground Cover (%) 1 Commercial 2.25 3708.97 1791.67 46 2 Industrial 2.25 10477.42 4714.90 45 3 Industrial 2.25 10285.56 4628.5 45 4 Public Activity Centre 2.25 15361.63 5991.03 39 Plot No. Land Use & FSI Area (m2 ) Ground Cover Ground Cover (%) 1 Commercial 2.25 3708.97 1791.67 46 2 Industrial 2.25 10477.42 4714.90 45 3 Industrial 2.25 10285.56 4628.5 45 4 Public Activity Centre 2.25 15361.63 5991.03 39
Total Site Area: 44297.83m2 PROGRAMME PART B OPEN

MATERIAL STUDIO - Mud Research Centre

Ahmedabad, Gujarat India

Aim of this exercise is to learn the possibility and limitation of the material. Also to explore how a material can add value to the space. Mud is an organic material and can create an organic design. Have some structural limitation for roof and supporting wall. So, in this design efforts have been made to create the essence of material and give value to the space.

20 21
04 04

In the design, plinth modulation has been used to create seating spaces and other supportive activities. The design also cater to different functions through the medium of different spaces.

Openings of the modules have been created in a way that it can used as a sitting and children can use it very well.

And through design the quality of material has tried to sustain and it function with the functionality of the material.

22 23
Section CC’
C C’

PROFESSIONAL PRACTICE

DEC’19-MAY’20

Manasaram Architects, Bangalore India

Principal Architect: Ar. Neelam Manjunath

‘Manasaram Architects’ is committed to fight back climate change by promoting the use of locally abundant, easily renewable, low energy materials. Working with natural materials in itself has been an eye opener and put us on the path back to our roots.

24 25 05
Bamboo Symphony - The Office

PEGASUS, Chickbellapura, Bangalore

Building Type: Workshop

Built–up Area: 13050 sqft.

Status: Completed (2020) Pegasus Academy has chosen us to renovate their existing facility with a better use of Sustainable materials such as Bamboo, Mud, Thatch and various other materials. There would be event spaces, as pavilion structures designed to fit in the lap of nature. Each of the structures was designed keeping the local context, material and climate in mind to create a holistic sustainable development.

ROLES:

• Pegasus circular

DEI HALL 1 TRUSS MODEL FROM BAMBOO STICKS Scale - 1:100

DEI HALL-1 AND DEI HALL-2

DayalBagh, Agra

DEI HALL-1

Built-up area: 8000sqft. Span: 84 feet

Status: On-Going

DEI HALL-2

Built-up area: 4080sqft. Span: 64 feet

Status: On-Going

The project utilizes traditional construction methods with pioneering ground breaking design and new use off Bamboo. The design is deeply rooted into the environmental context, carefully negotiating the site cues, bamboo capabilities to crete a structure that works symbiotically with the site.

ROLES:

• Physical model of Hall 1

• Graphic for both the halls.

28 29
Flooring Layout
Handled Lighting fixture project for circular hall
Yellow Oxaide Flooring Grey Oxide Flooring Bamboo Banches Entry Points
Designing central lighting fixture for the

IBUKU-BALI, INDONESIA

DOCUMENTATION:

Made a set of drawings from the photograh of the structures through which one can understand the stucture and it’s joinery.

T.O.B +16'-3"

10 1 4 1'-2" G.LVL +0'-0" T.O.PLINTH +1'-0"

TRUSS

NOS.

BAMBOO COLUMN

BAMBOO TRUSS 4" BAMBOO SPLITS BUNDLE OF 10 NOS. BEATEN

BAMBOO

T.O.B +16'-102 6'-5 1 2 6'-5 1 2 4"Ø BAMBOO RAFTERS 3"Ø BAMBOO RAILING TOP - BOTTOM 4"Ø BAMBOO RAILING STONE

30 31
RCC FOOTING 1:2:4 2" THK PCC/SUB BASE MS PIPE 2"Ø 4' LONG 14GAUGE 8MMØ TMT ROD STONE 8MMØ THREAD ROD 6"Ø BAMBOO COLUMN NO.OF 2 CEMENT GROUTING 4"Ø BAMBOO TRUSS 6"Ø BAMBOO COLUMN 10MM THREAD ROD A A' B' B 27'-5" 20'-4" 3'-5" 1'-6" 10'-6" 1'-6" 3'-5" 3'-12" 5'-7" 8" 4'-8" 1'-0" 2'-0" 3'-73 4 5'-0" 3'-5" 3'-5" 6'-5 1 2 10'-4" 1'-10" 1'-0" 1'-0" 9 EQ DIVISION 8 EQ DIVISION 27'-5" 20'-4" JUTE THREAD (Tied in 2"thk.) 4"Ø BAMBOO RAFTERS "x4" BAMBOO SPLITS (10 in no.) 1"=1'-0" Foundation detail DETAIL A 3 1"=1'-0" Truss joinery detail DETAIL 2 5 1/2"=1'-0" Security Cabin-Bali FLOOR PLAN 1 1/2"=1'-0" Security Cabin-Bali REFLECTED PLAN 2 1"=1'-0" Roof detail DETAIL 3 4 BEATEN BAMBOO 4 LAYERS 4"Ø BAMBOO RAFTERS 4"Ø BAMBOO TRUSS 6"Ø BAMBOO BEAM 8"Ø BAMBOO RIDGE BEAM 6"Ø BAMBOO RIDGE BEAM 4"Ø BAMBOO BEAM BUNDLE OF 2 NOS. " BAMBOO SPLITS BUNDLE OF 10 NOS. 6"Ø BAMBOO COLUMN 3"Ø BAMBOO RAILING STONE 14'-4 1 2 1'-0" 9'-6" 1'-0" 3'-0" 1'-9 1 4 9'-8" 10 1 4 1'-2" G.LVL +0'-0" T.O.PLINTH +1'-0" T.O.B +16'-3" T.O.B +16'-102 6'-5 1 2 6'-5 1 2 4"Ø BAMBOO RAFTERS 3'-9" RIDGE OF BEATEN BAMBOO OF 8"Ø 6"Ø BAMBOO BEAM 4"Ø BAMBOO BEAM 4"Ø BAMBOO TRUSS T.O.B +16'-102 1/2"=1'-0" Security Cabin-Bali SECTION AA' BEATEN
4
4"Ø
4"Ø
6"Ø
8"Ø
4"Ø
4
3"Ø
ROLES:
• Workout the details • Drafted the structures
BAMBOO 3'-9" 1'-0" 2'-11 1 2 1'-1" RIDGE OF BEATEN BAMBOO OF 8"Ø 6"Ø BAMBOO BEAM 4"Ø BAMBOO BEAM 4"Ø BAMBOO
LAYERS 4"Ø BAMBOO BEAM BUNDLE OF 2
BAMBOO RAFTERS 6"Ø
BAMBOO BEAM LAYERS 15'-4" 8'-3" 2'-12" 3'-0" 1'-0" 10'-10" 1'-9" 8" 5'-10" T.O.PLINTH +1'-0" T.O.B +16'-10 " T.O.B +13'-2" G.LVL +0'-0" 9'-6" DETAIL DETAIL 2 DETAIL 3 1/2"=1'-0" Security Cabin-Bali SECTION AA' 1/2"=1'-0" Security Cabin-Bali SECTION BB' 2 Multi functional hall at Bali designed by Ibuku Security shed at Bali designed by Ibuku
BAMBOO RIDGE BEAM 6"Ø BAMBOO RIDGE BEAM
BAMBOO BEAM BUNDLE OF 2 NOS.
BAMBOO SPLITS BUNDLE OF 10 NOS. 6"Ø BAMBOO COLUMN
BAMBOO RAILING STONE
14'-4 1 2 1'-0"
9'-6" 1'-0"
3'-0"
1'-9 1 4
9'-8"

MISCELLANEOUS WORK

32 33
06 06
34 35

Bamboo hand book with cloth stiched cover

Physical model of typical residential builtform, Bhutan

Material: Mud, Wood, Glass

Stage and Set Design

METASLUM: Graphics for the project designed for competiton entry.

Bengaluru, being the fifth largest metropolis in India, still has a significant part of its population living in slums. The action being taken by the government in India has been certainly important in raising the poorer’s quality of life.

Solution - Meta, from Greek, means beyond. The Meta Slum is a response that provides a better infrastructure for the jhuggi inhabitants, respecting their origins. Commercial interaction, colours and traditional materials are essential prerogatives of the project.

Project name: An Accidental Death of Anarchist.

Location: Tagor Hall, Ahmedabad

The task is to design the set for the given drama which have been of the time of de constructivism . So, here trying to show the atmosphere of that time by design the interior of that era.

36 37
Bamboo picture frame

R e l a t e d S t u d y P r o g r a m m e I

[Measure drawing documentation of traditional, vernacular houses of Jaisalmer, Pondicherry and Ahmedabad]

Luni, Jaisalmer- 2016 Project Partners: Zeel Jani, Hemil Ganatra, Nandini Dave

Pondicherry-2017 Project Partners: Yatri Dangi, Rahul Shrivastava, Riya Chaudhary

Ahmedabad- 2018 Project Partners: Devanshi Gajjar, Riya Makwana, Devanshi Khant

N D I A 6.1 6.1

38 39

JODHPUR (LUNI)-THE BLUE CITY

Jodhpur is an ancient city and have an organic planning of the city.

The study is of Luni, town near jodhpur; and is about how the spaces function with respect to each other and to understand the typology of the houses.

The building usually consists of a living room, a bed room and a store room. Constructed in stone, and covered in lime plaster, these houses also use dry grass as a roofing material.

Typical Door

Local materials like mud bricks and dungs of animals as floors for their houses.

Plans

Different open spaces for their day to day work and jali-window for ventilation.

40 41
Elevation
Decorated iron sheet door in local village residences.

PONDICHERRY-THE COLONIAL CITY

Pondicherry is the chief city of Union Territory from colonial time so, it contains mixed community of Tamil and French. The community have divided through the middle canal.

By analysing Pondicherry one gets to understand the typology of Tamil and French community and their life style. It also helps in analysing the contextual response with respect to the Arebian sea. The common element in the Tamil houses are centra coutyard.Courtyard serves multi purpose like living room, public gathering, play area for children.

Main construction material are local wood with stone foundation.

Wood carvings on windows and doors and also carved balustrade and railings gives additional value to the interior and facade of the house.

Now a days concrete take place in reconstruction and new construction.

42 43
RSP 2017 - 18 PONDICHERRY I A P N U GUIDED BY : YATRI 16BAR029 RUTVA 16BAR080 COMPILED BY : 0 0.5 4 M 1 2 RIYA 17BAR042 RAHUL 17BAR077 H06 04 JITESH M. DHAVAL C. BULBUL S. DARSHAN A. MAULIK P. SECTION BB' RSP 2017 18 PONDICHERRY GUIDED BY YATRI COMPILED BY 0 0.5 M RIYA H06 DHAVAL C. DARSHAN A. DOOR BACK ELEVATION DOOR FRONT ELEVATION DOOR SECTION WINDOW ELEVATION N Type of columns in local tamil community houses. Local tamil house facade in pondicherry. Colorfull facade of houses in french community. Door Detail Plan Section AA’

World Heritage City, Ahmedabad. The city’s Pol Houses are the oldest forms of community living in the city. Constructed majorly in wood, these structures are more than a century old. Intricate carvings, climate responsive building elements and the amount of interaction they allow, are the three features these houses are famous for.

The documented house was around 150 years old, and was a 3 storey structure primarily constructed in wood. It is situated near Astodia Darwaja. The house has a courtyard that allows wind circulation. Currently, it has been rented out to different families and the ground floor is used as a godown and storage area by a paper distributor.

44 45 ELEVATION ELEVATION SECTION CC' 2542 2490 2484 50 LEGEND PROJECT: Documentation of WHC UNIVERSITY: KEY PLAN SCALE DRAWING NAME: DATE: DRAWN BY: CHECKED BY: DRAWING NO.: Millimeters unless specified otherwise NOTES WARD NO KHADIA SURVEY NO Metal cut Conjectural line Wood cut Metal wood Wall Distress Plumbing DATE: INSTITUTE OF ARCHITECTURE PLANNING, NIRMA UNIVERSITY, AHMEDABAD FACULTY MEMBERS SECTION CC' 934/CC'/08 21/12/2018 ASHISH PURVI JADAV PARAG MISTRY 18BAR045 DEVANSHI G. 16BAR057 934 SHESH SHAHI BHAGWAN NI POL DEVANSHI K. 16BAR061 RIYA M. 16BAR072 RUTVA 16BAR080 JVALANT 18BAR049 JAINAN P. 18BAR062 (Road Level) 1 50 LEGEND PROJECT: Documentation WHC UNIVERSITY: KEY PLAN SCALE DRAWING NAME: DATE: DRAWN BY: CHECKED BY: DRAWING NO.: Millimeters unless specified otherwise NOTES WARD NO KHADIA -2 SURVEY NO Metal cut Conjectural line Wood cut Metal wood Wall Distress Plumbing DATE: INSTITUTE OF ARCHITECTURE PLANNING, NIRMA UNIVERSITY, AHMEDABAD FACULTY MEMBERS SECTION CC' 934/CC'/09 21/12/2018 ASHISH C. PURVI JADAV PARAG MISTRY 18BAR045 DEVANSHI 16BAR057 934 SHESH SHAHI BHAGWAN NI POL DEVANSHI 16BAR061 RIYA M. 16BAR072 RUTVA T. 16BAR080 JVALANT D. 18BAR049 JAINAN P. 18BAR062 SECTION D01 JALI 1 : 20 LEGEND PROJECT: Documentation of WHC UNIVERSITY: KEY PLAN SCALE DRAWING NAME: DATE: DRAWN BY: CHECKED BY: DRAWING NO.: All dimensions are in Millimeters unless specified otherwise NOTES POLWARD NO - KHADIA -2 SURVEY NOMetal cut Conjectural line Wood cut Metal wood Wall Distress Plumbing DATE: INSTITUTE OF ARCHITECTURE & PLANNING, NIRMA UNIVERSITY, AHMEDABAD FACULTY MEMBERS JALI DETAIL 934/DET/15 21/12/2018 ASHISH C. JVALANT D. JAINAN P. PURVI JADAV PARAG MISTRY 18BAR045 18BAR049 18BAR062 21/12/2018 DEVANSHI G. DEVANSHI K. RIYA M. 16BAR057 16BAR061 16BAR072
RUTVA T. 16BAR080 SECTION
SECTION AA'
SHASHA SHAHI BHAGWAN NI POL 933
AA'
N
AHMEDABAD-THE HERITAGE CITY Jali
Plan Door Detail Elevation
Detail
Section cc’

P a i n t i n g s

46 47
6.2

S k e t c h e s

48 49
6.3

P h o t o g r a p h y

50 51
6.4
RUTVA TRIVEDI rutvabtrivedi@gmail.com +91 9429094284

Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.